#f Paris

[animationsource]

[spacephobos]

am paticularly fond of these two

[colinfirth]

It's not sewing, it's making moonlight. MRS HARRIS GOES TO PARIS 2022 — dir. Anthony Fabian

[thunderstruck9]

Lill Tschudi (Swiss, 1911-2004), Kiosk in Paris, 1933. Linocut, 15 x 17 in. Numbered 1/50

[todiscus]

Florence Welch attends the Valentino Pavillon des Folies at Paris Fashion Week

[semioticapocalypse]

F. C. Gundlach. Astrid Schiller. Coiffure Alexandre. Paris, 1967

Follow my new AI-related project «Collective memories»

[thepresentman]

Années tolles

For a future project I needed to get some faces down

[meli-writes]

on the rocks

clunk! the ratchet-shut of the mancatcher deafens your ears as you fall, tender and oft-broken, nose-first into the rooftop tiles, "ow! the hell is your problem marie."

"come on, chrissa," she teased. "biggest gem in paris goes missing the same week you're in town?"

"and i told you i had nothing to do with it," you exclaim. the cold, condensation-dripped slate wetting your red and puffed-out cheeks. "you're always like this, you-- y-you..." the evening's sudden tears slip into the afternoon's forgotten rain.

"woah now. hey hey hey," marie tries to reassure. "i-i just thought even if it wasn't we could still--"

"no. no, marie. you didn't think. i'm not..."

the drifting zeppelinettes above smother your cries in smog-choked rotor rattle, cut into as marie clatters slowly across the roof. "if..." she begins to ask, "if i undo the catch, you won't run away?"

"no!" you sob. "and it's exactly that which is my problem. you just assume the worst of me. no i'm not gonna run away, and i wouldn't if you stopped chasing me."

"i-i, i'm sorry." ca-clink goes the loosened collar, and you barely have the will to pull away from it. she sinks down down next to you on the tiles, and tries to speak--

"i told you the truth over drinks back at the bar," you cut in, "and i've told you the truth about how many other thieves and ratted them out, and i'm telling you the truth now -- and you never believe me."

"you don't rat out all the thieves i ask about."

"marie! this is... because they're just friends, trying to get by. i'll tell you about assholes but everyone else -- like me -- we're trying to do better. you never--"

you're not sure when you ended up in her arms, only noticing now when she pulls the knotted scarf from her neck and wraps it around your frozen face.

"--you never see me like that. it's only ever when i'm doing something wrong. and i can't have you looking at me like that tonight."

"do..." she almost doesn't continue, "do you wanna go to a safehouse, babe?"

...

"yeah," you answer, into her chest.

"yours o-or one of mine?"

"yours, it's closer," you say and know she'll be triangulating where your current spot is because of that. "i think you messed up my bad knee, so you're carrying me."

[out-of-body-xperience]

John F. Kennedy Jr

[animationsource]

[twetterbirdy]

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[artsandculture]

Paris Street; Rainy Day (1877) 🎨 Gustave Caillebotte 🏛️ The Art Institute of Chicago 📍 Chicago, United States of America

In his masterpiece, “Paris Street; Rainy Day,” Gustave Caillebotte brought an unusual monumentality and compositional control to a typical Impressionist subject, the new boulevards that were changing the Paris cityscape. The result is at once real and contrived, casual and choreographed. With its curiously detached figures, the canvas depicts the anonymity that the boulevards seemed to create. By the time it appeared in the third Impressionist exhibition, held in April 1877, the artist was twenty-nine years old, a man of considerable wealth, and not only the youngest but also the most active member of the Impressionist group. He contributed six of his own canvases to the exhibition; played a leading part in its funding, organization, promotion, and installation; and lent a number of paintings by his colleagues that he owned.

[42wallaby-way-sydney]

While in Paris a couple years ago I saw this outfit and it just screamed America to me. So of course I thought of nyo!America in this outfit.

[jokerislandgirl32]

Karaoke With The Girls Is Like…

I’ve mentioned it before, but I headcanon that Donita may have been in a toxic relationship in the past, and my OC Violet was in a toxic relationship prior to Zach…I also kind of think this might have been a possibility for Paisley’s past too…So, I imagine karaoke night with the villain girls: Donita, Violet, Paisley, Yssa (the oc of the wonderful @lovelybakerandconstructionworker ) goes something like this:

Like they are literally screaming, singing it toward the end….

All: All day, every day, therapist, mother, maid Nymph then a virgin, nurse then a servant Donita: Just an appendage, live to attend him

Paisley: So that he never lifts a finger

Violet: 24∕7, baby machine

Yssa: So he can live out his picket-fence dreams

Violet: It's not an act of love if you make her

All: You make me do too much labour

And the guys are just watching them in a mixture of confusion, amusement, and fear.

Dabio: They look really angry…

Rex: Don’t tell them that…it will just aggravate them more…

Gourmand: I’ve never heard Little Sugar sing like that…you better be glad you’re not her ex Zachy…

Zach: You don’t think I realize that? She’s terrifying once you get on her bad side….

[lesbiandemondaddy]

Remember when Florence never once mentioned men in her heresy-against-Catholicism song about orgies but she did mention women and she like kind of mentioned getting married to a woman in Leave My Body? Yeah

[marieviot]

horizon

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© marie viot

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