#fashion research help
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traditonalclothingresearch · 2 months ago
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Databases
Bloomsbury Fashion Central. Bloomsbury Publishing. https://www.bloomsburyfashioncentral.com/
Fashion Studies Online. Ethnographic Video Online Vols. I & II: Foundational Films. https://video-alexanderstreet-com.eu1.proxy.openathens.net/channel/ethnographic-video-online-foundational-films
Database: Bloomsbury Fashion Central.
This database is a number of collection within one database al centering around fashion and dress. The contents include "interconnected major reference works, exclusive articles, scholarly books, case studies, biographies, lesson plans, bibliographic guides, textbooks, video content, runway and backstage photos from fashion shows, and tens of thousands of images from museums " (Bloomsbury Fashion Central). This will be the best database to look into historical embroidery, it should give us articles, historical accounts, and a variety of images to draw from to further our research and knowledge. This database is helpful to the auidence of researchers as fashion is so wide and broad yet often lacking in other databases, who focus on the sciences more than the arts or this particular aspect of history. This also allows for recreators to better achieve the true historical look. 
There is a basic and advanced search function. There are additional limits, and facet searching available on this database as well. The database covers ancient to modern and is updated regularly.  The content is primarily index and abstracted, but has an option to find the full resource within your local library if they offer it. Peer reviewed articles are available. There are mechanisms to sort by format, date, relevance, and further sorting related to fashion such as place of origin or techniques used. There is a function to save, share, and print articles/ media found. There is also a way to form an account. 
Database: Fashion Studies Online
"A core resource for anthropology courses of all levels, this two-volume collection contains classic and contemporary ethnographies, documentaries and shorts from every continent, providing teachers visual support to introduce and contextualize hundreds of cultural groups and practices around the world." (Alexander Street). For those that want a video format for your research this will be a helpful database for you as it contains a multitude of videos on different ethnic cultures which will give insight into a researcher's goal. For the costumer this means getting the background context of the culture or in some instances seeing the technique be done.
There are only 26 videos within their current collection for ethnographies, but feature a filtering feature none the less. The greater resource has a large a larger search function that one may be able to use to find something more specific, such as searching Traditional fashion and filtering to anthropology to get a number of news coverings and documentaries. The database as a whole covers from about 1960 to now and is regularly updated. There are mechanisms to sort by format, date, and relevance.
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inkskinned · 2 years ago
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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technically-human · 4 months ago
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I loved your pic of the boys dancing so much. Any chance of getting to see them dancing in different styles together?
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Tango, odissi and minuet!
ko-fi
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letters-to-lgbt-kids · 3 months ago
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My dear lgbt+ kids, 
When it comes to cold weather, the main rule (regardless of gender or presentation) is: when in doubt, choose warmth and safety over style. 
Some basics: 
Layering is your best friend: Start with moisture-wicking base layers to keep sweat off your skin. Follow with insulating layers (like fleece or wool), and finish with a weather-resistant outer layer (like a puffer jacket or waterproof coat) to protect against wind, snow or rain.
Keep your sensitive areas warm: Make sure your hands, feet, and head are covered! Gloves, warm socks and a beanie can prevent cold-related discomfort or injuries. 
Waterproof: If you're facing snow or rain, make sure your clothes are waterproof. Wet clothes lose their insulating ability, so staying dry is a big part of staying warm! 
Reflective Gear: If you’re out in the dark or in poor visibility conditions, consider adding reflective elements to your outfit for safety.
People can react differently to temperatures. A temperature that feels super cold to you could feel comfortable to someone else, depending on what you’re used to (and some other factors). As a very basic rule, we can say: Gloves, beanies, and other cold-weather accessories typically become necessary when temperatures drop below 40°F (4°C). In more severe cold (below 32°F (0°C)), it’s even more important to wear them to protect yourself from frostbite and maintain body warmth. But it goes even in milder weather: if you feel uncomfortable or if it’s windy or damp, it’s a good idea to add these items for extra comfort.
With all that being said: Clothes are not just for safety and temperature control, they also help you express yourself - and that doesn’t suddenly change in winter. 
