#exhibitio

[scotianostra]

St AndrewsCastle Exhibition.

This exhibition features some of the events and the people involved during the castle's long history.

St Andrews Castle was the home of the bishops of St Andrews. The site has been fortified since at least the 1190s. However, most of what we see today was built between 1380 and 1560.

The Castle was the scene of major events in Scottish history. In 1452 the future King James III was born here. Nearly a century later, in 1546, one of the most powerful men in Scotland,

George Wishart was burnt at the stake for his protestant views, outside the castle, then Cardinal David Beaton, was murdered in in retaliation by a group of Protestant noblemen.

The Cardinal's assassins then occupied St Andrews Castle for over a year. They eventually surrendered when bombarded by ships sent from France. During the 1546-47 siege, attacking forces tried to capture the Castle by mining under the walls. The resulting mine still survives, and is the best preserved sixteenth-century siege mine in Europe. Unfortunately they are currently closed after a part of thetunnels collapsed a few weeks ago.

[imxpand5]

This and That Stall Fabrication Done By Xpand5 Exhibit Design @indiadesignid 2024, Okhla, Delhi.

This and That is a design studio that brings to life the age-old tradition of handcrafted furniture. All our pieces originate from a beautiful narrative, fusing fine décor, art, and craftsmanship.

Xpand5 is providing the best quality exhibition stall fabrication service for your brand promotions and activity.

Are you looking for an Event Design & Production service provider for your next events?

Call us on 063588 45746 Write Us: imxpand5@gmail.com . . . . .

[subhashdagar123]

[belovedgamers]

He changed the thumbnail to have more people in it??? And we all thought Sausage was the exhibitio—

[knithacker]

NYC friends, go see this show - it's astonishingly good!

[marykk1990]

My next post in support of Ukraine is:

Next site, the Picture Gallery of Natalia Yuzefovych in Kremenchuk, Poltava Oblast. Natalia Yuzefovych was a Ukrainian painter who was born in Kyiv in 1932. She moved to Kremenchuk in 1971, where she continued creating her artworks. She passed away in 2009. Here's a link to the Museum portal with a virtual tour of the museum.

#StandWithUkraine

#СлаваУкраїні 🇺🇦🌻

[cd-covington]

I realized I keep forgetting to post my newsletter here, and some of you may enjoy it.

This month I talk about a sociolinguistic study of high school nerd girls in the 90s and that painting of a dog with sausages on his nose in the preview image.

[anadiomena]

Watch a video about the construction of a new tutu for The Met's cast of Degas's famous sculpture, The Little Fourteen-Year-Old Dancer. The Met's costume conservator Glenn Peterson discusses the history of the sculpture and the decisions made in the conservation of its tutu. The sculpture, usually on view at The Met Fifth Avenue, is currently featured in the exhibition Like Life: Sculpture, Color, and the Body (1300–Now), on view at The Met Breuer through July 22, 2018.

Featured Artwork:

Edgar Degas (French, 1834–1917). The Little Fourteen-Year-Old Dancer, model executed ca. 1880, cast 1922. French, Paris. Cast by A. A. Hébrard. Bronze, partially tinted, with cotton skirt and satin hair ribbon; wood base; 38 1/2 x 17 1/4 x 14 3/8 in. (97.8 x 43.8 x 36.5 cm). The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.370)

Like Life: Sculpture, Color, and the Body (1300–Now) is on view at The Met Breuer from March 21 through July 22, 2018.

Credits

This conservation project was made possible by Monika A. McLennan and children.

Supported by Bloomberg Philanthropies

Director: Kate Farrell

Producer: Melissa Bell

Editor: Sarah Cowan

Camera: Wayne De La Roche, Dia Felix, Sarah Cowan, and Stephanie Wuertz

Production Coordinator: Kaelan Burkett

Production Assistant: Bryan Martin

Original Music: Austin Fisher

© 2018 The Metropolitan Museum of Art

[cmpstn]

Evelyne Axell

Evelyne Axell was a Belgian pop artist known for her politically charged erotic paintings that transcended the boundaries of what was her socio-political reality. 

