#everyone has their own method that works for them

[stellardeer]

I feel like a lot of people in various reblog chains of this post have kinda lost the plot, so I'm reblogging this version to bring the emphasis back on the AI "detectors".

Whether something like Grammarly is considered AI or not is a little irrelevant, but most people consider using a spelling/grammar checker to not "count" as AI (despite the fact that you may be able to write out a bunch of nonsense and have Grammarly correct it over and over until it passes as a sentence)

And what a teacher will generally use an AI detector for is to check if the student wrote the paper or prompted an AI to give them a paper. As far as I know, Grammarly can't finish your entire document for you based on prompts (but I haven't used it so feel free to correct me) so I feel like a lot of the notes trying to argue whether it counts as AI or whether auto correct is useless now are just getting away from the point this point was supposed to be making:

You can't trust an AI detection software to accurately predict whether something was AI generated.

And part of the reason for that is that AI-detection software could ALSO be considered a form of AI. It is limited both by the dataset being fed to it to determine whether something is or isn't AI, and by any biases of the human who programmed it. If the programmer writes a program that says "look for anything that isn't perfect English and flag it as AI", they are showing that they don't trust anything written in broken English. I'm not sure why it might flag a word like "devoid", but if the AI detector is looking for patterns amongst known AI samples and the word "devoid" comes up a lot, it might just assume that any text using the word "devoid" has a higher chance of being AI generated.

Let's go back to the Both Of These Are Bad part.

It shouldn't need explaining why AI detectors falsely flagging ESL writers' works as AI is just bad and just contributing to systemic racism, so let's talk about the ways in which it can be harmful to native English speakers.

As stated above, it's interesting that an AI detector might flag words that seem "complex", while much of mainstream writing is trending towards simplification, for better or for worse. It could mean that since a lot of non-AI writing is so simplistic, anything that deviates from that is considered abnormal. Or it could, again, just be a programmed bias of the author of the program. I think this is more the point that thebibliosphere might have been trying to make, not that Grammarly specifically is evil AI that's making everyone write bad, but that a larger cultural shift to more simplistic language is happening and when things like Grammarly tell you to simplify your phrases or an AI detector tells you that your essay was AI generated because you used a big word, it's encouraging this simplification at a much faster rate than if human editors and teachers were directing their writers/students to do so.

Grammar software is perfectly optional for professionals, of course, but if a student is going to fail a class because their essay can't pass an AI detector, well, they can't really opt out of that. They have to change their wording to something that might not be as vibrant as what they originally wrote, or risk failing and potentially worse action depending on a school's plagiarism policies. It's essentially going to train kids to write in specific ways to get around it, and they might not understand why their paper was flagged or what AI even is yet, they're just going to assume that their writing was wrong and needs to be fixed. And let's not assume that only the kids writing their own essays are doing this, either. If kids can write a whole paper using AI and then change a couple of words so that it passes the detector, they're going to do that too!

Again, the point here is that the AI detectors are not infallible, often make racist assumptions, and cannot be the only method used to check whether something was AI generated.

I don't really have a good conclusion because I don't have the answer to this problem, because it goes beyond students in a classroom and you won't always get a document history to check. I just felt like this post was losing it's direction and I needed to clarify it for my own sanity.

[murdrdocs]

INTERVIEW 030. KICK-ASS murdrtober 2024 remnants. sex machines

Really, you and Kick-Ass should have a handler. Maybe that would keep the two of you from getting into irresponsible, and frankly, odd, situations. Such as this one. 1k+ words MDNI 18+

God, this is so irresponsible. The two of you are irresponsible. 

You originally offered to team up with Kick Ass to watch each other’s backs and hold each other accountable. A team, albeit a small one, nothing comparable to Justice Forever.

No other superhero is as active as the two of you, and being alone was never a good look, especially for you. So you needed someone with you, someone strong and recognizable. Someone who sent a message to anyone who even had the idea to threaten you. 

Who better than Kick Ass? Plus, you thought he was reliable. Save for the brief stretch where everyone assumed he abandoned his patrols, Kick Ass had been a steady figure in the community, always there to help whoever needed it. In the idea you conjured up of him, he would be that sort of figure in private, too. Someone who would keep you from dicking around as soon as there was a lull on the streets. 

Someone who would keep your head straight on your shoulders. 

Unfortunately, Kick Ass seemed to be as much of a dumbass as you—possibly even more. 

“I mean … when else are you gonna have the opportunity to use something like this.”

And Kick Ass does have a point. The two of you already got what you came here for—a tiny harddrive tucked in your top that you know to have intel about the latest crime boss to terrorize your neighborhood. The penthouse is empty otherwise, and the owner shouldn’t be back for a while, considering she's serving time and all. 

You and Kick Ass have the place all to yourselves, but that shouldn’t matter. You should be leaving the way you came out, but as Kick Ass claims: where’s the fun in that?

“What’s it feel like?” 

You swallow a moan before attempting to respond, and even when you do, you speak methodically, trying to ward off the way your voice threatens to wobble. 

“It feels like I’m being fucked by a machine.”

Kick Ass scoffs. You watch him put his hands on his hips, the muscles in his back flexing. Has his suit shrunk in the wash, or is he just getting buffer by the day? Knowing Kick Ass, it could truly be either. His head turns to the side as if he’s about to turn around,  but he stops at the last minute, likely remembering that the one thing you had asked of him was to not look. 

“Well that’s not very descriptive.”

“Oh, I’m sorry, did you want me to—” Whatever snarky comeback you were going to throw at him embarrassingly dies before it can be completely born. You can’t help but let out this moan, and to make matters worse, it’s loud. 

Louder than the mechanical whirring of the machine working. Louder than the squelch of your cunt sucking up the silicone dildo attached at the end of the mechanism. 

You think you see Kick Ass physically shudder, but you can’t tell when you’re struggling to keep your eyes open. 

“Is it …” Kick Ass hesitates. He clears his throat and tries again. “Is it better than … you know … a guy?” 

You don’t say anything for a minute, too busy trying to balance focusing on the pleasure and attempting to figure out where to go from here. Eventually, you simply say, “Kick Ass?”

When he says, “Yeah,” his voice cracks, but neither of you acknowledge it. 

“You can turn around.”

You expected him to question your change of heart. Maybe ask if you were sure. But he doesn’t. He just turns around, the heavy thud of his Timberlands knocking against the hardwood floors one after the other. 

You watch his light eyes settle on your face at first, and then slowly crawl down until he’s watching the faux-cock slip in and out of you. His lips part, a voiceless word slipping past them and out into the air. 

You don’t have to tell him to come closer, he does that completely on his own. He kneels beside you, attentive eyes flickering back and forth between your spread legs and your eyes with a slight squint that leads you to believe he might need glasses.

Whatever barrier that existed between the two of you before has been completely broken down. You’ll never come back from this, so you might as well feed into it. 

