#fairy slipper

[thebotanicalarcade]

n259_w1150 by Biodiversity Heritage Library Via Flickr: Abbildungen der in Deutschland und den angrenzenden gebieten vorkommenden grundformen der orchideenarten Berlin,R. Friedländer & sohn,1904. biodiversitylibrary.org/page/15350002

[merp-blerp]

Random things about Cinderella (1950) I noticed/want to say after doing a psych project on it

I love the foreshadowing they do with the clock striking midnight when Cinderella is startled by the morning clock and she says "Even he orders me around." I never noticed it that way before.

The reason why no one recognizes Cinderella at the ball is because A) she seemingly wasn't allowed off her stepmother's property, so no one in town had ever seen her before or since she was a child, and B) when she gets there the prince immediately introduces himself and dances her away from everyone. The duke even pulls a curtain to separate her and him from the guests so they can dance alone. Almost no one gets a good up-close look at her except the prince.

I've said before on here that I think the prince in this movie was meant to be more of a symbolic personification of Cinderella's freedom rather than a literal character, and I still think that. However, I find it interesting that everything we know about the prince is told through others, not him. He doesn't get to be known. The only person he ever even gets to speak to is Cinderella. He also has a bit of character (relayed by others). His father laments that the prince is growing farther away from him the older he gets, he avoids responsibilities, and suggests that he's a hopeless romantic. It's also worth noting that the prince has no idea the ball is for the purpose of setting him up with a wife. He supposedly was led by the king to believe it was a welcome home ball, as he was away from home before (the ball invitees don't seem aware either until the night after the ball when they do the slipper fittings). [EDIT: I forgot to mention that I sappily like to interpret this as Cinderella, his eventual wife, being the only one who ever truly knows him, as he assumedly isn't close to the king or anyone else, so this is reflected in the fact that even us, the audience, don't get to know him like Cinderella must. Probably not the intention, but it's cute.] He also doesn't have severe facial blindness, he probably would've recognized Cinderella without the slipper but A) it was the king who thought of the whole slipper-fitting idea; all the prince supposedly said was that he'd marry the girl who wore the glass slipper, and B) He is explicitly not the one to do the slipper-fitting. The grand duke does it. But even the grand duke seems to recognize her before she gets the slipper on (he saw her up close briefly while she ran away and chased after her).

Also, as Cinderella runs from the prince, the other maidens there crowd him, so he can't get to her to stop her, but they only stop him to converse with him about how "lovely" she is, not because they want him, which is kinda wholesome. Again, no one was there to try and marry the prince because no one knew that's what the ball was for to begin with except the king and duke.

Cinderella is definitely very kind, but she knows the treatment she gets from her family is not right. She speaks somewhat passive-aggressively about them when they're not around. I like that touch.

When her stepfamily teases her over her excitement that she could go to the ball because she's eligible, she asserts that she's still a part of the family. Even though she's being abused, it's a type of abuse where she thinks her family must value her in some way. I think when her sisters ripped her dress apart was the moment she realized she wasn't a part of the family after all and that she wasn't loved/valued.

Lady Tremaine was so different from other Disney princess villains at the time. Allow me to go on for a bit. Compare her to the evil queen or Maleficent (who are also great). They have a very booming presences and everyone knows they are monsters, it's just that no one can stop them until the end of their stories. But Lady Tremaine knows how to fool people by having a motherly disposition. Not in a nurturing way, but in a stern, tough “love”, almost “calm” way. She never yells at anyone (just raises her voice) or acts traditionally evil in the way the evil queen or Maleficent do. More bite than bark I guess. For example, when she lets the step-sisters rip Cinderella’s dress, she simply tells them to come along afterwards and tells Cinderella goodnight like a mother might, but without affection with it, like a covert dig; she doesn't visibly get cross with Cinderella, but what she’s doing is still abuse. Even Cinderella seems to see her as a mother in one way or another before the dress ripping (I don't think Cinderella ever calls her "Step-Mother" again after the dress-ripping she allowed her sisters to do). She's very covert in her villainy. A very good depiction of an abuser. The only other Disney villain I can think to compare her to off the top of my head is Scar from the og Lion King when he was around anyone who wasn't the hyenas, but even then he dropped the act eventually after becoming king. Lady Tremaine never really does.

I also like the detail that after the ball when trying to tell the step-sisters about the shoe-fitting, she asks Cinderella, “Where are my daughters?” excluding Cinderella from being her daughter even though she should be. She really only sees her as a maid.

