#fabric weaving machine

[paramountlooms]

Which loom machines are used to weave cotton fabric?

Types of Weaving Machines Used in the Cotton Fabric Production

Air Jet Looms – Air jet looms are high-speed weaving machines used to make cotton yarn. Compressed air propels the weft yarn through the warp yarn, producing high-quality fabric. It is best suited to lightweight cotton fabrics like muslin and voile.

Rapier Looms – Rapier looms are fast and efficient weaving machines using a flexible metal device that picks up weft yarn from one side and carries it across to the other. It is suitable for weaving a wide range of cotton fabrics, including terry cloth and corduroy.

Shuttle looms – Shuttle looms are traditional weaving machines that use a shuttle to carry the weft yarn through the warp yarns. They are best suited for weaving heavyweight cotton fabrics, such as twill and drill, and are still used today for certain types of cotton material production.

[reshamandi03]

Let's know about the 4-step guide for weavers to optimise the performance of fabric weaving machines.

[anaflordelviento]

Retícula · Ana María Cobos Serrano

Costura en maquina familiar Brother y fusionado de telas · Retazos de diferentes diseños y procedencias adquiridos en la lavandería y taller de costura de mi madre · 39 cm x 35cm  · 2019

[thackeroy]

Project Posts Masterpost

WIPs

[cross stitch] Memento Ophelia

[cross stitch] A-Z Dinosaur Sampler

[cross stitch] Golden Bee

[cross stitch] Birthday Cake

[cross stitch] No More V2

[cross stitch] Stitch-O-Graphy

[blackwork] Bat With Bell

[blackwork] Moonlit Market SAL

[blackwork] Norse Mandala

[blackwork] Tomb Mates

[embroidery] Trick or Treat

[knitting] Corryn / Spider Lace Shawl

[knitting] Make Gnome Mistake

[knitting] 100 Bag

[crochet] Swans

[hand sewing] Tiny Hexies

[hand sewing] Measuring Tape

[quilting] Windy Day / Birb quilt

Finished

[cross stitch] Addams Family '21

[cross stitch] Rainbow Biscornu '23

[cross stitch] Wedding Sampler (sisters wedding gift) '23

[cross stitch] SPS SAL '23

[cross stitch] Gay Dino '23

[cross stitch] Cryptids '23

[cross stitch] Mr Spoop 1 '23

[cross stitch] Birthday Cake '24

[cross stitch] Mondays '24

[blackwork] Blackwork Needlebook '21

[blackwork] Stranger Things '23

[blackwork] Midnight Whispers SAL '23

[blackwork] Ghost Love Bookmark '24

[embroidery] Spooky '23

[knitting] My First Socks '21

[knitting] Chevron Hand Towel '21

[knitting] Birdwing '21

[knitting] Pigeon Socks '22

[knitting] Moby Duck '22

[knitting] Owl '22

[knitting] Gnome Made Gifts '22

[knitting] Froog '22

[knitting] Climate Change Scarf '22

[knitting] Wellerman '23

[knitting] Bear Hat '23

[knitting] Pride Socks '23

[knitting] VeganYarnUK Advent Shawl 2022 '23

[knitting] The More You Gnome MKAL '23

[knitting] River Mitts '23

[knitting] Snow Matter What Advent MKAL '23 '23

[knitting] My Frog '24

[knitting] My Frog's Tshirt '24

[knitting] First Sweater '24

[crochet] My first ever crochet item '20

[crochet] Mamas Gift '21

[crochet] Coaster '21

[crochet] Leef '22

[crochet] Chicken Coaster '22

[crochet] Boo '22

[crochet] Head Leaf '23

[crochet] Snowflakes '23

[handsewing] Scrappy Bird '20

[hand sewing] Snail '21

[hand sewing] Scrappy Fly '23

[hand sewing] Vest '23

[hand sewing] Clown Yo-Yo Doll '24

[machine sewing] Small Project Bag '23

[quilting] Mama's Wheelchair Quilt '24

[tablet weaving] First Tablet Weave '22

[tablet weaving] First attempt at second tablet weaving project '23

Frogged for now

[knitting] Burn it down socks

Cancelled

[cross stitch] SYOA Middle Earth

[cross stitch] Daruma

[blackwork] Krampus

[revcleo]

[tothesolarium]

The rule of cool and trying to make a mech design somewhat practical having a fistfight in my skull as I design Labyrinth Breaker v.2

[asjjohnson]

Realizes it would cost $15–$20 to buy enough yarn to make a scarf.

