#fate enchantress

[nina245]

2 Enchantress/Remnant of Fate doodles bc I love her design (I love purple villains) and also don't usually see many fanarts of RoF ver. and I wanted to give it a try.

[splooosh]

“Millennium”

Jerry Bingham

[stardestroyer81]

With the recently announced Shovel Knight: Shovel of Hope DX, I figured there's no time like the present to bring an old favorite back into the spotlight... hey, Yacht Club Games! How about another character to play through the first campaign as? I have just the girl for the job...

Making her first appearance on this blog since 2020, witness the return of the Fated Acolyte, now sporting a brand-new look! 💜🖤💜🖤💜

[dc-multiverse-week]

Earth-13: A magical Earth with 13 hours in a day and 13 months in a year. This Earth is home to Etrigan who goes by Superdemon and the League of Shadows.

[aboutzatanna]

The Conclave, a very short lived team of mystic heroes and villains who worked together and of which Zatanna was seemingly the chair of.

She is also dressed liked Xanadu here.

From Books of Fate #6:

[zonaperdida]

Jerry Bingham, The Spectre #11, 1988.

[welcometomeloxia]

[mielmoto]

honey isn't exactly open with her fey nature in many settings, aside from high fantasy settings where it's closer to the norm— but given the fate and history of most seelie / adjacent races in genshin, i think she's particularly guarded about it in that setting... which is yet another reason (among many) why she's not uber comfortable in the presence of archons, or adepti and other especially attuned beings, for that matter.

like. if she can look at someone else and think 'i know what you are,' she's probably nervously sweating because she's pretty sure that means they could look at her the same.

[brittle-doughie]

Since we had that story of Y/N Cookie wanting to keep the Ancients from going out and getting themselves killed up against Dark Enchantress Cookie, how about something similar with the Beasts?

>The Beasts get corrupted

>Y/N Cookie, not corrupted, tries to fight them, and fails

>cue them starting to die

>Beasts start panicking, completely overestimating how much Y/N Cookie could take

>Y/N Cookie, in their last moments, wishes they could’ve done more to help the Beasts not get corrupted before finally going

>Witch(es) stumble upon this scene, seeing their greatest cookie having been crumbled, along with whatever other carnage is around

>cue literally everything else

Being sealed away with the guilt of spilling jam from the cookie you all loved the most fresh on your mind? They are NOT gonna be doing so hot in there.

The Tale of the Forced Hand (The Five Beasts)

Witch’s Castle witches are pretty neat.

“The story begins when this very Silver Tree was only a small sapling…When the World of Desserts was at its infancy.”

“The Witches baked six Cookies to help them in their creation of the world.”

“..harness the radiance bestowed upon you for the betterment of this world…”

“And the six Cookies imbued with absolute powers walked Earthbread as almighty envoys of the Great Creators.”

“Knowledge, Volition, Compassion, Happiness, Change, and Solidarity.”

“The Dessert World bound by these Five Virtues was nothing short of paradise.”

Gingerbrave and Wizard Cookie chimed in with their responses.

“So those six Cookies were the original owners of the Soul Jam?”

“Huh…Those “Six Virtues” are different from those of the Soul Jams. There’s six of them, yet only five today…”

“The Virtue of Compassion is what held the other Virtues so closely together, cherishing each of them equally as much.”

“Alas, for they and the perfect age were short-lived. Absolute power begets nothing but arrogance. It inevitably corrupts its wielder, bringing them to the most tragic of ends…A fate even the Witches were unable to foresee.”

“One by one, the Five, once regarded as saviors of the Cookie World, gradually turned to Darkness. And thus, the Five Virtues, too, became distorted, twisted…reduced to Deceit, Apathy, Sloth, Destruction, and Silence….”

Strawberry Cookie shuddered in worry at the mere mention of the fallen virtues.

“Deceit, Apathy, Sloth, Destruction, and Silence..that sounds really scary…

“Wait, what about the Virtue of Compassion? They weren’t evil too, were they?”

“The Virtue of Compassion was able to prevail against their descent into Darkness with their Soul Jam, whereas now the Five Beasts, the apostles of evil, began their dark crusade…”

“The Witches asked of Compassion to protect the Cookie World from the Beast Cookies, lending them what strength they could give.”

“Compassion fought bravely against the Beasts, blocking each of their blows and resisting their sickly whispers…But it was only a matter of time before Compassion slowly began to whittle…”

———————————————————————

“Come on, snap out of you all! This isn’t what you guys once were!”

“What’s the big deal, silly willy~ There isn’t anything wrong with dabbling yourself in a little bit of Darkness, you should try it with us!”

“No! This isn’t you! You were all my best friends! Come to your senses! Now!”

“It pains me to see you still cling onto false hope that you’re different than the rest of us, darling~ Can you just let go and become who you really are? For me~?”

“I can’t…I cannot forsake my oath to protect the Cookie World. You all know that! Cookies that want happy lives, don’t you want that?”

“They will all meet the same fate in the end, reduced to nothing…the futility of all this should be clear to you…”

“As if! It isn’t pointless to live life the way you want it to! It’s how you spend it and make the most of it!”

“They will all crumble in the end, so why not give them a little push! You’re starting to really aggravate me now, Y/N Cookie!”

“I won’t let you hurt them and I don’t want to hurt you all any more then I have to! Please, don’t do this…”

“……”

“Your silence says everything I need to hear from you. I tried…but I will put a stop you no matter if I’m reduced to bits!”

———————————————————————

“Woah….What happened to them?”

“The Virtue of Compassion fought for as long as they were able, their dough slowly whittling away with every blow that dealt to them. The Beasts have overestimated just how durable their former friend was…and they perished right in the middle of the circle….”

———————————————————————

“Ok, ya silly goose! You can stand right back up now! You put on a great show, let us give you a round of applause!”

“Darling, we know we haven’t hit you too hard. You can join us and we can all be together once more as Beasts…”

“Hmm…they don’t seem to be responding to us…”

“Hey, Y/N Cookie. Quit being soft and get up already, you’re..starting to worry me a bit here, you know.”

Silent Salt Cookie knelt down and placed their thumb on your wrist…jumping back when they feel nothing…

“Ahaha! Okay! This isn’t funny anymore, you softie! You win! Stand up on your two feet now! I’ll make you if you don’t!”

“D-Darling? P-Please get up. Look, I’m sorry for what I said earlier, I-WE just really wanted you to join us…”

“Burning Spice Cookie, just how hard were your strikes to their dough?

“D-Don’t put any type of blame on me! All of you were just as rough with them as I was!”