Cinderella's pink dress has a lot of bows, and at the beginning of the film, we see her when she was younger and the dress she wore as a child also had bows and was in a somewhat similar style. Her childhood dresses were probably taken away by Lady Tremaine when her dad died. Makes me wonder if Cinderella redesigned her mom's dress with her dress from youth in mind, as she certainly hadn't worn a nice dress since she was a kid. And if so, what would that mean? Was she just feeling nostalgic? Or had her sense of style not matured since childhood because she had been made to wear nothing but rags for who knows how long? Is her only frame of reference to what her own personal style is based from her childhood dresses? I just think it's kinda intriguing. The pink dress always felt explicitly young for Cinderella.

Cinderella's voice is so cute. Not just her singing, but her voice in general. Ilene Woods, love of my life apparently.

People often complain about Cinderella marrying the prince the day after the shoe fit, but Disney's version never specifically states that the wedding is the day after the slipper scene, it just comes right after it. Who's to say how much time there was in between scenes. There are versions that do say that it was the next day, so I guess people conflate different versions together in their heads. This is why it's important to watch films with your brain on before criticizing them for things they didn't do.

I never thought too deeply of it, but when Cinderella sings the words "So this is love" she really is (re)learning what love is. It's a realization. She likely hasn't felt love from another human being since her father died. Or rather she thought she was loved in some way, but then realized she wasn't when her dress was ripped. So now, with the prince, she has a better understanding of what it's like to be properly loved. Imagine hating this girl. 🩵

[life-imitates-art-far-more]

Jean Antoine Laurent (1763-1832) "Cinderella: a perfect match" (1818) Oil on canvas

[artist-issues]

I just need to rant about this post https://www.tumblr.com/thememedaddy/757194456784076800 because it’s really not that bad but it annoyed me because it was the second bad Cinderella take I’d seen that day and for some reason they keep cropping up on my dash. People really don’t understand the plot at all. Anyways I thought you might find it interesting and be able to work your analysis magic

Aw, this is just somebody trying to be funny. It’s not worth picking at.

But for fun, and because I love to talk about Cinderella, and for you:

Cinderella didn’t settle for the Prince. She already had a “happy life with her animal friends” because she was so kind to everyone. If you asked Cinderella if she had a happy life before the ball, it would not have been out-of-character for her to say “it’s not so bad, I have my animal friends!”

Even in the original (that word has some nuance when it comes to fairy tales, but this one is the most universally well-known) Charles Perrault fairy tale, Cinderella leaves the Prince during the ball to go sit by her sisters and share her oranges with them. Because she’s loving, and gives love, regardless of the worthiness or response of the creatures or people around her. She’s happy to be gracious and give love.

That’s the whole point; she’s always good, she’s always gracious, and she won’t let a silly little thing like “dire circumstances” get in the way of that. So this idea that she was looking for “happy life” outside of the one she already had? That just gives too much power to her circumstances.

No, she wanted to go to the ball because it was supposed to be beautiful and fun, and because her sisters were going, and being left behind on top of everything else would be too much, even for her amazing strength of faith. So. She was never looking for “a better life” out of the ball. She was just looking to share one beautiful occasion with the family she had left.

So let’s get that squared away. Secondly, this joke’s whole “he needed to make her try on a shoe because she had no makeup on so he couldn’t recognize her” is silly for three reasons.

In just about every major version of this fairy tale, The Prince is not personally trying the slipper on the mystery-girl. He’s sending out his staff, who don’t know what the mystery-girl looks like. So the slipper is their clue. If he’d been looking for her personally, a look at her face would certainly have been enough, because all versions of the tale consistently state that Cinderella is just as beautiful in rags as she is in her ball clothes. But that’s not how the story works.

The slipper is supposed to be symbolic. In the earliest version of Cinderella, it’s made of gold. The idea is that when Cinderella is in those hard, unique, sometimes delicate shoes, she’s in her true form. Not just anybody can dance in glass gracefully. So the Prince is not an idiot. It’s not just “can they fit the slipper in size.” It’s “can the fit the slipper in grace.”

Cinderella’s outer beauty is symbolic for inner strength of character. Her graciousness is the defining trait of the character. So the idea that the Prince knew nothing about her except her surface-level beauty, and that’s all he was basing his decision to marry her on, would totally hamstring the point that the rest of the story—kindness to low creatures, graciousness to low sisters, the fairy godmother—works so hard to make.