Buys a $13 extra large scarf instead.

Oh, I'm sorry, you wanted a scarf, and not a rectangle of thin, unraveling fabric?

[mephestopheles]

Ashford traveler wheel on the left, and a Schacht Rigid heddle on the right. The traveller is a 20th century update to a castle wheel. Where the others above are Saxony wheels. If I need access to an older loom I can contact the guild and get access to the 8ft one.

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[bevanne46]

Do you watch "How to..." Videos before you start something new? I just got a new Brother Innovis Embroidery Machine and I have never used any Embroidery Machine before so I have been watching a lot of "How to..." Videos and I have actually learned somethings that I can use with my regular sewing machine.  If you don't watch "How to..." Videos, you should!

[reshamandi03]

Let's know about the 4-step guide for weavers to optimise the performance of fabric weaving machines.

[shannonpurdyjones]

One side effect of my research for this novel being steeped heavily in textile history is my swelling disgust with modern fabrics.

Firstly they're so thin? Like most things you see in Old Navy or even department stores might as well be tissue paper?? Even some branded sports t-shirts I've bought in recent years (that are supposed to be 'official apparel' and allegedly decent quality) are definitely not going to hold up more than a year or two without getting little holes from wear.

This side of even two hundred years ago fabrics were made to be used for YEARS, and that's with wearing them way more often because you only owned like three sets of clothes. They were thick and well made and most importantly made to LAST. And they were gorgeous?? Some of the weaves were so fine and the drape so buttery we still don't entirely know how these people managed to make them BY HAND. Not to mention intricate patterning and details that turned even some simple garments into freaking ART.

I know this is not news, the fast fashion phenomenon is well documented. Reading so much about the amazing fabrics we used to create and how we cherished and valued them, though, is making it hard not to mourn what we lost to mass production and capitalism. Not just the quality of the clothing and fabrics themselves, but the generations of knowledge and techniques that are just gone. It makes me what to cry.

I need to get a sewing machine.

[emiliaoleary]

Hooking rugs that look like dogs

Here's how I do it:

The process I use is called rug hooking (not latch hook or punch needle or tufting, though it is the forerunner of the latter two techniques). Rugs are hooked by pulling loops of fabric strips or yarn through the holes of a base fabric with a coarse open weave, like burlap, or linen, or rug warp. The loops are pulled through the fabric with a squat-handled hook whose business end is shaped like a crochet hook.  There are no knots and the loops aren't sewed down in any way.  The whole thing stays put just by the tension of all those loops packed together in the weave of the foundation fabric.

This isn't a true detailed tutorial but a walk-through of my particular process. The same information is on my web page, emilyoleary.com .

I hook with yarn, rather than with cut strips of wool fabric, which is what many rug hookers use.  I can get a looser, more organic distribution of loops with yarn than I could with wool strips, which are hooked in neat lines. 

Mostly I use wool yarn. In terms of yarn weight, I can use DK, worsted, or Aran.  If I'm using thicker yarn, I leave more holes un-hooked; if I'm using finer yarn, I hook more densely or double up lengths of it.  I particularly like using single ply yarns (like Brown Sheep Lamb's Pride or Malabrigo Worsted).  I don't keep count, but I think I usually use around two dozen types and colors of yarn per dog.  

This is my yarn wall in my apartment. Mostly brown and gray yarn!

I start from a small drawing in my sketchbook, then I head to FedEx office to use a copy machine, blowing up the drawing repeatedly and experimenting with how big the dog rug should be. 

After transferring the image onto my linen, I immediately go over it with Sharpie, because the Saral is really difficult to see and really easy to rub off.

The rug is held taut by a PVC quilting frame that I set on my lap.

I push my hook down through the fabric with my right hand and my left hand stays below the fabric and guides the yarn while I pull it up and through with the hook. Not every hole in the fabric is hooked. Hooking every hole would make the rug too dense. I do hook pretty densely, though-- If you pick up one of my rugs you’ll see they have a slight curl to them, which is because they’re hooked pretty tight. I'm using all different weights and types of yarn, so it's a challenge to keep the overall tension even.

