#exo yellow aesthetic

[dolleno]

𐔌◞ ᳥ cry for love *: •̩̩͙˚

  *˚༿◌  byun baekhyun 香(.)

[pastelwalks]

🍧𓂂. ♱ ◌ cream soda 🐰 ◯ ✮ 🎧

[everbambi]

널 리드할게, lean on me

[xunqiz]

𝐄𝐯𝐞𝐫𝐲𝐛𝐨𝐝𝐲 𝐡𝐚𝐭𝐢𝐧 𝐞𝐯𝐞𝐫 𝐬𝐢𝐧𝐜𝐞 𝐲𝐨𝐮 𝐠𝐨𝐭 𝐦𝐨𝐫𝐞💽

𝐓𝐡𝐞𝐲 𝐩𝐫𝐚𝐲𝐢𝐧' 𝐟𝐨𝐫 𝐚 𝐝𝐞𝐚𝐭𝐡 𝐨𝐟 𝐚 𝐑𝐨𝐜𝐤𝐬𝐭𝐚𝐫🤘

[asiatwt]

[belov2you]

⠀⠀⠀⠀ ⠀﹫⠀⠀⠀⠀nɘᤐ ⠀⠀🫶🏻⠀ ᥙ𝗉𝖽⍺𝗍𝖾⠀⠀⠀！

like or repost if you use it !

[wolveswithblackpearls]

Happy New Year!

~Admin G

Original date of publishing: Dec 31, 2018

[kjsexo]

「 cbx 」

＊*•̩̩͙✩•̩̩͙*˚ exo ˚*•̩̩͙✩•̩̩͙*˚＊

[alaskacolville]

Uso privado

[vintagerpg]

Checking out some of the vast wealth of third-party Mothership zines this week. There are several systems that have spawned rich third party creator communities but Mothership’s is my favorite. I find it endlessly fascinating how a relative niche genre (space+survival horror) has generated such multifaceted yet somehow still consistent material. Take for instance, the highly deadly one-shot Bloom (2021). It somehow looks just right, while also not really looking anything like other Mothership zines (that gives it room to develop its own character, whereas, for example, the strong visual aesthetic of Mork Borg often smothers character under thick coats of yellow and black paint).

Anyway, Bloom wants to see if two great tastes — outer space facility horror and deep sea research facility horror — taste great together. Players are corporate raiders, sent to a research base on floor of an exo-ocean to find out what exciting break-throughs in plant-based horror, I mean medicine, are worth stealing. There are lots of nasty hazards, mostly the many varieties of the titular Bloom moss, but also some stemming from human impulses like greed and incompetence. But primarily Knot, the semi-living corpse worm. It is actually worse than it sounds.

I love the little box at the start of the zine that is like “Here are some ways to make this adventure less deadly, should you want to stick it in an on-going campaign.” Ignore that box, do this as a one-shot and kill everyone.

[lordshaxxhandler]

Destiny OC’s, Lore, & Stories

MASTER POST

I will be adding to this post as often as I can 🤞🏻

Full Main Story

The Burden of the Light

Master List of every Chapter on tumblr

Other/Short Stories

OC headcanons that are canon cuz I said so

Zavala & his office cat

_______

MAIN ORIGINAL CHARACTERS & AESTHETICS✨

________

Name: Thera Wylie

Pronouns: She/Her

Eyes: Green

Hair: Dark Brown

Height: 5’10

Race: Human

Class: Civilian, Amanda’s right hand/assistant ops coordinator for the vanguard.

Romantic Interest: Lord Shaxx

Personality: Fun, outgoing, fearless, confidant, & a little girly. Thera knows she’s not a guardian but she wants to help defend innocents against the darkness just the same.

Fun fact. Thera has an Exo arm starting from her elbow on her left side.

Reference photo of Thera drawn by the wonderful @deicide-in-the-sewers 👏🏻🤩

Introduction Short for Thera (1/3)

First Meetings

________

Name: Behemoth-29 (cuz he’s beefier than Crow 😂)

Pronouns: He/Him

Eyes: White

Height: 6’6

Race: Exo

Class: Hunter

Ghosts Name: Flare (Female)

Personality: Doesn’t talk hardly at all unless necessary, Very intimidating but intentional and not, protective of his fireteam and friends, hides in the shadows and keeps to himself.