When you tell him to kiss you, he doesn’t hesitate. His gloved hands hold your face in place as he practically assaults his mouth with his. It’s sloppy, uncoordinated, and so hot. You’re feeding him moans and he quickly swallows them. You’re sliding your tongue and tongue, mimicking the action of licking ice cream. At one point, you suck Kick Ass’ tongue into your mouth, and he whimpers like a girl. You think he might wet like one, too. 

Only one way to find out. 

When you pull away, unattractively heaving in breaths of air, you ask him, “Do you wanna fuck me instead? Help me see which is better?”

The pressure is definitely on for him, but he’s so eager with the way he slips his suit and Timberland’s off that you don’t think this could go wrong. And you’re so, so right. 

Kick Ass’ eagerness is as useful as it is attractive. You expected his thrusts to be strong and jack hammering, and for a second it is, until you tell him to slow down and then he has passion behind it. Grinding his cock into you, sending all of his length deeper and deeper and gliding his girth along the ridges of your walls. It’s so much better than the unforgiving pace of the machine, and you make sure he knows, too. 

Scratching his back, threading your fingers into the curls you’d never seen before today, wrapping your ankles around his back and pulling him as deep as you can get him. You don’t know what you expected, but he certainly exceeds your expectations. 

He does wet like a girl, too.

And he’s loud. So vocal as he sings praises about how good your cunt feels (your pussy, as he calls it), how thankful he is that you’re letting him do this, how he’s thought of this ever since the two of you teamed up for the first time.

“I know, Kick-Ass,” you tell him, minutely nodding as you dig your fingernails into the cushion beneath you. “I know. Me too.”

“Dave,” he corrects.

You tell him your name, and then not even a second later you’re moaning his name. He slumps forward, nestling his head into the crook of your neck. His hand comes to the top of your head, holding you to him as you wrap your arms around his shoulders.

“You close?”

You nod, your nose brushing against his shoulder as your breathing increases. “I’m so close, Dave.”

“Yeah? You gonna come?” Dave asks, and you can hear the smile when he says it.

You hit him, because you just said that, but all of the strength in your body is focused on getting you there so it’s nothing more than a weak punch that actually makes him laugh.

“Prove it to me,” he taunts, the competitive side to him that you're so used to coming out. “C’mon. Show me.”

[tossawary]

I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.

Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, fighting the mam-eating griffin, drinking poison to lift the unicorn curse).

Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.

Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!

So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."

Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer or knowingly working with one, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?

ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."

UTHER: "You saw it for yourself. She used enchantments."

ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."

UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."

ARTHUR: "I understand that."

UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."

ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."

UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."

When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!

ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?

UTHER: Absolutely necessary. Those who use magic cannot be tolerated.

ARTHUR: The Druids are a peaceful people.

UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.

ARTHUR: Showing mercy can be a sign of strength.

UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.

Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)

But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.

The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people whether they have magic or not, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.

Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgharrah in S1 E14 is in many ways so, so funny:

KILGHARRAH: Well, young warlock, what is it you come to ask of me?

MERLIN: I need your help.

KILGHARRAH: Of course you do, but this time, will you heed my words?

MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!

KILGHARRAH: Do… nothing.

MERLIN: What do you mean? If I do nothing, Uther will die.

KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…

MERLIN: But surely that doesn't make it right to kill him.

KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!

[The dragon flies off.]

MERLIN: Wait! Where does it say my destiny includes murder?

KILGHARRAH: Free this land from tyranny, Merlin! Free us all!

I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.

I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being heavily influenced by Arthur, who loves his father, despite everything. For Arthur's sake, if no one else's, Merlin will go out of his way to save Uther. Sure! That tracks!

Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are several, in-world reasons for this and I don't think they're all unrealistic! It's tense! It's thrilling sometimes!

(Though I am ultimately a little annoyed that Merlin's many secrets never really come out and get dealt with by the characters, because that would have been fun drama and some resolution to all the tension, even if the story did still end in death.)

There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)

But, also, the compelling tragic elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show often feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.

But OOF, I felt that "Do... Nothing".

Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!

In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.

But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.

Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! I even kind of enjoy that it ultimately ends in death with so many loose emotional threads. It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the executive discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.

This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"

Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."

[twilightkitkat]

Hi, I have a question, what do you think the relationship between Logan and Steve would be like? Would they be friends or just partners in war? In "X-Men Evolution" You can see how Logan has a certain appreciation for him, saying that both make a great team , and Wade's reaction to knowing that his peanut knows his childhood idol would be very funny, he would surely go crazy

(English is not my first language, so I apologize if I made any mistakes)

I think that Logan and Steve have a unique relationship. They're close in the sense that they trust each other and would fight back to back without doubt, but they're distant in the sense that they don't spend a ton of time together. They both have worked together long enough to know that they make a good team and that the other's reliable, but they aren't traditional friends.

I feel like Steve would feel closer to Logan than Logan feels to Steve. Steve remembers the war like it was yesterday, he suddenly woke up in the future with it fresh in his mind. Suddenly everyone he knew is now dead and he has to come to terms with an entirely new reality. He'd struggle and look for any kind of familiarity he could, and so even people he used to just view as teammates he misses. Logan was someone he admired, who used to run into danger and miraculously come out of it alive each time. He was a symbol of hope for Steve, and an inspiration for how he should fight to win the war.

Logan, on the other hand, lived through all those years. He's used to war and violence and meeting people and losing them. Most of it blurs together, after a while. He knew about his immortality and always expected to outlive his teammates, so he kept emotional distance from them. He cared about Steve in a way, they worked together and occasionally they drank together and exchange stories, but he never was under the illusion it'd last. So he did what he was good at: distancing himself before people had the chance to get too close. He respected Steve's abilities and even came to like him, but there was always a wall between them.

But still, the two spent time together. Both out of necessity and occasionally by choice. Steve was more open between the two, and talked about his life and hopes and dreams. Logan couldn't help but listen, even if he couldn't offer much in return. He sometimes sprinkled in half-truths about his life, but kept it vague. He couldn't let anyone find out about his mutant status or actual age, so he was pretty withdrawn. Steve noticed, but didn't comment.

If they reunited, it'd be a one-sided shock. Logan watches TV and naturally knew about Captain America's existence. How could he not, when Steve Rogers was America's poster boy? The Avengers were way too big to fly under the radar. Meanwhile, Steve knew about the X-men's existence, but never thought it might be Logan as The Wolverine he'd heard about.

When they sorted it out, I think Steve would be grateful to have someone who he shared a past with. Who knew about who he used to be and what war was like back then. Logan would feel a little lighter, knowing that his old teammate was doing well. They might not see eye to eye all the time and their methods are pretty different, but they both care.

Wade would be understandably shocked and awestruck when he learned they knew each other. But more than Wade's reaction to Steve, I think that Steve's reaction to Wade would be interesting.

