#ex flower husbands?
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mielkae · 4 months ago
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Reasons flower husbands could be exes in your ranchers fic that aren't "scott was a toxic abuser"
I always have a hard time reading fics that make scott an abuser because he's one of my favourite characters, but I also get that writers might wanna include past flower husbands into their fics. So here's an inexhaustible list of reasons flower husbands might have broken up before the start of your fic that don't involve making anyone the bad guy:
They realized they were better off as friends
Maybe jimmy only thought he loved scott romantically because he was so caught up in the attention. Maybe scott just fell for the first guy who showed an interest, and later realized it was just infatuation. Maybe a romantic dynamic just never seemed to work as well for them as a platonic one. Who knows? There are plenty of reasons dating might be the wrong answer for a pair that just seems to mesh perfectly as friends.
Incorporate it into your minecraft lore
K so this one isn't conventional, but I've seen the idea come up a few times in fics and I really like it. Maybe relationships don't always carry over from server to server. Maybe it's not uncommon for a relationship between the same people to take different forms across different servers at the same time. Maybe not every version of scott knows every version of jimmy, and they don't always remember the servers and intimacies they've shared together. Maybe starting a new server is generally considered a refresh, and it's normal for old relationships to be broken off so new ones can form. The possibilities are endless!
They're trying to do the right thing.
This one's a bit angstier, and would likely still result in some hurt feelings on both sides. What if after double life, scott sees how much jimmy misses tango and remembers how well the two clicked. The two were soulmates after all, and all he wants is for jimmy to be happy. if he can't be the person to bring him that happiness, he'll give him the space to be with someone who can. Or maybe jimmy feels himself falling for tango in double life, and believing himself to be unfaithful, he breaks things off with scott to at least spare him the hurt of being with someone who doesn't love him enough (operating under the assumption that jimmy is a bit of an idiot who doesn't realize he has two hands).
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the flower ranchers energy is something else this season. they hate each other but also can't get enough of each other. tango's scathing "it's you" to scott at the beginning but his teasing "pumpkin boy" towards him in the last session. scott generally being a menace to jimmy but also trying to help him make a guess on tango's task. jimmy rushing to defend tango and trying to say scott was making things up (and then also the teasing/crooning way he went "he's gone shy, tango!" to scott HELLO??) meanwhile tango was absolutely cackling on the inside bc scott was right and jimmy wasn't getting it.
idk i need to examine that trio under a microscope bc we've never really seen those three properly interact and this is what we get??? /pos
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ccssketchbooknstuff · 1 year ago
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that awkward moment when your ex-husband steals your fashion sense
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enjithequeer · 3 months ago
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I like the idea that Jimmy being previously husbands with Scott he has like trust issues when it comes to relationships, that's why he felt the need to say that, because how his relationship was toxic with Scott.
I'm sorry Flower Husband shippers, but if you actually pay attention to 3rd Life you can realize that it was a toxic relationship, and how Scott was in control of the relationship, manipulating Jimmy. Jimmy in 3rd Life has said a lot of things to show the toxicity in their relationship, and the times Scott has made fun of him or told him not to do something is ridiculous. The only good part was the beginning and the end in the middle was straight up toxic
And if you have seen any of my other posts, I head cannon Jim and Scott as ex-husbands and didn't get legally divorced till LimLife
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pacificwaternymph · 1 year ago
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Does it ever strike you how Jimmy is able to let go, but Scott never seems to move on?
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maxinemeows · 3 days ago
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So multiple things inspired me to write this little angsty Flower Husbands drabble: their interactions in this season, the scene on bread bridge in Limited Life (and how Jimmy seems to be okay to ask Scott for lives as if they're nothing,) and also in general how I am noticing how their dynamic is more antagonistic and violent now (similarly how Joel and Scott are usually.)
Also, Jimmy not knowing who was Scott's soulmate when he was doing the Life Series quiz made me think that it would be cool to include here!
(if you know my last Scott post you'll probably understand why this thing exists- PGFJGHF.)
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A Deal with heartbreak
Session 6 started with a bang, multiple people dying because of the sudden appearance of the wildcard from today, Jimmy being one of them, making him be a red life now.
Scott walks near the cherry wood stairs of the Bamboozlers and looks around to check on them to see if they found out something new about the wildcard.
“Hello? Anyone here?” Scott calls out until he notices Jimmy coming down the mountain. He seems to be wearing the clothes he did last session, but this time they’re different colors.
Jimmy waves at Scott and approaches him rapidly.
“Hey.”
“Hey!” Scott smiles warmly. Sure, Jimmy is red but he wouldn’t attack him out of the blue, even though last sessions he kind of did, but Scott hopes he won’t now.
“Dude this wildcard is crazy! I can’t believe I died so quickly! I mean, at least I wasn’t the only one.”