Born in the 30s and lived through the 60s

She studied pottery after high school then switched to drama, initially beginning a career as an actress. She married Jean Antoine, a film director who specialized in art documentaries for Belgian television…. Now, Axell was not her given name… her given name was Devaux. (father Andre Devaux)... She changed her name to Axell for acting career purposes. She worked as an interviewer in a documentary about avant garde artists, a television announcer, performed in a variety of theatrical and televised plays, and starred in several movies, one being the provocative Le Crocidile en peluche that she wrote herself. 

Side note: she had a baby somewhere in between all of this. I have to make note of that because it’s a reminder of how magnificent women are…

carrying on…

After some time she then quit her career as an actress and went on to pursue painting. 

Not trying to be an encourage-er of quiters… but lets normalize this. Lets normalize changing directions when you are no longer fulfilled or satisfied with what you’re doing.

 I’m assuming Evelyne had a strong desire to create, whatever it was she was supposed to be creating was a journey within itself she was trying to figure out… or maybe it was just about exploring… leaving no stone unturned. 

So, apparently surrealist painter Rene Magritte, was a friend of her husband’s, and she was able to gain him as a mentor. They visited with each other 2 times a month over the course of a year and worked on developing and improving her oil painting technique. 

Evelyne and her husband travelled a lot for work.  On one of these trips she went to London with Antoine while he was putting together a production to spotlight pop artists. She met a few of these artists in their studios and became so influenced and enamored that she started to form her own style of Pop art, being one of the first Belgian artists to explore this style of painting. 

She faced difficulties getting her paintings shown in galleries and in hopes of being taken more seriously as a female artist, she began using the androgenous name Axell professionally.

Like just Axell.. Period. And signing her paintings as Axell.

Her work is an intoxicating mix of art historical- and self-reference, formal originality, and a playful sense of political awareness. She was a protofeminist who was aware of the discrimination of women at that time and was mocking about certain things.

Her signature was the spherical blue glasses that she wore and often showed up in her artworks. She merged herself with a number of figures she depicted.

Her artwork speaks about the body and sensuality, about social limitations, taboos and their transgression in ways that invite the viewer to think outside the traditional borders of their social, political, or religious context. Axell's work is not just pioneering feminist art; it's the "outstanding quality" of it: her striking use of fresh, contemporary colors; her notable application of unusual materials, her surprising use of jutting layers to build highly original works that evade clear definition; and lastly, her refusal to be pinned in by art movements, be it pop or nouveau réalism, or even the surrealism of her one-time teacher Magritte, whose influence is apparent in her early work.

Axell's life was tragically cut short in a fatal accident outside of Ghent, Belgium, in September 1972. However, her legacy lives on, and her final piece, "L’herbe folle," is a testament to her creative brilliance. Axell's art continues to inspire and provoke conversation about social and political issues today.

Credits below:

[devoted-to-colin-farrell]

[whiteairservicesadelaide]

Must Visit Places in Adelaide, SA

I. Introduction

Adelaide is a charming city located in the southern region of Australia. Known for its picturesque beaches, beautiful parks, and rich culture, Adelaide is a popular tourist destination for both locals and visitors alike. In this article, we will highlight some of the must-visit places in Adelaide that will make your visit unforgettable.

II. Historical Places

A. Adelaide Oval

Since 1871, Adelaide Oval has been a recognisable landmark on the city's skyline. The stadium has played host to numerous international sporting events and served as the home of cricket and Australian rules football in South Australia. Adelaide Oval not only hosts sporting events but also offers guided tours that give guests an inside look at the stadium's background and amenities.

B. Port Adelaide Historic District

Port Adelaide is a historic district located approximately 14 km north-west of Adelaide’s city center. The district has been beautifully preserved and offers visitors a glimpse into Adelaide’s maritime history. Visitors can explore the district’s many museums, galleries, and historic buildings, including the National Railway Museum and the South Australian Maritime Museum.

