#farandole

[illustratus]

The Farandole Amidst Egyptian Monuments by Hubert Robert

[mote-historie]

Georges Lepape, Fantasie sur fantaisies, La Farandole, Illustration published as a two-page spread in Femina, January 1914.

The ball shows a contemporary French/Italian version of the famous dance the Farandole, with Pierrot, Harlequin, Persian Prince and Princess, and other iconic characters.

[wikipediapictures]

Farandole

[monotonous-minutia]

This piece makes me explode

[falseandrealultravival]

Bizet: "L'Arlésienne" - Farandole

Bizet was a precocious genius who could be compared to Mozart. Like Mozart, he died in his 30s. He was good at composing based on folk music, and this song is no exception, skillfully incorporating folk songs from the Arles region. The song's melodies can be described as linear, evoking the sexual end of men. That's interesting.

 

Bizet: "L'Arlésienne" - Farandole

ビゼーはモーツァルトにも比較できる早熟の天才だった。モーツァルトと同じく３０代で死んでいる。彼は民族音楽に材を取り、作曲するのが得意だったが、この曲も例外ではなく、アルル地方の民謡を巧みに取り入れている。その曲想は、男性の性的終結を想わせるように直線的だと��える。そこが面白い。

[aystellato]

After like a summer break, I decided to replay Takt Op. I didn't realize that they added my girl Arlesienne and I got her.

[lovehael]

[aquitainequeen]

BIZET - L’Arlésienne, Suite n°2 "Farandole" (Ballet Folklorique de Prove...

[coulisses-onirisme]

In 1955, Christian-Jaque directed the film IF ALL THE GUYS IN THE WORLD... Holding hands. In 2024, women will give each other a joyful cascade of kisses, **lgbt love chain** in a row 

[angelfeed]

[unpublicserviceday]

Tribute to Public Service.

The Symphony Orchestra of the United Nations Staff Recreation Council is pleased to offer this virtual performance of Bizet's lively "Farandole" from his suite, L'Arlésienne.

UN Symphony Orchestra - Tribute to Public Service

[blueiscoool]

HUBERT ROBERT The Farandole amidst Egyptian Monuments Oil on canvas.

Hubert Robert's classical education at the prestigious Jesuit-run Collège de Navarre made him an able Latinist and inspired his youthful fascination with the ancient world. However, it was his journey to Rome in 1754 in the entourage of the newly-appointed French Ambassador to the Holy See -- the Comte de Stainville, later Duc de Choiseul -- that introduced him first-hand to those decaying monuments of the past that would become his lifelong artistic preoccupation and win him the sobriquet Robert des Ruines. He remained in Rome for eleven years, and through his unofficial attachment to the French Academy met important collectors and artists, including Fragonard; the great Italian engraver, Piranesi; and the painter of ruins, Panini, who profoundly influenced his work. He was introduced to the Abbé de Saint-Non, an antiquarian who in 1760 commissioned him and Fragonard to make drawn copies of the Greek, Roman and Egyptian antiquities that Saint-Non later reproduced in his deluxe guidebooks of Italian cities and their works of art.

Although Robert, like virtually all Europeans, had never been to Egypt, Rome had important Egyptian monuments that had been brought to the city, as well as Egyptianizing structures erected during the late years of Roman Empire, all easily available for his study. Several of Robert's Roman views dating from the late 1750s are enlivened with Egyptian motifs -- the Sphinxes, fragments of pharaonic sculpture, obelisks and pyramids that were fast becoming the standard repertoire of European 'Egyptomania'. The present painting is a variant on Robert’s composition of 1798, Girls Dancing around an Obelisk, now in the Montreal Museum of Fine Arts (fig. 1; inv. no. 1964.1464). In both works the artist juxtaposes the majesty of the ancient ruins with lively staffage. Dressed in the fashion of Robert’s day, the young dancers are caught in the music, oblivious to the passage of time. Beside them the broken obelisk and fountain basin tell a different story: great empires will fall, this earthly life is transient. It is this contrast that lends the philosophical depth to Robert’s work that Diderot described as the ‘poetic of ruins’.

[musicalsiphonophore]

>play bizet arlesienne

>farandole

>first flute

>gives me repetitive strain injury

>you’re fucking joking me

[xxxtylerworld]

Yurisia Farandole

Anime : Masou Gakuen HxH

142 .

[the-kneesbees]

why am I in such a bad mood nothings happened I was fine like an hour ago

[onepiecewantedposter]

Yurishia Farandole

Name: Yurishia Farandole Japanese Name: ユリシア・ファランドール Romanized Name: Yurishia Farandole Epithet(s): The Princess of Ataraxia Codename: Heart Gear Race: Human Occupations: Magic Warrior, Protector of Ataraxia Family: Unknown Affiliations: Ataraxia, Kuros (Cross)

Bounty Offered: 200,000,000 Berries Capture: Dead or Alive Age: 21 years old Date of Birth: August 8th Height: 168 cm Blood Type: A Origin: Ataraxia Residence: Ataraxia Status: Active

Reasons for Capture:

Potential threat to the World Government due to her Hybrid magic, "Heart Gear". Famous for her bravery and combat skills that have positioned her as a target to eliminate. Her fame has grown rapidly in the pirate world, attracting the attention of various groups and the Government. Development of feelings towards Kizuna that could lead to the creation of dangerous alliances for the Government.

Nombre: Yurishia Farandole Nombre japonés: ユリシア・ファランドール Nombre romanizado: Yurishia Farandole Epíteto(s): La Princesa de Ataraxia Nombre Clave: Corazón Engranaje Raza: Humana Ocupaciones: Guerrero Mágico, Protector de Ataraxia Familia: Desconocida Afiliaciones: Ataraxia, Kuros (Cruz)

Recompensa Ofrecida: 200,000,000 Berries Captura: Vivo o muerto Edad: 21 años Fecha de Nacimiento: 8 de agosto Altura: 168 cm Grupo Sanguíneo: A Origen: Ataraxia Residencia: Ataraxia Estado: Activa

Motivos de Captura:

Potencial amenaza para el Gobierno Mundial a causa de su magia híbrida, "Corazón Engranaje". Famosa por su valentía y habilidades de combate que la han posicionado como un objetivo a eliminar. Su fama ha crecido rápidamente en el mundo pirata, atrayendo la atención de diversos grupos y el Gobierno. Desarrollo de sentimientos hacia Kizuna que podrían llevar a la creación de alianzas peligrosas para el Gobierno.