#fandom shoutout day

[jerzwriter]

Hello Everyone!

First, I want to say thank you to everyone because... we still have a fandom! When I participated in this event in 2021, many wondered if we'd still be here in 2022. Then, in 2022, I really didn't think we'd make it to 2023, but look at us! We may be small and imperfect, but I am happy to still have each of you to share my crazy hyperfixations with!

I always get stressed out with these events because I'm sure I'll leave someone out, and it's not my intent (I just have wicked ADHD!) I will have more shoutouts to make after work later today, but I didn't want to go to bed tonight without sharing a little love for some of my supporters throughout this past year. You have no idea how much I appreciate you taking the time to read, comment, and give feedback on my silly fics.

Some of us may talk more than others, but trust me, you're always seen and always appreciated. There are so many of you, but thanks to @differenttyphoonwerewolf, @onikalover, @tessa-liam, @sophxwithers, @kingliam2019, @custaroonie, @headoverheelsforramsey, @parisa-kh, @youlookappropriate, @kyra75, @delmissesryanandcassi, @renvconta19, @peonierose @trappedinfanfiction, @kyra75 your ongoing support means more than you know!

@quixoticdreamer16 - my baseball buddy and one of the most supportive people, I'm so glad you're here! So glad you're a friend!

@secretaryunpaid - thank you for your unbelievable support from day one. The way you go out of your way to comment and create beautiful gifs for me and others is a testament to how thoughtful you are. But as much as I appreciate your support, I appreciate your friendship and the laughs we've shared 1000 more (and the lusting over Jesse, but that's another story!) You're one in a million, and I'm so glad this place brought us together.

To @liaromancewriter, @potionsprefect, @coffeeheartaddict2, @cariantha @genevievemd @lucy-268 and @jamespotterthefirst... the OH DIEHARDS MAN lol Thank you for your friendship, for always showing love - to me and so many others. I'm so glad you're still here (even though some of you are a little less), and we're still on this crazy journey in this whacky place together. And, considering y'all are Ethan girlies, I feel like I need to promise to wrap 2 series up before year-end for ya! lol

@inlocusmads You bring something special to this place, and I hope you know that. Thank you for your support - I love that you love my crazy Tobias and Casey - and when I started writing CoP this year, your feedback and encouragement meant the world to me. You are the OG CoP master! I remember when you were convincing me I could handle reading it, and I should have listened to you sooner! Oh, and thank you for loving my Casey and Jessica! I know they are beyond unpopular, but I love them, and having someone else who does too is just...asdfddf! I have your ask, and I'll have that done by the week's end - thanks so much, Mads!

Speaking of CoP, it was a real gamble when I decided to write for the incomparable Trystan Thorne this year. Given that our fandom is not always... nice... it was so scary. But some of you provided such kind feedback. It really encouraged me to keep going, and I'm so glad I did. I love the story, and I love us sharing it together. Thank you @starsarewithinme @moominofthevalley @aces-and-angels @brycesgirl @ao719 and @shadyinternetblizzard , and OMG, I know I'm forgetting someone here, and when it's not 1:20 AM and I'm not exhausted I'll remember correct that! lol, But seriously, thank you!

To @missameliep - I miss you, my cappy friend - but thank you for always geeking out with me over WTD. I know you're not on much these days, but you're still appreciated, and I'll never see a capybara and not think of you! lol

To @mydemonsdrivealimo, OMG, the way you've inspired me with T/C this year. You have no idea. I appreciate your support for them and Casey and Jess so much. I hope you know that! Casey could not possibly have better besties - and I cannot wait to explore more with all of our little idiots - that ice skating thing MUST happen soon!

To @storyofmychoices and @lilyoffandoms, I have much more to say to you later, but for now, I just want to thank you for loving T&C and for the crazy little world we've created with our little nut jobs. Lily, when you wrote that first drabble, who knew it would lead to kidnapping my girl! lol But I'm so glad it did! I know Tobias wasn't even an LI (as many an anon has pointed out! lol), and it was never a popular pairing, that makes your love for those guys mean even more to me. THANK YOU!

OK now I do have a lot more love I want to give - and I will later today - because right now, if I don't show my pillow some love, my boss will have it out for me later! lol

Love to you all!

Elsa

@choicesfandomappreciation

[choicesficwriterscreations]

We wanted to take a moment to send our love and appreciation out to the entire Choices Fandom community!

