#farmer success stories.

[farmerstrend]

The Rise of Pigeon Pea Farming: How Festus Muthoka Transformed His Farm with the New Mituki Variety in Machakos

Discover how Festus Muthoka transformed his farm in Machakos County by adopting the Mituki pigeon pea variety, achieving higher yields and income in challenging farming conditions. Learn more about this game-changing crop. Explore the benefits of the Mituki pigeon pea variety, a drought-resistant crop that matures quickly and offers multiple harvests per year. See how farmers in Kenya are…

[iakshaysrivastav]

Revolutionizing Farming: Radheshyam Ratheewal's Polyhouse Success

🌱 From Tradition to Innovation: Rajasthan’s Radheshyam Ratheewal embraced modern farming with polyhouse cucumber cultivation, transforming his life and inspiring his community.

Raisinghnagar’s Radheshyam Ratheewal didn’t just embrace farming; he revolutionized it. This farmer turned entrepreneur transitioned to polyhouse cucumber farming and became a symbol of agricultural innovation. What motivated this shift, and how did he overcome the challenges? Here’s his story, enhanced with insights and implications for modern agriculture. A Career Redefined: The Spark of…

[theformulaforsuccess]

Leadership Lessons from a Farmer

Douglas Vandergraph continues his journey of teaching others how to accomplish their dreams and goals by talking about leadership. Douglas grew up on a family farm in Nebraska. One of his favorite memories is that, as a young child, he loved to listen to the men talk. These men were farmers, young men who had just returned from the Vietnam War and were taking over the family farm from their fathers. Douglas believes that the leadership lessons he learned as a young boy from these men/farmers have assisted him in building not only a business empire, but a life worth living. These are the lessons Douglas now shares with you. Douglas states, "A farmer is a great leader as they exhibit patience and care, two essential qualities for effective leadership. By emulating these qualities, we can cultivate leadership within our organizations and create an environment that fosters growth and success. This involves leading by example, selecting the right team members, nurturing and supporting growth, removing obstacles, and preparing for good and bad seasons. As leaders, we can learn from the farmer's practices and apply them to our leadership styles, ensuring we continually improve and adapt to better serve our teams and organizations." Douglas is putting himself out there as an example to others so they can see how anyone can take a chance, improve daily, and make a difference in the lives of others. What is it that you want in your life? Douglas can show you how to get it! This is a video series Douglas is completing in the hopes he can help just one person. Dr. Suess once said, "To the world, you may be one person, but to one person, you may be the world."

Follow Douglas on YouTube:

https://www.youtube.com/@douglasvandergraph

Relevant Keywords:

#leadership #leadershipdevelopment #leadershipskills #farmer #farmers #farmerlife #lifeadvice #business #selfhelp

[banglakhobor]

টমেটো চাষ করেই কোটিপতি! কর্ণাটকের দুই ভাই দেখাচ্ছেন পথ, কীভাবে লক্ষ্যে পৌঁছলেন

টমেটো চাষ করে কোটিপতি হয়েছেন অনেকেই। গত দু’এক মাসে এমন অনেক ঘটনার নজির উঠে এসেছে সারা ভারতে। একদিকে টমেটোর মাত্রাছাড়া দামে নাভিশ্বাস সাধারণ মানুষের। অন্যদিকে সেই টমেটো বিক্রি করেই লাভের মুখ দেখা চাষি— এই দুইয়ে মিলে গত কয়েক মাসে সংবাদ শিরোনামে থেকেছে টমেটো। আবারও এমন চাষিদের কথা জানা গেল, যাঁরা টমেটোর ফলন থেকে রোজগার করেছেন কোটি টাকা। এবার জানা গেল কর্ণাটকের চামরাজানগর তালুকের দুই ভাইয়ের কথা।…

[mostlysignssomeportents]

How lock-in hurts design

Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!

If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.

Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.

This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.

Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:

https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/

But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.

Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.

Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:

https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/

This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!

But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.

That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:

https://pluralistic.net/2023/02/19/twiddler/

When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":

https://locusmag.com/2020/09/cory-doctorow-ip/

This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.

An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.

Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.

Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":

https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html

Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:

https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/

But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.

The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):

https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/

Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."

Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.

Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited

Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[thyme-in-a-bubble]

hayloft

a/n: so…. i watched twisters…………

summary: “so what you’re saying is that you just came in here seeking shelter from the rain?” a smirk dazzled his features, “out of every shed and every other barn you passed on your way back to the house, you conveniently chose this one which I just so happen to still be in from when you poked your head in earlier,” his gaze briefly dipped down to your soaked through, and now sheer, t-shirt.

warnings: farmhand!tyler owens x farmer's daughter!reader, smut, farmer au, secret relationship, established relationship, bull rider!tyler, rain, sex on a hayloft, kissing, dirty talk, oral, facesitting, manhandling, impact play, penetrative sex, unprotected sex, wrote this in the middle of the night oops, click here for the prequel to this story

word count: 1673

∼ gentle reminder that feedback, but especially reblogs are the way you support writers on here ∽

masterlist | join my taglist

Rain splattered against the barn door as you fought to tug it closed, droplets whipped your face until the very last second when you finally managed to latch it shut. 

“Hey,” a deep timbre crackled from behind you, causing you to whirl around. 

“Oh, hi Tyler,” a smile couldn’t help but creep up on your features as you spotted the painstakingly handsome farmhand, “what are you doing in here?” 

A chuckle then bubbled out of him as he leaned the long pitchfork in his grasp against a nearby wall.

“My job, ma’am.”

“Of course, right,” one of your hands shot up to wipe your wet face, though without much success as your palms too were completely drenched. 

“Better question is,” he took a step closer to where you stood, dripping onto the dusty barn floors, “what are you doing in here?” 

“Oh, well, I was just coming home from a ride on Blue when the rain came pouring down, so–” 

“So what you’re saying is that you just came in here seeking shelter from the rain?” a smirk dazzled his features, “out of every shed and every other barn you passed on your way back to the house, you conveniently chose this one which I just so happen to still be in from when you poked your head in earlier,” his gaze briefly dipped down to your soaked through, and now sheer, t-shirt.

“Hm,” you hummed through your smile, “yeah, that really is convenient,” neither denying nor affirming his accusation as you then teasingly twisted away from the close proximity his slow stride had created.