“….!”

The Beast Cookies rushed to their fallen friend in the center, clearly distraught on their faces…

“Y/N Cookie, if you don’t stop playing jokes with me right now, I’ll never forgive you!”

“Darling! Wake up! I-I’m sorry! I shouldn’t have hit you so hard! Please wake up! You have to! Don’t leave me alone!”

“It was pointless to try and stop us, Y/N Cookie. Yet…my heart cries and aches, why did you have to resist….please, wake up…”

“God DAMN IT. I-I went too far, I shouldn’t have been so brutal with my swings and now look at you, your dough..damaged and ruined….because of me….”

“….Hmph….”

Silent Salt just lowered their head to look at the ground, feeling nothing but shame and remorse for what they had done…for what they all had done….

“I wish…I could’ve done more for you all…I wished…that I had loved all of you more…to not…end up like this...”

“…..I’m sorry…..”

———————————————————————

“The Witches couldn’t bear to see what fate had befallen their creations, made even more distraught at the loss of their greatest creation among them all…they punished the Beasts by sealing them away deep within this land…”

“And planted the seed of the Silver Tree to ensure their evil power never sees the light of day again. Right where the Virtue of Compassion was laid to rest, so that at least a part of them can live on….From then on, this land where the Beasts were put to sleep, was called Beast Yeast.”

“The Witches then gathered the last vestiges of power bestowed upon the Beasts, untouched by their corruption. They further cleansed, purified it, and in the end…Soul Jam was created. The purest Soul Jam was meant to be earned by Cookies who had proven themselves worthy.”

“All, but Compassion. For their purity simply could not be remade again. The Witch who personally baked Compassion had locked herself away in grief after the loss of her cookie and took the knowledge of the recipe and baking of Compassion with her…”

“So, there can never be another cookie like Compassion?”

“It’s what they say, but all life powder returns to the earth. It isn’t out of the realm of possibility that the Virtue of Compassion may return in some form, someday…”

Everyone’s eyes turned to Y/N Cookie, who was casually eating some food offered to them by the Faeries.

“…..What?”

[cuppajj]

Some characters as they appear within Beast Ancients AU (Info below)

Strawberry Crepe Cookie witnessed the rise of the Beast of Penance, and saw something so horrible that they could do nothing but run for their life. In the chaos, they left something very important to them behind; but the Saint is a kind one. He will return what was lost, and deliver his witness to the peace that was torn from them so long ago.

Pitaya Dragon Cookie sits chained underneath the Hollyberry Palace, studied day in and day out by the royal scientists on the Beast of Pride’s orders. They are hardly in cookie form anymore, only able to shapeshift if the monarch allows. Sometimes they feel like freedom is obtainable, but they often learn it’s only because Dragonberry likes to play games.

Princess Cookie can’t sit idly by as her kingdom falls into darkness. Her grandmother has put her entire family in her pocket, keeping them under strict control, but the princess hates control! She can't believe how complacent everyone is! Against all odds, on one fateful night, she donned an unrecognizable disguise and disappeared in search of help. She knows she's leaving everything and everyone behind, but she'll do anything to get her kingdom back. It's hers as much as it is her family's!

Silverbell Cookie has faithfully served his queen even before she rose to the throne, and watched as she strengthened their kingdom into a formidable force in Beast-Yeast. But he can't help but wonder why she seems so distant and unlike herself... in fact, something about the kingdom he swore to protect feels different. They swear to protect the tree, but now they eye the lands around them, swear to destroy an evil enchantress who prevents their queen from regaining her full self... as Silverbell Cookie continues to dutifully stand at her side, he asks himself, what has the Beast of Sovereignty done to his kingdom?

Caramel Arrow Cookie and Crunchy Chip Cookie swore an oath to stand by their king's side to the bitter end. They fought with him as he protected his kingdom from internal collapse. They watched with elation as he brought the Licorice Sea to kneel before them and never threaten the kingdom again. However, when the Beast of Solitude replaced their steadfast leader, their vows were put to the test as the kingdom was soon claimed by permafrost. While Crunchy Chip cookie had seen the writing on the wall, Caramel Arrow Cookie remained steadfast even as everyone froze around her. In her desperation to get through to the king, Caramel Arrow Cookie made the mistake of stepping out of line, her arm consumed by ice the moment she reached out to him. Crunchy Chip Cookie was quick to pull her away before she could be frozen entirely, and the two fled into the mountains. Crunchy Chip Cookie is looking for someone to help bring his confidant back to good health before the frost completely engulfs her.

[apoloadonisandnarcissus]

“Nosferatu” (2024) and the Female Gothic Genre, Paganism and the Occult

The Gothic novel genre is deeply connected with female authors like Ann Radcliffe, Mary Shelley, Brontë sisters, Mary Robinson, and Charlotte Dacre, because it allowed them to explore themes that were “off limits” to women at the time (19th century) especially sexuality and women’s place in a patriarchal society. Hence the “Gothic female” genre was created, as a way for female authors and readers to digest their mixed feelings about these topics. This is the world Robert Eggers transports his audience in “Nosferatu” (2024).

This film checks every box of the Gothic genre: claustrophobic atmosphere, environment of fear, the threat of the supernatural, ruined buildings (usually from the Medieval ages), dreamlike states, nocturnal landscapes, demonic possession, blend of “high culture” and “low culture” (folklore), superstitious rituals, melancolia, melodrama, decay, fate, the macabre, the intrusion of the past into the present, stories of persecution, imprisonment and murder as metaphors for social conflict.

Indeed, the audience can’t analyze this story through contemporary lenses or bias, because it’s suppose to be an immersive experience into the Gothic genre and the Victorian era. The terms “gothic” and “romantic” exist in their historical context; “gothic” as in the literature genre (gothic novel), and “romantic” as in the 19th century artist movement (Romanticism).

No, this is not a story about grooming nor abuse... it can be, but not in the way many are interpreting it. Folks also need to let go of previous adaptations and their meanings, because this is Robert Eggers take on this story. And, it’s everything a remake (or retelling) should be, because its not a rehash, it’s a new interpretation of a old story, “Dracula”.

Robert Eggers tells us that the themes of sex and death are at the core of his story, it’s a “demon lover story”, and it’s Count Orlok and Ellen psychosexual connection that makes his adaptation different from the rest.

