#fantasia Kelly

[disneyvoguemagazine]

#KellyRowland @Kellyrowland

Growing up with Destiny Child it was Kelly who captivated me, she was what I wanted to be like, Not too over the top or underwhelming but the perfect flavor of sense and sophistication everything I wanted to be. She is those things and more today. That she is still a force when everyone thought Beyoncé was ganna leave everyone in the dust, She made me proud that she made it too. When she did the song with Nelly, it was what really made her stand out to Us. She made us feel like you could be a black girl and be different and it was ok. She helped us say to ourselves that it was ok to be in this skin because at the time I hated being black because I didn’t fit in with the rappers or the other black gloss, we were gothic, eclectic and as we were ostracized for ‘White Washed’ what the kids at schooled mocked us they way my sister and We spoke eloquently so this way of being made us not like them. In this community it seems you can never be black enough because your not blacker then black or walk the right way, talk the right way, or know enough oppressed black pioneers who paved the way for our people… a community, and if I wanted to needed to park my car on my family’s lawn world it be a question. All the stigma we face, we kinda do it to ourselves… I’ve never experienced racism but I know what black on black crime is. A perspective. KellyRoawland was a mentor and someone who made me feel welcome.

[iminmypeace]

[kelly-clarksons]

kellyclarksonshow: The holidays are heating up today on Kelly with our friends Jason Momoa and Fantasia Barrino Taylor!

[affansoanglin12]

Love Affanso Anglin As Sledge

Jennifer Hudson Affanso Anglin As Sledge

[xoqueentorixo]

toris when I see you demo😍😍

[tecontos]

Meu primo me tirou da seca quando estava separa do meu marido.

By; Kelly

Oi, me chamo Kelly, tenho 36 anos, morena, cabelos castanhos, seios grandes, bunda grande, gordinha, enfim, uma mulher comum.

Sou casada há 10 anos com Carlos que fora meu primeiro e único homem até então. Por me achar gorda e não chamar a atenção dos homens acabei me casando logo com o primeiro homem que se interessou por mim.

No começo era muito amor, carinho, porém no sexo nunca me senti totalmente feliz e com o tempo comecei a ter fantasias, vontade de conhecer outros homens, porém devido minha criação religiosa e minha insegurança nunca me envolvi com ninguém.

Pois bem, o que passo a contar aconteceu em meados de 2022, nessa época, meu marido e eu decidimos dar um tempo no casamento, as coisas não funcionavam mais direito e ele foi embora de casa. Por não termos filhos, tudo ficou mais fácil pra gente. Ficamos um ano e dois meses separados e foi quando tudo aconteceu.

Como falei antes eu já sentia vontade de ter outros homens, vontade de conhecer outras rolas e isso me excitava demais. Comecei a entrar na net e ver filmes e vídeos pornôs, conversar com homens e isso foi me dando mais confiança, porém, mesmo assim ainda me faltava coragem de sair com alguém. Já fazia quatro meses que eu estava separada e louca para transar, me masturbava quase todo dia, mas não era a mesma coisa.

Tudo aconteceu quando precisei montar um guarda roupa em minha casa e pedi para meu primo Edson me ajudar, na época ele tinha apenas 18 anos, mesmo assim não parecia, pois é um rapaz moreno, alto, forte que chama a atenção, mas nunca imaginei que rolasse algo entre nós algum dia até por causa da diferença de idade.

Era uma sexta feira e ele disse que poderia ir me ajudar depois do trabalho, falei que sem problema. Edson chegou por volta de seis da tarde em casa e começou a me ajudar. Eu estava usando um shortinho rosa de algodão, uma camisetinha branca sem sutiã e percebi que ele ficava olhando para minhas coxas, seios e bunda sempre que podia. Até então não me passava pela cabeça nada com ele, porém o calor do momento e meu tesão começaram a me fazer imaginar coisas.

As horas foram passando e ficou tarde para ele ir embora, então falei pra ele dormir em casa mesmo, nesse momento eu já imaginava várias safadezas com ele. Edson então foi tomar banho, dei a ele uma camiseta e um shorts que meu marido tinha deixado em casa ainda e depois eu fui também. Coloquei um baby doll de dormir branco, bem curto e transparente. Pedi uma pizza e ficamos conversando e vendo TV. Percebi então que Edson estava de pau duro, isso me deu mais tesão ainda, então sem pensar em nada acabei deitando minha cabeça em seu colo e comecei a alisar seu pau por cima do shorts mesmo.

