#famous baroque art works

[madlori]

Hey how about some ART TALK

Art history is a bit of a hobby of mine. Last weekend I went to the Frick in Pittsburgh because they had a special exhibition we wanted to see, and in the gift shop I picked up a book that told the story of a series of acknowledged masterpieces. The first one in the book is Birth of Venus, the second is Mona Lisa, and the scream I scrumpt when I turned the page to see the third:

Let me tell you about Artemisia Fucking Gentileschi.

She was a 17th century painter and one of the first women to be admitted to a Florentian art society and is widely regarded as one of the finest of the Italian baroque painters. She was raised by her father, who was also a painter who studied Caravaggio, and early in her career she had to put up with people saying that her paintings surely must have been painted by her father (despite her father himself saying she was a peerless artist and super accomplished).

As a young woman she was raped by a colleague of her father's. Her father sued the rapist because he hadn't married her (THIS was the crime, not the rape itself, of course) and Artemisia was tortured with thumbscrews to verify her testimony. Some of the...ahem...feelings about this entire episode definitely come through in her work.

Contrary to how these stories usually go, Artemisia had a long and productive career, was well paid for her work, enjoyed the patronage of the Medici family, and traveled widely. History, however, has only recently come to appreciate her and name her among the great painters of the period.

Let's talk about THIS FUCKING PAINTING, though. Judith Beheading Holofernes. Probably her most famous work.

The story is one of Judith, a Jewish woman, who got the general of the army about to invade her city to come have dinner with her, got him drunk, and chopped his head off. Then she paraded his head out to the army, like a boss. It's been painted a number of times but this one...this one really brings the rage. Look at Judith, the strength in her arms, how she's got a look of steely concentration. If you look closely, you can see she has her knee up on the bed behind him to get more leverage. Her maidservant is helping hold him down. Neither of them look horrified or hesitant, they're ready to cut this motherfucker. (also that's definitely Artemisia as Judith. She put herself in a lot of her paintings)

It's an apt interpretation of the verse from the Book of Judith, which is admiringly succinct:

Her sandal ravished his eye, Her beauty made captive his soul, The sword passed through his neck. — Book of Judith, 16:9[7]

It's got a real "the tiger is out" energy, right?

Now let's look at the same scene, painted by Caravaggio, who was no slouch at painting, but...come on.

Judith looks like a scared teenager. She's holding him at arm's length as if that's gonna work. Her maid is a crone, lurking at her shoulder like Wormtongue. This does not, imho, compare to the power of Gentileschi's version.

Artemisia painted another image of Judith holding the severed head. And a lot of other paintings. I'm just thrilled to see this one in this book, as it's one of my favorites. We have one of her paintings here in Columbus and I always visit it when I go (when it's up, that is).

[avelera]

Let's Play: What's Wrong with this Sculpture?

Following in the theme of sharing astonishing moments of ancient sculpture pedantry here on Tumblr, based on my brief undergraduate stint as a T.A of ancient art history, I thought I'd share one of my other proudest moments of being an absolutely insufferable know-it-all about ancient sculptures.

In the process, I hope I can also share some of the sort of largely useless (from a practical perspective) information that Tumblr tends to glory in, so buckle up buttercups.

This question was posed to me on a walking tour of the Capitoline Museum in my ancient art history class while I was living abroad. Our professor, a delightfully curmudgeonly Belgian, stopped in front and asked us to figure out why this sculpture is just plain wrong.

I intend to walk you through the process of how I got the right answer and, after gaining my teacher's rare approval, glowed with enough serotonin to power a small nuclear reactor.

So, let's return to the original question: what is wrong with this sculpture?

Because if you are truly eagle-eyed you should be able to spot what very famous sculpture this actually is, before an overly imaginative Frenchman brought it back wrong.

Hint #1: It was incorrectly restored.

Look closely at the the difference of the patina, or color of the stone. It's a bit hard to tell in this photo, but the head was added later. It's a paler white than the core of the torso, which is what we have of the original sculpture.

Hint #2: It was incorrectly restored in the 18th century by a Frenchman (Pierre-Étienne Monnot) who made some, shall we say, creative interpretations of what's going on here.

You can tell it's by an 18th c. Frenchman because the facial features are so delicate. Ancient statues tend to have less narrow and delicate chins and noses. In general, that is a dead giveaway when something is 18th century French vs. Ancient Greek or Roman.

Here's a good example. The first sculpture is 18th c. French, the second is the famous Venus de Milo. Note her blockier chin and less delicate features. So in the future, you can tell these sort of later additions to Greek or Roman sculptures if they added a new head because 17-19th century sculptors in Europe had tools (like finer drill tips) and tastes (beauty standards that favored more delicate men and women) that led to a pronounced difference in the faces.

Hint #3: Check out the anatomy of his lower shoulder. That's another addition, that arm should not be coming straight out of a torso where the muscle, if you look closely, is turned inward.

Seriously, that looks painful.

Hint #4: The sword he's holding up is just total nonsense for the Roman era. I mean, the restoration makes no secret of the fact that this sword is a later addition, but it's also just an absolute nonsense sword with its silly little curved cross guard. This Frenchman literally just made it up.

Here's an ancient sculpture with a sword in it that actually looks right:

From the Ludovisi Gaul, a famous Hellenistic Baroque work of Greek sculpture. Note the much blockier sword though I will admit, it could be a later addition, I don't know for 100% certain, but I'm pretty sure it's the original. Regardless, it fits the sculpture much better and let me add that sword I'm criticizing is completely made up for the sculpture we're talking about and is not there in the original sculpture that was incorrectly restored.

Ok, so those are all the hints.

Look closely at the body of the first sculpture. Cut away the arms that are not connected to the body correctly, the sword that shouldn't be there, the face that was far too delicate. When you separate those later additions out, can you tell me what sculpture that actually is?

Because here is the reveal!

The Discus Thrower, aka, the Discobolus by Myron.

The French restorationist got carried away by his own imagination, saw a twisted torso and thought it could only possibly be a warrior in the midst of twisting around to fend off a blow, not an athlete in the midst of a demonstration of skill. It's a martial, fanciful read that completely misinterpreted the subject.

This is why most restoration today employs a much lighter touch, rather than trying to reattach pieces incorrectly, they tend to just outline where the missing pieces are with a light sketch of an educated guess of what might have actually been there. Faulty restorations like the Capitoline Discobolus is one reason for this modern stylistic principle when it comes to restoration work.

When my professor asked us to identify the correct original sculpture that day on the museum tour, it was the sword that pinged me as wrong first, but zeroing in on the core of the sculpture, the torso, is what revealed the true statue underneath.

This notoriously difficult to please professor was very proud when I blurted out, "It's the Discus Thrower!" and the high-octane serotonin I got from his approval probably could have propelled me into the sun that day, and brought to you Yet Another Moment of Ancient Sculpture Pedantry.

[rrrrinmaru]

picasso (marius x fem!reader) (nsfw)

wc: 5.7k rating: E warnings: nsfw, vaginal fingering, handjob, squirting, they're both freaks for each other

“I think it’s pretty,” you say plainly. “I like the look of it. I’ve always had a soft spot for ink wash works.”

The exhibit is held in a famous glass museum in downtown Stellis. There had been a controversy about the full glass walls and privacy issues a few years ago (you had read this case once, out of curiosity, and never again), but that was eventually resolved and now the first floor of the museum was regularly used for art exhibits. 

Before you knew Marius’ secret identity, you had invited him to visit one of Z’s exhibits. And Marius, the most shameless man to ever walk this Earth, had agreed. 

Fortunately, you learnt about this secret before you bought tickets for the exhibit. Not that you wouldn’t want to see his works displayed in the gallery, but the thought of you gushing over Z’s artwork in front of Marius without knowing the truth… 

It’s embarrassing. 

Today, however, it’s a different artist’s work on display. Thomas Mikeden, a foreign painter who’s been going on an exhibit world tour. Stellis is his latest stop, and everything just lined up. Both of you had the day off and tickets were on sale. You had invited Marius to the exhibit, excited to hear his artistic insight about the paintings, but Marius has been… a little petulant.

“I can’t believe we’re looking at a Mikeden painting,” he mutters, arms folded across his chest. “The first time you invite me to an art exhibit and it isn’t even mine; I can overlook that, but Mikeden?”

“What do you have against him?”

“We’re friends,” Marius says solemnly, looking like he doesn’t even believe the words coming out his mouth, “but we suffer from creative differences. Severe creative differences. If I ever have to see the way he mixes his oil paints again, I’d end up on the news for criminal activity. And he said if he ever had to see me try to sculpt a pot again, he’d wring my neck himself. He said my clay pots were an abomination against God.”

You blink at him. “You know how to do pottery?”

“According to him, I don’t.”

And suddenly, you get it. Creative differences, more like a bunch of children arguing over who does something right, or who does something better. Like kindergarteners fighting over whose parent made them the better lunchbox. 

“What are your thoughts on his ink wash painting?” 

Marius gives you an appraising look. “Not his worst work. He’s alright with ink wash. I've personally dabbled in ink wash before. It’s not my preferred medium, but we learnt it as part of our curriculum.”

You turn to look at him, eyes bright. “Really? Do you still have those ink wash paintings hidden away somewhere?”

“Of course. I never throw my works away. I’ll bring you to one of my storage warehouses one day.” 

One of his storage warehouses? It never occurred to you that painters would need a lot of space to store their paintings, even more so if they were particularly diligent and practiced different painting techniques often. With how many easels and canvases were strewn about Marius’ house, you suppose you should have made the connection.

“I’m looking forward to it.” 

The next few works are insightful, to say the least. Marius gets up close and personal with one of them to sneakily point out to you a place where Mikeden allegedly made a mistake and had spent hours trying to cover it up. 

“This is from when he tried to lean into the Baroque style,” Marius says, using his thumb to frame certain parts of the painting to draw your eye to them. “The colors here, see, the stark contrast between the light and the dark? That’s the use of tenebrism, popularised by Caravaggio.”

“Hm,” you note, eyes wandering around the painting. It’s a stunning piece of work, and Mikeden captured the likeness of the male form well. The extreme contrast almost seems to frame the figures with a halo, a light that blooms from their very center to strike at the viewer’s attention. “They’re quite handsome.”

Marius makes a sound at the back of his throat. “You’re more into modern men, jiejie.”

You hide your laugh behind a cough. He’s like a needy kitten pawing at you for attention, and you’re helpless against someone this cute. 

“Yes, yes, look at how handsome you are,” you say, turning around to face him head-on. You reach out, smoothing the non-existent creases away from his button-down. 