Ellen is our female gothic protagonist, and, like similar characters of the genre, she’s a persecuted heroine fleeing some a villainous outside force, personified by Count Orlok, the archetypal Death. Metaphorically, she’s a young woman haunted by her own mortality, by Death itself. She also has a sense of Doom looming over her, the heavy hand of Fate; can we outrun our destiny? “Providence!” Herr Knock screams throughout the film; as in a supernatural force, commonly God, guiding humanity destiny.

Ellen is no typical young woman, though. As she tells Von Franz, she had occult powers since childhood, being able to perceive glimpses of the future and suffering premonitions (knowing the contents of her Christmas gifts and when her mother would die). Her father called her “his little changeling girl”, as in the European folklore of human children kidnapped by supernatural creatures (fairies, demons, etc.) and a substitute being left in their place. Herr Knock also compares Ellen with a “sylph”, when he informs Thomas he’s to travel to Transylvania. “Sylphs” are air spirits from 16th century Germanic folklore and alchemy, a sort of nymph connected to air element in hermetic literature; throughout the centuries they have been culturally associated with fairies, too. We have two characters in the story connecting Ellen with a fairy-like creature. Interestingly enough we, the audience, see her floating in the opening scene.

“You are not for the living. You are not for human kind”, Orlok tells her, and calls her “enchantress”. Von Franz also said Ellen could have been a priestess of Isis had she been born in pagan times. Isis is one of the major Egyptian deities, considered the goddess of magic and healing. She was also connected with the Dead and funeral rites, since she was the sister-wife of Osiris, ruler of the Underworld. Pagan priestesses also entered trancelike states as Ellen “hysterical seizures” or “epilepsies” when communicating with the spiritual world, which is what Von Franz, the occult and alchemist student, recognizes in her. Ellen is a supernatural force, too.

Eggers Orlok was a sorcerer in life, a practitioner of Black Magic. He was one of the Solomonari, wizards from Romanian folklore, believed to be students of the Devil, who learned to ride dragons, and control beasts and the weather. In Eastern European tradition, the Solomonari were believed to be recruited among common folk and disguise themselves as beggars, Orlok is a Romanian nobleman who sought to achieve immortality, to conquer Death. As the abbess tells Thomas, the Devil preserved Orlok’s soul that his corpse may walk again in blasphemy, as a vampire feeding off the blood of the living and spreading plague.

However: who was it who awoke Orlok in “Nosferatu”? The Devil or Ellen?

At the prologue, we see Ellen crying and begging for companionship. She prays for a guardian angel, a spirit of comfort, a spirit of any celestial sphere, anything, to hear her call and come to her. She’s summoning some occult force and inviting it into her life. Orlok answers her call. And why is she doing this? She feels lonely, isolated and misunderstood by those around her. As she tells Von Franz, she’s no longer her father’s “little girl” and he recoils from her touch, because she’s no longer a child. As she grows older and enters womanhood, she starts to feel ostracized and put aside by 19th century society who has rigid gender expectations of her.

According to Orlok, it was Ellen who awoke him: “O’er centuries, a loathsome beast I lay within the darkest pit… ‘til you did wake me, enchantress, and stirred me from my grave. You are my affliction.” Which Ellen later confirms to Thomas: “I have brought this evil upon us” because she sought companionship and tenderness. This is a belief Von Franz also shares: it’s Ellen who “wills it”, and she’s the one who unleashed this plague upon the world.

This is very fitting with the Gothic female novel, where the supernatural connects with female societal status of this time period, generally women’s discontent with patriarchal society, difficult and unsatisfying maternal position (in “Nosferatu” we see this with Anne’s character, where she equals being pregnant with being drained of her life force) and their role within society (fear of entrapment in the domestic sphere, their bodies, marriage, childbirth, etc.).

Eggers’ Orlok is a combination of several Romanian folklore creatures, associated with vampirism: strigoi, moroi (these two are the “classic” vampires) and zburător (a ghost-like creature, usually handsome, and only visible to young women, attacks at night, usually newly-wed ladies and does “indecent” things with them). The influence of this legend in Ellen and Orlok story is evident.

Ellen tries to summon a spiritual companion in her teenage years, most likely when she reached puberty and her sexuality was starting to awake. A demon who’s a personification of appetite, devourance, sex and death is the one who answers her calling. They end up in a sexual spiritual connection, as Ellen experiences her sexual awakening with him, as shown in the prologue and later confirmed how Orlok took her as his lover. She also reveals to Thomas it was “sweet” and she “had never known such bliss” at first, until it turned into torture (seizures and nightmares), when her father found her laying unclothed and called her a sinner and it’s implied she might have been institutionalized, as she tells Von Franz. This episode might be a metaphor for masturbation and the historical shame associated with it. Hence her connection with Orlok being her “melancholy” (depression) and her “shame”, symbolic for the sexual urges 19th century society forced women to repress.

Count Orlok is the archetypal Death; which culminates with the “Death and the Maiden” motif at the end. This was a very popular Art History archetype around the so-called “Plague years” (14th to 16th century) in Europe, and it’s often connected with other motifs like “Danse Macabre” and “Memento Mori”. It has several meanings depending on the author intent, usually a reminder of our mortality, but also a meditation on sex and death, as in the French “la petite mort” (“little death”), the post-orgasm sensation, sexual release potentially causing temporary loss of consciousness (fainting) or dizziness. In the Medieval Ages, physicians believed orgasms could lead to death because they drained the “life force” from the body. This was when the term “petite mort” was created, and this belief persisted into the Renaissance and beyond. In “Nosferatu” this probably translates in the sexual pleasure that Orlok imprints on his victims as he drains their life force.

Ellen’s “hysterical seizures” miraculously stop once she meets and marries Thomas Hutter, our tragic romantic hero. This can also be a nod to Gothic Bildungsroman (“coming of age”) genre; where the female protagonists grow from adolescence to adulthood in the face of the impossibility of the supernatural, and come to the conclusion there’s a rational explanation. In Ellen’s case, it’s medical, as she’s diagnosed as a melancholic somnambulist hysteric (in another words, a depressive hyper-sexual sleepwalker).

At the beginning of the story, Ellen and Thomas are newly-weds fresh out of their honeymoon, which means sex (historically necessary to consummate marriages). With Thomas, Ellen is “free of her shame”, as she says so herself. Because, her sexuality is safely contained within marriage, as it’s socially acceptable. But Thomas dismisses her concerns about his well-being, and doesn’t believe her until he experiences the supernatural first-hand, having an homoerotic encounter with Orlok himself, which also causes him great shame. This is probably a Easter egg for Bram Stoker possible closet homosexuality and “Dracula” being a metaphor for that.