Dressing for cold weather doesn’t have to mean sacrificing your personal look. Whether you want to present more feminine, more masculine, or more androgynous, here are some tips to help you layer up and feel like yourself: 
(Note that these are suggestions, not hard rules. Style is highly subjective as everyone has different tastes, preferences, body types, fashion inspirations, budgets, cultural influences etc. I could suggest something here that you’d feel super uncomfortable in - if so, that’s not a sign you’re “doing it wrong”! Cherry-pick what feels right and ignore the rest) 
If You Want to Present More Feminine
Base Layers: If you want to wear skirts or dresses in winter, start with thermal leggings or tights! These can be nicely paired with cozy, long-sleeved tops or lightweight thermal shirts. (But also keep in mind that plenty of women, cis or trans, do not wear dresses all the time! Nothing wrong with choosing jeans!) 
Outer Layers: There are plenty of styles to choose from that have a feminine touch, such as a belted trench coat, a pea coat, or a long wool coat. Shawls are also excellent for adding a touch of style while keeping you warm! 
Footwear: Knee-high or thigh-high boots lined with faux fur or fleece can keep your legs warm and add a polished look to your outfit. Ankle boots with thicker socks are also a good alternative.
Accessories: Scarves, gloves, and beanies can be both practical and stylish. Knit hats or earmuffs can add a soft, cozy vibe to your look.
Style Tip: Go for a mix of fabrics like wool, faux fur, and knitwear to create texture and warmth.
If You Want to Present More Masculine: 
- Base Layers: Start with thermal undershirts or moisture-wicking base layers. Consider long underwear for added insulation beneath your pants.
- Outer Layers: There’s plenty of outerwear to choose from, like a puffer jacket, parka, or wool overcoat! (Faux) Leather or bomber jackets layered over sweaters can also add a masculine edge while keeping you warm.
- Footwear: You might want to opt for sturdy boots, such as work boots, Chelsea boots, or combat boots. Thicker socks can keep your feet warm.
- Accessories: Don’t skip out on scarves, beanies, or gloves for being “too feminine”. They can actually be great for adding a more rugged feel to your outfit! You just gotta find a color and style that fits you well. 
Style Tip: Focus on layering in a way that adds structure. Sweaters, button-ups, and jackets work great together for a sharp, put-together look. Play with dark, neutral tones and thick fabrics like wool or denim for extra warmth and style.
If You Want to Present Androgynous
- Base Layers: Neutral-colored thermal tops or turtlenecks can serve as great foundational pieces. You may want to pair these with straight-leg or loose-fitting pants that allow room for layering underneath.
- Outer Layers: Oversized coats, puffer jackets, or long trench coats can work well for an androgynous look. Try layering with oversized sweaters or fleece pullovers for extra warmth.
- Footwear: You could go for sneakers, lace-up boots, or loafers paired with warm, thick socks. But really, any pair of shoes can work for an unisex outfit. 
- Accessories: Neutral-colored scarves, simple beanies, and fingerless gloves can add to an androgynous look. Minimalist accessories like oversized scarves or gender-neutral caps are both practical and stylish.
Style Tip: Aim for a balanced mix of structured and relaxed pieces. Try loose layers on top with more fitted pants, or vice versa, to create an effortless, warm, and non-gendered appearance.
With all my love, 
Your Tumblr Dad 
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yridenergyridenergy · 3 months ago
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Does anybody regconize what clothing brands did the members wear at today stage greeting? Seem like kyo is wearing Madara 🤔
Sorry for the delay. I'm not sure but it seemed like there were two "movie premieres" that day. Kyo was definitely wearing the latest beige jumpsuit from Madara Ningen at one of the events.
The jean jacket that Kyo wore was from Zara and actually comes with the "Free Popcorn" patch. The blue "kid drawing" (officialy "knit elephant") T-shirt underneath is also from Zara.
I think that Kyo alternated between a black cap with Chinese words and one from DRESSEDUNDRESSED, a brand with whom he collaborated for a sukekiyo show years ago and the Rock and Read 087 photoshoot.
Kaoru's fedora hat was from The H.W. Dog & Co. His pants seem to be crinkled freight nylon cargo pants from "Entire Studios".