[gimmeurmoneyagh]

midnight waltz by @midnightmah07!!

CONGRATS ON THE 1500+ FOLLOWERS!!! 🥳🥳🥳

{ no voicelines sadly 😢😢 }

[vintagegirl01]

Lizards and Pumpkins

AU Young Leto Atreides x fem reader

Summary: A ball is being held in the hopes that Leto Atreides will find an eligible maiden to marry as he is expected to become the next Duke of Caladan.

*This storyline will be similar to Disney’s Live Action Cinderella (2015). There the dress you will be wearing is like that one.

Author's note: This is my first fanfic ever. Therefore, please be kind about any feedback you all may have. Other than that, enjoy and let’s see where it goes from here.

When you get to the bottom of the steps, you notice the man from the forest you met a while back walking towards you. However, you had know idea he was the Leto Atreides of Caladan. You had been told that he was an apprentice in training but you had no idea you were speaking to the next Duke in line.

At this moment, you two are face to face with each other.

“It's you, isn't it?” Leto asks.

“Just so. Your grace…”, you respond and curtsy to him.

“If I may... that is... it would give me the greatest pleasure, if you would do me the honor of letting me lead you through this... the first…”, Leto struggles to say what’s on his mind due to being in a daze by your beauty.

“Dance?” You ask, smiling sweetly at him.

“Yes, dance. That's it.” He finally gets out.

While you and Leto start dancing, you notice the people surrounding you both.

You whisper to him, “They're all looking at you.”

At that statement, Leto smiles and says, “Believe me, they're all looking at you.”

——————————————————————

Leto pushes you gently on the swing in the secluded garden he shows you as you both carry on having meaningful chats.

A clink is heard, and you realize your slipper is off your foot. Upon noticing this, Leto stops pressing you, gets on her knees, and places the slipper on your foot.

With awe, he asks, "It's made of glass?"

"Why not?" you ask him, grinning.

Then, as though he wants to kiss you, he leans in close. "Will you please tell me your true identity?"

After giving it some thought, you say, "If I do, I think everything might be different."

Leto says, "I don't understand," with a perplexed expression. “At least, could you tell me your name?”

Just as you prepare to inform Leto, the clock chimes 11:59. That's when you recall what the fairy godmother said. You say as you turn to face Leto. "I must go now. It is difficult to describe. Pumpkins, lizards, and other things. You tell him you'll never forget it and thank him again for a fantastic night.

Leto murmurs, "Lizards and Pumpkins," as he watches you dash out of the garden. With a smile, he chooses to follow you.

One of your glass slippers slips on the palace steps as you walk to your carriage. Even if at first you want to pick up, you change your mind as you notice Leto approach you and climb inside the carriage.

When the carriage pulls out of the palace, you see Leto stoop to retrieve your slipper. You grin as you recall the amazing evening you spent with Leto. Despite your feeling that this is the final time you will ever see him.

You have no idea that Leto is planning to locate you. In one kind or another.

[dozydawn]

fairy & lady slipper orchid brooch by kirks folly

[allaboutcinderella]

This is me once again imploring anyone who loves “Cinderella” to please watch The Slipper & the Rose!

Not only is it a musical with original songs, the dance numbers slap, the costumes are stunning and the plot is unique while keeping to the classic story!

(I wish so badly this would become a stage musical honestly)

If this post gets you to check out the film, leave your thoughts in the comments!

[moth-lace]

Thank you so much! The Witch of the East was a lot of fun to think about (since we never see her face in a lot of OZ media XD

[dragongodryss]

Various Sting and Rogue winter designs.

Individual outfits with better quality and ramblings below the cut.

Ceremonial outfits vaguely inspired by my dislike of their outfits from the GMG afterparty (mostly Rogue's. It's technically alright but I don't like it). Obviously they wouldn't wear these there but yeah. Not sure where they would wear these. Probably to something in winter. I had a version without Rogue's coat and Sting's cape, but I merged the layers and didn't notice until like an hour later. I didn't want to undo an hour of progress so I cut my losses.

Basically Rogue has a moon-phase corset (idk why) (but the way the jacket and corset overlap still shows the idea so yay) and Sting is wearing a sleeveless shirt with high gloves. (I know it's supposed to be winter but the cape is warm and fluffy, trust me)

I decided to give them basically the same color palette minus the blues and reds. Their cape/coat are their own color (black and white) and the outfit underneath is primarily a muted version of their accent color (red/blue) and each other's main color. Gave them dull gold accents because their early designs had a lot of gold. I kept the colors more muted because winter, but I also used the brighter colors I used for their eyes in some parts to break up the outfits a bit.