Thomas’ main concern, throughout the story, is to fit into the patriarchal ideal of his genre, as a provider for his wife, and he aspires to be like his long-time friend, Friedrich Harding, the “perfect patriarch” with the perfect religious and dutiful wife, Anna, and their precious children. The Hardings are the perfect Victorian family; they are everything society expects them to be. Friedrich even chastises Ellen for her nature, and it’s clear he resents her for what she represents: “otherness” and “deviance” to societal norms.

However, soon enough, Ellen’s seizures return, symbolizing Thomas cannot sexually satisfy her. She’s “too ardent” as Harding calls her. “More! More!” She begs Thomas when they have sex to scorn Orlok. Not only her sexuality is too strong, but Thomas also shares with Friedrich his desire to wait to have children with Ellen because he wants to gain financial stability first. This in a time period when contraceptives weren’t widely spread, meaning abstinence.

Symbolically, Ellen’s seizures can also be connected with her fear of childbirth. Her “epilepsies” return while she’s staying in the Harding household, where they are children and Anna is pregnant. Children is what is expected of Ellen next, after all. But it’s sexual pleasure that Ellen seeks, and this causes her great shame and torment, because 19th century women weren’t suppose to known “such things”. “Sin! Sin! Sin!” as Ellen’s father screamed at her when he found her naked.

Fear of entrapment represented as Ellen tries to rip off her corset and “free herself”: this happens during one of her Orlok induced seizures.

As Robert Eggers tells us, Orlok both disgusts and attracts Ellen, she loves and hates him at the same time. He’s repulsive, rotten, animalistic and lustful, both literally and metaphorically. His character design is meant to invoke contradictory feelings in the audience: overall he’s foul and monstrous, but he appears almost handsome in some shots. This is intentional. Not only he’s a personification of Death, but of Ellen’s repressed sexuality by 19th century society. He represents the monstrous and dangerous female sexuality the Victorian era sought to contain. He’s the transgression and taboo theme in this Gothic story, as well: necrophilia. Which is probably Eggers “gotcha” moment to “vampire lovers” everywhere, as he forces his audience to confront their own bias.

Ellen herself is a medicalized character, as we see her being institutionalized, drugged, bound to her bed, forced to wear a corset to bed, and used as a scientific experiment by physicians. She’s not in control of her own body, and has little agency over it, overall. We see her being contained, literally and metaphorically, too. This is probably meant to symbolize women as a whole in 19th century Western European societies. The “disability of being female” is one major theme in Gothic female novels, after all.

And if Ellen unleashed Orlok unto the world and he’s connected with her what does this mean for this story? The obvious interpretation of the ending it’s Ellen sacrificing herself to save Wisburg from Nosferatu’s curse, like every other adaptation. But this appears to be somewhat disconnected from the overall themes of this particular retelling. Here, it’s Ellen who unleashed the curse, and only her can put an end to it.

We see Ellen summoning Orlok in two occasions: at the beginning and at the end of this tale. At first, she did it unconsciously, she dabbled with the occult and wasn’t aware of what she was inviting into her life. However, does this indicate Ellen has some degree of control over him? Orlok himself says she’s “his affliction”, and they are bound to one another. She’s not only a seer, she’s compared with a priestess of a Goddess associated with funeral rites and with the ability of resurrection and looking after the Dead (Isis). We can almost interpret her as a necromancer.

Here, we can have a different interpretation of Orlok unleashing a plague upon the society who ostracizes Ellen for her nature. Symbolically, he’s her reckoning, her vengeance upon society norms and expectations of gender. He’s the “plague carrier” and brings a “blood plague” transmitted by rats (symbolic of the Black Plague; the medieval ages terrorizing the modern world of science and rationality) upon Wisburg, and the “good Christians” who contain and shame “Pagan” Ellen.

Orlok’s most notorious victims are the Hardings, the perfect patriarchal Christian family model Ellen can never fit into; the patriarch Friedrich, the pregnant Anna and the two children. This also fits the Gothic female genre of the supernatural menace as a metaphor for women’s status in 19th century society. Ellen doesn’t want to be married to a patriarch like Friedrich, she doesn’t express any desire to become pregnant nor have children of her own. Consequently, we see Orlok killing all of these archetypes in the narrative.

Interestingly enough he spares Thomas and saves him for last when he should be his first victim once he arrives at Wisburg, because he’s the husband. However, Thomas is a character Ellen loves and cherishes, as he somewhat accepts her nature and represents her chance at a “normal life”. He’s also determined to save her from Death/Orlok, but is unable to. Symbolically, Ellen chooses death over conforming to gender norms and expectations.

However, we can’t forget Ellen’s supernatural nature, nor her connection with Orlok. She weds Death at the end, she’s no longer terrified of him, and she fulfills their covenant, and her dream premonition of marrying Death: “standing before me, all in black… was… Death. But I was so happy, so very happy. We exchanged vows, we embraced, and when we turned round, everyone was dead. Father… and… everyone. The stench of their bodies was horrible. And - But I never been so happy as that moment… as I held hands with Death.”

A “covenant” is a pact, both a religious and a occultist practice. This is a “blood covenant”, as their flesh becomes one and he drinks from her. “Blood is the life” is a quotation from the Bible, where “blood covenants” are also mentioned, because a “blood covenant” has the power to either destroy or redeem. For instance, Christ’s sacrifice redeemed humanity according to Christians. “Redemption” as Von Franz says, because only Ellen, like Christ, can redeem the habitants of Wisburg. He uses the expression “with Jove’s holy light” before dawn redemption will come to them: “Jove” is Jupiter, the “King of the skies”, and its energy neutralizes Saturn’s, connected with “melancholy” (depression).

However, that’s not what’s happening here, because Orlok is a servant of the Devil, and a literally un-dead “warlock”. So, what is Ellen pledging herself to here, exactly? Her covenant with Orlok has nothing to do with God or Jupiter, for these are forces of good, when Orlok is a force of evil and darkness.

Ellen also fulfills her role as “priestess of Isis” at the end, as she guides the un-dead Orlok to his physical death; like Isis, she resurrected him, and is now taking him into the Underworld with her. Because, like Orlok also told her, she’s “not for the living”, that’s her fate, the destiny she accepts at the end; she’s meant for Death, as Isis for Osiris.

“Our covenant is fulfilled. Your oath re-pledged.” Orlok tells her. But what was Ellen’s oath? We have to look into the prologue scene “You shall be one with me ever-eternally. Do you swear it?” And in the ending “As our spirits are one, so shall be our flesh. You are mine.” They fulfill their pact both in the physical and the spiritual worlds, and both make the ultimate blood sacrifice, by physically dying for “self-renunciation” is essential for blood covenants.

