#ewart

[missedkenamine]

eddsworld sketchys i made at like 3 am :3

[toniezzz]

Tomtord mini-comic

Hi guys I forgot I had active social medias so here u go Pov Tom eddsworld is a clingy drunk

He's tiny but he still tops <3 bye

[g63heavenonearth]

Allegheny Cemetery 42612-11

[embarrassedmf]

been a while 

[dduane]

Some casual digital work, done in prep for character and prop "model sheets". (Full size image at the link.)

In foreground: two Oakeshott type XVIIIa swords. (L) A digital model of the sword (attributed) of Edward III. (R) A digital model of the Great War Sword (attributed) of Albrecht II. …In background: their users, snogging again. (eyeroll) ISTG, you cannot take these two anywhere.

(ETA for fellow Daz Studio users: the digital sword models come from this collection by Valandar.)

[gloriousgwendolinechristie]

Gwendoline Christie as Aura and Darcey Ewart as Robin in Robin and the Hoods (2024)

[frenchcurious]

Peter Ewart (1918-2001) "Travel Canadian Pacific" ca. 1940. - source Urban Relics.

[mastersoftheair]

from andrew whyment's instagram, the acting coach for MotA

[portraituresque]

Self Portrait by William Ewart Lockhart (1846–1900)

[which-hospital]

any time I see “Okay so there’s a 56 year old woman here” I think of these two at susie’s party

[dustedmagazine]

Douglas R. Ewart & Ignaz Schick — Now Is Forever (Zarek)

Schick (l), Ewart (r)

When the Art Ensemble of Chicago arrived in Paris in 1969, their combination of free jazz, boundary-defying composition, sardonic humor and theater caused quite a stir. They and the other African American musicians who joined them were invited to share stages, parties and business endeavors with hippies, underground rockers, political radicals and record labels of varying degrees of sketchiness. One scene that did not rush to embrace them was the electronic music institution, Groupes de recherches musicales (GRM). Sure, there was that 1977 collaboration between Don Cherry and Jean Schwarz, but it took 46 years to make it to a record. One wonders what might have happened if the GRM had opened its doors to the first ambassadors of the Association for the Advancement of Creative Musicians (AACM). It might have sounded a little like Now Is Forever.

Ignaz Schick is one such wonderer. The German polymath’s own involvement with electronic sound was preceded by a youthful immersion in free jazz, and if you catch him in Berlin, where he now lives, he’s likely to bring an alto saxophone to a gig alongside his turntables and sampler. But Now Is Forever isn’t the product of wondering, but of action. In 2017 Schick took a break from a residency in Los Angeles to fly into Minneapolis for a couple of days, which he spent playing with Douglas Ewart. Ewart is a multi-instrumentalist, poet, sculptor and mask and instrument maker who grew up in Jamaica, then moved to Chicago as a teen, where he fell in with the AACM. He rose from being a student in the association’s school to being its chairman for a spell, and his integration of jazz sonorities, Afro-Caribbean rhythms and ceremonial staging carries on traditions initiated by the Art Ensemble in the 1960s.

While their encounter only lasted two days, there’s nothing rushed about the performances spread across Now Is Forever. Schick layers and ruptures classical piano recordings, orchestral surges, captured mechanical sounds and vinyl crackle into a seething, constantly changing backdrop. Ewart likewise moves between woodwinds, percussion and stern proclamations. His saxophone forays are like lightning rods, drawing and concentrating the powers flowing around him. His recitations direct the energy back outwards, projecting scorn towards phonies and environmental despoilers in general, Trump in particular, and the wasteful plasticity of contemporary living. He doesn’t just condemn, though; “Bamboo Paradise” suggests the titular plant as a sustainable alternative material against a backdrop of East Asian (maybe Vietnamese?) string samples. Spread across two CDs, the album is a journey, sometimes demanding, sometimes edifying, but ultimately asserting the viability of more encounters like this one.

Bill Meyer

[toniezzz]

TOM BIRTHDAY REAL

SAY HAPPY BIRTHDAY TO BOTH TOMSKA AND THE EDDSWORLD CHARACTER TOM GUYS ((boutta make a birthday post for them both SEPERATELY- I hope you all do the same!!!!))

[g63heavenonearth]

Allegheny Cemetery 8823-28

[thepeoplesmovies]

Us vs. Them In UK Trailer For Robin And The Hoods Family Adventure

Sky Cinema have a film for the kids to enjoy this Summer, fantasy adventure Robin And The Hoods. Today check out the UK Trailer, which reminds us, it’s us vs. them! Playtime begins at the end of the month from Television/ short filmmaker Phil Hawkins and starring Darcey Ewart as Robin. In Robin And The Hoods she is a bright eyed 11 year old girl whose ‘magical kingdom’ is under threat from a…

[circa-obsolete]

c. 1940

[stairnaheireann]

#OTD in 1882 – Phoenix Park murders | The British chief secretary of Ireland, Lord Frederick Cavendish, and his under secretary, T.H. Burke are murdered.

Arriving in Dublin on 6 May 1882, the Chief Secretary for Ireland, Frederick Cavendish (who was married to the niece of British Prime Minister William Ewart Gladstone), attended to some formal business in Dublin Castle, the seat of the British government, before walking home to the Viceregal Lodge in the Phoenix Park. Joining Cavendish in his walk, was his under-secretary, Thomas Henry Burke, the…