#fans then it can be alienating to people who are watching your films who are not already your fans

[weebsinstash]

I know you mentioned that you aren't a big fan of pregnancy AU stuff in Hazbin, but hear me out...

Imagine Yandere Valentino getting his Darling pregnant to have a living bargaining chip to make sure she doesn't even try to leave him

New idea. What if the only people who can procreate in Hell are red string soulmates, or, it's like akin to ABO in the sense that not everyone or every combo of people could create a baby.

I was thinking about a yandere Valentino who has Reader as his red string soulmate whatever and you run away after seeing how truly abusive he is to other people, worrying for your own safety, and you're missing for like a straight year before Valentino finds out where you are, and... he's all but KICKING DOWN the door of your apartment, and he's looking at you like a hungry predator ready to pounce on you, cornering you, and

a baby starts crying from the other room and you're SPRINTING to the noise and Valentino finds you defensively holding a little bundle to your chest, growling snarling baring fangs holding a knife whatever at him, and Valentino thinks you adopted some other man's kid, some little imp bastard or something, and he's furious, he's raising his voice, he's getting closer, he's-

making perfect eye contact with a little tiny baby replica of himself as it turns to look at him with its big red eyes and chubby cheeks and fat arms and. It takes Val a few seconds to process it. The baby looks right at him and is whimpering and gurgling, upset, but doesn't cry. The baby boy sneezes and his antenna flip back and forth. He's got lil hearts in his fur and his teeny antenna are already so fluffy.

'Oh but aren't baby moths technically caterpillars--' shut the fuck up, you're demons and also that would be ugly as fuck. You want to give birth to a 20 armed baby or something. No. We save the truly inhuman babies for the human x monster/alien/whatever prompts. Your baby comes out a mini mothperson and it's fluffy and chubby and fucking adorable and also shut up

Val is just, SMITTEN, the narcissism is turned up to 100, he's rapid cycling emotions, "*GASPING* OUR BABY IS SO FUCKING CUTE, WHAT THE FUCK, I WANT TO HOLD HIM" "So I knocked you up good huh 😏" "*already on the phone in a group call with the other Vees and taking 200 pictures* you should see this thing, he looks just like me, can you even believe that, I can already tell he's gonna be so handsome and successful cuz he's MY son" "aw, amorcito did you think you needed to run away to protect our baby because I have so many enemies? You're such a good mama ❤️❤️❤️"

You spend like MONTHS lovingly protecting and sheltering your child until he's a healthy giggling little chubroll and Val has him for like two days and suddenly your baby has his ears pierced with diamonds in them and Valentino is walking around in his high heels and slutty bodysuits with your son in a papoose cuddled into his chest fur. You're holding your sleeping son while Val is beside you and someone sneezes across the room and the baby stirs and here's Valentino, "SHUT THE FUCK UP, MY SON IS SLEEPING", like, NOT ANYMORE YOU DUMB JACKASS???

'Oh gee why is Valentino suddenly funding and producing more erotic films involving moms and breeding and pregnant people and lactation-' you fucking know why and honestly I think it'd be SO FUNNY if he's like, "oh yeah, don't worry, I want you on birth control too mami. I missed fucking you and I kinda wanna do a lot of that without worrying about another little niño or two. At least not for a while :)"

Valentino on the red carpet being his cunty fashionable self while his baby is in a sling and they're both wearing matching outfits. Your baby boy has a tiny iced-up watch that's worth more than the entire building you were living in before his father found you. Your "husband" is posing half-naked with your baby on the cover of Demon Playboy which he owns, "HELL'S HOTTEST NEW DILF" like I COULD NOT WITH THIS MAN

And obviously he's got new kinks now that you're a mom and he absolutely fucks the hell out of you to the point you would get pregnant again without the birth control 😳 valentino on some real "is this the milk you've been feeding my baby with, let me try some" type stuff where he's milking you dry during his bang sesh and your son has to have formula that night because your tank is EMPTY 💀 YOU'RE A RAISIN LIKE THAT SCENE FROM SCOOBY DOO ZOMBIE ISLAND--

God. I've read horror stories about women getting pregnant again even WHILE being on multiple types of birth control so, then you get knocked up again Because Of Course You Would, You're Taking More Creampies Than A Professional Rodeo Clown, and what does Valentino say? "Fuck it, I wanna keep it! I can't just MURK my baby after it beat the odds, that's so ME!" And now you're having twin girls 💀💀💀 who knows, maybe having some daughters would teach Valentino to actually respect women--

I feel like you would wake up one morning and be genuinely hysterical because your baby is missing and you can't get in contact with Valentino and you're freaking out at the absolute highest level and it turned out to be some dumb shit like Val just took your son along with him for THE ENTIRE DAY and didn't think of mentioning it to you because "but you were needing a break and we were bonding, mami. We were having our guy time. I was leaving for work and he looked at me and he SMILED AT ME. What the fuck was i supposed to do, I couldn't just LEAVE HIM, he wanted his papi"

Of course, all these ideas hinge on the concept of Valentino actually caring for his baby. He could still genuinely use it as a tool against you. You're out running errands and suddenly you're getting a call. It's Valentino. He wants you to come home; you left the baby with Kitty so you could go out for a little while for some 'you time' since you've been trapped at home hiding ever since you ran from him before learning you were pregnant. It's not even about you leaving the baby with a nanny; it's about you not being home when Valentino came to visit you and him being uncomfortable not knowing exactly where you are and exactly what you're doing

Well, you got a little smart with him. You've just spent the last about 11 months living through hell with your pregnancy and hiding; you deserve to get some fresh air and walk out on the town and--- in the middle of you lecturing him you can just hear your baby making baby noises through the phone and Valentino just adopts this... tone in his voice, "amorcito, I came to spend time with you and our little frijolito and you're not heeee~ere. You know I can have trouble concentrating when I've had a few drinks and, earlier i dropped my phone on accident and i thought 'oh, it's good i wasn't holding something important"

You're home within 20 minutes and Valentino is cuddling into you while he puts some garbage on TV and pretends not to notice how you're trembling as you hold your son and send the occasional wary glance his father's way...

[vintagegeekculture]

RIP Tracy Tormé, Creator of the "Holodeck Malfunction Episode" and Sliders

Tracy Tormé’s most enduring legacy in popular culture is that, while a writer on TNG’s tempestuous first and second seasons, he created the entire concept of the Holodeck Malfunction Episode.

Yes, even people who suggest you skip TNG’s first couple seasons say that “The Big Goodbye” is one you don’t want to miss. And there was a very nice tribute to Tracy Torme in an episode of Picard, which had him as the author and creator of Dixon Hill… which he is, and deserves credit for this.

I suppose I should mention I had a personal encounter with Tracy Tormé at a convention. The main thing I remember was that he looked absolutely terrified when someone asked him about what happened with “The Royale,” far and away TNG’s worst episode except the clip show, about the crew getting trapped on a hotel they can’t leave from a badly written book. To his great credit, he took responsibility for the episode not working and did not pass on the problems to the production crew.

The most extraordinary thing about Tracy Torme is that he had a Forrest Gump like ability to appear in the background of scifi culture’s greatest moments.

Not only was he inside the TNG writers’ room in 1987-88, he was around during the production of Terminator with James Cameron. Tormé was the one who, hearing about the production of the film, squealed on it to Harlan Ellison, telling Ellison that it was based on his old Outer Limits episodes, with a visual based on his script for “Demon With a Glass Hand.” In other words, he was the Gavrilo Princip who got that entire conflict started, where two of the most proud personalities in scifi butted heads, James Cameron vs. Ellison. Cameron, to this day, insists that the film company gave Ellison money and a credit because it was easier to pay him off than to go through litigation (which rings true, frankly, for risk averse production companies), and to this day Cameron insists, with his absolutely expected big dick swagger, that Ellison is a “parasite” who received money for nothing, and if it had been up to him, he wouldn’t have given him a dime.

It’s also worth mentioning that Torme also created the TV series Sliders.

Has anyone else noticed that Sliders is an incredibly right wing show? Seriously, watch it again if you haven’t seen it in years. If you haven’t watched this show since the 90s and you were a kid and all that went over your head, it’s kind of amazing how Limbaugh/Newt Gingrich era right-wing Sliders actually was. It made 24 look like Doonesbury. The targets of Sliders were 90s New Right satire: health care systems, infuriating hippies, the nanny state disallowing the public smoking of cigars, California weirdness, the drug culture, the USSR. Torme’s right wing views were less John Millius-style “blood alone moves the wheel of history” stuff, but more like that of a slobby regular joe in the 90s, Dennis Leary’s character in Demolition Man for instance, who mostly just wants to smoke cigars, ogle girls, and eat hamburgers without getting scolded by his wife. He was less “Passion of the Christ” and more “Animal House.”

I am not saying this as a negative, but merely a description. Contrary to popular belief, right wingers driven by bizarre sexual pathology and weird grudges produce amazing art, as Millius and John Swartzwelder show. A lot of Steven Universe fans love to say things like “all good art is about empathy and kindness” and I reject that notion. Good art can also be about reflecting things in the human experience like fear, trauma, cruelty, and paranoia.

For that reason, it doesn’t surprise me that Tracy Torme’s best movie script was a horror film about a traumatic experience, Fire in the Sky. An ominous movie about a vanished ranch hand who was the victim of alien abduction, in the earned finale the film’s tension builds toward, our hero remembers the true cause of his missing time: an abduction by aliens, who’s motives are emotionless and incomprehensible, and who subject him to horrific vivisection that we see in excruciating detail. Travis Walton is treated not with sadism or cruelty, but with icy detachment, by alien superintellects that view him as no different than cattle, and are to him as we are to cattle. The most terrifying detail of the film is that the classic “gray alien” look turns out to be spacesuits, revealing a far more frightening appearance underneath.

[akajustmerry]

Curious to hear your takes on the new Avatar movie. It’s getting a lot of backlash for being culturally appropriative due to its casting of nearly all white actors (which I agree).

my nuanced take is that a film can be INCREDIBLE at a technical level, and be an epic cinema experience, AND be well intentioned as an anti-imperialist text, while at the same time failing to actually represent Indigeneity.

I'm an Indigenous fan of this franchise and have been since I was 15. Avatar 2 makes many of the same mistakes as the first and the layers to it are complicated. It's a white saviour narrative, it fetishises Indigenous (coded) women, it appropriates isolated aesthetics and aspects of various Indigenous cultures without cultural consultation, the majority of na'vi actors are white/non-indigenous ppl putting on ~voices~, and Avatar as a concept allegorically dehumanises Indigenous people by portraying us as aliens.

I will say that the sequel does have Cliff Curtis (who is Maori) playing a Na'vi, along with a handful of Indigenous extras, which is an improvement on than the previous. Also, Avatar 2 has a lot more Na'vi women as important characters so fetishism of the women is much less than the first (still there though). I'm aware of James Cameron's gross past "they should have fought harder" comments and I'm not excusing or condoning them. That dismissive attitude contributes to ongoing colonisation and I would have hoped a man creating a large scale anti-colonial story would know better.

Because that's the rub of it all. Avatar and Avatar 2 are explicitly anti-colonial and anti- imperialist. For all its layers of Nativism, that doesn't make it any less anti-occupation and anti-colonial. I'd argue the 2nd one doubles down on the anti-occupation angle even more than the first. The first had so many "good apples" among the invading humans, the 2nd has none. The invading force is just that, an invading force that you're not expected to sympathise with at all. You're positioned, in every way to empathise with the Na'vi.

