#everyone has their own method that works for them

[kyra45]

Donation scams

(Donation scams)

Donation scams are one of the most common scams you’ll find on tumblr, most often distinguished as being from relatively new blogs whose URL’s are autogenerated though this isn’t quite a reliable method of spotting a scam account. Legitimate accounts will often have these autogenerated URL’s but there is other ways to spot scam accounts. This post combines both donation scams and pet donation scams since both are extremely common scam types.

Both scam account types are usually a few days old, has only a few trending posts, no other original posts beyond pinned, and will usually have a PayPal link (though legitimate accounts will have this too, suspicion should be taken if the country doesn’t match a veterinary bill. Example: The bill says it’s in the states but the PayPal says Philippines.)

—

Pet donation scams are fundraising accounts who take the photographs of their pets from Facebook/instagram/etc and repost them here claiming to need veterinary care for the cat/dog/horse/etc and being unable to afford it therefore needing mutual aid from others. Unfortunately the poster may not actually own the animal and has simply stolen their post offsite with edits made to a pre-existing story.

More often then not, these scams will say they were denied ‘care credit’ and will supply a screenshot that’s often stolen from the original post. Otherwise they’ll show images they don’t own, and won’t be able to show you any other images because they don’t own the pet. The vet bill may be edited to cross out a name since scammers tend to use a different one or on rare occasions will completely copy it for themself.

If you ask them questions about the animal, they won’t be able to answer you honestly and may eventually cease contact. Real pet owners would have extra information on hand if you needed it.

—

Donation scams themselves are just as common, generally taking someone else’s post and passing it off as their own. These range from medical emergencies, health related issues that need immediate attention such as being diabetic and needing insulin, or needing help getting an RV for other reasons. There are other scam types, but this post is for a general idea of what these scams are.

Medical scams are often seen as posts of accounts saying they need Humalog (insulin), or saying they need $350 for it which is “nt much” and occasionally even scams that say their nose freezes. Those who actually have a disability would usually easily be able to catch out these scammers because they’d know how Diabetes and such works. This is not to say everyone who posts these is faking it. Scammers tend to have private PayPal accounts with peculiar names though these names often take from real people.

Donation scams also take images from other websites (even Reddit!) to pass off as their own content. Sometimes these images will have watermarks on them proving they came from someone else.

General scams are usually someone saying they need groceries showing images that are USD prices but then lead to a Philippines PayPal address which wouldn’t make sense if the poster is someone in the states.

—

Also not every gfm post you may see is a scammer; It’s very important to search around and locate further details disregarding posts that tell you it’s a scam but doesn’t provide any reasonable evidence and is just calling it a scam on the spot. With gfm fundraisers often getting closed due to false reports, alternative methods may be used so try and see if someone mentions it anywhere.

—

This post is just a basic explanation of common donation scams. Feel free to share it around, but please don’t use it to say everyone needing mutual aid is a scam. If you know what scams are, then that’s good but others may not.

[makenna-made-this]

I love you chickens and offer two of my own. Do you have any advice on how to improve my backgrounds? I have a lot of trouble with flowers and other plants, like the purple hyacinths in the first drawings?

all your BAWKtobers are so cute I love them

!!!!!!!!!! I'm so glad you are enjoying BAWKtober! It is the highlight of my year. And my goodness, these are lovely! Your choice of colors are so nice to look at, they feel like a soft place to rest your eyes.

Honestly, backgrounds have always been something I myself struggle with, and I don't know if that makes me more or less qualified to offer advice, but I can pass on what I have found helpful for myself.

1.) Start with something you LOVE. Trying to draw something you struggle with can already flick the little task avoidant I Do Not Want To Do This switch in your brain, so we are going to stack as many positives against it as we can in an effort to get our mindset as far away from This Sucks and I'm Not Doing It zone as we can, so: Start with something you love.

Are you passionate about nature and plants? Start practicing with nature backgrounds. Fascinated by roman architecture? We're gonna get drawing those pillars. Have a bunch of OCs that live in a fantasy setting and desperately want to be able to draw them interacting with the places you've imagined in your head? Get ready to get worldbuilding. If it's a subject you are already interested in it is going to feel significantly less like pulling teeth at the start than if you are stuck doing Boring Square House In 2 Point Linear Perspective (unless you love Boring Square House in 2 Point Linear Perspective, in which case, follow your heart).

I do this a lot with my BAWKtober drawings. I love drawing chickens and want to be able to have them interact in fun environments. The Chickens Part of the drawing are easy and familiar for me. It's something my brain is comfortable with. So I use it as a bit of a mental touchstone to keep myself skirting just shy of the This Sucks edge long enough to stay motivated on the background part of it.

Find your "Chickens."

2.) SIMPLIFY! Even complicated things are just many big and small shapes. Learn to break things down into their most basic shapes and use those as the building blocks to map out your background. Everything is Shape. Think Shape.

You don't have to get hung up on finer details right now. Those can come later. I did this with the rows of wheat field in my Harvest Moon prompt. Envisioned them as large blocks laid out next to each other. I mapped out shadows by darkening the sides away from the source of light (Big Ol' Moon Circle),

And after i got that base work i built off it with details (notice how you can still picture those shapes underneath it all). While this is by no means a Complicated background, the general method works for more intricate things too.

It's also helpful when trying to map out lights and darks. I do this a lot when I am trying to get a sense of depth and shadows for an environment:

Start with the really basic shapes. I like to imagine the background, middle ground, and foreground are all on different layers stacked atop each other facing the viewer (think those cut paper shadow boxes).

GENERALLY speaking, you are gonna have things closest to you be darker and more vibrant colored, and objects in the distance will be lighter and less saturated as they fade into the atmosphere. There are of course instances where this is not the case ( a background of a dense jungle or mouth of a cave may do the reverse, getting darker and darker the deeper you go, to show the lack of light and shadows that grow the further you venture from light) but it is a good rule of thumb when starting out, especially with landscapes.

Once you have that figured out, you can start slapping down more details~

3.) REFERENCES! I know everyone and their mother says this but it's true. The human eye and memory can be so, so faulty when trying to think back on how something looks. You might THINK you know, but when you try to sit down and draw it you sit there and have a 10min existential crisis (If you don't believe me, just try to draw a bicycle completely from memory. It's miserable).