My art work of Behemoth in his street clothes with Flare. 🔥

Introduction Short for Behemoth-29 (2/3)

Hunter vs Titan

________

Name: Celeste

Pronouns: She/Her

Eyes: Gold/Yellow

Hair: Snow White

Height: 5’5

Race: Awoken

Class: Warlock

Ghost Name: Astral (Female)

Love interest: Iron Lord Saladin

Personality: Kind, caring to the point of worrying about others before herself, friendly, sweet, & confident in her self and abilities.

Introduction Short for Celeste (3/3)

Lost Protégé

________

MINOR ORIGINAL CHARACTERS & AESTHETICS✨

________

Name: Siph

Pronouns: He/Him

Eyes: Blue

Hair: Black

Height: 6’0

Race: Awoken

Class: Titan

Ghosts Name: Oracle (male)

Best friend: Behemoth-29

Personality: Friendly but intimidating, focused to complete every mission perfectly, extremely protective of fireteam members.

Death by Hive on the moon. Giving his light and life for his fireteam.

_____

[just-4pple-pi3]

UN Village and City Lights by Baekhyun

MV and album discussion

UN Village by Baekhyun

The title song and mv is well comprised because it shows Baekhyun's vocal color and his power in exo (light). To me, it felt like Baekhyun has been hiding from too much light, aka from showing too much of his power (you will know what I mean if you look up for exo's theory and Baekhyun's role in that concept in Tumblr: @adoringdo). The R&B song itself however talks about spending a special time with the beloved in Hannamdong UN Village hill. He wishes that the beloved speaks their true love to him and enjoys the particular lovely moment with each other. The composition of the background score features unique heavy sounds arranged in a way that it becomes subtly emphasized. The sound makes us get into the song, makes us question that let me see how this song continues to sound like, and then comes Baekhyun's first line "Navigation 독서당어린이공원으로 누르고 엑셀을 밟아" (Navigation to Deokseodang Children's Park press start and step on the gas). The line is something one would not expect to be uttered in an R&B song in the very first line. Nevertheless, Baekhyun's accentuation made the line sound so subtle and natural that it felt easy-going. I personally found verse 2 (1:34) to be compelling because Baekhyun's voice sounds like it is heard from a radio (if you know how to explain this more accurately please let me know).

Moreover, the flow is different there than the rest of the song, it gives a lo-fi feeling. The background sound also sounds different than the rest in this part. The scenes from (1:34) to (1:56) went perfectly with verse 2. The high notes and long notes in this song seem to function with the tone of emphasis upon the lover's wish and longing for love.

The overall aesthetic the mv seems to be going for is the same, subtle but special. It emphasizes the flowing whispering love the singer sings about. The mv also has a light seductive side to it, which could be seen through the noir vibes (walking through darkness, black and white, serious looks, buildings, roads), play on different colored lightings (blue, red, white, yellow, green), close up shots of Baekhyun. The flow of different scenes were really good. I just found some of the black and white shots to be unnecessary(again, if I could know the Director's reasoning behind it that would've been cool). For example (0:31), (2:58, 2:53), (2:20)- because I would have liked to see scenes with actual city lights.

I assume the director added these scenes either to not make the mv too much noir or to match the lyrics, or to make the mv more nostalgic and melancholic (could be anything idk). Also, please let me know what you understand from the last scene where Baekhyun is lying on a table and a woman passes by, I have no idea.

My most favorite shots have been

1. Blue hues with blueish Baekhyun (1:46) (1:50) (2:35)

2. The projection on the surface of the building (3:42). The cut to the projection from actual video (2:44-2:50)

3. 0:49 going through that corridor (black and white with play on lighting)

4. The play of red and white lighting, Baekhyun's cool fit (2:22- 2:27) (2:38) (3:07- says turn the light off (lighteul kkeo) and the white light turns off)

5. Every black and white scenes shot in/with that building, especially on (0:56) (1:00) (3:16)

The other songs in the album:

Diamond: The layering with Baekhyun's voice sounds really catchy in the chorus. The song goes well after UN village as it has almost the same theme. It sings about wishing to be more close and intimate together, desiring to explore more of the beloved. To his eyes, the beloved shines like a diamond when they stand next to the lover.