To the fanfic writers and artists who bring their varied and beautiful visions to life and selflessly share them with us.

To the readers and supporters who have no idea how much their kind words or even a simple ❤️can mean.

To people who take time to build others up, to check in on friends, or welcome new people to our community.

To those who chat aimlessly about their beloved blorbos and never once pass judgment.

To those who host amazing events like this! @choicesfandomappreciation This is one of our favorite events of the year! Thank YOU for continuing to do your part to spread love, community, and positivity within the fandom. We are blessed to have you!

To our followers and readers, thank you for letting us know our blog is still worth having - that our fandom still matters. But even more, thanks for continuing to support our talented creators because that's what it is all about.

Sending you all a big hug and lots of love!

@jerzwriter and @cfwcmod-lucy ❤️❤️❤️

[crystalleoi]

*splatoons your iphones (and ipad)*

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled��with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[cyanityy]

Bully sketch dump 3 + crops

I'm flying out so since I can't take my tablet with me I'm releasing all my captive sketches into the wild *magic hand gesturing*

(Thanks to @/bidisaster-peanut-romano for instigating Tad & Parker besties hc with me. I sob every time)

[nonbinarylesbianherb]

religiously checking every ten minutes in the next hour if agatha all along new ep is out yet bc im insane

[justafewsmallsteps]

For @inuvember Day 30, the prompt is for the Fandom. This community has given me a lot through my years, from the time I was a young teenager and up to now. The little community that remain on tumblr after all this time is still very dear to me. Thank you to all the creators and fans who fill that community up!

With all that in mind, this is dedicated to a very special creator, @mustardyellowsunshine aka Robin. An unbelievable writer of fanfic and meta. A Kagome stan. An InuKag lover. Thank you for all you’ve contributed! I want to especially thank you for the manga caps/edits. Seeing scenes of my favorite manga series of all time being uploaded in such gorgeous quality… it makes me fall in love all over again and deeper than before.

Here’s a fanart inspired by Robin’s wonderful fic, What I Hold on Ao3. Please check out her writing and other works!

[felassan]

remember that wild Dragon Age theme park ride (Dragon Age: Flight of the Wardens), originally located in Dubai until it randomly turned up years later (now also oddly-rebranded as "[Not Dragon Age We Swears It]: The Guardian") in, of all places, Skegness England? well, I had to satisfy my curiosity and obsession with obscure pieces of Dragon Age media & archival thereof. and so - actually quite some time ago now - I finally got around to going on a pilgrimage there (which was this whole, like.. heinous harrowing in and of itself, that I will not go into), and I rode it

and to my surprise the original Dragon Age in-ride movie is still part of the ride experience! - complete with references to darkspawn, a Pride demon, dragons, green "rifts", Discount Anders (a Grey Warden[?] mage called 'Eldron'), Discount Yavanna (a Witch of the Wilds called 'Alexia') and Dragon Age: Inquisition soundtrack music. there is also now a new pre-ride movie which replaces the old Dragon Age pre-ride movie as part of the ride's rebranding, and i simply ?¿?

there are also still quite a lot of identifiable Dragon Age props in the fantasy-themed queue-area of the ride (so these must have been part of the whole purchase between parks), including multiple iconic Inquisitor helmets, Grey Warden shields, a Dragon Age dragon (now with DA-dragon identifiable horns.. sawn off??), and several Dragon Age banners, including the Inquisition hairy eyeball, the templar symbol and the Circle symbol. here's some pictures.

[^this image is taken from the video linked below]

I also captured the new pre-ride movie, and you can see it along with the Dragon Age in-ride movie here ⬇️. and so now, with this epilogue to the.. most odyssey of all time, more than two years after the first message about the ride was ever sent to Ghil Dirthalen, this adventure in obscurity and the strange fever-dream meta story of the Dragon Age: Flight of the Wardens era in Dragon Age history is finally complete.