C. Adelaide Gaol

Adelaide Gaol is a former prison that was in operation from 1841 to 1988. The gaol has been beautifully restored and is now a museum that offers visitors a look at what life was like for prisoners in the 19th and early 20th centuries. Visitors can take a guided tour of the gaol and explore the cells, exercise yards, and execution chamber.

III. Nature and Parks

A. Adelaide Botanic Garden

The Adelaide Botanic Garden is a beautiful park located in the heart of the city. The garden features a range of themed gardens, including a medicinal plant garden, a rose garden, and a palm house. The garden also hosts a range of events and exhibitions throughout the year, making it a great destination for visitors of all ages.

B. Cleland Conservation Park

Cleland Conservation Park is a beautiful natural reserve located approximately 20 km south-east of Adelaide’s city center. The park is home to a range of wildlife, including kangaroos, koalas, and emus. Visitors can explore the park’s walking trails, which offer stunning views of the surrounding landscape.

C. Morialta Conservation Park

Morialta Conservation Park is a beautiful natural reserve located approximately 10 km north-east of Adelaide’s city center. The park is home to a range of walking trails, including the popular Three Falls Trail, which takes visitors past three stunning waterfalls. The park is also a popular destination for rock climbing and abseiling.

IV. Food and Drink

A. Central Market

The Central Market is a historic market located in the heart of Adelaide’s city center. The market features over 80 stalls, selling everything from fresh produce to gourmet cheeses and artisanal bread. The market also has a range of cafes and restaurants, making it a great destination for foodies.

B. Adelaide Hills Wineries

There are some of Australia's top wineries in the Adelaide Hills. Visitors can take a wine tour of the area and stop by several cellar doors, such as Shaw and Smith Winery and Hahndorf Hill Winery. The area is also home to a variety of eateries and cafes, giving visitors the chance to eat and drink while admiring the breathtaking views.

C. Peel Street

Peel Street is a popular dining precinct located in Adelaide’s city center. The precinct is home to a range of restaurants and bars, offering everything from modern Australian cuisine to Asian fusion dishes. Peel Street is a great destination for foodies looking to explore Adelaide’s vibrant dining scene.

V. Art and Culture

A. Art Gallery of South Australia

The Art Gallery of South Australia is a must-visit destination for art lovers. The gallery features a range of artworks, including paintings, sculptures, and photographs, from Australian and international artists. The gallery also hosts a range of exhibitions and events throughout the year, making it a great destination for visitors of all ages.

B. South Australian Museum

The South Australian Museum is a must-visit destination for anyone interested in natural history and cultural heritage. The museum’s collection features over 4 million objects, including fossils, minerals, and artifacts from Aboriginal and Pacific Islander cultures. The museum also hosts a range of exhibitions and events throughout the year, making it a great destination for visitors of all ages.

C. Adelaide Festival Centre

In the centre of the city is a centre for culture called the Adelaide Festival Centre. The centre has a variety of performance venues, such as theatres and concert halls, and it hosts a variety of events and performances all year long in the performing arts, such as music, dance, and theatre. The centre is a great place to spend a night out because it also has a variety of bars and restaurants.

VI. Family-Friendly Places

A. Adelaide Zoo

The Adelaide Zoo is a must-visit destination for families. The zoo is home to over 2,500 animals from over 250 species, including pandas, lions, and giraffes. The zoo also offers a range of experiences, including animal encounters and behind-the-scenes tours, making it a great destination for visitors of all ages.

B. Glenelg Beach

The beach at Glenelg is a favourite spot for tourists and families. The beach is a great place to spend the day because it has a variety of amenities like cafes, restaurants, and playgrounds. The historic Glenelg Tram, which runs from the city's centre to the beach, is another option for tourists.