Catching the ladder that led up to the open hayloft, you slowly began to climb it. 

“Just what are you doing now?” you heard from behind you. 

“You said you were working,” you glanced over your shoulder, successfully catching Tyler staring at your ass through your jean shorts, “so I’m getting out of your hair.” 

“Oh, is that what you’re doing?”

“That’s right,” you reached the top and plopped yourself down on the planks, “I’m kind that way. So now, just go back to whatever you were doing, lifting heavy things or whatever,” you waved a vague hand down at him in hopes that he would put on a show for you and let you ogle the way his muscles flexed beneath his tight shirt. 

But he didn’t pick the pitchfork back up. 

Instead, he simply blew out a soft chuckle, gazing up at you as a light shake found his head, staring up at your drenched visage just a moment longer before he began to climb the ladder as well. 

A giggle rolled off your tongue as he reached the top, a gentle sound that he then swiftly smothered as he leaned in and pressed his lips to yours, still balanced on the ladder, clutching onto the sides as he reached you, sitting cross-legged on the floor before him. 

“You’re unbelievable, you know that?” 

“Me?” you tilted your lips out of his reach, “I am an angel. I’ve never done anything wrong in my life,” a grin accompanied your jest. 

As he climbed the rest of the way up onto the loft, you didn’t shift away to make room for him, only leaned back on your forearms as he blissfully crawled to settle above you. 

When you raised yourself up to kiss him once more, you only got to taste him for but a moment, only shyly managing to sink your fingers into the hem of his shirt, before he denied you of any more. 

“I swear to god, it’s like you want your daddy to catch us with the way you keep throwing yourself at me.”

Letting out a light-hearted scoff, you said, “excuse me? First of all, it’s raining and even if it wasn’t, he’s not coming down here, not this time of day, and second of all, talk about yourself, sir,” you hooked your legs up and over the small of his back, “you’re the one always stealing kisses from me even when you know he’s around,” you counted, “oh, also that one time in the tool shed? It doesn’t matter that you covered my mouth, he for sure knew something was going on in there,” Tyler’s smile only brightened at the recollection, “and don’t even get me started on the way you’re always looking at me.”

“How do I look at you?” 

“You know how…” you laughed, melting under his gaze, “you’re doing it right now.” 

“Oh, am I?” he acted as if it wasn’t completely on purpose how his eyes undressed you, “I’m sorry, I hadn’t noticed.” 

Leaning down to capture your lips once more, a light squeak then escaped your lungs as he suddenly rolled over onto his back, onto a low pile of loose hay, dragging you along with him.

But as your body rested atop his, completely plastered against one another as his broad hands took their time raking down your curves, a soft chuckle rumbled in his chest and vibrated against your tongue. 

“Oh my god, you’re so fucking wet,” he laughed, playfully giving the drenched denim clinging to your ass a swift tap. 

Pushing yourself up a bit more, you spotted the splotchy stamp you’d transferred all down Tyler’s front. 

“Yeah well, I was just caught in the rain, what do you want me to do?” 

“It really did get you good, didn’t it?” you felt his hands shift and nimbly undo your shorts.

“Mhm,” you nodded, blinking down at him as he yanked your soaked shorts down and tossed them off to the side, onto a hay bale. 

“You mind if I check something real quick?” he playfully asked, scooping his grasp down to curve securely around the plush of your bottom. 

“Not at all,” you smiled before a sharp yelp then suddenly erupted out of you.

Tyler knew he could toss you around like a ragdoll, a skill of his he wasn’t at all shy to lean into, especially now as he yanked you closer, all the way up his frame till he settled you just above his face.

“Tyler!” you laughed, squirming lightly as he pulled you further down against him, letting his nose nuzzle against the sliver of your underwear before he placed a sloppy kiss against them. 

With his wide palms still glued to your butt, a few of his fingers stretched out to catch the hem of your panties and tug them to the side, granting himself the full access he desired. 

As he began to eagerly lap you up, he briefly murmured against you, “yeah, you really are completely soaked,” conjuring a hazy laugh to rip through you as your head tipped back at the pleasure. 

Teasing your little clit till your thighs began to shake on either side of his face, you felt his hands briefly migrate up your back and guide you to collapse entirely above him, bending you forward and letting your forearms land in a soft pile of hay for support. 

His strong arms then scooped back down to your ass, blanketing them around your hips as he brought you even closer to him, evidently not that desperate to let himself breathe any time soon as your all-consuming presence above him was the one and only thing he desired. 

With the way that he devoured you whole, not long passed till you were cumming all over his face, whimpering and trembling against his unyielding efforts. You barely let yourself catch your breath before you crawled back down his form, lazily kissing the taste of you off of his tongue as you worked at freeing his hard cock that strained in his jeans.

Your frame stayed plastered against his own after you sank down upon him, your tits in the soaked shirt smooshing against his chest. With your panties still clinging just off to the side of your cunt, you only let yourself shutter at the stretch a shy second before your trembly thighs raised you back up to find a slow rhythm.

“Fuck…” he groaned, tilting away from the breathless kiss, “ride that cock–, shit, you’re so good,” he nearly hissed at the way you rolled your hips, your silky walls clinging around his girth, “that’s my girl.” 

“Yeah, well I partly blame you for finally explaining to me how exactly it is you ride those crazy bulls,” you spoke about his daring side gig, “how you stay on, tame them.”

“Yeah,” an airy chuckle slipped out of his lungs, “you might just give me a run for my money if I ever get you up on a real one.” 

“I thought that’s what I was doing now,” you smirked down at him as you rocked your hips even further down against his, grinding the length of him dizzyingly deep inside of your pussy. The comment however also earned you a slap across the ass, causing the laugh hiding just behind your lips to finally break free, “hey, I’m not wrong, you are an animal!”

Burying one of his hands into your hair, he uttered against your lips, “well, if I’m an animal, then you’re one too,” nearly growling as he held you close and let himself buck up into you, meeting your slow bouncing halfway, “we’re cut from the same cloth you and me.”