Ghil Dirthalen: The Guardian??? {Overview. - Spoilers All}

[video source & link: Ghil Dirthalen, posted here w/ permission]

some further notes, thoughts and commentary under the cut -

there's a few seconds missing from this capture of the in-ride movie. for the sake of the curious and completion: in them, you're still in the fort and you see lots of 'Wardens' walking and milling around.

a camera in the ride takes two photos of the riders during the ride, which are displayed on a screen on the way out. you can choose to buy these from the Fantasy Island merchandise store. you know those photos of people on log flume rides? it's like those, only of the four riders in a row in the seats. the photos have Fantasy Island branding on them and fire along the bottom, then in two corners there's a bit of a dragon's head and that's about it. the ride photo is the only Guardian-specific merch available at the park.

some of the queue area props appear to be from random other places. like there was a barrel which had something like "1850 distillery" written on it, which is obviously temporally/thematically and universe-ly out of place (not that that's at all unreasonable given the rest of the rideworld lore, there's totally a way it could have gotten there easily hh, see below), and I guess it's a spare or leftover prop from a Western-themed ride or something? others were generic sword'n'sorcery fantasy props (some of these are from the ride's previous life in Dubai though). there are also some pretty random props, like a dead stuffed roe deer's head on the wall and a.. comically large spoon.

there's music playing in the queue area, but it's not DA music, it's generic ye olde fantasy world music.

some folks there mistakenly thought that the long themed lead-up (it was pretty darn long) queue area with the props was the entrance to or start of something completely different, like a haunted house or maze type thing, or was the ride 'experience' in and of itself.

the ride attendant gives you the option of watching the new pre-ride movie or not. I guess they get sick of putting it on and listening to it 9000 times a day (valid), and also cutting it out reduces queue times as it's about five minutes long. it's screened in a little enclosed room at the end of the queue area. you go in and sit down, they show it to you, then you go through another door to the chair machine.

the in-ride movie is blurry and poor quality. I heard someone else who rode it say that it was so blurry that they had no idea what was going on hhh

Now about the new pre-ride movie. first of all, here's the transcript.

Pre-ride movie transcript "Welcome, my friends, to the gates of our kingdom, and the start of your adventure. I know your journey has been a long and arduous climb to get here, but we are grateful that you are the ones that have stepped forward to help us in our quest. I should probably start at the beginning. My name is King Aethelswyth [sp?] and I am the ruler of Elvia [sp?] - at least, what's left of it. You see, six months ago, our world was invaded by giant demons and creatures from another dimension, which now plunder our lands, and continue to destroy our kingdom piece by piece. They came, through a time-rift, from another world, leaving much destruction in their wake. Ever since they came, our people have defended as best they are able, but, we were once a peaceful race, and sadly no match for the giant demons and dragons. Luckily, a few days ago, help arrived. They came through the rift, human in form but with incredible powers, and the ability to not only fly but transform into dragon-like creatures. That's where you all come in. You see, not only have they brought hope to our lands, but also gifted us with technology, the likes of which we have never seen before. This communication device for example - it enables us to talk to each other from great distances without being in the same room. And there is something else, and the reason why you are here. They provided us with plans to create our own machine, which as we speak is being prepared for your mission. I should explain. The machine, although made of metal and advanced technologies we can't even begin to understand, requires biological matter to function; a very specific amount of oxygen, carbon, hydrogen, nitrogen and calcium, all of which you are made from my friends. Once you are connected to the machine, you will be lifted into the portal and instantly dropped into the outer world. You'll be able to fight alongside the guardians and help close the rift once and for all. I won't lie. The mission will be dangerous, but with your help, we can defeat the giant demons, close the rift and save the kingdom. Hahahaha! [dragon roars] Ah, do not be afraid! This is Mia [sp?], one of the dragon guardians. She will help you on your quest and guide you to the rift. There it will be up to you to find a way to close it. My friends, it is almost time for you to enter the machine, and become the guardians! [inaudible] a safe journey. Save Elvia, become the heroes you're destined to be! The gates will open momentarily, as soon as the machine is ready for you. Good luck my friends, and I'll see you on the other side!"

in the linked video, the start of the new pre-ride movie isn't included in full at normal speed as it seemed to be a compilation of whatever random fantasy-themed stock footage the video creator could find, stitched together. but again for the curious and the sake of completion: it starts out panning randomly around SPACE, like at the solar system and of planets and at the Milky Way. for a sec I wondered if it was made up of random old Mass Effect assets. then it shows dragons (FROM SPACE) invading an Earth-like planet where I suppose the Ferelden-y kindgom (formerly called "Noathen", now called "Elvia" or something) setting in the rideworld is now supposed to be set. these invading dragons invade either from space or.. another dimension?? or maybe from the future or both?? [see below], entering through a big green rift. (and they still have the green coloring for the rifts and call it/them "rifts" like in DA, which was honestly so funny to me for some reason). the whole panning in from space start to the movie reminded me a lot of the Easter eggs in the DA and ME games that, while they're just Easter eggs for fun and I don't subscribe to this theory myself (as DA is its own great, self-contained thing), could light-heartedly imply that the planet with Thedas on it is a planet in the MEverse (like the krogan head in the Winter Palace in DAI or the ogre in that ME dlc).

