#expand your head
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iamdangerace · 11 months ago
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Lords Of Acid, Who Do You Think You Are? from Expand Your Head (1999).
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honehonn3honey · 2 months ago
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A protection that becomes more creepy
Azul in my heart. You can see the original art here and read the monster list here @lustlovehart
[Alt under the cut]
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My first concept, since my style could not simulate the texture of slime in its purest state
It is quite thick so water can not enter or wet. Only small puddles where you can accumulate
It is a monster and that, magic, but I can imagine that it can only reach a height by the pressure, it can come out expelled sometimes
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maliciousalice · 6 months ago
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The Janeway Maneuver
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campbyler · 4 days ago
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i know you guys have a few companion fics planned, and i read through the faq/answered questions and i may be stupid but i couldn’t find anything asking if you specifically have a companion fic planned about the music festival the party went to in chicago (between chapters 1&2 i believe), when mike and will got stuck carpooling together? i’m just curious if that’s something you’re planning on going into further detail about ☺️
i’m so excited for 10.2!!
we either haven’t been asked this before or haven’t been asked it in a Long While so it’s definitely not in our FAQs, don’t worry! we unfortunately don’t have a companion fic planned for this, we just thought having the party go to the eras tour together would be a silly little piece of lore to develop and write in given the premise of the fic and all. the gist of it is that max and el (resident swifties) + lucas (token boyfriend) would have planned to go anyway since the timing of it being during orientation week/weekend ended up working out, and i don’t think it would’ve been very hard to convince the others to go via promises of lower priced tickets and good ol’ fashioned friendship time. the companion fics we have planned are more so to expand on some turning points or important moments in the timeline, because the idea is that the fic should make sense without reading them, but reading them would provide a lot more context and hopefully flesh out our versions of mike and will and their motivations/intentions a lot more. i don’t think that really applies to this piece of lore, but as per ujhe we would be happy to talk about it on here whenever teehee
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lestatthevamp · 6 months ago
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Louis IS a liar. Whether that’s on purpose or it’s from memory loss/tampering— or maybe both?
Regardless he’s a liar. He’s riddled with guilt. All sorts of guilt. He feels immense guilt even in things he could not control or had no hand in.
And it makes him so interesting. He’s guilty he’s not guilty. He’s a liar he’s a victim. He’s tortured he’s tampered with he’s lost and confused —
I just love Louis.
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puppyeared · 6 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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vivitalks · 8 months ago
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man. derek is such an interesting character in season 1, especially when you can look at him through the lens of having seen the whole show, because he's like an unreliable narrator for scott, even though he's not a narrator for the show.
the thing is, derek in season 1 is the primary vehicle for werewolf lore. as new viewers, we're reliant on his character to explain to us the rules and conceits of the genre, but once you've seen the whole show, that role is no longer necessary. but for scott, in season 1, derek is the sole source of werewolf intel. derek is werewolf jesus. which means that everything scott initially learns about being a werewolf is filtered through the Derek Hale Trauma Matrix, and neither of them know it.
for example: in 1x05, derek tells scott that pain is what keeps you human (which is a mantra that gets repeated and referenced a ton over the course of the rest of the show). scott has been a werewolf for all of five seconds, and has no choice but to take the word of this obviously much more knowledgeable werewolf. in that way, derek operates as a kind of narrator for scott, giving him information and context he couldn't really get any other way. but it's unreliable info. don't get me wrong - derek isn't trying to be an unreliable narrator; he's not aware of how much his life experience has colored his understanding of his own species. it's just that...well...derek is a twenty-something with the kind of trauma that eats other trauma for breakfast. of course he would say that pain is what keeps you human. at this point in the show, pain is all he has.
this is the same guy who, in the next episode, says this:
DEREK: You getting angry? That's your first lesson. You want to learn how to control this, how to shift-- you do it through anger, by tapping into a primal animal rage, and you can't do that with her around. SCOTT: [defensively] I can get angry. DEREK: Not angry enough. This is the only way that I can teach you.