Edson porém não falou nada e então começou a alisar minha cabeça, ombros e foi descendo até minhas coxas e bunda. Minha buceta piscava de tesão, me ajeitei e tirando sua rola pra fora abocanhei aquele pauzão, grosso que deveria ter uns 18cm, bem maior que o do meu marido. Comecei a chupar com gula e Edson gemendo e segurando minha cabeça. Não deu nem cinco minutos ele começou a punhetar seu pau em minha boca e encheu ela de porra. Por ser a primeira vez que alguém gozava em minha boca, achei estranho o gosto, porém tomada pelo tesão engoli o máximo que pude.

Então o chamei para o quarto e então começamos a nos beijar, alisar e fomos tirando nossas roupas. Essa altura Edson já estava de pau duro novamente e então me deitei ele veio com tudo por cima de mim e só de encostar seu pau em minha buceta ele entrou todo de uma vez de tanto tesão que eu estava. Mesmo não sendo tão experiente, Edson começou a me foder deliciosamente, socando com força, me beijando, sugando meus seios. Meu tesão era tão grande que em pouco tempo, gozei aos berros.

Edson então me colocou de quatro e continuou fodendo minha buceta, ele dava tapas em minha bunda, puxava meus cabelos, me chamava de prima puta e safada, coisas que eu nunca havia tido com meu marido.

Meu tesão era tanto que eu me virei e disse para Edson:

– Come meu cú primo safado!

Mesmo com o efeito da frase ele não se fez de tímido e tirando da minha buceta começou a empurrar devagar em meu cú que havia sido comido apenas duas vezes até então. Mesmo sentindo um pouco de dor, eu pedia mais e a dor até me dava mais tesão. Ele então começou a socar mais forte, bater na minha bunda. Eu comecei a tocar minha buceta e me acabei num orgasmo maravilhoso que há muito tempo não tinha, talvez nem tivera.

Percebi que ele também estava prestes a gozar e então pedi para ele gozar em meu rosto e seios, o que ele fez sem exitar. Mesmo tendo gozado antes ele ainda soltou bastante porra quente que me deixou toda meladinha e satisfeita.

Após descansarmos, fomos tomar banho juntos e após isso, voltamos para a cama e ficamos conversando sobre a loucura que tínhamos feito. Pedi a ele que aquilo ficasse entre nós. Naquela noite transamos mais duas vezes e de manhã ainda antes dele ir embora.

Nos meses que se seguiram, Edson começou a ir em minha casa me foder todo final de semana, ninguém jamais desconfiou por causa do meu jeito de mulher séria e também por causa da idade dele.

Depois que meu marido e eu voltamos, não parei de dar para ele, continuo até hoje, mesmo não sendo com tanta frequência como gostaria.

Enviado ao Te Contos por Kelly

[one-paper-bag]

rip Jack Kelly you would’ve loved the Rhapsody in Blue short from Fantasia 2000

[imsparky2002]

Barbie in the Nutcracker: First Thoughts

The following is my thoughts while watching this for the first time.

Credits look awful. Still, it’s 2001 and this is the first installment so I’ll give it a pass.

Only know the basic Nutcracker song and theme but nice that it uses an orchestra

Barbie herself doesn’t look too bad but her little sis… yikes.

Kinda weird to see these dolls moving like mocap performers.

Heh! Barbie’s voice actor has the same name as her little sister.

Kelly very clearly sounds like an adult woman trying to do a kiddish voice.

Lipsyncing is odd, looks more like generic flapping.

Surprisingly decent snow effects.

I’m assuming Clara’s parents are either dead or abandoned them. Or they could also just be on vacation.

Is it wrong that I find Grandpa cute? Gives off a very distinguished vibe. Especially that voice.

They call gingerbread houses “christmas boxes”? That’s… interesting.

Kinda wish they gave Clara a different voice from Barbie, or at the very least a different hairstyle.

The lighting is actually pretty good! Nice warm hues, makes me feel like I’m at a cozy inn.

Her little brother looks like the kids who played Fortnite and would tease me in high school. Of course his name is fuckin’ Tommy.

This CGI is reminding me of early PS2 cutscenes.

Aunt Drosselmayer’s got that 90’s Leo DiCaprio/Hugh Grant parting in her hair. Bleh.

Why is Clara the only blonde in the family?

Ooh! We’ve got some family drama between Auntie and Grandpa. This is getting juicy.