Without really thinking too deeply, your fingers linger on the stretch of the fabric across his chest—the thought that you can see them if you squint hard enough comes unbidden to your mind. The small bumps under the fabric, stiff from the slight chill of the room. 

It’s the kind of thought that grips you by the throat, sitting in your mind and taking up space, holding you captive until you do something about it. 

You brush your thumb against one of them, just because they’re right there, because you can, because Marius’ hands are on your hips and you’re feeling a little�� playful. 

Immediately, a hand catches your wrist. It doesn’t stop you from pressing the pad of your thumb lightly against that raised bump, and Marius’ breath hitches. His fingers flex against your wrist, hard enough that you can’t help but smile. 

He’s usually the one making you flush in public, so you mark this as a victory. The sight of him, red-faced and pouting, heart pounding so desperately you can feel it through his chest—you pull your hand back, and he lets you go. That hand drops back to your waist as you bring your thumb to your lips, and you hold Marius’ gaze as the tip of your tongue darts out to lick your thumb.

Marius goes still. It’s as if he’s nothing more than one of the paintings hung up on the gallery walls, with how still he is; his pupils are blown wide and he gives you this shaken look, as if you’ve completely disarmed him. Swept him off his feet and left him grasping at straws to find the words to say. 

Eventually, you go back to smoothing out his shirt. Properly, this time. No messing around.

“You’re driving me crazy,” Marius murmurs, his breath puffing against the curve of your throat as he leans down. His voice is soft, barely louder than a whisper, but it somehow feels deafening in the quiet of the room. 

Your hands tighten around the front of his shirt. “Marius?”

“Be quiet for a moment,” he says. His fingers rest on your hips and you swear you can feel the heat radiating off his palms. It makes you want to shuffle away, pull back and put some space between the both of you—he doesn’t do anything, doesn’t tighten his grip, but his hands somehow get heavier. Like a weighted blanket resting around your waist, shackles holding you in place without really holding you at all. 

Your heart kicks in your chest. It isn’t often that Marius gets this way, so quiet and possessive, like he has to cage you in a small corner and watch you to make sure you don’t get away. His forehead rests against your clavicle—it’s not a comfortable position, not when he’s so much taller and he’s pressed up so closely against you that you can feel the way his chest shivers when he drags in a long breath. 

“Jiejie,” Marius whispers, voice quiet. “Sometimes, I wish I could wrap you up like a piece of art and hang you on my wall.”

He’s crazy, you think, and you realise even your subconscious thoughts have taken on this air of fondness when thinking of him.

“Is that so?” You reply, voice just as hushed. From the corner of your eye, you can see another patron glance at the both of you—they glance away, then look back, as if doubting their gaze. Yes, you think weakly to yourself, Marius is indeed clinging to you in the middle of a public gallery for expensive artworks that easily go for three times the price of your apartment. “Which wall will you put me up on?”

This time, Marius’ grip tightens imperceptibly on your hips. “Any wall that jiejie wants to be put up on,” he says huskily. His voice has dropped an octave, and the tone he takes is one that you’ve become very familiar with when you tease each other. Never enough to really commit to anything, not yet, but enough that Marius gets that look in his eyes like he’d very much want to stop being a gentleman about things. 

Abruptly, you notice the double entendre. “Marius!”

“You asked,” he says smugly, lifting his head so you come face to face with the smirk pulling at his lips. He tugs you in to press your body fully up against his, hip to shoulder. “Is jiejie shy now? I can tell you about which walls I’ve thought about you up on—my bedroom, naturally, but the living room is a strong contender.”

You gape at him, too shocked to say something smart in return. “You—! Not so loud, we’re in public!”

“No one’s listening.” Marius tilts his head, giving the surroundings a cursory once over before catching your gaze. “They’re busy looking at the art on display. I’m looking at a different kind of art on display.”

He’s so shameless that it makes you want to burst out in laughter. A different kind of art on display? Who does he think he is, a host from a host club? Where did he learn these phrases from? The Internet? His brother? Worse, Vyn? 

The thought of Marius asking the one and only Vyn Richter for advice on how to pick girls up makes you laugh. 

“You think you’re so smooth,” you say helplessly, lips curving up of their own accord as you reach up to loop your arms around Marius’ neck. “You think I’m going to fall for that?”

“I’m not a gambling man,” Marius tells you, a confident glint in his eye, “but I’ve always been lucky.” 

He puts up a strong front, but you know better. The back of his neck is hot from embarrassment. The tips of his ears are flushed red. You brush a stray strand of hair past the shell of his ear and pinch the crimson tip along the way. 

“Jiejie,” Marius whines, caught in the act. “Come on, let me pretend for a bit. Don’t you want to come home with me and have a better time?” 

He gives you this beseeching look, brows furrowed and lips turned down. You’re weak to that look—it’s suckered you into agreeing to far more things than you normally would have agreed to. But how can you say no to a face like that? To a man built like that, shoulders so broad they could dwarf you in a hug, fingers so long they could encircle your wrist, a face like God himself came down to carve it from marble—when Marius looks at you with that pleading gaze, millimeters away from begging, how can you say no to anything he asks for? 

Perhaps a stronger man would be able to resist the power of Marius’ visual attack. But you never proclaimed to have a strong willpower, and you fold like a castle of cards in a stiff breeze. 

“Let’s finish looking at all the works first. And no, just because you know who the artist is and insist that you could bring me over to his studio to see his other works—that doesn’t mean I don’t want to see the works exhibited here.”

“His art isn’t even that good,” Marius says, just to be contrary. “If you really wanted to see something from him, you should see his sculptures. I’ll admit those are impressive.”

“Finish the gallery, and then we can go home. You get to pick dinner.”

He perks up. “Italian or Chinese?”

“Later,” you insist. “I want to see this painting—” you glance at the title, raising an eyebrow when you catch sight of it, “—Lotus III.”

“Inspired by the same lotus garden that was featured in Lotus 0, Lotus I and Lotus II,” Marius grumbles as he takes one hand off your waist. You slide your hands down his shoulders, his chest, and furtively pat him on the ass before letting him go. 

He jumps, eyes wide as he swivels his head around to look at you. You give him an innocent look in return. 

“If you insist on being naughty, jiejie, don’t be surprised if I snatch you away and kidnap you back home.” The hand still on your waist squeezes in warning, and heat slithers down your back at the tone in his voice. 

You put a hand over the one on your waist, sliding your fingers in between his. “Be good.”

“Good boys get rewards. Is there a reward waiting for me later, jiejie?”

Naughty, you think to yourself, side-eying him. There’s a charming smile on his face, not even bothering to hide the playfulness lurking beneath his eyes. He’s testing you, pushing and pulling at your limits to see how far you can bend over backwards. 

“Maybe,” you reply. It’s never a good thing to reveal all your cards too early when dealing with a von Hagen in a playful mood. 

Marius laughs, leaning in to press his lips against the side of your head. “I’ll be good, I promise.”

The way he practically attaches himself to your hip, thumb rubbing possessively over your waist—you can’t help the flush crawling up to your cheeks, or the heat that flares between your legs. His hold on you isn’t tight, but it isn’t loose either. It reeks of a promise, and you can’t help but look forward to what that will happen once the two of you get back to his house. Or what will happen once you get into his car, when Marius has you right where he wants you to be and there’s enough privacy for something to happen. 

You shift, thighs rubbing together involuntarily at the stray thought. Desire slips through your body like a snake coiling in your veins; if you cling a little tighter to Marius in return, your mind only half-focused on the works displayed on the walls, well, no one will know. 

You think Marius might suspect something, though, going by the way his smirk grows larger with every glance he shoots you from the corner of his eye. 

Like he’s found something he can’t take his eyes off. Like he’s found something he likes. 

You fail to give Mikeden the attention his works deserve for the rest of the time you spend in the gallery, but he’s truly friends with Marius then you think the man won’t mind too much.

==

To your surprise, Marius doesn’t immediately scoop you into his lap when you get into the car. 

He leans over to help you pull the seatbelt, and very conveniently buries his face in your neck for half a second before he pulls back. Long enough for him to press his lips against your collarbone, the tip of his tongue swiping wetly against your skin; short enough for you to wonder if you hallucinated it.

But the smug look in his eyes as he pulls the seatbelt over your chest to click it into place tells you that you most definitely did not hallucinate it. 

“Home first,” Marius tells you, pretending to be casual as he leans back in his seat and does his own seatbelt. “If you keep looking at me with those eyes, jiejie, I can’t promise I’ll keep my hands to myself while we’re on the road back.”

Right, you think dazedly. You’d forgotten Marius had decided to drive the both of you here—it wasn’t far from his place, and the both of you typically take a chauffeured car, but Marius wanted to do something special today. You haven’t been on a date in a while due to your unfortunate work schedule, and it definitely surprised you when Marius pulled up to your apartment in the driver’s seat, the window wound down, sunglasses sliding down the bridge of his nose as he grinned at you. 

“What a shame,” you murmur under your breath, watching as he does his own seatbelt before pulling out of the parking lot. 

Your words make Marius stiffen. He glances at you from the corner of his eye, one hand resting lazily on the steering wheel as the other finds its way to your knee. 

Again with that loose grip that feels like a shackle holding you in place. Marius isn’t doing anything more than just placing his hand over your knee—there’s not even any real pressure behind, no force or flexing or tightening of his grip, but you feel weighed down. You feel held down.

You wonder, a little stupidly, if Marius would do something if you spread your legs apart. 

But you’re on the road. Despite the heat flaring insistently in your gut, you’re not actually ready to risk it all while Marius is behind the wheel. It would have been a different story if the both of you were in the back seat with the partition drawn up. The ride back is what, ten, fifteen minutes? There’s a lot you can get done in that period of time.

Right as you resign yourself to a normal, quick ride back home, Marius’ hand slips a little.

Just a little. It’s so subtle that if it weren’t for the heat practically bleeding through his palms, you think you wouldn’t have noticed. 

His hand goes from right above your knee to cupping the inside of your knee. 

You eye him speculatively. Was it inertia? The car made a turn and his hand simply slipped with the centrifugal force? 

His lips quirk up. “I’ll get shy if you keep looking at me, jiejie. I need to focus on the road.”

“Hm,” you say, feeling your cunt clench involuntarily when Marius’ hand moves further up your thigh. It’s not in direct contact with your skin, not when there’s your silk dress in between, but the material is thin and you swear you can feel the calluses from Marius’ fingers rubbing gently against the sensitive inside of your thigh. 

Fifteen minutes, you think. Surely you can’t die from a little fun on the road. 

“Your hand’s on the wrong place,” you murmur, gently placing your hand over his. 

