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wordsinhaled · 5 months ago

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I rewatched the confession scene again recently, and Charles' eyes just after Edwin confesses to him say everything, honestly.

Not when he still thinks Edwin might be joking, or calling them back to mythology. Once Charles is done playing it off, once Edwin's assured him he's serious, once he's said, "Charles, I'm in love with you. As more than a friend, I'm afraid," with that resolute anguish in his voice, and it's clear he's telling a truth so honest, so deep that it's tearing him apart to say it, but to leave it unsaid is equally unbearable.

Charles' eyes then.

Charles has this thing he does with his eyes, probably unconscious, when he's being real with his emotions or feeling them in a big way - he darts his eyes up to the ceiling. He does it a few other times, like when he's talking to Edwin about how he and Crystal have decided not to try a relationship, and again when he's giving his response to Edwin's confession ("I can't say I'm, like, in love with you back—" his eyes go up).

Doing this is also a way to hold back welling tears, to try to keep them from falling - and it looks like that's exactly what's happening to Charles just after Edwin confesses. He's overcome with emotion when he first looks at Edwin. He's trying to hold back his tears, and so he tries to glance up at the ceiling instead; he blinks quickly to keep them back; he looks to the side, everywhere except at Edwin, because if he keeps looking at Edwin just then he's going to cry.

Because it's Edwin. Edwin's in love with him. And in that moment you can see in Charles' eyes how the hugeness of that—it closes in on him. And it's two things:

ONE: He's just seen Edwin torn apart, and torn apart again, over and over. He's seen firsthand the abject terror and pain Edwin's endured here, he's seen the pile of Edwin's corpses; and the real Hell for Charles, what he had to see before he could really see the rest, was Edwin's suffering. He understands why Edwin's been playing the suffering Olympics with startling clarity. It's fucking horrifying, the idea of this happening to Edwin, and the evidence of it there, mere feet from him - he's confronted with it viscerally. He could hardly stand it, was already brought to tears by it when he first realized exactly what Edwin's torture was, crouching with Edwin there in that hallway. There were tears in his eyes then. For Edwin's pain, suffering, fear, for how diminished and Edwin was here in this awful place, for the unfairness of it - and he couldn't cry then, because he had to focus on getting them out of there.

He's here to rescue Edwin. His Edwin. Prim and proper and fussy Edwin, sharp-tongued, brilliant, frustrating and so fucking perfectly wonderful, all starched collars and arched eyebrows and set habits, and his little infinite notebook with the painstakingly drawn map of Hell in it that led Charles right to him. Edwin, who means safety to Charles, Edwin whom he knows like the breathing he doesn't need anymore, Edwin, all of whose tells Charles has memorized. Edwin who for 70 years dealt with this quietly, before ever meeting Charles, running scared and covered in his own blood for decades, clawing his own way out with no one, no Charles to come for him, no expectation of a rescuer.

And the first thing he'd done after escaping this horror show the first time was to bring Charles a lantern when he was cold and scared, and read him gently to his quiet, easy, peaceful death. A death so soft Charles didn't notice it until after it happened. How could that be the death Charles got, when Edwin had got this one, over and over and over again, and not once but twice? How is the universe fair?

Edwin loves him. Charles already knew that. He loves Edwin too. It's clear in everything they do for one another and has been for three decades. But Edwin is in love with him. Somehow, he's in love with Charles. Of course Charles is going to cry. How can he hold all of that? How can he hold being loved by such a person? How can he not be overwhelmed? he has to look away. Edwin is too bright.

And that takes us to TWO: He's gone and made Edwin love him, somehow. How did he do it? How did he slip up, make a mistake like that? What in him had been loveable? What had drawn Edwin in? And can't Edwin see how dangerous he is to love?

Now that Edwin's found something in him worthy of even more love than all the love he already gave him - something to be in love with - now Charles has doomed him. How doesn't Edwin see that? He's looking at Charles like he sees him in some sort of transcendental way, like Charles has the answer to every question Edwin could ever ask, and Charles doesn't even know how to answer the most basic one: He has no idea how to be in love back. Where to start. How can Edwin trust him with his heart when Charles hardly trusts himself?

How can the universe gift Charles with Edwin's love?

#dbda #dead boy detective agency #payneland #charles rowland #edwin payne

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hard-core-super-star · 6 months ago

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Random thought popped into my head but it's about vampire Kate x reader. What if reader was a witch of some sort who got her heart broken because Kate is an fboy and became terrified and left when she realized how much she loved the reader but came crawling back a year later because she needed reader's witchy help and they ended up casually flirting because they clearly still have feelings for each other and stuff

ain't that the kicker [K.Bishop]

pairing: vampire!kate x reader

summary: the morning after your late-night encounter with kate doesn't go quite as planned...and neither does the day after that or the day after that. [aka you and kate have way more issues than you thought]

warnings: none, i think?; did somebody order angst?; so much tension, you need more than one knife; i rob you of a longer wanda scene; cliffhanger ending because this got too long; weird vampire powers that are badly explained; very long dream sequences; a surprising lack of actual vampire stuff [i badly need to rewatch first kill]; idiots in love but emphasis on the idiots!

wodcount: 3.2k

a/n: hey everyone, my motivation was pretty dead for a while but, unsurprisingly, vampire kate brought it back! and before you all freak out, YES! THERE WILL BE ANOTHER PART! and maybe it'll be less sad and more spicy, who knows? anyway, thank you so much for sticking with me and my constant disappearing act. my second year at university is wrapping up so hopefully you’ll see more of me this summer ;) that's all i have to say, hope you enjoy <3

part one | part three | part four

* * * * * * *

Saying going home with Kate Bishop had been a bad idea would be a massive understatement.

You knew being alone with the heir of Bishop Security would come with problems but the problems all seemed relatively small compared to the continuous waves of pleasure you had been under all night.

To be fair, though, you never expected a grainy picture of you on Kate's lap to be part of that list of problems. You had expected some awkwardness from the charming brunette, the usual "we can't do this again" speech while actively making out in some random storage closet, maybe even some weird looks from your co-workers to further complicate things.

Your original plan had featured everything except you going viral overnight and waking up to the biggest PR disaster to ever hit Bishop Security. (Which is saying a lot considering the many one-night stand scandals Kate always finds herself wrapped up in)

You had so many ideas of what the morning after would be like but none of them included you waking up to an empty bed and a large pit in your stomach that tells you you fucked up big time.

Maybe it had been your fault, maybe you had been too naive for thinking you could really have it all.

Or maybe Kate was right. Maybe she had a longer list of enemies than you had been willing to entertain.