except we know, and scott quickly learns (in that very same episode, in fact), that this isn't true. anger doesn't work for everyone, and it doesn't work for scott, who's not an angry person. the things that work for derek won't work for all werewolves - but how would derek know that? he's never had to teach someone to be a werewolf before. he's not actually werewolf jesus.
to scott, derek is the only trustworthy source of information on being a werewolf, because he's the only werewolf scott knows. and from derek's perspective, everything he knows about being a werewolf must be true, because it's true for him. derek is the narrator, and it's only as his backstory unfolds that the viewers, and scott, learn just how much his history and trauma have obscured the reality of things, even for derek himself.
pain is not what makes you human. it's what makes derek human. because the moments in derek's life that stand out to him most are all tinged with tragedy. mercy killing his high school girlfriend. losing his entire family in a house fire. the death of his sister. for derek, to be human is to be in pain, and to be angry about that is the only way to be in control. after all, he doesn't have anyone teaching him otherwise.
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revacholian-girl-utena · 2 years ago
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My soul is puny.
Alt text: Screencaps from Revolutionary Girl Utena with overlaid text. 1: Young Saionji watches in horror as Touga opens the coffin in the church. Text: At the core, you're a very banal person,
2: Closeup of young Saionji clutching his head and screaming. Text: with a very small soul.
3: Closeup of Saionji's empty hands when he drops his sword after hurting Touga. Text: One you should be *ashamed* of.
4: Touga and Saionji's silhouettes as children at kendo practice. Touga is holding Saionji's hand and Saionji is looking up at him. The background is a warm sunset. Text: It's no wonder the soft one doesn't want it back.
5: Touga's silhouette standing by the incinerator. Text: It was right to abandon you... End alt text
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buckingham-ashtray · 4 months ago
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The Invisible Clubber........................ SMILING. CAN'T STOP SMILING. LIFE SO HAPPY. LOVE. LOVE LIFE. BEAT GETTING FASTER. CAN'T STOP SMILING. NOW JUST HARMONY. NO BEAT. MELODY. STOP MOVING. SMILE TO THE SKY. ALL STANDING STILL. BEAUTIFUL. NEVER BEEN SUCH HARMONY IN ALL HISTORY. WANT TO KISS EVERYONE. THEY WANT TO KISS ME. BREATHE IN. BREATHE OUT.................
Sebastian's Story.......... Sometimes I wonder what it'll be like to die. I'll find myself drifting off, staring at something, anything and I'll stop blinking. I feel my whole body slowing down... My heartbeat... And I wonder how long it'll be broken
*Sorry that I couldn't find the source where I got this from and have no idea when this was released. If anyone has the link I will be very glad to insert it!
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chamomiletealeaf · 8 months ago
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Alex Keller is a thigh man. He loves your thighs more than anything good god.
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t-u-i-t-c · 6 months ago
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@userdramas ♢ event 17: plot twist ♢ │ kento's return
"The future has already been decided." "That can't be true."
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unprotectedmechs · 8 months ago
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gentle licking and nibbling while cuddling that turns into swallowing them whole like a snake
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mettywiththenotes · 1 year ago
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I know this is like a distant detail in the wake of everything going on, but I hope we get Gran Torino admitting he was wrong. About telling All Might to leave the Shimura thing be, about not investigating it himself when AFO revealed it, about telling Izuku that killing Tomura was also an option
Because imagine Gran Torino seeing Tomura after he's been saved. Imagine him seeing Tomura get the help he needs. Imagine him watching and realizing that in a world where Izuku had listened and killed him instead, it can't be compared to the sight before him - of Nana's only surviving family having a chance to finally be happy and have people show him the worth in his life, just as she would have wanted
Gran Torino watching a child hero determined to save a too-far-gone villain, only to realize afterwards that maybe he was never that far gone at all. It just took hope and effort and an understanding that doing wrong doesn't make you a villain for the rest of your life, that there's the slightest chance things could change if you just reach out. And maybe being "too far gone" isn't an absolute, an excuse to take the easy route and go home, but a challenge instead
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altschmerzes · 1 year ago
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Gav, do you have anymore wriggle up on dry land holiday thoughts to share? I've been thinking non stop about the snippets you posted, the idea of the holiday season being a bit of a jolt to Jamie's standing in his new family unit in his own mind is haunting me
oh yeah i think about this sorta thing ALLLLLL THE TIME it's like... i haven't thought too much about holidays in particular but things like that being a jolt to jamie's standing in his new family unit in his own mind is a great way to put it. it's deeply destabilizing for him every time he encounters something like that, something that makes him think about it and ask himself those questions directly - who am i to them, what is my place here, how long will it last, how much can i take, how much say do i get, etc.