I hook my loops at varying heights to create a very low relief. Sometimes I trim the loops to make them fluffier or wispier or to shape a particular part. I look at a reference photo while I work and pull out and redo sections a lot.

My q-snap frame can accommodate the growing dog rug. I have extenders to make it bigger and I can clamp around my hooking.

The back of a rug looks like lines of little stitches. The lines are little worm trails snaking around because lines of hooking are not supposed to cross over each other. It's important to start a new length of yarn rather than cross over a stitch you already made! I read this when I first started and took it to heart. It makes it much easier to undo and redo hooking if you have to (and I redo sections A Lot). It also keeps the back from getting too bulky and resulting in uneven wear on the back of a functional rug that gets floor use.

When I’m done hooking everything I turn the rug over and brush watered-down Sobo glue on the edges of the dog, making sure to get one or two of the outermost lines of hooking. I do a couple coats of this thinned out glue. I'm careful not to use so much that it seeps to the front of the rug. When the glue is dry I cut the rug out, but I don't cut so close that the loops don't have any linen to keep them in.

​ It generally takes me at least several months to finish one dog rug. My hooking frame and yarn bag are very portable (though bulky) so I can hook out and about at coffee shops or the library or a brewery if there's enough space and light.

Hooking in the wild makes me an ambassador for making things in general and rug hooking in particular. I answer people's questions and always emphasize how relatively easy it is to get started hooking. Sometimes I get anxious that other people will hook rugs that look like mine but better, but I think that working in a traditional medium means you should share your knowledge for the good of the craft.

[imaginedisish]

Inside Out (Logan Howlett x f!reader)

A/N: Oh my god I'm back again. This is another soft!Logan fic. I couldn't hold myself back from writing this one. The next fic I have planned is going to be devious and diabolical, I promise, but for now, here's another angsty, soft and smutty Logan one shot. Couldn't stop listening to "Inside Out" by Duster while writing this one. I think it fits. Hope you guys enjoy :)

Summary: After a tense battle, you and Logan have it out (in more ways than one).

Warnings: SMUT! 18+ Minors DNI! Oral (f!receiving), Fingering, PIV (unprotected...wrap it up, this is fiction!), Allusions to PTSD/mental health, Frenemies to Lovers, Fem!reader, AFAB!reader, Mutant!reader, Telepathic!reader (with heightened senses/visions), cannon typical violence/allusions to death, non-sexual intimacy becomes sexual intimacy (not sure if that warrants a warning), angry!Logan, reader has hair (length/texture/color not described!) major angst, probably grammatical errors, I think that's everything.

Word Count: 4477 wow

You and Logan are surrounded. You can hear the other members of the team nearby in the forest, screaming, grunting, fighting. Guns going off, ricocheting against trees. And now, there is a circle of government-sanctioned mutant hunters pointing their machine guns and rifles directly at the two of you. 

Your heart beats out of your chest. How the fuck are you going to get out of this? It seems impossible. Sure, you and Logan can regenerate, but not nearly fast enough. You’re outnumbered 2 to at least 40, and more to come. Maybe this is the end. Maybe there’s no going home this time. 

But then, an idea crosses your mind. Briefly. A flash. A shot in the dark. But it’s there. And if you’re strong enough, it might just work.

You wince as another presence weaves itself through the fabric of your thoughts. No, Charles shouts in your mind. It’s too dangerous. 

You shake him off, forcing up your mental shields. Logan recognizes that look on your face. He can tell you’re up to something. He has always been able to read you like a book. 

“Don’t you dare put yourself in danger,” he mutters under his breath so only you can hear him. “We are all walking out of here, and you’re no exception.”

You close your eyes. “When I tell you to get down, you get down.”

“Absolutely not!” His nostrils flare. The government agents cock their guns. 

“Lo, get down.”

“Fuck no!”

You can feel it coming—feel their fingers bracing their triggers. Pulling. Pulling. Pulling. Everything is silent for a moment. You can hear everything. Nothing. There’s a squirrel running up a tree just a few feet away. A cold breeze sweeps through your legs. Peace. 

It never lasts long, does it?

“NOW!”

BANG! The shots ring out, echoing against the branches, the sound shaking the trees. 