There were far too many “maybe’s” in your mind, an overwhelming amount of notifications on your phone, and you had no idea where Kate had gone.

You’re not sure how long you spend scrolling through Twitter and avoiding all the texts filled with unanswerable questions from your co-workers but eventually, you manage to regain control of yourself and get up from the archer’s ridiculously comfortable bed. You do your best to ignore how shaky your legs are as you get dressed, your mind unfortunately drifting to the night before.

You manage to find your way to the kitchen where there's a full spread of, slightly burnt, breakfast waiting for you. Your heart swells as you read the messy handwriting on the post-it note next to the biggest stack of pancakes you’ve ever seen.

Morning, sunshine. I didn’t know what you were in the mood for so I made a bit of everything. Eat as much as you can, you’ll need a lot of food and water to recover from last night ;) - Kate

It’s impossible to stop the wave of relief that crashes into you after reading that.

As impossible as it feels, you allow yourself to believe things will be fine. That Kate will stick by your side after opening up to you about her supernatural abilities.

But the fantasy doesn’t last long.

You’re halfway through your breakfast when you hear the front door slam shut with so much force you briefly wonder if the hinges came off. It takes no more than fifteen seconds for the archer to appear in front of you, her shoulders tense and an unreadable storm in her eyes.

Her posture already tells you the answer to the question forming on your lips but you ask anyway. “Everything okay?”

She seems almost startled by the sound of your voice as if hearing you makes you real.

It makes the mess you’re both in real.

“No,” she sighs. “I have some shitty news.”

“Shittier than being called a slut by all of New York?” You reply, unable to stop the urge to make her smile.

Kate doesn’t fully smile but she does let out a small chuckle, her shoulders dropping into a less tense position as the sound escapes her. “Yeah…shittier than that.”

You should’ve known where the conversation was headed. Should’ve realized there was no way you’d be able to have it all. No way for you to continue with your life as if nothing had happened.

Maybe you are too naive because you truly didn’t see her next sentence coming.

“y/n…I have to fire you and we...we can’t do this again. This has to be goodbye.”

Everything crashes into you at once.

The realization of what you’ve actually done, the stupid ease with which Kate is cutting you out of her life, the betrayal of her practically kicking you out onto the streets. You’re not an idiot, you know there’s no way you’ll be able to keep your apartment, your humble yet expensive life in New York, without your job.

Without her.

“You…you’re serious? You’re throwing me out just like that?”

“It’s not easy for me either-”

“It looks pretty damn easy, Kate.” You scoff.

“You’re not the one who spent her whole morning getting chewed out by her mom.” Her words come out like an afterthought, like she knows just how badly she’ll fuck up if you hear the annoyance behind them.

Unfortunately for her, you hear her loud and clear.

“Oh, come on. That’s your excuse? You had one bad conversation with your mom and suddenly I don’t mean anything?”

She doesn’t reply and her silence only serves to stoke the flames of fury and resentment rising within your chest.

“Do you know how many death threats I’ve gotten in the last hour? How many coworkers have tried to blackmail me already? Do you understand just how much of my life this has ruined? And you have the audacity to act like you have it hard?”

“Don’t pretend like you know anything about my life,” she spits back. “You don’t know anything about me.”

“That’s bullshit and you know it, Katherine. If I didn’t know you, if you didn’t care, why the hell did you tell me your dirty little secret?”

She blinks, taken aback by the hard-hitting truth you throw her way.

If you didn’t know her, you wouldn’t notice the way she nervously fidgets with her fingers or the way she bites down on her lower lip while she tries to come up with something to say. If you didn’t know her, you wouldn’t know she’s hurting underneath.

You do know her, though, but knowing her isn’t enough if she’s not willing to let you stay.

So, because you do know her…you walk away.

It feels like giving up in the most infuriating of ways but it’s the only thing you can do. If Kate’s mind is made up, there’s no amount of reason that will get her to change. That’s another thing about her you’ve learned the hard way.

So you swallow your pride and walk away with no plan, no job, no way of supporting yourself. If you were a more spiteful person, you would have applied for a job at Stark Industries but instead, you do the second hardest thing you’ve ever done.

You restart.

It’s a bitter defeat and still, you pack up your things and pay an old friend a visit.

You had left Wanda behind after the Westview fiasco but she’s the only person you can think of running to after your entire life went up in flames. All it takes is one quick spell and the realization that a life without dark magic isn’t one you can live before you’re standing on the porch of her small cabin in the middle of nowhere.

Saying she’s disappointed would be an understatement, especially since she explicitly warned you not to fall in love with Kate Bishop. It’s hard to believe the witch knew about Kate’s vampire secret but you also wouldn’t be surprised if she knew what awaited you the second you left for New York.

Unfortunately, you had to learn things the hard way.

You could write multiple books on everything you’ve learned the hard way.

At the top of that list, though, is the true extent of a certain archer’s vampire powers.

It takes less than a month for Kate to reach you again…through your dreams. Dreams that feel far too real and leave you a tad bit more breathless than you’ll ever be willing to admit.

The first time it happens, you assume it’s one of Wanda’s new tricks, maybe it’s her way of helping you cope with what (or rather who) you’ve left behind. You think it’s weird but maybe a tad bit sweet and you make a mental note to ask her about it in the morning.

It’s not until you realize that you’re actively thinking that you start to worry.

To make matters worse, you’re inside Kate’s apartment…and she quite literally stumbles out of her bedroom to see you standing in the middle of her living room.

“Oh, shit.” She groans.

Your heart skips a beat at the sound of her voice. You know you’re just dreaming and yet it all feels so real. It’s like you can feel her eyes on you, hear the way your heart won’t stop pounding in your ears.

Your confusion must be written all over your face because she answers your question before you can even ask it.

“Yes, you are dreaming but this isn’t like a normal dream.”

“What the fuck happened to you not being a mind reader?” You blurt out.

You wait for that stupid smirk of hers to appear, maybe with a half-assed shrug and a semi-charming joke, but it never comes. “My dream, my rules, I guess.”

“That still doesn’t explain what’s going on.”

A beat of silence goes by before she sort of gives you an answer. “I can explain but you might hate me afterwards.”

The look in her eyes says more than you can possibly handle right now. You’ve never known Kate to be particularly insecure but all you can see in those blue depths is fear and insecurity. Fear that your feelings for her have changed, that you already hate her and never want to hear from her again.

Too bad you’ve never been good at lying.

“Try me.”

The corners of her mouth quirk up into a small smile. “Long story short, we’re bonded. That’s why we’re in each other’s dreams.”

There’s a bigger question to be asked but you’re still a little freaked out by how real this all feels. By how intense your feelings for her still are.

“But this isn’t like a normal dream, is it?”