And a deity is always summoned to bless such a pact… but who was blessing this one? Ellen and Orlok indeed, died in the physical world, but are joined in the spiritual world forever, as decreed by their covenant, so where did their spirits go?

They are also surrounded by lilacs, their signature flower throughout the narrative, which symbolizes first love, yes, but also renewal and rebirth. Orlok conquered Death and immortality once before, because the Devil kept his soul. Now that Ellen is joined with him in spirit, what does this mean for her, and for them both?

[nightprompts]

&. 𝐧𝐨𝐬𝐟𝐞𝐫𝐚𝐭𝐮 𝟐𝟎𝟐𝟒 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

(  dialogue  prompts  taken  from  nosferatu  (2024),  directed  by  robert  eggers.  feel  free  to  edit  and  change  as  you  seem  fit.  ) 

❛ come to me. ❜

❛ a guardian angel. a spirit of comfort. spirit of any celestial sphere. anything. hear my call. ❜

❛ you wakened me from an eternity of darkness. ❜

❛ you are not for the living. you are not for human kind. ❜

❛ and shall you be one with me ever-eternally? ❜

❛ come here. there’s nothing to be afraid of. ❜

❛ i wish i could stay, my love. ❜

❛ why have you killed these beautiful flowers? ❜

❛ i must tell you my dream. ❜

❛ i’d never been so happy as that moment… as i held hands with death. ❜

❛ i wish you to have all you deserve. ❜

❛ you mustn’t leave. i love you too much. ❜

❛ i will stay with you until you are fast asleep. ❜

❛ uh, forgive me. i only wish to stay one night. ❜

❛ by god’s name, never speak of that castle. ❜

❛ i banish you, i banish you with garlic. ❜

❛ beware of his shadow. ❜

❛ the shadow covers you in a nightmare. ❜

❛ you are late. the midnight hour has passed. ❜

❛ i wish you to do as i request. ❜

❛ i will be addressed as the honor of my blood demands it.❜

❛ speak not of it again! ❜

❛ take heed what you do. ❜

❛ i might ease your wound. ❜

❛ come by the fire. ❜

❛ your face shows you unwell. ❜

❛ do you ever feel at times as if you were not… as if you were not a person? ❜

❛ look at the sky. look at the sea. does it never call to you, urge you? ❜

❛ you are fortunate in your love. ❜

❛ now are we neighbors. ❜

❛ it is late. you must wish to retire. ❜

❛ i have been enduring the most irregular dreams. i fear i am taken ill. ❜

❛ it is a black omen to journey in poor health. you will remain and well rest yourself. ❜

❛ dream of me. only me. ❜

❛ oh, he’s coming to me. ❜

❛ i cannot resist you, my love. ❜

❛ i am no one. i am his servant. ❜

❛ look, this is a pretty one. his lordship likes the pretty ones… ❜

❛ you are lost in his shadow. ❜

❛ soon i will no longer be a shadow to you. ❜

❛ soon our flesh shall embrace and we shall be as one. ❜

❛ i have not failed your lordship! ❜

❛ embrace me, my boy. i am so rejoiced to see you. ❜

❛ my dear creature, yes, i am he, and i am hither come to help you. ❜

❛ my dreams grow darker. ❜

❛ does evil come from within us or from beyond? ❜

❛ i shall persist to join you every night… first in sleep, then in your arms. ❜

❛ everything will be mixed with abomination, and you’ll be knee-deep in blood. ❜

❛ you are promised to me! ❜

❛ i will end this plague. this devil. ❜

❛ he hasn’t found you. ❜

❛ i feared i’d never see you again. ❜

❛ you shall crave of me nothing. ❜

❛ the bells of dawn shall toll in despair of my coming. and i shall taste of you. ❜

❛ pray, forgive me for all the troubles i have caused you. ❜

❛ i am only glad you have become yourself again. ❜

❛ may i… stay with you tonight? ❜

❛ this creature is a force more powerful than evil. it is death itself. ❜

❛ i have seen things in this world that would’ve made isaac newton crawl back into his mother’s womb. ❜

❛ i have wrestled with the devil as jacob wrestled the angel in peniel. ❜

❛ if we are to tame darkness, we must first face that it exists. ❜

❛ i have felt you crawling like a serpent in my body. ❜

❛ love is inferior to you. ❜

❛ i told you, you are not of humankind. ❜

❛ i am an appetite. nothing more. ❜

❛ i lay within the darkest pit. till you did wake me, enchantress, and stirred me from my grave. ❜

❛ you are my affliction. ❜

❛ i care nothing of your afflictions. ❜

❛ yet even now we are fated. ❜

❛ your passion is bound to me. ❜

❛ you cannot love. ❜

❛ yet i cannot be sated without you. ❜

❛ remember how once we were? ❜

❛ i abhor you. ❜

❛ i will leave you three nights. tonight was the first. ❜

❛ tonight you denied yourself, and thereby, you suffer me to vanish up the lives of those you love. ❜

❛ you revel in my torture. ❜

❛ upon the third night, you will submit, or he you call your husband shall perish by my hand. ❜

❛ till you bid me come shall you watch the world become as naught. ❜

❛ tell me, what is this insufferable darkness? ❜

❛ nothing you can say will shake me, for there is a devil in this world, and i have met him. ❜

❛ i’ve brought this evil upon us. ❜

❛ i sought company. i sought… tenderness, and i called out. ❜

❛ at first, it was sweet. i had never known such bliss. yet it turned to torture. ❜

❛ it was you that gave me the courage to be free of my shame. ❜

❛ he took me as his lover then, and now he has come back. ❜

❛ all my sleeping thoughts are of him every night. ❜

❛ don’t touch me! i am not to be touched. ❜

❛ i’ll be good. i promise. ❜

❛ you could never please me as he could. ❜

❛ yes! take me! ❜

❛ kiss me. kiss my heart. ❜

❛ let him see. let him see our love. ❜

❛ without you, i will become a demon. ❜

❛ you’re safe with me. ❜

❛ keep away from me. i am unclean. ❜

❛ he will murder you if i do not go to him. ❜

❛ kill him i will. he shall never harm you again. ❜

❛ i can weep no longer, for i have no more tears to shed. ❜

❛ the grim reaper wields his heavy scythe with every change of wind. ❜

❛ the monster left you to the wolves, yet you prevailed. ❜

❛ his pull to me is so powerful, so terrible, yet my spirit cannot be evil as his. ❜

❛ we must know evil to be able to destroy it. ❜

❛ you are our salvation. ❜

❛ i bid you, come to me. ❜

❛ your oath re-pledged. so too shall be our flesh. you are mine. ❜

[nebulaafterdark]

An Aegon II suggestion because I've seen you're open to them, if you don't mind. ❤️

Perhaps you could do a part 2 of the Dracarys series? I genuinely love that specific kind of trope especially with Aegon because I rarely see it with him and because the specific way in which you wrote it has something addictive to it 😭. You decide if there's smut or not or how Velaryon!(Strong)reader fares.