“You have to be more careful Jimmy, Mumbo died last session so you might follow him…”
Jimmy sighs and crosses his arms shaking his head.
“Yeah, you’re still a green man, I don't know how you do it!” As Jimmy says that he gets an idea.
Scott shrugs at that. He just goes under people’s radars, though he is also good at the games, but better than Gem and Joel? Probably not.
“Scott man, I really need a life… Now that I am red is more urgent than yesterday! Please can I kill you?” Jimmy puts his two hands together and tries to make the best puppy eyes.
Scott chuckles at his request, and for a moment he considers it.
“Uhm, sorry Jimmy, I really don’t want to lose a life now. I gave one to Pearl yesterday so-” He gets interrupted as Jimmy gets closer to Scott, making him visibly more nervous.
“Oh! You gave her a life so she wouldn’t be red right? This is the same situation! Please man!” 
“But that’s different Jimmy! She’s my teammate and I also promised her that if she turns red she could kill me!”
With that said Scott thinks this is over but he then sees how Jimmy is suddenly holding a sword.
“How is that different? What about me asking you yesterday? Also! Our teams are kind of allies right? Don’t you think it’s a good idea to help your ally?” Jimmy waves his sword around, making Scott be very vigilant of the situation he’s in.
“I understand that, but Pearl, Impulse and Cleo are the first people I allied with this season! Of course I am going to prioritize them! Plus if we’re like this then Pearl was my soulmate a couple of seasons back so!” Scott says that without thinking, realizing suddenly why this moment seemed familiar. 
He, for a moment sees a black leather jacket and a long bridge extending on both of their sides.
Jimmy furrows his eyebrows in confusion and anger saying: “What? Okay and? Also your soulmate wasn’t it Cleo?”
Scott finds himself dumbfounded. He steps back and sees Jimmy closing the distance, and as he does that Jimmy accidentally steps on a poppy when he swings his sword at Scott.
In that moment, something in Scott gets broken. His stomach feels like it's turning and his hands buckle into fists. A sword appears into Scott’s hand and he swings it to block the blow; he then redirects his sword near Jimmy’s neck.
“I’ll give you 30 seconds Jimmy, to get out of my sight before I kill you for good.” Scott looks coldly at Jimmy, his eyes beginning to glow, but not only that, multiple more seem to appear and open on his neck and arm, glowing alike.
Jimmy’s sword disappears into his inventory and he huffs as he turns around and walks up the stairs of his team’s mountain.
Scott’s hands tremble. He sighs, and writes a mental note to not visit the Bamboozlers anymore.
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So I thought Jimmy was yellow at the end of session 5- checked, and he is red, but well this is a silly drabble anyways!
I had to make a reference to Deal with Destiny in the title okay? Was it obvious? Was it not?
Hope you liked it! ^^
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thetomorrowshow · 11 months ago
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empires superpowers au masterlist (not up to date)
this takes place about 10 months after the end of ‘poisoned rats’.
cw: past abuse, flashbacks, heavy dissociation, blood & injury
~
It’s on the news before it’s anywhere else, which is to say, everyone knows before Jimmy.
Lizzie texts him to ask him if he needs anything, and while it’s an odd message to receive out of the blue, Jimmy doesn’t mind it at all. Lizzie checks in occasionally, particularly after big life events, and it’s just nice to hear from her.
Then Joel texts the same thing, and Jimmy starts to feel that something’s wrong.
He only finds out by chance, though—he turns on the TV and it happens to be on the news, and just before he switches away, he sees the scrolling headline.
MAJOR DISAPPEARS AFTER FIGHT WITH THE ORACLE.
His stomach drops.
The clip starts playing moments later, some newscaster narrating it like a sports game, not like his partner’s life is on the line.
“So here we can see the Oracle grab Major—it’s barely contact, but anything goes with that villain—and then, while Major’s disoriented, he slams him into the ground.”
Jimmy watches, mouth slightly open, as Scott indeed is shoved into the asphalt with enough force to knock a few teeth out. He winces, old injuries twinging in sympathy. It doesn’t stop there, though—as Scott is grabbing at the Oracle’s legs, doing anything to pull himself back up, he goes suddenly limp, and the Oracle lands a terrible hit to Scott’s nose, sending blood spurting everywhere.
The Oracle grasps Scott by the hair, then, Scott’s arms flailing out, and slams his head into the road. Jimmy gasps, reaches out as if he can grab Scott through the screen. This is bad. Scott hasn’t had such a bad fight since Xornoth. The Oracle must be getting more powerful, or gotten more training recently or something, because last Jimmy knew he was a local menace, not actually a danger.
Jimmy almost can’t watch. His hands are up at his mouth, and he can’t tear his eyes from the screen as Scott stops trying to fight back and just tries to crawl away. He almost makes it—the Oracle grabs him by the cape, pulls him back as his fingers scrabble for purchase.