“Nope, perks of having vampire powers.”

“So, you can do everything except read minds?” You can’t help but tease her like all the times before. “That sucks.”

“Shut up,” she says with an over-dramatic roll of her eyes.

A calm silence falls over both of you and you hate how normal it feels. How just like that, you forget your anger and the betrayal you’ve felt every minute since the day you left New York in favor of falling for her stupidly enchanting self all over again.

It doesn’t help that with every second, the distance between you gets smaller and smaller.

You don’t know who takes the first step, all you know is you blink and suddenly she’s standing right in front of you, those soft blue eyes of hers searching for the truth you can’t hide.

“y/n,” she murmurs, her hand tentatively reaching out to tuck a stray piece of hair behind your ear. “I’m sorry, I know this isn’t what you wanted.”

She’s technically not wrong, leaving because of her incapability to deal with her feelings was the last thing you wanted, but it’s not like you had any other choice.

She didn’t give you any other choice.

And now she’s here, staring at you with that wounded puppy look she so effortlessly embodies.

“I wanted you,” you whisper in response. “When are you going to get that through your thick skull?”

She chuckles, the sound warm but nervous. Her hand moves to cup your face and her touch is so soft, it leaves you breathless for a moment. “Never, I’m too stubborn for that, remember?”

You can’t help but tease her as the atmosphere shifts into something more affectionate than you’d like. “How could I forget? It’s your worst trait.”

“Ouch. Is that how you treat your favorite vampire?”

“Aw, poor little vampire baby.”

You wait for her to make one of her usual jokes but she doesn’t.

Instead, her eyes drift down to your lips and your mind instantly goes blank.

There’s an endless list of reasons why you shouldn’t do it. Just because it’s a dream doesn’t mean it isn’t a bad idea. Then again…when has that ever stopped you from being with Kate Bishop?

It’s subtle but you lean forward just enough to give her the invitation she’s too much of a gentleman to ask for. Her eyes widen the slightest bit before she meets you in the middle, the space between your lips becoming nonexistent in the span of a few seconds.

You try your hardest to hold on to your self control, to not seem as desperate as you’ve felt since that first night, but it’s useless. Your hands grip the front of her shirt in an attempt to pull her closer despite how insane everything is.

You’re simply dreaming and yet you can feel every touch, every breath, every desperate effort to make your desires a reality. You would feel embarrassed if Kate wasn’t acting the same way.

Her lips leave yours only to trail down to your neck, her fangs instantly teasing the sensitive skin she finds. The anticipation builds inside your chest as she toys with you and it’s all you can do not to beg for more.

“Kate.” Her name leaves your lips in the form of a whisper that disappears just as fast as it formed.

All you hear is her sharp intake of breath before it all fades to black.

Your eyes snap open and you’re greeted with the absolute silence you’re starting to associate with Wanda’s cabin. All you can do is lay there in the darkness, your heart pounding in your ears while your fingers trace the spot Kate’s lips had just been on.

It had all felt so real and now you’re all alone again. It shouldn’t be surprising at this point and yet you still hold on to the hope Kate will come looking for you.

But she doesn’t.

All she does is haunt your dreams in the most literal way possible. She doesn’t come to find you and fix your many, many issues, instead, she simply appears in your dreams long enough to send your mind reeling without offering any solutions.

You wish you could hate her for doing this to you but you can’t.

You love her.

Worse than that, you love her more and more each night. Even though it’s not nearly enough to heal any of your wounds, and maybe it only serves to hurt you more, it’s definitely addicting.

Wanda offers to help you sever the connection between you and Kate, something about a spell she read in the Darkhold being her only assurance that she knows what she’s doing. You don’t fully trust her on that but you do consider the option for longer than you want to admit.

You reason with yourself that there are much worse things to deal with on a daily basis than highly realistic dreams, though. That being bonded to a vampire isn't the worst thing in the world.

And maybe that would be true…if the vampire in question wasn't Kate Bishop.

You don't know what possesses you to ask but the question slips out in the middle of another midnight rendezvous. It’s been a little over two month since you moved away from New York, a little over two months since you've shared these weird dreams with Kate, when you finally ask.

“What exactly did you do for us to be bonded to each other?”

The question must catch her off guard given the way her eyes widen in panic. “What?”

“You said these weird dreams happen because we’re bonded or something but you never explained how that happened.” You watch the brunette from your spot on the couch and impatiently wait for a response, for something that will help you make sense of everything.

She swallows back her nervousness but gives herself away due to the way she fidgets with the rings on her hand. “Oh, yeah, that…it’s because I bit you that night in my apartment…remember?”

Her awkwardness would be endearing if her response wasn't so damn suspicious.

“Yeah but you're a vampire, biting people is kind of your thing. You're not automatically bonded to every person you bite, right?”

A beat of silence passes before she answers, her voice shaking the slightest bit. “No that…that only happens when there are…certain feelings involved.”

It takes a second for her answer to click in your brain. For her sudden nervousness to hold real meaning.

The answer hits you like a train and it makes your blood boil like nothing else.

“Kate, tell me that doesn't mean what I think it means. Tell me you didn't fire me because you were too afraid of having feelings for me.”

“y/n-”

“For fuck’s sake, Kate!”

The sudden frustration in your voice makes her jump, hundreds of meaningless explanations forming on the tip of her tongue.

You don't hear a word she says.

You can't hear anything besides the pounding in your heart and the devastation that threatens to swallow you whole.

You always knew being with Kate would be impossible but this was something else entirely. This wasn't a lack of feelings between you two, this was too many feelings and too many miles of distance and not one ounce of regret from her.

You're not sure when you stood up from your spot or when she approached you, you simply feel her hand on your waist and the unmistakable sound of her breathing.

“y/n,” she tries again. “I’m sorry.”

“I’m so tired of hearing you say that.”

“I know.”

The last thing you feel is her lips on the back of your neck before you wake up. Alone. Again.

Wanda must catch on to your desperation because she brings up the idea of cutting your connection with Kate that same morning.

“It’ll only be temporary,” she assures you. “No offense but you need sleep more than you need Kate Bishop.”

“I’m a little offended,” you grumble in response.

Despite your reservations, and the voice in the back of your head that tells you running away again is a bad idea, you go along with her plan. She's right, after all. You definitely need some time away from Kate Bishop and her never-ending messes.

The spell is simpler than you expect and it, thankfully, requires pretty much no effort on your part and no weird liquids.

It does also bring the best sleep you’ve had in months so you can’t complain…even when you wake up missing the sound of the archer’s voice.

You still miss her every day and you're sure that won't change any time soon but you welcome the peace with open arms.