So look at real things! Pay attention to the way your fav walking path curves over the hill on your walk home. Make note of how the distant skyscrapers on the outskirt of town fade into the soft pinks of the sunset much more the the stark, towering ones right outside your window. Look at cars and bushes spaced out in your local wal mart parking lot, take pictures of the flowers in your grandmother's window box. What's the simplest shape they can be broken down to and still be recognized? You are training your eye to see things in a new way and help you get good at positioning them in 3d space. Eventually, you will get better at this and won't need to reference things as often (but you always CAN. References are your friends!)

4.) Lastly, JUST DO IT!!!

JUST DO IT OH MY GOD JUST DO IT! JUST DRAW tHE BACKGROUND. I know, i know! It sucks and it's hard and it's not as fun as drawing the characters that you love and it might look bad at first but jUST DRAW IT BAD.

In the past i've spent so much time getting in my own damn way because I somehow get it in my head that there's some hidden knowledge or information or tutorial that i am missing, and if i wait until i Learn It i will finally understand the thing and Then i can go about learning it the "right way." Which is a wonderful way of shooting yourself in the foot before you even take a step.

It's really easy to get bogged down in the mindset of "i'm not good at this right now, so i have to wait til i Get Better so i can do it right" and this is Lies. This is the devil on your shoulder talking. This is the mind killer, and it is also a paradox. You want to get better at The Thing before you Do It, but you have to Do It to get Get Better. So you just do Nothing and then you feel bad 'cause you haven't moved anywhere.

So, just start trying. Pick something you love and let that carry you through the hard parts of the learning. Try not to care so much about how it looks at first. You are learning a new language, a visual one. If you get frustrated take a step back, or try drawing something else. Keep it simple, at least at first. And if you feel discouraged, remember i recently had a 10min existential crisis when i realized i couldn't remember how to draw an egg carton, which I see and hold in my hands every single day.

TL;DR DRAW IT BAD, BUT DRAW IT!

[spamtoon]

(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)

Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...

Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!

(She gets close, and squints her eyes.)

I know what you are.

Farewell, now!

(She then leaves the way she came from.)

(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)

And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...

(She looks down, continuing to laugh nervously.)

You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?

I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.

(The giggling resumes, lasting far shorter this time.)

Your brother's a piece of fucking barp, by the way

(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)

Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.

WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.

Oh i'm so fucking screwed. What kind of bitch gets filament fever

[poptartmochi]

i think that i will never be able to rid myself of Magdalena, despite my disdain for her source material, because she's just such a fun little inversion character 🤧

[charlietheepicwriter7]

Despite Danny's best efforts, no matter how much time past, Amity Park refused to see Phantom as a hero.

Sure, there were pockets of support, particularly among teens, but most of the town blames Phantom for the property damage, saying if he didn't fight the ghosts then it wouldn't be so bad, to that time he got mind controlled by Freakshow and "attacked" the mayor. It wears him down. It wears Tucker and Sam down. Jazz can only try to support them all.

Then one day, a member of the Justice League visits. Someone minor, and kinda a jerk... maybe a Wonder Twin? Zan? Whatever. They don't investigate; they don't look deeper. They listen to the town folks and declare the ghost hunters, Red Huntress and the Fentons, to be the official heroes of the town.

Worse? Danny Phantom is officially considered a villain to the Justice League. Tuck hacks into the Watchtower and confirms that they have a file (a heavily inaccurate file) about how to defeat Phantom.

Danny doesn't think he can do this anymore.

A few weeks later, a young villain escapes into Amity and demands (begs) that Danny help them escape from the hero after them. No idea who, I can't find a lot of info on teen villains in DC, so let's fudge some ages and make it Kyd Wyckyd from the Teen Titans cartoon. Danny agrees, because to hell with the Justice Losers, and they defeat the hero, becoming friends in the process. Kyd confesses that they became a villain after being ostracized bc of how they look, and they've been trying to avoid villain organizations because HIVE was abusive, but it's really hard to be a villain alone bc of all the heroes.

Sam gets an idea. Tucker agrees with the idea. Jazz is just happy they'll end up making friends.

The next day, the Teen Villain Alliance is formed, ready to assist with any teenage illegal shenanigans their allies might get into.

Some notes:

It's created to be a healthier option for teen "villains" to connect with others and support each other.

It's more important that this is for Teens rather than Villains. They're tired of adult villains taking advantage of them. The TVA would rather ally with a teen vigilante than with an adult villain.

Again, no idea who the teen villains are, but Klarion is definitely here. He leaves the Light for the chaos of the TVA. Maybe Ember is there too?

Timeline wise, this is around when Tim is still Robin, but Damien has arrived at Wayne Manor.

This is because, when it comes time to try to infiltrate the TVA, they'll have a convenient child-assassin who has none of the monitors of a teen hero that Phantom immediately picks up on.

Damien, who at this point has been abandoned by his mother, dismissed and scolded by his father, and has had no success at carving his own place in the family, jumps at the chance. He is then surrounded by peers who don't insult him or try to change his behavior (too much; jazz is trying to help him find healthier methods of expressing himself). He... might not want to continue being a spy.

Danny, Sam, Tuck, and Jazz are the founding members.

Danny reinvents himself as the High Prince of the Infinite, Prince Phantom Dark. He got kingship from fighting Pariah Dark, but since he's still alive, he's only a prince. He steals the last name Dark as an intimidation tatic against those in the know; only Danny would have the balls to claim family with Pariah.

Sam works as a powerless villain, but she might no be powerless? Either way, Danny gives her a bunch of repurposed Fenton tech, and she buys the rest with her parents credit card. She does NOT care if that's traced back to the Mansons. She would choose something goth, maybe something spider related or even bat?

I love Pharaoh Tucker, so I think he should get magic powers? Since pharaohs of old were considered the balance between the real and the divine. He's still a tech guy, now he's a tech and magic guy.

Jazz isn't really a villain, more of a team mom who's planning on using everyone's psyche's as her thesis paper. You know what, that's her callsign, she's Psyche. Sometimes she flirts with Nightwing.

[siyzuii]

shifting is self discovery.

excuse the yap but i think it’s very important that people realize how fundamental you are in your shifting journey and that you are literally the only thing you need to shift.

you do NOT need:

a method

subliminals

(guided) meditation

to look for advice hour after hour online

symptoms

the void state

lucid dreaming

to visualize

to use your 5 senses

a script

you DO need:

yourself

you can say fuck you to the universe, doubt as much as you want, and still shift. i say that because i’ve done it before even with doubts! so you can too!