My feelings are so complicated because at a technical level this film is a master-class of precision that pushes the boundaries of what's possible with live action VFX. Cameron and the team craft a truly immersive epic about family, solidarity, the beauty of nature and how its desicreited by colonial entitlement.

In short, a film can be both extremely Nativist and a technical masterpiece. Avatar 2 is one of those films and I'm not here to tell anyone how to feel about it. I enjoyed watching it at the movies with my best friend as someone whose an unironic enjoyer of the franchise, but I also felt disappointed that Cameron advanced the franchise at a technical level that did not extend to any genuine representation of Indigenous people.

In a strange way, it's a GREAT anti colonial story but a terrible pro-Indigenous one that demonstrates that a hatred of colonialism and respect for Indigenous peoples are (sadly) not mutually exclusive.

Always love seeing my girl Neytiri though 🥰

[timeagainreviews]

Dance, Magic Dance: The Church on Ruby Road

With the return of Russell T Davies we were given a “new” Doctor Who logo with their revamped take on the classic diamond logo. The diamond logo is everywhere now. Books, web content, episodes, and more are stamped with it. Everything except for the “Doctor Who: The Collection,” blu-rays which continue to display the Jodie Whittaker era logo. The reason for this is simple- spines. Most people display books and physical media with their spines facing outward. If you were to change the font on those spines, they lose their uniformity. For some people, that shit is infuriating. It’s not just Doctor Who fans either. The infamous plastic Homer head box for The Simpsons’ sixth season DVD is still controversial. If Doctor Who fans can get upset about a blu-ray spine, then imagine how they might react if you were to change the Saturday time slot to a Sunday. Or even more brazenly, imagine changing the Christmas episode to a New Year's Eve episode. Should be super easy, barely an inconvenience. Right?

It had been six years since Doctor Who last aired a Christmas special. While I have come to appreciate the importance of a Christmas episode within the fandom, I argued in favour of the change at the time as I am not the biggest fan of Christmas. I have history with the holiday, like many of us do. New Year’s Eve also pertains to time, so it made some sense. And for as cheerful as they tend to be, Doctor Who Christmas specials were becoming a graveyard of regenerating Doctors. I get that Christmas is about renewal, but watching the Doctor die on Christmas isn’t my jam, especially if they’re surrounded by a bunch of tacky Christmas decor. Only one other time do we see a freshly regenerated Doctor at the beginning of a Christmas episode and that was David Tennant in  “The Christmas Invasion.” It also consistently ranks as the best of the RTD Christmas specials. Though I believe “The Church on Ruby Road,” may soon challenge that.

Before I get into it, I want to preface this by saying I was on my third flute of Buck’s Fizz by the time the episode started. I don’t usually drink alcohol when I’m about to watch a film or TV show. I once went to see Terry Gilliam’s “The Brothers Grimm,” while drunk and it was a bad time on two fronts. But this was Christmas, I was feeling a bit jolly. I only mention this because I may be a bit fuzzy on the details. It’s funny then that the details are another reason I’m feeling a bit fuzzy. Last night, when I should have been asleep, I was researching runes, glyphs, and symbols in an attempt to identify the symbols drawn on the Doctor’s fingernails. That’s how intriguing this new era of Doctor Who is- it’s got me doing research into the early hours of the morning.

Where I first noticed the symbols drawn on Ncuti’s fingernails was in the below promotional image. They looked like some fan had put them there, but when I saw that it was official, I felt a stir inside. Part of me mourned for the kids who have parents like my mom who would see those symbols, call them Satanic and forbid them from watching Doctor Who. The other part of me questioned their function. I know Ncuti Gatwa is an avid follower of the zodiac, so I was braced for it to be that simple, but I had hoped it was something more. In my research, I had trouble finding an exact match for the two clearest runes in the picture. The character on his ring finger looks a bit like the number three in Psalter Pahlavi or like something from Linear A. While the crescent shape on his middle finger looked a bit like the alchemical symbol for platinum or the zodiac symbols for the Sun and Moon. When you’re a time and space travelling alien, your zodiac and table of elements must reach beyond our solar system. They could be alchemical symbols for Dalekanium or the zodiac symbol for Gallifrey. Maybe with this new magical Whoniverse, the Doctor now writes talismans on his fingers for protection.

It’s an enchanting prospect that we get to discover this new magic through the eyes of a new Doctor and companion. There’s a sort of levelling of the playing field for us as fans to come into this new chapter of Doctor Who slightly off our bearings. Who better to lead us through the chaos of magic than the Doctor himself? If his fingernails are a sign of this change, then he’s already got a leg-up on us, which is an exciting place to be as an audience. It’s so easy to be a pedantic know-it-all when the answer is always “Aliens,” but what about all those times a wizard did it, or in this case, the Toymaker?

Our introduction to Ruby Sunday was a bit surprising. Leaving her on a church doorstep felt like a page out of the Steven Moffat playbook of fairy tale magic. But also grounded in the character development we got with Rose, Martha, and Donna. Ruby’s backstory is a mystery, but her agency is not. Ruby has friends, a band, and a family. We’ve known her for 55 minutes and I already have a decent grasp on who she is as a person. She has a compassion for Lulubelle which goes beyond being kidnapped by Goblins. You can see she feels a kinship as a fellow foundling. She knows how it feels to feel disconnected from her history. Similarly, the Doctor can look at both Ruby and Lulubelle and see himself on their faces. He too was adopted after being left behind. 

I enjoyed this aspect of the story as my own family is touched by adoption. My mother found out she was adopted after her adoptive parents died. Coincidentally, she had already adopted a little girl from China a year or so prior. I now have three adopted siblings and I love them all. It means a lot to me to see them portraying Ruby’s family as a realistic depiction of an adopted family. Her adoptive mother, Carla, is as good a mother as one could hope for. When she admits she was nervous about Ruby finding her biological mother, it’s understandable. She doesn’t want to ruin the beautiful family that started when Ruby came into her and her mother Cherry’s lives.

The Davina McCall scene may be the weakest part of the episode. Aside from the prologue, it’s basically the first scene, and much like the other opening scenes in the RTD2 era, it’s a bit wonky. The dialogue lends itself to Ruby’s nervousness being interviewed, but “foundled,” is a bit too close to fondled for my tastes. It’s VOR all over again. The main takeaway from the interview is that Ruby was the baby left at the church (no surprises there) and that Davina’s people are going to try to find her birth parents. Sadly, as we come to find out, Ruby’s parents prove to be untraceable. The interview is cut short when the mics begin picking up the sound of Goblins. I feel like the only reason they were Goblins is because pointy-eared mischief makers called Gremlins ruining Christmas was a bit too close to a certain ‘80s movie. Better to go for a story with musical numbers about Goblins who steal babies for the Goblin King. No ‘80s movies infringed there… wait a minute. I kid of course, there’s nothing wrong with paying homage to the classics.

Before we get too far from the interview scene, I want to talk about Denzel. No, I don’t mean America’s sweetheart, Denzel Washington, I mean the sound guy. Was I drunk, or did Ruby mention he asked her out? I’d heard rumours she was going to have a bit of a love triangle with her boyfriend and the Doctor. I wonder if it’s not him. It would be weird to have a sound guy with a unique name who gets mentioned again if it’s not going to come back into play. I think this might enter the territory of the controversial aspects of the season that Millie Gibson alluded to recently. It’s funny then that the part of me that finds any of that controversial is the part of me that hates the idea of the Doctor being romantic with companions. I’ve never enjoyed it. Rose and Ten? Blech. Yaz and Thirteen? Snore. Representation matters, sure, but what about asexual and aromantic representation? I get that people might fancy the Doctor, especially when they look like Ncuti Gatwa, but I hope the Doctor continues to ward off any advances.

Speaking of representation, I would like to take a smidgen of a moment to talk about Trudy. As a trans woman, it was nice to see her living her best life. Simply letting trans characters exist is better representation than what we got in “The Star Beast.” They didn’t even pat themselves on the backs about it in “Doctor Who Unleashed,” as I worried they might. Regardless, some cis people think that any trans representation is shoving it down their throats. They reject the reality that for many people, trans people are a part of their daily lives. If your average person took the time to learn people’s pronouns, they’d see we’re everywhere. We’re not trying to shove anything in your face. Trust me. You’re not our type.

As I said above, it’s nice to see Ruby’s life play out over this montage. You learn a bit about her life and what she gets up to. Though when I heard she had a band, I was hoping for something more punk than Christmas standards. Ncuti dancing on the dancefloor was joyous, a word which I find myself using about him a lot lately. I love the embracing of his Scottish upbringing with his kilt. When I read RTD’s Doctor Who Magazine article talking about the Doctor dancing, I worried a little bit. Sure, the Ninth Doctor proved the Doctor dances, but I worried the scene would make the Doctor feel too sexy or too human. The Eleventh Doctor’s terrible dancing garnered the name “The Giraffe,” because it was so unflattering. But the Fifteenth Doctor pulls it off in a way few others could. However, I do still take issue with one aspect of that scene and that’s Ruby leaving her drink unattended in a busy club. There are worse people than Goblins mucking about with drinks, Russell. Let’s make a good example for the young members of the audience.

The montage of the Doctor watching Ruby from afar was actually a note from Disney. Test audiences wanted to see the Doctor earlier, and I don’t disagree. In the words of Werner Herzog’s Mandalorian character- “I want to see the baby.” It also explains why we recently saw footage of Ncuti punching through a snowman head when principal photography had ended months ago. This, of course, was due to further meddling from the Goblins, who appear to be everywhere now. They’re like bedbugs who pass from person to person. I loved the line “A pram at midnight. Really?” Such a cheeky Doctor already. Gatwa gives vibes of previous Doctors throughout the entire episode, but the snowman head scene gave us one I didn’t expect. The Doctor telling the policeman to ask his girlfriend to marry him reminded me of the Eighth Doctor’s penchant for fortunetelling. Only this time, he’s not weirdly omniscient, but rather making a wild assumption after his sonic pinged a diamond ring, which is a thing it does now, evidently.

The Doctor’s new sonic screwdriver has been a bit controversial, because what isn’t in this fucking fandom lately? I get the argument that it’s just not to your liking, that’s fair. But I’ve seen some monumentally dumb takes on the subject. I saw someone complain that it wasn’t shaped like a screwdriver. I hate to break it to you, but none of them have been shaped like a screwdriver. Show me on the Third Doctor’s where you fit the Phillips head. I’ve also seen people complain that it looked like tech from the early 2000s. So their biggest complaints are that it looks weird and out of time. How inappropriate for an alien time traveller. Regardless, I loved seeing Fifteen using his assorted gadgets. His intelligent gloves feel like a natural fit amongst his classic instruments and I can see them coming in handy further down the line. There’s also something about seeing the Doctor pull out the psychic paper that brings it home for me. It’s like seeing the Doctor square off with their first Dalek. It makes them feel complete. I know RTD said they’re giving the Daleks a rest for a bit, but I hope we do get to see Ncuti officially call one a “detty pig,” before he bows out.

The Goblin ship was a great way to introduce us to the new magical aspect of the Whoniverse. Not just because it’s fantastical, but also because the Doctor wasn’t able to use his shiny new screwdriver on it. Had it been a normal spaceship with metal and wires, he would only need to point and click. But this ship is all wood and rope, rendering the sonic mostly useless. The Goblins force the Doctor to learn the science of luck, but the ship causes him to learn the language of rope. I adored watching Ruby and the Doctor bicker while he was busy learning about the ship. They’ve not been together five minutes and they’re already getting tied up by baddies. They have an instant Doctor/companion relationship and it’s obvious why they were paired together. Furthermore, Ncuti’s detachment from the danger of the situation, coupled with an admiration for the Goblins’ tech was pure Doctory goodness. I could easily see Tom Baker fiddling with rope while Sarah Jane complained that he was goofing off.