Steve had always seen Logan as someone distant and unattainable. He didn't open up to people and clearly had some secrets he was keeping close. Even after learning about his powers with their reunion, he didn't know everything about his past. He thought Logan was just that kind of guy, caring and kind in his own way but gruff and stoic on the outside. A lone wolf who's dedicated to doing the right thing, but doing it his way.

And here Wade was, bouncing around Logan like a damn pinball in a machine, and Logan was... smiling at him. Fondly, dripping with affection. It's so painfully obvious that he cares and Steve has never seen Logan so open about his feelings. He was expressive, sure, but he guarded his affection and more vulnerable emotions close to his heart.

It'd be a little jarring to see how Logan acted around Wade. Affectionate, free, content. It wasn't like the image Steve had in his head at all and yet it suited him.

It made Steve reflect on himself. If even Logan could act like that, what about him? He'd fostered business relationships, friendships, and teamwork. But maybe he should look for more. (Could he be that happy, too?)

Steve may be America's Poster Boy, but he was alone. He had to stand up and stand out to get recognition. He was the leader, the one people relied on, never allowed to be vulnerable or break character. But if Logan found someone he could rely on, who he saw as an equal...

Maybe Steve has more to learn than just the technology in this new era.

[stormbabylore]

Ooh, I have a few!

I've an AU in which Aeryn just stops after StB. She is shattered, exhausted, unable to cope, and truly convinced her closeness to the Scions causes them more harm than good. So she walks away. She returns to the Ruby Sea (the first and—at the time—only place she's experienced a true memory of her former life), where Tansui convinces her she is allowed to make selfish choices—she is allowed to stop. Even to stay. Despite never officially joining the Confederacy, Rasho makes an unspoken exception for Aeryn that no one seems to question, especially not considering how useful she makes herself. But emotionally, she is an utter wreck. She tosses her linkpearl into the ocean but frequently has nightmares about receiving desperate calls for help from the Scions. She is haunted by the voice of Hydaelyn and the fear that she has done the wrong thing, but she can't find the courage to abandon her perceived freedom from the bloody, ceaseless struggle she has left behind. She may not be happy, she reasons—she may never feel happy again. But everyone is safer without her, she is sure, and... And she is free.

(Two more "bad ends" behind the cut, but beware: they are EW spoiler-heavy!)

In canon, Aeryn begins losing herself to despair as the Scions, one by one, make their sacrifices in Ultima Thule. The breaking point for her is when Urianger chooses, willingly, to give up his life alongside Y'shtola. But at Urianger's parting behest, G'raha manages to pull Aeryn back from the brink and give her the hope she needs to press on; and when he, too, then goes, she is able to maintain her composure for the twins. That said... I could easily imagine G'raha failing to break through to her, resulting in a bad end. Aeryn would lose herself entirely, willingly releasing herself to Dyanmis to become a blasphemy. G'raha and the twins might try to get through to her, but I don't think she'd have the capacity to hear them any longer and would flee toward the Endsinger's song of despair. Meteion might take pity on her (given their past connection) and attempt to grant a swift end to her strife. But because Aeryn's inner power is so strong, it's more likely that they would fuse into something even stronger than the Endsinger. The sheer magnitude of all their suffering would trigger Aeryn's star magic, which she/they would unleash (as stars do) to bring an abrupt and explosive end to everything—even the Final Days.

Finally, my screenshots from this challenge really got me thinking about what Aeryn would be like as an Ascian. There are several ways she might have gotten to that point. Maybe post-HW, if she found herself in the position assumed in canon by Urianger... or perhaps in ShB, had she managed to manifest her past self's empathic abilities and forged a different connection with Emet-Selch. Truthfully, though, I'm kind of stuck on the idea of her offing Fandaniel (without truly killing the Ascian) and getting sort of possessed by Amon. It would be a split situation in which her soul (plus Azem power plus soul of a literal star) can't be fully controlled, even by the Ascian's methods, so she'd probably be a little bit bonkers. But I think her empathy for Hermes's situation would have made her uniquely suited to an odd kind of soul symbiosis with one of his shards, helping to subdue a little bit of Amon's madness, as well as his desperation to end. In that way it would be a bad end for the WoL, but perhaps not the worst end, story-wise. I could still see Ascian Aeryn working to avert the Final Days: reaching out to Meteion with both her own and Hermes's memories, pushing through the nest to find the Endsinger, even summoning Hades and Hythlodaeus… and possibly even some of the other Ascians? Defeating the Endsinger alongside both Ancients and Ascians would be pretty poetic, all things considered, and so delightfully circular thinking back on ARR. I'm not sure much about the fight itself would change, with Ascian Aeryn finding herself in the odd circumstance of being gifted strength beyond even her means by the prayers of the Scions who don't want to see their friend defeated, perhaps hoping they can somehow bring her back...

(Do I need another AU? No. But I'm a teensy bit obsessed with the notion of EW driving Aeryn to willingly play host to an Ascian... annnnnnd I'll probably end up writing some of this. Oops, I guess? Here we are.)

Bad endings? Bad endings anyone?

What if they got consumed by the light? What if they became a primal? Any and all bad endings!

I think mine most likely would've become a lightwarden because she didn't get to Emet-Selch fast enough. "Obsession" would be its name, due to the fact it would be obsessed with the idea of saving others and changing the world, probably leading to either the Scions killing her or to her consuming the First in Light.

.

[makenna-made-this]

I love you chickens and offer two of my own. Do you have any advice on how to improve my backgrounds? I have a lot of trouble with flowers and other plants, like the purple hyacinths in the first drawings?

all your BAWKtobers are so cute I love them

!!!!!!!!!! I'm so glad you are enjoying BAWKtober! It is the highlight of my year. And my goodness, these are lovely! Your choice of colors are so nice to look at, they feel like a soft place to rest your eyes.

Honestly, backgrounds have always been something I myself struggle with, and I don't know if that makes me more or less qualified to offer advice, but I can pass on what I have found helpful for myself.

1.) Start with something you LOVE. Trying to draw something you struggle with can already flick the little task avoidant I Do Not Want To Do This switch in your brain, so we are going to stack as many positives against it as we can in an effort to get our mindset as far away from This Sucks and I'm Not Doing It zone as we can, so: Start with something you love.

Are you passionate about nature and plants? Start practicing with nature backgrounds. Fascinated by roman architecture? We're gonna get drawing those pillars. Have a bunch of OCs that live in a fantasy setting and desperately want to be able to draw them interacting with the places you've imagined in your head? Get ready to get worldbuilding. If it's a subject you are already interested in it is going to feel significantly less like pulling teeth at the start than if you are stuck doing Boring Square House In 2 Point Linear Perspective (unless you love Boring Square House in 2 Point Linear Perspective, in which case, follow your heart).

I do this a lot with my BAWKtober drawings. I love drawing chickens and want to be able to have them interact in fun environments. The Chickens Part of the drawing are easy and familiar for me. It's something my brain is comfortable with. So I use it as a bit of a mental touchstone to keep myself skirting just shy of the This Sucks edge long enough to stay motivated on the background part of it.