“how do i shift?”

every time someone asks this i lose 5 years off my life span. i can’t determine that for you, nobody can. i can tell you what has personally worked for me and so can others, but there’s no guarantee it’ll work for you.

“so what do i do?”

sounds a bit harsh but you figure it out. and that’s what i mean by self-discovery.

of course, you can & should see what other people are doing to create a base line of what you think could work for you. for example try getting into the void state, see what happens from there. doesn’t work or you don’t like it? (because that obviously won’t do the same thing for everyone) try something else!

play around. add new things into the mix. affirmations. intention. you can visualize or use your 5 senses. keyword can. you don’t have to. because what do i think works the best? minding your business and shifting your own way.

remember that you can literally just say “fuck you i want to shift” and shift. you can shift accidentally. so who’s to say what you’re doing doesn’t work? (if it really doesn’t then you can adjust it slightly. look back on your behavior and think about what you want to change.)

seriously!

you can shift:

tired

awake

asleep

in the hypnagogic state (the state of the transition from wakefulness to sleep)

in the hypnopompic state (the state of consciousness leading out of sleep)

while dancing

sitting

standing

laying down

on the floor

accidentally

through a lucid dream

with doubts

and so much more i didn’t mention. seriously no need to overcomplicate it.

just remember that other peoples’ shifting journeys are not yours and that you’re the most important part of your own.

you are what makes you shift.

it’s not your subliminals or your method or whatever, it’s you. YOUUUU. subliminals? “methods”? those things? just helpful tools. they can HELP you shift, but there’s no guarantee.

for example, i personally have been getting more effective results after listening to specific subliminals regularly (psst.. i make sure they’re safe! to check if they are safe, look at the comments around the page and if you’re still not sure and you feel uneasy then do not use the subliminal. if it makes you feel unsafe or weird then do not use it. always read the benefits or what you can find in the description.) it works for me. it got me results (along with other stuff) but it might not give them to you and that’s okay. you don’t have to use subs.

just a reminder that you don’t need anything but yourself to shift <3

it’s self discovery because you’re learning from it and actively finding out (discovering) what works for you.

your shifting journey is yours so don’t make it rely on what someone else does.

THERE’S NO KEY TO SHIFTING EXCEPT YOURSELF.

[mostlysignssomeportents]

How lock-in hurts design

Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!

If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.

Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.

This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.

Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:

https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/

But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.

Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.

Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:

https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/

This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!

But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.

That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:

https://pluralistic.net/2023/02/19/twiddler/

When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":

https://locusmag.com/2020/09/cory-doctorow-ip/

This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.

An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.

Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.

Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":

https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html

Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:

https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/

But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.

The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):

https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/

Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."

Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.

Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited

Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[adelheidvonschicksal]

hii id like to request a how l&d boys act when they're jealous :3 feel free to ignore if u don't feel like it or thanks in advance if u do!! love your works sm xx

How the Boys Act When They’re Jealous

Pairing: xavier x gn!reader, rafayel x gn!reader, zayne x gn!reader

A/N: The game needs more jealous Zayne, and Lost in your eyes moments with Raf. Thanks for waiting! <3

Xavier is an absolute menace.

He’s extremely possessive over you, and he’s well aware of it.

You care a lot about him, but good luck stopping him from being a jealous dummy any time soon. He already knows Jeremiah doesn’t have feelings for you, but is that going to stop him from spraying the other man with a plant mister when he gets to close? Nope.

Luckily for Jeremiah, Xavier likes him. They’re friends. The other man finds it funny to even tease him a little by poking at that jealous side. Everyone else doesn’t have the same privilege.

When he's not glaring, Xavier tries to be subtle about, dropping hints here and there about how you’re his lover. He’ll interrupt your conversations with other men when they drag on too long, so he can talk with his partner, his neighbor, his napping buddy.

Suddenly, everything he says can be taken the wrong way. He mentions how he had a good time sleeping together (when it was literal sleeping). He says the two of you should got out to dinner again or that the lunch you made him for work was very tasty (really you wanted to avoid the apartment complex catching on fire). He might also “jokingly” state within hearing distance of your new friend that the two of you act like a married couple. It’s not his fault if someone takes it the wrong way; you don’t have to look so embarrassed about it.

Xavier likes to flaunt his status a little; he fixes your hair and dusts off your clothes. He would do this for you even if he wasn’t jealous, but it’s a bonus that it gets others to back off and gets your attention on him with your cute little pout.

Worse comes to worst, he isn’t afraid of using underhanded methods to fail any attempt at someone else trying to steal you away from him; even if that means knocking out the streetlights with his Evol to get your coworker to go home early (who even takes 20 minutes to say goodbye anyway? Someone with ill intentions, that’s who.).

He’ll deny it. Deny. Deny. Deny. He’s not jealous. He just wants to know more about your friend. How long have you known each other? Do you go out at night together? Why not invite him sometimes? It takes a few pokes to get him to admit it.

Jealous Xavier can be a moody Xavier; he’s usually calm and easygoing, patient with most of the world except with those who try to flirt with you, and you, if you should flirt back. Though, he has no problem reminding you why he is the only one you should have eyes for whether it be through words, action, or…other methods best left after dark.

It’s obvious when Rafayel is jealous.

It starts as jokes, usually, with a light dust of jealousy like sprinkles on a donut.

“What’s your new friend like? Are they more fun than me,” he asks, trying to coax you into admitting how much more you like him, a little to assuage his jealousy and a little to stroke his own ego.

He’s confident in being your partner and having a bond that has lasted millenniums. So, when a random likes you, it’s usually not a huge deal. He can confidently deal with it, wrapping an arm around your waist or shoulder and putting on his charm as he calls you honey with a lift to his voice, as if he didn’t notice the person who was trying to flirt with you.

His jealousy can even be funny sometimes even cute. He’ll get this pouty look on his face whenever you place your attention on animals, cooing and petting them. He even gets jealous of your dear child, Reddie, from time to time. You love that clumsy fish so much. It couldn’t even stop itself from being caught by humans. Why would you want to play with Reddie so much when you already got a fish you can pet. Please pet him.

 When his jealousy gets really bad though, he can be snippy. He’s vindictive, asking if you forgot about him and if you wouldn’t rather hang out with your other boyfriend. His jokes become a little less funny and a little meaner, and he’ll be quick to demand an explanation in a voice a little tighter and bitter than you’re used to from him.

If you get mad and try to leave, he’s pulling you back. He doesn’t actually want you to go but he’s too stubborn to admit that maybe he’s being jealous over nothing.