Because of the charity release of “The Goblin Song,” many of us had become intimately familiar with it before the episode. What I doubt many of us were expecting was for Ncuti and Millie to join in on the singing. While I’ve not heard anyone complain about this, I’m sure someone has. To me, it worked. For starters, it’s a Christmas episode. Secondly, the Goblins have a band. It makes sense that the Doctor would try to win them over by speaking their language. It seems to work as the Goblins dance along with the Doctor and Ruby. Much of their logic seems dictated by whimsy. They sing and dance. They cause mischief. And they are attracted to coincidence. It’s not just that Lulubelle is a baby, it’s that she’s flavoured by happenstance. Both she and Ruby are foundlings left on Christmas Eve. It’s like the sound of a dinner bell for these little munchers. While the singing and dancing worked for both the scene and the Goblins, I hope RTD continues to use it sparingly. While I expect to see it return with the Beatles episode, I don’t want the concept to wear out its welcome. Doctor Who can afford the odd musical episode, but let’s not go crazy.

With Lulubelle saved, the Doctor and Ruby get her back home before Carla or Cherry ever notice she’s gone. This gives the family a chance to meet the Doctor, starting with Cherry. Cherry’s reaction to the Fifteenth Doctor was an understandably thirsty one. RTD kind of wrote himself into a corner by casting Gatwa. It must be exhausting to begin every scene with “The Doctor enters the room and people are immediately enamoured.”  He exudes charisma in a way that makes you stop looking at David Tennant. Remember the bi-generation scene? Little known fact, but Tennant was also in that scene. Another enjoyable aspect of the Cherry scene was seeing the Doctor flirt back. I know I said I dislike a romantic Doctor, but it was nice to see it with someone more age-appropriate. I kid, but what I did like about the scene was that he spoke to her as if she were a young woman. Because for him, she is. And even further, it didn’t feel like that cutesy old people flirting like “If I were younger,” bullshit. It makes sense that a time traveller would find whoever a person is in the present the most important. You can travel to the past or the future, but it all pivots along you in the present. We stand outside past and future versions of ourselves. To me, this is why the Doctor is compassionate, he sees the pivot people are capable of making. Can you now pivot beyond a dark past into a bright future?

The meeting between Carla and the Doctor was less flirtatious. Carla seemed open to this eccentric Doctor while keeping a concerned mother’s distance. The ironic thing is that not only is the Doctor like Ruby and Lulubelle, but he’s also a lot like Carla. Both of them know the weight that comes with what the Twelfth Doctor would call “duty of care.” Like the Doctor’s long list of previous companions, the photos on Carla’s fridge tell a story of lives touched. This is why when things go bad and Ruby disappears, the missing photos on the fridge cut us to our core. Michelle Greenidge floored me with her performance here. Seeing her claim her life is great because she has no responsibility was harrowing. We’ve seen her real truth. She’s a centre point of light illuminating the lives of many, not this selfish woman in it for the paycheck. Even Cherry now feels forgotten in the other room, waiting out the clock. This is a reality the Doctor cannot tolerate.

Not only are the Goblins little baby-stealing monsters, but they’re also time-hoppers, whatever the hell that means. How it differs from time travel probably has more to do with a Time Lord’s concept of elegance than anything else. But like the Daleks, I doubt Goblins have much of a concept of elegance. If anything it’s a warped admiration for coincidence. And if a baby Lulubelle isn’t a viable meal option, then the other side of that coincidental coin, baby Ruby, would have to suffice. After all, I’m fairly certain if they don’t feed the Goblin King soon, he’s going to start wooing Jennifer Connelly at a masked ball. The Doctor travels back to that church on Ruby Road. Tears still running down his face, we see the mysterious woman leaving Ruby behind. Is it her mother? Is it a younger version of the mysterious Mrs Flood? Is it Ruby herself? The Doctor doesn’t have the time to go chasing after her. He has Gobbos to stop.

Floating above the church steeple like Bowser’s airship, the Goblins begin hauling Ruby onboard. The Doctor climbs to the church roof where he puts the last spark of power in his intelligent gloves to the test. Instead of climbing up to the ship, the Doctor begins pulling the ship back down to earth by its rope ladder. However, the ladder is more likely to give out before his gloves do. So in a last-ditch effort, the Doctor brings all of his weight down using the gloves’ ability to increase mavity (I know) on the ladder. The ship plunges onto the church steeple which stabs up through the hull and into the belly of the Goblin King. With his influence and magic now dispersed, the ship and all of its Goblins disappear with it, leaving baby Ruby in a freefall. No pressure. The Doctor of course catches her using the gloves to cushion her fall. It was all a pretty lucky gamble considering the steeple could have just as easily hit Ruby, but luck is now a tangible thing, so maybe it was lucky. You could say “The Doctor killed a guy,” but you could also say this was the Goblin King’s second chance, and as you remember- “No second chances.” It would appear that the Doctor is still that sort of man.

With the Goblins gone, neither Ruby nor Davina McCall will be plagued with bad luck. Davina even gets so lucky as to have the Doctor appear just in time to prevent her from being brained by a Christmas tree star. The pictures on the fridge are back, and so is the giant crack the Goblins left when they attempted to kidnap Ruby. It makes you wonder just how Carla and Cherry will fair with squirrels getting in through the roof while Ruby is off exploring all of time and space. Does insurance cover acts of Goblin? Who knows, maybe Kate Stewart will stop by with a restoration team. All the Doctor would need to do is make a call. Mrs Flood returns to commend the Doctor for a better parking job. Is it just me or was that a subtle hint of disability representation? A subtle reminder not to block the pavement for the elderly and disabled.

I liked that the TARDIS appeared to invite Ruby inside by opening her doors to her. You could say the Doctor flipped a switch, but he was busy doing his fourth costume change. I like to think she was giving her seal of approval. I never quite understood why the TARDIS didn’t like Clara. It seemed to come out of nowhere. The TARDIS was like, “I dunno why, but I don’t like this bitch.” I guess you could say the whole Impossible Girl thing made her competition, but now it’s just starting to sound like Moffat writing women. But the TARDIS and Ruby? Just gals being pals. Sisters before misters. Empowered women empower women. Yas queen.

In the end, we’re left with Mrs Flood comforting her neighbour Abdul after he sees the TARDIS dematerialise. She gives the camera a devious smile as she says “Never seen a TARDIS before?” This of course is the classic Davies Easter Egg. He knew the fandom would blow up. And dammit, after almost twenty years of saying it, it had better be the Rani. Some people have said Romana or Susan, but she feels a bit more sinister. Besides, if it’s Susan, I’m going to be disappointed because Carol Anne Ford is still alive. If it was Susan, we’re owed a flashback to her regeneration. The reason she feels slightly sinister is the way she gaslights Abdul about the TARDIS. She yells at the poor man like he parked the thing in front of her house even though she apparently knows what it is. Conversely, she could be nobody we’ve seen before. Perhaps she’s an Eternal or “the Boss.” Either way, I’m intrigued.

Ncuti Gatwa is finally the Doctor. It almost feels unreal to be able to say that. Not only have we waited a long time to say it, but what an exciting Doctor he is already. He brings an invigorated energy to the performance. He's full of charm and I can't picture many Doctors pulling off a curtsy as well as he did. I’m still waiting for him to get a bit scary, but his amazed reaction to seeing Goblins about to eat a baby shows me he’s capable of it. I would like to see them show his age a little, but there’s still loads of time. His conversation with Cherry gave us a glimpse at the ancient being behind his eyes, but I would like to see more. While the Doctor may still have hang-ups about his past, it would appear his time with Donna was a time of emotional healing. The Doctor isn’t afraid of his emotions and it’s been a bit of a revelation just how much I like that. This Doctor wears his hearts on his sleeves and it’s surprisingly refreshing. It’s a far cry from “I'm still quite socially awkward,” and I couldn’t be any happier about that. We have a new Doctor. A new companion. New rules. Is anyone else excited for May?

[roadkillremi]

Love Sucks Part 1

Randy Meeks X F!Goth!Reader

Masterlist (Part 2 out now)

Warnings : Language, Stu and Billy bully Randy.

Summary : (Suggested by @saint-petah-the-good) A new girl moves to town and Randy is quick to fall in love. Despite her odd habits and weird interests the friend group takes her in.

Randy didn't know what hit him when he saw you. Your legs covered in fishnets sitting in his spot by Tatum. Your giant black sunhat shielding you from sunlight.

"Randy! This is Y/N!" Shes a horror geek like you!" Tatum smiled. Randy made a goofy smile at you, flushed from Tatum's comment. You smiled back shyly, "This is Randy, the one I told you about." Tatum said. Randy gave her a look, "You've been talking about me?!".

"Not in a bad way... Most of the time." Tatum took a bite of her salad. You looked down at a book you were reading. Randy sat down beside you, "What book are you reading?".

"Salem's lot. By Stephen King." You said not looking up from it. Randy tilted his head to see more of your face.

"You're a Stephen King Fan?"

"Who isn't?" You smiled looking over at him.

"Me." Tatum said, you gave her a little smile.

"How did you feel about the Shining?" Randy said testing you.

"The same way Stephen King did. It was horrible. I prefer the book. Cinema wasn't ready for it. You gotta find a harder way to test me." You smiled before flipping a page of your book. Randy smiled to himself, his heart was beating so loudly.

'Shes Perfect..'.

"So where ya from?" Stu leaned in. You sat up from reading and closed the book. You sighed, "My parents were lab worke rs in Alaska. They got tired of the cold.".

"I mean Alaska?! Sounds pretty boring!" Stu laughed. Tatum elbowed him, Randy tried to block Stu out.

"Do you need a job?-" Randy blurted out, his cheeks flushed. You looked over at him with a soft smile.

"Randy! You can't just ask that!" Tatum fussed. Randy didn't take his eyes off you, "Um, yeah actually..". Randy smiled, "I work at Bradley's Video..".

"Yeah it's the closest thing to a damn Blockbuster here!" Stu exclaimed. You nodded, "I'll check it out..".

"Oh! Get this, Y/N's Grandfather directed horror movies!" Tatum said impressed. Randy leaned in closer to you, you hesitated a bit when he got to close.

"No way! What movies?!" He said, his wide eyes gazing into yours. You bit your bottom lip, "Uh, nothing super popular, some alien stuff and Vampire stuff.".

"No fucking way!" Stu shouted. Randy, again ignored Stu, you gave him an awkward smile before going back to reading.

"Where the hell is Billy and Sid?" Stu asked looking around.

"Probably in a janitor's closet!" Tatum snorted. The lunch bell rang, you closed your book and slipped it into your bag.

"What's your next class?" Randy asked watching you stand up. You pulled out a crumbled paper, "Intro to Film Study's.".

"Oh, lord" Tatum mumbled.

"I do too! I can walk you there!" Randy stood up quickly. He threw his bag over his shoulder, "Sure. I'll see you later, Tatum! It was nice meeting you, Stu.". You walked along side Randy into the school.

"I knew they'd get along." Tatum said to Stu, Stu kiss her cheek.

"Yeah but she's a little weird.."

"You're weird!" Tatum joked.

Randy really couldn't keep his eyes off you. How you doodled in the margin of your notebook. Your legs crossed over each other and his eyes scanned them. Your fishnets giving him a pattern to follow.

"Y/N? Your take on Slashers?" The teacher tried to get you to jump into a discussion. You looked up, "Well, everyone says the characters act stupid. When it's portraying how people actually act in those situations. Then you have some sleep demon guy and a stalker!"