“Yeah,” you moaned, digging your weak hands into his shirt and surely stretching the cotton out, “you and me…”

Tilting your head just far enough back so that he could catch sight of how your eyes began to roll in your skull, he groaned, “fuck, you’re so beautiful… so fucking perfect and warm, tight, fucking squeezing around me so good, and so fucking wet…” a chuckle slipped out of you both at the double entendre, “you messy girl… my messy little fucking girl… you’ll never get to dry off if I have a say in the matter… let you stay just completely soaked for fucking ever and make it so easy for me to just do anything I want…”

© 2024 thyme-in-a-bubble 

[swa-kavyankur]

गांडूळ खत निर्मिती व उत्पादनाची यशोगाथा

A farmer success story in Marathi

[semisolidmind]

What about an eyeless monster who's love has to lead them around like a guide 🥺 something something putting their entire trust into their partner to control where they go safely

(this one ran away from me story-wise)

a woman, a prisoner of war and disgraced concubine (as in, wouldn’t let the prince lay a hand on her willingly), is sentenced to lead the blind god wherever he is needed. though he sent the last king to his death, the god gives good advice to those not of the royal bloodline; farmers, merchants, and others of humble origin and noble intent may seek his counsel and receive good luck.

a god of foresight of wisdom was captured by an evil king to aid him in his conquests. in a vulnerable moment, the god was forced into shackles and dragged to the capital like the cattle he resembled.

the god, after gaining the king's trust, advised the ruler to go to a peace negotiation with a rival nation, promising that he’d be successful; it was a trap, and the king was slaughtered. the kings' son demanded the gods' sight be taken, though he couldn’t afford to outright kill the old beast lest a curse fall upon him.

bound to the creature by holy brand and magiked golden lead, the woman learns of every misdeed and injustice the rulers of the land are guilty of, and plans to help the god regain his sight and power in order to overthrow them. she becomes his high priestess, and as his most loyal follower, the key to his re-ascension. he’s among the very few who will speak to her in her native language; she’s the only one who knows of his true name, and he of hers.

together, they will bring the kingdom to its knees.

[farmerstrend]

Why Mushroom Farming is the Next Big Thing: Lessons from Dennis Macharia’s Garden Mushrooms

“Discover how Dennis Macharia transformed his farming venture by pivoting from traditional crops to sustainable mushroom cultivation, overcoming challenges, and building a thriving agribusiness in Kenya.” “Learn how Dennis Macharia built a successful mushroom farm with limited capital, smart reinvestment, and innovative techniques, making gourmet mushrooms accessible to local markets.” “Explore…

[latenightdaydreams]

Cowboy!König x Farmer (fem pov)

MDNI🔞

Master List ✍🏽

>cw: fem/afab, mention of death (widow), p in v, spanking, oral

2.3k word count

Set in 1890's America

🤠

.

.

It has been exactly four months and seventeen days since your husband, Henry, passed away. The two of you decided to leave your dull city life for the excitement of the untouched wilderness. Everything had been going perfectly. In only five years the both of you were able to build a beautiful home, a big barn with animals to fill it, and enough crops to feed yourselves and sell. Success to the point of needing to hire extra hands. It was the American dream.

It’s just you and a failing farm. The work just continues to pile up and you never seem to be able to catch a break. With no other options, you set off into town looking for help. You hang fliers in the local stores and on street posts, hoping someone reliable will respond. All you can do is wait.

Only just two days later while you’re outside feeding your chickens, you see a black draft horse approaching. You place the bucket of feed on the floor, wipe your hands off on your blue jeans, and adjust your cream-colored button-down shirt before walking towards him. As you approach you notice that underneath the cowboy hat is an odd t-shirt like mask covering his face.

“I hope you’re not here to cause trouble.” You rest your hand on the pistol resting on your hip as you continue to approach him.

“Nein, no trouble, Fräulein."

His thick Austrian accent takes you by surprise. Your eyes look over his body as he gets off of his horse, taking note of how massive this man is. He looks down at you with his pale blue eyes squinting from a smile.

“I’m König,” he holds his hand out to you, “I saw your fliers in town.”

“I’m, y/n. Have you worked on a farm before?” You weakly shake his hand, your body so exhausted from hours of work and no rest.

“I grew up on one in Austria.”

You cross your arms keeping your defenses up as you two speak. There are so many questions running through your mind about his mask, but you decide to not ask. Never in your life did you think a 6’10 giant would be the one to show up.

“Well, as the post states; I can’t pay much but I can offer food and a room to compensate.”

The fact that you can’t afford to pay the standard rate to a farm hand makes you feel ashamed. There used to be three workers and now it’s only you. You can feel the heat in your face begin to build as you wait for him to reject your offer. Without him, you might not be able to keep the farm past this coming harvesting season.

“That sounds like a good deal to me, Fräulein.”

A small smile cracks at the corner of your lips as he agrees. There is a wave of relief that washes over your body. The possibility of getting the farm back to its glory days lingers in the back of your mind.

“Come with me, I’ll give you a tour.”

You turn and start with showing him the farm land before walking inside the home. It’s a two-story farmhouse, well taken care of by your husband. On the walls there are two photos; one of you and your late husband and the other of your parents. You notice König eyeing them, but he doesn’t ask about it.

Up the stairs and around to the left is the spare room. It was supposed to be a nursery, but those hopes of a family died with your husband. In the corner is a single bed and a wardrobe on the wall. It’s not a must, but it’s all you could afford.

“Here is where you’ll be sleeping.” Your eyes follow König as he walks past. His muscles are so big the ripple though the tight blue shirt he’s wearing. His thighs would be so nice to sit on. Henry was a skinny little man. You didn’t know men could be this big. “There are some house rules. No parties, no drinking yourself dumb, and please clean up after yourself.”

König places his small bag on the bed; clearly, he travels light. He nods as he looks around and then his eyes land back on you. The beautiful shade of light blue is only accentuated by the black mask covering his face.

“Ja, I promise to follow the rules. When do I start?”

“You can help me now. All of the animals are fed, but the stalls need to be cleaned out.”

“I’m on it.” König says as he walks past you. You get a whiff of his musky smell from his travels. Deep inside you feel wrong but, on the surface, you can’t help but to be aroused by the man.

You wait a moment before going outside to tend to the crops. Right now, you just need to remain focused on the farm and Henry’s vision. There is no time for men in this life.

