#experimental films
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uncannyarchive · 2 years ago
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The Hands of Purple Distances (1962), Sava Trifković
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esqueletosgays · 2 years ago
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LUCIFER RISING (1972)
Director: Kenneth Anger Cinematography: Kenneth Anger
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savage-kult-of-gorthaur · 5 months ago
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AN EVENING OF EXPERIMENTAL CINEMA WITH AN ANARCHO SOUNDTRACK IN KENTISH TOWN, UK.
PIC(S) INFO: Spotlight on a poster design from a CRASS gig at the Film CO-OP, Prince of Wales Crescent in Kentish Town,UK, on September 13th 1978. Mick Duffields "Autopsy" film was shown at the gig. From the Toby Mott Collection
PIC #2: The same CRASS/"Autopsy" poster design, with muted colors, (a show and film screening within the "Rock Against Racism" campaign), at a former dairy turned squat in 13a Prince of Wales Crescent, London, UK. on September 13, 1978.
Sources: https://crassahistory.wordpress.com/2011/07/07/crass-at-the-film-co-op-live-poster . PRINT Magazine.
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thevampcave · 2 years ago
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UNTITLED 77-A (1977) dir. Han Ok-hee
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strangestnobody · 1 year ago
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Begotten (1990) by Edmund Eilias Merhige
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scurviesdisneyblog · 2 years ago
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𝙳𝚒𝚜𝚗𝚎𝚢 𝚌𝚘𝚗𝚌𝚎𝚙𝚝 𝚊𝚛𝚝Iᴛʜᴇ ᴘᴏꜱᴛ-ʀᴇɴᴀɪꜱꜱᴀɴᴄᴇ [ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ] ᴇʀᴀ (2000 - 2008)
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hexane-nightmares · 2 months ago
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I've recently created the stupidest camera.
120 film, takes 68 format macro shots.
Body and shutter: a box brownie.
Lens: a broken Canon EF 50mm f/1.8. Which isn't a medium format lens. However, the lens is so far from the film that it should mostly cover the medium format frame.
The obvious side effect of this is the changed focal distance: 51.5mm from lens to subject, which cannot be adjusted.
Aperture: fixed and unknown.
Shutter speed: set by the brownie, so only 1/45 ish or Bulb.
In theory this thing should have excellent image quality (the 50 1.8 is surprisingly nice) and be a nightmare to actually use. Note the almost total lack of exposure control, so I will probably only be able to control exposure with flash or filters, or just having the correct lighting to start with.
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uncannyarchive · 1 year ago
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Inauguration of the pleasure dome (1954), dir. Kenneth Anger
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365filmsbyauroranocte · 1 year ago
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Soleil (Pierre Clémenti, 1988)
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dark-longings · 7 months ago
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Dante's Inferno, 1967. Ken Russell.
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samanthamuljat · 11 months ago
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I Trust These Firs More Than I Trust People.
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savage-kult-of-gorthaur · 10 months ago
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A "ROCK AGAINST OPPRESSION STATE & SOCIAL" EVENT -- THE FUN OF THE FIRST WAVE IS OVER.
PIC INFO: Resolution at 525x738 -- Spotlight on a CRASS/"Autopsy" poster design, (a show and film screening within the "Rock Against Racism" campaign), at a former dairy turned squat in 13a Prince of Wales Crescent, Kentish Town (London), UK. on September 13, 1978.
Source: https://designobserver.com/feature/the-art-of-punk-and-the-punk-aesthetic/36708.
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fashionlandscapeblog · 5 months ago
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Le Sang D'un Poète, 1930 - dir. Jean Cocteau
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weirdlookindog · 8 months ago
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The Nightmare at Elm Manor (1961)
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beatleshistoryblog · 2 years ago
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LECTURE 18: COMING APART (PART 1): This unusual footage of Yoko Ono having all of her clothing cut up in a performance art exhibition was filmed by brothers Albert and David Maysles, a pair of documentary filmmakers, who shot the footage in Carnegie Recital Hall in New York on March 21, 1965. As one description of the short documentary aptly puts it: “Yoko Ono sits motionless on the concert hall stage, wearing her best suit of clothing, with a pair of scissors placed on the floor in front of her. inviting the audience to come up on stage - one at a time - and cut a bit of her clothes off which they were allowed to keep, covering her breasts at the moment of unbosoming.” The following year, in 1966, Yoko Ono met John Lennon at the Indica Gallery in London, and the two would gravitate closer and closer together. 
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aladlard · 1 year ago
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Magnolias. Portland, Oregon. Spring 2020. 
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