"I happen to like the stalker." A blonde girl in the back interrupted. You looked over your shoulder, "Yeah but he walks and somehow catches up. Story plot holes too. I'll like slashers more when the story makes sense.

"Sometimes story lines don't need to make sense.." Everyone went silent. Randy was surprised Billy even spoke, you looked back at him. Randy watched the interaction between you two. You narrowed your eyes a bit before turning back around. The fear of you falling for Billy's good looks faded. You went back to doodling in your notebook.

Once it was the end of class Billy went up to your desk. You didn't look at him once, "I'm guessing your Tatum's new friend?". Randy huffed before getting up, "Yeah, I'm guessing you're Billy.". You grabbed your bag before leaving, Billy smiled to himself. Randy mocked his face before walking with you.

Tatum ran up to you in the hall, "How was class?".

"It was okay." You nodded with a small smile. She smiled, "Good! So me and Stu were thinking and we wanted to invite you over to hang out this Saturday!".

"Oh, sure!" You smiled, Billy walked up beside you. Randy rolled his eyes, "I like her she's cool." Billy said as if you weren't there. Randy scoffed, Billy shot him a look.

"Well, I finished all my classes for the day. I'm gonna head home. And I might stop by that video store." You smiled at Randy as you walked away. Randy smiled, "Drive safe!", Stu laughed at him.

"You're such a dork!"

Randy rolled his eyes and walked away. He tried to ignore Stus laughs in the back. He knew liking you would be difficult due to Billy and Stu.

Randy focused on restocking the VHS tapes. He huffed to himself and checked his watch. 4:27pm, you still didn't show up, maybe you were just being nice. He kept stocking the shelves, a tap on his shoulder made him jump back.

"Sorry." You softly said. Randy smiled and scratched the back of his head.

"It's fine. Um, were you wanting to get the job?" Randy glanced over at his boss then you.

"Sure, I could use one. Besides it'll be nice to work with a friend." You smiled at him. His stomach flopped, 'Friend' he didn't want to be a friend. He took a deep breath, "Uh, I'll go tell my boss. Stay here." He smiled and walked over.

"Hey, Bradley! I got a customer wanting to apply for a job here."

Bradley looked over Randy's shoulder to spot you. He sighed, "You find the most odd kids.".

"Please. She's real nice and like movies.. and-"

"You like her?-" Bradley smiled. Randy rolled his eyes, "Maybe that's not the point.".

"Fine but if she screws up. It'll cost you your job. Send her over here."

Randy walked over to you reading the back of movies. He smiled to himself, "Uh, he's ready to meet with you.". You looked up and put the movie down, 'Prom Night, good choice.' Randy thought to himself.

"Hi, I'm Y/N. I'm 18 and I moved with my parents from Alaska. I have a car and am able to work after school and on weekends." You smiled. Bradley looked at Randy then back at you.

"Great, have Randy show you the ropes, I'll get you a name tag.".

"That was easy..." Randy mumbled. You shrugged, "So, how do you work here?". Randy went behind the counter, "So we ring customers here, obviously. Then if someone returns them you ring them and put them in the cart. The cart gets restocked and it's a whole cycle!" Randy puts his elbow on the counter. You nodded, "Okay Cool.".

"Why did you move out here?" Randy asked.

"Sick of the cold."

"and the dark?"

"Kinda. I actually like the night, I uh sunburn easily." You softly smile. A customer walked to the counter, Randy showed you exactly how to ring up their rental. His hand would brush over yours. He'd try his best to be smooth like in the movies. You would just whisper sorry and not catch on.

"Okay, Y/N I expect you to work tomorrow but not this weekend, got it?"

"Yes, sir." You smiled at him before heading out the door. Randy caught up to you holding the door open.

"I'm glad he hired you."

"me too. But it's thanks to you really. I wouldn't have known about this place if it wasn't for you.".

"wanna get some burgers?" Randy asked. Your eyes widen from surprise, "Sure! Do you need a ride?".

"Yeah, kinda" he smiled. You walked to your car unlocking it, he hopped in quickly making himself at home.

"I hope you don't mind rock music.." you said as you buckled your seatbelt. Randy shrugged, "It doesn't bother me.". You nodded as you started the car, rock music blasted immediately. You turned it down a bit, "Sorry.".

"It's fine. We can go to In and Out for burgers.".

"I've never been there so you're gonna have to tell me.."

"Whoa! You've never been to In and Out?!"

"No.." you smiled.

"Gosh, well you're gonna thank me. Their burgers are delicious."

"I'll be the judge of that.".

Randy watched you drive, your skirt riding up from you pressing the gas. He looked away, "Any idea what you're doing for college?".

You shrugged, "College is still a question for me. What about you?".

"Easy, I wanna be a director. Actually make good films." Randy said. You nodded, "I can see that, Have you written a film?".

"God no. I can't write for shit! If you were to go to college what would you major in?"

"Um, screenwriting and Biology."

"So you are a nerd" Randy smiled. You gave him a smile, "Maybe a little. I just think living is... Fascinating..".

Randy laid on his unmade bed, he couldn't believe his luck. He actually ate dinner with a girl, maybe it wasn't a date but it was a step. He smiled to himself thinking about your smile and how you were a messy eater. You even gave him your home phone number. He hugged his pillow, maybe he could actually pull this off. He listened to your stories and your interests very closely.

You talked about how Morticia Addams was like an idol to you. How you seen all the episodes to the Addams family and the Beetlejuice cartoon series. Then you both talked about horror movies, explaining to him how Childs Play is more of an Horror Comedy. He sat up and leaned over to his phone dialing in your number.

"Hello?" You picked up your voice was a bit groggy, maybe even deeper.

"Hey, it's Randy."

"Oh, Hey Randy! Everything okay?"

Randy fidgeted with the phone cord, "Yeah just wanted to say hi, did I wake you up?!".

"No, I have a hard time sleeping. Is there anything you wanna talk about?".

"Um.."

Shit, Randy panicked not knowing what to say, "What movie should we watch at Stus Saturday?".

"Oh, hmm well we could watch Childs Play.." he heard your smile through the phone.

"Of course I can rent it Tomorrow at work."

"Awesome. Goodnight, Randy. I'll see you at school!"

"Night."

[splattergutz]

it makes so much sense that jane schoenbrun made a slenderman documentary before making we’re all going the world’s fair & i saw the tv glow. both films address the use of escapism through horror to deal with being queer &, more specifically, trans. so many people who are fans & creators within the slenderverse can relate to this. go to tim’s (from marble hornets) tumblr & look at the asks he gets from fans if you want an example. in addition, works in the slenderverse center around the idea of grappling with something beyond yours and others understanding & becoming alienated and isolated as a result. i can’t think of something that describes being trans better than that.

i also think that their movies reflect the style of slenderverse works. go watch a slenderman youtube series & see how dissociated & strange it makes you feel (especially everymanhybrid). very similar to how you’ll feel after watching a jane schoenbrun film. an added bonus is that we’re all going to the world’s fair actually features a slenderverse creator: valeria santiago (the record of stan frederick, redredhat (a really cool current series that everyone should check out)). in conclusion, jane schoenbrun is amazing & so is everyone who has ever participated in the slenderverse.

[reflections-in-a-critical-eye]

top ten first watches of 2023?

I assume you mean films, right? Anyway, top 10 in no particular order.

Crash was a long time coming, but it took a podcast I used to listen to weekly to finally get to this Cronenberg classic. Bodily modifications? Violent eroticism? Body as a machine? Death & eroticism? It has it all and much more.

For those of you in your 20s and 30s (or even older) who feel alienated in the urban landscape, surrounded by crowds whilst feeling lonely and yearning for any type of human connection, this film is for you.

It's no secret that Brian de Palma wanted to be Hitchcock since he was a baby (I assume, but it sure does look so). You can see it in so many movies of his and Body Double is a perfect example. It even has the misogyny down to a T. But it's also really good and I'm a fan of voyeurism in cinema (from a critical position mostly). This is like Rear Window and Vertigo mashed together, but with 80s hair.

Now this was probably the highlight for me this year. Editor by day, sex worker by night, Kathleen Turner is a force in this film, alongside Anthony Perkins, the perverted priest. But if that is not enough to do the trick, the cinematography and that anal sex scene might do the trick 😉

Who knew Joan Crawford had such a big issue with wire hangers? Not me, but I sure found out in that crazy scene that has one of the most memorable meltdowns in cinema. Every shot of Faye Dunaway screams "I want that Oscar, god damn it!"

Fedora is the late 70s version of Sunset Boulevard and it has the same director. Not as good as that classic, but my god, the clothes! I'd watch it again just for the clothes, particularly that white suit Fedora is wearing in the garden of her villa when she receives that honorary Oscar.

I don't think there's any Paul Schrader film that I didn't like. It wouldn't make sense to call him underrated, but he's better than others from that 1970s gang (cough *de Palma* cough). In Hardcore, a father finds out his daughter went to Los Angeles and started acting in porn. He gets the confirmation when he actually sees her in one film in some shady movie theater. It's a weird and very uncomfortable scene and by comparison, not much, knowing how it will unfold later.

Of course Madonna is always in control of her image and what she allows to be seen or how she comes across. But that doesn't mean there's nothing genuine there, on the contrary. And the camera captures that. The backstage, the everyday conversations, the relationship with the dancers. Real people with real emotions and the more darker parts are allowed to slip in through the cracks. On top of that, it has footage from her tour in 90-91, a reminder of how Madonna is one of the best performers out there, making me wish there'd be a time machine so I can see her live during that time.

For anyone who is a fan of Sex and The City, how about a late 1930s version? Fast pace dialogue, outfits to die for and a cast made almost entirely of women.

The second Cronenberg on the 2023 list. I watched M. Butterfly after seeing Madame Butterfly at the opera. The film is slightly different and it deals with some of my favorite themes in fiction and media lately: gender identities, criticism of colonialism, orientalist fantasies that obscure realities and so much more.

[ciaossu-imagines]

What are some of your favorite horror movies? And which ones you like to recommend to people?

Holy shit! This question makes me so happy but also so…wow, how do I organize this! How can I narrow them down…there’s just so many horror movies I definitely love and would recommend. The different sub-genres within horror and what’s the best to watch from those was considered, but that leaves out some solid horror movies that don’t fit into any particular sub-genre. So I kind of went chronologically, throughout the years…I might be wrong in some of these years, so please forgive me for that. I’ll also definitely have left off a lot of really good ones, so excuse the incompleteness of the list.

So, as mentioned on my other post, gotta start back in the roaring 20’s, when horror really kind of hit the mainstream, with 1922’s Nosferatu. It’s going to seem really boring if you go in expecting a gore-fest like what we get now, but I think it’s a really stand up film for it’s time, with a great atmosphere and feel to it.

All of the classic Universal monster film’s from the 30’s should be checked out. They’re classics for a reason and the horror genre really owes a lot to these early films.

As far as I know, the original that came out then is impossible to find, but you can find versions of 1932’s Freaks and it’s definitely worth checking out. That movie kind of fucked me up, though a lot of the horror in it was the mass exploitation of people who dared to differ from the norm.

As far as I know, the 30’s version of Sweeney Todd was the first time it was on film? Definitely worth checking out, comparing and contrasting to the Johnny Depp version of it. Both are decent in their own ways (though, of course, the stage renditions are the best).

To me, Son of Frankenstein, while considered a horror at the time, was the first horror comedy. At least, I very much have that feel watching it.

While there were a lot of 40’s horror films, the only one I still remember and enjoy is the Abbott and Costello film I recommended in the previous post.

