#evreux...

[une-valse-pour-rien]

En passant

[the-spirit-of-yore]

Cathédrale d'Evreux, Evreux, Normandie, France

[sivar-ffxiv-hub]

[profsly]

My first attempt at digital art in a bit. Still getting used to it. This is my dnd character Adrian, a high elf fighter. I was thinking about thematic colors that appear in his design and in his story. Red represents his noble family and the ties he has to that way of life. Blue represents his attempts at forging his own path that have lead him out of the light and to both another blue coded character and a black coded character. As the story is progressing he is slowing having to adapt in a way that is stretching out his own idea of his identity. He spent his entire life preparing for what he thought his future would be and now he is in a position he feels is unsuited to him. He keeps dropping parts of his created persona and being surprised when his companions don't hate what he is. I could rattle about my boy for hours.

[taylor-titmouse]

So how come Queen Evereux wasn't at her own daughter's wedding?

she was i just didn't make a thing of her presence because i hadn't decided how to handle her as a character yet

[sancho-et-compagnie]

A retrouver sur Viméo : https://vimeo.com/ondemand/bovarytout... C’est l’histoire d’un type qui est tombé amoureux d’une image de la féminité. Jean Rault est photographe et vit entre Osaka et Evreux. Le photographe est un homme affable à l’élégance étudiée. On l’imagine mal au premier abord menant une mystérieuse vie d’aventurier. Pourtant il disparaît pour de longues absences et si il pose sa valise ce n’est jamais pour longtemps. Incontestablement, son œuvre photographique s’inscrit dans la grande histoire du portrait, et les articles ne manquent pas pour décrypter son talent. Ses séries de portraits de femmes nues ont été acquises par des musées en France comme à l’étranger. Le film montre l’artiste Jean Rault travaillé par l’obsession de fixer une image du féminin et témoigne du travail du photographe avec ses modèles en faisant apparaître les liens qu’il tisse au fil du temps avec les femmes qui l’entourent.

[ulyssemauger]

architecture sketches

[postcard-from-the-past]

Champs-Elysées Avenue in Paris

French vintage postcard, mailed to Evreux

[guilbertjj]

[une-valse-pour-rien]

Promenade matinale

[drone-malin]

Découvrez les anciennes usines désaffectées d’Evreux Navarre dans l’Eure en Normandie, volez en intérieur et en extérieur des bâtiments abandonnés de cet ancien site industriel. L’histoire des usines de Navarre débute en 1834, premier site industriel d’Evreux à leur création, c'était une usine de fabrication de zinc et un moulin à papier, puis une quincaillerie, en 1843, débute la production d'épingles, puis en 1860 celle de dés à coudre. À l'aube du XIXe siècle, les usines se convertissent dans la métallurgie avec la création d'une fonderie de laiton et la transformation du cuivre. Vidéo aérienne réalisée en drone Mavic et drone FPV par télépilote professionnel sur Evreux avec toutes les autorisations nécessaires, plus d’infos sur notre site : https://www.drone-malin.com/pages/qui-sommes-nous/les-tele-pilotes/drone-eure.html

[2t2r]

La France des années 1940 sous l'objectif d'un soldat allemand

Nouvel article publié sur https://www.2tout2rien.fr/france-des-annees-1940-soldat-allemand/

La France des années 1940 sous l'objectif d'un soldat allemand

[sivar-ffxiv-hub]

Happy Starlight from Evreux & Armand ~ @thedarknesssings

[captain-price-unofficially]

Lieutenant Briot de la Crochais of 1st Platoon, 1st Squadron, 12e Régiment de Cuirassiers (French 2nd Armored Division), fixes a decoration on his M4A2 Sherman in Strasbourg, France. His tank, "Evreux", was the first to enter the city on 23 November 1944.

[lamarseillasie]

"Nothing out of the ordinary has happened here, and it is to be hoped that the evil-doers will not succeed in their maneuvers this time. Panic terror is gripping many minds, and the crowds at the bakers' are considerable. Marat's death will probably be useful to the Republic because of the circumstances surrounding it. It's a cy-devant from Caen, deliberately sent by Barbaroux and other scoundrels, addressed first to a member of the right wing in Paris, that fanatic Duperrey who twice drew the saber in the Assembly and repeatedly threatened Marat. We have indicted him as an accomplice to the assassination. You will see the details of this affair in the newspapers, and it will not be difficult for you to judge the men we were dealing with. The Minister of the Interior had, it seems, been singled out for the dagger of this monstrous woman who brought Marat down under her blows; Danton and Maximilien are still threatened; one remarkable thing is the means this infernal female used to gain access to our colleague's home. While Marat was being painted as a monster, in such a terrible way that the whole of France was fooled into believing that there was no cannibal comparable to that citizen, that woman nevertheless begged for his commiseration by writing to him: "It's enough to be unhappy to be heard". This circumstance is well suited to demaratizing Marat and opening the eyes of those who see us as bloodthirsty men. You should know that Marat lived like a Spartan and gave everything he had to those who came to him. On several occasions he said to me and my colleagues: "I can no longer satisfy the wretched crowd that comes to me, I will send some of them to you", and he did so on many times. Judge our political situation, a situation brought about by slander. Ardent but unenlightened patriots are currently agreeing with the conspirators to Pantheonize Marat. Such are the circumstances, that this proposal may eternalize the calumnies, that the hatred which seems to abandon a corpse will attach itself to Marat in the grave, and that the system of the enemies of liberty will resume with greater force than if our colleague were still among us. The most astute observer must be astonished that the most terrible weapon of the enemies of liberty is slander, and must groan at the ignorance and credulity of a people who constantly disregard it. A slander, no matter how absurd, cannot be erased, and Paris, which sees its most ardent defenders slaughtered and is content to shed tears over their graves, will still have to defend itself for centuries to come against its detractors, while Evreux, Caen, Lyon and Marseille will enjoy an almost immortal glory, because these cities will have the most skilful of conspirators and the most wicked of men as their defenders."

Augustin Robespierre in a letter to Antoine-Joseph Buissart, July 15th, 1793. From Maximilien et Augustin Robespierre, Correspondance recueillie et publiée par M. Georges Michon [p. 174-175].

[sancho-et-compagnie]

A retrouver sur Viméo : https://vimeo.com/ondemand/bovarytout... C’est l’histoire d’un type qui est tombé amoureux d’une image de la féminité. Jean Rault est photographe et vit entre Osaka et Evreux. Le photographe est un homme affable à l’élégance étudiée. On l’imagine mal au premier abord menant une mystérieuse vie d’aventurier. Pourtant il disparaît pour de longues absences et si il pose sa valise ce n’est jamais pour longtemps. Incontestablement, son œuvre photographique s’inscrit dans la grande histoire du portrait, et les articles ne manquent pas pour décrypter son talent. Ses séries de portraits de femmes nues ont été acquises par des musées en France comme à l’étranger. Le film montre l’artiste Jean Rault travaillé par l’obsession de fixer une image du féminin et témoigne du travail du photographe avec ses modèles en faisant apparaître les liens qu’il tisse au fil du temps avec les femmes qui l’entourent.