The Oracle drags him up, has him in a chokehold—it’s the perfect position to just kill him, he’s already too weak to do much and the Oracle could easily slip a knife from the folds of his clothing and slash Scott’s throat, but he doesn’t. He just holds him as Scott struggles, whacking at his grip with steadily clumsier arms. Scott stops moving after a moment, and Jimmy’s moving forward, toward the TV, he has to help—
Scott’s only gathering strength though, and moments later he manages to buck backward and throw the Oracle’s arms from around his neck. With a spray of ice on the road, Scott collapses and penguin slides down the hill and past the news van, throwing up a curved wall of ice to make a sharp turn to the right. He disappears from view entirely, and when the camera turns back to the Oracle, he’s gone.
It’s barely a minute-long clip, but it leaves Jimmy breathless in the worst way possible. He needs to find Scott, he needs to help him—he’s opening the front door before he even puts his mask on, only in socks and his gym clothes, he’s got to find him—
His phone buzzes, and without even thinking he answers, everything in him tensing at the thought that it could be Scott, it has to be Scott—
“Jimmy, where are you right now?”
Lizzie. His heart utterly sinks. “I’m—do you know where he is? I’m going out to find him—”
“Are you at home?”
“Yeah, yes, but I’m leaving—”
“Do not leave,” she tells him sternly. For the first time, Jimmy registers feedback from her end—as if she’s outside on a windy day, or standing on the pier. “Stay at home.”
“I have to find him,” says Jimmy, and he needs to grab his key—where is his key, it’s usually right on the hook by the door—
“Joel and I are sweeping the city, all right? You need to stay home.”
“I’m not scared,” Jimmy retorts. “I can fight, I will fight, I’ll kill the Oracle if I have to—”
“Jimmy.”
He stops, reluctantly, at her tone.
“You need to stay home right now, because if Scott is his usual stubborn self and doesn’t check himself into a hospital, he’s going to come to you,” she explains. “Now I need you to listen to me, all right?”
He sighs. He’s still burning with a need to get out there, find Scott, but she’s right. Unfortunately. He slams the front door shut, sighs even louder. “Yeah, fine. What is it.”
“Get towels you don’t care about,” she instructs. “I know you have a pack of rubber gloves somewhere, so get those and your first aid kit. Disinfect wherever you’re going to help him—I’d think the dining room table, but it’s your choice. Got all that?”
Jimmy’s already halfway to the closet for the first aid kit, grabbing some bleach-stained hand towels from the bathroom on the way. “Yeah. What else?”
“We’re most worried about a concussion here, so he might be confused—especially after fighting the Oracle. Help him know he’s safe and cared for. Maybe get something he’s familiar with to have near, to ground him?”
“Treat it like a flashback, got it.” Jimmy sets the first aid kit down on the table, runs back to their bedroom. He and Scott had gone on a Build-A-Bear date recently, and Scott had gotten the Frozen’s Elsa bear. That should do for grounding, hopefully.
He brings the bear (and after a thought, his own, a brown bear with roller skates) back to the dining room, then cracks open the rubbing alcohol from the first aid kit and starts rubbing down the table and one of the chairs.
“Take care of him, all right?” Lizzie says, sounding almost far away. “I’ve got to go, but I’ll call you with more updates. Text me if he shows up.”
Before he can even say goodbye, she hangs up.
Great. He just has to deal with this situation alone, then. Scott’s never been that badly injured since Jimmy’s been dating him—sure, there was the broken arm incident, but Scott had still won that fight. He’s never been so badly injured that he had to flee.
What if he doesn’t remember how to get home? It’s not like he’s lived here his whole life, it’s entirely possible that he gets lost on the way back. Jimmy needs to go looking for him, has to be out there to help—
From the office comes the sound of a window sliding open.
Jimmy drops the rag he’d been using to wipe down the table and sprints for the office.
Sure enough, Scott is there, one leg in the window, and looking absolutely awful.
He looks worse than he had on TV. The collar of his costume is drenched in blood, most of which seems to be stemming from his nose but there’s blood in his bright blue hair and dripping from his mouth and all over—
Blood, there’s so much blood and Jimmy’s not sure if its his own or his opponent’s but as he stares at it he feels nothing, nothing but hope that his master will reward him for being so good—
Scott grunts and Jimmy’s back in the present, but his feelings of detachment remain. He crosses the office to the window and wraps an arm under Scott’s armpit to pull him the rest of the way in (Scott cries out, but Jimmy ignores it), then puts his other arm at his knees and fully lifts his boyfriend up.
Scott’s almost too heavy to carry—sure, Jimmy’s been working out, but the deadweight of a muscular, six foot human isn’t anything that he’s used to. So he gathers all of his strength and hurries down the hallway before his arms can give out, carrying Scott to the dining room and settling him in the chair he’s prepared before cracking open the first aid kit.