In my opinion, the 50’s had a lot of really great horror films. Watching them now, they do feel campy and kind of B-grade, but I really do think that is part of the appeal to them and it’s also fun to see some of the tropes in horror that are still used to this day. So from that era, I recommend Donovan’s Brain, I Was a Teenage Werewolf, Attack of the 50 Foot Woman, anything with Vincent Price, and Teenagers from Outer Space.

1960 brought us Psycho. Any horror fan should check out Psycho – I consider it a classic and a must watch. I also think that might have been the year The Little Shop of Horrors first came out on film. The original wasn’t bad, though I recommend the later version with Rick Moranis. It had a really great feel to it and was a little more fun than the original.

From the rest of the 60’s…oh, you guys know this one was going to be on here. Rosemary’s Baby, natch. Night of the Living Dead is also one that was obviously going to show up on this list because again – should be considered must-watch for any horror movie lover. Romero and horror – goes hand in hand and especially in terms of zombie tropes…it set up a lot of those. For a surprise from the 60’s though, I do recommend Blood and Black Lace.

The 70’s were great for horror. I definitely recommend the 70’s Wicker Man. If you start to watch Wicker Man and you see Nicolas Cage….press back or do whatever you need to do to turn it off. Then go watch the Wicker Man without Nicolas Cage. You will thank me for that tidbit of advice. Tales from the Crypt, The Exorcist, Jaws, Alien, the OG Carrie, The Omen, the OG The Hills Have Eyes, the OG Suspiria, Dawn of the Dead, I Spit on Your Grave, Invasion of the Body Snatchers, Black Christmas, and The Amityville Horror were all fantastic movies from that decade. Plus, the Halloween and Texas Chainsaw Massacre franchises started in this decade and I really recommend those franchises as a whole. Did both of them have some terrible sequels/prequels/remakes? Oh boy, did they! But overall, the franchises are solid. Young Frankenstein is a solid horror comedy and while technically a miniseries, Salem’s Lot from that time is still something I rewatch at least every year or two.

The 80’s brought Freddy fucking Krueger and boy, do I recommend watching the Nightmare On Elm Street franchise. The Chucky franchise also started at that time and I love the really kind of campy, horror comedy feel to that franchise, with some genuinely scary scenes. The Evil Dead is a classic for a reason and definitely a must watch. Just watch every movie in the franchise because at the worst, they’re hilarious, at their best they’re so, so GOOD. Pretty sure Poltergeist is also from the 80’s but if I’m wrong, it’s late 70’s. I love The Lost Boys, at least the original one.  Motel Hell was weird as fuck but pretty decent horror comedy? My favourite horror comedy from the 80’s though has to be April Fool’s Day – definitely one I recommend everyone see at least once. Fright Night from the 80’s was also really good and I actually also enjoy the remake with Colin Farrell. The 80’s also brought a lot of Stephen King adaptions and where I love his writing, I watched a lot of them – Christine, Cujo, Silver Bullet,  Children of the Corn (the OG one is my favourite, though the remake wasn’t absolutely fucking horrific), Pet Sematary, Creepshow…notice The Shining is missing? It’s because I actually don’t really like the movie. I found the book more genuinely scary. One that does have to be mentioned but which I will personally NEVER watch again – Cannibal Holocaust. Don’t eat going into it and be aware that it gets very, VERY violent. If you consider Gremlins a horror movie, it’s on there. I just say it’s a classic Christmas movie you should definitely check out around the season. I watch it every Christmas season.

From the 90’s, starting with a miniseries but the version of IT that still scares me the most? The 90’s miniseries with Tim Curry. It will legit make me cry but that’s because clowns freak me out royally.  But legit, the 90’s and the 00’s was the era I really was just getting into horror, so I struggle to figure out what is me viewing it with a lot of nostalgia and love and what is actually good so I’m going bullet points for these decades:

Se7en – even non-horror fans know THAT scene from this movie, let’s be real, and I think that  makes it have to be on this list.

Village of the Damned

From Dusk Till Dawn

The first Scream came out this decade, as did a couple of the others, but please watch all the franchise except the newest ones. I watched them, not as great as the original run but 1-4…fucking amazing and probably my favourite horror franchise personally.

I Know What You Did Last Summer

The first Blade movie came out in this decade, but I recommend all three.

The Faculty

Urban Legend

House on Haunted Hill

The Sixth Sense really did have an amazing twist, though it looks cheap and played out rewatching or looking back on it. For the time period though – it was an amazing twist.

Sleepy Hollow

American Psycho

Final Destination. Any of the movies in the franchise kind of give me the happy but the first one is probably the best.

Jeeper’s Creepers

Misery

The Leprechan franchise is great horror comedy. I love Warwick Davis.

I recommend the Buffy the Vampire Slayer movie, only because it led to the show and the show was so, so precious to me.

The Silence of the Lambs, naturally.

Candyman, also naturally.

The Frighteners was a fun horror comedy. I just like seeing bad things happen to Michael J. Fox

Sometimes They Come Back

Cube

Cannibal! The Musical is frigging fantastic and a great black comedy

The Craft

Idle Hands is frigging amazing as well for horror comedy.

From the 2000’s:

Ginger Snaps

Thirteen Ghosts

Valentine

28 Days Later

Cabin Fever

Resident Evil as a franchise is hit or miss, but I like the original

The Ring

Wrong Turn

The Grudge

The Saw franchise

Hostel

House of 1000 Corpses and the follow up movies to it

Shaun of the Dead

House of Wax, just for being able to see Paris Hilton die

When a Stranger Calls

1408 (have an odd crush on John Cusack)

30 Days of Night

The Mist

Dead Silence

Repo! The Genetic Opera

Coraline

Zombieland

Cabin in the Woods is from around that time and still one of the best meta-horror comedies I’ve ever seen.

[true-blue-megamind]

I have a question. I don't know if this has been asked this before. Why does Roxanne fall for Megamind? I'm crazy happy they end up together but I still wonder why? Most people were scared of him until he saved the day. He kidnapped Roxanne all the time. She was super pissed at him for a while there. He's also not human. How does the whole attraction thing even work when you aren't the same species? Because, yeah, Megs is cool af, but an ET with blue skin and a big head probably wasn't the star of many Metro City girl's wet dreams. Maybe after he started the hero gig since people are just like that but not before. But Roxanne kind of flirted with him before he turned good or anything. So I guess she had to see something in him other people didn't. What do you think it was?

MEGAMIND FAN THEORY THURSDAY: Roxanne’s Attraction

Yes, I’m back again with another Megamind Fan Theory Thursday! Special thanks to this week’s anonymous contributor! I appreciate you, whoever you may be! I also want to express my sincere gratitude to all those who read, like, and reblog these posts… Knowing that you share the love for this fandom is the reason why I continue dedicating time, whenever possible, to researching and writing about these theories. This blog wouldn’t exist without you. Thank you!

If, however, you are that one individual who has inexplicably insisted upon reading two years' worth of articles about a film you still haven’t watched… I continue to have faith you’ll one day see the light. Or at least the movie. Hope springs eternal.

In the meantime: SPOILER WARNING!

We’re all human—at least, I assume most people reading this probably are—and that means we’re imperfect. One of the sadly common flaws of our species is a tendency to be rather judgmental, sometimes without just cause, and we certainly see that occurring in the film Megamind. After all, the alien genius was left to be raised in a high-security jail among presumably dangerous inmates simply due to his appearance and was pressured into supervillainy in part because he was different. Given that fact, along with the fear and ostracization many apparently showed him, there is reason to wonder exactly what first attracted Roxanne Ritchi to the blue man. After all, as today’s contributor pointed out, most humans, if asked to describe their perfect match, might not immediately default to “an alien with a large head and a complexion of a popular primary color, as a random nonspecific example.” Yet Roxanne is most certainly attracted to Megamind. Of course, many fan suggest that she must find him handsome—it’s doubtful she’d be in a romantic relationship with him by the end of the film if she thought him ugly—but they also contend that, given her disinterest in Metroman, the attraction must be more than physical. The question is: what qualities made her fall for him rather than an ordinary human or the supposedly perfect former Defender? Can fan theories shed any light? Let’s take a look!

Not Your Average Damsel

Some may be tempted to suggest that this is merely a typical case of the damsel falling for her rescuer. After all, that’s one of the common superhero tropes, isn’t it? Even Megamind himself, while talking to Titan after training, said that saving a lady was the way to her heart. The problem with this is that, in that particular instance, the blue man was completely and undeniably wrong. His love interest’s attraction had little or nothing to do with him whisking her out of Titan’s murderous clutches.

There are three reasons why fan theories rightfully dispute the concept of Megamind and Roxanne sharing a stereotypical hero/damsel romance. Firstly, the movie itself is well known for subverting superhero genre norms, and indeed that seems to have been one of the major themes of the narrative. Given how much effort was put into turning such conventions on their heads, sometimes even lampooning them, it’s extremely doubtful that the film’s creators would have suddenly adopted such stereotypes in this one case.

Secondly, there is Roxanne herself. This character is spunky, independent, and not easily cowed. During Megamind and Titan’s second fight, we see her holding a broken street sign, preparing to join in the fray. That’s a far cry from the expected behavior of a supposedly helpless damsel. Furthermore, despite being rescued by Metroman multiple times—hundreds, in fact, according to the prequel comic The Reign of Megamind—she states outright that they “were never a couple.” That alone clearly dismisses the idea of Roxanne swooning for the blue man simply because he rescues her. If she were the sort to do that, she would have fallen for Metroman as well—especially considering that most of the people around her apparently believed him to be Mr. Perfect.

The third and final reason is one we’ve touched on before. It bears repeating, however, as it truly puts the proverbial nail in the coffin of the Typical Damsel argument. As our contributor mentioned, Roxanne canonically was attracted to Megamind while he was still a supervillain. During the kidnapping scene, when the blue man draws close and practically purrs a vaguely suggestive line—“such… tricks won’t work on me”—in the reporter’s ear, rather than showing reluctance she asks him to “please talk slower.” Megamind, of course, responds by calling her “Temptress.” Tellingly, while she doesn’t acknowledge it, Roxanne also doesn’t object to the epithet. Fan theories suggest that this obviously indicates there was already attraction on both sides, although its extremely doubtful either would have ever acted upon it. (As a well-known television reporter, Roxanne may have been too well aware of the potential destruction of her career, and Megamind, despite having her at his mercy numerous times, was obviously too goodhearted to make a move without invitation. You can read more about the latter in Megamind and Masculinity.)

Smart is Hot

This, then, leaves us with the question of exactly what did attract Roxanne to Megamind. Does she simply have a thing for blue aliens, or is it something more than that? One fan theory suggests that the answer lies in a line that was cut from the final version of the screenplay. Initially, after telling Megamind, who was then disguised as Bernard, that Metroman had never been her type, she added that she’d always preferred brains over brawn. That is interesting because intelligence is certainly something the former supervillain has in abundance. In a previous Fan Theory Thursday post, Why Kidnap Roxanne, we explored the likelihood of Megamind’s clearly ingenious species being naturally attracted to intellect. The thing is that he may not have been the only one. Merriam-Webster defines the term sapiosexual as someone who experiences “sexual or romantic attraction to highly intelligent people.” As you can guess from the mere fact that this word exists, it is fully possible for some humans to possess this inborn predisposition. Many fans believe that Roxanne Ritchi is, indeed, a sapiosexual, and this may be one reason why she would fall head-over-heels for a super-genius, alien or otherwise. In fact, as discussed in How Smart is Megamind, the blue man may quite literally be the smartest person on Earth, making him extremely alluring to someone already attracted by brilliance.