You march down the stairs and head to the barn to grab your tools. Once you enter the door you see König with the pitchfork shoveling the animal manure, just as you asked of him. Except his shirt is now off and resting over one of the hooks on the wall. His body is glistening with sweat as his muscles flex with each movement. Trying to not get caught staring, you turn and grab what you need quickly and leave. The sound of your heart beat echoes in your ears, what is wrong with you?

The day passes until the sun begins to set. You’ve noticed that König took the liberty to go around the barn and fix things that have been broken for a while. His work ethic only makes you feel even worse for not being able to pay him more.

A few days pass, the both of you have slowly begun to build a routine. It has been nice to have him around the house, the chores no longer seem unmanageable. There hasn’t been much conversation, but you steal glances of his body everyday when he’s outside.

Today as you’re bent over planting seeds, you feel a warm hand rest on your lower back. You can feel a tingle crash over your body as you stand and turn to him. Your bodies are so close that you can feel the heat radiating from him. All you want to do is rub your hand down his chest and feel his sweat on your body.

“I can finish up; you should go inside and rest.” His eyes flicker back and forth between yours causing your heart to flutter.

“No, it’s okay—”

“Bitte meine Liebe, let me finish.”

You nod slowly. His hand drifts from your back to the curve of your rear before dropping off. The look he gives you melts you completely. Thanking him once more, you walk forward and towards the house. You turn back to look at König and see his eyes following your hips before he continues working.

As you turn the corner, you realize that you forgot your jacket in the barn. You walk back and see it lying next to König’s shirt. With your jacket in hand, you look around before grabbing his shirt. Bringing it up to your face, you take a deep breath in, savoring his scent.

“Liebling, I thought I told you to get some rest.”

König’s voice causes you to jump, accidently dropping his shirt on the ground before turning around to face him. You can’t seem to find the right words to attempt to talk yourself out of this situation; it’s embarrassing.

“I’m so sorry, I know this must look—”

“Like you were smelling my shirt.” König says with a certain cheerful tone in his voice.

All you can do is nod, you’ve been caught; the thought of him quitting makes your heart drop. Words escape you; how does one apologize for this? You pick his shirt back up and hand it to him.

“I’m sorry.” You repeat in a meek tone.

König looks at you for a while before slowly approaching you. His massive hand ups the side of your face and tilts your head back for you to look directly into his eyes. A chill travels over your body.

“That’s…very naughty of you.” His voice is almost a whisper as his other arm wraps around the side of you, pressing you against his chest.

You look up with wide eyes at his response; it isn’t what you were expecting at all. Before you can say anything, his hand squeezes your soft plump ass through your jeans. He gently grinds his hips up against you, making sure you feel how aroused you make him.

“You are simply stunning, Liebling.” König growls in your ear, goosebumps travel all over.

Both of his hands move down to unbutton your shirt, every button felt like it was taking an eternity to undo. The way he looks at your bare breasts like a hungry beast causes your pussy to tingle, a rush of desire pulsing throughout your body. He gently pulls his cowboy hat off and places it on the wooden stable behind you, pulling off his mask as well.

You see a long and deep scar that travels down the right side of his face. It isn’t a turn off for you, he’s still a handsome man. With one hand you reach up and caress the right side of his face gently, König presses his face into your hand as he relishes your touch.

He leans down and wraps his lips around one of your nipples while he unbuttons your jeans. The feeling of his wet tongue swirling around your nipple causes you to let out a soft moan. Your fingers comb back his messy blonde hair as you watch him with closed eyes enjoy your body.

The fabric of your jeans brush along your legs as he pulls them down off of your body along with your underwear. His large hands caress your legs from your calves up to your thighs. He pulls away to look at your full body; your eyes drop to his hands to see his erection straining against his jeans. Your eyes follow as he stands up, towering over your much smaller frame as his hands undo his pants. In this moment you didn’t feel like a widower or even the stress of the farm. It’s just you and König.

A tiny yelp leaves you as he lifts you up and holds you in his arms. Your legs wrap around his waist while he walks with you to the barn wall. His lips crash into yours in a passionate kiss. You pull him to you, deepening the kiss. He tastes strongly of tobacco and smells like sweat from working in the hot sun all day.

König pulls away from the kiss, leaving your lips wet and craving more of him. His eyes look hazy, drunk at this moment. Then you see the head of his cock press against your sopping wet pussy. His once pale blue eyes are now blackened by his pupils.

With one harsh thrust, König shoves himself inside of you. A loud moan leaves your lips as your face scrunches with pleasure. König is such a strong man that he so effortlessly holds you and moves you down on to his cock to meet his thrust.

“Y/n.” He huffs your name.

No words can even be formed as your body experiences new heights of pleasure you’ve never felt before. His cock is monstrous, bullying itself inside of you. Your short finger nails dig into and drag across his pale skin, reddened from the blistering August sun.

Animalistic groans leave König as the most pathetic mewls leave yours. His body leans against yours as he presses you harder against the barn wall, his hips bucking up rapidly like a man in heat. You feel a way of electricity as his tongue licks across the side of your neck. He covers your pulse point with his lips and begins to lightly suck.

Beads of sweat begin to drip on your body, both of you growing increasingly slippery. He gently puts you down, but quickly grabs you by the back of your neck and walks you over to a stack of hay. Not being too rough, he bends you over the stack and presses your face into the hay.

You form goosebumps across your body as he gently caresses down to your hips, grasping them firmly. His pace continues, but you feel his heavy balls slapping against your swollen clit. Your eyes flutter back as one hand reaches behind you to push his chest.

“Too much.” You whimper.

König doesn’t listen, grabbing your arms and folding it behind your back instead. He reaches for your other arm to also hold it that way, one of his hands wrapping around both of your wrist to keep them together. Your ass ripples with every merciless thrust only bringing you closer to orgasm.

You can feel your pussy clenching around his cock, a low moan leaving him in response. This is just too much. The strong build up of ecstasy radiates from deep inside of your core throughout your whole body. In response to this sensation you tremble, König’s name being the only thing you can say as you cry for him over and over again.

“Can I—” König begins to ask, but before he finishes his sentence you can feel his cock begin to pulse deep inside. His heavy body leans forward and rest on you, pressing you more into the hay. He gives your marked neck soft kisses as your body takes every single drop of his cum.