and a BIG one in there is uncle's day, actually, speaking of holidays :) bc i'm keeping that part from season 3 though it's obviously a little different.
this is from when i was talking to another friend (thanks to @jamietxrtt this time, another prominent and beloved enabler of me generally and this au in particular) about the way that like. roy has a hard time with referring to james as jamie's dad when he's thinking about the man at all, because in his mind, that's ted now, and that's something ted earned. (and it's a little bit roy, too. there's a whole like- he's not Jamie's Dad the way that ted is but he very much is Jamie's Parent, and the distinction is a little odd and difficult to articulate but it's very similar to how he feels about phoebe, he's not her dad but he is her parent, etc. but it's still like...... when he thinks about what a father, what a dad ought to be, he feels that inside himself more than he could ever give it to james.)
which led to like. phoebe is the one who articulates this better and before anyone else can, and that's part of the uncle's day thing, which happens when jamie is seventeen and has been living with ted (and has had a room at roy's) for going on a year. when phoebe and sarah are arranging it, phoebe insists jamie has to come, because “he’s your uncle roy too” and jamie is like :? he is not.
and she sighs and rolls her eyes like little kids do when they think you’re being dense, and she’s like noooo i don’t mean he’s your UNCLE but he’s your UNCLE ROY just like he’s my uncle AND he’s my uncle roy and jamie is like. you’re gonna have to explain this one to me in a lot more words half pint.
and she sighs again and goes well. some kids at my school have a mummy and a daddy or two mummies or two daddies or just a mummy or just a daddy or one of my friends has a mummy and a parent - she pronounces this very deliberately - which is cool. AND my friend cecily has THREE mums and a dad because HER parents got DIVORCED and then they both got married again so she has FOUR parents which is NOT FAIR. anyways. i don’t have a mummy and a daddy or any of that. i have a mummy and an uncle roy. he isn’t my daddy but he’s my uncle roy, get it? and jamie nods bc he thinks he actually does get it yes.
and she goes okay. so you’ve got a daddy. that’s coach ted. but you’ve also got uncle roy. because he’s not your daddy and he’s not your uncle but he’s your uncle roy. get it?
and jamie, who is just about on the verge of tears now, nods again because yeah. He Gets It Now.
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werewolfoffeverswamp · 1 year ago
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there’s something so alluring about the idea of living in a perpetual horror movie to me. like a time loop. specifically a paranormal one where you could never make it out alive. in the same sense of “heaven is a place where nothing really happens” (from the talking heads song Heaven), being trapped in a story where there’s only one ending and you suffer through whatever horrors are laid out for you (but they are laid out exactly as they are and always will be, and they are laid out for YOU) sounds like. morbidly peaceful. no need to worry what happens next, you already know. and you’ve done it a hundred times. of course you’re in pain but it’s intimately familiar and maybe you don’t even register your suffering anymore. and you’re not preoccupied by your performance in this dance anymore either— it feels like whatever you do, the same events occur, but you’re an actor in a story and you never had free will to begin with. anyways. it just sounds kind of nice 👍
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leahdrawsstuff · 1 year ago
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the way anime fans beg for well written female characters and then refuse to explore any genres outside of shonen is super frustrating
I understand if shonen is your favorite genre and you just want to see well written women in that genre (that is going to be more difficult but they do exist) and that’s a whole other conversation
but if it’s about how there’s “no good female characters in anime” or “I want to see women having personalities in anime” then there is a whole world outside of shonen where you will be able to find them easily. I’m not going to pretend that misogyny isn’t an issue outside of shonen but it’s actually incredibly easy to find female anime characters that are deep, have personality, are pivotal to the story, etc. etc. etc. you just have to look outside of the top 5 most popular action shows and they will be there
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