Die, I could bet that some ârt of his outfit was from Kiryuyrik as always hah. Maybe Shinya's came from h.Naoto?
Toshiya's shirt is too "common" to find a specific brand.
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peonycats · 2 years ago
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Can you draw the historical character Majapahit Empire?
bruh i waited so long to answer this ask indonesia became canon
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This is less of an attempt to depict Indonesia as he actually was during the Majapahit Era and more like a modern historical reenactment, thus explaining the historically inaccurate short hair lmao
BONUS:
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lavenoon · 1 year ago
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Presented with context and no further comment except "👉👈" @naffeclipse
*Aster's still not a girl (he/she) og detective au by sunnys-aesthetic!
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irish-dress-history · 1 year ago
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Have you got any good resources for men’s clothing in Ireland (or even Scotland) during about the 1400’s-1600’s?
I have been trying to find anything that can give me better insight so I can recreate the clothing but so far I’m mostly seeing cheap rubbish costumes that are very clearly the generic “medieval” style that everyone goes to when they want to convey a vibe but don’t feel like doing historic accuracy.
Not to say there’s anything wrong with that but I’d like to really impress people in future gatherings that pertain to this time period
This is a tough one, unfortunately. The 2 best books for this have been out of print for decades and now sell second hand for $100+ USD. Your best bet for getting a hold of them is interlibrary loan. Neither of these books contains sewing patterns or construction information. They are:
Old Irish and Highland Dress by H. F. McClintock, 1st ed. 1943, 2nd ed 1950
Dress in Ireland by Mairead Dunlevy, 1st ed 1989, 2nd ed. 1999
The one book I know of that's still in print is Before the Kilt: How the Irish and Scots Dressed in the 16th Century by Gerald A. John Kelly. I haven't actually read it. I've heard it has some issues with the images being low resolution (probably because it was printed by a small press), but it does contain good primary source research. The only place I know of that sells legitimate sewing patterns is Reconstructing History. I haven't actually bought any, but I have heard that their sewing directions are not the easiest to follow, and some people have issues with the size grading. Their patterns for the wool garments are all based off of extant period garments. Based on more recent research, I don't their léine patterns are completely correct, but they are at least better than some of the léine patterns out there. (Avoid anyone who tells you to put drawstrings in the tops of the sleeves or that a man's léine should be hip-length.)
Websites of reenactors and historical costumers who have put serious research into their outfits:
https://saffroncloth.wordpress.com/
https://www.wildeirishe.com/
http://matsukazesewing.blogspot.com/2014/06/16th-century-irish-dress_19.html
https://www.thelastprince.ie/
http://www.claiomh.ie/
A couple of decent videos on 16th-early 17th c Irish dress:
Traditional Irish Clothing in the Gaelic Period
Depicting and Describing Dress in Early Modern Ireland by Dr. Katherine Bond
If you're planning on doing the 16th c, definitely check out Susan Flavin's research. It has great information on what types of textiles, dyes, and trims that were available in 16th c. Ireland. You can download a pdf of her dissertation here.
I'm sure you already know that 1400s-1600s is a long time period for dress history. Irish dress changed a lot during that period. If your goal is to make a single, well-researched outfit, I would recommend picking a period that's somewhere 1500s-1600. There are a lot fewer primary sources (extant garments, art, documents, etc) for 1400s Ireland. On the other hand if you enjoy making educated guesses, 1400s might be more fun. Just check out this neat 15th c. outfit from Strade Abbey, County Mayo:
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If you have any more specific questions, feel free to ask. I can't guarantee I have answers, but I do have a bunch of random Irish-dress-history related articles for this period on my computer.