He just doesn’t want you to forget him again.

On the other hand, seeing you jealous? He eats it up. 

Zayne doesn’t like his jealousy.

He tries to play it cool and be mature about these things. He’d never interrupt you talking to another person, but he most definitely watches the situation out the corner of his eye. He wants to digest every word and every bit of body language he can about the situation, going as far as pretending to work to have an excuse to stay and listen in.

Zayne wants to be rational about things, but he’s never been completely rational when it comes to you. You have a bad way of making him act out of character (or passionately as you call it).

This emotion always sneaks up on him unexpectedly and makes him clumsier than normal. He’ll give himself away easily, asking about your plans with the other person or if you noticed the lovesick puppy look they gave you when you looked their way. It makes him blush when you mention that you adore his puppy eyes more. If he says he doesn’t do that, well, you’ll simply have to call Dr. Greyson and Yvonne to back you up.

Zayne can be very picky about other people trying to take your time, like not wanting someone else to dance with you or take you out to a new tourist location; he always promises his free time to you, the little he has of it, so he requests that you wait for him. He’ll accompany you wherever you want to go.

Zayne is very jealous of others who can make you laugh. He really likes how easygoing, talkative, and animated you are so he gets insecure when someone else can make you act that way better than he can; however, he feels selfish because you’re happy and that should be enough.

In the end, he blames himself for his own jealousy, questioning if he read too much into the situation or in your relationship. He’s the quickest to apologize for his jealousy if you pick up on it.

When Zayne thinks you are pursuing someone else, he becomes blunter. He suddenly has a lot more relationship advice about being careful who you keep in your company and warning you to make sure there’s no doubt when deciding on something important like your partner. He also tends to cut conversations about any other potential partner you might like short and unintentionally be rude to your love interest.

That’s not to say he won’t try to win you over; when push comes to shove and the risk of losing you becomes too great, he isn’t afraid to finally tell you how he feels in the best way he can. All he can do is try. 

If you don’t like him back, he will allow jealousy to silently have him, choosing to suffer in it, as long as you’re happy with whoever you choose.

However, that does not mean he has to like your partner as well. And if they ever hurt you, he rather not think of what he’d do if that should happen.

[forineffablereasons]

Oh, Crowley. Nothing lasts forever.

I think the entirely of Crowley and Aziraphale's interactions in the Final Fifteen™️can be summed up by the idea that they are talking past one another, failing to fully understand each other, but I want to talk about this line in particular. This isn't a full analysis of the scene - just this isolated bit.

Crowley: ...If Gabriel and Beelzebub can do it, go off together, then we can. We don't need Heaven, we don't need Hell, they're toxic. We need to get away from them, just be an us. You and me, what do you say? Aziraphale: Come with me. To Heaven. I'll run it, you can be my second-in-command. We can make a difference. Crowley: You can't leave this bookshop. Aziraphale: Oh, Crowley. Nothing lasts forever. Crowley: No. No, don't suppose it does.

As methods of occult/ethereal communications go, the metaphor is quite versatile.

Crowley is saying: stay here with me. We have this enclave. We can be together properly now - stay here with me. Never mind that they have not actually made any progress on this in the last four-ish years since the end of the world. Never mind that Crowley is so stagnant that four years after the end of the world he's still living in his car.

Keep in mind that Aziraphale didn't have the benefit of Nina and Maggie's intervention - Aziraphale doesn't see this as a confession under Crowley's own initiative, he sees it as a response to what Aziraphale is saying. Aziraphale says, let's go make a difference, and Crowley is sort of forced into taking this position as an alternative offer - to Aziraphale, it looks almost like a temptation. Nothing changed in the last four years, but now that Heaven needs you (and we must give Aziraphale the benefit of his belief that Heaven truly does need him, even though this is clearly a manipulation), I'm ready to move forward, don't you want to stay, don't you want to deny Heaven and exist with our heads in the sand?

"Oh, Crowley," Aziraphale says. "Nothing lasts forever."

To Crowley, who is offering himself and this enclave, this bit of existence that can just be theirs - nothing lasts forever is an obvious smackdown: not even us.

That's not what Aziraphale is saying, though. What Aziraphale is saying is, we can't live like this forever. If we want to protect it, we have to change. Nothing lasts forever isn't a betrayal or a resignation - it's a sacrifice. Aziraphale cares so much about Earth, about fixing Heaven, and about Crowley himself that he's willing to give up the bookshop and their enclave on Earth in order to save it.

They cannot just maintain the status quo. It's been four years since Armageddon and nothing has changed, and keeping on ignoring Heaven and Hell didn't work! It didn't work! They were on their own and here's Heaven and Hell again, in their business, dragging Crowley back to Hell, dragging Aziraphale back into Heaven's politics. Four years was all they got. Four years, and they were under threat, risking each other, risking their very existences. They can't sit in their enclave and pretend it won't happen again because it absolutely will.

Aziraphale spends a lot of this series burying his head in the sand. If he can just hide Gabriel, everything will be fine! (It won't - he'll still have Gabriel.) If he can just make Maggie and Nina fall in love, everything will be fine! (It won't - he'll still have Heaven and Hell waiting in the wings for the next suspicious event.) If he can just get everyone at the Jane Austen Ball, if he can just keep the demons out, if he can just ignore it, it will go away! If he can make the participants know the steps to the dance and if he can control the lingo, he can create a new fantasy world for them all to live in and everything will be fine!

It won't. Aziraphale isn't in control. Aziraphale can't stop this. Aziraphale can't protect himself, and he can't protect Crowley to the point where he has to let Crowley leave him and work a plan on his own. He's a principality, and he can't protect the things and the people he loves.

Then the Metatron walks in, makes a point of validating all the things Aziraphale loves - coffee (food/drink), Crowley (your demon can recognize me even when these angels can't), the shop (do you need to take anything with you? I've made sure the shop will be safe), separates Crowley from Aziraphale - Crowley, Aziraphale's guiding light in all those minisodes, Crowley, the one being Aziraphale trusts - and then.

And the Metatron offers Aziraphale the control he's been missing all season.

Nothing lasts forever. We can't survive in this enclave forever. If we stay here, it will all end. If we stay here, I can't protect you, or humanity, or any of it. I have to try, we have to try, because no one else will, and I'm willing to give up my freedom and my bookshop if it means I can save everything. I want to save it with you, I want you to be with me, I need you, I need us, but--

If I can save you, even if it costs me us, at least you'll have survived.

If that's the price, well. Nothing lasts forever.