in the pre-ride movie, the kingdom of "Elvia" might have actually been called "Albion", which is the earliest-known name for the island of Britain. (it was hard to make out exactly what the king was saying there) the new pre-ride movie seems like it was made in England and ofc thats a common fantasy setting, so I could see it, especially since the king character's name was something like Aethylswyth, which sounded very "Old English". for me personally, if it was "Albion", it adds fuel to the fire of Caitie's cracktheory/"trying to make this fit"-headcanon for the ride story/lore (see Caitie's original video on the ride's previous life for this), that it's set somewhere obscure and backwatery in Ferelden, which is kinda England- or Britain-inspired. (dont take these thoughts or other thoughts in this post about the lore/canon etc too srsly pls hh, it's just crack for fun and I know tis just an off-brand themepark ride)

on the whole the new pre-ride movie is pretty random. there's a giant in it, but it doesn't look like a DAI giant. (is it his big spoon??) it shows a fortress in part of it which looks a bit like Skyhold if you squint, with the long bridge approaching it as the entrance. at one point one of the dragons that pops up is a dragon designed more in the style of a dragon as they are sometimes depicted in, for example, Chinese mythology and folklore. the "communication device" the king described had me rolling, it's exactly like a Dragon Age Skype Crystal or a working set of eluvians from Thedas.. I wondered if the video creator was inspired some by DAI promo images and took cues from the Inquisitor's green hand/the Anchor, since the king has a green glowing thing on (or in?) his chest. and when the king started listing the elements humans are made of, I was reminded of Fullmetal Alchemist.

also, "through a time rift".. I mean technically Dorian's involvement in DAI DOES show green space-time magic right? Where is this other dimension? ofc I know it's not literally Dragon Age, but it's funny to think about and to try and make it "fit" skhskdhfjhe. is it the Fade? the Void? from somewhere in-between like Tevinter Nights implies exists? or is it the dimension which has Thedas's mundane world itself in it - like maybe the dragons are invading this poor guy's kingdom dimension from Thedas? if so what tf is going on in Thedas?? did Solas' explosion at the Conclave ripple through spacetime and rip holes in the fabrics of other worlds as well - like is Solas out here accidentally causing interdimensional Space Dragon invasions? like, theoretically.. the new pre-ride move does reference the in-ride movie, and in turn the in-ride movie is still Dragon Age (!), so technically the new pre-ride movie IS.. kind of.. weirdly.. canon.

((the pre-ride movie references an "outerworld", implying that even in THAT dimension there's an outer world and an inner world, definitely more than one at least. and back on the dimensions thing, I'm not clear - are the dragons coming from Thedas dimension? or are they coming to Thedas dimension? "they came through the rift, human in form but with powers, the ability to fly [that's Eldron] and the ability to transform into dragon-like creatures [that's Alexia]" implies that the dimension on the other side of the rift - if the helpers came through the same rift as the invading dragons - is Thedas, because that's Eldron and Alexia from the Dragon Age in-ride movie being referred to, and Noathen where they're from is in Thedas somewhere. so some Thedosians have travelled to another world to save it?? Dragons are escaping out of Thedas? but.. from space? but also - the narration is telling us that Eldron and Alexia and the other Guardians brought with them from where they came from, as a gift, incredible advanced technology that the people of Elvia have never seen before. he then gives the example of "this communication device" which could be read meta-ly as meaning the television screen, and of plans to build a machine made of metal and advanced technology (meaning the ride machine you go sit on, which is a themepark machine irl obviously and in the 'world' of the ride, some kind of flying machine). so like.. are Eldron and Alexia from Future Thedas (think Avatar Aang/Korra, when by Korra's time there's like lots more machinery and a more modern feel), a Thedas which has advanced complex machines like idk, AEROPLANES? is that what they mean by "time-rift"? because they specifically did say "time". is that to try and explain the modern machinery? does that mean the invading dragons also came from the future, not just from space or another dimension? the other option: Eldron and Alexia came from alternate universe Thedas, which has more modern technology in it. but Thedosians Time-Travelling From The Future And Also Space And Another Dimension is so funny to me so lets go with that. my headcanon is that on the way to Elvia they also timetravelled through a Westernthemed time period and thats why theres a recent-modern period whisky barrel)).

