#far from the world

[geekgirles]

"I would've preferred it if Amalia were our Queen instead."

"Like many others, sweetie, but you can't say that right now."

"Where did Amalia go, Mum?"

"She's gone explore the world, like she usually does."

Okay, but this little piece of dialogue is crucial to understand so many things about the Sadida and their opinion on their royal family.

And we stan that little girl. Yes, baby, I, too, wish Amalia was queen instead. I don't trust Armand and Aurora as far as I can throw them.

It's already been established Armand resents his sister not only because of her wanderlust or the fact that their father seemed to favour her, but because so does their people.

The fact that there are apparently many who support Amalia, the younger princess, over her brother, the Crown Prince, comes to show that for the Sadida actions speak louder than words.

There is no denying that both royal siblings care immensely about their kingdom. Armand was in the front lines when Nox attacked alongside King Oakheart and many of Amalia's best, most mature moments were in relation to her wanting to protect and serve her people. Like when she decided to stand up against Armand and inform their father of Nox's attacks back in season one, or how she was more than willing to forego her chance to marry for love and marry Harebourg instead if that meant her kingdom would survive Ogrest's Chaos in the OVA.

The difference between the two of them, however, especially in the eyes of their people, is their actions or, more accurately, the consequences of said actions.

Armand is the Crown Prince, and he remains in their kingdom carrying out his duties while Amalia went off to explore the world and have fun, away from her duties. At first glance, that should make Armand the better choice in the eyes of the Sadida, except that also means they've probably been far more subjected to his less pleasant moments.

Having to watch your tongue out of fear of severe punishment or even death just because the prince is sensitive over his bad breath is overkill, plain and simple.

Not to mention, every time Amalia left her kingdom, her adventuring evolved into a life-or-death mission to save the world.

With Nox, the fact that she ran away allowed her to gain the intel needed to go back home and warn them of the upcoming attack. Something Armand refused to do anything about until King Oakheart entered the picture and took matters into his own hands, all because he couldn't believe his sister would ever be more than a spoiled brat trying to run away from her responsibilities.

With Quilby, what at first was a simple, humanitarian mission to retrieve his dofus and welcome the Eliatrope children eventually turned into a desperate battle for the survival of their world.

Again, in the OVAs, the entirety of the Sadida kingdom was aware and celebrated Amalia's sense of responsibility and selfless decision to enter an arranged marriage for their sake. I haven't watched beyond the Throne of Ice, so I don't know if the Sadida ever found out Harebourg's true plans for their forest, but if they did, all the more reason to respect Amalia for refusing to put her people in jeopardy.

Finally, people talk. In season 3, it's made apparent that since Aurora entered the picture (at the very least), the royal siblings' relationship has strained practically to the point of no return. And while Amalia isolated herself and mourned her father's deteriorating health, it's very likely the castle guards and servants bore witness to how the prince's treatment of his sister worsened each day. So I wouldn't be surprised if word got out and the rest of the kingdom sympathised with Amalia either.

Now, it is true that while Amalia does have a sense of responsibility and duty to her kingdom and a deep love for her people, despite her royal upbringing, she is not really made for the stifling life of royalty. Hence, her constant wanderlust. In that regard, Armand is indeed the most reliable of the two.

It just so happens that when it comes to personal flaws and his treatment of others he is wholly unreliable. It's his way or the highway. And that is a very terrifying quality for a king to have, to be unable to compromise.

But most importantly, what really sets these two apart in the way their people perceive them is that while Armand is a prince, Amalia is a hero. And she has proven time and time again that she will do everything in her power to assure everyone's safety and well-being.

And that alone speaks volumes of a ruler's true character.

[teledyn]

Can you hear me, Major Tom?

Sergei Krikaliov stranded aboard the Mir space station in 1991 during the breakup of the USSR. Technically the last citizen of the Soviet Union until he was able to land 10 months later in March 1992.

[starmocha]

He's making dinner for both of us instead of dining out?

He's only mildly annoyed that we playfully poked him in the side? (Also MC feels comfortable enough to do it in the first place)

He's let us cover him in cutesy childish band-aids five times before stopping the sixth attempt?

Man is soft for us. He is giving "if anything happens to her, I will kill everyone in this room and then myself" vibe.

I'm in love.

[jackklinemybeloved]

every episode of misfits and magic 2 that passes I’m just more and more aware of how Normal Guy jammer is, because everything around him is so fucking wild it emphasizes how much he’s just like. an american college kid. he literally just wants to play basketball and hang out, but instead he’s witnessing brutal magical murders on zero sleep. someone get my guy a protein drink, a nap, and a plane ticket back to chicago.

[eggdrawsthings]

☀️🐥

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[firaknight]

Like GOD the expressions are SO GOOD they really did amazing with those and the game isn’t even done yet!!

[witchering10123]

hakoda: you need to stay here and protect your sister

13 year old sokka, whose only point of reference for "protecting his sister" is literally his mother sacrificing herself in katara's place: ok 😃

[poorly-drawn-mdzs]

Good Morning, World.

[First] Prev <–-> Next

[sickwhispers]

Hii!! can we pls have a twisted!astro x reader fluff drabble!! ૮ ˶ᵔ ᵕ ᵔ˶ ა

Writing this made me realize just how hard it is for me to write something 100% fluffy. Hoping it's fluffy enough.

KISSES FOR THE HEART

Pairing: (Twisted) Astro x reader

Relationship: romantic

Warning: he's a little worried but you're quick to soothe him

Type: drabble (I accidently wrote a little more then what's expected for a drabble)

"Astro, I know you're worried, but... I got this." There was a strain in your voice, Your words a muted whisper as ichor flows through the tubes and into the machine in front of you. You had been extraching for hours. Every new machine you'd come across on each floor slowing down your pace much more than you were prepared for.

"Be careful... Too loud.." Each word he spoke ended with a sound almost akin to that of gargling. The ichor stuck in his throat making it harder for him to tell voice his worries. And so, his sentences were often too short. In worse cases, he sounded incoherent. His body was hovering just beside you, his gaze switching from corridor to corridor as he kept his two top hands in a continuous fidgeting motion.

You knew he was talking about the sound that would occur if you failed. Ever since you had found yourself on this floor, Astro had seemed to follow you around like a lost dog. He was never farther than two feet away, and even when you needed the room, he would still stay planted in your presence. Each machine you worked on, he'd give you the same warning.

Soon, the ichor had filled the machine completely. The black substance stuffed it until there was no room for even the smallest pocket of air. And, once your hands removed themselves from the red valve, the warmth returning to your fingertips, you turned back to face him.

You wasted no time letting your palms cradle the sides of his face. The stream of ichor streaming down onto you and staining your hands with its tar-like substance. He almost flinched under your touch. His body twitching slightly, freezing under your touch before relaxing. Despite how slow your movement was, it didn't take long before you were guiding his face down.

With how tall the ichor had morphed him, your lips were able to plant themselves onto his as easily as you were used to. Yet, even now, you still found ways to kiss him. And, now that you had pulled him down a bit, you quickly stood on your toes and pressed your mouth against his forehead.

"You need to stop being so worried. As long as you're here, nothing will hurt me."

[isasunbee]

I started this way back in the first arc... maybe even during the children's adventure? I just wanna remember what the vibe going into WWW was.

[romatito]

spain's not an idiot lol. he knows what he's doing.

[54625]

"Have you no more memories?"

I am made of memories.

"Speak, then."

[communistkenobi]

The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[wasyago]

not drawing for others. not drawing for myself either. playing video games. okay? yay