C. Adelaide Himeji Garden

The Adelaide Himeji Garden is a Japanese-style garden located in the southern part of Adelaide’s city center. The garden features a range of traditional Japanese elements, including a koi pond, a teahouse, and a bamboo forest. The garden is a great destination for families looking to escape the hustle and bustle of the city.

VII. Conclusion

Adelaide is a stunning city with something to offer everyone, including historical structures, stunning natural attractions, delicious food and drink, and a thriving arts and culture scene. Adelaide is unquestionably worthwhile a visit, regardless of whether you're travelling alone, with friends, family, or as a couple. We hope this article has given you the desire to explore the city and find all of its wonderful hidden gems.

Reaching for AC Repair, Adelaide, SA? White Air Services has been keeping South Australian’s comfortable at home and work for over 25 years. Their Air Conditioning Technicians are fully trained and experienced with all air conditioning brands, split systems, evaporative, and reverse cycle systems. Whether your Air Conditioner is due for a service to keep it running efficiently or you need an urgent repair, White Air Services can help you.

Business Details:

White Air Services 0439446722 76 Torres Ave, Flinders Park SA 5025, Australia https://whiteairservices.com.au/

Social Media:

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[futoshitachinos-blog]

How to Advocate for Climate Action When Political Support Is Lacking

In today's political landscape, advocating for climate action can be challenging, especially when policymakers are unresponsive or opposed to environmental initiatives. However, there are effective strategies that individuals and communities can employ to promote meaningful change, even in the absence of robust political backing.

Engage in Grassroots Mobilization Grassroots movements have historically been powerful catalysts for change. By organizing at the local level, communities can build momentum that compels policymakers to take notice. Action Steps: Form or Join Local Environmental Groups: Collaborate with neighbors to address specific environmental concerns in your area.​ Host Community Events: Arrange workshops, clean-up drives, or educational seminars to raise awareness.​ Utilize Social Media: Leverage platforms to share information, organize events, and connect with like-minded individuals.​ Example: The Sunrise Movement, a youth-led organization, has effectively used grassroots organizing to bring attention to climate issues and influence policy discussions. ​en.wikipedia.org

Educate and Raise Awareness Informing others about climate issues can shift public opinion and create a groundswell of support for environmental policies. Action Steps: Host Educational Workshops: Partner with schools, libraries, or community centers to discuss climate science and solutions.​ Develop Informative Materials: Create brochures, articles, or videos that simplify complex environmental topics.​ Engage with Local Media: Write opinion pieces or letters to the editor to highlight pressing environmental concerns.​ Insight: Educated citizens are more likely to support and advocate for effective climate policies. ​

Leverage Economic Influence Consumers and investors can drive corporate environmental responsibility by supporting sustainable businesses and practices. Action Steps: Support Green Businesses: Choose to buy from companies with sustainable practices.​ Divest from Fossil Fuels: Encourage institutions to remove investments from fossil fuel companies.​ Invest in Renewable Energy: Promote or participate in funding for clean energy projects.​ Example: The divestment movement has led numerous universities and organizations to withdraw investments from fossil fuels, signaling a shift toward sustainable energy.​

Utilize Legal and Institutional Channels When political avenues are blocked, legal action and institutional engagement can be effective tools for environmental advocacy. Action Steps: File Lawsuits: Work with environmental law organizations to challenge harmful policies or practices.​ Participate in Public Comment Periods: Provide input on proposed projects or regulations that impact the environment.​ Engage with Regulatory Agencies: Attend hearings and meetings to voice concerns and suggest alternatives.​ Insight: Legal strategies can compel action and ensure enforcement of environmental protections. ​

Foster Partnerships and Coalitions Building alliances with diverse groups can amplify efforts and create a unified front for climate action. Action Steps: Collaborate with NGOs: Partner with non-governmental organizations to leverage resources and expertise.​ Engage Faith-Based Organizations: Work with religious groups that prioritize environmental stewardship.​ Involve the Business Community: Encourage local businesses to adopt sustainable practices and support climate initiatives.​ Example: Type II Partnerships, which involve collaborations between governments, businesses, and civil society, have been effective in advancing sustainable development goals. ​en.wikipedia.org