Find your "Chickens."

2.) SIMPLIFY! Even complicated things are just many big and small shapes. Learn to break things down into their most basic shapes and use those as the building blocks to map out your background. Everything is Shape. Think Shape.

You don't have to get hung up on finer details right now. Those can come later. I did this with the rows of wheat field in my Harvest Moon prompt. Envisioned them as large blocks laid out next to each other. I mapped out shadows by darkening the sides away from the source of light (Big Ol' Moon Circle),

And after i got that base work i built off it with details (notice how you can still picture those shapes underneath it all). While this is by no means a Complicated background, the general method works for more intricate things too.

It's also helpful when trying to map out lights and darks. I do this a lot when I am trying to get a sense of depth and shadows for an environment:

Start with the really basic shapes. I like to imagine the background, middle ground, and foreground are all on different layers stacked atop each other facing the viewer (think those cut paper shadow boxes).

GENERALLY speaking, you are gonna have things closest to you be darker and more vibrant colored, and objects in the distance will be lighter and less saturated as they fade into the atmosphere. There are of course instances where this is not the case ( a background of a dense jungle or mouth of a cave may do the reverse, getting darker and darker the deeper you go, to show the lack of light and shadows that grow the further you venture from light) but it is a good rule of thumb when starting out, especially with landscapes.

Once you have that figured out, you can start slapping down more details~

3.) REFERENCES! I know everyone and their mother says this but it's true. The human eye and memory can be so, so faulty when trying to think back on how something looks. You might THINK you know, but when you try to sit down and draw it you sit there and have a 10min existential crisis (If you don't believe me, just try to draw a bicycle completely from memory. It's miserable).

So look at real things! Pay attention to the way your fav walking path curves over the hill on your walk home. Make note of how the distant skyscrapers on the outskirt of town fade into the soft pinks of the sunset much more the the stark, towering ones right outside your window. Look at cars and bushes spaced out in your local wal mart parking lot, take pictures of the flowers in your grandmother's window box. What's the simplest shape they can be broken down to and still be recognized? You are training your eye to see things in a new way and help you get good at positioning them in 3d space. Eventually, you will get better at this and won't need to reference things as often (but you always CAN. References are your friends!)

4.) Lastly, JUST DO IT!!!

JUST DO IT OH MY GOD JUST DO IT! JUST DRAW tHE BACKGROUND. I know, i know! It sucks and it's hard and it's not as fun as drawing the characters that you love and it might look bad at first but jUST DRAW IT BAD.

In the past i've spent so much time getting in my own damn way because I somehow get it in my head that there's some hidden knowledge or information or tutorial that i am missing, and if i wait until i Learn It i will finally understand the thing and Then i can go about learning it the "right way." Which is a wonderful way of shooting yourself in the foot before you even take a step.

It's really easy to get bogged down in the mindset of "i'm not good at this right now, so i have to wait til i Get Better so i can do it right" and this is Lies. This is the devil on your shoulder talking. This is the mind killer, and it is also a paradox. You want to get better at The Thing before you Do It, but you have to Do It to get Get Better. So you just do Nothing and then you feel bad 'cause you haven't moved anywhere.

So, just start trying. Pick something you love and let that carry you through the hard parts of the learning. Try not to care so much about how it looks at first. You are learning a new language, a visual one. If you get frustrated take a step back, or try drawing something else. Keep it simple, at least at first. And if you feel discouraged, remember i recently had a 10min existential crisis when i realized i couldn't remember how to draw an egg carton, which I see and hold in my hands every single day.

TL;DR DRAW IT BAD, BUT DRAW IT!

[spamtoon]

(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)

Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...

Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!

(She gets close, and squints her eyes.)

I know what you are.

Farewell, now!

(She then leaves the way she came from.)

(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)

And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...

(She looks down, continuing to laugh nervously.)

You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?

I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.

(The giggling resumes, lasting far shorter this time.)

Your brother's a piece of fucking barp, by the way

(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)

Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.

WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.

Oh i'm so fucking screwed. What kind of bitch gets filament fever

[poptartmochi]

i think that i will never be able to rid myself of Magdalena, despite my disdain for her source material, because she's just such a fun little inversion character 🤧

[charlietheepicwriter7]

Despite Danny's best efforts, no matter how much time past, Amity Park refused to see Phantom as a hero.

Sure, there were pockets of support, particularly among teens, but most of the town blames Phantom for the property damage, saying if he didn't fight the ghosts then it wouldn't be so bad, to that time he got mind controlled by Freakshow and "attacked" the mayor. It wears him down. It wears Tucker and Sam down. Jazz can only try to support them all.

Then one day, a member of the Justice League visits. Someone minor, and kinda a jerk... maybe a Wonder Twin? Zan? Whatever. They don't investigate; they don't look deeper. They listen to the town folks and declare the ghost hunters, Red Huntress and the Fentons, to be the official heroes of the town.

Worse? Danny Phantom is officially considered a villain to the Justice League. Tuck hacks into the Watchtower and confirms that they have a file (a heavily inaccurate file) about how to defeat Phantom.

Danny doesn't think he can do this anymore.

A few weeks later, a young villain escapes into Amity and demands (begs) that Danny help them escape from the hero after them. No idea who, I can't find a lot of info on teen villains in DC, so let's fudge some ages and make it Kyd Wyckyd from the Teen Titans cartoon. Danny agrees, because to hell with the Justice Losers, and they defeat the hero, becoming friends in the process. Kyd confesses that they became a villain after being ostracized bc of how they look, and they've been trying to avoid villain organizations because HIVE was abusive, but it's really hard to be a villain alone bc of all the heroes.

Sam gets an idea. Tucker agrees with the idea. Jazz is just happy they'll end up making friends.

The next day, the Teen Villain Alliance is formed, ready to assist with any teenage illegal shenanigans their allies might get into.

Some notes:

It's created to be a healthier option for teen "villains" to connect with others and support each other.

It's more important that this is for Teens rather than Villains. They're tired of adult villains taking advantage of them. The TVA would rather ally with a teen vigilante than with an adult villain.

Again, no idea who the teen villains are, but Klarion is definitely here. He leaves the Light for the chaos of the TVA. Maybe Ember is there too?

Timeline wise, this is around when Tim is still Robin, but Damien has arrived at Wayne Manor.

This is because, when it comes time to try to infiltrate the TVA, they'll have a convenient child-assassin who has none of the monitors of a teen hero that Phantom immediately picks up on.

Damien, who at this point has been abandoned by his mother, dismissed and scolded by his father, and has had no success at carving his own place in the family, jumps at the chance. He is then surrounded by peers who don't insult him or try to change his behavior (too much; jazz is trying to help him find healthier methods of expressing himself). He... might not want to continue being a spy.

Danny, Sam, Tuck, and Jazz are the founding members.