[newspatron]

Co-operative Ministry of India & the Extraordinary Vision of Amit Shah

The Co-operative Ministry of India is a critical government agency that plays a vital role in the country’s economic development. Under the leadership of Amit Shah, the ministry has made significant strides in strengthening the cooperative movement and empowering farmers and other marginalized communities.This article will explore Amit Shah’s vision for the Co-operative Ministry, his key…

[extinctionstories]

Two hundred years ago, the wetlands of Japan rustled with pink-tinged feathers. Tall, pale birds stepped carefully through reeds and iris, hunting small fish, crabs, and frogs. 

Nipponia nippon, it would be dubbed by the national ornithological society, a bird emblematic of its country. The Crested Ibis. The Toki. The Peach Flower Bird.

Marshes slowly changed to rice fields, with farmers who resented the toki for ruining crops; to kill the birds was outlawed, so children chased them from the fields, singing warnings.

The doors of the country were pried open. Laws changed. Farmers bought their first guns, their sights set on birds who were no longer protected. The toki, the red-crowned crane, and many others began to suffer. But the worst was yet to come.

Pesticides are indiscriminate killers. The poison sprayed to kill a beetle can travel up the foodchain, toppling a cascade of larger animals, or affecting their ability to reproduce. It was reckless pesticide use that nearly wiped out the Bald Eagle. In the rice fields, the peach-flower-bird had little chance. 

In 1981, Japan’s last five living toki were removed from a wild that had become too dangerous for them.

I tell a lot of sad stories here, about mistakes we’ve made and animals we’ve lost. This isn’t one of those. This is a story about one of those precious times when we were able to fix the things we’d broken. 

A joint effort between Japan & China, and the discovery of seven more birds in that country, led to a successful breeding program, which in 2008 saw the first ibises fly free again in Japan. Today, at least 5000 toki exist in the world.

The last wild-born toki, one of those captured in 1981, lived almost long enough to see her species’ return. Reaching the equivalent age of a centenarian human, she died in 2003—not of old age, but injury after throwing herself against her cage door. 

Her name was ‘Kin’. ‘Gold’. 

Mended things can never be as whole as they once were. There will always be cracks that show, weak spots that remain vulnerable. Yet, like the shining seams of a kintsugi piece, these scars speak an important truth: here is a thing that someone chose to save; handle with care.

The title of this painting is ‘Restoration’. It is gouache on 22x30 inch watercolor paper, and is part of my series 'Conservation Pieces', exploring the effort to preserve endangered birds.

[reasonsforhope]

For the first time in 100 years, Atlantic salmon are once again spawning in the upper waters of the River Derwent. 

The return of spawning salmon to the rivers of Derbyshire is a real conservation success story. After centuries of intensive river management by the county’s burgeoning factories, the fish were driven extinct in many of its waterways.

Since then, the health of some of the rivers have improved to an extent that salmon can once again spawn. But the routes for the fish to return are still blocked by the remnants of the industrial boom, with numerous dams and weirs still blocking the migratory route of salmon attempting to swim upstream.  

Dr Tim Jacklin is a Conservation Officer for the Wild Trout Trust who has worked on river restoration projects that encourage and helps the migration of fish such as the Atlantic salmon. He was involved with the removal of a weir at Snake Lane, Derbyshire, which allowed the salmon to recolonise the headwaters of the River Derwent.

The catalyst for this work was seeing salmon making it all the way up the River Derwent, but then being stopped from exploring the upper reaches where the river becomes the Ecclesbourne.

“We’d started to see large salmon turning up in the Derwent in winter,” explains Tim. “They became sort of local celebrities really. People were going out with their head torches at night and looking into the river, because it’s not a particularly large watercourse and these fish were quite literally as long as your arm, without it being an angler’s tale.”

“So they attracted quite a lot of attention. But it also highlighted the fact that Snake Lane Weir, which was a concrete structure that had been built in the 1970s to replace an old mill, was a complete barrier to fish getting upstream.”

This prompted the work to remove the Snake Lane Weir and replace it with a boulder rapid that the fish would, once again, navigate over and continue on their journey.

“It’s very rewarding,” says Tim. “We opened up a good ten kilometres of spawning habitat upstream, so that translates into hundreds more juvenile salmon that make their way downstream and hopefully to come back and spawn.”

Putting the river bends back in

A little further upstream on the Ecclesbourne River, the Derbyshire Wildlife Trust is working to continue the work started at Snake Lane. At the edge of a farmer’s field a deep, straight channel rushes along under the trees. This was created by diverting the river to increase its flow to power a mill using a weir. This has formed yet another barrier for the migrating salmon.

But not even 20 metres away the ghost of the river’s original route perseveres. Nothing more than a shallow, muddy ditch with a few scraggly trees overgrowing it, the bends and curves of the river’s natural path can still be seen forming the boundary of a field. 

The wildlife charity is now trying to undo the centuries of harm that bypassing the river’s natural route has done, with the hope that the salmon will travel even further up into the headwaters and spawn once more in the gravel of the restored river. 

“A lot of our rivers across the whole country have been straightened,” explains Jenny Kril from the Derbyshire Wildlife Trust. “Unfortunately, what that does is remove any sort of natural habitat that we would expect to see in a healthy river.”

“What we’re doing is re-wiggling or re-meandering the Ecclesbourne, which is essentially just putting the bends back into it. What that does is change the speed and flow of the water. It creates nice beaches and different habitats for a whole host of different species and just making the river more natural.”

It is hoped that this work will create a greater variety of habitats, which in turn will encourage a greater variety of plants and invertebrates, and so boosting the overall biodiversity seen in this section of the river. But the cherry on the cake would be if the salmon start nesting.

“Over the next few years, we’re going to see this whole area just continue to develop naturally,” says Jenny. “We’ll get some sediment being deposited on some of the beaches creating more habitats, and we’re going to do tree planting to further increase the biodiversity of the area.”

“We’re just going to hopefully watch it become the brand-new river and as it should be again.”

There is a long way to go to safeguard the future of the UK’s rivers, but the work on the Ecclesbourne is showing that with the resources and right interventions change can happen and improvements made.  