Wanda spends her time teaching you random spells while you help her build a nice flower garden in the backyard. It's weird but…comforting.

You could even get used to life out here someday.

At least, that's what you keep telling yourself as the weeks go by.

Until Kate shows up unannounced and flips your world upside down again with those same soft eyes you fell on love with all those months ago.

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angelmachines · 10 months ago

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teru & socialization

i've posted about this before but something ive been thinking about a LOT is mp100's themes of loneliness (and eventual connections). i think this is an aspect of teru's character (in particular) that gets left out because it's not as explicit but i've been wanting to do a deep dive on it for a while and i finally sat down to do it. just a warning, this post is gonna be LONG.

these two panels are from chapter 16 of the manga (which i'm using for my evidence because i. dont want to scrub through the anime LOL). initial sentiment: teru uses his powers to cheat having friends/a good social life and wouldn't have that if he tried earnestly. this is a fair interpretation of the scene. with what we know, at this point of time (as in within the teru-mob fight) teru would not be able to connect with other people earnestly, due to his mindset. which i think is a fair interpretation, HOWEVER:

(from chapter 17 ^^) the first panel shows teru's expression to be strained and the second is visibly unhappy. this puts the first set of panels into a different context, that maybe underneath all of this, teru doesn't WANT any of this life that he's built. keep in mind that i'm analyzing this with teru's possible autistic tendencies in mind & you dont have to believe he's autistic, im not your dad, but i do find this a pretty meaningful indication of masking if he were

(note: yes, the strain can definitely be read as comp-het, and i would agree but that's not relevant so go read this post on that instead)

even if the rest of these panels show teru content with his life, i think these expressions are pretty vital to how we read his life especially because we know so little of it. think about it, if you were a kid desperate for affection because you couldn't get it anywhere else, especially not in a way that would come off as "mature" or "unaffected", wouldn't you also look for validation in your popularity? even if it aligned you with people who you consider fundamentally different to you? my point here is that teru can't not stand out-- it's in his nature-- and we are shown how he tries to blend in & receive attention in the only way possible to him; which is to say that he molds himself into something that is palatable, likeable, and superior to other people. if he's nothing, like mob, he has spent his entire life covering up for it. if he fails socially, like mob, he has to be good at everything (even if he cheats to do so) so that everyone else can look past it.

(side note for my teru angst enjoyers: this is a panel of his mom. the mom who he hasn't seen in years. doesn't it make sense that, if he hasn't heard his mom say he's proud of him for literal years, that he would overachieve in response? not related to the autism thing i just have the teru bug. also don't be misogynistic in my notes both his parents suck we just get a singular mention of his mom)

so if teru couldn't meaningfully have friends before mob, that could very easily be because of his past mindset, right?

...except, we don't.. really... see him make other friends afterwards.

but, the awakening lab, right?

(ok i lied to you sorry there is one anime screenshot and thats because it stood out to me while i rewatched it earlier this month. sorry.) id like to bring attention to this screenshot during the cultural festival because the awakening lab can definitely be seen as a direct contradiction of this and i'd like to point out a couple things:

1) in this scene the shiratori brothers are in another room 2) them and the other three are friends with ritsu (or at least close enough acquaintances to want to see him).

considering this is one of the only times they appear together for Fun i am more inclined to believe this is an encounter where they went together because they all would've gone separately anyway. this isn't to discount the possible bond that these characters might have, but thats the thing. we... aren't really shown that they're friends and enjoy spending time together outside of this screenshot, where two out of six of the members are not even present. not to mention that teru is still placing himself in a role separate from his peers. despite stripping the superiority away, teru is still the awakening lab's mentor, not friend. teru still views himself as fundamentally different in a context where his psychic powers don't make him that way.

...except with mob. i bring this placement of power up because where he is the awakening lab's mentor, teru declares mob to be his rival, or, in other words, teru is just like him. he is accepting that mob and him are the same. (and if we view mob from an autistic lens... so on and so forth)

as if to hammer in that point even further-- in the summer vacation omake, teru explicitly states that "summer break is just a super long, super boring stretch of alone time." i'm not sure of the timeline here, but guessing from the hair, we're at least post season 1. which gives us explicit confirmation here that teru is spending the break alone despite his relationship to the awakening lab. his connection to mob is a lifeline here because mob is one of the only people who can intuitively understand teru's isolation without judgment

(also, on that point of teru's autistic tendencies: teru does and says a LOT of things that would raise other peoples eyebrows and doesn't seem to notice.

here we get teru actively admitting to his home life, right in front of reigen, WHO COULD CALL CHILD SERVICES ON HIM? this genuinely made me rethink this character entirely. teru's filter is... minimal. he isn't constantly volunteering information and generally minds his own business, but if you ask? Well.

teru is a social person, but to say he is proficient in understanding social situations seems... wrong. teru views his loneliness as boring because, despite being fairly open, does not actually allow himself to think about his own feelings and how they affect him. this loneliness is boring because he doesn't have enough of a reference to realize its not

if we are taking pre-mob teru to be a version of himself who is masking, or at the very least someone who is faking a lot of stuff in a less autistic sense, the fight with mob changes teru to the point where he no longer hides himself. in the same way that mob was able to shake teru's fragile superiority complex i think the change in appearance marks the end of the self teru had built up. from this point on we see him become a lot more... Him. his appearance and his fashion choices are, presumably, completely normal to him and we get no indication that he believes otherwise despite the reactions it gets-- which is... well, i wouldn't be writing this post if i thought it was one of his most neurotypical traits.

in fact, he seems... pretty oblivious to what other people think of him. which is an interesting distinction to make considering the intelligence we Know he possesses (which is not to say that you are unintelligent if you don't pick up on social cues, just that its common for media to depict it that way.) these traits are made pointedly, even if unintentionally, separate, ESPECIALLY when you note the amount of characters who Do ruminate on or stare at teru's appearance.

some examples. i don't even think this is all of it-- case in point.)

#mp100 #mob psycho 100 #mp100 meta #mp100 analysis #teruki hanazawa #fun fact this post was originally going to be about terus autistic traits and then i got scared sorry #mostly bc i was pointing out stuff that made me go Hes just like me Frrrr...#and i dont actually know if thats a good metric bc im only like 90% sure im autistic #tho i think writing 1000+ words on a characters potential autism is. um. its. well.#text #ok ive gone back and forth on posting this a billion times bc ive looked at it too much JUST READ THEPOST

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lover-of-mine · 11 months ago

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Okay, I said I was gonna make a post about the way I believe Ryan is playing Eddie as in love with Buck because of the way he makes certain choices about Eddie regarding Buck that are similar to the ones he made about Eddie regarding Shannon, and this is it.