Danny reinvents himself as the High Prince of the Infinite, Prince Phantom Dark. He got kingship from fighting Pariah Dark, but since he's still alive, he's only a prince. He steals the last name Dark as an intimidation tatic against those in the know; only Danny would have the balls to claim family with Pariah.

Sam works as a powerless villain, but she might no be powerless? Either way, Danny gives her a bunch of repurposed Fenton tech, and she buys the rest with her parents credit card. She does NOT care if that's traced back to the Mansons. She would choose something goth, maybe something spider related or even bat?

I love Pharaoh Tucker, so I think he should get magic powers? Since pharaohs of old were considered the balance between the real and the divine. He's still a tech guy, now he's a tech and magic guy.

Jazz isn't really a villain, more of a team mom who's planning on using everyone's psyche's as her thesis paper. You know what, that's her callsign, she's Psyche. Sometimes she flirts with Nightwing.

[siyzuii]

shifting is self discovery.

excuse the yap but i think it’s very important that people realize how fundamental you are in your shifting journey and that you are literally the only thing you need to shift.

you do NOT need:

a method

subliminals

(guided) meditation

to look for advice hour after hour online

symptoms

the void state

lucid dreaming

to visualize

to use your 5 senses

a script

you DO need:

yourself

you can say fuck you to the universe, doubt as much as you want, and still shift. i say that because i’ve done it before even with doubts! so you can too!

“how do i shift?”

every time someone asks this i lose 5 years off my life span. i can’t determine that for you, nobody can. i can tell you what has personally worked for me and so can others, but there’s no guarantee it’ll work for you.

“so what do i do?”

sounds a bit harsh but you figure it out. and that’s what i mean by self-discovery.

of course, you can & should see what other people are doing to create a base line of what you think could work for you. for example try getting into the void state, see what happens from there. doesn’t work or you don’t like it? (because that obviously won’t do the same thing for everyone) try something else!

play around. add new things into the mix. affirmations. intention. you can visualize or use your 5 senses. keyword can. you don’t have to. because what do i think works the best? minding your business and shifting your own way.

remember that you can literally just say “fuck you i want to shift” and shift. you can shift accidentally. so who’s to say what you’re doing doesn’t work? (if it really doesn’t then you can adjust it slightly. look back on your behavior and think about what you want to change.)

seriously!

you can shift:

tired

awake

asleep

in the hypnagogic state (the state of the transition from wakefulness to sleep)

in the hypnopompic state (the state of consciousness leading out of sleep)

while dancing

sitting

standing

laying down

on the floor

accidentally

through a lucid dream

with doubts

and so much more i didn’t mention. seriously no need to overcomplicate it.

just remember that other peoples’ shifting journeys are not yours and that you’re the most important part of your own.

you are what makes you shift.

it’s not your subliminals or your method or whatever, it’s you. YOUUUU. subliminals? “methods”? those things? just helpful tools. they can HELP you shift, but there’s no guarantee.

for example, i personally have been getting more effective results after listening to specific subliminals regularly (psst.. i make sure they’re safe! to check if they are safe, look at the comments around the page and if you’re still not sure and you feel uneasy then do not use the subliminal. if it makes you feel unsafe or weird then do not use it. always read the benefits or what you can find in the description.) it works for me. it got me results (along with other stuff) but it might not give them to you and that’s okay. you don’t have to use subs.

just a reminder that you don’t need anything but yourself to shift <3

it’s self discovery because you’re learning from it and actively finding out (discovering) what works for you.

your shifting journey is yours so don’t make it rely on what someone else does.

THERE’S NO KEY TO SHIFTING EXCEPT YOURSELF.

[mostlysignssomeportents]

How lock-in hurts design

Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!

If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.

Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.

This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.

Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:

https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/

But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.

Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.

Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:

https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/

This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!

But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.

That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:

https://pluralistic.net/2023/02/19/twiddler/

When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":

https://locusmag.com/2020/09/cory-doctorow-ip/

This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.

An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.

Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.

Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":

https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html

Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:

https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/

But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.

The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):

https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/

Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."

Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.

Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited

Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[adelheidvonschicksal]

hii id like to request a how l&d boys act when they're jealous :3 feel free to ignore if u don't feel like it or thanks in advance if u do!! love your works sm xx

How the Boys Act When They’re Jealous

Pairing: xavier x gn!reader, rafayel x gn!reader, zayne x gn!reader

A/N: The game needs more jealous Zayne, and Lost in your eyes moments with Raf. Thanks for waiting! <3

Xavier is an absolute menace.

He’s extremely possessive over you, and he’s well aware of it.

You care a lot about him, but good luck stopping him from being a jealous dummy any time soon. He already knows Jeremiah doesn’t have feelings for you, but is that going to stop him from spraying the other man with a plant mister when he gets to close? Nope.

Luckily for Jeremiah, Xavier likes him. They’re friends. The other man finds it funny to even tease him a little by poking at that jealous side. Everyone else doesn’t have the same privilege.

When he's not glaring, Xavier tries to be subtle about, dropping hints here and there about how you’re his lover. He’ll interrupt your conversations with other men when they drag on too long, so he can talk with his partner, his neighbor, his napping buddy.

Suddenly, everything he says can be taken the wrong way. He mentions how he had a good time sleeping together (when it was literal sleeping). He says the two of you should got out to dinner again or that the lunch you made him for work was very tasty (really you wanted to avoid the apartment complex catching on fire). He might also “jokingly” state within hearing distance of your new friend that the two of you act like a married couple. It’s not his fault if someone takes it the wrong way; you don’t have to look so embarrassed about it.

Xavier likes to flaunt his status a little; he fixes your hair and dusts off your clothes. He would do this for you even if he wasn’t jealous, but it’s a bonus that it gets others to back off and gets your attention on him with your cute little pout.

Worse comes to worst, he isn’t afraid of using underhanded methods to fail any attempt at someone else trying to steal you away from him; even if that means knocking out the streetlights with his Evol to get your coworker to go home early (who even takes 20 minutes to say goodbye anyway? Someone with ill intentions, that’s who.).

He’ll deny it. Deny. Deny. Deny. He’s not jealous. He just wants to know more about your friend. How long have you known each other? Do you go out at night together? Why not invite him sometimes? It takes a few pokes to get him to admit it.

Jealous Xavier can be a moody Xavier; he’s usually calm and easygoing, patient with most of the world except with those who try to flirt with you, and you, if you should flirt back. Though, he has no problem reminding you why he is the only one you should have eyes for whether it be through words, action, or…other methods best left after dark.

It’s obvious when Rafayel is jealous.

It starts as jokes, usually, with a light dust of jealousy like sprinkles on a donut.

“What’s your new friend like? Are they more fun than me,” he asks, trying to coax you into admitting how much more you like him, a little to assuage his jealousy and a little to stroke his own ego.