Marius hums at the back of his throat. “Ah? Sorry, I—jiejie.”

You lift his hand off your thigh for a quick moment, draw apart the slit of your dress, and slide his hand under the fabric.

Directly on your thigh. You even curve his fingers back down so he can maintain that grip on you.

You can see his fingers flex. They’re stiff, knuckles tense as if he doesn’t know what to do with himself. When you peek at him, his ears are flushed a bright red and his Adam’s Apple bobs furiously, like he’s swallowing desperately. 

And right between his thighs, you can see a tent in his trousers. You kind of want to reach out to touch it, but you hold yourself back. 

“Jiejie,” he whines, and chances a glance at you before reluctantly dragging his eyes back to the road. “I was joking—you can’t distract me while I’m driving.”

“I’m not doing anything,” you say mildly, burying the laugh that threatens to escape when his fingers squeeze pointedly around your thigh. The grave you dug is for both of you; his hand is higher now, on your thigh, so close to your core that one road bump would probably be reason enough for his fingers to slide right home. 

You almost want to pretend to jerk forward. But you have enough of your wits about you to recognise that if Marius felt the heat of your pussy through your panties press up against his fingertips at this moment, he would probably drive the car into the nearest building. 

“I’m trying to be good,” Marius complains. His fingers keep twitching against your skin, as if he’s really, physically holding himself back from doing something. 

“Good boys get rewards,” you echo, patting the back of his palm. “We’re almost home, see the gates up in front?”

He clicks his tongue. “As if I can focus on anything right now.” To prove his point, he speeds up, leg bouncing impatiently as he turns into the driveway. “Park, I have to park…”

The whole time, his hand doesn’t leave your thigh. And there’s something really sexy about it, you can’t help but realise—the slant of his jaw from the side, the way driving comes so easily to him, where he only needs one hand to maneuver the wheel. Even the way he looks over his shoulder as he eases into his parking spot makes you want to press your thighs together in a useless attempt to stave off the heat building in your core. 

“Good enough,” Marius declares, switching the engine off. “Out, out, come on—”

He snaps the seatbelt off and practically flies out the car. You’re so taken aback that you’re still in your seat when he comes to your side and yanks the door open, petulance written all over his face when he finds you still strapped in. 

“C’mon,” he whines, reaching over to unbuckle your seatbelt. “Jiejie, come on, come on—”

“Impatient,” you chide, even as you reach out to steady yourself while you exit the car. “Hold on, my heels—”

“Jiejie,” Marius says, and he seriously sounds like he’s about to burst. 

In that split second, you make a decision. Your panties are ruined as is, and you really, really want to be filled right now. You’re not sure if you can make the distance from the car to the lift, especially when the garage is so fucking huge—

“Backseat,” you murmur, and Marius reacts much faster than you expect. He pulls you up and into his chest, making you let out a sound of surprise at how aggressive he is, but he’s surprisingly gentle when he cups your jaw and slants his lips over yours. 

It’s a desperate kiss. Marius licks into your mouth, hands tight around your waist as he pulls you in close. The bulge in his slacks feels like it’s burning a brand into your hip—you want to skate your hands down, cup that swollen cock and rub your thumb over the tip. You’ve never seen it, not yet, but the two of you have fooled around every now and then so you’re somewhat familiar with the curve of his cock through his pants. 

It’s a hefty weight in your fingers, and Marius always makes the most delicious sounds when you rock your hips against him, squeezing around his thigh between your legs as you trace over the outline of his cock. 

“Fuck,” Marius curses. His fingers dig greedily into the sides of your body—the grip now is entirely different from the one at the museum. The positions are roughly the same, but this time he holds you like he’s trying to burn his brand into you, leave an imprint of bruises around your waist so you ache every time you move tomorrow morning. “Fuck, jiejie, your mouth—”

“Mmhmm,” you hum into his mouth, shoving one thigh between his legs so you can get a good seat on Marius’ thigh. It’s as if Marius has a direct line of sight into your mind—he hikes you up on his thigh so the hard line of his muscle presses right into the swell of your clit, and you groan out loud as you start rocking against his thigh. 

Fuck, you think you could cum like this. Marius’ hands have dropped lower, cupping the curve of your ass and every squeeze he makes goes straight to your cunt like there’s a livewire connection. He pulls you so high up that you’re struggling to keep your toes on the ground, and Marius is practically pulling you back and forth on his leg, helping you rut against him. 

His breath is hot. His kisses are searing, and it feels like there’s a nonstop feedback loop where your arousal pours into each other over and over again. It’s a fire in your gut, threatening to eat you alive, and when he pulls back to catch his breath, he immediately bows down to lick against your jaw. 

Marius sucks at your skin, bullying a bruise into the underside of your jaw. He isn’t satisfied with just one, and he just keeps going down the expanse of your neck, biting at any patch of unblemished skin. 

“Baby,” you whisper, one hand trailing down to press your palm over the tight bulge begging for attention. The lightest touch is enough to make Marius groan, hips stuttering as he chases your touch. “Can I—can I touch?”

Marius freezes for a heartbeat. Before you can second guess yourself, he moans into your neck, hips jerking as he pushes his clothed cock into your palm. “Yes, yes, yes,” he chants, nodding while avoiding eye contact with you.

His ears are crimson. So cute, you can’t help but think through the fever in your mind. It’s almost too easy to find your way around the button in his pants, and there’s some trouble with getting the zipper down from how hard he is. His briefs get caught for a moment, long enough to make Marius groan from frustration, but you shush him with another slide of your hips, cunt wet enough to drench his slacks, and Marius shuts up. 

“Good boy,” you murmur breathlessly, arching your back so you get a better angle to grind your clit against his thigh. “Be good, come on, let me—”

Unfortunately, there are no flaps in briefs for you to pull his cock out from. You reach in instead, shivering at the proper weight of it in your palm—skin on skin, you think deliriously to yourself, cunt clenching at the feeling of Marius’ cock in your hand. His cock, so thick that you can’t even really wrap your fingers around it properly, and the head is dripping. 

Marius sucks in a tight breath, cursing as he cants his hips up, almost bouncing you on his lap from the force. 

“Jiejie,” he begs, plaintive and desperate. “Nngh, please, the tip, you need to—fuck, I’m not going to—I’m going to cum, jiejie…”

And you stop thinking. You grab one of his hands and drag it to your front, so commandingly that Marius’ head flies up. His eyes are red, lips parted as he sucks in a shaky breath every time you swipe your thumb across the sensitive slit at the head of his cock. 

“In, inside,” you whine, rising as high as you can go on your toes. It’s not very high, given how far up Marius has pulled you onto his thigh, but it’s enough for your to drag his long fingers under your skirt and press them up against your cunt. 

Marius’ eyes are blown wide. “In-inside?” He stammers, fingers crooking automatically to press against the throbbing bud of your clit. Such clever fucking fingers, already familiar with the shape of your cunt to know where your clit is. 

Without needing much direction, he uses two fingers to drag your soaked panties to the side and rubs the knuckle of his index finger against your pussy. 

“A-ah,” you cry out, hips jerking. Fuck, you understand now why Marius reacted like that when you got your hand on his cock—there’s something about the texture of his skin, the calluses on his fingers that’s stroking the sides of your pussy, the sheer heat radiating off him—and the knowledge, the knowledge that it’s his hands on your cunt. After months of frotting, the most you’ve done being Marius’s palm flat against your cunt while you held eye contact and grinded against his shaking palm until you cummed—

“Inside, baby, come on,” you plead, rocking your hips insistently against his curious fingers. 

Again, it’s like Marius gets you. He sinks his index finger in; you think he wanted to go slow, because he tentatively pressed up into your cunt, but you’re greedy and you’ve been thinking of being filled since Marius made that joke about putting you up against a wall and you whine, rocking forward until you sink down, down, all the way down to the base and Marius’ breath is hitching in his throat. 

“You’re—” his finger bends, the tip brushing against this spot inside you that makes your entire body shiver, threatening to bend in half from the electricity that surges through you. “Shit, you’re—fuck, jiejie, you feel fucking incredible.”

“One more,” you beg, holding his wrist in place while you clench around his finger. Christ, you didn’t think it could feel this good. It’s so foreign, so much longer and thicker than your fingers—and again, the knowledge that it’s Marius’ hand, Marius’ finger is enough to make your gut tighten and sparks burst at the very end of your fingertips. “One more and my—”

You break off, thighs trembling when he swipes against your swollen clit with his thumb.

Marius groans at the sight of you, leaning in to bite at your lips. “One more and my thumb on your clit? Is that what you want, jiejie? Is that what you need?”

“Mmhmm—ahhhhhn, fuck, Marius—please, please, I’m so fucking close—!”

You’re not even sure if you’re still stroking the length of his cock. All your senses have narrowed down to your cunt, the pressure on your clit and the way his fingers have gained confidence with every stroke—he fucks up into you with such surety, so certain that he knows exactly where to hit to get that same, body shivering reaction from you.

The worst part is, he does. It barely takes one, two, three strokes while he whispers filthy things about how hot and wet and slick your cunt is, about how it’s soaked through just for him, about how he wants to bury his face in it, please jiejie, please let him put your thighs around his ears and eat you out, and you’re gone. 

It hits you so hard you think you almost pass out. The ascent comes too quickly; it almost feels like the orgasm is ripped from you from clever hands that know you better than you know yourself. It leaves you breathless, your entire body jerking uncontrollably as you whine, pussy clenching around those two thick fingers buried in your cunt. You’re mumbling nonsense, not even sure what you’re saying as your cunt gushes around Marius’ ruined pants and when you resurface, Marius looks at you like you’re the second coming of Christ.

It takes you both a while to get your breathing under control. Marius recovers first, gently sliding his fingers out of your cunt. You’re a little embarrassed at the absolute mess you’ve made, but Marius eyes the wetness dripping over his palm, down his wrist, and decides to drag his tongue along his skin to lick it all up.

He even looks right as you as he does it. The sight is enough to make your clit throb, as if gearing up for a second round. Oh, you could definitely do a second round, but you think you’d prefer for it to be in a room with a bed and not a garage.

Almost absentmindedly, you start to rub your thumb against the cockhead in your grip.

“F-fuck,” Marius groans lowly, free hand reaching out to grab your wrist. “Wait, wait—nnngh, sensitive. Give me a moment.”

You pause. You look down.

His briefs are stained. There’s a massive wet spot at the front, and when you drag your fingers out, they’re coated in a sticky, white fluid. 

You look Marius in the eye as you, too, lift your fingers to your lips. You stick your tongue out, wiping the threads of cum on your tongue so Marius can see how white looks in your mouth—and he flushes even redder than he already is, eyes darting away before darting back, as if he can’t decide whether he wants to look or not—and then you swallow. 