The whole thing started with the way Eddie looks away from things that make him experience intense feelings, but mostly when he doesn't like what he's feeling in a sense. He looks away from Shannon all of the time, when they're fighting, before she goes to the school, and in the firehouse, when she says she wants a divorce.

He's avoiding his parents eyes when they are trying to take Christopher, he looks away from Frank all the time.

He can't look Buck in the eye when Buck is trying to tell him that Chris got lost in the tsunami, he looks away from Ana because he knows he's hurting her (he does force himself to watch Shannon as she dies but I feel like that's a lot more about his loyalty/instinct to protect because that moment is fully about her because she's dying).

That's a consistent trait Ryan gave Eddie, he looks away, I think it even makes sense with the way Eddie runs away from stuff. And that makes moments when he's avoiding eye contact with Buck that much more interesting.

Because take 3a for example, buddie has quite a few emotional conversations, but during those, Eddie is mostly always staring Buck down or actively trying to force Buck to look at him (except when it comes to the fight club but the fight club is a lot more about shame in my opinion).

But when you look at the will reveal for instance, Eddie is consistently forcing himself to look back at Buck. His instinct seems to be to keep looking forward, and he needs to remember to look at Buck from time to time. (I'm not gonna put the whole scene here, but go rewatch and pay attention to where Eddie is looking)

And sure, the way Eddie simply refuses to look at anything relating to Buck's death can be seen as just "my best friend died" because any reasonable person would have an extreme reaction to watching their best friend die.

But, I don't see how that applies in the cemetery. Because Buck says "she sees me" and Eddie gives him that disbelief look and then just, stops looking. Honestly, there's no reason for that conversation not to involve them looking at each other, the point that's made that they are looking straight ahead is very interesting on its own but, like, when you add the fact that Eddie looks away from shit he doesn't want to feel/wants to run away from, that conversation has a whole other fun layer.

Even more with the way that Buck is lowkey looking like a kid tugging on your sleeve to get your attention and Eddie just refuses to look at him.

But my point really comes to the fact that these are all the same reaction.

And how do you explain the decision to make Eddie react the same way he does when Shannon is asking him to make a decision about them and then when she makes the decision herself by asking for a divorce when he thinks Buck has made a decision about them so he needs to back off?

That's his breakup face, plain and simple.

And it's not a reaction Eddie has to Shannon once, is something that is consistent with the way we see Eddie reacting to Shannon, and I personally think its a lot of the way it makes us never feel sure about the relationship, because Eddie is consistently presented to us when it comes to this as "I love her but I'm not sure about having her around". And these are his reactions to moments where Shannon makes him question where they stand. Moments where he's questioning if he actually understands where their relationship is.

You can't have Eddie question the nature of his relationship with Buck just because Buck has a crush and tell me that Eddie is experiencing purely platonic feelings.

And these are acting choices, and Ryan is very consistent about the way Eddie reacts to stuff, so the fact that he is wearing his "Shannon is making me feel thing" face says something.

I also said earlier today that Eddie is aware of his feelings because he stops saying emotional things while looking at Buck. Like, after the tsunami he is literally chasing Buck's gaze to force him to look at him, he doesn't look away from him at the grocery store or when they make up after the lawsuit or even after Buck fights with his parents, but starting with the will reveal, he looks away when saying things, and it makes me wonder if there's a level of that that is about making sure Buck can't read his reaction to what he's saying, because he doesn't want Buck to look too closely.

Anyway, that's all for today, as always, if you read this I love you <3

#911 #911 meta #buddie meta #eddiediazedit #buddie thoughts #im gonna go to bed now #i dont feel nearly as crazy about this one as i do other metas #is too many instances to be a coincidence yk?#ryan is on our side #and he put in enough work that the second they decide to make buddie canon that can just push Eddie into doing something #and make it make sense #anyway #Ryan is playing Eddie as in love with Buck and I will take no criticism #eddie diaz

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noushienoushnoush · 1 year ago

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Once again, I sit here in absolute awe of David Tennant and Michael Sheen's acting. (And also the writing for this show.)

Let's talk about S1 E6 of Good Omens, shall we? (spoilers incoming, *in Crowley's mocking tone* obviously.)

Something that absolutely went over my head the first time I watched this episode was how masterfully they fooled us about the body swap. It's a wonderful surprise the first time around, but when you re-watch the episode, certain things makes you question why Crowley acted the way he did at the trial, and same with Azirophale in Heaven. Something seemed off the whole time. And during my first watch, I took it as "oh, they're probably both nervous about what's to come." But noooo, I was dead wrong.

Here's some amazing hints that conveyed, in the most subtle way, that maybe these two supernatural beings were not in their usual bodies.

The Ice Cream Stand

From the moment they go to the ice cream stand, Aziraphale's face looks rather stressed and serious. It's rather out of the ordinary for Aziraphale, there's always a sense of emotional vulnerability in his eyes, but in this scene, there's none of that. He looks around and scans the surrounding, the way Crowley always does. He walks around Crowley, the way Crowley always does around Aziraphale.

In fact, what would be expected of the real Aziraphale would be a stiff stand and some kind of nervous smile, and at least a bit of anticipation for eating ice cream. But who do we smiling instead? "Crowley". (Putting the quotations there because of course they have switched bodies before going to the ice cream stand.) And look at how David smiles here. It's a tight smile after receiving the ice cream cone, the kind that Aziraphale would give in appreciation if he was interacting with the ice cream person (which, he technically is, in Crowley's body.) If David was acting as the real Crowley, we would have had more of grin and maybe a slight tilt of the head even.

It's such a subtle thing but my god does it makes such a big difference and shows how much David and Michael know about each other's characters and I can't even-

Reaction to Gabriel Entering the Scene

Firstly, we have a close up of Aziraphale's hand and Crowley still adjusting to how the angel's body moves and functions (which can be easily taken as adjusting to the tight grip of the rope. Honestly, it's probably a bit of both).

Then Gabriel enters and what we would naturally expect is Aziraphale losing his shit by adjusting in his seat nervously, checking to make sure he looks okay, and loads of anxiety in his voice. But we get none of that. He doesn't even nervously laugh at Gabriel's joke, just gives the slightest little twitch, the kind Crowley would give when he's stressed. There's not a hint of nervousness in his eyes, as if his emotions are tucked away, something Crowley is quite good at.

Holy Water/ Eternal Fire

When Eric shows up from Hell with the eternal fire, the real Aziraphale would've been utterly surprised, but the one sitting down just watches Eric come in as if he was expecting the demon. In fact, if you look closely, everyone reacts to the fire EXCEPT Eric and "Aziraphale".

