#factmag

[coranovoa]

Cora Novoa ft Bryte - Gogo Gaga Premiered on FACT Magazine

“Spanish producer and DJ Cora Novoa joins forces with Ghanaian MC Bryte, a propulsive fusion of their energetic styles. Layering restless kicks and blizzards of noise against Bryte’s nimble delivery and irrepressible vibe, Cora Novoa matches the rapper’s vocal levity with bludgeoning weight and atmospheric dept, revealing yet another side to the multi-faceted MC.

The video, directed by Benova Studio, sees the duo bopping around some of Barcelona’s rave institutions, including Razzmatazz, the club wear brand SSSTUFFF headquarters and THEROOM concept store. Capturing a snapshot of Barcelona’s nightlife scene, ‘Gogo Gaga’ is a homage to these shared spaces.

As part of the track’s release, Cora Novoa is launching a competition calling on producers to remix ‘Gogo Gaga’. Those interested in taking part mint a free NFT from Web3 community GUZZU, which will serve as the platform for release of the winning entry, selected by Cora Novoa herself.

‘Gogo Gaga’ is out now, on Seeking The Velvet. You can find Cora Novoa on Instagram and at her website. You can follow Bryte on Instagram.”

https://www.factmag.com/2023/05/04/fact-premiere-cora-novoa-bryte-gogo-gaga/

[ghettoblasting101]

Sunahreht march 21 Fact Mix:800

FACT mix: 800 - Sunahreht

my bro

[zef-zef]

Klara Lewis Semibreve Festival, Portugal, 2020

source: factmag 📸: from video by Joana Ferreira and João Brojo

[gavetao-visual]

FEMALE PENTIMENTO (Nathaniel)

Nathaniel é artista do sublime. Produz imagens e músicas que causam a sensação de estar entrando em contato com uma natureza que não tem o filtro de normalidade e finitude como a conhecemos no dia a dia. Aqui, a mágica poder e espirtualidade estão explicitas aos sentidos, é um brilho de luz de divino que você sente que pode te queimar.

A sua música é uma mistura de sons profundos e viscerais, como orgãos, ruídos distorcidos, sussurros de ASMR. Em uma entrevista pra factmag, o autor descreve prerfeitamente o trabalho de Pentimento como "uma tensão constante entre a beleza transcendente e o horror catártico". Em 2022 fez uma colaboração com a Arca, a combinação que não podia deixar de ser.

Segundo as palavras da artista: "Tenho criado trabalhos através das lentes do bioespiritualismo. Pensando em maneiras de olhar para a natureza para me entender melhor. Parte disso foi imaginar realidades alternativas onde eu incorporo uma forma diferente: outra criatura ou algo totalmente incorpóreo (como um portal de luz)."

[sickouthere]

@geslotencirkel @factmag

[postpunkindustrial]

KMRU – ‘Till Hurricane Bisect’ KMRU – ‘Slowed Cities’ The Orielles – ‘Beam/s (Space Africa Remix) KMRU – ‘Dissolution Grip’ KMRU – ‘Motley’ Aho Ssan & KMRU – ‘Till Hurricane Bisect’ KMRU – ‘Slowed Cities’ The Orielles – ‘Beam/s (Space Africa Remix) KMRU – ‘Dissolution Grip’ KMRU – ‘Motley’ Aho Ssan & Josèfa Ntjam – ‘Dislocations’ (Extract, 2022) Ego Death – ‘Ego Death (Excerpt)’, Live @ Unsound 2022 – ‘Dislocations’ (Extract, 2022) Ego Death – ‘Ego Death (Excerpt)’, Live @ Unsound 2022

[thewaysoundtravels]

"A masterpiece of the slow-motion style known as Detroit beatdown, this one-off meeting of the Motor City supergroup limns its crumbling panorama in elegiac synths, bit-crushed samples, and dubbed-out drums that dissolve into dust clouds of delay". - Pitchfork - 10 Overlooked Electronic Albums From 1998

For more info see FactMag - Urban Tribe – Stingray, C2, Shake and Moodymann – talk new LP

[djaavdin]