Indeed, according to fan theories, several things about Roxanne’s character support this idea. She was originally imagined as an investigative reporter, so she’s obviously not stupid. She appears to dislike Hal not based upon his appearance but rather due to his lack of intelligence and his constant harassment. Perhaps the most telling evidence, however, comes from comparing her reactions to Megamind and his former nemesis. As mentioned before, Metroman is supposed to be most people’s idea of masculine perfection. Simply look at the way his fans, especially the female ones, behave during the opening of his museum. Add to this the fact that he is largely based on Superman and Elvis Presley—both of whom were, at one time, considered extremely handsome—and we can safely assume that Metroman is supposed to be some sort of Adonis. He’s also wealthy, famous, and powerful; three qualities that many people might consider great advantages in a potential boyfriend. Nonetheless, Roxanne Ritchi shows no interest at all in him.

Conversely, while dating Megamind in his guise as “Bernard,” the woman’s attention—and perhaps her heart—seem to be captured by his conversation, intellect, wit, and humor. She initially begins spending time with him because she believes him to possess expert knowledge concerning Megamind as well as enough intelligence to help her decipher the supervillain’s plan. She clearly enjoys having long conversations with him, laughing at his humorous stories, and reading books together in a library. Granted, the last was done for research purposes in the film, but the Bad Blue Brilliant comics show Megamind and Roxanne planning a date at a library after the blue man has become a hero. Obviously a shared love of books was something Roxanne liked about him. It appears that such traits attracted the reporter while riches and model-perfect looks couldn’t.

Of course, Roxanne rejects the former villain after she learns who he really is, but one Megamind fan theory suggests that that was almost certainly not because of him, but rather because of his actions. It makes sense. She is hurt and infuriated that he lied to her, and she makes her objections to some of his past behaviors known in no uncertain terms. However, when considering the charges she lays at his proverbial doorstep, it’s clear that what she cannot abide is his criminal behavior. She accuses him of murder, taking control of the city, and tricking her. Furthermore, she seems convinced that his only purpose in disguising himself was to toy with her emotions for his own sadistic amusement.

As the film progresses, however, she realizes that he did not actually kill Metroman and that he was sincere about their relationship. That, in turn, removes many of her objections and creates room for her love to grow once more. Indeed, when Megamind, obviously upset, mentions their breakup while they are driving to Metroman’s hideout, Roxanne briefly displays a sorrowful expression before apparently hardening her resolve and slamming on the breaks. (This was likely because she still thought the former villain guilty of murder.) Furthermore, during this unused clip cut from the final film, while taunting his captive, Titan refers to Megamind as Roxanne’s boyfriend, and she doesn’t correct him. Moments later, when he tells the woman to summon her hero, she doesn’t hesitate to issue a heartfelt plea to Megamind. When she sees the blue man make his grand entrance, the look on Roxanne’s face says clearly that she knew he would come. When she believes Megamind to be wounded, Roxanne weeps, and when he, at last, takes up the position of Defender, she kisses his cheek. It seems the woman has grown to trust and love the former Master of All Villainy.

It’s What’s Inside That Counts

Megamind’s intelligence is likely not the only reason Roxanne finds herself falling for him. Many fan theories suggest that his personality was also a driving factor. As mentioned before, he is funny and likable during their dates. When they ride bikes together, he’s clearly having fun, and that makes him fun to be around. While dining out, just before the kiss and the holowatch’s malfunction, he obviously charms her. Even before that, however, the blue man seems to display some very positive traits. His mourning his nemesis, laughing with Minion, and playing with the brainbots all evince a kind heart hidden beneath the black leather and spikes. That same trait continues to appear throughout the film. Later in the narrative, during Titan's attack, Megamind displays a concern for the people of Metro City despite those same people having ostracized him all his life. He is manifestly not as evil as he tries to appear. In fact, his treatment of his damsel offers further proof of this. While he has Roxanne tied up in his Lair as bait for Metroman, it becomes obvious that Megamind’s so-called doom devices have been carefully calibrated not to actually harm the woman, and she seems to know it as she shows no fear. She even seems to enjoy her situation sometimes. When Megamind makes a veiled Star Wars reference, Roxanne smirks as if she’s trying not to laugh.

Thus it appears extremely likely that, from the start of the movie, the reporter already knew Megamind was too good a person to actually hurt her and it seems she appreciated his geeky humor. This is hardly surprising. According to the prequel comic, The Reign of Megamind, he has had more than 600 failed plots and Roxanne has been his compulsory guest of honor for many of them. Consider how much time for interaction that must have afforded them before the cameras started rolling. Even if Roxanne was only awake for an average of half an hour before each actual battle began, that would still mean that she spent roughly 300 hours alone in Megamind and Minion’s company. To put it in perspective, that’s twelve-and-a-half days! It seems nearly impossible that Roxanne could spend the equivalent of nearly two weeks in Megamind’s company without some of his charm, kindness, and humor showing through. This is quite possibly another reason for her evident attraction.

That’s not all. As mentioned in the post What Sort of Hero Will Megamind Be, the blue man lists several qualities necessary for a Defender while discussing the topic in the Metroman Museum. Although he doesn’t seem to recognize it at the time, he actually displays all of them with the exception of his former adversary's DNA. Strength? The fact that Megamind breaks a saw on Titan’s face while punching him indicates that the former villain is far more physically powerful than he looks, and his ability to remain calm and think under extreme pressure suggests that he has serious willpower. Determination? Megamind talks about learning from his many defeats, and the simple fact that he continued to get up and try again after losing more than 600 times shows that he certainly doesn’t give up easily. Courage? The alien genius goes to Roxanne for help in finding Titan’s weakness rather than fleeing despite Titan’s attempt to kill him. Afterward he puts his life on the line to save Roxanne from the new villain—and that’s after facing a superpowered foe for years. Whatever else he may be, no one can argue that Megamind isn’t brave.

Finally, there’s also Megamind’s industriousness. Imagine how many inventions he must have constructed over the years… There would doubtlessly be hundreds! Everyone one of them had to be not only built but also designed and tested. How many hours of plans, calculations, schematics, calibrations, and labor go into each one? It's unclear, but what is certain is that, despite clearly knowing how to have fun, the blue man just as obviously understands the value of hard work. It’s doubtful that laziness is a vice he has ever suffered from.

So, why is Roxanne Ritchi attracted to Megamind? While we may never know how physically desirable she finds him—although fans speculate that, based on their relationship, she must find him handsome—the blue man possesses plenty of other beguiling virtues. Alien or not, Roxanne obviously finds his intelligence and personality too alluring to ignore, and as soon as he embraced goodness rather than behaving in destructive ways she could not condone, she gave him her heart. If you consider it, that really isn’t shocking at all. If any one of us were courted by a person who was smart, funny, courageous, kind, charming, hardworking, fun-loving, and strong, would we remain unaffected? Or would we, like the movie’s heroine, tumble head-over-heels into love? In the end, it’s little wonder that Roxanne fell for the new Defender of Metro City. It would have been more surprising if she hadn’t.

That concludes this week’s Fan Theory Thursday! I hope you enjoyed it!

[pineapplefulfillseveryneed]

Trying to find the latest about this film because I keep thinking about it. (A sci-fi/horror/comedy film with Russell narrating? I am so game!) A couple of articles from February 2024 suggest it will reach Europe somewhere this year, which would be very exciting if true! I'm adding some info about the film and a snippet from an interview about how Russell became part of the project below.

Penned by Clark in March 2021, the film reverberates with the pulse of American politics of that time —drawing from COVID, Qanon, and constant states of anxiety— while exploring themes of confusion, isolation, and the deep need for human connection through the story of two body-snatching alien lovers. Dropped to Earth and escaping their dying planet, the two extraterrestrials (played by a sequence of actors) seek each other out —jumping from body to body— on our planet while becoming increasingly drawn into the madness of modern-day America. “The beauty of The Becomers is its uniqueness; the film successfully touches so many different genres and wraps them all up with a backdrop of US politics — which can be a horror or comedy movie in itself,” said Dark Star president Michael Repsch. “We could not be more thrilled to be working with Zach and bringing his zany brainchild to audiences in 2024.” “I made The Becomers to capture the way 2020 felt for me,” said Clark, “and it’s been both moving and unnerving to see that feeling continue to resonate with audiences. I’m so excited to be working with Dark Star to get this thing out into the weird, wild world.” Source: https://www.horrorsociety.com

From an interview with Zach Clark:

KC: (...) How did you get Russell Mael from the band Sparks? When I heard his voice I was like, Oh my gosh that’s Russell! ZC: They’ve been one of my favorite bands since high school, and during COVID, a friend of mine was hosting these sort of like secret movie clubs, Zoom screenings, where he would send people a file and we would all download it. We’d all log into zoom, we all hit play on the same movie at the same time, and then chat about it on Zoom and talk about it afterwards. They went really well and he started getting guests to Zoom in for Q and A’s after the movies. Just like for 50 or so people are watching on Zoom and he got Sparks and Ron and Russell to zoom in afterwards. He knew I was a big fan, and he sent them a link to Little Sister. They watched it and really liked it, and so I connected on Zoom with them. Summer of 2020 was very surreal to be zooming with your favorite band. It was just really as simple as I was trying to think of someone who would be a good narrator for the movie. As you often do in independent film, you think of who you have access to or who you’re one or two degrees away from. You know, I was able to get Russell’s contact info and I reached out to him and said hey, remember when we zoomed in the summer of 2020 and you watched my last movie? I’m making a new one, would you be interested in narrating it, and there was a cut of the movie where I did all the temp narration while we were editing it into my phone just to see what works and what didn’t work. I sent him that and he basically said yes. They’re a very important band for me, and I think Russell’s voice brings a lot. KC: His voice reminds me of something alien-like or something from out of this world, so I get the picture of that. Source: https://film-fest-report.com

[unityrain24]

Saw your tags about Star Wars, it seems Star Wars stans and modern MCU stans are two peas in a pod. :/

im not entirely sure which tags you were referring to, because i have reblogged several starwars posts with Tags, but honestly, the mcu and starwars really are two peas in a pod. And im honestly surprised there isnt more comradery/comparing between the fandoms

both started out as, while definitely not "high art" or anything, legitimately good enjoyable films, with relatable characters the audience could feel empathy and compassion for, exciting new powers and places, fun and adventurous stories, and more, which instantly became beloved classic that people thought about with nostalgia and pleasantness. And they were and by people who cared and the people who watched them were compelled to care and create communities.

But then both franchises saw a shift, from making films from a passionate and moneymaking point of view, to purely making films from a moneymaking point of view. While star wars saw this happen with the franchise being picked up a few years after to make sequels, the mcu's shift happened more gradually, since there was no time in-between making movies.

now, while i would not consider myself a StarWars Fan, my sister and cousins most definitely were, so i had to watch basically everything in order to keep a conversation with them (not that i didnt enjoy it, i quite liked it and all the lore, it just didnt hold the special place in my heart that thing i consider myself a Fan of do). I've watched the movies, the clone wars series, rebels, the mandalorian, etc all the way through. It's been a while since i was keeping up with everything, so forgive me for not having quite a comprehensive understanding and opions of it as i did say, 3-4 years ago lol.

But the starwars sequels are a lot like the latest phases of the mcu. While i cant remember if they explicitly go against any prestablished canon like the later mcu phases do, they definitely go against the spirit and point/purpose of the original (and even prequel) films.From what i remember, the sequels also had went through several different directers and had direction and script changes and was a whole mess, so even the three films were sort of inconsistent or at the very leat felt oddly-thrown together (<-i may be wrong on the specifics of that its been a while. but it was something along those lines). Also like the later phases of the mcu, they relied a lot on the "nostalgia factor" with not only easter eggs but bringing back old ideas, concepts, plots, even characters, since it "worked so well the first time," when really what the "first time" did was think of new things, present old things in new ways, and tell make art from a place of passion, community, and connection, rather than a "whats the least i can do to make the most money" mindset formula (a point brought up a lot by @therese-lokidottir on many of their recent mcu critiques).