And when Michael looks at the fire in his subtle (and brilliant) way, the look can be read as both our angel looking reflectively at the very thing that could destroy him AND as our demon in the angel's body holding back the anger that he feels when he sees that this is what they were going to do to his best friend had they not switched bodies.

And can't forget the iconic scene of the roar with the fire spitting out. That is such a Crowley move and so out of character for Aziraphale!!

And we can see the sheer joy as his eyes glow in a shade of yellow awfully similar to Crowley's. I mean that grin is also literally Crowley?!

Lastly, we have the moment where Gabriel says "shut up and die already" and rewatching the show with context of how angry Crowley was at this statement, I can literally feel Crowley's anger in Aziraphale's body here. Michael how do you this? My two brain cells are literally going brrr.

Meanwhile, in Hell, when Archangel Michael enters the scene with the holy water, Crowley looks back and is genuinely surprised, but really it's Azirophale, in Crowley's body, who's like "wait a minute, Michael?!" The real Crowley wouldn't have been surprised even one bit. He'd probably make a snarky remark in fact about something like how Heaven and Hell are not that different after all.

Tone of Voice & Dialogue

It's just all so perfect. I remember reading on Neil's Tumblr that Aziraphale generally speaks with every word in every sentence pronounced perfectly and in an almost bookish way. Crowley, on the other hand, mumbles a lot of his words. They role off the tongue very quickly. There's a peculiar snake-like vibe to the way he speaks.

But during the trial? Crowley doesn't make a single super snarky remark or mumble his words. He stands quite straight (no putting his weight on one knee or slithering around) and the way he speaks is awfully similar to Aziraphale.

"Well, yes, um..." (87.5% of Aziraphale's sentences start like this lol)

"I don't suppose in the nine circles of Hell, there's such a thing as a rubber duck?" (Crowley level snarky yes but Crowley already knows that it doesn't exist, so he would've framed it differently if it was really him speaking. This is very much peak "unexpectedly funny" Aziraphale humor.)

Also, I think the very first hint we have about the body swap, as far as dialogue goes, is when "Crowley" is knocked to the ground and says "It's not a problem. It's a tickety-boo." Just cracks me up cause again, that's something our southern pansy Aziraphale would say.

And then there's the whole scene at the park after the fact, but this post is already long enough as is lol.

I hope I'm not repeating something that another person has already mentioned. I'm just mesmerized by David and Michael's acting and Neil's writing is all. Honestly, there so many other micro moments I didn't cover. And my 2 am brain doesn't have energy for making GIFs, I hope the still images will do. Alt Text will be added soon as well.

#i literally don't know if anyone will read this but i need to vent it out #ineffable husbands #ineffablle plan #good omens #michael sheen #aziracrow #crowley #david tennant #good omens spoilers #acting? chef's kiss #production? chef's kiss #writing? chef's kiss #directing? chef's kiss

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buckevantommy · 2 months ago

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did you dislike the ep in general, or just the lack of tommy and bucktommy?

i have a headache and i should probably rewatch the ep again once I'm feeling physically better before i answer this but having an achy head means my inhibitions are lowered and my brain to mouth filter is taking a nap, so i'ma let loose..

on the one hand: yes of course i'm annoyed there was no hot pilot in the planemergency. i honestly wasn't even expecting any bucktommy scenes, but i thought tommy would be at the airport staging area, or giving updates from his chopper in the air, etc. i am baffled that tim didn't include their resident pilot in this emergency at all; the repelling into the cockpit might be a little bit too insane even for this show, but i really think they could've utilised him in the air traffic control tower from the start - can you imagine tommy telling jem over the radio that he's doing a good job? i can, and my heart melts. 🫠

on the other hand: i get it. it sucks, but i get it. lou is a guest star, this emergency was centred around bathena, there was barely any room in the plot for the 118 let alone other characters. tommy could have been included more easily in the plot imho, but i have to remind myself it probably all comes down to budget and call lists and not wanting to split focus. this is the downside of tv shows unfortunately - it all comes down to money and time limits and star power; were this a book series there would be no excuse not to include tommy, and thus i will henceforth bury myself in fics that do just that. 📚

as for the whole of the ep: ...eh? here's the thing: i really love bathena in the cruise ship disaster so i think having them be the focus of the next disaster is difficult because they can't measure up to that epic chaos and emotional weight in my eyes. i also find it strange that they got the focus of two disasters two seasons in a row, but again: the star power of angela bassett is totally understandable, she really brings it in those disaster scenes and i would love to see her in more roles that balance heavy action and strong emotion bc she is a powerhouse in that dynamic. 💥

BUT - and maybe this comes down to the direction and editing in part - to me, there was a lack of urgency in the plane stuff this ep, which was strange considering all that was going on. i think they ended it too soon and the addition of the fire on the ground didn't really add anything except a fun little scene where buck tried to use a prop hose. it felt kind of.. anticlimactic? i loved the insane shot of bobby standing on the engine meeting the plane nose, but.. *sigh* yeah, i just wasn't on the edge of my seat. i actually prefer the tension and plane plot happenings in 8x02, and when i watched 8x02 live i was a little disappointed, but now i prefer it to this ep. 🛬

i really would've liked to see more of the 118 lending a hand in this emergency. i'm so glad we got as much of buck as we did, and seeing maddie and josh was good too, but.. yeah. that staging video we saw weeks ago of all the engines leaving the hanger just ending up feeling pointless? i was so looking forward to more of the ensemble cast and other firefighter extras helping on the scene, and it seems those potential scenes were traded in for more bathena focus and to me it just wasn't worth the trade. i love their love, but i think tim could've included more characters in the entirety of the planemergency. 🚒

as for athena's ending: returning to the aiport to get a real little black book was odd imho; they could've gone anywhere, and honestly i was kinda hoping for location change, but they were sticking with the theme so i get it. but i really liked the return to the mystery and the impending danger of the case, and the way they tied things up for athena's past was really nicely done, she deserves to have peace and closure and to know it wasn't all for naught. 💝

as for the gerrard stuff: unexpected! wonderful! distrubing af! many of us called it, that gerrard would take buck under his wing (re: golf date) and he'd be faced with this new dilemma of no longer being gerrard's target but of being his chosen one; i foresee angst and conflict in buck's future, specifically in his relationship with tommy - who will likely try to warn him against letting gerrard get too close and worrying over him - but also with the rest of the 118 as he reaps rewards he didn't want while they have to continue bearing the weight of gerrard's captaincy and even moreso now that buck is no longer his main target. 🫂

the gerrard stuff is the only real setup we got for upcoming episodes, but i'm curious to see how the planemergency affects brad and moreover his friendship(?)/dynamic with bobby and the hotshots job. we obviously are going to get more henren drama with ortiz and the kids, which will be interesting - i'm really looking forward to getting more ortiz in the plot. eddie and his moustache will feature, looking forward to seeing how he's coping with chris' absence and how that changes. 👀 lots of good stuff to come and i'm looking forward to all of it and to putting this planemergency behind me (however: the beenado will live on in my heart forever 🐝🌪️).