Thanks if you'll read it.❤️

This is super short, but thank you so much for the ask! There’s just something about this Aegon. I hope you enjoy! 🩷

Dracarys (Part 2)

Aegon ii x Velaryon(Strong)!Reader

18+ ONLY MDNI

Targcest, major character death, angst, no smut but it’s dark.

Part 1

“What did you feel before you felt nothing?” Aegon wonders, stroking a possessive hand over her dark locks.

“Fear, grief.”

“What did you feel for me?” He wonders.

“I suppose, for a moment, I was happy to see you.” She admits, because it does not matter anymore.

“And what do you feel for me now?”

If she tells him the truth of it, he may yet kill her. But is this truly living? “I hate you. I loathe you. I despise you.” How many ways can she say it? “I am sick at the sight of you.”

Aegon cackles, like a mad man, “why then, have you not killed me in my sleep? Take the crown, take it all?”

“Who says I haven’t tried?” She breathes, feeling his arms tighten around her. “Or that I won’t.”

“You are a cunning creature. An enchantress. A spider, created to trap me in your web.” He moves his lips to her ear, “if you wanted to kill me, you would have done it by now.”

Tears prickle at the backs of her eyes.

“Same as I cannot bring myself to harm you.” Aegon whispers, “I think about it.”

Y/N wills herself to remain still as his hungry eyes rake over the whole of her.

“Then somehow I never do.”

“Why do you think that is?” Y/N searches his eyes.

“Something in you is tethered to something in me. Tied together, in love and in hate. I have no way of knowing what my life will become if I cut this cord between us.” Aegon admits. “I have no desire to know.”

“I do not want to be tied together.”

“Yet here you are,” Aegon muses, “though you are not held in chains.”

“Because you are holding the only remaining member of my family under lock and key.” Y/N reminds him.

“Take your brother and go.”

“Surely another one of your traps.”

“Not a trap, but an offer. One that will not be made again.”

“Why?” Y/N demands, “why after all this would you let me leave?”

“Because you won’t. Even if you did, you would return. You have nothing left, save for me. I killed your mother, after our families killed each other and my sister killed herself; over a chair.” Aegon sneers.

Y/N’s hands ball into fists, “I hate you.”

“I know, my dearest love.” Aegon taunts, “just as our mothers before us, like Aemond and Lucerys. Even Jacaerys and sweet Helaena could not escape it. You and I were fated to dance.”

Part 3

[speed-world]

Idea for a story...based off something I saw somewhere else.

Y/n sucked into the cookie run kingdom game and transformed into a cookie and is a complete coward...like cookies, if they want y/n to come with them on adventures, have to bribe y/n into coming...or drag them as they scream in fear. They are terrified of plot because they know what happens in the cookie run story and feel like they wouldn't survive....

Buuuuut then, as they progress through the story, more cookies are revealed to love y/n and their presence in general make the cookies...nicer and more focused on making y/n happy than the plot lol. Like they start making sure y/n has their treats, that y/n is having fun, etc!

Cowardice…Pays Off?!

(Is this self aware? Kinda i guess right?)

You aren’t sure how or why this happened. One moment you were just by yourself, ready to play a newly downloaded Cookie Run Kingdom-The Game. You saw a lot of videos about its story and characters, and you wanted to give it a shot since it all seemed so cool!! Then, just as you started the game up, your game glitched and got stuck. The screen of your phone went blank. Then, like a vortex, it pulled you inside of the game and your entire body composition changed. You were flat, smelled appetizing, and you were a lot smaller than you were supposed to be.

You became a cookie…which horrifies you immensely!

Sure, it sounded neat to be surrounded by the characters that you loved, until you realize that you now have to go through the same story as them. A story that you knew most of the outcomes…

As you finally came to, you heard the crashing sounds of asteroids from outside. You studied your surroundings a bit more until you realized: This is the Final Battle of the Dark Flour War, which surely means-

“This is…Oh no, what a horrible sight.”

“The whole place is covered in Cookie crumbs!”

You heard footsteps of 5 cookies approaching you. You vividly remembered there words as the same words from the Final Battle prologue scene. But of course, you were there. And you noticed that the Ancients immediately froze and changed once they saw you.

“Despite the foul stench and scene, it appears that a Cookie made it after all…”

“Ah! W-wait, I-I’m not s-supposed to uh— p-please I-I’m so scared, d-don’t h-hurt me p-please!!” You freaked out at the realization, and buried your face in your knees. Tears welled up in your eyes as you began to weep.

Pure Vanilla Cookie softly approached you and caressed your back. He sat down in front of you and held your arm.

“We promise you, the last thing we’d ever want is to hurt you! You don’t have to worry, we’re here to protect you with our own lives, you have my word! I’m Pure Vanilla Cookie, may I know who you are?”

With how softly and assuring he spoke, you held his hand and nodded.

“Y/N…I’m Y/N.”

You hugged him out of instinct, which definitely surprised the healer, but he didn’t mind at all. He reciprocated the hug and then hugged even tighter…as if he’s been waiting for this specific hug with you for a while

“A-wait! You g-guys have to leave!! D-D-Dark E-Enchantress Cookie is too strong for y-you all!! Y-you won’t win against her!!” You panicked as you remembered the fate that awaited the Ancients. They all looked surprised initially, but then they all looked more determined than ever.

“While your concern is appreciated, we assure that we won’t back down from Dark Enchantress Cookie. We’ll take her down AND make assure your safety at the same time.”

You looked at Golden Cheese Cookie, quietly pleading with her and the other Ancients to not go and fight this battle. They all do their best to reassure and comfort you, hoping that you understand they can’t abandon this fight. One Ancient however, stared at you differently than the others. She looked at you as if…she actually knew who you were…

White Lily Cookie saw you catch onto her staring, and she shook her head to snap back to reality.

“I-I believe we should get ready! W-We need t-to find Dark Enchantress Cookie before she finds us!”