Jimmy strips off his mask first, grimacing at the bruises already beginning to ring his eyes. Luckily, Jimmy’s set quite a few broken noses in his time, and he mutters a warning before jerking it back into place. Scott lets out another cry, muffled by Jimmy shoving a wad of cotton under his nose.
He holds it there for a few moments while he categorizes the other wounds. The head wound is probably most important—or rather, most dangerous. There’s scrapes and bruises in various places all over his body, visible through the tears in his costume. Red stains his lips, so Jimmy pries his mouth open—yep, missing tooth and bitten tongue. He knows Scott’s already got an implanted molar, but this is one of his front teeth, leaving a gaping hole in his mouth. That’s going to need some cosmetic surgery.
It’s not really a huge concern at the moment, though, so Jimmy moves on, rolling down the neck of Scott’s costume.
Sure enough, bruises are already blossoming around his throat. That’s not something Jimmy can take care of himself—he needs an x-ray to make sure nothing’s broken, probably. In fact, it would be better just to take Scott to the hospital right now.
One last thing to check—across the room, on the hook where he usually leaves it, is his key, a pocket flashlight attached to the key ring. Jimmy retrieves it, shines it in Scott’s eyes.
His pupils don’t dilate smoothly, and the left eye is slower than the right. That’s never good.
“Are you feeling disoriented?”
Scott blinks. “. . . yeah,” he rasps. Jimmy hands him his glass of water, gives him a napkin when he chokes on it.
“We’re going to the hospital,” he announces, clicking off the flashlight. “Put your mask back on, I’ll carry you to the car.”
Scott complies, hands moving slowly and shakily. “I—Jimmy?” he asks, voice small.
“Yeah?”
Scott sniffles. “I don’t feel well.” “That’s why we’re going to the hospital,” Jimmy tells him, voice utterly lacking emotion. He doesn’t feel much of anything, right now. “Do you want to bring anything?”
Scott looks around, blinking slowly. He points to the Elsa bear on the table. Jimmy nods, glances around for a moment before finding a reusable plastic grocery bag and stuffing the bear in it.
“You’ll have to leave it in the car, but that’s fine. Let’s go.”
Scott is, for the most part, complacent as Jimmy picks him up, wrapping his arm around Jimmy’s neck. Jimmy carries him out of the house and into the backseat of the car as quickly as possible, then ducks back inside to look for Scott’s thin work wallet, eventually finding it just outside the office window. He grabs it—it identifies Scott as Major, has his SuperInsurance card, and other necessary cards—then heads back out to the car, swinging into the driver’s seat and snapping a mask over his face. He tosses the bag with the bear in the backseat with Scott, then pulls out of the driveway.
The hands on the steering wheel don’t look like his, and it takes until Jimmy clicks on the turn signal at a stoplight to realize that he’s dissociated. In fact, he thinks he’s been out of it since he helped Scott inside. Come to think of it, he doesn’t remember doing anything to comfort Scott, calm instincts taking over to keep him from panicking.
A glance in his rearview mirror shows that Scott barely looks conscious. “Don’t fall asleep,” Jimmy snaps, and Scott jolts up, gasping, one hand clutching at his other arm. His other arm that looks mysteriously swollen, held carefully close to Scott’s body.
How had he focused so hard on the head wound that he hadn’t even noticed an injured arm? It’s clearly hurting Scott, and he had done nothing—
“Stay awake, okay? Talk to me. What are you feeling?”
“My arm hurts,” Scott manages. “I think—Jimmy, I think it’s broken again. I don’t—where are we going?”
“The hospital. Just hang tight, we’ll be there soon.”
They won’t be there soon. They’re still at least twenty minutes away. Scott had actually been closer to the hospital before he’d headed home, so he could’ve saved them both some time and gone straight there.
The hands that are definitely his but don’t look it tighten on the wheel. None of that matters right now. Right now he just needs to get Scott to somewhere for treatment.
It’s a tense drive, but Jimmy manages to stay levelheaded. He knows he’s speeding, so every cop car he passes he sends a burst of power out toward, hoping whatever accident it causes won’t be very dangerous.
He sees the signs for the hospital and cuts across three lanes of traffic to get into it. Once there, he pulls into a parking spot and looks up.
At the hospital.
The dissociation hits full-force.
It’s not the hospital, not the one where he was taken right after, but it’s still a hospital. It’s still tied to needles and blood and long hours on an exam table and distress and pain, and just looking at it makes his head all woozy.
His head presses against something hard. His hands go slack. He’s not sure where he is. He’s not sure what’s real.
It’s easier to believe that he’s asleep, easier to accept that none of this is real. He doesn’t even know what he doesn’t want to be real.
He’s not sure how long he floats there, feeling nothing but anxiety about how he’s feeling nothing. He doesn’t even register that there’s any sort of outside stimulation until he hears words, tinny and staticky.
