#farandole
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illustratus · 9 months ago
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The Farandole Amidst Egyptian Monuments by Hubert Robert
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mote-historie · 1 year ago
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Georges Lepape, Fantasie sur fantaisies, La Farandole, Illustration published as a two-page spread in Femina, January 1914.
The ball shows a contemporary French/Italian version of the famous dance the Farandole, with Pierrot, Harlequin, Persian Prince and Princess, and other iconic characters.
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wikipediapictures · 5 months ago
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Farandole
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monotonous-minutia · 3 months ago
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This piece makes me explode
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falseandrealultravival · 8 months ago
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Bizet: "L'Arlésienne" - Farandole
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Bizet was a precocious genius who could be compared to Mozart. Like Mozart, he died in his 30s. He was good at composing based on folk music, and this song is no exception, skillfully incorporating folk songs from the Arles region. The song's melodies can be described as linear, evoking the sexual end of men. That's interesting.
 
Bizet: "L'Arlésienne" - Farandole
ビゼーはモーツァルトにも比較できる早熟の天才だった。モーツァルトと同じく30代で死んでいる。彼は民族音楽に材を取り、作曲するのが得意だったが、この曲も例外ではなく、アルル地方の民謡を巧みに取り入れている。その曲想は、男性の性的終結を想わせるように直線的だと言える。そこが面白い。
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aystellato · 1 year ago
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After like a summer break, I decided to replay Takt Op. I didn't realize that they added my girl Arlesienne and I got her.
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lovehael · 2 years ago
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aquitainequeen · 2 years ago
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BIZET - L’Arlésienne, Suite n°2 "Farandole" (Ballet Folklorique de Prove...
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coulisses-onirisme · 5 months ago
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In 1955, Christian-Jaque directed the film IF ALL THE GUYS IN THE WORLD... Holding hands. In 2024, women will give each other a joyful cascade of kisses, **lgbt love chain** in a row 
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angelfeed · 2 years ago
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unpublicserviceday · 4 years ago
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Tribute to Public Service.
The Symphony Orchestra of the United Nations Staff Recreation Council is pleased to offer this virtual performance of Bizet's lively "Farandole" from his suite, L'Arlésienne.
UN Symphony Orchestra - Tribute to Public Service
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blueiscoool · 1 year ago
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HUBERT ROBERT The Farandole amidst Egyptian Monuments Oil on canvas.
Hubert Robert's classical education at the prestigious Jesuit-run Collège de Navarre made him an able Latinist and inspired his youthful fascination with the ancient world. However, it was his journey to Rome in 1754 in the entourage of the newly-appointed French Ambassador to the Holy See -- the Comte de Stainville, later Duc de Choiseul -- that introduced him first-hand to those decaying monuments of the past that would become his lifelong artistic preoccupation and win him the sobriquet Robert des Ruines. He remained in Rome for eleven years, and through his unofficial attachment to the French Academy met important collectors and artists, including Fragonard; the great Italian engraver, Piranesi; and the painter of ruins, Panini, who profoundly influenced his work. He was introduced to the Abbé de Saint-Non, an antiquarian who in 1760 commissioned him and Fragonard to make drawn copies of the Greek, Roman and Egyptian antiquities that Saint-Non later reproduced in his deluxe guidebooks of Italian cities and their works of art.
Although Robert, like virtually all Europeans, had never been to Egypt, Rome had important Egyptian monuments that had been brought to the city, as well as Egyptianizing structures erected during the late years of Roman Empire, all easily available for his study. Several of Robert's Roman views dating from the late 1750s are enlivened with Egyptian motifs -- the Sphinxes, fragments of pharaonic sculpture, obelisks and pyramids that were fast becoming the standard repertoire of European 'Egyptomania'. The present painting is a variant on Robert’s composition of 1798, Girls Dancing around an Obelisk, now in the Montreal Museum of Fine Arts (fig. 1; inv. no. 1964.1464). In both works the artist juxtaposes the majesty of the ancient ruins with lively staffage. Dressed in the fashion of Robert’s day, the young dancers are caught in the music, oblivious to the passage of time. Beside them the broken obelisk and fountain basin tell a different story: great empires will fall, this earthly life is transient. It is this contrast that lends the philosophical depth to Robert’s work that Diderot described as the ‘poetic of ruins’.
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musicalsiphonophore · 4 months ago
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>play bizet arlesienne
>farandole
>first flute
>gives me repetitive strain injury
>you’re fucking joking me
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xxxtylerworld · 2 years ago
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Yurisia Farandole
Anime : Masou Gakuen HxH
142 .
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the-kneesbees · 1 year ago
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why am I in such a bad mood nothings happened I was fine like an hour ago
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teresabeadle5 · 18 days ago
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Magical Lily Pad Ballet
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Magical Lily Pad Ballet by Skye McLeod Fairywren, Blogger Via Flickr: ~~~~~~~~~~~~~ In the morning mist, soft and grey, A silver-haired fairy begins to sway, Upon lily pads in a hidden bay, Deep in the Unicorn Forest's quiet array. Fog curls around, whispering tales, Of enchanted lakes and magical trails, Where the fairy dances, and her ballet prevails, In the dawn's hush, where mystery sails. Her delicate steps, a spell they cast, Among the lilies, so tenderly vast, With each graceful move, time seems to lapse, In the tranquil embrace, where enchantments last. Wings aglow in the dim morning light, Her dance, a beacon, soft and bright, A symphony of magic, pure and slight, In the Unicorn Forest's gentle might. ~~~~~~~~~~~~~~~ Poem created using AI with my thoughts ~~~~~~~~~~~~~~~ Bento Mesh Head: LeLutka Avalon EVO-X Bento Mesh Body: Maitreya Lara Face/Body: Cherry by Anneland Hair: A810 by Tram Ensemble: Farandole D'automne in 5 lovely colors by Les Sucreries de Fairy now @ Panic of Pumpkin in Okinawa 2024 @ maps.secondlife.com/secondlife/Ryukyu/127/244/1802 Giselle Pointe Slippers: Mosquito's Way Precious Set Nails & Rings: RealEvil Thea Eyes: .lovelysweet/ POSE: En Pointe 4 by aDORKable SIM: Lost Unicorn @ maps.secondlife.com/secondlife/Lost%20Unicorn/119/45/21
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