With half your focus, you shove Logan to the ground, and with the other, you stop each and every bullet pointed in your direction. You stop the agents too, freezing them in their places. Dense, heavy sweat builds upon your brow. You’re trembling, your hands stretched out towards Logan and the agents, but you’re still in control. You can hold on a bit longer.  

You swallow harshly, forcing the bullets to rain down to the ground. With the twist of your hand, you remove the magazines from each of the guns and unload them, the ammunition falling to the ground, too. With the agents still under your control, you bend their wrists just enough so that they sprain; just enough so that they can’t fight back. 

And then comes that sudden, familiar shift in your body and in your mind. You’re weakening, losing control, struggling to breathe. You growl in agony, your head ready burst from the pressure of hanging on too long—but you have to finish this. You have to save your friends. 

You have to save Logan. 

With one final push of your hand, you send the government agents flying deep into the forest, screaming in pain at the sheer force it takes. You fall to your knees, down on the ground next to Logan. You try to catch your breath, your chest heaving rapidly. You cough, choking on your own breath and saliva as the taste of metal burns at the back of your throat. You swallow it all down. One more second of that, or a few more agents to fend off, and you might not have made it. You might have died trying. 

You regain some of your energy after a few moments on the ground. It’s not until you try to stand that you notice Logan’s hand on your back. He tries to help you up, but you shake him off. 

“I’m fine,” you protest, dusting off your uniform. 

“Fine?” Fuck. He’s angry. “You call that fine? You almost died!”

You turn to face him. He wants anger? Oh, you can show him what anger fucking looks like. “We would be dead if I didn’t do that! I did what I had to do!”

He prowls toward you. His claws are still out. “Are you fucking crazy?” He’s backing you into a tree now. “Tell me, what the fuck was that? What did you think you were doing?” He retracts his claws as he pins his hands into the tree, right next to your head. The bark scratches into the rips in your uniform. 

You condescendingly poke his chest with your pointer figure. If he’s going to treat you like a child, you’re going to do the same to him. “Saving your ass, that’s what!” You shout back. 

“This is not the time or place for you two to have it out.” Scott’s grating voice fills your ears. He is the last person’s opinion you’d like to hear right now.

You and Logan snap your heads to face him. “Shut the fuck up, Scott!” You spit in unison. He throws his hands up and backs away. 

“You could’ve gotten yourself killed!” Logan practically growls. 

You shake your head, your nostrils flaring. “I was protecting you!” You shout. “And I did! It worked!”

The rest of the team starts to board the jet, but Logan shows no sign of budging. Storm crosses her arms as she stands in front of the ramp. “Logan, let’s go.” 

He doesn’t move an inch, still caging you in. “I’ve got the bike. I’ll take her with me.”

“My bike!” Scott calls from just inside the ship. Logan shoots him a death stare. Even you roll your eyes at the comment. 

“Logan,” Charles chides from next to Storm, his voice a warning. 

You tilt your head past Logan to see Charles. “It’s fine. I’ll go with him. We’ll meet you guys at the mansion.” 

Charles nods. You swear you can see a faint smirk spread across his face, but he’s turning around and wheeling himself up the ramp before you can truly make out his expression. 

The ramp shuts behind him, and the jet powers up to leave. “So how are we settling this, hm?” You ask, cockily. Logan works his jaw, staring down at you with a fury you’re not quite sure you’ve seen before. “What would you like to do, bub?” You smirk. “What, you gonna tell me we’re supposed to be a team or something? Thought that wasn’t your style.” You know you’re being harsh, using his own words against him, ripping into him, but you don’t care. The jet takes off, but neither you nor Logan pay it any mind. 

His tongue swipes his bottom lip, and you can’t help but watch. You try to ignore how much you like the sight of it. Of him. 

“Never,” he seethes, not wavering an inch. “Never do anything like that again.”

“Why?” Is all you ask, knowing full well you’re poking the bear. “It’s nothing you wouldn’t have done.”

He ignores you and presses on. “I swear to God, if anything ever happens to you, I will punch a fucking hole in the goddamn universe so big that…” He trails off, his eyes searching your face. There’s a shift in his expression. “So fucking big that…” But he still doesn’t finish the sentence. His eyes are glossed over, like he’s holding back tears. 

You’re suddenly embarrassed. You can’t keep his stare, his eyes locked on you. You look down at the leaf-covered ground, and you realize just how dirty you are. Blood on your hands, under your nails, caked into your skin. You’re finally understanding the gravity of the moment—of what could have been if your plan didn’t work. 