Elizabeth is giving me confident bisexual vibes with the voice and manner of movement. Bet you that’s why Grandpa doesn’t trust her.

Looking at the wiki I just found out that Trixie’s VA voices the Aunt, Starlight’s VA is Barbie and Cadence’s VA is one of the kids! Must be a Canadian production.

I will never not find the word “nutcracker” to be hilarious.

Clara, why tf are you fighting over a toy with your lil brother? You’re like… 17? 18? I dunno but it’s way too old.

Seriously they gave Tommy the most punchable face ever. Not that I’d ever punch a kid but I can see why other kids his age would deck him.

Magic shenanigans are ensuing.

I like the medeival look of the rats. The CGI actually fits them well.

Clara wakes up to see an anthropomorphic warrior rat right next to her eating something and is just like “goddamn it, git ya varmint!” I love it.

Oh, she thinks she’s dreaming. That makes sense to why she’s so calm.

Hmm… I feel like the Rat King should look a bit more evil, and larger as well. Still, TIM CURRY! I’m gonna LOVE this.

Woah! We’re getting a fight scene! A swordfighting scene to be exact!

Oooh the Rat King’s magic and can shapeshift his weapon. That’s metal AF.

Tim Curry putting everything into his performance as usual.

I’m kinda surprised we’re already getting a Nutcracker-Rat King battle. I’d have thought they’d save that sorta thing until the third act.

Did they really have to change it to Sugarplum Princess? Fairy just sounds more powerful.

Wow! This snowy cave is beautiful! Something out of a classic painting.

EWWW THESE LIL SNOW FAIRIES LOOK DISGUSTING!

Did this nutfucker not realize that an icy fortress would have ice for the walls?

The fairies doing ballet looks weird because they have nothing to stand on.

Please don’t tell me the small fairy is staying, I hate her.

Dance is currently reminding me of Fantasia.

“The fairies probably went off to make a blizzard somewhere”. The way he said that nonchalantly had me cackling.

The effect of Clara’s footsteps turning into flowers is beautiful.

Pimm sounds like he’s an absolute troll online. Also gives me Psychicpebbles vibes (though I know it’s not him).

Wow the Rat King is a straight up genocider.

Why do all the kids look like Kelly?

OH DEAR GOD THAT LITTLE BOY LOOKS HORRIFYING.

Wait Prince Eric? Are they legally allowed to call him that? We all know how much Disney loves copyrights.

Man these kids are little shits and their outfits are gagworthy.

Major Mint definitely got a big personality, and the voice actor does a good job with it.

Ok Mint is hilarious and is so far the best part of the movie.

Nice to see some Asian rep with Captain Candy.

Wow, Rat King turns his failed employees into stone. Dark!

The zoom in on the Rat King as he says “that’s it?” made me giggle.

Thomas Astruc looked at the Rock Golem and got his first idea for an akuma.

Wait how the hell does Clara know that the Nutcracker is Prince Eric? I mean I already assumed because of the plot of the original ballet, but how does she know?!

The bridge scene gives me the willies, since I’m afraid of heights.

Wow this flower fairy is the only kid-looking character that has a decent design.

Didn’t expect a song to be interrupted by an enemy.

Lol, the Major’s monocle falls off as he sees the giant.

Glad to see the fairies serve a purpose other than dancing. Kick that giant’s ass!

Captain Candy’s a better man than Mint, as he actually makes sure that he gets saved.

Once again, the island is beautiful! Reminds me of Oz with the colored roads.

Ooh clever! At first I thought the castle’s backdrop looked really fake but I just factored it was because it’s 2001 CGI. But it was actually a trap!

Nice we see a test of Clara’s character that she passed.

The invisble hand touching Clara’s hand is actually making me feel kinda teary-eyed internally.

The Rat King definitely has a Napoleon complex.

Loving the character arc for Nutcracker with his final duel.

Ah! So now the Rat King is growing. Fits for the climax.

Huh… Prince Eric looks more like Jimmy Pesto than a prince.

Lol Major Mint realizes he’s been shittalking the prince.

Huh, so Clara’s the princess? I guess it sorta makes sense since it’s her dream.

For those princes out there who are hated by the public, all ya gotta do is fight a giant mouse.

Mint and Candy got the moves! Best dancers of the entire movie.

The final dance between Eric and Clara is absolutely gorgeous.

The villain was taken down by a snowball… I love it.

God Kelly Sheridan and Kirby Morrow really put everything into the scene where Clara disappears.