Marius is speechless for a while. 

“That was really hot,” he says eventually, voice hoarse. “I—fuck, jiejie, I can go again. I’m serious, just give me a minute.” 

You suck on your fingertips for a moment. You’re clearly ready for a second round, but you know he gets more desperate when you keep him hanging. And a desperate Marius is always a delight to work with. 

“Bedroom?” You suggest, and your cunt tightens at the way his eyes immediately go dark with desire.

==

© rrrrinmaru 2024 | no unauthorised publication or reproduction allowed

[flowerandblood]

Girl with a Pearl Earring

[modern! photographer • Aemond x female]

[warnings: dirty talk, domination, sexual tension, fluff]

[description: Aemond is a photographer dealing with works referring to the painting of the old masters. His sister poses in class for a girl who catches his attention. He decides that she would be a perfect model for one of his photos. Lots of sexual tension and slowly built fascination.]

Part 2 - Magdalene with the Smoking Flame

Part 3 - Ophelia

Part 4 - Lady with an Ermine

Part 5 - Rokeby Venus (End)

* English is not my first language. Please, do not repost. Enjoy! *

_____

It's been a long time since there was such a beautiful model in a painting class as Helaena Targaryen. With her fair, almost white hair, slender, fair face, snub nose, and blue eyes, she looked like an angel. She was able to create an amazing hairstyle with her combed braids.

The students and the professor decided to dress her in a blue gown, borrowed from costume designers from a nearby theater, in the style of seventeenth-century French fashion. Behind her was a large yellow background falling into the shade of warm gold. Even as herself, sitting half-profile towards them, she looked like a painting.

She had a great connection with her right away and they talked a lot. She knew that Helaena was the daughter of the dean of the university, a famous furniture maker and sculptor. Their entire family was famous for their strong commitment to the arts. She knew that Helaena's brother, Aemond, was in the fifth year of photography.

She was in her second year of painting and knew most of the people in his major - they often traded lecture halls - but he was always completely withdrawn. She had never seen him talk to anyone, he was always the first to leave the classroom.

Several girls from her year tried to flirt with him and get his attention, but their attempts ended in total failure. Still, she felt it wasn't fair that they were talking about him behind his back after being rejected. She tried not to express an opinion about him, because she didn't know him.

Even though it was known how Helaena got this temporary job, no one held any grudges about it because she bravely endured hours of posing without flinching. She decided to paint her portrait in the style of the Italian masters, starting with a monochromatic underpainting, applying the color with glazes in delicate layers. She was just starting to apply color to her face, making the character's face seem to emerge from the sketch around it.

The professor called a break and everyone got up to stretch a bit. Helaena stepped down from the platform and approached her, wanting to see how she was doing, as usual. She was delighted to see that the work was slowly moving to an advanced stage.

"What you do is amazing. You have real talent!” She said with her hand over her heart, playing with the chain. She smiled warmly at her.

They were talking for a while about ways of painting and different types of portraits when suddenly Aemond entered their room. He was looking for his sister with his eye, and when he saw her he walked towards her, greeting only the professor on the way.

"Ah, Aemond, thank you." Helaena said as he handed her apparently her own phone. "I had completely forgotten about him. Come closer, do you want to see how beautiful my new friend paints?” Helaena asked happily and she looked down in embarrassment. She guessed he didn't want to, but out of politeness he came over and stood behind them.

He literally said nothing. She glanced at him uncertainly over her shoulder and met his intense gaze which almost scared her. She blinked and opened her mouth slightly, then closed it, wondering if she should say something. She turned her head away, swallowing softly.

"Beautiful, isn't it? It makes me look like a baroque countess." Helaena said happily, looking at her brother.

Aemond only grunted, nodded, and stepped around her easel as he left the room. She looked at Helaena slightly shocked, but she seemed completely unfazed by his behavior.

"Is he always like this?" She asked quietly, wondering what had just happened. Helena laughed.

"Yes, he is very economical with words."

***

She entered the painting room first. She liked to look at her paintings from a distance before going back to work. When she looked at it with fresh eyes, she suddenly noticed all the mistakes she hadn't seen the day before.

It immediately caught her eye that she had painted one of the eyes a little too close to the nose. She immediately grabbed the brush, mixing the paints properly, wanting to fix it without even waiting for the model to show up.

She heard someone enter the room and, thinking it was Helaena, greeted loudly. Surprised after a while that no one answered her, she leaned over the easel and realized surprised, that her brother was standing in front of her.

Aemond, as usual, was dressed all in black. His black turtleneck emphasized his slender, long face and long, blond hair partly pulled back. He looked at her expectantly, as if he wanted to say something. She blinked, wondering what he might be looking for here, and suddenly it dawned on her.

“Helaena hasn't arrived yet, she'll probably be here in a few minutes. Should I tell her something?" She asked softly and smiled warmly at him. She decided that she would not be guided by the opinion of others and would form her own opinion about him.

Aemond turned his head, staring out the window, his mouth tight. He tapped his fingers on the sill as if thinking hard. After a moment he looked at her suddenly.

"Pose for me." He said indifferently, looking at her with a stony face. She sucked in a breath, completely taken aback by his proposal. She blinked, putting down her brush, looking at him curiously. She's never stood on the other side, modeling for someone.

“I take photos stylized as copies of paintings by old masters. I'd like you to pose for me as a Vermeer Girl with a Pearl Earring." He explained, apparently wanting to make it clear that he didn't mean the act or anything else that might seem inappropriate to her. She smiled widely.

"Very willingly! That sounds great. Will I also have to prepare the appropriate costume for this?" She asked, clearly excited, stepping closer to him. Aemond stared at her, surprised by her energy.

"No, that won't be necessary. I'll get you something." He said looking at her face thoughtfully. She blinked.

“I can sew well, and a lot of photography is about making the fabric look real. I can take care of it, I used to sew some historical costumes as a hobby.” She said lightly, looking at him expectantly. Aemond stared at her, clearly amazed at her commitment. He didn't seem to know what to say to her for a moment, because he hadn't expected such a pleased reaction.

“Well … if you want, of course, you can sew something. I'll bring something too. I will book a photo studio for next friday. Will you make it by then?" He asked softly, clearly appeased by the way she was acting.

"Yes, I will."

***

She was incredibly excited about his proposal. They exchanged phone numbers in case the studio was busy that day or needed to contact each other for other details about the shoot.

She had no idea why he chose her or what he saw in her, but she was very pleased that he wanted her to pose for him. She always dreamed of being someone's model, and she knew he was a talented photographer.

His pictures were really miniatures put in huge frames, almost like paintings. His photos, although colorful, had a kind of noise and blur that made the photo look old. He probably used special plates and exposure methods for this, but she wasn't very familiar with it. However, she knew that he was great at capturing the moment, chiaroscuro and color. There was something painterly about his photographs.

She spent one afternoon wandering around second-hand clothing stores where fabrics could be found cheaply. She was pleased that she had found everything she needed.

When she got home, she turned on her sewing machine, sewing a brown blouse for herself, and what she couldn't sew on the machine she sewed by hand.

She looked at herself in the mirror, looking at the effect of her work and decided that everything looked great. The fabrics she chose were soft and draped smoothly without looking artificial. She suddenly realized that she was missing the most important thing - a pearl earring. The pictures were to be taken the very next day, so she texted him quickly, scared.

[Y]: "I completely forgot that I need an earring, and I can't buy anything at this hour!"

After a few minutes, she saw that she had received a reply.

[Aemond]: "I was able to find a virtually identical pair of earrings at one of the pawnshops. I also have some fabrics if needed."

She took a quick portrait photo of her reflection and sent it to him along with the message.

[Y]: "I don't think any additional materials will be necessary."

He didn't write back to her for a long time. She got scared that he didn't like what she had created and started to worry. She jumped as her display lit up and she got a new message.

[Aemond]: "Well done."

***

She entered the studio at the time stated, looking around. Aemond was already inside, apparently adjusting the lighting. He just glanced at her and went back to working on setting the lamp.

"Close the door." He said coldly. She dutifully did as he asked and placed her backpack on one of the chairs against the wall. She took out all the materials she had prepared. She looked at him uncertainly.

"Can I change somewhere?" She asked quietly. Aemond looked at her in surprise and cleared his throat.

"Yes, you have a small storage room on the other side." He said, pointing to the opposite side of the room. "The door is open."

She nodded and quickly walked into the small room. With resignation she found that there was no mirror in it. There was no problem with putting on the shirts, but she had some issues with tying the bonnet and scarf.

Resigned, she poked her head out of the door, searching for him. He was looking through the camera at the place where she was supposed to be sitting.

"I need your help. I can't see if I tied it properly." She said pointing to the fabric on her head. Aemond motioned for her to come closer.

"Sit down. Here, like this.” He said, turning her with his hand, so that her body sat in profile to him. When he touched her with his large, cool hand, she shivered.

She watched him from below as he busied himself with tidying up her headgear. He glanced once in a while at the printed reproduction of the painting on the floor in front of him to get it right.

After a while he seemed pleased with the result. He handed her a pearl earring, and she put it on, empathizing with the person she was about to be. Aemond pulled away, took the camera in his hands and looked through the lens.

"Turn your head slightly towards me. No, not that much. Oh, that's right. Open your mouth slightly." He said matter-of-factly and suddenly she heard the sound of the camera shutter. Aemond pursed his lips.

"Don't look at me with such terrified eyes. Relax." He said and she swallowed softly, squeezed her eyes shut and tried to pull herself together.

This time she tried to keep her gaze soft. Aemond took the picture again. He pulled back and looked at her thoughtfully. His gaze was intense and he seemed to be thinking about something.

"Lick your lips." He said suddenly. She shivered at his words and looked at him in surprise, thinking she had misheard.

"What?" She asked quietly. Aemond looked at her expectantly.

"Rub your lips with your tongue. So that they shine." He recommended.

She felt her heart pounding. She blushed, ashamed and pursed her mouth, not looking at him, her tongue running slowly over her lips. She looked at him and saw that he swallowed softly.

He walked over to her and lowered the material of her shirt so that it showed more of her neck. She felt his fingers brush over her bare skin and gasped, wondering if he had done it on purpose. She looked at him and saw a shadow pass over his face.

"Yes. Look at me like that." He said, looking quickly through the lens. She lowered her eyes, embarrassed, feeling the tension in her whole body.

"Don't look away. Look at me. That's how you're supposed to look at me." He said in a tone that conveyed some kind of arousal and desire that made her shiver. She looked at him, her eyes hazy and slightly dreamy.