“Jimmy? Hey, Jim, what’s happening? Talk to me.”
“I don’t know,” he thinks he says. “What’s happening?”
A sigh. “Scott says you just sort of zoned out. Do you know why?”
He’s not sure how to answer, so he doesn’t.
“Do you know where you are?”
“No,” he admits, because he doesn’t. He has no clue where he is or how he got here, and now that he’s realized that, the anxiety develops into panic.
“Look around, Jim. Tell me five things you can see.”
Five things—that’s a grounding exercise. Jimmy knows that’s a grounding exercise. He glances around. “There’s a steering wheel. Radio. A seat. I’m in the car.” It hits him like a train, the understanding that he was driving, and he can’t remember that he was driving, and he can’t remember why he was driving, but he’s in the car behind the steering wheel. “Um, asphalt. Parking lines.”
“Cool, four things you can touch?”
The hands in front of him don’t exactly look like his own. One of them lays itself on the steering wheel, and he’s not sure if it’s by his own instruction or not.
He’s sitting in the car, though, so he can assume some certain things. “The seat. The armrest. Um.”
“That’s good. Anything else?”
The voice sounds rushed. Jimmy cringes. He can’t really feel much, other than the awareness that a thing is touching him. Another sigh.
“Right, hand the phone back to Scott, okay? Scott, where are you?”
Is he holding something? He’s holding a phone, and that’s where the voice is coming from. Jimmy stares at it, not quite sure what he can do with it. “Hand it back to Scott,” he echoes.
“Jim’s really out of it, Scott, so can you just look out the window and tell us which hospital it is? Then Lizzie and I’ll be over.”
“It’s . . . United. You guys are coming here?”
“Yeah, well, it sounds like you two are being a bit dysfunctional right now. I’ll escort you and Lizzie’ll stay with Jimmy, and that way all bases are covered. Sound good?”
“I guess?”
It’s warm, Jimmy thinks. Like he’s lying next to a heater. At least it’s feeling something. He feels so detached, so out of his body, that he’s not sure of anything anymore.
He doesn’t hear any more speaking, and he’s not sure if that’s good or not. He just sort of . . . exists, less-than-present but not nonexistent.
At least, until there’s someone grabbing his arm.
He’s not exactly snapped back into his body, but he can see it now—someone heaving him out of the car, someone with pink hair, wrapping an arm around him and walking him to the other side of the car. It feels like he’s observing from above, knowing that it’s his body being moved but feeling no real attachment to it.
It all becomes foggy again as he’s set down in the passenger seat, but he manages to register something clicking and then the car moving. He doesn’t know how long the car moves, but at some point, there’s someone talking to him.
“Scott’s all right, you’re all right, everything is fine. Jimmy, are you with me?”
He tries to nod. He’s not sure if he does it properly.
“No, you’re not. Can you hold this?”
Something’s put in his hand. He doesn’t know what it is.
“Smell that, all right?”
He lifts it up to his nose. It smells sharp, citrus-y.
“What’s that smell like?”
“Oranges,” he answers dutifully.
“Keep your hand up, keep smelling it. Can you describe it?”
He sniffs it again. “Nice,” he eventually says. “Clean. Oranges, and lemons.”
“What does an orange taste like?”
He puts the thing in his mouth.
“No—! No, Jimmy, don’t eat that! That’s—that’s an air freshener, it’s not an orange! Please take it out of your mouth!”
It’s bitter, he thinks, as he obeys. Not like how oranges usually taste. Oranges usually taste sweet, a bit sour, and have all those stringy bits that you have to get off otherwise eating the segments aren’t worth it. It’s one of his favorite tastes, though; the fridge always has orange juice in it and there’s usually oranges on the table. Not just because they taste good, but because they’re decent tools for grounding. The peel has a strong smell and texture, and when you’re done peeling you can taste it.
This isn’t an orange. But it feels suspiciously like a grounding exercise. Why would he be doing grounding?
He blinks, looks up at Lizzie. She’s here. He doesn’t remember her getting here. “Am I dissociating?” he asks.
She laughs a little. “Yeah, I think you might be. Can you smell the air freshener again?”
It’s wet with his own saliva in his hand, but he raises it to his nose anyway. “I’m smelling the air freshener.”
“Good job. Don’t eat it.”
“Don’t eat the air freshener.”
“Smell it.”
“Smell it.”
“Yes.”
“It smells like orange.”
“Mhm.”
Jimmy closes his eyes and breathes in deep. It smells like orange, but not quite. More bitter than an actual orange. Like the way it tasted bitter. “Did I put an air freshener in my mouth?”
Lizzie laughs again. “You very much did. Are you back?”
“No,” he tells her, then goes back to smelling. He can smell something else on his hands, something just as familiar as an orange. Something clean, yet bad. Something that hurts.