[anemoiashifts]

why you should get off social media if you want to shift.

before you scroll away, i want to challenge all of you to read all of this. this is one of my longest blog posts ive ever made with over 1,000 words. if you can or can’t make it through the whole post, please let me know how far you’ve gotten in the comments below. you’ll get a surprise at the end 🥳 !

social media isn’t an inherently bad thing. however, outside & inside of the shifting community social media (specially tiktok) has been shown to effect our attention span. this shows in my comment sections on my longer tumblr posts that i also share on tiktok, such as this one, when people say things like “im not reading all of that” or “can someone summarize” also “what method should i use” and “why am i not shifting”.

let’s start with the basics of shifting. shifting attempts need some kind of focus; an affirmation, a visualization, some sort of task like counting. if you’re someone who struggles to focus, you will struggle to learn how to meditate or any hobby or task you’re tying to accomplish. all shifting methods are is a meditation. while no, you don’t need a method, I would make the argument learning how to meditate & focus your attention to what you are trying to manifest is an important part of shifting. if social media creates an instant dopamine reward without little effort, the appeal of shifting seems less. this is why i think a lot of people actually like thinking about shifting & creating content for it rather then doing it — because trying to shift requires some level of work without instant reward even if it’s as simple as laying down & setting intention.

if you try to shift & you wake up in your cr still, that isn’t as exciting when comparing it to the idea of shifting. rather, if you post an edit or a video about your dr you will receive a dopamine hit through video interaction (comments, likes, how social media platforms are set up in general). even maladaptive daydreaming can fall into this category to some. the interest in attempting to shift dies because we feel like we aren’t gaining anything from it when that’s not true. when laying down & attempting to shift, we are meditating & training the brain to focus on what we desire most: we’re correcting our attention span.

social media destroys the ability to focus & what we focus on & give our attention to allows room for that desire to grow, to become reality. if we’re always so overwhelmed with information & have so much to stress about, it’s important to recognize what we consume & how it effects our mood & mental health & how it can sometimes delay our manifestations. im not saying you have to be positive all the time, but we’re exposed to so much that it’s important to check in with yourself every once in a while. this can be where shifting content comes into play vs non shifting content. think demotivation, you don’t look for it, it just appears. & how many times have you opened tiktok to look something up to only be distracted by a completely unrelated video that automatically started playing ?

what i mean is people are telling you what shifting is, what works for them (which you could register subconsciously & believe that’s a step by step guide), rather then self discovery. people are telling you what shifting is, how to do it, what to think, what to script, what method you need to do, even if they say “this may not apply to everyone” because of how it’s being presented & spoken about. the said popularity of a method or definition may also come into play & feeling like something has to be right or work because other people align with it. its like math class, the teacher shows you one way to solve a problem then says “your allowed to use your own methods” & shows you one example of it then goes back to using the original method in class that you don’t understand.

another reason is opinions. when being shown so many people speaking on shifting & their thoughts it can be overwhelming. it’s a great thing so many people are willing to talk about their experiences in their desired reality or want to share their personal breakthroughs & opinions on what shifting is, it can be confusing. while everything i just listed is well intended, leaning about shifting through places like tiktok & not venturing out & doing your own research — or just searching methods online & trying it yourself while going in blind — it takes away self discovery.

so, how do we learn about shifting ?

when i say get off of social media, i don’t exactly mean all social media. yes, all of these things happen across the internet but the difference with tiktok is that the fyp isn’t so prominent. this of course also applies to other feeds that are generated, but a lot of the shifting community is ok tiktok so im using the most known example. it’s important to search & decide what information you consume & seek out rather then being told something without stopping to think for yourself. you want the chance to be able to create your own thoughts. your own unique thoughts you have about things make them personal & your own beliefs become stronger when you realize things on your own. it’s more satisfying that way.

places like reddit & searching for questions you specifically have so you don’t have ten more questions shoved in your that you didn’t have before that cause you added worry or unnecessary fear is helpful to keep in mind.

there is room for grey area. not everything needs to be black & white. there should be no consciousness vs multiverse theories because two things can both be true at once. Ike thing doesn’t have to be against something, you don’t have time pick a side. it’s all theory & hypothetical. it’s okay that we 100% don’t know (& will probably never know) what shifting truly is. not everything needs to be discovered to preform it “correctly”. you don’t need to be a master at painting to paint, you don’t need to know how paint brushes are crafted or how canvas is stretched to preform, anyone can sit & learn as they create their first & second & tenth piece. even people who have painted & sold their artwork for millions, don’t know the great’s techniques. they know pieces of them & take what works & discards what doesn’t serve them.

this post isnt to negate any of the good social media has done or sound like my mom & preaching about how social media destroys your brain…but i think we should be mindful of what we consume & how it makes us feel & if we’re speaking for ourselves or parroting others words. there are so many great people & advice out there & im not trying to take away from that. i just think taking a moment to stop & digest what we’re seeing is healthy. this blog post has been a long time coming but i know a lot of people wouldn’t want to hear it. i can promise you, you are more addicted then you think — myself included. i just don’t wake you guys to look back in 10 years & have spent more then half of that looking at a screen when there’s so much life to be lived. i don’t want social media to take away from what we are all here for which when we come down to it is living. shifting is literally wanting to experience life & i can’t help but find it ironic that this is the opposite of everything we wish to accomplish through this practice.

please take care of yourselves. much love.

surprise :) congrats you made it ! here’s your digital slice of cake ! 🍰

[breelandwalker]

How to Write Your Own Spells

There are lots of ways to create spells, from planning everything to the minutest detail ahead of time to absolutely flying by the seat of your pants in the moment. If you'd like to write your own spells, either for use in your craft or as a creative exercise, here are some suggested steps that I use in my own practice:

1) Determine the intent or goal of your spell. Decide, first and foremost, what you want the spell to do. Refine your goal if necessary and try not to be too nebulous. Your intent tells the spell what it's meant to do. A more focused goal may increase the chances of success.

2) Determine how you want the spell to manifest. Decide how the spell should work and what the result should look like. This is a good time to build in a sign of success, especially for spells that may not work in an obvious or visible way.

3) Determine what or whom the spell will affect. If the spell is to have a target, be it a person or a place or an animal or an object, decide what that should be and how they or it will be represented in the casting.

4) Determine how long the spell is meant to work. If your spell is timebound or has a deadline, decide what that will be. If the spell is meant to work long-term, you may want to check in and refresh it from time to time. (Not every spell will be timebound. Many spells will simply expire when they have fulfilled their purpose or if they are blocked or circumstances are not favorable.)