📖 Article of the day : Interview: Lyra Pramuk 

Credit : Factmag 

➡ To Read Full Article: https://www.factmag.com/2024/04/05/interview-lyra-pramuk/ 

#repost #read #technomusic #technoculture #music #artist #electro #electromusic 

[numeraledition]

[sickouthere]

@geslotencirkel @skatalite

my minimix for factmag and my friends @geslotencirkel @skatalite

wish i could dj in a room filled w all my tumblr followers

[c-40]

A-T-3 079 Dayton - The Sound Of Music

This began as being a post for a track by Lives Of Angels which is a synth prog track but as I‘m writing I go off track. So although I start out referring to Lives Of Angels the Dayton track becomes more suitable

A search for info on Lives Of Angels brought up a link to the reissue by Dark Entries and a weekly feature in Fact Magazine called ‘Forgotten Classics.’ The title of the FactMag feature had me thinking forgotten implies these records were once widely known which generally isn’t the case. Relatively recent reissues like Lives of Angels’ album Elevator To Eden isn’t remembered by enough people to be forgotten and unknown records don’t instantly fit with the label classics, although a minority may become that I’m not sure you can say Elevator To Eden is a classic

It doesn’t look like many ‘Forgotten Classics’ articles were written and the weekly feature fizzled out which is strange because the 2012 the year of the articles corresponds with an explosion of reissue labels and a jump in sales for legacy records, they now account for the majority of all record sales (73% of US album sales)

Labels like Dark Entries, Numero, Light In The Attic, Minimal Wave, Music From Memory, Awesome Tapes From Africa, Emotional Rescue (I could go on and on) often get cult status in their own right for reissuing rare albums that have become highly sought over time, unearthing unreleased material and gems from the darker recesses of back catalogues

Reissues began as a budget option, EMI and Hamlyn began Music For Pleasure in the mid-1960s, as MFP began to look outdated the Fame budget label was launched, most major labels did this, CBS had it’s ‘Nice Price’ series, Virgin ‘Virgin Value’ and ‘Compact Price.’ Alongside the majors reissuing their own back catalogues See For Miles and the Charly label began licensing and reissuing records, Allied Records Ltd purchased the rights to the Trojan label and its back catalogue as it had done Saga. Before the 1970s was over Rhino(USA) and Ace were founded, and by the mid-1980s Castle Communications had joined the fray. I’ve mentioned these were budget labels and some of them got a reputation for cheap product

Compilation albums of older music and reissues are closely related, many reissue labels also released compilations. In the 1980s Morgan Khan’s put out budget compilations on his Street Sounds label, including soul/disco label boxsets. BGP founded by Djs Baz Fe Jazz and Giles Peterson comes out of the popularity of Rare Groove in the capitol. Major labels delve into their back catalogues once again and compilations like Arista’s Rare or Capitol’s Capitol Classics, and Polydor’s Urban sub label is founded by Steve Proctor. Urban is important as began reissuing Roy Ayers albums (amongst others) in the late 1980s

I discovered The Sound Of Music by Dayton on 1988’s Capitol Classics, it had also been on Street Sounds 7 in 1983. Here’s a live performance I hadn’t seen before

[zef-zef]

Sarah Davachi

source: factmag 📸: Ella Rinaldo

[certainwoman]

Caterina Barbieri / FACTMag

[orfeoarte]

In game design, these sounds are used in a way called "Priming". We're made to associate these sounds with negative events. The sounds themselves are indeed things we relate to fear: alarm-like, low and booming like a predator's growl, and falling squarely within the uncanny valley. Curator, artist and composer Lawrence English speaks of Ambient music and its ability to generate fear, and our rich history with it in an article for Factmag that brings to mind ideas of war and predation. Airships from unknown locations descending on a defenseless population.

We have the idea of sound as a primer for fear, a lived history of these types of sounds being linked to danger even evolutionarily, a cultural precedent (War of the Worlds), and an uncanny valley factor that obscures those signifiers until they're perfectly magnified into an unbeatable evil from above, equal parts airship and apex predator, futuristic and atavistic, identifiable and alien.

If you want to scare me to death, combine megalophobia + this specific sound and I will be hooked on whatever horror project you're making