“Jimmy, you’re crying. Can you keep smelling the air freshener? Lift your hand back up. What’s it smell like?”
He smells it. “Orange.”
“That’s right. Do you like it?”
“Do I like it.”
“Yes. Do you like it?”
Jimmy likes oranges, so it only makes sense for him to like this scent, right? But in the same way it tastes bad, he’s not sure that the smell of it can hold a candle to real oranges.
“I don’t know,” he says slowly.
“All right. What do you know?”
He sniffs the air freshener. “It smells like oranges. I’m holding it. It tastes bad. You’re here.”
“I’m here,” agrees Lizzie. “Do you want me to hold your hand?”
Jimmy frowns. “Holding the air freshener.”
“You have two hands.”
Oh. Right. He extends his other hand, Lizzie taking it in hers. Her hands are cool, but not nearly as cool as Scott’s. Her nails are pointy, brushing against his skin. The skin. Of the hand. It doesn’t look like his.
“I’m dissociating real bad, I think,” he murmurs. Lizzie’s hand grips his tighter.
“That’s all right. I’m here until you feel better.”
It’s a long time until Jimmy feels more like himself. When he fully becomes aware again, he’s sitting on his couch next to Lizzie, sharing some leftover pasta between them. He blinks at it, vaguely remembering the process it had taken to get him to eat it at all.
“I’m back, I think,” he says, blinking a couple of times. He licks his lips, tastes the pasta sauce there. 
“Oh, thank goodness,” Lizzie sighs in relief. “I was just going to try getting you to nap next, I was completely out of ideas.”
Jimmy laughs a little, thoughts still somewhat out of order from all the fog settled around his brain. “Norman usually helps. Did you get him?”
“Check your feet.”
He looks down. Sure enough, Norman is curled up on his feet, purring loudly.
Jimmy doesn’t remember much from the past—however long it’s been. He has bits and pieces of the drive home from the hospital, but he has no idea when Lizzie turned up or what happened to Scott.
Scott.
He jolts up, almost knocking his plate of pasta to the floor. “Scott,” he gasps out, “is he—did—”
“Scott’s fine,” Lizzie says placatingly, gesturing for him to relax. “Joel just texted me a few minutes ago. He got some stitches and they just finished his scans, they’re waiting on the results. They got him on some pretty good pain meds, I heard, so he’s doing fine.”
Reluctantly, Jimmy sits back, wringing his hands. Sure, Lizzie can tell him that Scott’s fine. But he hasn’t seen that, he doesn’t know for sure, all he knows is that he barely did anything to treat Scott’s wounds and then couldn’t even walk him into the hospital.
His head hurts.
“We can call him, maybe?” suggests Lizzie. Jimmy nods after a moment. That might help.
He sits in silence as she fiddles with her phone, doing who knows what. Every second that passes is another second that Jimmy doesn’t know how Scott’s doing.
Then Lizzie’s phone rings.
She answers, grimaces at the screen, then hands it over to Jimmy.
It’s a video call, and Scott’s there. His nose is properly bandaged, now, and Jimmy can see through the eyeholes in his mask that his eyes are puffy and bloodshot. There’s a large bandage along his jawline, and his split lip is actively bleeding. The ring of bruises around his throat is stark against the hospital gown.
He looks absolutely beautiful.
“Jimmy!” Scott cries, delighted, then sheepishly ducks his head when Joel shushes him offscreen. “Joel—sorry, the King says I can’t say your name.”
Jimmy chuckles, nerves quieting as he gazes at Scott. “That’s fine, Major. How are you feeling?”
“Not great,” Scott admits. He shrugs. “My head hurts, but they put some good drugs in my arm and I can’t really feel it so that’s good!” He tips the screen to show an IV. Jimmy shudders and looks away.
When he looks back, Scott’s turned it back to his face, concern written all over it. “Are you okay? You were . . . uh, what’s the word. . . .”
“Dissociating,” Jimmy finishes.
“Yeah. That. Lizzie said it got really bad, but when we got to United, you just sorta . . . blanked out.”
Jimmy bites back a retort. He doesn’t actually want to be mean to Scott, especially not when he’s floating on pain drugs. He’s just exhausted and foggy from the dissociation. “I’m good, just worried about you. And maybe don’t say real names, yeah?”
“Oh. Right. Joel, how much longer?”
A sigh from offscreen. “Probably half an hour, maybe more. Done talking to your man?”
“J—the King wants his phone back,” Scott whispers. “Are you really okay? Do you need a nap?”
Jimmy can’t help but laugh. “I’ll go rest if you rest, yeah? Love you, keep annoying the Mad King.”
“I love you so much,” Scott says seriously. “I wanna kiss you right now, but I don’t wish you were here because that would be bad for you. So I can wait until we go home.”
Suddenly choked up, Jimmy manages a wave, which Scott sets the phone down to return. Then Jimmy passes it back to Lizzie, who exchanges a few words with Joel before hanging up.