in the ride's previous life, the explanatory hook was that Eldron made you a special harness or saddle thing with which to ride a dragon, which was what the ride machine was simulating. however now, the hook to explain the machine is that it's a gift of advanced technology powered by carbon, hydrogen, organic matter (Big Oil lmao?) etc. (I enjoyed that this explanatory hook got wackier between eras of the ride's life, much like the whole meta story of this piece of media itself. it was already weird because riding dragons isn't really part of DA. though I don't understand meta-ly speaking this convoluted explanation for the machine. dragon-riding isn't an identifiable or key part of the Dragon Age franchise, so they could have kept the idea that you're sitting on a dragon's back and flying around on that in instead of having this wacky explanation about a flying machine gifted from magical strangers from Back To The Future and it would have been fine. I love it though bc its so absurd)

And Tiny Dragon Alexia from the original ride experience is kinda referenced (unintentionally?) when the king introduces the dragon "Guardian" "Mia", as when she comes on-screen her size or scaling looks small/kinda off, so maybe Tiny Dragon lives on. so now we have Tiny Dragon Alexia, Tiny Dragon Mia, and Tiny Dragon queue prop. it's a Tiny Dragon Conference.

and like I just have so many questions. in her original video on the ride, Ghil Dirthalen wondered at length where in Ferelden/Thedas Noathen could be. where is Elvia? why does the pov of the pre-ride movie proceed downstairs into the room where the king is - like why does the king have his throne in a basement? is he in an underground bunker for safety because of the Space Dragon invasion? why does he say we "climbed" up when we have just gone down into his dungeon? why is the tiny dragon introduced as "Mia" when the tiny dragon witch lady in the in-ride movie is called "Alexia"? does the king's green glowing chest thing work like the Anchor - does he have a chest Anchor.. a Chanchor? where did they get Discount Gandalf from the queue area and why is he exactly like the Ghil Dirthalen Stock Theatre Wizards in her original video? why did they change the kingdom's name from "Noathen" to "Elvia" in the pre-ride movie when "Noathen" was already non-existent in Dragon Age lore? why did they scrub Dragon Age from or avoid Dragon Age in the pre-ride movie but leave the whole Dragon Age in-ride movie intact? are the "Guardians" Discount Grey Wardens? is the king's whole schpeel secretly an evil plot so he that can use our bodies for like necromancy-alchemy? why does the ride run on your flesh and are we about to be sacrificed in a blood magic ritual? do we end up like the husks in Mass Effect after our organic forms are broken down into compounds to fuel the King of Elvia's flying anti-dragon defense tank? is the actor of the king a park staffer who is into larping, or someone's fun nerd uncle who likes DnD? does Caitie not in fact agree that I am very handsome and smart, indeed the World's Most Interesting Guy? 😤 why go to the trouble of sawing off the dragon's DA-dragon horns when the in-ride movie is still Dragon Age?? why are the dragons invading from space anyway like what do they want??? how can I obtain the king actor guy's autograph? where are EA's lawyers? and why is there a giant spoon?

[vesper100]

I just wanted to say that I love your monk OCs and would love to learn more about them! Is there anywhere online that you've posted stories/comics about them besides Tumblr?

Thank u so much!!! I post on insta too but nothing important that isn't already here... You can have some more doodles if you like them though ^_^

[idontwikeit]

@iwtvfanevents (belated) day 22: family

Wife by Mitski

[Youtube]

[yourmusicmuse]

Okay so I found this picture of Pinterest and highkey. It has me CRYING. And let me tell you why!!!

Both Soda and Darry are compared to their dad in the book, and while I can't really recall at the moment if any of them were compared to their mother, I'm gonna go at the personal headcanon that Ponyboy was compared to her quite a lol in a similar way to Soda and Darry being compared to their dad. But see here- their mom is blonde. Soda in the book is blond, but I feel like it's an entirely different ballgame when Ponyboy bleaches his hair. When Darry and Soda reunite with him and after the pure joy and relief that he was alive...I just imagine a sense of unease. Seeing him with the blond hair- the comparisons to their mother hadn't completely clicked until then. It makes them feel...a lot of things. But above all, there is a harsh mixture of grief and love. For both their mother and Ponyboy.