“It was the only way,” you pause, feeling tears sting behind your sinuses, burning as they reach your eyes. “Only way I saw it ending without you d-dying.” You have to choke the words out. “C-couldn’t lose you,” you mutter, hoping he can’t hear you. 

“And what?” He says, not backing down. “You think you’re the only one with something to lose?”

“N-no,” you stutter softly. “That’s not what I meant at all. I just—”

“I’d rather die than live in a world without you.” He says finally. He pushes himself off the tree and away from you. He turns, walking towards wherever he parked the bike. 

You look at his back in disbelief. “W-what?” “You fucking heard me,” he shouts, not bothering to stop and wait for you or to elaborate further. You push your back off the tree and follow him through the forest. 

“Slow down!” You call out, still not quite fully recovered from using your powers. But he keeps pressing forward. “Logan!” You call again. “Please, I—” You stumble a bit, almost falling over, but you catch yourself just in time. You reach out to a tree for support, gripping a low branch tightly in your hand. You suck in deep, shaky breaths as you let your eyes fall closed. 

Logan shouts your name in the near distance, his voice filled with panic. His footsteps crunch the leaves of the forest floor. You can tell he’s sprinting with every twig that cracks beneath his boots. “Fuck, are you okay?” He’s next to you now, his arms enveloping you, reaching around your waist to offer you support. 

You can feel your tears bubbling to the surface, threatening to burst. “I’m sorry,” you mumble, opening your eyes to look up at him. “I just didn’t see any other way.”

“I know.” His voice is gentler now, calmer. He helps you straighten up, taking a tentative step and watching as you take one too. He walks slowly, making sure not to rush you, keeping an eye on your every move. “I’m sorry too,” he says. “What you do…you just scare me sometimes.”

You hope he doesn’t see the tear that slips out the corner of your eye and down your cheek. “I scare myself. I still can’t control my powers. I know I’m a monster.” You can see the bike in the distance, so you take another step, but Logan stops. “I just feel so inside out sometimes, like I can’t be comfortable in my own head never mind my own skin.”

“I didn’t mean it like that.” His voice is steady now, firm. His grip around your waist tightens, keeping you in place. “You’re not a monster. You’re beautiful—” He cuts himself off. “What you can do, is beautiful.”

“Then what is it that scares you?” You need to know. 

“You’re just so selfless. What you did back there…” He pauses. “You knew you could die. I saw it in the way you were standing. The way you looked at me. It was reckless.”

He searches your face, your eyes, your lips for an answer. “You’re no better,” you huff out. Logan smirks, guiding you towards the bike yet again. “It’s just what you do when you care about someone.”

“I know.” His lips are pressed against the shell of your ear. “I know,” he repeats. 

He helps you onto the back of the bike, holding your hips as you straddle the seat. His hands linger longer than they should. He squeezes softly before letting go and walking to the front. He straddles the bike himself, grabbing the key from his jacket pocket and turning it into the ignition. The bike springs to life. 

“Hang on, alright?” He calls out over the roar of the engine. You nod against his back, slipping your arms under his jacket and around his waist. He kicks the stand up, and the bike rumbles underneath you as he presses on the gas. You tighten your hold on him as the bike jolts forward. 

You rest your head on his back, letting yourself fold over him completely. He’s warm and solid underneath you. You shut your eyes, too tired to watch the tires speed across the black pavement. Aside from the engine, the tires against the street below, and the wind, there’s no sound. No one around. It’s just you and Logan. Alone. 

You feel him breathe in deeply. “Don’t know what I’d do if you didn’t make it.”  You can feel the words reverberate in his back. “I mean it.”

“But I did,” you say, lifting your head so that you can speak against his ear. “I’m right here.” He hums in affirmation, and you rest your head on his back again. You hesitantly reach your hands under his shirt this time, arms wrapping around him as tight as possible. You know this is pushing the boundaries of your “friendship,” but he doesn’t stop you—doesn’t push you away. He just hums again. “I’m not going anywhere,” you murmur, and shut your eyes. 

“Good.”

The ride back to the mansion isn’t terribly long, and you wish it could’ve been longer. Logan drives the bike into the garage, taking the keys out of the ignition and kicking out the stand. You lift your head, and before you can even think of getting up on your own, Logan is wrapping his arms around your body and lifting you off the seat. 