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iknowwhereyousleepatnight · 6 months ago
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hmmm should i go through all of the dramas and musicals and other dn medias to compare light's wardrobes there as well as from the anime and manga or is that too much work
#i need to see all of light's wardrobe and i was considering doing every character but i think i'll limit it to light and misa#and potentially mello bc he's constantly serving cunt. i dont think L and near have enough outfits to bother w it and the rest#of the kira taskforce wears pretty basic suits the whole time so i will probably not do them#def light and misa though i care abt their taste in fashion the most#i was planning on doing another read through of the manga and marking things down while i'm doing that and just putting the#anime on like 10x speed and pausing for new outfits but if im gonna do extra content that'll probably push this project into being#a longer thing bc originally i was thinking it'd take me maybe a week or two but i've never seen the dramas yet so im probs gonna#want to take my time w those. hm. idk i like have life things to do but i kinda really want to do this#i also want to keep track of the page numbers/timestamps/episodes that certain outfits show up for reasons#and then ig once i have all of my data (light and misa's outfits) i can set up individual timelines for each series and i can sort#them into little categories and i can compare them and i can track their fashion tastes over time yippee!!!!#oh i get so excited thinking abt this i will have the best archive of all of their outfits and i will ofc share my findings bc i feel like#this is very helpful research#it's so funny bc all of this.... is just so i can properly pick out lingerie that i think light would like.......#ajdhkajsjhdjgasjhj
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hanvesposts · 26 days ago
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TONY MORGAN’S VISUAL MERCHANDISING
4th edition
Reading into Tony Morgans’s visual merchandising book on window displays and in store visual merchandising, some very helpful tips and information to consider when moving forward with my brief.
The importance of windows
What is visual merchandising
Getting to know your windows
Planning a window display
Signage and graphics
Louis Vuitton store study
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galarfiend · 2 years ago
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kiddos
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holdharmonysacred · 2 months ago
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why are we having fanmerch manufacturing discourse now
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3cosmicfrogs · 1 year ago
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look i love,,, using historical inspiration for character design and going buck wild with it.
when do we think i need to start citing my sources
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maxwellamus · 4 months ago
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Why is it so hard to research traditional clothes for literally any region but the white ones i am legit going through it WHERE DO I FIND PICTURES. I NEED PICTURES
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mariocki · 5 months ago
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Inspector Morley, Late of Scotland Yard, Investigates: The Case of the Scarlet Letters (1.3, WGN-TV, 1952)
"Mr. Mullins, I have in my possession sixty-eight letters, none of which has begun to outlive its usefulness. I'm quite prepared to admit that blackmail is risky, but then murder has its disadvantages too - that is why I gave up murder."
#inspector morley late of scotland yard investigates#inspector morley late of scotland yard#(there's some confusion about the correct title of this series; it appears onscreen with 'investigates' but many online sources omit the#final word and it wouldn't be unique in having a title screen that differed slightly from the official name of the show; either way it's a#hell of an unwieldy name for your programme.....)#classic tv#1952#john gilling#victor m. gover#tod slaughter#patrick barr#tucker mcguire#leonard sharp#another rediscovered gem made available by the good folks at kaleidoscope#oof. ok. so the story of Inspector Morley is complicated and still semi mysterious (the show is 70 years old after all‚ there's precious#little surviving documentation). as far as it goes‚ this was a UK production intended for sale to the BBC (there existing no independent tv#company in 1952). the beeb‚ for whatever reason‚ passed on the series. 13 episodes had been made and of these about seven were cobbled#together into feature films to recoup some of the costs; those survived and saw occasional outings on rainy afternoon tv schedules here#it was thought that the remainder were junked‚ but research (not my own i hasten to add) has revealed that the whole series was in fact sol#to the US where it was shown on WGN (a Chicago based station i believe). when kaleidoscope recovered this particular episode some 6 or 7#years ago‚ it was thought to be the sole surviving episode‚ at least in its original format (ie. not edited into a feature). actually it#sounds like they might all exist and a few are even on youtube (including this one). this is very early detective tv and it shows its age#not just in its ropey visuals (it's all quite soft and fuzzy) but in its very old fashioned shape and design‚ which is closer to mid#century film than what television would shortly become. that sensation is only furthered by the presence of the immortal Tod Slaughter‚ a#bastion of early british cinema and one of the first horror icons the uk ever produced. unusually‚ it seems like he starred in most (if not#all) of the episodes of the series; unusual bc he plays the villain‚ opposite Barr's staunch ex copper Morley. having a recurring villain#must certainly have helped when editing the shows into films for cinema release but it was quite a strange choice for tv#tho perhaps a set cast reduced costs (this was clearly a budget production‚ tho it does feature some impressive early location shooting)#Slaughter is great fun‚ in full scenery chewing mode as the wicked and unrepentant mastermind behind all sorts of crimes#Barr even has personal beef with him‚ though it would require seeing the other eps to fully understand it i suspect
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twin-chains · 7 months ago
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Triforce Heroes Backstory
One day, three near-identical, pointy-eared swordsmen with side-parted hair happened to stumble upon the kingdom of Hytopia at the same time and place. As the prophecy foretold, they joined in the quest to save Princess Styla from her ugly fate. They came from very different lands and backgrounds yet bear the exact same name, Link, after the courageous hero of legends. Because of this, the trio used simple nicknames, and generous amounts of hair dye, to differentiate themselves.
