#fairy-tales-for-adults

[thepersonalwords]

These days when you kiss a prince you often run the risk of turning him into a frog. But don't let the ogres in shining armor get you down. There is no need for distress - you don't want to be anyone's damsel anyway. Simply remind yourself that you are busy racking up those 'frequent failure points' that will eventually pay for an all expenses paid trip to Mr Right.

Anthon St. Maarten

[demi-pixellated]

So there's this demon slayer and monk 😊

[serien-grl-22]

Jude was invited to her own wedding.

[disneytva]

New Rejected Disney Television Animation Pilots Unveiled "Odd Jobs" and "Portal Hoppers"

Recently we unveiled a a look to the rejected Disney TVA series Uncookedland, apparently Matt Danner ("Legend Of The Three Caballeros") worked as Director for the pilot.

As Danner was thanking the people for seeing the pilots where here worked on ("Shred Force", "MEGA, MEGA Whoosh" and Uncookeland"). Cartoon Network Studios creator Andrew Dickman ("Harmony In Despair") mentioned a pilot under the name "Odd Jobs" where he worked on.

Not many information for Odd Jobs or it's creator is available however based on it's title we can assume is a wacky episodic comedy about the mcs having multiple jobs.

Recently JJ Villard attended the Creative Block podcast where he commented about his career as cartoonist/animator that lead to create the Adult Swim series "King Star King" and "JJ's Villard Fairy Tales" and the Cartoon Cartoons short "Scaredy Cat" that according to him almost lead him to be blacklisted after trying to sell it to Nickelodeon since Warner Bros/Cartoon Network dosn't want to release it and apparently broke the NDA contract.

During the podcast Villard revealed that he had a small overall development deal with Disney Television Animation with a show under the name "Portal Hoppers" according to Villard the series was aiming to be for Disney XD, as it's name says the show would have been about multiverse dimension hopping alongside the likes of Star Vs The Forces of Evil by Daron Nefcy, Penn Zero: Part-Time Hero by Jared Bush and Sam Levine and Very Important House by Jenny Goldberg and Jhonen Vasquez this is the only information so far.

Likely "Portal Hoppers" was passed when Disney decided to bring back all DTVA series in development for the Disney Channel which made Portal Hoppers to feel out of place with the demographic Disney Channel is know for.

[rat-rosemary]

Adding on my post about how if the Evil Queen had manipulated Apple into thinking she was a good mom so Apple would free her the dragon special would be so much better, if they hadn't got rid of the book in wonderland and now the main tension is the fact that Raven had to sign it so they wouldn't die, but Apple has not signed it yet because the one she did sign in the ceremony thing was fake. So now the moral dilemma becomes that if Apple signs the book her fairy tale is bound to happen, just like he wanted, but Raven did not sign it because she wanted to, she did it for her and her friends survival

So Apple has to deal not only with the whole Evil Queen and her mom fiasco, she also needs to deal with the fact that no matter how much she wants to, she shouldn't sign the book because it would seal Raven's fate when she didn't agree to it out of her own free will

[quietwingsinthesky]

i do love canon amy & rory but god, does some part of me wish they really had gone with the idea of the doctor picking up a child as a companion (and then later, that child’s best friend with a huge crush on her.) with the rest of the season really not changing at all, except now it’s amelia pond with an angel in her head killing her and lost alone in the woods. it’s little rory who dies and is forgotten and becomes a toy soldier. if this is going to be a fairy tale, then let it be one. children have never been safe in fairy tales.

[lightpurplelilies]

every time i think of anything fairy tale related i have to lean back in my chair and remember the absolute brilliance of the sisters grimm series by michael buckley. the storyline about the big bad wolf and the storyline about snow white’s evil stepmother in particular are absolutely masterful, and the big twist at the end of the second to last book is so intense. can’t believe those are children’s books. they are a masterclass in storytelling, adaption, suspense, and character design. even rereading them as an adult i was blown away

[movieposters1]

[theradianthealer]

Parents : She'll be turning 20. She'll take up her responsibilities now.

Meanwhile me*

Wearing a crown and cloak at midnight, reading fairytales and dancing in the arms of my imaginary prince :))

[david-talks-sw]

"What I'm really interested in is Star Wars from the perspective of the bad guys. Therefore, if we set something earlier in the timeline, something before the prequels, but a little bit after, you know, end of a High Republic, I was like, then the Jedi become, y'know-- Star Wars is always about "rebels vs institutional threat", right? "Underdogs vs huge empire", right? So if we set it then, the Jedi become the antagonists."

If this is implying the Jedi represent the institution/the Man... they're not. They're the underdogs.

If you go by the movies and The Clone Wars, the only people "below" them in status are Jar Jar, the clones and Anakin when he was a slave. Everybody else walks all over them.

"I think it’s difficult to do a show that is critical in any way of the Jedi."

It's surprisingly easy. Just watch Tales of the Jedi.

It won't be accurate in its criticism, but it does so happily.

"People were very nervous about saying this particular institution may not be the light and perfect, stunning group of heroes that are totally nobly intentioned"

If you search "The Jedi were good" on YouTube you get this result.

"[The Jedi] are fallible. That's really the story that George told with the prequels, right? The fall of this particular group."