You let him hold you there for a moment. You try to tell yourself that this is just a hug between friends, that this whole situation is what happens when you care about someone too much. But it’s hard to lie to yourself when you feel so impossibly strongly about someone. 

He drops his arms from your body and silently takes your hand in his. He guides you to the door that leads to the mansion, keeping you close. 

It’s dark once you step inside. Everyone must have gone to bed. It likely took you and Logan five times as long as the jet to get back to the mansion. Quiet fills the halls. There’s not a stir, not a creak, not a step. You can sense that everyone is asleep, or at least in their rooms. 

“Lo?” You whisper. He squeezes your hand. A surge of confidence racks through you. “Can you stay with me?” You’re not quite sure what you mean by that—what you expect him to do if he stays. All you’re certain of is that you don’t want him to leave. 

He nods, leading you up the stairs. “Won’t go anywhere, sweetheart.” He guides you down the hall towards his room. “Let’s get cleaned up, okay?” 

He opens the door and guides you in, shutting it carefully behind him. He lets go of your hand, the sudden emptiness making your palm feel cold. How do people become so important, so quickly? How can someone letting go of your hand hurt so bad when they’re still just a few feet away? You’re not sure, but you know this feeling is dangerous. 

He’s rummaging through his drawers for a few seconds before he pulls out a t-shirt and places it on the dresser in front of him. He grabs another set of clothes, closes the drawer, and carries them over to you. He extends the shirt out to you, a soft smile playing on his lips. That’s what he is right now: soft. You’re not used to this side of him. 

You take the shirt from him, smiling back. “You should shower. You can use mine.” His head tilts towards the bathroom on the other side of his room. You nod and pad over, opening the door, turning on the lights, and closing the door behind you. 

You keep moving, undressing and turning the water on. It doesn’t take long for the water to heat up, the steam fogging every inch and surface of the room. You step inside the shower, letting the water run down your body. Your eyes fall closed while your mind searches for some kind of peace. You try to recall what Charles often told you: Calm your mind. But it isn’t working this time. Your mind is racing. 

You envision Logan’s angry, fearful face; his concern and panic. Charles’s call that it would be too dangerous echoes and reverberates. You see yourself dead on the ground, Logan holding your lifeless body in his arms. Even worse, you find yourself imagining that it didn’t work at all—that you couldn’t save the team, never mind yourself. This time it’s Logan’s body you see, on the ground, dead. Just like that, your whole world can slip out of your hands and turn to nothing. 

Choked sobs escape your throat as you let yourself fall to your knees. There’s a piercing, splitting pain somewhere deep inside your head. These visions, these feelings, this pain—it’s physical and mental. And it’s too much. It’s not the first time you’ve had visions like these after a fight or a mission, but it is the worst episode yet. 

There’s a knock on the door, followed by Logan calling your name. You try to answer, but your voice is caught in your throat. Logan knocks harder, but you still can’t speak. “I’m coming in!” The door swings open and his eyes widen as he sees your crumpled form on the shower floor, face stained red with tears. 

He shoves the shower door open, practically cracking the glass in the process. You’re suddenly hyper-aware of how naked you are, but it’s clear Logan isn’t. His gaze is trained on your face. “I-it happens, sometimes,” you stutter, reassuring him that this is normal. “A-after missions.”

Logan’s shoulders relax, his eyes softening with understanding. “I know what you mean.” His hands come up to your arms, rubbing gently. “Let me help you.” He gestures with his head toward the shower. You nod and watch as Logan takes his shirt off. He stands to take off his jeans, and you look away, taking the moment to force yourself to stand. You hear him step into the shower and slide the door shut behind him. 

“I’m sorry,” you mumble, swallowing harshly. 

Logan stands behind you, less than a foot away. The shower is just big enough for the two of you. “Nothing to be sorry for. Just let me take care of you.” 

“Okay,” you whisper. You hear him shuffle a bit, squeeze a bottle, and shuffle a bit more. 

“Can I touch you?” He asks. 

“Y-yeah,” you answer. You wonder if he can hear how fast your heart is beating. But before you can think about it too much, his hands come up to your wet hair. He massages shampoo into your scalp, his fingertips scrubbing ever so gently. You feel your shoulders settle—your body relax. No one has ever done anything like this for you before. 