"Open your mouth." He ordered in a low voice, and when she did, he immediately took a series of photos of her.

"God, yes. Just like that." He said with a delight that made her even more embarrassed.

She lowered her eyelids, feeling her cheeks burn, pressing her lips together. Aemond looked at her with a mixture of admiration and something she couldn't name.

"Pose for me more often. I will pay you." He said suddenly and she looked at him surprised. She swallowed loudly.

"I… you don't have to pay me." She spluttered, looking away from him, looking down at her hands. She didn't know what was happening to her. She could feel his intense gaze on her, her heart pounding like crazy.

"Is that all?" She asked suddenly without looking at him.

Silence answered her. She heard him swallow hard.

"…yes, that's all." He spoke low, with a note of unreasonable uncertainty in his voice. She nodded and got up without looking at him, heading to the room where her things were.

She took off her costume and only now felt her hands tremble. She wondered what had just happened between them. She felt as if something inexplicable, artistic, intense and sensual had developed between them.

She left the room as soon as she was done. Aemond looked at her, obviously tense, looking at her expectantly. They looked at each other in silence.

"When can I see the result of your work?" She asked softly and saw him flinch as if he was thinking of something completely different, and her question brought him back to earth.

"On exhibition in two weeks." He said calmly, looking away. There was silence between them for a moment.

"Shall I go now?" She asked quietly, not knowing if he needed her for anything else. He looked at her in surprise and hesitated for a moment.

"Yes…yes, thank you, you can go." He said low. She nodded, said goodbye and left, closing the door behind her.

***

Aemond and she hadn't spoken to each other since the photos were taken. She saw him stare at her as they passed, but neither of them dared to speak. She wondered if he felt what she felt then too. She thought resignedly that his proposal was probably already out of date, but she had no intention of pestering him.

Helaena encouraged her to go with her to the exhibition. She had lost her will, but what Helaena said shocked her.

"Are you kidding? Your photo is at the center of his part of this exhibition. In the middle of the wall, in a beautiful frame, spotlit, the rest of his works are on the walls on the sides. This is probably his most beautiful picture!”

She blushed at her words and bowed her head. Her words made her feel that despite her fears she had to see it live.

What he saw on the other side of the lens.

That evening, she and Helaena arranged to meet outside the hall. She didn't want to go there alone, knowing that few people she knew would be there. She was grateful that she wanted to keep her company.

They went inside together, there were a lot of guests inside, talking intensely about something. The exhibition consisted of a series of works by several artist photographers, including Aemond. She noted with interest that her painting professor was also among the crowd.

At the very beginning there was a speech by the patron who funded the exhibition. He talked a bit about the assumptions of the exhibition, their artists and the works themselves. After it was over, as people rushed to fetch glasses of wine dispersing to explore, she saw with a lump in her throat what Helaena was talking about.

On the other side of the room hung her portrait. She had to get very close to it becasue photography was small in size, about the size of a notebook page.

The photo was slightly hazy, but sharp at the same time as if you could feel the air that was filling the studio at the time. She was delighted to see that indeed, the colors of her outfit perfectly reflected the saturation of those in the original painting.

She felt both awe and shame as she looked at her face. Her glossy lips were gently parted as if she was exhaling softly. Her gaze was warm, hazy, full of some unspoken, intense feeling.

She gave the impression that she wanted to say something to the viewer, as if she was already opening her mouth to say the words. She thought it was indeed a great photo and barely recognized herself in it.

She swallowed hard as she saw that indeed, her gold-framed picture was the only one on the main wall, the rest of his work was more closely spaced on the side walls. He clearly made this work the focus of his exhibition.

She looked curiously at his other works, and saw that they too alluded to the works of the old masters. She flinched as she heard a low voice behind her.

"What do you think?" Aemond asked, standing literally inches from her. He was so close she could feel his hot breath. She looked at him over her shoulder, confused.

"It's beautiful." She said softly. Aemond looked down at her, his gaze dark. He took a sip of wine from his glass, looking at her searchingly.

“I agreed with my professor on the subject of my diploma thesis. I want you to pose for me for female portraits like this one." He spoke calmly and matter-of-factly. She opened her mouth in surprise and blinked rapidly.

"I… I'd be very happy if I could help you." She said softly and smiled warmly, trying to control her facial expressions and her trembling heart.

Aemond looked at her intently. He pursed his lips, apparently debating whether or not to say what he was thinking.

"Be my muse."

_____

I decided that I wanted to write something that would be a one-shot and I came up with this idea. I really like what came out of it and I'm curious about your opinion. Let me know if you'd like it to be a mini series with other paintings in the background. If you want to be tagged, leave a comment below. ♥

@zenka69 @melsunshine @opheliaas-stuff

[otrtbs]

i need more historian nat: what's your favourite artwork in ahb and what's the lore behind it 🤭

OOOOOOOOH THIS IS SOOOO HARD. SO HARD.

Because almost all of the works in Art Heist, Baby! are chosen because I've seen them in person, or because I yearn to see them in person with a longing so intensely that it eats me up.

Okay, I think I'm going to have to go with Allegory of Charity by Francisco de Zurbarán (1655). (See is currently housed at the Prado museum in Madrid but she's not on display for the public to see).

I mean look at her, she's gorgeous!!

I think the flaming heart is pretty famous in its own right (often cropped without the complete image) and I am slut for catholic imagery (as a girl who went to catholic school for a bit and grew up catholic). So, let's discuss!! 😋

Zurbarán was a Spanish Baroque painter mainly known for his religious oil paintings (s/o to his still life with lemon, oranges and a rose though. that painting goes hard). He was a part of the Catholic counter-reformation in which a resurgence of catholic religious art, symbolism, imagery, and even institutions (such as seminaries and churches) that popped up in response to growing protestant support. Zurbarán was often commissioned to paint for monasteries and the king of Spain, is known to be "the Spanish Caravaggio" for his use of similar harsh lighting styles and painting techniques (chiaroscuro and tenebrism).

Zurbarán's works are often highly stylized and Allegory of Charity is no different. She is very posed and poised and looks out at the audience, directly (even the dramatic folds in her clothing aren't probable, but are done for visual effect, and not life-immitating accuracy). The central figure in the work is Charity personified, and she holds in her hand the flaming sacred heart of Jesus. The dove above, that is bursting into flames, represents the holy spirit.

-> Personal non-art historian nat input here -- there is just something about the way she looks out at the viewer. charity, with her compassion, or pity, making direct eye-contact with you. like, i would kill to see it in person...

Charity is seen clothed in red (the color of love and fittingly charity and green (the color of life and abundance).

Anyway, I think it's mentioned very briefly, in passing in AHB! but I made her viewable to the public (and to Regulus and James) because the Prado Museum in Madrid is gatekeeping her from the public!!!! I love this painting so much, so much. It's hard to describe, but she feels like an old friend. Like we'd be kindred spirits or something. And,,, I want to see her.

Okay thank you for listening to my little rant <3

[laiqualaurelote]

Press Release: Spooky Action at a Distance Album Reveal

The London Music Register - Local Interest

Spooky Action At A Distance unveils cover art for their much awaited debut album

The Ambassadors meets The Breakfast Club

Perhaps even more difficult than snagging a ticket to one of SAAAD’s sold-out club shows is trying to describe the experience to your less-lucky friends afterwards.

Their sound defies basic mortal conventions such as genre, instead better described by critic buzzwords, namely, transcendent and explosive.

Four band mates of wildly different backgrounds and styles meet to produce something that’s both the ultimate sum of their ancestral influences and entirely, uniquely theirs. Their music unabashedly melds high and low art- what begins as a pop punk song flows seamlessly into an operatic verse, while another number features elements of a baroque dance suite in what can best be defined as a modern club anthem. Their lyrics are equally packed with esoteric references and universal emotions.

It shouldn’t work- but it does. And it’s delicious. In order to tide you over until the album release, we’ve got the first look at its cover art, and as a gift to fans, it’s visually indicative of the band’s layered sound.

Many of you may be familiar with The Ambassadors from school trips to the National Gallery. The painting’s a popular subject of debate for art historians due to its detailed subjects and metaphysical symbolism. It’s reproduced faithfully here, albeit with a few cheeky adjustments.

SAAAD frontwoman Crystal Palace (yes, that Crystal Palace!) takes the place of the leftmost figure, complete with lavish outfit and undeniable rockstar swagger.

Across from her, drummer Charles Rowland stands in a dark coat, sticks clutched in a gloved hand.

Bassist Niko Sasaki lays across the top shelf à la Molly Ringwald, dandelion-crowned head at Palace’s shoulder.

Center frame- the band’s ‘brain’: virtuoso Edwin Payne sits with a lute across his lap and the painting’s infamous distorted skull slashing across his legs. (Memento mori seems to be a prevalent theme in many of SAAAD’s songs, though they often turn it into a lively celebration)

Eagle eyed fans will notice a couple additions to Holbein’s instruments- a bear figurine, a lantern, and a cherry blossom branch among them. Are they references to the band’s lyrics? Hints at future projects?

One thing’s for sure, we cannot wait to see more of this group. *

Spooky Action At A Distance’s album is available for preorder at record stores all across London.

Next live show: Saturday night at the Catabasis (tickets required in advance)

Booking inquires should be sent to Jenny Green.

HELLO I LOVE THIS?! for those unfamiliar with The Ambassadors by Hans Holbein, it's a 16th-century painting most famous for the weird distorted shape in the foreground, which looks like an alien object but is an anamorphic skull that comes into view if you approach it from certain angles. It's absolutely perfect for this band AU, I am shrieking. my eternal thanks to you anon

I actually drafted, but did not put in the fic itself, the track listing for the band's debut album AFTERLIVES, complete with writing credits:

SKELETONS IN THE CLOSET (Payne)

ACES DACES (Rowland)

LEFT OVER RITE (Payne)

TANPOPO NO KAMISAMA (Sasaki)

STICKY CRICKET WICKET (Rowland)

GIRLS’ KNIVES OUT (Sasaki, Surname von Hoverkraft)

RESTLESS PIANO SYNDROME (Payne)

PICK UP WHAT YOU’RE PUTTING DOWN (Rowland)

BRACELET ABOUT THE BONE (Payne)

BURY THE EX (Surname von Hoverkraft)

LANTERN IN THE DARK (Payne)

STAIRWAY TO HELL (Payne, Rowland) 

(bonus track)

13. GOT THE HELL OUT OF HELL (WE AIN’T GOING BACK) (Payne, Rowland, Sasaki, Surname von Hoverkraft)

gig officially gigged

[shegatsby]

Heyy! Its me again haha. I really wanted to thank you, this turned out really good!♡

I also have another idea..