He’s confident in being your partner and having a bond that has lasted millenniums. So, when a random likes you, it’s usually not a huge deal. He can confidently deal with it, wrapping an arm around your waist or shoulder and putting on his charm as he calls you honey with a lift to his voice, as if he didn’t notice the person who was trying to flirt with you.

His jealousy can even be funny sometimes even cute. He’ll get this pouty look on his face whenever you place your attention on animals, cooing and petting them. He even gets jealous of your dear child, Reddie, from time to time. You love that clumsy fish so much. It couldn’t even stop itself from being caught by humans. Why would you want to play with Reddie so much when you already got a fish you can pet. Please pet him.

 When his jealousy gets really bad though, he can be snippy. He’s vindictive, asking if you forgot about him and if you wouldn’t rather hang out with your other boyfriend. His jokes become a little less funny and a little meaner, and he’ll be quick to demand an explanation in a voice a little tighter and bitter than you’re used to from him.

If you get mad and try to leave, he’s pulling you back. He doesn’t actually want you to go but he’s too stubborn to admit that maybe he’s being jealous over nothing.

He just doesn’t want you to forget him again.

On the other hand, seeing you jealous? He eats it up. 

Zayne doesn’t like his jealousy.

He tries to play it cool and be mature about these things. He’d never interrupt you talking to another person, but he most definitely watches the situation out the corner of his eye. He wants to digest every word and every bit of body language he can about the situation, going as far as pretending to work to have an excuse to stay and listen in.

Zayne wants to be rational about things, but he’s never been completely rational when it comes to you. You have a bad way of making him act out of character (or passionately as you call it).

This emotion always sneaks up on him unexpectedly and makes him clumsier than normal. He’ll give himself away easily, asking about your plans with the other person or if you noticed the lovesick puppy look they gave you when you looked their way. It makes him blush when you mention that you adore his puppy eyes more. If he says he doesn’t do that, well, you’ll simply have to call Dr. Greyson and Yvonne to back you up.

Zayne can be very picky about other people trying to take your time, like not wanting someone else to dance with you or take you out to a new tourist location; he always promises his free time to you, the little he has of it, so he requests that you wait for him. He’ll accompany you wherever you want to go.

Zayne is very jealous of others who can make you laugh. He really likes how easygoing, talkative, and animated you are so he gets insecure when someone else can make you act that way better than he can; however, he feels selfish because you’re happy and that should be enough.

In the end, he blames himself for his own jealousy, questioning if he read too much into the situation or in your relationship. He’s the quickest to apologize for his jealousy if you pick up on it.

When Zayne thinks you are pursuing someone else, he becomes blunter. He suddenly has a lot more relationship advice about being careful who you keep in your company and warning you to make sure there’s no doubt when deciding on something important like your partner. He also tends to cut conversations about any other potential partner you might like short and unintentionally be rude to your love interest.

That’s not to say he won’t try to win you over; when push comes to shove and the risk of losing you becomes too great, he isn’t afraid to finally tell you how he feels in the best way he can. All he can do is try. 

If you don’t like him back, he will allow jealousy to silently have him, choosing to suffer in it, as long as you’re happy with whoever you choose.

However, that does not mean he has to like your partner as well. And if they ever hurt you, he rather not think of what he’d do if that should happen.

[forineffablereasons]

Oh, Crowley. Nothing lasts forever.

I think the entirely of Crowley and Aziraphale's interactions in the Final Fifteen™️can be summed up by the idea that they are talking past one another, failing to fully understand each other, but I want to talk about this line in particular. This isn't a full analysis of the scene - just this isolated bit.

Crowley: ...If Gabriel and Beelzebub can do it, go off together, then we can. We don't need Heaven, we don't need Hell, they're toxic. We need to get away from them, just be an us. You and me, what do you say? Aziraphale: Come with me. To Heaven. I'll run it, you can be my second-in-command. We can make a difference. Crowley: You can't leave this bookshop. Aziraphale: Oh, Crowley. Nothing lasts forever. Crowley: No. No, don't suppose it does.

As methods of occult/ethereal communications go, the metaphor is quite versatile.

Crowley is saying: stay here with me. We have this enclave. We can be together properly now - stay here with me. Never mind that they have not actually made any progress on this in the last four-ish years since the end of the world. Never mind that Crowley is so stagnant that four years after the end of the world he's still living in his car.

Keep in mind that Aziraphale didn't have the benefit of Nina and Maggie's intervention - Aziraphale doesn't see this as a confession under Crowley's own initiative, he sees it as a response to what Aziraphale is saying. Aziraphale says, let's go make a difference, and Crowley is sort of forced into taking this position as an alternative offer - to Aziraphale, it looks almost like a temptation. Nothing changed in the last four years, but now that Heaven needs you (and we must give Aziraphale the benefit of his belief that Heaven truly does need him, even though this is clearly a manipulation), I'm ready to move forward, don't you want to stay, don't you want to deny Heaven and exist with our heads in the sand?

"Oh, Crowley," Aziraphale says. "Nothing lasts forever."

To Crowley, who is offering himself and this enclave, this bit of existence that can just be theirs - nothing lasts forever is an obvious smackdown: not even us.

That's not what Aziraphale is saying, though. What Aziraphale is saying is, we can't live like this forever. If we want to protect it, we have to change. Nothing lasts forever isn't a betrayal or a resignation - it's a sacrifice. Aziraphale cares so much about Earth, about fixing Heaven, and about Crowley himself that he's willing to give up the bookshop and their enclave on Earth in order to save it.

They cannot just maintain the status quo. It's been four years since Armageddon and nothing has changed, and keeping on ignoring Heaven and Hell didn't work! It didn't work! They were on their own and here's Heaven and Hell again, in their business, dragging Crowley back to Hell, dragging Aziraphale back into Heaven's politics. Four years was all they got. Four years, and they were under threat, risking each other, risking their very existences. They can't sit in their enclave and pretend it won't happen again because it absolutely will.

Aziraphale spends a lot of this series burying his head in the sand. If he can just hide Gabriel, everything will be fine! (It won't - he'll still have Gabriel.) If he can just make Maggie and Nina fall in love, everything will be fine! (It won't - he'll still have Heaven and Hell waiting in the wings for the next suspicious event.) If he can just get everyone at the Jane Austen Ball, if he can just keep the demons out, if he can just ignore it, it will go away! If he can make the participants know the steps to the dance and if he can control the lingo, he can create a new fantasy world for them all to live in and everything will be fine!

It won't. Aziraphale isn't in control. Aziraphale can't stop this. Aziraphale can't protect himself, and he can't protect Crowley to the point where he has to let Crowley leave him and work a plan on his own. He's a principality, and he can't protect the things and the people he loves.

Then the Metatron walks in, makes a point of validating all the things Aziraphale loves - coffee (food/drink), Crowley (your demon can recognize me even when these angels can't), the shop (do you need to take anything with you? I've made sure the shop will be safe), separates Crowley from Aziraphale - Crowley, Aziraphale's guiding light in all those minisodes, Crowley, the one being Aziraphale trusts - and then.

