#except frank?

[killershrike]

you guys I have to admit to yall. I'm actually crazy. there is a dark side of me you haven't seen...

I like to take always sunny characters + lore seriously, I psychoanalyze them and then bring them to more extreme sides of the character while trying to keep always sunny vibe & humor. such as: I have a CharDen fic I've never posted which centres around Dennis murdering Jack Kelley for Charlie and bringing him the skin to show his love. yandere, obsessive, crazy, yes. but NOT that far from canon and I could tell you why i think so down to exact episodes + lines but I'll spare you my intense psychosis

[cryoverlife]

The Seven’s sexualities are as followed:

Leo: hot people (pretty much everyone), he definitely had a crush on everyone on Argo 2 like once even if it was for five seconds

Piper: Who Knows At This Point, anyone can be pretty as long as they aren’t jerks

Jason: thought he was straight and is now suffering cause he’s friends with Leo and Piper (not cause he has crushes on them but because they enjoy shattering his world view by asking him if he thinks *insert random person* is hot)

Bonus for Jason: might have a crush on Leo

Percy: Annabeth, not actually but he has her so he doesn’t actually care about finding out.

Annabeth: suffering (refers to the entire paragraph in MOA where Annabeth thinks about her entire love life and the only thing good about it was like three months), but also Percy cause no way he’s ever leaving her

Hazel: a poor oppressed child who didn’t even know Not Being Straight is a thing until now, has a type for the precious ones.

Frank: honestly the straightest one of the group but at this point nobody actually knows

[godsfavoritelitlesilly]

Friendship bracelets for all <3

[shuutingstar]

what if someone made a sitcom with Camp Half Blood and the whole premise is literally just showing the backgrounds characters while the main characters go save the world or smth.

Like.

[camera pans on Drew’s face]

Drew: [looking at her nails indifferently] yeah someone let all the pagasai out of their stables and it’s a chore to fix.

[explosions in the background]

Drew: [unfazed] I’m not saying that I’m helping, by the way. I’ve broken a nail and I’m still in pain.

[Percy is seen battling a cyclops while Annabeth slashes at its feet with her dagger before running off frame]

Drew: I know you must be wondering why I don’t just go to the infirmary, but they’ve been full ever since the stampede — and Connor promised he’d steal me some cute bandaids with pictures on them so I decided to wait it out.

[screams and more explosions and property damage]

Drew: [rolls her eyes] but now Connor’s busy doing something else so I have to wait even longer. maybe I should just go to the infirmary… [walks away from camera]

[camera zooms in on the carnage near the stables where the seven can be seen herding the frightened winged horses back to their stables, while a beat-up cyclops lay unconscious with only its feet in frame]

EDIT : made smth kinda similar here if anyone wants to check it out :P

[earlycuntsets]

made by tømas

[nerveslikecobwebs]

Kind of rare bullets era photos

[l-just-want-to-see]

Let’s talk again about how Hermes tells Percy in TLO that immortals can’t change and then Rick hits us with Bob and Damasen. And then after we’ve cried over “say hello to the sun and stars for me” he hits us with an entire series about people breaking out of the narrative where the protagonist is the god of prophecy.

[clownsuu]

A FRANK EDDIE HOWDY TRUTHER. HOWS IT FEEL HAVING THE LARGEST BRAIN EVER

Your honor, they’re fruity-

Fluffy, wholesome, probably the softest shid I’ve drawn in a long long time NDHHDHDH

[yennao]

Tossing in my own Johnny Constantine for @ratblazer 's DTIYS. Check them out for more! Their original image is this one here!

[carnivalcarriondiscarded]

ooo fantasy au Poppy oooo there's so much empty space on this, it's killing me

rambles:

why is there lace? why does she have a neck corset? because she's Gorgeous and I'm the Artist Here. i will always inflict my personal tastes on everyone I draw. pretty bird <3

it's really difficult to put clothes on a bird... stream helped out a bunch with the colors & the leg gear! I imagine that the leather is durable, which is probably the only thing that gets her to traverse less Forgiving terrain. Thornbushes and itchy tallgrass can't hurt her! she's got "boots"! How Does She Secure Them, i hear no one ask. that's what neighbors are for, isn't it? and a skilled beak once she gets the swing of it.

her shawl remains largely the same due to my lack of imagination! i put a lil feather clasp instead of the shawl being tied together to give it a more fantasy-oriented look. i think i succeeded? i like to think so! i imagine that the clasp gives Poppy some stress, though. It's sharp! Ish. it's sharp by her standards!

Poppy's enchanted glasses allow her to "see" injuries and illness, both caused by magical & normal means. this is very helpful in her role as healer, but also extremely stressful - just because she can see issues doesn't mean she automatically knows what they are! to her, a papercut may be misinterpreted by the beginnings of a fatal infection! i like to think that she got tired of needing to hold the glasses in place over her beak and asked if there was a charm to keep them steady. and they confidently had their resident wizard spell them on - oops! the spell was a little too strong! they're now magically superglued on! yeah, those are never coming off.

she also has a magic bag that i imagine was a gift from her family when she left the nest! she'd never directly use it herself - what if she falls in? what if something nasty managed to crawl inside? - but the Neighborhood uses it as collective storage. it can hold a lot! supplies, books, tents, gold, even Julie when she's determined enough!

[spaloonbabooguuscooties]

a bunch of future au franke & elkas and mental constructs that i never posted . sorry they are always on my mind . maybe one day when im less busy ill actually drop the lore for these two LMAO

[mayperhapsbe]

So I while I was drawing Frank Miku, I noticed how short the skirt was, and I knew that shit would be hiking up the mountains in the back. That is how I got here 💀

Everyone is so mean 2 me 💔

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[raytorosaurus]

pictures of ray taken by frank 🎸🖤

[reddamselette]

valgrace except jason is an international superstar and prodigy in football and leo is known worldwide for his podcast who brings special guests on his shows like piper mclean who’s made a name for herself in historical dramas always in the lead of a warrior, architect annabeth chase who’s been granted the honor of rebuilding the temples and ruins in greece and rome with her olympic swimmer boyfriend percy jackson.

and by popular demand, the public requested jason grace to be on hephaestus’ forge. leo, always the good host, obliges and reaches out to jason.

what the audience doesn’t know is that leo and jason have known eachother for years, running in the same crowd during middle school and high school despite being interested in different things. like all close best friends, they parted ways due to university and internships across the country. but they parted with a kiss goodbye, a promise to one another that held up since they were young.

so when jason finally arrives onto the scene, leo feels everything rush back and now that the season is over, jason plans to stay in new york.

[underyoursnow]

i love leathermouth lore because they made the pent up homosexual anger album and then a priest told the entire band that this little italian vocalist freak is making them gay and they slip up and went to find god