Betcha: The girl does not care or pay enough attention yet. However, the lover is determined to win her over. The guy is confident enough about that. The song has a playful and confident tone into it. Betcha also has a playful dance with it which you'll find in SMP Floor, Baekhyun and Haechan also did challenges with it.

Ice Queen: The transition from Betcha to Ice Queen is smooth, as if Ice Queen is the next part of Betcha. The lyrics here are more descriptive than Betcha. The lover invites the ice queen girl to feel his warm heart with her cold hands. The lover has the warmth and passion of love reminiscent of fire, which is the opposite of the ice queen. The lover wishes to evaporate and get lost into the reaction of their love. Other EXO-L's said that the beginning of Baekhyun's Ice Queen has the same sample as JB's Sunrise, so that's something to note. I love the ending, where he shouts "On my way!"

Stay Up: Well, ahem this one's gonna be a bit racy. It delves into doing amorous activities together. Almost towards the end of City Lights, the lovers are about to take off into next level. This city night resembles the beloved since the beloved is lonely and puzzled, and extravagant, the same as the city streets. Beenzino's parts were natural and embedded with the song well. The sing was produced by well-known producer Cha Cha Malone. Many aeries were shocked to have matured lyrics sung by Baekhyun, which I can relate because he has such a cute face which deludes us into thinking that he is not 27 already by then XD. The lover wishes to go for the third base as the lyrics says "Baby we can stay up, Throw you at me, to the deepest point fall in love...Get in there, reachable lips...I'll fill your empty heart full of me. No sleep tonight. We makin' love. Until the sun shines down on us...Baby lay back. Close your eyes. I'd like to get drunk on you sweet. I'll go easy on you. We can go on and on tonight."(say what?!) Baekhyun makes smut sound like poem, he has such an affectionate yet seductive voice. [*slaps myself for simping over his voice] The ending was nice with "On and on..." but I feel this line should've been longer, the gentle vocal in this part was impeccable. Actually, the lyrics were not overtly explicit, it describes the intimation gently without making it obvious, which is why I commend it.

Psycho: EXO always have had two sides to their love. In one love, the lover becomes a monster or Jekyll, in another, the lover falls into a deep obsession. In this album, the love that started as being playful where the girl did not pay attention at first (in betcha), ended up being psychotic. I would recommend y'all check out Bebe's cover of this song in Street Woman Fighter 2, it's too good, and I'm glad she covered it, she accurately choreographed according to the lyrics and feelings if this song. Baekhyun said on his City Lights showcase that Psycho is about a toxic relationship. While reading the comments, I came across some theories by aeries, which I appreciate. Some linked it to DID, some compared the light exol- healthy relationship and dark exol(or not)- toxic. There is a push and pull going on in the lyrics. On one hand, the lover wishes for the beloved to stay because he needs her, on the other he hopes she goes away because of his dual personality.

The name of the album City Lights is apt. The loneliness, dark and light theme, a romantic night in the city are all featured in the songs using different metaphors and meanings. However, I loved the album cover so much where Baekhyun is on top of a car in an evening over the road where the city lights are shining. So, I would've loved it more if the concept teaser, teaser photos and/or the mv featured more of that image.

Now that it's 2024, we know that we saw some nice mv's that features such nighttime imagery. For example, Baekhyun's Bambi and Minho's Heartbreak.

City lights imagery in Baekhyun's Bambi:

City Lights imagery in Minho's Heartbreak MV:

Give a listen to Baekhyun's City Light, Bambi, and Shinee Minho's Heartbreak!