Lol Kelly’s Canana accent shows up when she says “It’s not a story”.

“What’s all this foolishness about mice kings and bats, Clara? Enough of your womenly hysteria! Time for a lobotomy!” Grandpa, basically.

Actually now that he’s in a suit, Eric looks a lot hotter.

I’m surprised Barbie’s little sister had the attention span to listen to a 1 hour story.

I'll be making a full review of the film soon. Let me know thoughts in the comments and reblogs. @artzychic27 @msweebyness

[mediamixs]

Red Rooms: morbid fascination

"Red Rooms" (French: Les Chambres Rouges), directed by Pascal Plante, is a 2023 Canadian psychological thriller that delves into society's morbid fascination with true crime and serial killers. The film has garnered significant attention for its unsettling narrative and character-driven exploration of obsession and voyeurism.

Plot Overview

The story revolves around Kelly-Anne, played by Juliette Gariépy, a fashion model who becomes fixated on the trial of Ludovic Chevalier (Maxwell McCabe-Lokos), a man accused of brutally murdering three teenage girls and live-streaming the acts in a "red room" on the dark web. This urban legend of live torture has captivated the public, and the trial becomes a media sensation, drawing various spectators, including Kelly-Anne, who attends the hearings with increasing obsession.

As the trial unfolds, Kelly-Anne's character is explored in depth. She lives a solitary life in a sterile high-rise apartment, with her interest in the trial serving as an escape from her mundane existence. The film effectively captures her psychological descent as she becomes more enmeshed in the case and the disturbing details surrounding it. The cinematography, handled by Vincent Biron, enhances the film's tense atmosphere, often trapping characters in tight frames that reflect their emotional states.

Themes and Style

"Red Rooms" is noted for its commentary on the cult of serial-killer worship and the societal obsession with true crime narratives. Plante's direction avoids graphic depictions of violence, instead relying on suggestive storytelling and the power of implication. The horror in the film arises not from what is shown but from what is described and implied, creating a deeply unsettling experience for the audience.

The film's structure allows for a gradual build-up of dread, as Kelly-Anne's actions become increasingly troubling. The narrative explores her complex motivations and the impact of her obsession on her life and relationships, particularly with another courtroom attendee, Clementine, who represents a different facet of the obsession with Chevalier's case.

Reception

Upon its release, "Red Rooms" has received critical acclaim for its innovative approach to the horror genre and its strong performances, particularly by Gariépy. It has been praised for its ability to evoke strong emotional responses without resorting to excessive gore, making it a standout in a crowded field of serial-killer films. The film premiered at the Karlovy Vary International Film Festival and later at the Fantasia Film Festival, where it won several awards, solidifying its reputation as a significant entry in contemporary horror cinema. "Red Rooms" is a haunting exploration of obsession, isolation, and the dark corners of human psychology, making it a compelling watch for those interested in the psychological aspects of horror.

[thisisyourdriverspeaking]

One more music post for 2024. The 2005 edition of my Indy 500 soundtrack posts. Enjoy.

Tony Kanaan (Car 11) - Will Smith - Switch

Sam Hornish Jr (Car 6) - Black Eyed Peas - Don't Phunk With My Heart

Scott Sharp (Car 8) - Kelly Clarkson - Since U Been Gone

Danica Patrick (Car 16) - 3 Doors Down - Let Me Go

Helio Castroneves (Car 3) - Ciara ft Ludacris - Oh

Dario Franchitti (Car 27) - Trillville ft Cutty - Some Cut

Vitor Meira (Car 17) - Frankie J ft Baby Bash - Obsession (No Es Amor)

Kosuke Matsuura (Car 55) - Nelly ft Jung Tru & King Jacob - Errtime

Buddy Lazier (Car 95) - Phil Vasser - I'll Take That As A Yes (The Hot Tub Song)