Ember
Ember is a soft-spoken arborist and aspiring dancer hailing from the heart of Holodrum. He was raised by a lovely couple, Bipin and Blossom, in a quaint town called Horon Village. Ember was a bit of a shy kid and a slacker before he discovered a love for music and dance. Then, he was mentored by the Oracle Din. She helped bring him out of his shell and even encouraged him to take up swordsmanship to protect himself and his family. Din would often refer to this child as a "shy little ember" who had the potential to become a great and passionate flame, from which his nickname was derived.
On his 16th birthday, Ember went traveling outside his homeland to explore the world and its boundaries with nothing but a couple of rupees, an old sword, and the clothes on his back. Optimistic of the exciting things he may see, he traveled to many distant lands before finding his way to Hytopia where he was scouted for the Witch-Hunting Brigade. Working with the other Triforce Heroes and saving princess Styla helped Ember build character and find his own inner strength and power.
Aqua
Aqua is an energetic warrior and emotional singer hailing from the land of Labrynna. He was taken in by a sweet couple, Ralph and Nayru (the oracle), in a quaint cottage just outside Lynna City. He was a bit of an hyperactive and reckless kid who loved swimming in the rivers and sea and was fascinated with looking for mermaids and sirens. As Aqua grew up, he developed a love of heroic stories and epic ballads, taking up singing like his mother and swordsmanship from his father. He was especially inspired by the legends of a Hyrulian hero that his parents told him about, the one that saved the land thrice over and personally passed down his sword technique to Ralph.
On his 16th birthday, Aqua set out to find his own daring adventure out in the world. By doing so, this thrillseeker hoped to get inspiration for his songwriting, hone his swordmanship skills, and finally live out the hero life he only ever sang about before. Optimistic of the exciting new things he may experience, Aqua traveled to many distant lands before finding his way to Hytopia where he was scouted for the Witch-Hunting Brigade under a random nickname. Working with the other Triforce Heroes and going on such an epic journey helped Aqua learn how to be wiser and think things through instead of hastily jumping into dangerous yet exhilarating situations.
Clover
Clover was an artsy but apathetic hero of his own right when he left the kingdom of Hyrule. After his adventure between two worlds, he went on a journey running away chasing an unattainable dream and found himself traveling north towards Hytopia. There, he ended up joining the Witch-Hunting Brigade. Going by a childhood nickname, Clover worked with the other Triforce Heroes and found joy and brotherhood, something that he previously believed he wouldn’t get to experience in the life of a hero, before working up the courage to return home.
Here's my shitty little doodles of what Ember's (middle) and Aqua's (right) outfits could look like plus Clover's (left) swordmaster suit. Ember has the arborist hat like his dad, white scarf and decals from the power rangers suit, and fire gloves from the fire blazer outfit. Aqua has the crown from the water torrent robe and his dad's cape from OoA. I want their main outfits to have subtle changes and accessories to the same basic sword suit tunic.
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These three found a love of fashion and heroism with their fellow brothers-in-arms as they came together to go on adventures from forests, lakes, and deserts, sporting new outfits and brightly dyed hair. And once their journey was complete, Ember and Aqua decided to continue traveling the world together to this day while Clover went back to Hyrule, later helping Zelda and Styla forge an alliance.
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