#father and son is more like it

[kitsune1818]

Not for inktober, ive been keeping some mha art for myself for some time now (mostly because they are [for me] wips).

This is an AU that ive been thinking for a while now.

Touya story is mostly the same. Except that there is no Shouto (yet), Rei had a two miscarriages after Natsuo, which led her to having her uterus removed and, because Endeavor attitude, a nervous breakdown.

Touya still burns on Sekoto Peak, but he doesnt return home. When he wakes up, he finds a package with information on Endeavor and his pet project.

Shouto is an engineered baby, made with Touya and Fuyumi genetic make up.

Touya does find the lab and 3 non viable babies (keep in what looks like jars, like some horror movie) but the 4th seems to be going well. Touya steals the pod and burns the place down, swearing that Endeavor will never get his hands on his masterpiece.

He tells himself that he is going to dispose of the baby... but he never actually doest it.

Shigaraki finds Touya (exhausted and starved) in the streets and takes him in after a brief confrontation. They bond over their hate for heroes.

In this AU, AFO does die in his battle with All Might, so his influence on Tomura is less on the murderous side and more on the want to tear things down and remake them. The league still forms, they are still considered terrorist, but they are more about tearing down heroes than just murdering All Might.

For Shouto, Dabi is his dad and Dabi, knowing how Shouto was made, doesnt deny the claim. For him the league are his family.

Everything is fine in the world... until the league kidnaps Bakugo (to make a point).

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[langernameohnebedeutung]

ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.

[lilianade-comics]

snippets of post AGIT Cheese Melt because, well, I'm predictable. Also featuring post AGIT Dan because I love him~

[theshamblewithsybles]

YOU think they have a beautiful bromance I think they are approximately .5 seconds away from fucking raw on national television. We are not the same.

[strawberrryangel]

cas and jack sitting in the kitchen slow blinking at each other. dean walking in, grabbing a beer, and walking back out. sam is like what the fuck are they doing. dean is like yeah they do that. they’re bonding. leave them alone.

[foursaints]

addicted to thinking about regulus black as a living wound. he’s an erased act of history. he’s defined only through three separate acts of betrayal, first his brother, then his family, his friends. he is a massive scar on the life of anyone who was close to him and he leaves those marks on everything he touches. the reader can only really get a sense of who he was by tracing the exit-wounds he left on the lives of other people… he isn’t haunting the margins of the story because he walked away from it, with purpose, a long time ago. he’s a fragmentary text of which translation will always be approximate. he is the fact that even the oldest, healed-over, invisible wounds will be reopened through exposure to scurvy, too much time spent at sea. he’s the burnt edge of a manuscript! he’s the scar that unknits itself when proteins denature!!

[almondpiglet]

HAPPY BIRTHDAY DEAREST REIGEN!!

everyone thanks you for entering their lives :')

[maedhrus]

it strikes me once again in episode 10 when crozier says that he "knows little's nature" and that he would be there with men and guns at day's end, he's absolutely right. he does know edward's nature. it's almost exactly what little said to rally the men, "we have hickey's camp outnumbered and outgunned." edward is ready to march all the men he can gather to rescue crozier, just as francis thought he would. what crozier doesn't know is le vesconte's nature. he doesn't know the nature of the men. he isn't aware that edward himself is being mutinied against because he's once again unable to see the similarities between himself and his second. because, just like in terror camp, he's placed expectations on edward without realising that the context in which edward is operating has very drastically changed. he's thinking of edward's loyalty but not edward's own duty to the men (a duty crozier shares!) and that edward's orders don't exist in a vacuum. it's just the debate about arming the men played out again but with debatably worse consequences

[lilithofpenandbook]

Something about Dumbledore being so hard on Snape

Dumbledore being scornful of Snape even when Snape was on his knees

Dumbledore emphasising that Snape made a mistake and must pay for it

Dumbledore who kept reminding Snape of his mistake even when he was grieving Lily

Dumbledore who didn't just let Snape change sides, he needed Snape to change his heart

Dumbledore who made the same mistakes as Snape and has been living in guilt ever since

Dumbledore who realised Snape was following in his footsteps

Dumbledore who may have started out thinking of Snape as cowardly or selfish but soon grew to trust him

Dumbledore who gave Snape half truths because if worst came to worst then Voldemort would have all the information right on his arm

Dumbledore who trusted Snape enough to not lie to him about the fact that he wasn't telling him everything even though he knew Snape resented it

Dumbledore who trusted Snape so much he knew that even if Snape resented him he would not betray him

Dumbledore who left everything he worked for in Snape's hands knowing it would be safe

Dumbledore who asked Snape to be the one to kill him, not just to save Draco's soul but for his own sake

Dumbledore who chose to die but only at the hands of someone he had grown to love

Dumbledore who once saw Snape as a desperate selfish boy that disgusted him

Dumbledore who made Snape his heir

Dumbledore who made Snape his.