“I think we’ve got some huge challenges ahead of us, but you know, they’re not making rivers anymore,” says Tim. “So we’ve got to look after the ones that we’ve got.”

-via UK Natural History Museum, April 8, 2024

[gardenschedule]

just insane mclennon things

John playing his and Yoko's sex tape in a band meeting

As the meeting was drawing to a weary close, John, not this day with Yoko, who hadn’t seemed particularly connected with what was going on, said he wanted to play us a tape he and Yoko had made. He got up and put the cassette into the tape machine and stood beside it as we listened. The soft murmuring voices did not at first signal their purpose. It was a man and a woman but hard to hear, the microphone having been at a distance. I wondered if the lack of clarity was the point. Were we even meant to understand what was going on, was it a kind of artwork where we would not be able to put the voices into a context, and was context important? I felt perhaps this was something John and Yoko were examining. But then, after a few minutes, it became clear. John and Yoko were making love, with endearments, giggles, heavy breathing, both real and satirical, and the occasional more direct sounds of pleasure reaching for climax, all recorded by the faraway microphone. But there was something innocent about it too, as though they were engaged in a sweet serious game. John clicked the off button and turned again to look toward the table, his eyebrows quizzical above his round glasses, seemingly genuinely curious about what reaction his little tape would elicit. However often they’d shared small rooms in Hamburg, whatever they knew of each other’s love and sex lives, this tape seemed to have stopped the other three cold. Perhaps it touched a reserve of residual Northern reticence. After a palpable silence, Paul said, “Well, that’s an interesting one.” The others muttered something and the meeting was over. It occured to me as I was walking down the stairs that what we’d heard could have been an expression of 1960s freedom and openness but was it more likely that it was as if a gauntlet had been thrown down? “You need to understand that this is where she and I are now. I don’t want to hold your hand anymore.”

Paul putting beetles fucking on his album artwork

John hiring a pig and posing with it solely to mock Ram even though he was scared of it

At the end of the day a farmer delivered a huge hog to the mansion [Tittenhurst Park]. It was John’s notion to parody the album jacket photograph of Paul McCartney’s Ram, which showed Paul wrestling with a ram; John would wrestle with a pig. We all went outside and stared at the large surly animal. It was much bigger than any of us had expected. John circled the animal warily. He liked the idea, but he didn’t like the hog. Dan stood poised to snap the picture. “Climb on its back, John, and grab its ears,” he said. John looked doubtful. He stepped closer to the animal. It let out a shrill, strange, sound. John stepped back, but we all urged him on. “You can do it, John,” I said. John approached the animal once again. “I can’t hold the friggin’ pig for too long. You get one shot and one shot alone,” he told Dan.

Loving John: The Untold Story, May Pang

John & Yoko attempting to get revenge married in Paris 2 days after Paul & Linda

“On March 12, Paul married Linda Eastman at Marylebone Register Office in London, amid scenes of hysterical grief from his female fans. None of the other Beatles was present. The news reached John as he and Yoko were driving down to visit Aunt Mimi in Poole. Yoko’s divorce decree had become final a few weeks earlier, and, in a resurgence of Beatle copycat, John told her they, too, must get married as soon as possible”

Philip Norman, John Lennon: The life

We chose Gibraltar because it is quiet, British and friendly. We tried everywhere else first. I set out to get married on the car ferry and we would have arrived in France married, but they wouldn’t do it. We were no more successful with cruise ships. We tried embassies, but three weeks’ residence in Germany or two weeks’ in France were required.

John Lennon

SALEWICZ: Well, I always found it interesting the fact that he got – I mean, it seemed too much like coincidence to me, the fact that he got married a week or month after you. You know what I mean? PAUL: Yeah. I think we spurred each other into marriage. I mean, you know. They were very strong together, which left me out of the picture. So I got together with Linda and then we got strong with our own kind of thing. And I used to listen to a lot of what they said. I remember him saying to me, “You’ve got to work at marriage,” which is something I still remember as a bit of advice. I still remember that. Um… And then yeah, I think they were a little bit peeved that we got married first. Probably. In a little way, you know, just minor jealousies. And so they got married. I don’t know if that’s – I mean, who knows… [inaudible] making it up, anyway.

September, 1986 (MPL Communications, London): journalist Chris Salewicz

Their belief in telepathy & shared dreams

NEIL: I’d just rather not say anything. It’s one of those situations. PAUL: Yeah. [pause] Well, that’s – that’s the trouble you see, there, ‘cause that’s it. It’s like, with our – heightened awareness, the answer is not to say anything, you know. But it isn’t. ‘Cause I mean, we screw each other up totally if we don’t do that. ‘Cause we’re not ready for your heightened… vows of silence. [laughs; hapless] We’re really not! Like, we don’t know what the fuck each other’s talking about, when that – we all just sort of get— NEIL: I think it’s just between the four of you, that get it. That’s what I’d pretend. PAUL: Oh yeah, right, yeah. But you see, that’s it, that’s why John doesn’t say anything. ‘Cause he, you know, he just… There was something the other day, when I said, “Well, what do you think?” And he just stood there and didn’t say anything. And then – and I know exactly why, you know. I mean, I wouldn’t, if… [long pause] Somehow. You know, there’s nothing really much to be said about it. You just – we all just have to do it, and all that, instead of like talking about it. But – but if one of us is talking about it, it’s a drag if the other three aren’t. Because then it sort of throws you off. [inaudible; voice marking tape slate] I mean, we’ve just been talking about it now for a few years, you know. Like this…

From the Get Back sessions (13 January 1969).

HINDLE: What do you think about language? JOHN: I think it’s a bit crummy, you know? It is a drag form of communication, really. We’ll get – we’ll get telepathy. I believe that. HINDLE: You believe that? JOHN: Yeah, sure. Sure. Sure as anything I believe. It’s too… Because now we need it so much. [...] There are – there’s people everywhere of the same mind and it’s just… even amongst ourselves we can’t communicate. Which is the hard bit, you know. HINDLE: Yeah. JOHN: Amongst the people that sort of really agree. HINDLE: Just ’cause of words? JOHN: Just ’cause of words, and upbringing, and attitude, and how you express your… Well, it’s just some – you’ve got to find a mutual sort of language to express yourself, you know? And my language is that— HINDLE: Unless you fall in love it’s impossible to communicate like that. JOHN: I mean, I wasn’t in love last year, but I was communicating quite well with people. Not as well, or maybe not as powerfully. ’Cause now there’s two of us, doing that, brrmmm, whatever it is. Sending out a vibration or whatever. But before it was me and… or me and George, alright, or whatever it was; we weren’t in love, but. You know. There’s enough in you to shove it out. It is just that bit. If you – if somebody comes in a room and he’s uptight and that, he can make the whole room uptight.