5) Determine the timing of the spell, if applicable. Not everyone uses celestial or astrological timing for their spells, but if you do, look into the prevailing conditions and decide on an advantageous time for your casting. (Please note that magical timing can only enhance your spell and casting something on the "wrong" day will not necessarily cause it to fail.)

6) Determine what methods and materials you want to use to cast the spell. Decide how you're going to go about performing the casting, whether you're doing a ritual or making a charm or just using energy. If you're going to need a ritual space or physical components, plan that out and make sure it fits with what you want to do.

7) Determine the words, if any, which will empower the spell. If you want to include a prayer or a petition or a song or an incantation with your spell, decide what that should be. This is not strictly necessary and the words need not be spoken aloud. (Rhyming incantations are not required, but if you prefer them that way, you can certainly do so.)

8) Prepare the materials for casting the spell. Get all your necessaries together ahead of time. Make sure you have everything you need, that tools and components are in good and useable condition, prepare your workspace, and make sure everything is within easy reach so you don't have to stop and search for things in the middle of your casting. (And for goodness sake, if you're working with open flame, observe fire safety and tie your hair and sleeves back.)

9) Finalize details and perform the casting. When you're ready to begin, try to eliminate as many possibilities for distraction or interruption as possible. Go over your spell and components one more time, then proceed with casting the spell.

10) Record the particulars for future reference and to determine how well the spell worked. Make a record of the spell, including your goal, how it should manifest, the words and components used, the date of the casting, the casting method and procedure, and how the casting went. If there are any additional details or observations that seem important, include those as well. This will serve as a useful learning tool in the future and will allow you to check your work if the results make themselves known.

It's useful to write spells from time to time if the inspiration strikes you, in order to better understand how they fit together and how they work. Plus it's a fun and creative journaling exercise and recording the spells you cast a great way to measure your progress later on.

For additional tips on writing your own spells and helpful tricks for using timing and available materials to your advantage, check out my podcast, Hex Positive, Eps. 006-007, "Come In For A Spell, pt 1 & 2."

(And if you’re enjoying my content, please feel free to drop a little something in the tip jar or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊)

Happy Witching! 🔮✨

[maiiuelle]

⋆ ˚｡⋆ ᡣ𐭩 ⋆ ˚｡⋆

rafe cameron is not known for giving heartfelt apologies, but after what he had done to you last week, he couldn’t shake the sick feeling in his stomach.

he tried all his usual methods of letting go — starting with more meaningless hook ups, cocaine, and partying. it felt natural to try to move on like you were just another fling, after all you were never officially together. it worked enough to keep him occupied, but ultimately, it only made him feel worse to pretend you meant nothing to him. it serves as a constant reminder of exactly how he made you feel that night — like nothing.

the intrusive memory of what happened haunts him. before the incident, you were really growing on him. he made you his main girl without meaning to, inviting you to the club and out golfing just because he genuinely wanted you there beside him. by the time he realized he had real feelings for you, it felt like everyone else already knew.

you made him feel vulnerable, and it scared him. being so public with you put his emotions out on display. he had to remind himself that you weren’t his girlfriend, you were just supposed to be another girl he had on his roster. he has a big ego and an even bigger reputation, and in an attempt to protect that rather than you, he continued on with his bachelor lifestyle.

he never imagined you’d show up that night — he hoped brushing you off would shoo you away, save you from the inevitable realization he isn’t as great as he makes himself out to be. instead, you made him face you head on, and he would remember the devastated look on your face forever.

the nonchalant mask finally slips when his friends start asking where you went, having noticed your sudden absence. after all that time of trying to suppress his guilt, it struck a nerve just hearing your name. “who’s asking? ‘cause—cause i know it’s none of your fuckin’ business what she’s up to.”

topper lifts his hands in surrender, eyeing kelce. “woah. chill, man. i was just wondering, i thought you were into that chick.”

kelce snickers, taking the chance to finally get payback for every time rafe mocked them for chasing after girls. “what? did she dump you or something?”

rafe just pushes out of his seat, waving them off as he finishes what’s left in his glass. he doesn’t spare his friends another glance despite their boisterous protests, instead just addressing the bartender on his way out. “put it on cameron.”

he can’t handle it anymore, he has to do something.

it’s officially been a week since you last saw rafe. like clockwork the early birds begin to sing songs as they welcome the brand new day, the sun just starting to rise above the horizon. you’re still awake from the night before, unable to sleep with how your mind is racing.

you had been holding it together much better than rafe — to the public, you’re thriving. you go out with your friends every night, looking better than ever at yacht parties and the island club. it’s freeing to spend more time with your girl friends again, but you really can’t stand to spend any time by yourself.

thats why the nights are the worst, when you’re stuck alone in the silent solitude of your bedroom. that’s where you are now, wrapped up in your duvet with puffy eyes from crying all night over him. you just couldn’t wrap your head around the betrayal — after you thought you truly knew him, he turned out to be exactly how everyone said he was. manipulative, slimy, and selfish. your heart aches at your own ignorance, feeling stupid for not seeing the now obvious red flags.

to try to get your mind off of him, even just for a second, you tune into the gentle tapping of morning rain on your windowsill. in an overtired daze, you dream of being a princess locked away in a tower with your heroic lover waiting below, tossing stones at your window to garner your attention.

you don’t let it play on for too long, cutting it off abruptly by pulling your pillow over your face, silently scolding yourself. your infatuation with romance novels is what got you into this mess in the first place, making you delusively believe that rafe cameron was your prince charming. so stupid.

but, the tapping grows louder, your silly fantasy rebelling against you, refusing to disappear. in a fit of exhausted frustration, you grab the pillow off your head and throw it across the room, watching as it lands flat on the floor just short of the window, just in time for one of the shiny stones from your garden to hit the glass. then another, and another.

it couldn’t be. you can’t believe your eyes, especially after a long night of sobbing and zero sleep. you slowly slip out of your bed, walking up to the window cautiously.

“oh, you have to be joking.” you look down from your bedroom window to see none other than rafe standing in your lawn with a hand full of rocks and his truck parked on the curb. he’s clearly had a long night too, swaying on his feet and deflating when he sees you appear in the window.

“baby! baby — please talk to me!” he shouts, and you rush to push your window open. your father already hates the camerons, and you don’t want to deal with that confrontation if he wakes him up this early in the morning.