Advocate Through Art and Culture Artistic expression can inspire action and communicate complex climate issues in accessible ways. Action Steps: Create Environmental Art: Use visual arts, music, or theater to highlight environmental themes.​ Organize Cultural Events: Host festivals or exhibitions that celebrate nature and promote sustainability.​ Engage Influencers: Collaborate with artists and cultural figures to spread environmental messages.​ Example: Musician Adam Met integrates climate advocacy into his performances and nonprofit work, effectively reaching diverse audiences. ​time.com+1time.com+1

Participate in Non-Violent Direct Action Peaceful protests and demonstrations can draw attention to climate issues and pressure decision-makers to act. Action Steps: Organize Marches and Rallies: Mobilize community members to publicly demand climate action.​ Conduct Sit-Ins or Die-Ins: Use symbolic acts to highlight environmental destruction.​ Engage in Civil Disobedience: Peacefully resist policies or projects that harm the environment.​ Example: Extinction Rebellion utilizes non-violent direct action to advocate for urgent climate measures.​

Support Climate-Friendly Candidates Electing officials who prioritize the environment is crucial for enacting supportive policies. Action Steps: Volunteer for Campaigns: Assist candidates with strong environmental platforms.​ Donate to Green Candidates: Provide financial support to those committed to climate action.​ Educate Voters: Inform the electorate about candidates' environmental records.​ Insight: Active political engagement can lead to the election of representatives who will champion climate initiatives. ​

Innovate and Implement Local Solutions Local initiatives can serve as models for broader adoption and demonstrate the feasibility of sustainable practices. Action Steps: Develop Community Renewable Energy Projects: Install solar panels or wind turbines to supply local power.​ Establish Urban Gardens: Promote local food production and green spaces.​ Implement Waste Reduction Programs: Encourage recycling, composting, and reduced consumption.​ Example: Community-led renewable energy projects have successfully reduced emissions and empowered residents.

[news365timesindia]

[ad_1] Opulent Art Gallery announces the resounding success of “Between Yesterday and Tomorrow” an exclusive exhibition of art and artefacts. The event took place between the 18th and the 27th of January at the luxurious Travancore House of India’s capital city. The showcase featured works from art maestros of the yesteryears who are celebrated even today, as well as contemporary artists who hope to find their names etched in the annals of art history. The event welcomed an enthusiastic crowd of art lovers, collectors and industry experts, who engaged with the diverse range of pieces on display.   L to R Bharadwaj Mathukumilli and Hormazd Firdosh Sholapurwala Bharat Series a remarkable 12-foot-long single canvas work by M.F Husain   It featured an extraordinary selection of works from several talented artists culminating in a special interest of eight masterpieces- these include Maqbool Fida Husain’s triptych from the Krishna series a captivating three-part canvas painting depicting Lord Krishna life; another is his Bharath series, a remarkable 12-foot-long single canvas work, which is the zenith apogee of various motifs of that time period. Another rare and interesting piece displayed at the exhibition was the ‘Urdu Series’ which depicts seven steeds (Husain’s inimitable motif) painted in fluorescent colours. This commissioned work by the Sholapurwala family, also has inscriptions and couplets that M.F Husain himself painted on the canvas. It was conceptualised and brought to life in his Dubai studio. The fourth Husian piece displayed was from that of the Mother Teresa Series. It is a unique canvas as it demonstrates Mother Teresa joyfully playing with children; a marked difference from the melancholic theme that India’s beacon of hope was usually portrayed as. Lastly, a Krishna Leela series from M.F Husain garnered interest because it depicts a rural dance recital. Each motif is shown in a state of euphoria, represented by the artist’s expression of featureless characters only showing the inner eye and holding various musical instruments. The inner eye represents enlightenment.   The other three masters’ work on display were that of Akbar Padamsee’s metascape series that began in the 1970's till the early 2000’s. His prolonged engagement with the genre of landscapes drew his concern to the mythical and archetypal quality of landscapes. They are characterized by the use of timeless elements, such as the sun, the moon and the earth. The other is from the great visual metaphorist artist Ram Kumar with his unique representation of a village landscape. His work predominantly comprises abstract renditions of landscapes with jagged topographic contours, supplemented with a sense of ambient despair. Responding to different interpretations of landscape as a concept, Kumar uses a variety of textures to map out its architecture through abstract strokes. Lastly, one of the most exquisite works at the exhibition is that of Indian Modernist artist Sayed Haider Raza. He has been widely appreciated for his use of bold colors and profound symbolism, especially the ‘Bindu’, that is deeply rooted in Indian culture.   According to Hormazd Firdosh Sholapurwala, co-curator of this exhibition, art connoisseur, third-generation art collector and serial entrepreneur, “We are thrilled by the resounding success of the exhibition. Over the years my family and I have collected some extraordinary pieces of art including M.F Husains, Akbar Padamsees, Ram Kumars and S.H Razas amongst other masters’ works that we own, only a handful of which were displayed during this event. Hosting an exhibition at the prestigious Travancore House requires proper documentation and proof of provenance. Our main objective in co-curating this exhibition is to showcase how contemporary artists have been inspired by the artists of yesteryears. We at Opulent Art Gallery are also excited about our next big exhibition in India’s cultural capital, Mumbai in the coming months.