Okay so reader is Will's cousin and they are visiting Will, Hannibal doesn't know and decides to pay Will a visit but he's currently at the store so he starts talking with the reader and they find out they have much in common like being fans of arts, opera and cooking.. and then reader says they are applying for a job in Baltimore as maybe an arts teach or smth. And 5 to 6 months after that reader meets Hannibal again in a museum of arts, they again start talking and catching up, exchanging numbers and staying in contact for awhile until Hannibal gets 'captured' and then of course everything that happens after that, Hannibal tries contacting reader in that time but it seems as reader blocked him.. and then I thought that maybe it would be like after the fall that Hannibal finally gets in contact with reader and they finally start building a romantic relationship!^^

So yeah thats my idea. I really hope you like this idea and can make something of it. Your writing is like honestly amazing and I would be really excited if you would do this considering the other one was so well made.. I wish you a wonderful late new year and to everyone else aswell! <3

A/N; I cannot believe I've finished this while listening to Justin Bieber -Maria lol Sorry its a bit long but i really enjoyed writing it. Also thank you for your kind words, i'm here to serve the fandom. <3 sorry for any typos since English isn't my native language. Oh, i hope you'll have an amazing year and i hope you'll heal from your past wounds.

words; 2.607K

warnings; mention of cirme, thats it. its safe kiddos.

You had to walk into the store in order to get warm and also buy groceries for your dear cousin. Will Graham. You were visiting him for a week and he asked you to cook your famous stew, in cold days like this a warm stew would cheer anyone up, so after breakfast you decided to get dressed and go to the store while Will was making cookies for his guest. You didn’t know who the guest was but he said he wanted you two to meet. You only nodded and left the house. Inside was warm, and smelled nice, you loved grocery shopping and cooking for people. It was your way of showing your affection towards beloved ones. You were in the wine section, decided to make some hot wine. As you were trying to reach to the top shelf you heard a calm yet dominant voice saying ‘’Allow me.’’ And on your peripheral vision you saw a man’s hand reaching for the wine you wanted. ‘’Here you go.’’ You turned to face the owner of that deep voice, ‘’Thank you.’’ You managed to say, observing his maroon orbits. Such a distinct color, you thought. ‘’Elegant choice. Most people don’t go for that brand.’’ He announced, Doctor Hannibal Lecter never made small conversations with people he didn’t know but when he noticed that this person knew a good quality wine he just wanted to chat. ‘’I’m making hot wine for today. This one is the best for that.’’ You said smiling, he smiled back. ‘’What is your go to choice?’’ he had this strange aura that made you want to talk to him, normally you would smile and say goodbye but he intrigued you to your core. ‘’If I’m visiting a close friend I pick this one, which that’s what I’m doing today.’’ You looked at the brand he was holding, ‘’I always admired the painting on that bottle. Such baroque colors.’’ He raised an eyebrow to your statement, ‘’I assume you’re interested in art?’’

‘’Always have been. Actually once the paper work is done I’ll start working in Baltimore with painters. They opened a studio and asked if I could work with them.’’ That’s when Hannibal noticed the small and dry paint residue on your dominant hand. ‘’I live in Baltimore and I hope to see your paintings one day at an art gallery. Good luck.’’ He smiled a warm smile which reminded you the sunset in winter, it gave you hope for the future.

‘’Thank you so much.’’ You said and you both walked to your separate ways. However, fate had its own webs to arbitrate in your behalf.

Once you reached to your cousin’s home you saw a car on the front yard, apparently his guest have arrived. You climbed the porch and used the spare key Will gave you. You could hear two man talking about a murder case, you knew what your cousin’s job was and he was so passionate about it that every week he would call you and tell you about a new case. In the entire family he chose you as his special blood connection. You two have always been considered as outlaws, or ‘’the freaks’’ and this made you more close to one another. ‘’I’m home.’’ You announced to let them know, just in case if they were talking secret FBI files. ‘’Come in Y/N.’’ you heard your cousin say with enthusiasm. You quickly left the bags on the kitchen counter and washed your hands, you had slightly cleaning obsession which Will never forgot to point it out. ‘’Hi!’’ you wore your warmest smile and walked into the living room which was at the back of the house and it had a door that opened to the back yard.

As soon as you walked in you saw that man from the store, sitting on the single armchair, holding a coffee mug in his large hand. You froze in your steps, watched him stand up, fix his clothes subtly and extend his hand towards you, ‘’What a lovely coincidence. Doctor Hannibal Lecter.’’ You took his hand, it was warm and manly, ‘’Y/N Y/L/N.’’ Will was puzzled but you explained to him quickly.

That night you asked him to stay longer and he helped you coking the stew and making the hot wine. 3 of you talked and explored new ideas about their cases, they were really keen on getting a fresh perspective from you about their recent case.

It had been months since that strange coincidence, since that you were working in that studio you mentioned to him and rented a small apartment for yourself and your cat. Things were going pretty smoothly and for the first time you and your team had an opening at the Baltimore Museum of Arts, it was an important night for you and you dressed up accordingly. Elegant yet showing your curves in a subtle way. A black velvet dress that was above the knee, black high heels, a fresh blow out, red lips and red nails. You felt like a goddess and walked like one as well. The event started at 8 pm, you were there with your colleges making sure everything was ready.

You were nervous so your colleagues greeted the guests who were mostly middle aged white people, you didn’t mind, since no one knew your face you could stand behind guests and listen their criticism about your work. It was fun, drinking your champagne and listening to rich folk who knew nothing about art making assumptions, some wondered about the artist but you were safe. You were standing right next to them and they didn’t know who you were. You had no idea about what was going to happen that night and that excited you deeply.

‘’Hello Y/N.’’ someone addressed you directly, for some reason you felt like a deer caught in the red lights. You turned to face the owner of that dominant voice, it was him. You almost dropped the empty champagne glass you were holding, he had a smirk on his plump lips. He grabbed your empty glass, a waiter was near you two so he gave the empty glasses to him got new ones, ‘’May I say you look ravishing tonight.’’ His comment made you feel the heat rising to your cheeks, ‘’Thank you, it’s been a while. How are you?’’ and you started catching up, he asked which one of the paintings were yours and you pointed, he looked at them for a while without saying anything, he seemed as if he was calculating something in his marvelous brain of his. Soon you were surrounded by his colleagues, he kept you by his side, ‘’I’m sure you would be delighted to know that those magnificent paintings were created by none other than this woman who is standing next to me.’’ He announced when his colleagues mentioned how much they liked your paintings, you were shocked that he revealed you to them like this, he seemed proud to have you to himself, the crowed started to compliment you all you could say ‘’Thank you, thank you so much..’’ you weren’t used to having the spot light. You could feel his large hand on the small of your back, not moving up or down, staying put. You felt like he was showing you off, but why?

When the night came to an end all of your paintings were sold, the owner would be revealed in a few days and you decided to send him or her a thank you note. Hannibal asked you for your phone number to keep in touch, he offered to drive you home also, you didn’t refuse because it was cold outside. As you left the building together you noticed his elite acquaintances raised eyebrows and questionable eyes, you didn’t care. You gave him the directions, it was snowing outside softly, when he reached to the parking lot of your apartment complex, he parked the car. You had a strange feeling that you didn’t want this night to come to an end, you noticed his slowness, maybe he felt the same way? You watched him opening his mouth to say something and then closing it. ‘’Would you like a glass of hot wine.. since it is really cold it could warm us.’’ You abruptly suggested, ‘’I would love to.’’ Was there a hint of excitement in his dominant voice? You didn’t want to jump into conclusions, he was older than you and seemed like a serious man, why would he want to have deeper connection with you? He had multiple beautiful people in his circle to entertain him… you decided that you two were in the right place in the right time and also Will Graham being your cousin made you two share a simple connection, that was it.

Thankfully your flat was organized and clean, he appreciated that mentally. He, deep down, was checking his long list ever since he met you, no one knew but Hannibal would like to share his luxurious life with someone and he had a long list, and whenever he met someone knew he would see if that person could tick all of the things in his list, you were doing great so far.

After making the hot wine you found yourself laughing at Hannibal’s stories with Will, you left your high heels on the floor, sitting on the couch whereas Hannibal was sitting on the armchair, sleeves rolled up, his tie was loose, legs wide open, holding his empty wine glass, you found yourself admiring his posture, he sat like a Greek statue, carved by the most talented sculptor of all time. He noticed your lingering shiny eyes on his body, he even liked it,

‘’Being desired by someone is perhaps the closest anybody in this life can reach to feeling immortal.’’

He said, his voice sounding like a prayer, divine and his eyes on yours… he slowly stood up, placed the empty glass on the coffee table, you could see the veins on his hand. He turned to you and got your glass as well, placed it next to his. His thick fingers went to your chin, lifting your face up to meet his. His orbs got darkened, he leaned in, you could feel his rich perfume, filling your nostrils. He whispered, ‘’I would like to have you for dinner, see you soon little dove.’’ and he left.

Of course he wanted to kiss you, ravish your body and leave marks on you, claiming his territory but there was still time for that. He was an old fashioned man and he didn’t have time for superficial things, he wanted this to be right. Before he let you speak he wore his shoes and left your flat and left you speechless.

After few days you got a phone call, Hannibal invited you for dinner at his house. What happened at your house few days ago troubled the depths of your mind every single day. He seemed like he was interested in you but you weren’t sure.

You knew he was interested in etiquette, aesthetics, so you wore slightly formal clothing. A black pencil skirt, beige blouse and high heels, soft make up and you were done.

When he answered the door his face light up to see you looking divine, ‘’Please come in. I have surprise to show you.’’ He announced.

He held your hand and walked you to the upstairs, ‘’This is my study room.’’ He announced before he opened the dark wooden door, inside was lit with yellow lights, he was right it was his study room. The detail was that the walls held your paintings… he was the one who bought your paintings, all of them.. ‘’Rest are in my office, my clients love them.’’ He said smiling to you, ‘’Hannibal… I don’t know what to say….’’ You were overwhelmed with emotions. ‘’I really like your work and I want you to follow your dreams.’’ You turned to look him in his maroon orbits, you didn’t have to say anything, your eyes did the talking.

After that you kept seeing each other, his work and also yours made it hard but whenever you had time you spent time with him. Bringing lunch to his office or Hannibal sending your studio presents. However, these last week you heard nothing from him, he wasn’t answering his phone, he wasn’t at his office, when you finally went to his home he wasn’t there, but his car was there… finally you called your cousin Will and he didn’t tell you much except Hannibal was involved with some crime and he disappeared. You couldn’t believe your ears, you did your research, he was all over the news but deep down you didn’t want to believe it. Also the news weren’t clear about his crimes…

Weeks passed without any news from him, you spent your days at the studio and you noticed how dark your paintings got… when you were with him you were blooming but now you felt as if life dropped you of somewhere and you are watching everyone live, except you. Your life got stale.