You watch as the dirt trickles down your body to the drain. After a few moments of massaging, Logan nudges you forward a bit, and you take the hint to step under the water fully. You close your eyes as he scrubs the shampoo from your hair. 

When he’s done, he removes his hands from your hair and slides them down to your neck, and then to your shoulders. You step away from the water, almost bumping into his chest in the process. 

“’M’sorry,” you mumble. 

“No more apologizing, darlin’.” His hands come off your shoulders. You feel lost without the contact. You listen as the bottle pops open again, and Logan quickly scrubs the shampoo into his own hair. You instinctively step forward to let him rinse, and he does.

You take a deep breath, trying to concentrate and calm down now that his hands aren’t on you. But it doesn’t last long. He opens another bottle, pouring more liquid into his hands. 

He rests his hands on your shoulders again. You can feel the body wash run down your arms. “Can I…” Logan trails off, his hands firm, unmoving until you give the word. 

“Mhm,” you hum. His hands start to work the soap into your arms, up to your neck, your collarbone, stopping just above your chest. “Logan,” you murmur, letting yourself lean into him. You feel his heart beating against your back. His breath fans over your shoulder.

You can tell he’s losing his composure, the way he slouches around you, inviting you in. This isn’t something friends do. You two aren’t friends. This is something more. 

And he knows. 

“There’s no coming back from this,” he whispers, his lips at your temple. “If we do this.”

You push back further into him. “Who says I’d want to go back?”

Your back is suddenly met with the cold shower wall, your chest flush with Logan’s. His lips press into yours, swallowing your moans as his hands come up to your breasts, pinching your nipples lightly. He moves down your body quickly, leaving a trail of kisses down your jawline, your neck, the center of your chest, your stomach, stopping just above your clit. 

“Relax,” he soothes, his thumbs brushing your hips. He spreads your legs with the palms of his hands before pressing a kiss to your clit. You shudder at the feeling, whispering his name and throwing your head back. 

He licks a long stripe up your cunt, landing on your clit, taking it into his mouth and sucking roughly. He laps at you hungrily, like a man starved. One of his hands resting on your hip comes down in between your thighs, experimentally sliding through your folds, teasing your entrance. 

It feels so good, but you want him—need him—closer. He inserts two fingers, gently pumping in and out, flicking your clit with his tongue at the same time. 

“Logan,” you whine. You look down at him, his head buried in your cunt. He looks up at you, his eyes wide and filled with lust. You’re already close. But it’s not enough “Need you, now. Want you here.”

“I’m here,” he mumbles against your core. You’re shaking, melting underneath him. 

“N-need you,” you beg again. “Please.” 

He sucks on your clit one last time before removing his fingers from your cunt and standing up to meet you.

His hands rest on either side of your head. Your breath hitches in your throat at the sight of him. “Are you sure you want this?” His voice wavers just a bit, a slight tremble shaking the usual steadiness of his words. He looks down to your lips and back up to your eyes—his jaw working, as if he’s searching for a sign that you’ve changed your mind—that you don’t want him anymore. 

But you’ll always want him. You always have. 

“Y-yes,” You stutter. He wraps one hand around the back of your neck and uses the other to hoist one of your legs around his waist. His hard cock rubs against your stomach as he moves to line up with your entrance. 

“Wanted you this whole time, pretty girl.” He thrusts into you, sinking down to the hilt. He stays there for a moment, pulling you into him, his free hand grabbing your ass and picking you up so that both legs wrap around his waist. 

He uses the wall as leverage, fucking you into the tiles at your back. Once he’s sure you’re stable against him, his hand leaves your ass and comes in between your bodies, searching for your clit. He begins to stroke, drawing perfect circles there, while his cock hits that sweet spot inside you. 

It’s perfect, everything about this moment is perfect. It all feels so good. You moan his name, his hips rutting into you over and over again.

“Doing so good for me,” he husks, biting the skin just under your jaw, licking the spot where your pulse point is, peppering kisses there. You wonder if he does it because it’s a reminder that you’re still here, still alive, still breathing. “Taking me so well, sweetheart.” 

His words work to coax you off the edge, each swipe of his fingers and thrust of his cock bringing you closer to your orgasm. “L-Logan,” you stutter, his name—him—the only thing in your normally noisy mind. This is what peace is. This is the calm you’ve been searching for your whole life: it’s him. 