Following which we will host events in Bengaluru, Chennai, and Hyderabad as well.”   Bharadwaj Mathukumilli, educationalist, philanthropist and third generation art collector whose visionary approach has left an indelible mark on the Indian art landscape states, “Alongside the art exhibition in Mumbai, we at Opulent Art Gallery are planning to open a permanent space to display art and artifacts from the various masters and from talented contemporary artists where they can showcase their works on a more regular basis.”   Pravin.V. Patil, Director of Opulent Art Gallery posits, “This exhibition has been very successful in terms of interests expressed by various buyers and collectors.”   Vandita Mishra, Director of Aem Contemporary & lead curator of this event says, “The motive behind doing these exhibitions is to start a dialogue and eventually establish a longstanding relationship between the contemporary artists and the collectors.”   As the exhibition concludes successfully in Delhi, art lovers, collectors, connoisseurs and the community can look forward to the future showcase in Mumbai in a couple of months. !function(f,b,e,v,n,t,s) if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments); if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)(window,document,'script', 'https://connect.facebook.net/en_US/fbevents.js'); fbq('init', '311356416665414'); fbq('track', 'PageView'); [ad_2] Source link

[news365times]

[ad_1] Opulent Art Gallery announces the resounding success of “Between Yesterday and Tomorrow” an exclusive exhibition of art and artefacts. The event took place between the 18th and the 27th of January at the luxurious Travancore House of India’s capital city. The showcase featured works from art maestros of the yesteryears who are celebrated even today, as well as contemporary artists who hope to find their names etched in the annals of art history. The event welcomed an enthusiastic crowd of art lovers, collectors and industry experts, who engaged with the diverse range of pieces on display.   L to R Bharadwaj Mathukumilli and Hormazd Firdosh Sholapurwala Bharat Series a remarkable 12-foot-long single canvas work by M.F Husain   It featured an extraordinary selection of works from several talented artists culminating in a special interest of eight masterpieces- these include Maqbool Fida Husain’s triptych from the Krishna series a captivating three-part canvas painting depicting Lord Krishna life; another is his Bharath series, a remarkable 12-foot-long single canvas work, which is the zenith apogee of various motifs of that time period. Another rare and interesting piece displayed at the exhibition was the ‘Urdu Series’ which depicts seven steeds (Husain’s inimitable motif) painted in fluorescent colours. This commissioned work by the Sholapurwala family, also has inscriptions and couplets that M.F Husain himself painted on the canvas. It was conceptualised and brought to life in his Dubai studio. The fourth Husian piece displayed was from that of the Mother Teresa Series. It is a unique canvas as it demonstrates Mother Teresa joyfully playing with children; a marked difference from the melancholic theme that India’s beacon of hope was usually portrayed as. Lastly, a Krishna Leela series from M.F Husain garnered interest because it depicts a rural dance recital. Each motif is shown in a state of euphoria, represented by the artist’s expression of featureless characters only showing the inner eye and holding various musical instruments. The inner eye represents enlightenment.   