[lucksea]

havent decided how i want the introduction to go yet but i imagine it would roughly be one of these two

[queenvhagar]

Something I've realized about the women characters of HOTD is that they seem to be aware of modern politics and sensibilities in that they seem to be detached from their time and place in a sense.

Realistically, women in these worlds would want the same thing men do in the situations that they're in. When their families' lives are threatened, when their power is threatened, they are willing to go to war. They want vengeance and justice. They want their enemies to pay for what they've done. They want power and security for themselves and those dear to them. Some have hard power, like dragons or skill with the blade, that they can and will use to achieve their goals. In ASOIAF this is Daenerys, Brienne, Arya, and more. Some have soft power, like charisma, influence, and political knowledge, that they can and will achieve their goals. This is Cersei, Sansa, Margaery, and more. All of these tools and weapons are willingly yielded by their users to help themselves and their families to survive and to thrive.

Yet the women of HOTD seem to view these things differently. They stay stuck on the fact that men don't listen to them, instead of using the tools available to them to do anything about it and help themselves as GOT characters would. When Rhaenyra is talked over by her small council, instead of making a show of force or demonstrating her ability to lead and make competent decisions about warfare, all she does is accept what others tell her to do and then complain about it in private. When Alicent is ignored in the small council, instead of using her influence to convince her vulnerable son the king to do as she wants, she puts him down and isolates herself further. Despite the many decisions that these women could take to help themselves or act in any way that could help their situation, they are stagnant and passive.

It's almost as if these women are stuck on their victim status, in that they view themselves as victims in ways that the GOT women have either long accepted as truth or have been socialized to view differently. The women of HOTD know it's not okay for women to be talked down to, they know it's not okay for women to be interrupted or ignored, they know it's bad that nobody takes them seriously, whereas this is barely a thought of the GOT women, for whom it is a part of the world they've already adapted to and they know how to navigate around. Somehow it seems like the HOTD women are consistently shocked and surprised into inaction by the very fact that sexism exists in their world, despite the fact it's been there their whole life and they've never known differently.

This is what I mean when I say that the women of HOTD feel as though they're separate from their time and place. It's as if they exist outside the narrative, outside of this time and place somehow, based on the decisions they make and the way they behave. Instead of acting as others would in their time and place, they frequently seem as if they are aware of modern sensibilities and politics and it's these things that guide their thoughts, decisions, or dialogue. Their awareness of this prevents them from going to war when they have good reason to want to, and realistically any woman in this universe would willingly go to war, and it makes them say certain things that seems almost out of place in the context of the time and place that sound at times as if the writers are using them as a mouthpiece.

Yet the men of the story behave more faithfully to time and place. They desire action, they desire vengeance, they are allowed to feel angry for themselves and they are allowed to want power for the sake of it. They get to be more fully fleshed out in their motivations and personalities. They're believably a part of this time and place. The men behave no differently than the men of GOT save differences in character and context, but the women are so distinctly different from the women of GOT in terms of how they're allowed to feel, speak, and act.

[kacievvbbbb]

honestly you would think Rayleigh gave birth to shanks the way they are just exactly the same person right down to their alcoholism, penchant for scheming love of sandals and other generally horrible fashion items.

In a world where Mihawk meets Shanks first, he later goes to challenge old man Rayleigh and it all starts to click into place. like "oh you're the reason I'm stuck with that" point to Shanks wearing an outfit a pattern blind person put togther.

[kaeyachi]

There's something alarming about the continuing trope of an Alberich father putting their hopes and dreams on their sons, but their sons are dreaming of something else like, oh, I don't know, living a normal life? Not finding the world unfair? Have no burden concerning their lineage?

[hyperblue]

one thing that I've been constantly thinking about is timkon clone baby looking like kon's little copy until they become older and slowly start to look more and more like tim. and tim is not sure if he loves or absolutely hates it

[couch-house]

accidentally calling your teacher dad except he's actually your dad so nobody thinks it's a big deal but you still feel like you just called your teacher dad in front of all your friends and they won't think you're cool anymore even though you're pushing 30 and none of your friends think you're cool anyway.