[bardic-tales]

Spread Kindness Celebration: Day 1: Choices Fandom Shoutout Day

This event is hosted by @choicesfandomappreciation. When I signed up for this I didn't realize it was for a game fandom, but I still want to participate, since most of my mutuals know I am huge on spreading positivity.

Today, we are suppose to give shoutouts to readers, supporters, event hosts, and creators. With that in mind, I thought of one mutual / friend who has been there for me since I have started this writeblr: @littleshopofchaos. I look forward to seeing your RP and your diamond paintings, etc, on my dash.

With that in mind, I remembered what you said about wanting to RP with me. While I don't RP -- which I may change in the coming year -- I did write a little fan fiction between Bianca and Cain. I hope I didn't get Cain too out of character. I did try to incorporate what you said about him in this post.

Acquaintance / Friendship: Cain (Chaos) & Bianca Moore (Harbinger of the End)

Rating: Mature

Word Count: 704

Fandom: Original World

Content Warning: betrayal, cosmic themes, emotional trauma, existential themes, isolation, moral conflict, philosophical discussions, self-doubt, self-sacrifice, unresolved emotional wounds.

Summary: Bianca and Cain discuss their diverging paths and philosophies on destruction, redemption, and purpose.

The stars spun in slow, rhythmic circles above Bianca and Cain. Their light fractured across the swirling nebulae and distant galaxies of the worlds beyond the Ethereal Nexus. They stood on the edge of existence, an unsteady platform towering above the forgotten town below. The platform cast long shadows against the cosmos.

Cain looked up at the vast, undulating sky. His tone was soft as he glanced at Bianca. “It’s beautiful, isn’t it? This is everything that’s worth protecting, Bianca.”

Bianca crossed her arms. Her gaze never wavered from the stars. The universe, so easily manipulated, was so fragile beneath the weight of her ambitions and power.”

“It is beautiful.” Her gaze still watching the path of a planet float by in the sky above. “But beauty and weakness often go hand-in-hand. For too long, I’ve been bound by my past, my wounds, and my mother's self-imposed duty to safeguard a creation that has betrayed me over and over. This kilonova — it’s a way to bring new purpose. To end the cycle of suffering that has followed our kind like a shadow.”

Cain looked at her carefully, as though searching for the woman he had known briefly on Earth: the woman beneath the ambition. “I used to think the same way. Chaos was my path. It shaped me. I lost the people I loved, leaving only emptiness behind. I thought destruction would fill it.”

“You believe the answer is redemption, don’t you, Cain? You think I should seek the goodness that was denied to us both and that you are trying to find in others?”

“Yes, because I found that path. I had the opportunity to change, to become something more than a weapon of chaos and ruin. People like Darcy. They taught me that creation can rise from the ashes of destruction, not through obliteration, but through choice.

“All this — life and beauty — it’s fragile, yes, but that makes it precious.” He gestured around them, as the galaxies above their heads spun lazily in the ether. “If you destroy this, Bianca, it’s gone forever. My brother, Darcy, and everyone. Gone.”

“My path is not yours, Cain.” She whispered, her voice quiet, but there was no bitterness in it. There was just resignation. Her black wings relaxed against her back and cascaded down like a dark feathery cloak. “I have no place in a world built on false promises and broken oaths. I’m no guardian of the light. My role in the grand scheme of things is to change the omniverse through destruction. Only then can it be cleansed, so that something better might be reborn.”

“And if that something better never comes? Bianca, you have a heart. A wounded heart, yes, but it’s still there underneath the scars. I wasn’t too far gone. You aren’t either.”

“Maybe you’re right. But I’ve walked in shadow for a millennium now, as an abomination that shouldn’t exist. I don’t even know if I would recognize the light even if touched me.” Her gaze shifted back to the stars. “I want to believe what you are saying. Maybe, somewhere inside of me, I even envy you for it. But my fate was determined long before Creation. For me, there is no other choice.”

The shadow of sadness, a fleeting flicker of understanding, momentarily crossed Cain’s face. He nodded. “Maybe one day, you’ll see things differently. I hope you do, Bianca.”

“I appreciate your words, Cain. Truly. And I wish you well on your path of redemption. I hope it brings you the peace you deserve.”

He gently touched her shoulder. “If you ever find yourself wanting more, reach out. There are people who care about you and welcome you with open arms.”