And then, as if on cue, you all notice the sounds of Cake Hounds rapidly charging at you. The Ancients ready themselves to fight, and you trembled as you got to your feet. You hid behind Hollyberry Cookie, tightly holding onto her for dear life and shutting your eyes…until you felt various Cake Hounds nuzzling your legs. You opened your eyes to the cute creatures smiling at you and not hurting you at all, which confused the Ancients.

“Shouldn’t these Cake Hounds be attacking us? These are Dark Enchantress Cookie’s forces, and yet they’re…rolling around and nuzzling us?!”

“It appears they’ve a fondness for Y/N. We could use this to our advantage, let’s move!”

Dark Cacao Cookie scooped you up with one arm and carried you as the Ancients ran to the castle area where Dark Enchantress Cookie was.

You screamed and pleaded to not go with them since you knew what would happen. Since comforting you didn’t seem to work, two Ancients had the bright idea of bribing you to come along.

“Come now Y/N, I promise to gift with riches beyond your dreams after we win this fight! I’ll even let these Cake Hounds be with you, but you’ll spend more time with me, my closest treasure~!”

“I’ll be sure to grace you with the finest berry juice ever! My treat!! You’ll never have to worry with me around, I promise you!!”

You were more relaxed after hearing the offers of Hollyberry Cookie and Golden Cheese Cookie. After a while, you noticed everyone had stopped moving. You slowly looked up in horror…Dark Enchantress Cookie was waiting there.

“And so, upon the ruins of your home we finally meet. And it would appear…that you brought an uninvited guest~.”

…She was talking about you. You met your worried eyes with hers, but she didn’t look at you with malice. More she looked down at you like a mother would a little child…and you had no clue how to react.

Pure Vanilla Cookie stood in front of you, and had hardened gaze on Dark Enchantress Cookie.

“Dark Enchantress Cookie! What is the meaning of this?”

“Now, now. No need to be so hostile. In fact, I have a…proposition for you lot.”

“Proposition? What nonsense are you rambling about now?”

Dark Enchantress Cookie focused her gaze on you. You hid behind Pure Vanilla Cookie, but Dark Enchantress’s eyes never stopped following your movements.

“I would like to believe that we have a common interest. The Cookie that you’re shielding - Y/N I believe was your name, no? - There’s something about them that’s quite incredible, wouldn’t you say~?”

“What…w-w-what are y-you getting a-at?!” You decided to speak, or more stutter, for yourself.

“I’m saying I believe we’ve all taken an interest in you. Dare I say, we can come to a deal: I’ll cease my own vision for the world in exchange for the safety and prosperity of Y/N. Does that sound alright with you?”

You were very reluctant to respond, mostly because of how much you were taken aback by this. Is this really the same Dark Enchantress Cookie you remember?! Apparently, the Ancients had the same conflicted expressions. None of them truly knew what to say about this ordeal.

“Can we really trust her words? This could easily be just another scheme-“

“I AM serious about this, mind YOU! It’s abundantly clear none of us want Y/N in any kind of danger, and I can see it clearly in your eyes—all of us feel a special attraction to them, despite the odd circumstance~. There’s no reason to lie about it.”

You looked to the rest of the Ancients in anticipation. You had zero idea what the right answer was, if there was one, but you just prayed that you wouldn’t be hurt in any way.

“…..Fine then. For the sake of all Cookiekind, and for Y/N, we’ll trust you. But know this Dark Enchantress Cookie, we will fight you again if you ever back down from your word!”

“Hah, you won’t have to look forward to it~…”

————————————————————————

It’s been a while since then, and you still have no idea how to feel about your situation.

On one hand, literally nothing wants to harm you in any way. Every Cookie you’ve met has been extremely kind and generous to you, even if they’re evil aligned. The Bear Jellies are so warm and welcoming, and the Sugar Gnomes have virtually become your best supportive friends. Not to mention the Cake Hounds being head over heels for you, which you reciprocated the love for them.

On the other hand…there always seemed to be some small layer of tension whenever Dark Enchantress Cookie comes to see you. She’s always super nice to you, giving you immense affection that at times seems out of character.

Of course, the Ancients always get slightly agitated when Dark Enchantess Cookie visits. Especially Golden Cheese Cookie and White Lily Cookie, who really got upset whenever Dark Enchantress took you away from them.

Granted, White Lily made some sense with her relationship with Dark Enchantress.

But Golden Cheese really took offense to whenever you’re attention was taken off of her

In any sense, the most confusing thing was whenever the Cookies wanted to take you on adventures. Mainly the Gingerbrave gang.

You were incredibly scared of going with them, mostly because you knew of the danger of their adventures and thought you’d either be harmed or get in their way.

Whenever a Cookie invites you to travel with them, they always make sure your safety is prioritized. Sometimes they’ll try to bribe you with treats, gifts, or rewards if you tag along.

But sometimes, they’ll abandon their plans just to be with you and make sure you’re comfortable.

This life of yours was so odd and scary, but your fears would eventually wash away with how much the Cookies would treasure your being above all else. You’d grow to enjoy and love the affection and care, even if it seemed to be overwhelming at times.

[screamsofanoutlawbrain]

You know, the cookies of darkness is kinda like a cult. Cause most of them were taken in at their lowest of lows or had no other choice but to join. So here's what I think of em. (under the cut)

And I'll name most of em off.

Licorice Cookie: Dude was literally an outcast in every sense, it's assumed that his tribe literally fluffing DIED and that the magic he was good in (necromancy) is relatively frowned apon. He was an outcast, and likely starved of attention due to having no peers around him that he could really connect to beyond VERY surface level things, and Dark Enchantress probably took advantage on it, I could see him being given praise for his magic early on, but never getting any of that attention later. That very want for attention from one of the few who actually expressed any interest in his talents being the only reason he's still around.

Poison Mushroom Cookie: That's a child, probably an orphan, possibly alone because of their poisonous shroomies driving most away. Similar case to Licorice, the kiddo got attached to the ones around them and doesn't want to leave.

Red Velvet Cookie: He was born into this, came out the oven without an arm, and is (what I'm assuming) part cakehound, he was born an outcast, and likely has nowhere else to go. Red Velvet clearly cares about the cakehounds and soldiers more enough to keep him to stay. He has little other choice at this point.

Pomegranate Cookie: She was literally trained to be a high priestess to her village, and then learned that she was fated to effectively destroy it. I'm betting my right leg that she was probably DEVASTATED when she learned that, to learn that everything she has worked up to, she would betray. She trusted the mirrors vision over her own wants, and so she left to serve darkness, and (like Licorice Cookie) was given praise at what she done to her village, but that praise became less and less frequent over time. the combination of her having no other place to go, effectively destroying all allys she could have, the same starvation of praise, and her blind trust in Dark Enchantress Cookie leaving her unable to leave, not without a fight.