Sting's cape design and color placement was pretty intuitive, I knew what I wanted to do with it. I mixed his fur collar with dragon/angel wings and gave him a sun motif. Everything else is pretty similar to what he usually wears except for the fact that I minimized the white. I added some chains to his earrings because I thought that made them look regal and I stand by that opinion.

Rogue's was a bit more difficult. The main outfit was fairly easy in terms of general clothing elements, but I struggled with color placement. But I like how it turned out, so it's fine. As for the coat, the only thing I knew I wanted was the transparent sleeves. The jacket part went through several changes. I considered giving him a recolored version of Future Rogue's cape/jacket/thing, because that was cool, and Rogue doesn't know what Future Rogue was wearing so he has no reason not to. I also considered merging the jacket with his skirt thing from his earlier designs, but I didn't want to cover the corset thing and couldn't make it look right, so I left that out. I struggled to pick the colors for that too, but it worked out. I gave him the low ponytail from the GMG afterparty because that's the only part of the design I really liked. I braided his bangs but left some hair falling out of it because I wanted to. Not sure it's visible but yeah.

Here I gave them more comfortable outfits. They're a bit stressed because I wanted to vary the poses. I guess they've got a lot to do, so they didn't bother dressing up.

Sting forgot to put his shoes on. He's not really dressed for winter but he's busy so he's not going outside anytime soon. He just grabbed whichever clothes were closest and rolled with it. Sting did not dry or style his hair. No one noticed because they're also stressed. His shirt says 'Shut the FUCK up and lemme SLEEP'.

Rogue does not care enough to change out of his crocs. You can pry his crocs from his cold dead hands. (which will be soon if the weather keeps up) He put a bit more effort into his clothes than Sting. Or maybe he was just cold. Who knows? His hair is up because he didn't have the time to brush it today.

They did not intentionally coordinate outfits. Rogue might have picked the same colors subconsciously while half asleep. They own several outfits in matching colors, but they weren't aware that this was one of them.

Also I drew Rogue's irises way too big so now he looks like a wet cat. Sting is slightly more jacked than intended so now Rogue looks small. So all in all he's not having a good time.

Finally the date outfits. They both brought flowers. Rogue's is a white carnation and Sting's are red and purple tulips. Sting will eat the flower. Rogue knows this. He would have brought more if they weren't going to eat on their date. Rogue does not have a history of eating flowers, so he gets a bouquet.

Rogue's outfit is more fancy and Sting's is more casual, but not by too much. Rogue's hair is a mess because it was windy, but Sting used hair gel so he's fine. They're a bit awkward but happy to be here.

[prosebushpatch]

the slippers are made of glass because its awesome where's your whimsy, where's your basic human decency if you don't like it kindly enjoy another genre that isn't FILLED WITH impossible dresses made of moonlight or silver. I'm sorry, you need someone to explain how a glass slipper wouldn't be impossible to dance in? a glass slipper that came from a FAIRY Godmother? Are you going to nitpick spinning straw into gold, too? You sound like the people who complain about musicals having music. It's about the beauty in imagination. It's about emotion manifesting impossible things. You don't have to like it. You don't have to engage with it. but that is the Point of this genre. the slippers are made of glass because it's awesome.

sometimes that's all it needs to be.

[gummi-stims]

💜🧚🏼‍♀️🩰Sugar Plum Fairy Treats🩰🧚🏼‍♀️💜

From snoopslimesofficial's wintery collection!

[yoshidatommy]

Just silly little doodles ✏️😪

[withneedleandthreadimhappy]

Two more pairs of 6 cm fairy slippers …

[rowanisawriter]

having a cute idea of zagreus carrying love notes and kisses between achilles and patroclus while they’re still separated, very cute, very fluffye 🥰

what i wrote in the middle of the night when i thought god wasn’t watching

[scottkeenanillustration]

Dorothy’s magical shoes from The Wonderful Wizard of Oz by L Frank Baum. Originally silver in the book, the shoes were made ruby in the 1939 film The Wizard of Oz. I drew these in silver on Procreate but had to do a ruby version. I made a duplicate layer and just dropped red onto the shoes to make them ruby but unfortunately lots of the smaller details became lost and so in this case I think the silver versions work better. 

Scott Keenan, 2024