With a final look back, he raised his hand and opened a swirling portal back to Earth. His outline shimmered against the starlight, as if he was a figure caught between realms.

“Take care, Cain.” The light of the portal flickered and died, and Bianca felt the familiar chill of solitude as Cain disappeared, leaving her alone once more. She gazed up into the spinning stars and galaxies of the Ethereal Nexus: an agent of chaos and a keeper of her own destiny wherever it should lead.

[bloodswag]

my ren shrine + bday celebration!! <3

i think it turned out super cute, tho i wasn't able to figure out a way to include all my deco in time for their bday... but i replayed the game up to the current update and it was overall a super sweet experience (TwT)♡

[o-mellowy]

Lotty! <3

I have such a crush on her oh my god

[gatzbright]

writing [love]; dream, a writer.

Dream: I like writing. I like writing poems; I like writing songs; I like writing everything. I like storytelling—I just like storytelling. Storytelling in general is fun. I do a lot of storytelling through, like, my videos, through my video editing ... that's my favourite part of writing.

Dream: So, it's [love is] special, you know? You can't really explain it. Um, you know, with your mum, your dad, your—your sisters, your brothers, your cousins, your—your friends that you've known since you were a kid. Your friends that you just met a year ago that you are absolutely in love with as a person.

Dream: 'Have you written stories as well as songs lately?' Yeah—I mean, well ... I feel like songwriting is very—it's like, you just take stories—like 'Roadtrip' was, like, essentially a poem, and a story, that was turned into a song. And I feel like that's with a lot of stuff. 'Mask' is the same; 'Mask' was a poem turned into a song.

Bird by Bird, Anne Lamott | Dream Subscriber Twitter Space April 30th, @/dreamwastaken | It's Been A Long Day, Spacey Jane | Dream's Tiktok 'love is scary', @/dreamwastakenwastaken | Photograph in the studio from Dream's Instagram post, @/dreamwastaken | The Story of Mary MacLane, Mary MacLane | Our Beautiful Life When It's Filled With Shrieks, Christopher Citro | Johnny Cash’s handwritten to-do list, 1969 | Tweeted screenshot from Dream's notes app, @/dreamwastaken | Anne Carson interview, 2016 | Dream and George on the Dream Panel at TwitchCon Las Vegas 2023, TwitchCon VOD | Tweeted screenshot from Dream's notes app, @/dreamwastaken | On Writing, Stephen King | A fan's Tiktok of Dream and George at emo nite, @/angstboycam | Dream explaining 'Spotlight' in the 'to whoever wants to hear' lyric booklet, Dream | Your Song, Elton John | Fan photos of Dream and George at Dream's tour

Dream's 'Kind Of Love' speech LA concert night two, @/milktea_grn | The Power Of Love, Frankie Goes To Hollywood | Fan photos of Dream and George at Dream's tour | You Are In Love (Taylor's Version), Taylor Swift | Dream explaining 'Paranoid' in the 'to whoever wants to hear' lyric booklet, Dream | Dream and George on the Dream Panel at TwitchCon Las Vegas 2023, TwitchCon VOD | Words, Gregory Alan Isakov | Dead Poets Society, dir. | Dream Subscriber Twitter Space April 30th, @/dreamwastaken | Sweet Nothing, Taylor Swift

Fan photo of George recording Dream at his concert | Addressable Thou, Chase Berggrun | Bright Star, dir. Jane Campion | George smiling at Dream in IRL DREAM TEAM IN MADRID, Sapnap VOD | Endymion, John Keats | Dream and George on set: Everest – Dream & Yung Gravy BEHIND THE SCENES, Dream Music | [brIght], E. E. Cummings | George and Dream in IRL DREAM TEAM IN MADRID, Sapnap VOD | Sand and Foam, Kahlil Gibran

[mamawasatesttube]

i wish it wasn't so normal for people to complain about unfinished wips or fics that take a long time to update. because sometimes i think i have a really fun idea for a fic but it'd take a while for me to write, and i like talking about my work as i do it and i don't like writing entire fics over like 20k without sharing, because i lose steam. so if i were to write and post that cool fic idea, it'd be as a wip. and then i think about all the people who just refuse to engage with wips, or all the other people who would just go "update pls" all the time, and of how people only really comment in the first 24 hours something is posted and then it's lost to obscurity, and then i just go "actually whats the point in going through the effort writing this out? i'll just daydream about it now and then and be done with it." and then i don't write it. alas!