Jimmy doesn’t go to bed. He curls up on the couch and turns on some episode of a 90s sitcom to watch in silence.
“You didn’t fail him,” Lizzie says during a commercial. “You did good.”
Jimmy sighs. “Lizzie, I was dissociating before I even helped him into the house. I didn’t call you, I didn’t actually do anything to help him, and I couldn’t even go into the hospital with him. I freaked out and couldn’t help when he needed me.”
“You fought a trauma response to assess your boyfriend’s injuries and were able to drive him to the hospital,” Lizzie counters. “You set his broken nose and kept your head, despite having triggers all around you. Not to mention, driving him to the hospital was probably the best choice you could’ve made—I don’t have a car, and Joel was halfway across the city. There was no way we could get him to help. You did everything you could.”
Jimmy doesn’t argue. He’s too tired. He just turns his attention back to the TV as the commercial break ends.
When Joel helps Scott in the house several hours later, Lizzie’s made pancakes for them all, and Jimmy’s set out plates and spreads. Scott eats a single pancake, eyelids heavy, before limping off for bed. Jimmy follows him, rearranges the pillows so that Scott’s newly-casted arm can be elevated.
“You’re gonna be here a while, mister,” Jimmy tells him, handing him an ice pack. “Doctor’s orders. A week of bed rest, all for you.”
“At least I can give you kisses,” Scott slurs, smiling the best he can with a split lip and swollen mouth. Jimmy giggles, stripping off his shirt and climbing into bed next to him.
“I think even kisses are gonna hurt, baby. It’s okay, though. You’ll be okay.”
Scott nods sleepily, eyes already closed. “Yeah. We both will be.”
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th3-c0ll3ct3r · 6 hours ago
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I find it so funny that people think flower husbands his toxic because any toxic material they give is them joking around
And I've said it before and I'll say again, Scott drops everything to make a deal with Jimmy that only benefits Jimmy. Scott has not ONCE made a deal with Jimmy that didn't benefit Jimmy in some way
Limited life being one of the better examples.
Like when it comes to life or death Scott doesn't discuss it with his team he's running over to Jimmy's house throwing a life at him and telling him it's the last time it will happen before making him Strawberry Shortcake
And as much as I personally want Jimmy to win, it seems so unlikely that he will ever win that people have gone out the the way to get him out the game quicker for fun, and Scott knows this and still gives him a life regardless or gives him something of equal or greater value regardless
Like Scott knows he's going to die when he gives him the chance to live at least one more time. And the only of a person to ever do this was Ren in limited life, and he did it because he felt bad I knew that Jimmy was going to be out the game (I can't remember if he felt bad about 3rd life or not)
Scott willingly made deals that disadvantage him to give Jimmy a chance, and the only other person to do this, to give him another chance has been Ren who did it out of pity and Lizzie who did it because she knew he would die and it was dangerous outside.
I'm in that moment in Scott's episodes Jimmy was going to ask Scott for a life before Lizzie came running back saying that it was too dangerous outside and that he needed to take hers which he agreed.
In that moment JIMMY WAS GOING TO ASK SCOTT, AND WE ALL KNOW THAT SCOTT PROBABLY WOULD HAVE SAID YES
BECAUSE HE'S GAY, AND SAD AND DRAMATIC AND HATES US TUMBLR USERS ISTG
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hauntingblue · 8 months ago
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Oden's prophecy of young pirates coming to save wano becoming yamato's hope for his freedom.... and him becoming oden because of it.... it's just so good... on the other side luffy taking ace's spot for liberating yamato... I think I hauve covid
#the spades pirates in wano to save children... omg... deuce.... i have heard so much of you....#yamato complaining about how eveyrhing is his father's fault and ace getting violent...#it is so sad that in the end it was (partially maybe) his father's fault... if not roger then whitebeard..... maybe both#the hibiscus flowers..... rouge....#yamato telling ace he talks too much about luffy.... omg.....#NAMI TELLS TAMA LUFFY LOST ACE TOO!!! AND LUFFY CAME BACK TO WANO BC ACE SAID HE WOULD!!! OMG...... THE LINGERING.....#talking tag#watching one piece#episode 1014#pink haired samurai is still alive and kicking... hell yeah....#ODEN WAS THE SECOND COMMANDER FOR WHITEBEARD??? OMG???#whitebeard dealing with his rebellious son ace akshaksjak.....#ace wanting to save wano for his husband and child but wb wouldn't let him bc he is still caught up about his ex husband's death... complex#TEACH GO TO HELL!!! FUCK YOU!!! DIEEEE!!!!#they can't put luffy crying about ace dying here again.... tama feeling bad about yelling at luffy....#YAMATO KNOWS ABOUT THE D????#big mom wants robin.... i mean of course.... curious about pudding and her third eye.... we will meet again i guess...#PONEGLYPH!!!! kaido little borther to mom...... god valley.... rox.... i remember.... she gave him his power omg...#episode 1015#ace face down smiling after whitebeard beats him up reminded me of ace dead smiling. hell on earth this is my last straw. goodbye.#the animation <3 ace i love you <3 yamato you are great <3#omg... little ASL with the big pirates saying he will become pirate king omg...#PAUSE!! ACE HEARING GOOD THINGS ABOUT ROGER AND SAYING HE SOUNDS NICE THIS IS CRUCIAL TO MY ACE LORE OMG#yamato didnt say who it was... did ace really die not thinking his father was good this is my roman empire... critical hit to my brain#yamato made aces vivre card.... should i end it all for realsies this time....#his cunty skate boat 😭😭😭😭 i could cry#he really is looking like a beautiful dead wife this episode.... yamato......the vivre card omg..... NOT THE FLASHBACK ENOUGH#THE TRANAITION BETWEEN ACE FALLING OFF LUFFY AND HIM FALLING TO THE GROUND OMG AKFBSKDNDKSKLWKWNSKWK NOOOOOO#OH FINALLY THEY ARE ALL THERE TO FOGHT BIG MOM AND KAIDO!!! FUCK YEAAHHHHHH a good drag for the mugis for good measure#episode 1013
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bandana-enthusiast · 1 year ago
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Flower husbands quotes from session 5!