You can feel his pace growing faster, his cock pushing deeper, stretching you out as he plunges into you. “You feel so fucking good,” he groans, kissing your pulse point again. “So fucking beautiful.” 

Your walls flutter around him, your clit becoming overstimulated and sensitive as he flicks roughly. You’re so close. “Lo—” but you can’t find the words. 

“That’s it, pretty girl,” he mumbles, his forehead pressing to yours. “Want you to look at me when you come. Can you do that for me?” 

You moan a yes as he buries his cock deep inside you, before pulling out and pumping back in again. 

You can feel your eyes growing heavy, but you keep them open, watching Logan as he pulls your orgasm from you. “That’s it. I’ve got you.” His words, the bass of his voice, him, it all sends you over the edge. He works you through it, still circling your clit, his pace growing sloppier as he chases his own orgasm. 

You wrap your legs tighter around his waist. He knows what you want. “Inside,” you whisper. 

“Oh f-fuck,” he moans, coming inside you, filling you up. 

His thrusts begin to slow, his hand leaving that space between your bodies. You feel like air, weightless, drunk off the way he makes you feel. He carefully slips out of you, but he doesn’t put you back down on the ground. He simply readjusts, picking you up in his arms and carrying you out of the shower. 

He sets you down on the bathmat and crosses the tiled floor to the towel rack, where two towels conveniently hang. He wraps one towel around his waist as he strides over to you. He starts to dry you off, rubbing you gently, kissing each spot he dries as he goes. He’s worshipping you, taking care of you. No one has ever taken care of you like this. 

Once he’s finished, he wraps you up in the towel, and picks you up again. He carries you back into his room, resting you gently on the already turned-down bed. He crawls in after you, discarding his towel in the process. You toss your towel to the side, too. You nestle in under the covers, and Logan does the same. 

He wraps his arms around you, pulling you to his chest. You can feel that peace again, that calm from before, when he was buried inside of you. It was him. It was always him. Your mind is quiet, no longer all loud and inside out. 

“I’ve got you,” Logan whispers, his legs tangling with yours. 

You bury your face into his chest. “Don’t let go.” But you know you don’t need to ask. 

His mind is already made up. 

“Never will.” 

[marzipanandminutiae]

I hate how doing any kind of yarn craft basically means you can only produce plastic clothes or it's going to be 300$ in yarn minimum. Every yarn has some acrylic and the natural stuff is so wildly expensive. I would love to use 100% natural fibers but the options are limited

God, yeah. The price of natural-fiber materials is insane.

My average budget for like a full silk gown, trim and notions included, is around $200- and that's ONLY because I live near a discount fabric store that gets bolt-ends from big fashion houses and sells silk for like $10/yard. Wool is insane, for some reason- that place only has coating (heavyweight) and suiting (lighter but feels like plastic even though it's not), so making a dress or anything not outerwear from wool involves shopping online and some painful spending.

I just bought 6 yards of wool to make my Dream Dressing-Gown. It was $210 for JUST the wool- I still have to get lining fabric, possibly an embroidery machine pattern, embroidery thread (because my friend who's generously letting me use her machine only has polyester and rayon). Part of that was shipping from freaking Poland because finding a website that has non-stretch, dark green wool at any weight below "snow gear" in the States is nigh impossible.

(Or that actually discloses the weight in a meaningful way; that's another problem I've encountered. "Brushed wool!" Great, but how heavy is it? "It's wool!" Not helpful. It's like they can't fathom wanting to use wool for anything besides heavy outerwear. Which they probably can't, because that's all we're accustomed to seeing it as nowadays.)

Like I'm tempted to blame militant v*gans for the inaccessibility of silk and wool, but honestly, capitalism was probably just waiting for the excuse to turn all our clothes to crap. I doubt there's been enough outcry about them to push those fabrics out of reach, the way there has been for fur and leather (to clarify: pro-treating animals humanely, anti-plastic clothing, not opposed to the use of aforesaid materials if those animals are properly cared-for and humanely killed).

At least you can still find cotton and some linen things in stores- for now. They're still more expensive, though, and limited in what weaves are often seen. Cotton velvet, for example? Forget it.

It's so disturbing and frustrating.