i though it would be fun to try my hand at drawing the new ghoul cowboy character from the tv show with a retro twist! a little more in line with the older fallout style, just for fun, though this is a mishmash between a bunch of different ghoul design elements from 1 - 4. the mouth split and eye cover is pretty old school, but his facial features are more modern
i was thinking of fun ways to make him emote. eventually i landed on this, keeping his bottom lip and having the skin split as a body language supplement!
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sorry what was that i was distracted thinking about trans mascs domming me and collaring me and putting me in my place and riding my face and using my body like a favorite toy and calling me cute dumb puppy and shoving my face a s down puttong fingers in my mouth to get me to shut up
im sorry what were we talking about
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Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
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Quick tip from the art/lit world
Drop the need to impress and shock people with themes or bad words and porn. Not only because of how deeply desensitized our society is: drama, horror, gore, sex, drugs & rock'n'roll and similar genres or other tragic, violent themes do not hold any inherent value, not on their own.
The reason a director from Czechoslovakia will talk about the horror of war using pigeons on a mushroom trip and it's going to be exceptional is because it makes sense to him first. I can use all the same elements he did and my work will be shit. There is always reason and context for creation. Reason and context. Why and how you make what you make.
The worst thing you can do as an artist or writer is try to impress others. It will show. Mature people can spot that miles away. Drop the hard themes you know nothing about. Stop listening to the internet 13-year-old kids who never leave their rooms trying to help you (or charge you to help) you write about such a complex and stigmatized theme as drug abuse, for example.
Go inwards for wisdom. Go to your own heart chambers, be quiet and listen. It will tell you what you need to write about. Be honest, raw and wild. But first, try to understand what those words really mean in the current context.
With all my love, Iva.
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There’s something about getting absolutely thrashed in a fighting game that I think everyone should experience at some point. Like genuinely greek tragedy levels of humbling.
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