John Lennon, interviewed by Maurice Hindle (December 1968).

PAUL: I remember when John and I were first hanging out together, I had a dream about digging in the garden with my hands. I’d dreamt that before but I’d never found anything other than an old tin can. But in this dream I found a gold coin. I kept digging and I found another. And another. The next day I told John about this amazing dream I’d had and he said, ‘That’s funny, I had the same dream’. So both of us had this dream of finding this treasure. And I suppose you could say it came true. I remember years later talking about it – ‘Remember that dream we had?’; ‘Yeah, that was far out’. So the message of that dream was: keep digging lads.

PAUL MCCARTNEY TO THE BIG ISSUE. FEBRUARY 2012.

John climbing the wall to Paul's house because Paul skipped a session for his & Linda's anniversary

(Not confirmed but supposedly)

Paul being utterly convinced that John can't be gay because he didn't try it on when they slept in the same bed

I mean, if John was–the trouble is, see, is he’s not here to fend for himself, and we can’t ask him, “‘Scuse me, John, are you–have you ever been gay?” I mean, he’s the kind— I remember people used to ask that. There were lots of people asking cheeky questions, and they were always saying, “Well, why–have you ever tried homosexuality, John?” You know, they always used to ask all that kind of stuff. I remember John saying to them, “No, I’ve never met a fella I fancy enough.” And that was his kind of opinion. You know, “I may go–I may be gay one day, if some fella really turns me on.” He was–he was that open about it. But as far as I was concerned, I slept in a million hotel rooms–as we all did–slept in a million places with John, and there was never any hint of it.

December 24th, 1983: interview with DJ Roger Scott

“And I say, if he’s homosexual, I thought he’d have made a pass at me in 20 years, darling.”

Paul McCartney talking about John Lennon.

“Brian Epstein, the Beatles’ manager, was a known homosexual. Epstein was always polite and charming. It has been insinuated that John was drawn to Epstein. I believe there was no such relationship between them. John was macho. But if John was a homosexual, it would have made no difference to me. I’ve asked Paul McCartney, who laughed and said: ‘Why not me? I’m handsome.’ Then he said: ‘I was holed up with John in hotel rooms everywhere. There was never a suggestion of anything like that.’ I believe him.”

Julia Baird, in Boston Globe: Lennon’s half-sister remembers… (2 October 1988).

“All I can ever say about it is that I slept with John a lot because you had to, you didn’t have more than one bed - and to my knowledge John was never gay.”

Paul McCartney, The Brian Epstein Story

And maybe he's right to be offended?

Did Lennon have sex with other men? “I think he had a desire to, but I think he was too inhibited,” says Ono. “No, not inhibited. He said, ‘I don’t mind if there’s an incredibly attractive guy.’ It’s very difficult: They would have to be not just physically attractive, but mentally very advanced too. And you can’t find people like that.” So did Lennon ever have sex with men? “No, I don’t think so,” says Ono. “The beginning of the year he was killed, he said to me, ‘I could have done it, but I can’t because I just never found somebody that was that attractive.’ Both John and I were into attractiveness—you know—beauty.”

Yoko Ono: I Still Fear John’s Killer by Tim Teeman for the Daily Beast (13 October 2015).

There was even some discussion, albeit not very serious, of whether he should stick to his own gender. “John said ‘It would hurt you like crazy if I made it with a girl. With a guy, maybe you wouldn’t be hurt, because that’s not competition. But I can’t make it with a guy because I love women too much, and I’d have to fall in love with the guy and I don’t think I can.’”

Yoko on her and John discussing the terms of an open marriage in 1973 (John Lennon: The Life)

On that note, Paul's obsession with sleeping in the same bed as John

Paul McCartney answers questions for Q magazine, 1998

John and I used to hitch-hike places together, it was something that we did together quite a lot; cementing our friendship, getting to know our feelings, our dreams, our ambitions together. It was a very wonderful period. I look back on it with great fondness. I particularly remember John and I would be squeezed in our little single bed, and Mike Robbins, who was a real nice guy, would come in late at night to say good night to us, switching off the lights as we were all going to bed.

Many Years From Now

John and I always liked wordplay. So, the phrase ‘She’s got a ticket to ride’ of course referred to riding on a bus or train, but – if you really want to know – it also referred to Ryde on the Isle of Wight, where my cousin Betty and her husband Mike were running a pub. That’s what they did; they ran pubs. He ended up as an entertainment manager at a Butlin’s holiday resort. Betty and Mike were very showbiz. It was great fun to visit them, so John and I hitchhiked down to Ryde, and when we wrote the song we were referring to the memory of this trip. It’s very cute now to think of me and John in a little single bed, top and tail, and Betty and Mike coming to tuck us in.

Paul McCartney, on ‘Ticket To Ride’. In The Lyrics (2021).

“John and I grew up like twins although he was a year and a half older than me. We grew up literally in the same bed because when we were on holiday, hitchhiking or whatever, we would share a bed. Or when we were writing songs as kids he’d be in my bedroom or I’d be in his. Or he’d be in my front parlour or I’d be in his, although his Aunt Mimi sometimes kicked us out into the vestibule!”

New Statesman, “Paul McCartney - Meet The Beatle,” September 26, 1997

“I wrote all those songs with him so…. what can I say to people?? We were kids! I mean… we slept together, topped and tailed in beds and hitch-hiking and stuff, so,…. I mean, we were just totally you know,….. mates.”

