#extreme studios

[bad-comic-art]

Bloodstrike #25 (1995)

[comicarthistory]

Pinup from Supreme #50. 1997. Art by Ian Churchill and Norm Rapmund.

[retrocgads]

USA 1997

[nickmarino]

Paul Rudd in Overnight Delivery, where they never say he's a comic book artist but his dorm room walls are clearly slathered with original art and Extreme Studios posters. IMDb lists this as the first film credit for Andy Park, better known now as a Marvel Studios' concept artist.

[evilhorse]

Combat miniseries house ad (circa December 1995)

[lifethenecropolis]

Knightstrike 1!

This was a crossover special that I only bought for completion sake. It,uh, it was not good. I get that I bought part 6 of 9 of a crossover I didn’t read, but the art in here is just bizarre. Completely rushed, looks like they just inked sketches. I’d love to know the story behind what happened here. Don’t buy this. Sorry…

#knightstrike #extremestudios #imagecomics

[youtwitinmyface]

Team Youngblood #3

Writers: Rob Liefeld, Eric Stephenson Artists: Chap Yaep Publisher: Image Comics This issue is pretty much one long action sequence. Fight scene after fight scene. It opens with Sentinal and Dutch fighting Giger, but he manages to subdue both of them. Riptide makes up for her absence in the previous issue by showing up to save Photon, Masada, and Cougar, just as they were surrounded by soldiers.…

[comicweek]

Bloodstrike Proof of Concept Trailer by Philip J Silvera

BLOODSTRIKE! - PROOF OF CONCEPT. When taking a comic book from page to screen there are always hurdles, screenplay, screenwriters, talent that attach and move on. It gets old really fast. I have waited to connect with a director with the same zeal for the material, someone who can nurture it to the finish line, be a true partner in the process. I met Phil Silvera on the first Deadpool film. He had just completed his work on Daredevil seasons 1 & 2, the architect of those great hallway battles. He was stunt coordinator as well as second unit director on Deadpool and he expressed his immediate and overwhelming knowledge of all things comic books to me. Phil had been there at the beginning of my own career and expressed his passion for my library of Extreme characters, there was one that stood out above all the rest, Bloodstrike. He told me we were going to make a film together and he meant it. During the pandemic we got serious and he said he had a few jobs he had to complete before he could turn his full attention to Cabbot and the boys at Project Born Again. He promised he would create and direct a proof of concept for Bloodstrike, showing me his exact approach. Here is your first glimpse of Bloodstrike as we work our way towards a cinematic experience. A POC shows the world & its characters for the interested parties looking to jump on board. Watching this amazing footage only reaffirmed that Phil Silvera is the talent to bring this to glorious live action. I promise to take all of you on this journey as we build our Bloodstrike film together. The casting, the studio, the script, I’ll give you the updates as it comes together. I’m so tired of hearing about deals, even my own, I’d rather show you what it’s going to look like. This is just a tease of what lies ahead. I am dedicated now more than ever to bringing my Extreme catalogue to life with talented partners like Phil, and this is just the beginning. - Rob Liefeld

[holy-shit-comics]

[savage-kult-of-gorthaur]

THE CROSSOVER THAT NEVER HAPPENED -- WHEN TWO OPPOSING COMICS UNIVERSES COLLIDE!

PIC INFO: Spotlight on a grotesquely illustrated splash page of Rob Liefeld's comic-book creation, Shaft, and a huge reveal as far as comic-book limited series' go, from the pages of "1963: The Tomorrow Syndicate" Vol. 1 #6. October, 1993. Image Comics.

"The end of the line? Why, you retrograde little runt! You really don't have a clue, do you? This isn't the end of the line! In fact, it's quite the reverse... this is where things start to get interesting!"

-- SHAFT (of Image Comics' "Younglblood" super-team) to a kidnapped (no pun intended) Tommy Baker, a.k.a., "Kid Dynamo" of Mystery Incorporated

Super-spatial script by Affable Al Moore

Paradoxical pencils by Roarin' Rick Veitch

Infinite inks by Dashin' Dave Gibbons

Parallel polychromes by Musty Marvin Kilroy

Source: https://comiconlinefree.net/1963/issue-6/full.

[bad-comic-art]

Bloodstrike #3 (1993)

[malunedyne]

I just think everyone should know that in the latam spanish dub, Wolverine calls Deadpool "papi" multiple times through the movie, including the honda odyssey fighting scene

[and-corn]

11:49, december 2, 2019

[ohwormwood]

on a mission to send all of isat tumblr into a fucking coma by drawing siffrin as howl for my howl's moving castle au

not posting the rest rn bc i wanna wait for more of the plot to be written but for now. have howl/birdfrin. go wild.

[ambi-stage]

Toon fandom, i return after seeing all the Maxley art. And listen, they can kiss and stuff, I'm just concerned for their grades.

Bonus

[youtwitinmyface]

Team Youngblood #4

Writers: Rob Liefeld, Eric Stephenson Artists: Chap Yaep Publisher: Image Comics This issue opens with Sentinel holding a press conference to discuss the events of the hijacking of the Liberty II space station. After that, back in Youngblood HQ, the team is told that they’re being given some time off. Riptide, Masada, and Cougar can go home immediately, while Sentinal has Photon and Dutch, who…