And the Metatron offers Aziraphale the control he's been missing all season.

Nothing lasts forever. We can't survive in this enclave forever. If we stay here, it will all end. If we stay here, I can't protect you, or humanity, or any of it. I have to try, we have to try, because no one else will, and I'm willing to give up my freedom and my bookshop if it means I can save everything. I want to save it with you, I want you to be with me, I need you, I need us, but--

If I can save you, even if it costs me us, at least you'll have survived.

If that's the price, well. Nothing lasts forever.

[kiragecko]

Story Idea

Telekinetic supervillain who REALLY loves historical architecture. Living in a superhero universe where heroes keep crashing through stained glass windows and leveling entire streets. As well as the normal corruption causing building to be demolished or “restored” in extremely destructive ways.

Kinda has Poison Ivy vibes, without any of the femme fatale trappings - her entire focus is preserving historical valuable buildings, and she doesn’t really care if humans that get in the way die. But she also isn’t going out of her way to kill people.

And the leader of the local superhero team can see where she’s coming from. And decides that just throwing her in jail every time she acts up is a sign they’re failing in their duty to protect the city. Instead, he starts trying to gain her trust. He doesn’t care that much about buildings, but he works on lessening his team’s collateral damage. He promises the supervillain that he’ll try to pressure the city government if she brings problems to him rather than taking them into her own hands. Eventually, he convinces her that she can protect the city’s infrastructure better by being on his team than she can on her own.

She’s incredibly helpful! She will keep burning buildings from collapsing until everyone can get out and the fire is extinguished. She’ll hold skyscrapers up while supervillains reign destruction down around them. She’ll deconstruct traps and grumpily direct her teammates towards the hidden mastermind who set them up. And when the crisis is over, she’ll see what can be salvaged and rebuild it if possible.

But she’s a PR nightmare.

Former Supervillain refuses to help people. She DOES NOT care. Your kid is trapped in the burning building? That is not her problem. Go bother someone else. Dude is holding a bunch of people hostage? It’s fine, he’s not causing any damage to the building he’s in.

People DO NOT like this attitude. People do not accept that she’s part of a team, and other heroes are capable of filling the “empathy” and “human rescuing” gaps.

And she’s high maintenance! The team frequently end up in situations where protecting lives is in conflict with protecting property. They take missions that mean very little to them, because they’re important to her. And the leader is constantly having to talk her out of rampages, pressuring the government to drop lucrative and unethical contracts, and making sure she’s sticking to the plan in the field. And she isn’t interested in interpersonal relationships or social niceties, so none of them are even doing this out of friendship!

-

Sometimes, you help someone not because they’ll be grateful, but because it will make your community better. Sometimes, you help the local drug addict not because he’s likely to turn his life around, but because he smashes less windows when he has a warm, quiet space to stay. And sometimes, keeping that community benefit takes a long term commitment.

I want to see a superhero team turn a villain as harm prevention and then willingly bear the cost of keeping that villain from causing harm. Not because it’s rewarding (though there are rewards) but because it’s more effective than any other method. And I want the villain to go along with it because the heroes actually found a more efficient way for her to reach her goals.

And it being messy for everyone, but I want them to make it work. And it to be worth it, in the end.

[anemoiashifts]

why you should get off social media if you want to shift.

before you scroll away, i want to challenge all of you to read all of this. this is one of my longest blog posts ive ever made with over 1,000 words. if you can or can’t make it through the whole post, please let me know how far you’ve gotten in the comments below. you’ll get a surprise at the end 🥳 !

social media isn’t an inherently bad thing. however, outside & inside of the shifting community social media (specially tiktok) has been shown to effect our attention span. this shows in my comment sections on my longer tumblr posts that i also share on tiktok, such as this one, when people say things like “im not reading all of that” or “can someone summarize” also “what method should i use” and “why am i not shifting”.

let’s start with the basics of shifting. shifting attempts need some kind of focus; an affirmation, a visualization, some sort of task like counting. if you’re someone who struggles to focus, you will struggle to learn how to meditate or any hobby or task you’re tying to accomplish. all shifting methods are is a meditation. while no, you don’t need a method, I would make the argument learning how to meditate & focus your attention to what you are trying to manifest is an important part of shifting. if social media creates an instant dopamine reward without little effort, the appeal of shifting seems less. this is why i think a lot of people actually like thinking about shifting & creating content for it rather then doing it — because trying to shift requires some level of work without instant reward even if it’s as simple as laying down & setting intention.

if you try to shift & you wake up in your cr still, that isn’t as exciting when comparing it to the idea of shifting. rather, if you post an edit or a video about your dr you will receive a dopamine hit through video interaction (comments, likes, how social media platforms are set up in general). even maladaptive daydreaming can fall into this category to some. the interest in attempting to shift dies because we feel like we aren’t gaining anything from it when that’s not true. when laying down & attempting to shift, we are meditating & training the brain to focus on what we desire most: we’re correcting our attention span.

social media destroys the ability to focus & what we focus on & give our attention to allows room for that desire to grow, to become reality. if we’re always so overwhelmed with information & have so much to stress about, it’s important to recognize what we consume & how it effects our mood & mental health & how it can sometimes delay our manifestations. im not saying you have to be positive all the time, but we’re exposed to so much that it’s important to check in with yourself every once in a while. this can be where shifting content comes into play vs non shifting content. think demotivation, you don’t look for it, it just appears. & how many times have you opened tiktok to look something up to only be distracted by a completely unrelated video that automatically started playing ?

what i mean is people are telling you what shifting is, what works for them (which you could register subconsciously & believe that’s a step by step guide), rather then self discovery. people are telling you what shifting is, how to do it, what to think, what to script, what method you need to do, even if they say “this may not apply to everyone” because of how it’s being presented & spoken about. the said popularity of a method or definition may also come into play & feeling like something has to be right or work because other people align with it. its like math class, the teacher shows you one way to solve a problem then says “your allowed to use your own methods” & shows you one example of it then goes back to using the original method in class that you don’t understand.

another reason is opinions. when being shown so many people speaking on shifting & their thoughts it can be overwhelming. it’s a great thing so many people are willing to talk about their experiences in their desired reality or want to share their personal breakthroughs & opinions on what shifting is, it can be confusing. while everything i just listed is well intended, leaning about shifting through places like tiktok & not venturing out & doing your own research — or just searching methods online & trying it yourself while going in blind — it takes away self discovery.

so, how do we learn about shifting ?

when i say get off of social media, i don’t exactly mean all social media. yes, all of these things happen across the internet but the difference with tiktok is that the fyp isn’t so prominent. this of course also applies to other feeds that are generated, but a lot of the shifting community is ok tiktok so im using the most known example. it’s important to search & decide what information you consume & seek out rather then being told something without stopping to think for yourself. you want the chance to be able to create your own thoughts. your own unique thoughts you have about things make them personal & your own beliefs become stronger when you realize things on your own. it’s more satisfying that way.