Paul McCartney

John taking matters into his own hand to start rumours about him and Paul

The consensus among John, Paul and Yoko that if J&P could have been together, they would have

“. . . I mean, I think really what it was, really all that happened was that John fell in love. With Yoko. And so, with such a powerful alliance like that, it was difficult for him to still be seeing me. It was as if I was another girlfriend, almost. Our relationship was a strong relationship. And if he was to start a new relationship, he had to put this other one away. And I understood that. I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, “Who’s this?” You can’t really do that. If I was a girl, maybe I could go out and… But you know I mean in this case I just sort of said, right – I mean, I didn’t say anything, but I could see that was the way it was going to go, and that Yoko would be very sort of powerful for him. So um, we all had to get out the way.”

Paul McCartney, interview with German tv program Exclusiv, April 1985.

JOHN: It’s a plus, it’s not a minus. The plus is that your best friend, also, can hold you without… I mean, I’m not a homosexual, or we could have had a homosexual relationship and maybe that would have satisfied it, with working with other male artists. [faltering] An artist – it’s more – it’s much better to be working with another artist of the same energy, and that’s why there’s always been Beatles or Marx Brothers or men, together. Because it’s alright for them to work together or whatever it is. It’s the same except that we sleep together, you know? I mean, not counting love and all the things on the side, just as a working relationship with her, it has all the benefits of working with another male artist and all the joint inspiration, and then we can hold hands too, right?

John Lennon, interview w/ Sandra Shevey. (Mid-June?, 1972)

Y: After the initial embarrassment, that how Paul is being very nice to me, he’s nice and a very, str- on the level, straight, sense, like wherever there’s something like happening at the Apple, he explains to me, as if I should know. And also whenever there’s something like they need a light man, or something like that he asks me if I know of anybody, things like that. And like I can see that he’s just now suddenly changing his attitude, like his being, he’s treating me with respect, not because it’s me, but because I belong to John. I hope that’s what it is because that would be nice. And I feel like he’s my younger brother or something like that. I’m sure that if he had been a woman or something, he would have been a great threat, because there’s something definitely very strong with me, John, and Paul.

Yoko Ono, Revolution Tape, June 4th 1968

"We thought we'd do a number of an old estranged fiancé of mine called Paul.""

As a second choice from the Lennon- McCartney songbook, Elton suggested 'I Saw Her Standing There'. This appealed to John for its antiquity, and because its lead vocal always was sung by Paul. (...) There was a whisper of Royal Variety Show mischief when he announced "a number by an old estranged fiancé of mine called Paul" - no one yet knowing the estranged fiancés were long reconciled.

John Lennon: The Life, Philip Norman

You know, John loved Paul. No doubt about it. I remember once he said to me, “I’m the only person who’s allowed to say things like that about Paul. I don’t like it when other people do.” He didn’t like if other people said nasty things about Paul. And he always referred to Paul as his estranged fiancé and things like that, like he did on that [live] record ‘I Saw Her Standing There’ with Elton in Madison Square Garden.

1990: Former Beatles publicist Tony King

Married couple signatures

(and the reverse of that postcard...)

John publicly predicting Paul & Linda's divorce

You were right about New York! I do love it; it's the ONLY PLACE TO BE. (Apart from anything else, they leave you alone too!) I see you prefer Scotland! (MM) -- I'll bet you your piece of Apple you'll be living in New York by 1974 (two years is the usual time it takes you right?)

John's letter to Paul in Melody Maker, 1971 Finally, about not telling anyone that I left the Beatles—PAUL and Klein both spent the day persuading me it was better not to say anything—asking me not to say anything because it would 'hurt the Beatles'—and 'let's just let it petre out'—remember? So get that into your petty little perversion of a mind, Mrs. McCartney—the cunts asked me to keep quiet about it. Of course, the money angle is important—to all of us—especially after all the petty shit that came from your insane family/in laws—and GOD HELP YOU OUT, PAUL—see you in two years—I reckon you'll be out then—inspite of it all, love to you both, from us two.

John's personal letter to Linda & Paul, 1971

JOHN: Oh, [Klein]’d love it if Paul would come back. I think he was hoping he would for years and years. He thought that if he did something, to show Paul that he could do it, Paul would come around. But no chance. I mean, I want him to come out of it, too, you know. He will one day. I give him five years, I’ve said that. In five years he’ll wake up. YOKO: And people don’t understand, you know. There’s so many groups that constantly announce they’re going to split, they’re going to split, and they can announce it every year, and it doesn’t mean they’re going to split. But people don’t understand what an extraordinary position the Beatles are in, you know. In every way. They’re in such an extraordinary position that they’re more insecure than other people. And so Klein thinks he’ll give Paul two years Linda-wise, you know. And John said, “No, Paul treasures things like children, things like that. It will be longer.” And of course, John was right.

John Lennon and Yoko Ono, interview w/ Peter McCabe and Robert Schonfeld. (September, 1971)

[colap1nto]

food as the love language prompts, part 1

hey guys! this is a various prompt lists about food/baking/cooking. feel free to rb this list, use it in your stories and like this post. no credit necessary <3 enjoy your writing!

character a makes character's b favorite meal after a long day (at work, at school, etc)

going to the local farmer's market to get their food

making their groceries together

doing the groceries list

surprising the other with their favorite treat

trying a new recipe (could be a total success or a total fail)

sharing a family recipe with each other

trying a recipe from another country

making a birthday cake

stopping by a chocolate shop

memorizing the other's coffee shop order (and surprising them with it)

owning a bakery/chocolate shop/coffee shop

character a is a barista and character b is a regular client. character a has character b's order memorize and they write their number on their cup one day

going on a farm/orchard to pick up their own fresh fruits and/or vegetables

making bread together

attending a banquet

going to a special dinner event (e.g. medieval times)

ordering some take-out or delivery from their favorite restaurant while having a movie night or a night in their living room while watching tv

sharing a box of chocolates

eating their favorite chocolate bar

doing the breakfast

making a lunch

making the dinner

baking some pies

doing a weird shaped food (e.g. using a cookie cutter with a special shape)

making some pancakes or waffles

doing a breafast in bed

eating some ice cream in a parlor

sharing the ice cream pot they have in the freezer and having a small talk

going on a fishing trip and eating the fish from it

making some smore's in front of the bonfire

going to a local food festival

listing their favorite recipes to make a cook book about it

almost burning the kitchen or the whole house because of a recipe gone wrong

character a comes back home to a very good smell while character b is cooking something

waking up in the middle of the night for a midnight snack