“shhh!” you press your finger to your lips, practically pushing your whole upper body out the window urgently to whisper-shout at him. “what are you thinking? my dad’s gonna kill you!”

“baby, i—i need to talk to you, please.” rafe whines, dropping the rest of the stones in his hand so he can push his bangs back. desperation looks strange on him, in your state of shock you hold up a hand to silence him and give yourself a second to weigh your options. you could get him back for what he did right now, do exactly what he did to you — you could scream at him to leave, to never speak to you again, and go get your father to handle the rest.

but instead, you just roll your eyes. so stupid. “just.. just wait a second.” you sigh as you shut the window quietly, closing your eyes for a moment of pause. before you change your mind, you march to your bedroom door, grabbing your fluffy robe and slipping it over your shoulders followed by your slippers.

you would never do any of that to him, not with the way you still feel about him, no matter how frustrating that is. you wish he could just be dead to you, but that’s not how you feel. the least you could do is hear out what he has to say for himself, even big bad rafe cameron deserves a second chance.

you take a deep breath as you slip down the stairs quietly, bracing yourself to face him. you open the front door, pulling your robe tighter over your nightgown to fight the cold morning air that bites at your skin as you sneak outside.

rafe rushes toward you, holding his head in anguish. “baby, listen to me. i—i know i screwed up, alright? i—”

“stop!” you thump your foot on the front porch, glaring at him from the top of the wooden steps. just because you’re kind enough to give him the time of day doesn’t mean he’s off the hook. he listens, pausing with wide eyes as he looks you over. he really is a mess, tears falling from his eyes and mixing with the morning rain that’s already soaked his hair and shirt. “god, rafe. what is going on with you?”

“i’m a fuckin’ idiot.” he cries, his face twisting as he sobs. “we had something good, right? and—and i fucked it all up. i did. it’s all my fault.”

you stand there with your arms crossed in front of you like a shield.“how do you think i feel? i thought you cared, meanwhile you’re lying to me and fucking some other girl?” you frown, staring him down. “you.. you humiliated me!”

“i know, i know — trust me, i know!” he grits his teeth, spinning on his heel in frustration before pacing back toward you. “you’ve got no idea, alright? i promise you, i’ve torn myself apart enough over this. just—” he strains, sucking in a shaky deep breath and forcing it out, trying to calm down. “i need you. okay?”

“oh really? how am i supposed to trust you?” you spit, venom in your voice. seeing him grovel at your front steps is oddly satisfying, even though the deep hurt in his voice is twisting your stomach.

“baby, look at me!” rafe drags his hands down his wet shirt, looking at you like a puppy dog stuck out in the rain. “i’m a fuckin’ mess without you. look, i—i took advantage of the situation, alright, i admit that. but i can’t breathe without you.” he stops, fidgeting anxiously as he waits for a response. you’re frozen, equally as shocked as him at his words. the anxiety gets the better of him and he steps forward, moving up the steps toward you. seeing your teary, red eyes stings in his chest. “c’mere, okay? let’s just — let’s just put this all behind us, right?”

“rafe—”

“nah, nah. it’s alright, c’mere.” he coos, and you kick yourself because you don’t back away, instead letting him come up on your porch and put his arms out for you. you blink up at him with your doe eyes, the sympathetic look on his face melting your defense. you just crumble into his arms, having been so desperate for him to comfort you exactly how he his now. “c’mon, there you go. you’re my girl. my girl.”

could you give him another chance?

⋆ ˚｡⋆ ᡣ𐭩 ⋆ ˚｡⋆

[eamour]

the way you manifest.

everybody has a different way of manifesting. some like to script, some like to affirm, and some like to just visualise their desires. however, some methods seem to work for some but don’t really work on others. why is that so?

the law of assumption.

now, the reason behind why everybody seems to have their own way of manifesting or why certain manifestation methods and techniques you cannot seem to be successful with can still ensure other people success is because of the LAW. once again, it's called the law of assumption — and it operates with BELIEF. what you assume or believe to be true, has to be true.

everything is an assumption.

in practice, this means that these methods and techniques seem to "function" well for some because they ASSUME that they will function well for them. on the contrary, the methods and techniques that you believe won’t help you manifest, eventually won’t help you. another example is that you might believe affirming might not work for you but works really good for others. the result: everyone can manifest with the use of affirmations except you.

no preassigned meaning.

it is important to not that with the law, nothing actually is the way it is and nothing is promised to remain the way it is… not unless you say otherwise. in this reality, things aren’t factual, forever or fixed. they don’t have any meaning attached to them. YOU give them meaning first.

the creator's rules.

if you know how the law works, you know that you can use it to your advantage. you can decide how you want to manifest by coming up with your own rules and correctly applying them. you can even influence the way a method or a technique will function for you. and not just methods and techniques! here are some examples for rules you could have:

rule one · i always manifest within 2 days.

rule two · manifesting is easy for me.

rule three · i can manifest even if i feel sad.

loopholes in manifesting.

now, what are loopholes in manifesting? a loophole is an ambiguity or inadequacy in the law or a set of rules, according to its official definition. in more simple words, they are subjective rules you have set up to simplify manifesting. you could almost say they are "cheat codes", coding the way you manifest.

you know, there are rules to manifesting. actually, there is only one: your assumptions create. for an assumption to manifest, you need to believe in it. now, i'm not saying you can’t have doubts, but there has to be at least a little belief in there, somewhere. now, see how i said "somewhere"? what i mean is that somewhere within the process of manifesting, there needs to be BELIEF.

1 · belief in assumption. you can believe in having your desire and manifest it.

2 · belief in method. you can believe that doing a method xyz times makes you manifest your desire.

3 · belief in self. you can believe that you always manifest your desires.

this is why many people who robotically affirm can manifest. they have the assumption that they either don’t need to believe their assumptions to manifest or that simply doing the method guarantees them their desire. other loopholes could be that only desirable thoughts of you manifest or that affirming once is enough for you.

the best way to manifest.

knowing all of this, it is clear to say one thing: there is no best or perfect way to manifest. technically, they are all the same. since manifesting is personal, it is your decision to decide which methods work for you or not, which techniques get you better or quicker results. and remember, all methods and techniques are all equally accessible to you. you don’t have to do anything beforehand. you don’t have to prove yourself to be worthy or deserving for a method to work for you. again, YOU are the creator.

manifesting is personal.

in conclusion, we all manifest similarly but still differently — and that’s alright! each one of us is an individual and the way we apply the law is personal. that being said, feel free to come up with your own rules! make the law work for you the way YOU would like it to and remain faithful to your rules. that way you can make manifesting a lot more easier.

with love, ella.