Tomas Enge (Car 2) - Mariah Carey - We Belong Together

Tomas Scheckter (Car 4) - 50 Cent - Just A Lil Bit

Bruno Junqueira (Car 36) - Alicia Keys - Karma

Scott Dixon (Car 9) - Bobby Valentino - Slow Down

Adrian Fernandez (Car 5) - The Game ft 50 Cent - Hate It Or Love It

Sebastien Bourdais (Car 37) - Baby Bash ft Akon - Baby I'm Back

Dan Wheldon (Car 26) - Howie Day - Collide

Roger Yasukawa (Car 24) - Brooke Valentine ft Lil Jon & Big Boi - Girlfight

Bryan Herta (Car 7) - Rob Thomas - Lonely No More

Darren Manning (Car 10) - Akon - Lonely

Richie Hearn (Car 70) - George Strait - You'll Be There

Jeff Bucknum (Car 44) - Keith Urban - Making Memories Of Us

Alex Barron (Car 51) - Ludacris - Number One Spot

Kenny Brack (Car 15) - Green Day - Boulevard Of Broken Dreams

Ryan Briscoe (Car 33) - Dave Matthews Band - American Baby

Patrick Carpentier (Car 83) - Destiny's Child - Cater 2 U

Ed Carpenter (Car 20) - Trick Daddy ft Ludacris, Lil' LKim & Cee-Lo - Sugar (Gimme Some)

Jaques Lazier (Car 21) - Weezer - Beverly Hills

AJ Foyt IV (Car 14) - Backstreet Boys - Incomplete

Marty Roth (Car 25) - Pretty Ricky - Grind With Me

Larry Foyt (Car 41) - Papa Roach - Scars

Jeff Ward (Car 22) - 50 Cent - Disco Inferno

Jimmy Kite (Car 91) - Jesse McCartney - She's No You

Felipe Giaffone (Car 48) - Fantasia - Truth Is

All added to this playlist :)

[dustedmagazine]

The Smashing Times — Mrs. Ladyships and the Cleanerhouse Boys (Perennial/K)

These tunes tip a jaunty hat to the Television Personalities. The band’s name, after all, is purloined from a TVP song, as is its tipsy, strumming surreality. The main principles are native to Seattle and currently residing in Baltimore, but you’ve never guess that, not from the flat, north English intonations of “Tarts and Vicars,” nor from the fey group-sung fantasias of “Ben Jimeny the Green Grocer,” a dead ringer for Dan Treacy’s “Arthur the Gardener.” Still traces of Smashing Times’ PNW origins turn up sporadically. A slouchy, jammy, beat-dragging reverie called “Can I Have Some Tea?” requests the quintessential English beverage from the depths of a sagging punk squat couch, two fuzzed and free-spirited DIY traditions meeting in an improbable middle.

This is Smashing Times’ fourth full-length and the second on Perennial and K Records, fitting enough since it mixes the tuneful punk pop of the former, the lo-fi aesthetic and wide-eyed lyrical naivete of the latter. Here, the Smashing Times proffer music hall skiffles tipped off their axes, whistling cheerily past the desolate stretches.

In the opener, first single and title track, they play at Creation-esque (the “Painter Man” band, not the label) guitar pop, sliding into ringing power chords like a base runner stealing second, ba-da-dum. Radiant guitar licks run into slack-jawed, girl-sung “la la la”s, the effect both epic and a bit feckless. Likewise, “Wednesday, on a Hummingbird’s Wing” carves out large pop sonics without seeming to fuss too much, the bass line like a sharpie drawing thick lines around indefinite, C86-style miasmas.

Found sounds and spoken word intervals turn up in unexpected places. For instance, “I Paint the Pictures” doesn’t really start until an upper class British voice has declared, “I could offer you a huge great glass of stout. I drink this stuff at dawn, because it makes the day shorter.”

“Tarts and Vicars” is, perhaps, the best track here, akin to Orange Just in its twitchy bass and trebly guitar skree, but also borrowing a bit of Depeche Mode’s “Just Can’t Get Enough” for pulse and friction. It’s as loose and dreamy as anything on this oddball album, but it also moves, which turns out to make all the difference. ��

Jennifer Kelly

[my-chaos-radio]

Release: October 1, 1992

Lyrics:

Ladies and gentlemen

As you know we have something special down here at Birdland this evening

A recording for Blue Note Records

Yeah, yeah, yeah

What's that? Yeah, yeah, yeah

Funky, funky

How 'bout a big hand now

Wait, wait a minute

Groovy, groovy, jazzy, funky

Pounce, bounce, dance as we

Dip in the melodic sea

The rhythm keeps flowin' and drips to MC

Sweet sugar pop, sugar pop, rocks it, pop

You don't stop 'til the sweet beat drops

I sure improve as I stick and move

Vivid poems recited on top of the groove

Smooth my floatin' like a butterfly

Notes set afloat, sung like a lullaby

Brace yourself as the beat hits ya

Dip trip, flip Fantasia

Biddy biddy bop (yeah)