Dark Choco Cookie: I think this one was pretty simple. He was already pretty vulnerable and broken down on his own after losing everything to a sword he's stuck with. He got manipulated and brainwashed into thinking he had no other chance and that he was stuck forever. No lovebombing, no praise, just manipulation from somebody with a silver tongue. (His abandoning of the C.O.D. is something that could happen to any of the rest, but his already fragile connection made it a lot easier for him to break ties.)

Strawberry Crepe Cookie: A (possibly robot) child who thought they were abandoned by their kingdom(and which they sadly kinda were). They were alone with only robots to comfort them, do I even need to explain this?

Matcha Cookie: Like Red Velvet, but kinda worse. She was deemed a failure and had EVEN LESS TIME TO GROW OR DEVELOP BEFORE BEING THROWN INTO WORKING FOR THEM (At least, I'm guessing she didn't), plus she didn't have cakehounds to connect with, just her plants.

Butter Roll Cookie: Dude was kiddnapped. Need I say more?

Affogato Cookie: If he didn't join, he would probably be dead. Again, need I say more?

So far, I think this kinda matches up with a cult, but if anyone has a better definition for it, do tell in a reblog or comment.

That's about it, if any more of these guys come out, I'll update this.

[starmocha]

So the preview of the new theme song uses imagery of the guys' myths, including Sylus'. Rafayel, Xavier, and Zayne, I think we are all fairly familiar with, but since Sylus is not released yet, there are a lot of speculations about what kind of tragic past he and MC shared. Let's try to break it down. Or make it more confusing. 🫠

Interestingly, before the "tragedy" we see their wrists are bounded together by a red thread.....perhaps....the Red Thread of Fate? As the saying goes, rough paraphrasing on my part: Two lovers, regardless of time, place, and circumstances, are destined to be together, connected by a single red thread. The red thread may twist and tangle, but it may never break.

However, as we can see in the video, Sylus and MC's thread does break, and unlike in the traditional belief, their thread is wrapped around their wrists and not fingers. As the thread breaks, we also see Sylus behind bars. Imprisonment? A crime?

Speaking of wrists, another thing I've noticed with Sylus' trailers is that it involves handcuffs a lot, which seems more significant now in light of this preview.

Especially since we see him also breaking them so easily.

I kind of made a passing joke in the tags of a previous post that Sylus' upcoming chapters carry shades of the Greek myth with Hades and Persephone, but perhaps I may not be too far off?

Just take a look at this wide view of the scene of Sylus and MC separated:

The N109 Zone is shown during the night with a bright red moon, giving a feeling reminiscent of the Underworld ruled by Hades. Note how it looks like Sylus is behind bars, a prison, if you will. In Greek mythology, Hades was tasked with ruling the Underworld, not by his choice, but the wills of others (so in a sense: trapped). Could this mean that perhaps Sylus has no desire to be the leader of Onychinus? Could he be bounded there against his will?

Meanwhile, MC is shown on the side of light. If we compare her to Persephone, she is on the surface world with other people. But from the preview, it looks like she is abducted and taken to the N109 Zone, much like Persephone was abducted and taken to the Underworld to be Hades' bride.

(Brief unserious interlude, because I want to spread my Hades/Persephone agenda:

Sylus is the Hades to MC's Persephone

The dark to her light

He is feared by everyone except her.

He'll let her get away with everything (covering him in silly band-aids, poking him in the side) because he adores her.

If anything happens to her, the world will feel his wrath.

He embodies the feeling of "if anything happens to her, I will kill everyone in this room and then myself."

In short, scary leader is big softie for his wifey and I am willing to die on this hill

OK. End interlude.)

Also, um... 😭

Bringing up the theory that Sylus is trapped? The Beast is trapped in the castle because of the curse by an enchantress. I seriously couldn't get this comparison out of my mind when I saw the dancing scene in the trailer, so it feels appropriate to bring it up here.

Perhaps like the Beast initially, Sylus does display a very dominating and aggressive temperament, but then in his 5* memory, Captivating Flavor, he seems more approachable, so perhaps we will soften him over time?

Now...since Infold had the audacity to drop that trailer while I was writing this, here is another example of them going with the trapped/caged/bounded theory (there is also an image of a bear trap earlier, but I'm at my 10-pic limit, so the cage seems more obvious (and aesthetically pleasing lol)

So could Sylus be trapped in the same way as the Foreseer is trapped within the Tower? But unlike the Foreseer, Sylus is always trying to break free from his chains. Circling back to his myth, could it be that his tie with MC was broken...by him? Perhaps out of a sense of protection? For her sake?

In Beauty and the Beast, the Beast was willing to let Belle go, to be killed by Gaston, to succumb to the curse, all for the sake of Belle's happiness and freedom.

In the myth of Hades and Persephone, Persephone was allowed to leave the Underworld to return to her mother for half a year, but since she ate a few pomegranate seeds, food from the Underworld, she was also bounded to return to the Underworld for the other half to be with her husband. Each year, the cycle returns. Come spring, Hades must let his beloved wife leave him for half a year, and there's nothing he can do to change it.

Bonus Greek myth tidbit: the crow plays a significant part in a myth involving the sun god Apollo, where it acts as a messenger for him. The crow, once white, was burned and turned black, as retribution for telling the truth (revealing an affair) that led to Apollo killing his lover.

So, let's recap real quick the symbolism we have seen. 🤔

Handcuffs: bounded

Bars: imprisonment

Bear trap (couldn't include the pic, but it's there, trust me): caught, trapped

Birdcage: trapped, caged

The crow: a messenger; punished for revealing the truth (so, punishment)

So, gathering my random little thoughts...

Theory 1: Sylus and MC must have been destined lovers in a past life, but due to whatever conflict, Sylus decided to break his bond with her for her protection and accept any punishment that comes with it, which could mean to be ruler of a place he has no desire for, an imprisonment of sort.

Theory 2: Destined lovers, but perhaps a third party interfered out of jealousy or spite. Could Sylus have been caught and framed of a crime and been literally imprisoned, thus forcing him and MC to separate?

Something to this effect, I think, from working with the crumbs I've gathered. It's also almost midnight as of the time of writing this, so my brain is feeling loopy now (also no thanks to that Sylus trailer that popped up while I was writing this 💀)

Anyhoo, make of all of this as you will. My Hades/Persephone agenda will persist.