Starwars, unlike the mc, did have a brief period of "redemption" where it looked like the franchise would be saved and given back to the hands of people passionate about starwars, stoytelling, and film, with stuff like the final season of clonewars, the mandalorian, and a few other things. That was a great time to be a starwars fan. I wasn't even a fan, and it was kind of magical for me. But now it seems like they are back of the capitalist art-destroying path, hard. They have been pumping out series after series after series (once again going for the "nostalgia" thing, bringing back the clonewars artstyle, several beloved characters, and more), but it all feels so hollow. The stories feel more like they are just putting in a whole bunch of "wow, thats so shocking" and sewing them together with "hey i loved that character!". The costuming and makeup is absolute trash. The worst by far is hera (an alien character from the animated Rebels series, showing up live-action in Ahsoka). It is hideous. I have seen cosplays of her better than what the actual multi-bullion-dollar corpoation disney with all the best resources put on that screen. The costume looked like it was from spirit halloween, the makeup looked patchy and strange, they left out simple details of her design, and all the colours were Off. Examples:

Hera in Rebels:

Hera Cosplayers (x and x):

Hera in the Ahsoka Series: (it is like. seriously disconcerting to me)

and again, the costuming was not the most pressing point. Its actually relatively low on the list of points of everything bad with current starwars. But its good for a visual example. My sister and my cousins loved starwars. Passionate. Ahsoka was one of my sister's favourite characters. She couldnt even get though a full episode of ashoka. I havent heard anything new of starwars from our cousins, either. And we see eachother relatively often. I havent watched a new starwars thing in like... forever now. And it seems like neither have they. And not because they got sick of starwas, i can tell you that. They got sick of the new starwars being pumped out and shoved down their throats where the only things that resembled what they had loved were twisted into something else. Which, at least in my experience, is far, far worse than if they just ended things ubruptly and unfairly. At least mutilated corpse can rest.

The mcu's decline was, again, more gradual, like boiling a frog. Thor ragnarok is where i would probably pinpoint the beginnings though. I didn't like it at first, because it was out of character, sort of reversed elements of the character's well-developing character arcs , narratively picked on some characters more than others, etc. But, it was still a well-beloved film by many, in-universe explanations for why the characters, arcs, and plots were so different could be plausibly thought up, it was fun and unique, and i could make myself ignore the bad parts and focus on the good and enjoy it for a while. But by the time the loki series came out? There wasnt even any of that anymore. No passion. No community. No love of art. No respect for the previous artists and their art, that the new makers were supposed to honour and continue. While ragnarok's morals of the story could be a little iffy at times (attempting to critique colonialism/imperialism, but falling flat because mocking loki for dismantling it; making jokes at points of the film where it was a little inappropriate), the loki series was straight up horrifying. Perhaps most noteably, fucking. GLORIFYING AND EXCUSING/SYMPATHIZING FASCISM??? and labeling genocide as a "necessary evil?" (though, once again, that was not the only immoral "moral" the series preached). Disgusting. And the MCU is pumping out way more films than starwars, and seem far deeper in the money-lust trenches too.

either way, both are suffering and both are bought by disney (and oddly, both keep giving more and more screentime to the fascist characters. but at least starwars isnt romanticizing it like the mcu is...)

and it hurts so much when something important to you is taken from you, and twisted, and ruined, and its mutilated corpse is hung up on string and paraded around as a puppet before your eyes, and burned into your mind even when you finally tear yourself away. And then swarms of people thinking your ridiculous for caring so much about something so unimportant, and others defending the very monstrosity that did this.

But its not ridiculous or silly or inferior to be attatched to a fictional character or fictional world or fictional story or whatever. They can provide comfort, and ways to explore and understand and even come to terms with yourself (or even others!) (and can be especially important coping mechanism for mentally ill people!). And art is a such an innately human thing, for us to express ourselves, and communal art (like film!) is a tradition across humanity and time!

And with the whole thing with people these days defending/denying what capitalism is doing to art, and denying the notion that art has any influence or effect on "real life"... why are these such absurd concept to you, that you liken to some crazy conspiracy theory? Are you really so blind as to not see it happening before you? Is the blindfold over your eyes really so soft it feels like nothing there? They say a bird who doesnt know its in a cage thinks its free. These people seem to think that drastic, unfair, unjust, immoral, inequal changes and systems are only things of the past. And often, the past doesnt feel real. Dinosaurs and the roman empire and some genocide in some faraway land in some faraway time can at times seem just as unreal as mythical creatures and stories. And even if such terrible things were to happen now, surely theyd be able to see it coming. But things like this dont change in an instant. They are gradual. Like boiling a frog. You dont notice. And even if things arent the worst they can be, and never become the worst they can be, they are still bad. Things arent required to be certified the worst of worst in order for change to be allowed to happen. The worst of the worst isnt even a thing.

Our art is being taken from us. We are being overworked and underpayed. Our whole lives are dictated by how "valuable" we are. Our environments are being polluted and decimated and our planet is becoming more and more inhospitable. Racism and queerphobia and ableism and more are taking lives. And none of those things are at the very worst they can be. They could all be much, much, much worse. But we shouldnt just sit around and be grateful its not worse and do nothing more, nor should we deny anything is wrong at all. If you had cancer youd want to do what you could to get better. If you If broke your leg youd do what you could to make it better. Even if you just accidentally cut your hand or finger while chopping vegetables, youd bandages it up. We always should try to make things better.

We deserve to have our art continue to be art. Just as we deserve all the much more pressing areas of our lives to be better too

Anyways, marvel and starwars really are two peas in a pod. And that pod is with other pods, and the plant those pods share is film. Or perhaps even art as a whole. The mcu and starwars are just really good examples of whats happening right now, because not only does it feel like perhaps its hitting them the most, but also because since they are such large franchises, you can really see and document the progression of whats happening with each instalment.

two peas in a pod :( <3

[haveyouseenthishorrormovie]

Have You Seen this Horror Movie - Poll Blog

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This is a blog where we collect data about how many people have seen different horror movies with hourly or bi-hourly polls.

Feel free to interact with this blog however you like and discussion within the community is always welcome. We love talking about our favourite horror movies!

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Search movies by genre/subcategory, country of origin, decade, content warnings and franchise. Search other posts by miscellaneous tags.

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Meet the Mods!

mod Z 🔮🎶

tumblr acc: @zsterofficial

they/he ⛓️ genderfluid boi

Hey there, I'm Z, your resident indie horror film enthusiast and aspiring filmmaker/singer-songwriter. My horror journey began with animated stories on YouTube and creepypastas during my childhood, sparking a passion for horror lore. Although relatively new to watching horror films, I've become somewhat of a hardcore fan, specializing in French new extremity, occult, gothic, and cosmic horror. I also love Ari Aster movies, the Saw franchise and literally any movie with my boy Barry Keoghan in it. Excited to share my thoughts on movies with you all and contribute to this blog! If you guys want to read more of my opinions, you can read my reviews on my letterboxd.

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Mod Sussur

They/them | Local cryptid uncle

I've been into horror media since getting slowly introduced to it since the teen years, and at the moment could be considered as an enthusiastic horror enjoyer. I love the monster/alien movies, big time gore and body horror as well as cosmic horror. My favorite horror movies are Bride of the Re-animator (1990) and Little Shop of Horrors (1986). I'm also dreaming of becoming a special effects make-up artist at some point in my life.

Would hold hands with Slenderman and totally not get murdered.

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Hi I'm Laura and I was a giant anxiety-ridden wuss as a child which somehow morphed into being really into horror and true crime as an adult. I love literally all kinds of horror except extreme/torture. I also write scary stories for fun and very occasional profit.

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!! mod chris !!

genderfluid (he/her/any)

hi hello !!! im actually terrified of everything so horror movies are a very good adrenaline pumper for me i love them so much. i draw sometimes as well. I love psychological thrillers, supernatural horror, and sometimes sci fi it really depends !! My favourite horror movie would be hard to say, but i guess the saw series (has only watched first one). I also have a cat called sophie who is a little menace and is so cute but might as well be the star of her own horror movie. please note i have autocorrect turned off so apologies for any mistakes i make.

[vroombeams]

tagged by @freeuselandonorris & @glasscushion thanks bbs!!!

1. Do you make your bed? not every day but i've been trying to do it more lately!! i do a lot of sleep-thrashing so remaking it is a bit of a production. but also it's so nice to crawl into a bed with everything all properly aligned lol

2. Favourite number? 8 or 28!

3. What's your job? as vaguely as possible... i move film gear around

4. If you could go back to school, would you? if money was no object and i could just learn varying levels of useful information for the rest of my life i would probably spend... the rest of my life doing that. would not go back in time to do any schooling over again though

5. Can you parallel park? i parallel parked once perfectly for my driving test and then have never done it ever again

6. Do you think aliens are real? oh defo. can't think about it too hard otherwise i'll descend into the madness of trying to comprehend the Vastness of Space and Eternity but hell yeah they out there

7. Can you drive a manual car? absolutely not

8. Guilty pleasure? oh boy. reality tv. oh my god i love it. my worst kept secret is that i'm obsessed with selling sunset like what do you MEAN i can look at the most egregiously expensive real estate while also watching beautiful women be horrible to each other?? crazy. also 90 day fiance. sometimes it's so warm. sometimes it's so awful. mankind contains multitudes

9. Tattoos? i have seven (or six depending on if you count a pair of thigh pieces as one piece?) and am in talks for number eight (or seven?) as we speak

10. Favourite colour? greeeeeeeeN

11. Favourite type of music? i was def one of those people who did the metal -> dubstep -> general all over electronic music pipeline. now i lean toward probably like, metalcore? and industrial or trancey techno (things like blutrot and narciss and rikhter?? among others) but also hip-hop and house, sometimes ambient stuff??? also acoustic?? bitch i don't know i'll listen to anything literally

12. Do you like puzzles? LOVE a puzzle big fan of sudoku in particular. also crosswords

13. Favourite childhood sport? i was a sports hater arts only kid but i did play basketball so let's say that

14. Do you talk to yourself? semi-frequently yes!!

15. Tea or coffee? time and a place for both but coffee. coffee wins every time i'm sorry

16. First thing you wanted to be when growing up? marine biologist HAHA

17. What movies do you adore? this is always such a question to answer i have such mid taste considering i went to film school lol but UHHH danny boyle's Sunshine was the film that made me want to be involved in film so that's like the ult-fave. 28 Days Later, Dredd, more recently Civil War? (the alex garland theme! you can see it!) The Fountain also changed me fundamentally. Moulin Rouge & Romeo + Juliet, duh. uhhh. the LotR series, Silent Hill also?? Black Swan???? Midsommar??? To Wong Foo????? i don't know what's a movie. never seen one clearly

tagging @dumbf1sketches @wigglesforonce @fewtrell @wanderingblindly @piastrisms @miamimaiden @albonoooo i don't know how many of y'all have been tagged already but!!