places like reddit & searching for questions you specifically have so you don’t have ten more questions shoved in your that you didn’t have before that cause you added worry or unnecessary fear is helpful to keep in mind.

there is room for grey area. not everything needs to be black & white. there should be no consciousness vs multiverse theories because two things can both be true at once. Ike thing doesn’t have to be against something, you don’t have time pick a side. it’s all theory & hypothetical. it’s okay that we 100% don’t know (& will probably never know) what shifting truly is. not everything needs to be discovered to preform it “correctly”. you don’t need to be a master at painting to paint, you don’t need to know how paint brushes are crafted or how canvas is stretched to preform, anyone can sit & learn as they create their first & second & tenth piece. even people who have painted & sold their artwork for millions, don’t know the great’s techniques. they know pieces of them & take what works & discards what doesn’t serve them.

this post isnt to negate any of the good social media has done or sound like my mom & preaching about how social media destroys your brain…but i think we should be mindful of what we consume & how it makes us feel & if we’re speaking for ourselves or parroting others words. there are so many great people & advice out there & im not trying to take away from that. i just think taking a moment to stop & digest what we’re seeing is healthy. this blog post has been a long time coming but i know a lot of people wouldn’t want to hear it. i can promise you, you are more addicted then you think — myself included. i just don’t wake you guys to look back in 10 years & have spent more then half of that looking at a screen when there’s so much life to be lived. i don’t want social media to take away from what we are all here for which when we come down to it is living. shifting is literally wanting to experience life & i can’t help but find it ironic that this is the opposite of everything we wish to accomplish through this practice.

please take care of yourselves. much love.

surprise :) congrats you made it ! here’s your digital slice of cake ! 🍰

[polakina]

how they fuck you

red dead redemption headcanons #2

hc masterlist // masterlist

on my third playthrough of rdr2 and i cannot bring myself to play low honour. why do i put myself through this?

also this is ridiculously long, got a little carried away but i shall not apologise

rating: explicit

-

is always gentle with you at first

delicate touches, lingering kisses, gazing eyes at your every movement or ministration

"what do you want, mi amor? tell me"

loves to hear you beg for him, want him

it just turns him on even more

dirty talk through the ROOF

this man knows how to talk you through it

"fuck you feel amazing, hermosa. yeah, just like that, huh? anything for you"

will eat you out for days if he could

never really tried it before, even when he lived in Mexico, he never really gave it a go

but with you, he wanted to try everything. whatever you wanted, he was up for it

so when you first asked him, he was nervous as hell, but willing to try

he found out he loved it and does it every single fucking time he had you all to himself

buries himself between your thighs like a man starved, his arms wrapped tightly around your thighs to keep you still

his tongue worked fucking wonders on your pussy, knowing exactly where to focus his attention, loving how you always moaned a little softer when his tongue dipped inside your cunt

fucks you slow, savouring the moment when he can

loves to have you riding him. seeing you on top spurs something inside him

his hands grip your waist fiercely, guiding your hips to grind against him, pulling sweet, elicit moans from your throat

loves to cut your clothes from your body with his knife

it's so much more satisfying than just taking them off with his hands

kinda likes quickies. prefers taking his time but there's something about pulling you away for a few minutes to have his way with you behind the protection of a tree or something that he loves

usually happens out on missions, so there's risk of the gang seeing you guys, but what's life without a little risk?

you could be on watch beside your tent while everyone sleeps, and javier will come over to keep you company

but it doesn't take long for his hand to slip into your pants as he whispers all sorts of things in your ear as he sits behind you while you try and continue your watch duty

was terrible at aftercare before, never really understood the in's and out's of it

but learned eventually with you, when you explained it to him

now he's at your beck and call whenever you need it

wear this man's hat around camp and that's all he needs to pull you to a secluded tent

but wear it while you fuck him? arthur would die happy in that exact moment

likes to call you 'cowgirl' when you ride him. you always roll your eyes at how stupid it sounds, but it doesn't stop him

the two of you don't have all the time in the world. being one of dutch's most trusted members, he's needed away from camp a lot more than anyone else

so you've both learned the art of being fast

and it doesn't take long for him to make you cum

never asks for them, but loves blowjobs

he likes to draw in his tent when he's got time to himself, so when he sees you come in and sink to your knees in between his lap, he can't think of a better sight

the absolute king of praises (have you heard how he talks to his horse?? imagine him talking to a woman oml)

not a fan of degrading, he never saw the appeal, but uses other methods to 'punish' you

"what do you want, darlin?" he'd say as he's fucking you from behind, your face pressed into the pillow to stifle your moans, your ass in the air held up by his hands on your hips. "oh babygirl, you wanna cum, huh? then you can beg me for it, can't you?"

will edge you for days

especially when he knows he's going to be away for a few days afterwards

definitely grabs the headboard

mainly for his own stability to be able to thrust into you harder as you moan his name into the room

has his hands on you at all times

holding your hands above your head by your wrists, holding your face against the mattress with his hand on the back of your neck, curling his fingers in your hair and gently yanking your head back when he pounds into you

when you do get a night away from camp, he wants to make it last the whole night

takes his time with you to the point where he's practically teasing you for hours

takes his time undressing you, kissing every part of your body, touching every part of you until his fingerprints were practically imprinted into your skin

give this man some guidance or it's like walking through a maze blindfolded

learned a lot with you

figured out really quick what you liked and what you didn't like, what places he could touch you that would send your head spinning

this eventually led him to learn how to be very sneaky in public

he could touch you in such simple places, in such an innocent way that no one else would think anything of it

but you'd know, and you wouldn't stop it

you like the way he touched your neck? he was all over that shit, cupping your cheek, his fingers tickling your neck

you liked his hands in your hair? his fingers tangled at the base of your neck, pulling your hair slightly to tease you

his hand would rest on your thighs, fingers slowly creeping up your thigh while you were all sat around the campfire

you'd always give him a little glare, which he would ignore, a goofy smirk on his face

and the way he fucked you was no different

he had mastered the art of teasing your body and your limits, and put that knowledge in every time he had you alone

"come on, marston. stop teasin' me like this"

he'd always smirk, working his way down your body in a painfully slowly manner

"i'm takin' my time with you, sweetheart. you just lay back and relax. lemme take care of you"

loved to make you feel good before he even thought about himself

but when he was too pent up, he came a lot quicker than he wanted

but he made up for it when tending to you afterwards until you were practically pushing him away, too sensitive for his expert fingers

not the best at going down on you, but makes up with experience

but what he's really good with is his hands

his fingers

they know exactly what they're doing when he pushes them inside your soaked pussy

curling at that devastating spot inside you that makes you crumble to your knees

loves to be on top of you, seeing your face contort when he pushes inside you slowly, deeply

he's basic, a lover of missionary, but seeing your face and watching your body writhe under his grip is really what turns him on