#asks #.txt #911 8x03 #tommy kinard #bucktommy

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vladraculas · 1 year ago

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i'm rewatching the young dracula pilot and i have some thoughts

the beginning is iconic - and the only time vlad is talking to and looking at the camera as far as i remember

"she's so much like her mother" the count not liking ingrid because of his complicated relationship with magda, her leaving him for a werewolf as we found out later in this ep and he's taking it out on his daughter - it all makes sense

robin hanging upside down in his room - what a legend

the first episode is actually doing such a good job setting up all the characters and the story

i like how it's mostly just a silly little show but it already introduces the dread and pressure vlad faces of becoming a vampire and that feels so real and sad

the scene where the count puts the cape on vlad in the mirror hit me harder than i thought it would probably bc i know where the show is going

"we're vampires. can't escape it. it's your destiny"

renfield in the nurse (?) outfit lmao

"have you come to donate blood?" "no" "it's for a good cause?" "what cause?" "lunch" alskdkjdd

i'm sorry but how did robin go from his hiding spot under the bed out of the door and walk around the castle without vlad, ingrid or zoltan noticing?? they're standing right there!!

the branaughs all going up to the castle one by one - really funny

ingrid is already a fashion icon

did renfield get tortured by a tarantula i totally missed that before and wow am i glad we did not really see that

and then he kills it (imelda) "if it's any consolation, master, she wouldn't have felt a thing" "except your huge bottom squishing her" INGRID lmao

love seeing vlad and ingrid teaming up and act like typical young brother/big sister

the count being dramatic as always but i feel like he gets introduced to being more formidable than he later is but i like it more this way than the borderline only comedy figure he becomes later

the actors are all really good actually but you can tell it's the first episode and it's still a little awkward and they're still working on the dynamics

all in all what a nice little kids gothic horror show that i have become obsessed with, totally accidental, six years ago

#i thought i'd share this #it really is my six year anniversary of knowing yd very soon it's crazy #young dracula #vladimir dracula #count dracula #ingrid dracula #mypost

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immortalmsmoon · 8 months ago

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BSD General Headcanons

ADA VERSION

I've been really into BSD as of late cus i had to rewatch it with my friend :3 GUYS I CAN'T WAIT FOR THE NEXT CHAPTER TO COME OUT

all requests are welcome!!! please read my rules first though, they were recently updated!

wordcount: 1198

Atsushi

Always tired, and it's pretty damn obvious. Has prominent eye bags, and he’s always huffing and sighing.

Has a nice singing voice. It's really clear and soft, and is nice to sleep to.

Hates reading, and isn’t very good at it. He only got to learn the basics at the orphanage. Reading reminds him of the orphanage anyways, so it’s not something he’s very fond of.

Likes to cook with kyoka, and they usually practise once a week. Sometimes, if they make a lot of whatever they were cooking or baking, they bring some to the agency to share.

One of those people who is loud with the people he trusts and quiet with people he doesn’t know well.

VERY VERY oblivious. To the point that most jokes go RIGHT over his head. Ranpo likes to tease him about it, and when he does, Atsushi gets confused about it.

“WDYM I'm oblivious? Wdym that was a joke? What?”

Dazai

So silly

Puts sauce packets on the toilet seats FREQUENTLY. Like once a week. The agency members have learned to start checking under the toilet seats, and even though no one falls for it anymore (except maybe atsushi) he still does it.

When he hears anyone talk about food he does one of two things: BEGS the person to give him some sort of food, and harasses/threatens them until they do, or orders food and proceeds to eat it right in front of the person, while making loud obnoxious comments on how good it is. If ANYONE asks for ANY he is rude as hell to them, and continues to silently glare at them while he eats.

Makes songs out of EVERYTHING. If someone stubs their toe, he’s singing about it. Someone dropped all their paperwork all over the lounge? He stands by and obnoxiously sings about the incident instead of helping.

Occasionally, when he sees that Kunikida is under a lot of stress or pressure, he will do his paperwork. It's still a couple days late, but he does it. And sometimes he does some cleaning around the agency.

Kunikida

Also loud and obnoxious, but in a different way.

CONSTANTLY stressing about stuff he doesn’t need to. People tell him to calm down but he never listens.

Has a #1 DAD mug that Dazai gave him when he got employee of the month.

Outside of work he enjoys drawing, but he rarely does it because of the tight schedule that is his life.

Has a soft spot for Atsushi, and has a sort of paternal relationship with him.. Sometimes if Atsushi begs, he’ll deter from his schedule and spend some time with him. Sometimes they go out for a walk, or they set up activities for the agency to go do as a group.

Ranpo

Hides in the agency bathroom like a highschooler, and plays games on his phone when he doesn’t want to do work, and doesn’t want to deal with people.

Spends a lot of time on the roof of the agency. Sometimes he brings some headphones and listens to some music, sometimes he just watches the clouds. His favourite is when the day is kind of windy, but just enough that it's a light breeze.

His favourite thing to do with the agency is board game night, and they meet up and do it about twice a month. He mainly likes it because he wins, but also just because he gets a little lonely sometimes living by himself.

When he’s tired he gets kind of delirious ....you know when you stay up so late that everythings funny? That's him, but like 4 out of 5 days a week.

Brings two bags a day to work: one filled with snacks, one filled with drinks.

Kyoka

Only really talks with Kenji and Atsushi

Admires Yosano and despises Dazai

Prepares coffee or tea for everyone in the morning, and knows exactly how everyone likes it.

Is actually TERRIBLE at cooking, so when she and Atsushi do it, he usually does most of the actual cooking. She is better at reading the recipe than him though.

A couple times throughout the year, she will try different hairstyles. She's completely against cutting it off, but not against learning some really complex braids. She's a quick learner, so it never takes her long.

On the topic of hair, Atsushi likes to mess around with hers sometimes, and usually just brushes it because he can’t actually do much else without knotting it.

She absolutely loves to go see fireworks with the Agency, because it was something she didn’t really get to do when she was younger. She sees the agency as her family, as weird as everyone is, and moments like that help her feel more connected to them

Her favourite member of the agency to spend time with one on one is Kenji, because they get along really well. He talks quite a bit, and she likes to listen, but he also knows when to be quiet. They go on walks a lot.