The other three masters’ work on display were that of Akbar Padamsee’s metascape series that began in the 1970's till the early 2000’s. His prolonged engagement with the genre of landscapes drew his concern to the mythical and archetypal quality of landscapes. They are characterized by the use of timeless elements, such as the sun, the moon and the earth. The other is from the great visual metaphorist artist Ram Kumar with his unique representation of a village landscape. His work predominantly comprises abstract renditions of landscapes with jagged topographic contours, supplemented with a sense of ambient despair. Responding to different interpretations of landscape as a concept, Kumar uses a variety of textures to map out its architecture through abstract strokes. Lastly, one of the most exquisite works at the exhibition is that of Indian Modernist artist Sayed Haider Raza. He has been widely appreciated for his use of bold colors and profound symbolism, especially the ‘Bindu’, that is deeply rooted in Indian culture.   According to Hormazd Firdosh Sholapurwala, co-curator of this exhibition, art connoisseur, third-generation art collector and serial entrepreneur, “We are thrilled by the resounding success of the exhibition. Over the years my family and I have collected some extraordinary pieces of art including M.F Husains, Akbar Padamsees, Ram Kumars and S.H Razas amongst other masters’ works that we own, only a handful of which were displayed during this event. Hosting an exhibition at the prestigious Travancore House requires proper documentation and proof of provenance. Our main objective in co-curating this exhibition is to showcase how contemporary artists have been inspired by the artists of yesteryears. We at Opulent Art Gallery are also excited about our next big exhibition in India’s cultural capital, Mumbai in the coming months.

Following which we will host events in Bengaluru, Chennai, and Hyderabad as well.”   Bharadwaj Mathukumilli, educationalist, philanthropist and third generation art collector whose visionary approach has left an indelible mark on the Indian art landscape states, “Alongside the art exhibition in Mumbai, we at Opulent Art Gallery are planning to open a permanent space to display art and artifacts from the various masters and from talented contemporary artists where they can showcase their works on a more regular basis.”   Pravin.V. Patil, Director of Opulent Art Gallery posits, “This exhibition has been very successful in terms of interests expressed by various buyers and collectors.”   Vandita Mishra, Director of Aem Contemporary & lead curator of this event says, “The motive behind doing these exhibitions is to start a dialogue and eventually establish a longstanding relationship between the contemporary artists and the collectors.”   As the exhibition concludes successfully in Delhi, art lovers, collectors, connoisseurs and the community can look forward to the future showcase in Mumbai in a couple of months. !function(f,b,e,v,n,t,s) if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments); if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)(window,document,'script', 'https://connect.facebook.net/en_US/fbevents.js'); fbq('init', '311356416665414'); fbq('track', 'PageView'); [ad_2] Source link

[minashrama165]

#आध्यात्मिक_प्रदर्शनी

Spiritual Exhibition At Satlok Ashram

संत रामपाल जी महाराज के सानिध्य में

दिव्य धर्म यज्ञ दिवस

पर लगी दिव्य प्रदर्शनी चित्रों और धर्म ग्रंथों की अद्भूत भाषा में संतों के अनुभव को प्रदर्शित कर, आत्मा को परमात्मा के सच्चे ज्ञान के सागर में डुबा देती है।

#आध्यात्मिक_प्रदर्शनी

Spiritual Exhibitio