Biddy biddy bop (funky, funky)

Feel the beat drop, jazz and hip hop

Drippin' in your dome, makes you zone and bop

Funk and fusion, a fly illusion

Keeps ya coastin' on the rhythm you're cruisin'

Up, down, round and round, rhymes profound

But nevertheless, you gots to get down

Fantasy freak through the beat so unique

You move your feet, the sweat from the heat

Back to the fact, I'm the mac and I know that

The way I kick the rhymes, some would call me a poet

Poems steady flowin', growin', showin' sights and sound

Caught in the groove in Fantasia, I'm found

Many trip the tour upon the rhymes they soar

To an infinite height to the realm of the hardcore

Here we go, off I take ya

Dip trip, flip Fantasia

Biddy biddy bop (yeah)

Biddy biddy bop (funky, funky)

Biddy biddy bop (yeah)

Biddy biddy bop (funky, funky)

Jump to the jam, boogie woogie jam slam

Bust the dialect, I'm the man in command

Come flow with the sounds of the mighty mic master

Rhyming on the mic, I'm bringing suckers their disaster

Beaucoup ducs but I still rock Nike

With the razzle dazzle, a star I might be

Scribble, drabble, scrabble on the microphone I babble

As I flip the funky words into a puzzle

Yes, yes, yes, on and on as I flex

Get with the flow, words manifest

Feel the vibe from here to Asia

Dip trip, flip Fantasia

Ow, you don't stop

Come on, come on, come on, come on, come on, come on

Give me more of that funky horn

What's that? Yeah, funky, funky

Biddy biddy bop

Biddy biddy bop, funky, funky

Yeah, yeah, yeah, what's that?

Biddy biddy bop, yeah

Biddy biddy bop, funky, funky

Yeah, yeah, yeah, what's that?

Yeah, yeah, yeah, funky, funky

Yeah, yeah, yeah, what's that?

Biddy biddy bop, yeah

Biddy biddy bop, funky, funky

Songwriter:

Yeah, yeah, yeah, what's that?

Biddy biddy bop, yeah

Herbie Hancock / Jerry Wilkenson / Mal Simpson / Rahsaan Kelly

SongFacts:

👉📖

Homepage:

Us3

[ariel-seagull-wings]

@thealmightyemprex @makingboneboy @themousefromfantasyland @princesssarisa @faintingheroine @gstone97 @amalthea9 @adarkrainbow @softlytowardthesun @grimoireoffolkloreandfairytales @the-blue-fairie

"Artist Walt Kelly started at the Disney Studio in 1936. This Witch's "Torture Chamber" is an inspirational sketch he submitted during the making of Snow White and the Seven Dwarfs. Medium: graphite, red, and blue pencil.

After Snow White, Kelly would contribute to Pinocchio, Fantasia, and Dumbo before going to work for Dell Comics. He is best known for his comic strip Pogo. The Torture Chamber was eventually published on the title page of the January 1999 issue of Walt Disney's Comics and Stories (#632)."

(Filmic Light)

[kelly-clarksons]

December 18, 2023

[for-all-the-broken-hearts]

Les dejo mi otro blog ✨❤️

[1eos]

Hi Kendra, I hope you’re doing good! I started listening to Leo thanks to you so I’m certain you’ve got a great music taste! I’m not quite acquainted with english songs beyond the top hits and I recently heard ‘Long way 2 Go’ by Cassie. I was wondering if you have some ‘00s songs along the same lines (or artists/albums I can get started with)? thanks in advance!

OMG I HAVE PLENTY. im a 00s rnb lover and i fucking love long way 2 go. im so serious when i say there's a line btwn loving 00s rnb and liking leo's solo music. ik he had cassie on his ipod ohh ik it. anyways i would love to give u some songs i also like in that vibe ^^ and p much every song is on an iconic album so i promise you'll find other songs u love!!

i thought -brandy

promise - ciara

knock knock - monica

why don't we fall in love - amerie

say something - mariah carey

u don't have to call - usher

the heat - toni braxton

you don't know my name - alicia keys (been a fave rnb jam of mine since i was like....9 klfakgalkg)

signs - beyonce

fallen - mya

touch - omarion

call on me - janet jackon & nelly

bed - j holiday (a CLASSIC)

dilemma - nelly & kelly rowland

foolish - ashanti (👨🏾‍🦲)

aint gon' beg you - fantasia

love - keyshia cole (dont get me started on this song)

heaven sent - keyshia cole