Kenji

Has a garden on the roof of the agency

Him and Dazai tried to convince Fukuzawa to let them get a pet for the agency. They got a cat that dazai picked up off the streets, and no less than a week later, they had to get rid of it because it was diseased.

Brings wounded birds to the agency frequently, which drives Kunikida off the walls, and he fixes them up on his desk.

His desk is slightly smaller than most of the other agency members, and it has three drawers: the first one is full of stuff for any animal he may come across. Little bandages and medical supplies for animals, treats, even little things he can use to make a bed out of. The second drawer has his paperwork in it, and his pens and what not. The third drawer is full of a whole bunch of microwaveable meals

Adding on to the drawer of microwavable meals, Kenji hates to snack, because it never fills him up. He prefers to just eat a whole meal instead of eating something small, but sometimes he will if he has to. He also prefers savoury food over sweet food, but doesn’t mind some sweet stuff sometimes.

Yosano

Gets along with basically all of the members of the agency

Dazai and her do wine tastings once a month. It usually ends with them just getting drunk

Helps Kenji with any wounded animals he brings in, and gives him tips and pointers on how to help them.

Her and Ranpo gossip A LOT, about literally anything they can get their hands on. They judge people A LOT.

“This girl asked me out yesterday. The one from the cafe. She's ugly, no offence.” “EWW YESSS”

Forces Atsushi to come shopping with her, and forces him to hold all of her bags. She usually brings Ranpo or Dazai with her as well, and asks them for their opinions on the things she buys.

Sucks at cooking, so usually buys food from a convenience store for lunches and dinners.

Also one of the few agency members who doesn’t mind working late.

#bsd #bungo stray dogs #bsd x reader #bungo stray dogs x reader #bsd fluff #bungo stray dogs fluff #dazai #osamu dazai #dazai fluff #ranpo #ranpo edogawa #ranpo fluff #atsushi #atsushi nakajima #atsushi fluff

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deer-with-a-stick · 11 months ago

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I've rewatched the cinematic like 6 times now in a row and here some of the things I've noticed:

Kindred (Lamb specifically for the first two) is vaguely hinted at three times before the big Tryndamere scene. Once when Tryndamere looks up and sees her silhouette before his eyes close, once when Kayle's fire flares and consumes Aatrox, and once when Yasuo looks up, sees Wolf's eyes looking at him, and Lamb's arrow flies out in front of the storm of regular arrows.

Morgana's helmet does not match her at ALL, but it mirrors Kayle. Kind of like saying Morgana's forcing herself to be a warrior like Kayle at first, with the identical helmets and sword.

She then later casts the helmet off, leaving her sword in the ground. Kayle is the one who picks it up.

Kayle looks completely at home with the whiteness of the clouds but Morgana stands out a lot with the purple. But she doesn't match Aatrox's red either.

Morgana gets up immediately. Kayle does not.

The first thing Morgana does is look back for her sister.

The difference in Kayle's eyes when she first sees Morgana stand up in front of Aatrox compared to the almost disinterest or contempt in them when Morgana is visibly straining to keep her corrupted chains intact.

Kayle's transformation/embrace of her power seems far less taxing/painful than Morgana's (eyes simply start glowing golden with no hint of pupils or the iris while Morgana still retains a distinction between the pupils, iris, and scelera. Darkness also starts creeping down out of her eyes, like cracking through her skin.)

When Morgana collapses, Kayle does not look back.

Aatrox's body burns away but the sword doesn't (I still can't get over the brief flash of kindred's silhouette in the fire. It's there for like a quick second and you get the impression of something humanoid and with a bow).

Yasuo no longer has his original sword (no sheath on him when he appears either) and wraps wind around the blade he picks up every time he attacks. Doesn't necessarily look like he's actually killing anyone (except for maybe the first two people. or maybe they do die but they don't animate the gore).

It's almost like the wrapping on his arm is keeping the wind inside of him and/or keeping him together as he uses his power. Underneath the cloth, the pattern of wind or magic seems to mirror his spirit blossom skin's arm.

And again, Wolf's eyes shining out of the darkness and using the faint shape of the trees in the distance to hint at his head. Yasuo sees it, closes his eyes and accepts his death, so Lamb's arrow soars out in front of the mortal arrows, all the while Wolf still watches.

The fade in so it looks like the bare branches of the trees against the pale sky are like tendrils of darkness encroaching on the light, converging on a snowflake that almost bursts into existence. The snowflake is also unnaturally large and when it sinks into Tryndamere's blade, it almost melts and reforms, sending a bit of ice crawling across the blade as though following grooves carved into it.

Tryndamere has visible scars across his body. He sees no enemies but Kindred in the space around him.

Wolf alternates between looking like a shadow wolf and just a bunch of shadows in a vaguely wolf-like shape, blinking out of existence as he fights, which helps emphasize the whole "Lamb is the corporeal one out of the two" aspect of Kindred's duality while also making him scarier than just a floating head in space during the fight in my opinion (since he feels heavier and that helps with the "yes he's a THREAT" feeling)

Wolf is significantly more dynamic than Lamb is, and she doesn't really seem to move unless its necessary.

Slow head tilts, once when Tryndamere swings his blade at her, and again when she backflips out of the way, but this one is more noticeable. Wolf attacks immediately, but Lamb observes. Adds to spooky factor. Despite the fact that she literally had a big sword pass under her chin, she still moves slowly and deliberately.

The light of Ashe's arrows clears up the darkness in the background when they fly past Lamb, and the light switches from cool lighting to warm lighting.

The arrows don't move like real arrows as well (no wobble while flying), so if you misses the blue glowy thing then here's more confirmation they're magic! Also makes them seem unnaturally stiff, which works with the "they're made of magic ice" thing.

Tryndamere's eyes immediately shift towards the camera (to where Ashe/Lamb is standing and away from Wolf) and his expression also immediately loses that rage that has been keeping him alive (the expressions were REALLY good holy shit).

Ashe appears and Lamb melts away, taking the unnatural darkness that covered everything beyond the immediate battlefield away.

She's not wearing a god damn bikini and instead some actual leather armor, which has nice gold designs on it. Her bow is also steaming despite the cold air, which makes sense because True Ice is like 5 degrees Kelvin or something

Tryndamere's shoulder pad still has a set of claw marks slashed through it (was originally whole), and Ashe notices, immediately turning around as if to see if she missed an enemy.

There's also another dude or two still there, and idk what happens to them.

#league of legends #kindred #tryndamere #kayle league of legends #morgana league of legends #aatrox #yasuo league of legends #ashe league of legends #im an very eagerly waiting tbskyen's animation analysis can you tell

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