"turn around and face it baby!"
"you've seen me plenty of times haven't you? you've seen me- i want you!"
"you always have to bring it back to flower husbands, don't you? you're obsessed"
"let's kill everybody, especially scott!"
stalking and violently chasing your ex-husband are normal ex-husband activities :))
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sapphia · 2 years ago
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i want so much for jimmy to not die first because scott and tango both give him a life
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sidereumvulpes · 24 days ago
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Uhgg I love my girlfriend.. she's so pretty and I don't get to talk about them enough. I want to talk about my angel, my heart, my very tall wife<33
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fistfuloflightning · 1 year ago
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“What is this?” Finrod examined the ring his wife had just slid onto his finger. His brows rose at the design. “…Snakes and flowers?” he asked. “Is this us?”
“What do you think? I’m not one for sentimentality. It’s just the symbol of your House.” Curufin’s flat voice was reassuring. She bent her head over his hand, fingers pointing out details as she explained. “—the eyes are those jewels Father gave you as a wedding gift you never knew what to do with, and the silver-mithril alloy for the base was—”
He watched her face as she spoke, more talkative than her wont, a rather delicate flush to her cheeks that most wouldn’t even notice. But he noticed. He always noticed.
Curufin stuttered to a halt when the ringed hand rose to cup her cheek. “Was this what you were working on for so long?” Finrod asked softly. “What you were acting so secretive about?”
Her lips pressed tight but her intense eyes belied the affection she had poured into this work of love.
“I will cherish it.” Finrod caught her chin and kissed her soundly. “It was a gift from you. Therefore, I will keep it with me always.”
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enjithequeer · 3 months ago
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When Scott finds an Ancient rose in a chest, 3 of them. It is funny to me, I feel like it was a sign that even though Jimmy is over the Flower Husbands. Scott isn't over him, deep down he still loves Jim, that's why he was the only one who got the ancient roses and Jimmy didn't.
I feel like the 3 symbolizes the first 3 seasons of the life series before Jimmy didn't say 'I love you' back to Scott. (I head-cannon Limited Life being when they canonically divorced, Double Life was when Jim was when Jimmy started distancing himself for Scott/ preparing himself for a divorce, they just didn't get the papers signed till LimLife) Showing that Jimmy was 100% over of Flower Husbands, and when he lost the pufferish of peace, it showed even more that Jim did not care about flower Husbands and had not a single feeling towards Scott any more.
Just some (Ex) Flower Husband lore I guess
Sorry not sorry. :)
P.S currently writing Infected/Zombie apocalypse AU
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t4tcecilos · 11 months ago
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forever fucked up over scott carrying the grief-crystals into last life btw. something something i will remember you even if i dont love you anymore
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aestheticitii · 8 months ago
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drayton and carmine feel like they'd be perfect for a cheesy fake marriage, "need to get married for my dying grandparents' sake" storyline because consider this:
assuming we're nice and we let kieran get the girl before he graduates BBA, that means he's likely married by then. probably has a kid too. naturally, if carmine is single, that'd be worrisome for said grandparent, particularly if one of them is already dead, because there's "no one to take care of her"
so maybe it's kieran's kid's birthday. she's already flirted argued with drayton, and was only stopped because little ruby/hokuto told them to stop fighting. so when the attention turns to her, she blurts out that she's dating drayton
he's like "for sure, nothing suspicious here."
and so they have to pretend they don't have feelings for each other still, even though they never officially dated
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