[irradiatedbearchewtoy]

this is written with the intention of being accessible to people who have only watched post-2005 doctor who but who knows how that will go

i want to talk about a really cool controversial-but-not-in-the-way-where-people-are-arguing-about-if-bigotry-is-acceptable-way classic doctor who serial. if you sit until the end, you get to see a selection of alien designs from other 60s serials

if you're familiar with this story, happy humming! if you're not, hopefully you will know exactly what i mean by that very soon.

if you haven't seen classic who—or at least 60s who—before, this may not be the best serial to convince you of how exciting it is, but i'm running on no sleep, a newly released episode, caffeine, and audhd so i'm at least going to try. my apologies for the stream on consciousness; i have tried to make myself somewhat coherent...

the serial in question is the 1966 pure historical 4-parter 'the gunfighters'. pure historical here meaning set in the past with no science fiction elements.

these were standard in the first few years of the show but stopped after 'the highlanders' in late '66/early '67. there was one after that—'black orchid', in '82—but the time period was less relevant and it wasn't to do with any notable historical events or figures.

the first doctor, steven, and dodo land in tombstone, arizona because the doctor has a toothache after eating a sweet in the previous serial, 'the celestial toymaker'—a serial a lot more revival-only fans are now somewhat aware of since the toymaker's appearance in the 60th anniversary special 'the giggle'—and wants to see a dentist. steven and dodo put on awful american accents the whole time. they get caught up with doc holliday (who ends up pulling the doctor's tooth) and wyatt earp, among others.

a song called 'the ballad of the last chance saloon' plays over (almost?) every transition shot. i love it, but not everyone does; people have very strong opinions about that song. if you don't like it, this serial is a lot to swallow, as it plays over 30 times in less than 2 hours. steven is forced to sing this song at gunpoint while dodo plays the piano. i wanted to just insert a still of that but i think some of you who wont watch the serial or search out clips need to see it.

speaking of the gunpoint thing, there's a good chunk of violence in this one. people get shot with actual non-laser guns and someone almost gets hanged, noose around the neck and all. this isn't abnormal for 60s who. before colour came into the picture, the doctor used to whack people around all the time. a personal favourite of mine is in 'the highlanders' when the second doctor beats up a lawyer, gags him, and locks him in a closet. even in the very first serial, 'an unearthly child', a guy is stoned to death on-screen.

'the ballad of the last chance saloon' has been released officially, most widely when it was released on streaming platforms in 2013 as part of a 50th anniversary album. that version was pulled from streaming a while ago, leaving a very sad gap in many of my playlists. even before removal, that version was cut down from the full 10:34 to 3:51!! which is probably a good thing, because that track can be a powerful weapon against the right target. here is the full version, for your listening pleasure.

on top of it just being a fun story that sticks in people's minds because of the music, there are some cool notable production/show lore moments linked to the serial. yes, you can find these all on tardis wiki, shh

doc holliday's actor, anthony jacobs, brought his 10-year-old son to set, as a treat for his birthday (the birthday detail is mentioned in this ABC radio interview from 2022). that son was named matthew jacobs and went on to write the 1996 tv film starring paul mcgann as the eighth doctor.

it was the only (on-screen) story to take place fully in the united states of america until... the tv film!

it marked the last serial for every episode to have its own name. after this, episodes are simply numbered. there are some exceptions later on in the show, but this was the end of the standard practice.

it hosts the only episode title in classic, 'a holiday for the Doctor', to refer to the character of the Doctor as such instead of Doctor Who

was this a big pile of nothing? maybe? but here are your 60s alien photos, as promised. all photos are from the tragical history tour collection! x x

finally, this is an open invitation to reblog adding as much as you wish about the gunfighters or any other classic/wilderness stories that you want to talk about. my only request is that you make it an unhinged as possible. ik that's tall talk considered this post and episode aren't notably unhinged but just go with it, okay?

i kind of want to do a bunch of these just rambling about classic stories to try and get people to actually watch it but i'm not committing to that so. we'll see.

[allycat75]

What is bothering me about "Red One".

Terrible movies are about as common as the lies our former president spews from his cracked and diseased face, so why is this one so different? I think when you start looking at something, you start seeing things you can't unsee. Kind of like when Brad Pitt decides to make a movie about the two women who helped bring down Harvey Weinstein, even though Mr. Pitt not only knew for years what he did after confronting him in the early 90s for harassing his girlfriend, ran straight toward him to produce his movies even though his wife at the time was traumatized and requested he not do it. But that is a rant for another day.

Overall, this movie just doesn't seem warm and Christmas-y. I almost feel forced to participate and enjoy it.

The Rock is a flim flam man, as many are in Hollywood, but the fissures are starting to show in his "nice guy" image. He is vulnerable to his fragile male ego and can't admit a failure, which only makes it worse. He created a real life villian of himself with the whole Black Atom/DC controversy that is so convoluted, the only thing I know is that if a woman had attempted these hijinks she'd be branded a hysterical, compulsive liar who should not insert herself in matters that don't concern her.

The marketing for this movie has already started with a lie- that it has tested "through the roof". Just the irony of being dishonst about a Christmas movie- maybe because they know this is already a big steaming lump of coal.

Here, the Rock's describes this gem of a movie:

Or I can just watch any of those movies individually and get sick of Dwayne Johnson playing the same character over and over in every movie, and enjoy Harry Potter and It's a Wonderful Life on their own. Truthfully, is that meant to sound good? (He also referred to it as a "joy bomb", and like most things he says I can only believe about half of it).

You know what also doesn't sound warm and Chrismas-y? This:

The film has been described as "a globe-trotting, four-quadrant action-adventure comedy, imagining a whole new universe to explore within the holiday genre." If you're wondering, "four-quadrant" refers to the four major demographics Hollywood is always looking to win over — males, females, people under 25, and people over 25. And Amazon evidently feels "Red One" will appeal to all four quadrants.

Yeah, let me take my four-quadrant family on opening weekend! So welcoming.

Also, both leads are over paid and need a hit as they have had some major, I mean major, debacles to overcome. And it is not great being known as profit poison at a time when there is much more scrutiny of the bottom line. I can sense the desperation of this cash grab oozing off of them.

Interestingly, only a few years ago CE was named one of the best bang for your buck actors. Now he can barely get work and no longer has an audience (he alienated his fans and the general public either doesn't know him, doesn't care, or thinks he is hella creepy). But he has said he wants to quit and smoke pot all day, so maybe Hollywood will call his bluff this time. Besides, I doubt they were able to get the best performance out of him, considering his life was beginning its implosion while filming, even if he might not have known the full extent of the eventual destruction at the time. The mindset he displayed wasn't conducive to authenticity and Christmas-y-ness.

Ok, I know we all want original content, but maybe I should have been more specific and added that it needs to be sincere, too. I hear nothing sincere when someone tries to describe "Red One". It doesn't help that this is home grown from 7 Bucks, Dwayne Johnson's production company. They probably looked at the material in an echo chamber and lost perspective. And as we have seen, The Rock isn't know for his humble acceptance of criticism. The following official description sounds like a nerd wanting to show up all the popular kids who made fun of him in high school ("See, I wrote a Hollywood script that is now a movie. Bet you wish you went to the prom with we now, Courtney!"):

Red One is a fire-breathing Christmas action movie that completely reinvents the holiday genre. […] Red One is a really fun original action film for both Johnson and Evans, and it’s a world building piece of IP which lends itself to potential sequels set around different holidays

Boy someone thinks highly of themselves! Already on the make to ruin other holidays. I saw somewhere they claimed this could be a franchise comparable to the "Lord of the Rings". Whoa, Nelly. Pump the breaks on that male privlege. You are embarrassing yourself!

It's this need for empire building, I believe, is what will crush "Red One". This forced joy, what many of us feel at this time of year, has takes away the true spirit and fun of the holiday season.

Well, we know CE can ruin Valentine's Day, Halloween and Thanksgiving. Looks like he is well on his way to doing the same for Christmas.

This has about 7 more months to play out and maybe I am wrong, but right now it just leaves a bad taste in my mouth, like egg nog left out from last Christmas. So, I think the two leads better get their measurements in now for the suits they will be wearing at the 2025 Razzie Awards. Here are some ideas for their rapist-supporting stylist:

PS- And, by the way, what the fuck is with the name- "Red One"? Sounds like a horror film about an itchy rash that will destroy the world. The Rock is the only one that can save us, but decides there is too much division right now and isn't going to support the President, played by a sad, hollow Chris Evans.

[welcome-to-green-hills]

how do you think they’ll tackle Maria’s character in the 3rd movie? Do you think they’ll make her appear frequently or rarely?

Hello, my dear!❤️✨

I’m terribly sorry for taking so long on your ask. I wanted to make sure that my thoughts and feelings were clear for my answer. I feel that there will be a healthy amount of Maria Robotnik content in the third film. What “healthy amount” means exactly is up for your interpretation.

Throughout the years, we're given a sample of Maria and who she is through video games and TV shows. She doesn't necessarily make big appearances, but we've learned plenty of the little girl that grew up on the Space Colony ARK. With various game titles and character interactions, we see that Maria Robotnik plays a significantly large role in people's lives. She might not get a whole lot of screen time in general, but we—as the audience—can feel how beloved and cared for she was with others. We can feel her pure love and support emitted by found family members, ARK scientists, and others that watched her grow up. Even Sonic, who was born fifty years after the ARK raids by G.U.N., valued her immensely (Sonic Channel Story, 2021). We can painfully see the love that is generously given to a 12-year-old girl. This shows that one or two sentences (I.E. Sonic Battle, Gerald's Journal), or even a flashback is just as fruitful in conveying her purpose of existence and her golden heart.

I can completely understand and appreciate where you are coming from. For a character that makes minor appearances here and there, it's incredible seeing how much her legacy is cared for by those that are still living... and how fans view her. It's It's only fitting that we buy into curiosity and explore her character more. We must understand that Maria Robotnik is important. It's crucial to see how much of an influence she makes to core characters in the third film.

In game canon, we can conclude that nearly everything that occurs has an influence with Maria in mind. Project Shadow almost didn't happen if it weren't for Maria being diagnosed with Neuro-Immuno Deficiency Syndrome (NIDs). If Prof. Gerald Robotnik was not given the opportunity by the United Federations to seek the answers of immortality, then there wouldn't be a strong drive to desperately use government funding to finish making Shadow in order to find a cure to NIDs. Without the compassion and humanity that Maria gives to Shadow, our hedgehog-alien hybrid would most definitely have viewed himself as an artificial weapon. He wouldn't bat an eye on the possibility of being a relatively good person if the idea was not proposed to him. Without Maria, Prof. Gerald Robotnik would never have had the inspiration needed to craft Shadow's soul like Maria's. Without Maria's horrific death, the crippling insanity that Prof. Gerald Robotnik faces would not have been a driving influence to reprogram Shadow's mind to carry out revenge on the planet. This is malicious act that did more harm that good to a literal adolescent if you think about it. And without Maria's entire existence, we might not have the understanding on Dr. Robotnik/Eggman's influence of becoming a mad scientist today.

The third Sonic movie needs establish how beloved Maria was when she alive. The fantastic thing about these movies is that they've left enough wriggle room with subplots (it's heavily implied that Longclaw and her people have engaged with humans and Earth frequently), character interactions (Dr. Robotnik and Agent Stone talking about aspirations of continuing an evil plan that were planned years ago, implying that the United States government knew about aliens and the Chaos Emeralds), and other possibilities (Green Hills, Montana having a Wachowski look after the town for over 50 years; all of the town's memorabilia implying that it's residents were retired government veterans) for us to weave the past into a perfect timeline. Even if Jim Carrey doesn't return to reprise the role of "Dr. Robotnik," we can see that his plans for world domination are honored with Prof. Gerald Robotnik in mind. Agent Stone would acting upon a dead man's wish.

I think that when I say a "healthy amount," I mean that there's enough for us to fill gaps in for places that need them. I hope that this answers your question, my dear.