~Just Apple Pie

[pastelwalks]

sehun chanyeol suho twitter layouts?

hey 🫶

<headers by me like/rb if u save or use>

[lauren-en-france]

#1 On Experiencing Art Museums

Inside an art museum, the walls always look different. Not just because of the art hanging on them and the installations around them, but they vary in color and ornamentation. Some are jewel-toned, while others are bare and white. Some have many paintings, while others have just one. Inside the Louvre, the ceilings are high and the colors range from deep red to gaudy, adorned gold. The paintings in the Louvre are multitudinous and take up space; they fill the grandiose rooms. Inside the d’Orsay, the former train station is open, its blocky walls squaring off rooms and galleries, while the tall windows and skylights lighten the room. The sculpture gallery is bright, with the white cement walls reflecting the natural light. The walls of the Musée de l’Orangerie are cream and crown-molded, with Monet’s waterlilies curving around the ovular room. And the Centre Pompidou is stark, bright white, the light skewed by the scaffolding exterior of the building. These subtle design choices are carefully selected by art curators to emphasize the artworks on display. The wall on which an art piece is hung or near must allow it to shine and emphasize its features, bringing out its colors and form. Each of these museums was carefully designed with its collection in mind, creating a space that matches the art it contains, so that visitors feel immersed in the world of art. In each, large rooms lead to a maze of antechambers, allowing visitors to wander for hours, discovering new artworks and exhibits. In each too, the building matches the aesthetic of its collection. A former palace to house the grand, neoclassical and ancient artworks of the Louvre, a 19th-century train station for the impressionist and romantic works of the d’Orsay, specially-made rooms and skylights for the waterlily murals at the Orangerie, and the contemporary, exo-skeletal Pompidou. 

Throughout my extensive exploration of the various art museums, Monet’s waterlilies at the Musée de l’Orangerie were particularly compelling. These extensive paintings, made with oil paint on unframed canvas affixed to the wall, were created specifically for the Orangerie and fill the space. On each of the four walls in two separate rooms in the Orangerie, a total of eight paintings depict Monet’s water lily pond at Giverny at different points of the day. Some have deep blues and greens, depicting the night, while others have bright yellows to show the sunset, and more have light sky blues and whites to represent a sunny day. As each of these paintings is done in Monet’s signature, impressionistic style, their brushwork and use of shape, color, and form are unique. From up close, the unblended color, rapid brush strokes, and texture create what resembles an abstract expressionist painting, but in zooming out, the pond scene becomes clear. In this sense, Monet was significantly before his time, as his later style, particularly in the landscapes in the Orangerie, have those abstract expressionist qualities. In the painting itself, viewers see sporadic marks and complimentary colors used directly to create light and shadow, which, on a small scale, resembles future paintings like that of Jackson Pollock, which have no form. The use of implied line and shadow and irregular brush strokes pushes Monet further from the Academy and towards the future of painting, perfectly illustrating his importance in the succession of modern art. Furthermore, I found it interesting how viewers can see the effect that Monet’s cataracts had on his work. As his vision continued to worsen, his work stopped being about form and landscape and became much more about light and color. In his later work, like those at the Orangerie and even later, his paintings contain fewer minute details and color blended over greater areas. As his vision blurred, so too did his painting, and it is compelling to see the world as Monet did. Because of the direct effect his vision had on his artwork, viewers can see through his eyes, something that I found very cool. 

After visiting all of these world-renowned art museums, I feel almost numb to the awe and splendor of them. Because I have seen so much world-famous artwork in the last week, I feel less in awe than I did at the beginning of the trip. The first time I walked into the Louvre versus the first time I walked into the Pompidou were very different experiences. It has not dulled my love of art history and analysis, but it has simply made me less awe-struck by the artwork I am studying. This would come to pass eventually as I continue to study art history, but because I have seen so much so quickly, the process was hastened. I now can say I have seen many famous artworks in person, and that I studied art history in Parisian museums, which I love. The juxtaposition of such different museums, yet all museums of art, also exaggerated the differences between different types of art. I was able to see clearly how an art museum is influenced by the art it contains and vice versa. One could never insert a Jacques-Louis David into the Pompidou and say it made sense – of course, being the Pompidou, that could be the point, but in theory, as they stand now, it would not go. The space is curated for the art, not the other way around, that much has never been more clear.

[xunqiz]

⋆ﾟ bye bye my blue ⊹ 🛵 𓂃 ! ๋ ̥ 🤳

[6thmay92]

ᅠᅠ ᅠᅠ

! ! ? ¿ ¡ — ☄`🚘 /// — 이 세상의 어떤 것도 우연히 일어나지 않습니다. /// ☘`🍊;;