One day your paintings were accepted by an Italian art exhibition but you also had to be there as well, so packed your things and left Baltimore. Will also encouraged you to do it, he knew how depressed you got after Hannibal’s departure.

Italy was a dream, a dream you were glad to live it, the warmth, food and art made you feel like in a Disney movie but a part of you secretly wishing to experience this with a particular gentleman. You didn’t know your prayers were going to be answered.

The night of the exhibition you got a phone call, unknown number. You answered, ‘’Hello?’’ at first there wasn’t a voice, you were about to hang up but you heard him, ‘’I’m so proud of you Y/N.’’

Your heart dropped to your stomach, it was him. Hannibal.

‘’Hannibal? Where are you? What happ-‘’ he stopped you, ‘’Not on the phone, I’ll see you after the exhibition. Wait for me at the back.’’

The night felt like an eternity, when finally you were free you literally ran to the back of the building and there he was, on his motorbike, he looked so different yet familiar at the same time. ‘’Hop on princess.’’ He made you wear a helmet and together you rode. He took you to a villa, it was his new home.

You didn’t say anything until he brought you inside, as soon as he turned to face you to speak you slapped him, ‘’How dare you leave without a single note? I’ve been worried sick!’’

Hannibal was baffled to see this fierce side of you and he liked it. He kissed you. His plump lips made you feel at peace. Kiss got heated due to the fact that both of you had sexual tension for each other so long that now you were a volcano exploding. His hands went to your waist and pulled you roughly to him, his body felt like a rock, so firm. When you pulled away you were on his couch, on top of him, ‘’Is it true?’’ you asked out of breath, ‘’What?’’ he asked to buy some time. ‘’All they say about you.. are you a criminal?’’ you asked with hesitation. He had a smug smile, ‘’Does it matter?’’ his cockiness and confidence made it hard for you to be realistic but you figured as long as you two were together nothing could harm you. You kissed him passionately.

Thank you for reading.

[black-ak9]

Asking different questions of people because I'm bored. Day 1.

How do your vampires (Especially from "Hotel Transylvania") feel about art and culture?

Some of my headcanons about them is about them artistic part.

They love classical, baroque, romantic music, etc. It's from their time, of course. Why do you think they resurrected the zombies Mozart, Bach and Beethoven?🎻🎹❣️

The musical impact on humans was such that many monsters wanted to learn to play their works and continue their musical education. (Drac learned to play the violin, piano, ukelele, guitar and a little bit of cello + sing)(Martha learned to play the piano, a little bit of the violin + sing)(Mavis likes play the guitar and a bit of piano, bass + sing)✨

(Vlad... That man knows a little bit of everything about instruments, he just doesn't like to mention it, until suddenly he play the Devil's Sonata. LOL 🌟

Every vampire had at least once in his life a painting class, but most importantly: dance. Waltzing and dancing were famous and common. 💃

They enjoy some cultural traditions, as they find the human mind curious and how far they can go with their ✝️⚔️ like halloween, Samhain, Christmas but with Krampus, new year, Solstices (It depends on what country and beliefs they are)

They often believe that some human customs are absurd, so they just limit themselves to observing or ignoring them (such as some celebration of a saint)🦗

They even take the liberty of mixing some things up.

[sleepingsongbird]

Alrighty so I’m finally getting around to writing some modern au One Piece fic so I figured I should probably share some background for it!

Everything is set in one giant city and I have put way too much thought into this

City is roughly split up between the “four emperors”

The Grand Line(NE-SW) is the main commercial street that runs through the center of the city where every large group has a front. It intersects Red Street(NW-SE) which divides the territories. The Hospital sits at the East corner of where the Grand line and red street intersect.

Big mom’s pastries

The Red Force bar - cocktail bar

Kids repair shop

The Amazon Lily - Boa Hancock’s strip club

Rayleigh is a legal consultant and the only piece of neutral territory on the grand line

Marinefold- the Town hall sits dead center of Red street

Lodge square - located in the center in front of city hall

Pacifista church - run by Kuma, large mega church

Etc.

The Heart territory is a couple blocks in the East side that spans from Law’s apartment to the employee entrance of the hospital

All of the Hearts work either at the hospital or the Heart Club

Hearts are highly territorial despite being in Red Hairs area

The Hearts have tattoos but no markings on their medical uniforms

The large hospital where Law works is neutral territory and pretty much every doctor/surgeon there is affiliated with a group

The white coats of the doctors each have the symbol of their affiliated group embroidered with white thread. Each major group has at least one doctor that is deemed safe to go to

Kaido is a Yakuza group and Kin'emon’s group is the remnants of the Kozuki clan that are trying to retake the territory

East side is Red Hair

Locations-

Baratie- restaurant Sanji works at and common meeting place of the Straw Hats

Water 7- Large mechanic shop, Franky uses one of the workshops there for personal projects and to repair their Van(The Sunny)

The Heart Club- A below ground nightclub owned by Law

Patty’s bar- Run by Makino and frequented by Shanks

Mihawk’s Dojo- Zoro frequently trains there

Elegia recordings - Run by Shanks and started to Publish his daughter’s music

Uta started as a streamer then starting doing live performances once her popularity grew, she is often out of the city on tour

She is a very active protester and has been arrested multiple times

Soul KIng - Music supply shop owned by brook

Brook who was a famous musician who faked his death and moved into town to avoid the publicity (still very recognizable)

The straw hats live friends style with 3 apartments on the same floor. They are the local menaces and are constant up in everyone’s business

North Side is Kaido

Locations

Onigashima- Formally called the Kozuki theater was taken over by Kaido and turned into a club. Run by Orochi but paid for by Kaido. The daughter of Oden works undercover as a dancer.

Oden restaurant - Named after the late boss of the Kozuki family is run by his friends and son, current front to the Kozuki Yakuza group

DonQuixote Inc. headquarters- Center of Doffy’s operations and front for the family

Dressrosa Casino - run by Doflamingo. Hosts fights at its arena. Formerly run by the Riku family, Viola Riku currently sits on the board.

Punk Labs- Caesar’s lab, Donquixote is their parent company. Was formally run by Vegapunk.

Cipher pol - Government intelligence. Has agents stationed in every region

-Local occult shop run by Hawkins. Perona works part time doing seances

West side is Big Mom

Locations

Germa 66 publishing company- a well known action comic publishing company owned and run by Sanji’s family

Thriller Bark - Haunted house run by Gecko Moria

Zoo - Run by a wildlife conservation group called Zou

Drum University Campus - known for its medical programs ​

South side is Whitebeard

Locations

Local Police station

Alabasta Gallery - an upscale art gallery. Formerly run by the Nefertari family has recently become a front for the Baroque Works gang run by Crocodile selling counterfeit art

The family heir Vivi is a curator trying to gain evidence to take down Crocodile and restore the Gallery to its former glory.

Museum - has previously bought works from the prestigious Alabasta gallery. Robin works as a curator and researcher there.

The yami - dive bar run by Blackbeard

The coast(East Coast)

Impel Down- High security prison located on an island off the coast

Enies Lobby- an old mansion island now used for major celebrity and political events

The big top - an amusement park and circus located on the boardwalk. Run by Buggy. Alvida runs the big top in his absence.

Buggy is the primary informant in the city and also works as a clown at the local hospital to cheer up the patients and gather information.

The Barto Club - a bar and exclusive club dedicated to the strawhats gang. Run by Bartolomeo. Invitation only.

The Polar Tang- Luxury Yacht that Is outfitted with a full medical infirmary owned by the Hearts

Outskirts

Cocoyasi orchards - citrus farm owned by Nami’s family run by Nojiko

Baltago Cafe - front for the revolutionary army, an anarchistic group opposing the government. Koala is their head barista. Militia operations run by Dragon. Sabo is a member.

Feel free to use this as inspiration or setting for any fanfic or art just tag me so I can check it out!

[goetiae]

Diana and Actaeon

This painting depicts a famous mythological narrative about the hunter Actaeon bursting in when Diana and her nymphs are bathing. It was created by the renown Italian painter Ercole Graziani (1688—1765) who is remembered as a great master of Baroque art that inspired many pupils during his work in Bologna and Piacenza.

[scotianostra]

On November 18th 1785 Sir David Wilkie, the Scottish painter, was born.

Wilkie was born in Pitlessie Fife in Scotland on 18 November 1785. He was the son of the parish minister of Cults. He developed a love for art at an early age. In 1799, after he had attended school at Pitlessie, Kingskettle and Cupar, his father reluctantly agreed to his becoming a painter. Through the influence of the Earl of Leven Wilkie was admitted to the Trustees' Academy in Edinburgh, and began the study of art.

He is principally famous as the most popular genre painter of his time, but he also produced historical subjects and portraits. Wilkie moved to London in 1805 aged just 20, a year later an exhibition at The Royal Academy was a remarkable success for a painter so young.

His Chelsea Pensioners Reading the Gazette of the Battle of Waterloo (1822, Wellington Mus., London), commissioned by the Duke of Wellington, was so popular when shown at the Royal Academy that a rail had to be erected in front of it to protect it from the crowds. Between 1825–8 Wilkie travelled on the Continent for reasons of health (he had long been prone to nervous illness) and his work changed radically under the influence of Renaissance and Baroque painting, becoming weightier in subject matter and broader in touch.

Of his Scottish work I like his self portrait, (the first pic) thought to have been painted before leaving for London, Pitlessie Fair (seen in pic 2) and 'The Honours of Scotland'. The discovery of the Scottish Regalia (pic 3). The third one may look a bit rough, but it is the historical content embodied in the piece I like.

In 1840 he went to the Holy Land to research material for his biblical paintings and died at sea on the return journey; Turner (one of his many artist friends) commemorated him in Peace: Burial at Sea, as seen in pic 4.

[moonwoodhollow]

17, 19, 21!

17. What's the last thing you ordered online?

A chocolate advent calendar. I splurged because it's sososo good!

19. What's your favourite Halloween costume from when you were a kid?

Since we didn't celebrate Halloween until recently in Germany, I'll answer with my favourite Karneval costume; a ladybird!