No. It's not.

If you ask George Lucas, he'll ALWAYS say, from 1999 to 2020, that they're about:

how a democracy becomes a dictatorship and

how a good kid becomes a bad man.

He never brings up the Jedi when describing what the Prequels are about. The Jedi can only stand helpless, play catch-up and watch because guess what? They're the underdogs. They're not the institution.

[ariel-seagull-wings]

@princesssarisa @themousefromfantasyland

Picture of afro brazilian actress Adele Fátima playing the role of 'Clara das Neves' (a word play with 'Branca de Neve' (Snow White) and 'claras em neve' (egg whites, snow eggs or meringues in english) in the 1979 erotic comedy movie 'Histórias que as nossas Babás Não Contavam' (Tales Our Nannies Didn't Tell), which was a theatrically released parody of Snow White and The Seven Dwarfs for adults, part of the genre known as 'pornochanchada' that was popular between the late 70s to mid 80s during the climate of political opening and relaxing censorship in Brazil during the proccess of redemocratization.

This is the most family friendly picture of the movie that I could find to share on Tumblr.

[bookblr-of-nightingale]

🌌🌌 The Last Tale of The Flower Bride 🌌🌌

[vavuska]

It's like Maleficent, but they are lesbians 💖

The princess isn't supposed to fall for an evil sorceress. But in this darkly magical retelling of Sleeping Beauty, true love is more complicated than a simple fairy tale. Perfect for fans of Naomi Novik and Holly Black.

'Malice is the dark and wicked heart of a fairytale carved into a book. This story is beautiful, vicious magic.'

Tasha Suri, author of Empire of Sand

'A truly original and clever retelling of a classic that had me racing to the end - you'll never look at Sleeping Beauty the same again.'

S.A. Chakraborty, author of City of Brass

Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love's kiss.

Utter nonsense.

Let me tell you, no one in Briar cares what happens to our princess. I thought I didn't care, either. Until I met her.

Princess Aurora, last heir to the throne, the future queen her realm needs. One who isn't bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. But with less than a year before the curse kills her, any future I might imagine for us is quickly disappearing - and she can't stand to kiss yet another idiotic prince. But maybe I can help her. If my power began the curse, it might be the one to lift it. Perhaps, together, we could forge a new world.

But we all know how this story ends. Aurora is the beautiful princess.

And I am the villain.

Credits: @kimocchika

You can find her original post here: [X]

My GoodReads: [X]

[checkoutmybookshelf]

Oh You NEVER Introduce Yourself to Fae...

Miss Euphemia Reeves begins her fairy tale by making a cardinal mistake: she offers her full name to Juniper Jubilee, the Lord Blackthorn. And then Lord Blackthorn promptly appoints himself Effie's fairy godfather and is so damn enthusiastic and desperate to help that he becomes the single biggest obstacle to Effie fulfilling her fairy bargain. Let's talk Ten Thousand Stitches.

There are two major things I love about this book. First, I love that it does not frame anger as an inherently negative thing that needs to be gotten rid of or overcome; in point of fact, anger is what saves the day in this fairy tale. That actually gives Effie a real Sam Vimes vibe, truth be told, but we'll come back to that. Second, I actually loved how much of the book I spent yelling "HE LOVES YOU, OPEN YOUR EYES AND SEE IT" at Effie. Our girl is here for class solidarity and equitable treatment of servants, but wow can she not see true love when it's standing in front of her with puppy dog eyes.

Effie's two main plotlines are full on coming for the family she works for because they are abusing and exploiting their servants, and trying to get Benedict to fall in love with her. One of these goes significantly better than the other, because Effie turns out to be a magician whose magic works through embroidery. And this is where I want to really dig into how anger is handled in this novel.

As someone who was femme socialized in the 90s and early 00s, I definitely got the "anger and noise are not feminine, don't do that" and "anger is an inherently bad emotion." (To clarify: I did not get this from my parents, they were great. I got this from the REST of society.) Now as a grown-ass adult woman with some serious social justice and disability justice axes to grind, I have exactly zero time for moralizing about emotions. They exist, its on us to deal. And Effie's anger is characterized in terms like "bright" and "sharp" and "shining," which is a really lovely change from the deep black cesspool characterization that we usually see.

Atwater understands that anger can be motivating, can be the part of you that KNOWS you have more value than you are being treated with, and that cares deeply for you and the people around you. And Effie can imbue her embroidery with anger that motivates people to keep going, to change things for the better. This is anger that inspires. It's a complex, nuanced, adult living in a capitalist hellscape exploration of anger and its place. And y'all...I am here for it. I love how this is handled in the book.

If I'm being honest, the romance was my least favorite part of this book, because Effie inspiring the servants to basically informally unionize and fight for better lives for all of them is just so, so good, and feels so topical and relevant. And also, Effie just GETS this process, especially once its pointed out to her that she can work her anger magic intentionally. She is nowhere near this good at matters of the heart.

Overall, this was a very fun read, and honestly as a regency fairy tale, I think it hits strong.

[adultswimshowspoll]

round 1

please reblog after voting

[misschimotosuwa-blog]

I'm so offended, I was looking up EAH books online and they said for ages 4 - 8 😭🤣🤷🏼‍♀️