21. What’s your favorite period in art history, your favorite famous work and/or your favorite style of art? 

Ohhhh that is difficult! I love a lot of periods tbh (former art history major) I love the Renaissance because it celebrated the forms of antiquity again, both in art and in architecture. Although the works of the Renaissance are often too mixed with religious aspects, I love the works of Titian, Raphael and Michelangelo. Sometimes I also find the splendour of the Baroque and Rococo very beautiful, especially because this opulence and decadence appeals to me. I also like later epochs, such as Biedermeier (x), (x)/ Impressionism (x), (x)/ Expressionism (x), (x). I also love the works by Georgia O'Keeffe! Apart from that, I am very interested in Chinese art, especially contemporary art or art from the 19th century onwards. I particularly like works that pick up on old Shan Shui paintings. But old (religious) murals, such as those in Dunhuang or the Mogao Caves, are also really beautiful!

(sorry that got long!!)

[milfzatannaz]

I just want everyone who’s often discouraged about their art and their skillset that it does get better. I’ve been drawing since I was 2 and yet in 2021 when I started digital art I found it so discouraging I often cried in frustration. and here i am in 2023, and I feel sooooo proud and accomplished and happy with what I make!!!!

my biggest advice is to draw from a place of joy. curate beautiful images that speak to you, find inspiration in everything. I love sunsets, angel statues, religious iconography, saturated colors, dramatic baroque oil paintings and vintage pinups. it’s so much easier to find ur artistic voice when you’ve surrounded yourself with beauty. maintaining the joy is what keeps our souls fed as artists. I never get artblock because I stopped trying to make art to be A Good Artist, but because I had so much I wanted to express. It’s easy to stay motivated when you move from being self critical to self inspired.

Being a digital artist can sometimes be demoralizing and I totally get it. I mean, it’s not like I’m a famous artist or anything here. my works don’t ever pop up when you search my characters on the internet and I’m ok with that. Because I draw for self enjoyment. You cannot find the drive to create art by relying on others to affirm your work, you have to simply love the act of creation. It’ll be okay. You’ll make amazing things. And in 12 months you won’t even realize how far you’ve come. That’s my personal anecdote anyway. Anyone is welcome in my DMs to talk about making art btw

[valkyries-things]

ARTEMISIA GENTILESCHI // PAINTER

“She was a famous Italian Baroque painter, one of the most celebrated in the 17th century. She originally worked in the style of Caravaggio. She was producing professional work by the age of 15. In an era where women had few working opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele.”

[gwendolynlerman]

Deutschribing Germany

Literature

Middle Ages (5th-15th centuries)

Medieval German literature can be divided into two periods: Old High German literature (8th-11th centuries) and Middle High German literature (12th-14th centuries). The only surviving works from the first period are the Hildebrandslied (Lay of Hildebrand), which is the earliest poetic text in German and tells of the tragic encounter in battle between a father and a son, and Muspilli, which deals with the fate of the soul after death and at the Last Judgment.

Middle High German literature saw a 60-year golden age known as mittelhochdeutsche Blütezeit, in which lyric poetry in the form of Minnesang—the German version of courtly love—blossomed thanks to poets such as Walther von der Vogelweide and Wolfram von Eschenbach. Another important genre during this time was epic poetry, of which the most famous example is the Nibelungenlied (The Song of the Nibelungs), which narrates the story of prince Siegfried and princess Kriemhild, among other characters.

Renaissance (15th-16th centuries)

Early New High German literature includes works such as Der Ring (The Ring) by Heinrich Wittenwiler, a 9,699-line satirical poem where each line is marked with red or green ink depending on the seriousness of the material, and Das Narrenschiff (Ship of Fools) by Sebastian Brant, a satirical allegory that contains the ship of fools trope.

Other important authors are satirist and poet Thomas Murner, humanist Sebastian Franck, and poets Johannes von Tepl and Oswald von Wolkenstein.

Baroque (16th-17th centuries)

The Baroque period is characterized by works that reflected the experiences of the Thirty Years’ War and tragedies (Trauerspiele) on Classical themes, the latter were written by authors such as Andreas Gryphius and Daniel Caspar von Lohenstein. The most famous work is Der abenteuerliche Simplicissimus (Simplicius Simplicissimus) by Hans Jakob Christoffel von Grimmelshausen, a picaresque novel that narrates the adventures of the naïve Simplicissimus.

Enlightenment (17th-18th centuries)

The most important writers of the Enlightenment are Christian Felix Weiße, Christoph Martin Wieland, Gotthold Ephraim Lessing, and Johann Gottfried Herder.

The Age of Reason saw the emergence of two literary movements: Empfindsamkeit (sentimental style) and Sturm und Drang (storm and stress). The first one intended to express true and natural feelings and featured sudden mood changes. The latter movement was characterized by individual subjectivity and extremes of emotion in response to the rationalism imposed by the Enlightenment.

Weimar Classicism (18th-19th centuries)

The main drivers behind Weimar Classicism, which synthesized ideas from Classicism, the Enlightenment, and Romanticism, were Johann Christoph Friedrich von Schiller, and Johann Wolfgang von Goethe. 

During this period, Schiller published Die Bürgschaft (The Pledge), a ballad based on the legend of Damon and Pythias found in the Latin Fabulae, and Don Karlos (Don Carlos), a historical tragedy about Carlos, Prince of Asturias, while Goethe wrote Egmont, a play heavily influenced by Shakespearean tragedy, and Faust, a tragic play in which the main character sells his soul to the devil that is considered the greatest work of German literature.

Romanticism (18th-19th centuries)

Important Romantic writers include E. T. A. Hoffmann, author of Der Sandmann (The Sandman), a short story based on the mythical character of said name that puts people to sleep by sprinkling sand on their eyes; Heinrich von Kleist, who wrote Das Kätchen von Heilbronn (The Little Catherine of Heilbronn), a drama set in Swabia in the Middle Ages; Joseph Freiherr von Eichendorff, author of Das Marmorbild (The Marble Statue), a novella about a man who struggles to choose between piety and a world of art, and Novalis, author of Hymnen an die Nacht (Hymns to the Night), a collection of six poems.

Folk tales collected by the Brothers Grimm became very popular during the Romantic period, as they represented a pure form of national literature and culture.

Biedermeier and Young Germany (19th century)

The Biedermeier period contrasts with the Romantic era and is best exemplified by poets Adelbert von Chamisso, Annette von Droste-Hülshoff, and Wilhelm Müller.

Young Germany was a youth movement whose main proponents were Karl Gutzkow, Ludolf Wienbarg, and Theodor Mundt.

Realism and Naturalism (19th century)

The most representatives realist authors are Gustav Freytag, Theodor Fontane, and Theodor Storm, while Gerhart Hauptmann was the most important naturalist writer.

Weimar literature (20th century)

During the Weimar Republic, writers such as Erich Maria Remarque, Heinrich Mann, and Thomas Mann presented a bleak look at the world and the failure of politics and society.

Expressionism (20th century)

As a modernist movement, Expressionism presented the world solely from a subjective perspective, distorting it for emotional effect. Famous authors include novelists Alfred Döblin and Franz Kafka, playwrights Ernst Toller and Georg Kaiser, and poets August Stramm and Else Lasker-Schüler.

Neue Sachlichkeit (20th century)

Neue Sachlichkeit (New Objectivity) arose as a reaction against expressionism and was characterized by its political perspective on reality and portrayal of dystopias in an emotionless reporting style, showing cynicism about humanity. Authors associated with this movement include Erich Kästner, Hans Fallada, and Irmgard Keun.

Nazi Germany (1933-1945)

During the Nazi regime, some authors went into exile, while others submitted to censorship. The former, who either were of Jewish ancestry or opposed the regime for political reasons, include writers Alice Rühle-Gerstel and Anna Seghers, playwright Bertolt Brecht, and poet and novelist Hermann Hesse/Emil Sinclair.

Those who stayed and engaged in inner emigration include writer Friedrich Reck-Malleczewen, poet and essayist Gottfried Benn, writer Hans Blüher, and poet and novelist Ricarda Huch.

Post-war literature (20th century)

The most famous authors in West Germany were Edgar Hilsenrath, Günter Grass, Heinrich Böll, and Group 47, a group of participants in writers’ meetings invited by Hans Werner Richter.

East German writers include Christa Wolf, Heiner Müller, Reiner Kunze, and Sarah Kirsch.

Contemporary literature (21st century)

Fantasy and science fiction authors include Andreas Eschbach, Frank Schätzing, and Wolfgang Hohlbein. Some of the most important poets are Aldona Gustas, Hans Magnus Enzensberger, and Jürgen Becker. Thriller is best represented by Ingrid Noll. Fiction novelists include Herta Müller, Siegfried Lenz, and Wilhelm Genazino.

[desimonewayland]

José María Sert (1874-1945)

'Vision de Naples'

An eleven-leaf screen, circa 1923

Giltwood and black glaze; decorated with scenes against the Bay of Naples, 390 x 800 cm.

Sotheby’s

Catalogue Note:

José Maria Sert (1874-1945), the "Tiepolo of the Ritz", is part of the closed circle of the great society artists of the 20th century. He married the famous Misia Godebska whom Forain introduced to him, better known as Misia Sert, a central figure in artistic and literary Paris at the end of the 19th century and between the wars. Muse successively of Mallarmé, Vuillard, Renoir, Proust, Diaghilev and Cocteau, Misia was also the confidante of Gabrielle Chanel for whom Sert created this screen.

Undermined by the Parisian avant-garde, he is part of a primarily decorative painting tradition influenced by Goya, Manet and of course Tiepolo. In his studio in the rue Barbet de Jouy, Sert created a grandiose decor in the image of his painting, mixing baroque furniture, gilded bronzes, crystals and Coromandel screens. Gabrielle Chanel retained this lesson in decoration and applied it in all her Parisian residences thereafter, as her apartment on rue Cambon still testifies. Sert held a salon there where he received the entire Café Society of the time, who commissioned him for multiple projects. Specializing in very large wall decorations and screens, he went from polychrome painting to monochrome painting on a gold background, which better suited his exuberant style. He received important commissions at the turn of the century throughout Europe and more particularly in England (between 1914 and 1915 for Lady Ripon at Combe Court and Sir Philip Sassoon at Lympe and between 1918 and 1919 for Sir Saxton Noble at Wretham Hall). He received his first commission in the United States in 1924 for Mr. Joshua Cosden's music room in Palm Beach. An exhibition in New York at the Wildenstein Galleries completed his launch across the Atlantic. He then undertook grandiose projects such as an entire room at the Waldorf Astoria in New York in 1930, and the entrance main building of Rockefeller Center, built in 1933.

"Art loses the last representative of great painting", wrote Paul Claudel in Le Figaro on 14 December 1945, on the death of his friend José María Sert. The monumentality of his work and the power of his personality made Sert an artist unanimously admired in his time.