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[apas-95]

Is there a story behind China's one child policy that makes it not as horrifying as western media claims?

The defining feature of China's development for the past 70 years has been the urban-rural divide. In order to develop a semi-feudal country with a very low industrial level into an industrialised, socialist nation, it was necessary to develop industrial centres. To 'organically' develop industrial centres would have taken many decades, if not centuries of continued impoverishment and starvation, so programs were put in place to accelerate the development of industry by preferentially supporting cities.

Programs like the 'urban-rural price scissors' placed price controls on agricultural products, which made food affordable for city-dwellers, at the direct expense of reducing the income of rural, agricultural areas. This hits on the heart of the issue - to preferentially develop industrial centres in order to support the rest of the country, the rest of the country must first take up the burden of supporting those centres. Either some get out of poverty *first*, or nobody gets out of poverty at all. The result being: a divide between urban and rural areas in their quality of life and prospects. In order to keep this system from falling apart, several other policies were needed to support it, such as the Hukou system, which controlled immigration within the country. The Hukou system differentiated between rural and urban residents, and restricted immigration to urban areas - because, given the urban-rural divide, everyone would rather just try to move to the cities, leaving the agricultural industry to collapse. The Hukou system (alongside being a piece in many other problems, like the 'one country two systems', etc) prevented this, and prevented the entire thing from collapsing. The 'one child policy' was another system supporting this mode of development. It applied principally to city-dwellers, to prevent the populations of cities expanding beyond the limited size the agricultural regions could support, and generally had no 'punishments' greater than a lack of government child-support, or even a fine, for those who still wanted additional children. Ethnic minorities, and rural residents, were granted additional children, with rural ethnic minorities getting double. It wasn't something anyone would love, but it served an important purpose.

I use the past-tense, here, because these systems have either already been phased out or are in the process of being phased out. The method of urban-rural price scissors as a method of development ran its course, and, ultimately, was exhausted - the negative aspects, of its underdevelopment of rural regions, began to overwhelm its positive aspects. So, it was replaced with the paradigm of 'Reform and Opening Up' around the 1980s. Urban-rural price scissors were removed (leading to protests by urban workers and intellectuals in the late '80s), and the Hukou system, along with the 'one child policy', were and are being slowly eased out as lessening inequality between the urban and rural areas make them unnecessary. Under the new system, the driver of development was no longer at the expense of rural regions, but was carried out through the internal market and external capital. The development paradigm of Reform and Opening Up worked to resolved some contradictions, in the form of the urban-rural divide, and created some of its own, in the form of internal wealth divisions within the cities. Through it, over 800 million people were lifted out of extreme poverty - almost all of them being in rural areas - and extreme poverty was completely abolished within China. 'Extreme poverty' can be a difficult thing for westerners to grasp, wherein poverty means not paying rent on time, but to illustrate - many of the last holdout regions of extreme poverty were originally guerrilla base areas, impassable regions of mountainside which were long hikes away from schools or hospitals, wherein entire villages were living in conditions not dissimilar to their feudal state a century before. These villages were, when possible, given infrastructure and a meaningful local industry accounting their environment and tradition (like growing a certain type of mountainous fruit), or entirely relocated to free government-built housing lower down the mountain that was theirs to own. These were the people the 'one child policy' was aiding, by reducing the urban population they had to support. Again, there were exemptions for rural and ethnic minority populations to the policy.

Even now, Reform and Opening Up is running its course. Its own negative aspects, such as urban wealth inequality, are beginning to overcome its positive aspects. So, the new paradigm is 'Common Prosperity', which will work to resolve the past system's contradictions, and surely introduce its own contradictions in the form of chafing against the national bourgeoisie, as it increases state control and ownership of industry, and furthers a reintroduced collectivisation. Organising a nation of well over a billion people is not simple. It is not done based on soundbytes and on picking apart policies in the abstract for how 'dystopian' they sound. It is an exceedingly complex and interconnected process based on a dialectical, material analysis of things; not a utopian, idealist one. What matters is this: those 800,000,000 people now freed from absolute poverty. The things necessary to achieve that were, unquestionably, good things - because they achieved that. They had their negative aspects, as does everything that exists, but they were unquestionably correct and progressive things.

[river-of-wine]

I know I’ve mentioned this plenty of times before but I’m still kind of annoyed by how the fanbase just kind of completely declawed the four lords and placed the entirety of the responsibility for their wrongdoings on Mother Miranda.

The Baker family are great, I love them, they’re an incredible unit of antagonists who are intended to be very sympathetic, at least for the most part. Jack and Marguerite in particular have lost all control over their minds and their bodies, turning into extremely violent murderers and cannibals who threaten and attack their own family, kill anyone unfortunate enough to come across them and, especially in Marguerite’s case, lose complete autonomy over their own bodies. Marguerite turns into a walking bug hive who’s only purpose is to feed her family and birth her new children. Jack is an unstoppable murderous force of patriarchal violence who has so much fun chasing down and harming his victims, which in the Daughters DLC includes even his own daughter. The exception to this is obviously Lucas, who has been cured of his infection and his acting of his own free will. All of this is caused by Eveline, everything Jack and Marguerite do controlled by her, and yet Eveline is just as sympathetic as the rest of them. She’s a ten year old girl. Even Jack, who has watched his family and their victims suffer because of her infection, doesn’t seem to hold any of it against her. She just wants a family of her own, after all. It’s a complex and tragic situation.

The four lords, while I suppose being similar in structure, are not the Baker family. Not in dynamic, not in character, not in the kind of tragedy that they embody. I could talk for a while about just how completely different they are, but I don’t know if I really need to.

The Baker family are so tragic because they were just innocent bystanders trying to help a woman and a little girl they found in a shipwreck out in a storm. That’s the only reason they ended up in the situation that they were in. While the lords have similar origins, being victims of Mother Miranda’s experiments to bring her daughter Eva back, an important distinction between them is that in the case of the lords, all four of them are still acting of their own free will. Yes, Mother Miranda has undeniable power over them. She leads the cult they are part of, she has control over the village, she is their superior. However, I really dislike when every negative action by the lords is pushed onto her, as if the lords are not all grown adults who are for the most part acting independently of her.

With Alcina, she is the head of her own extremely brutal crimes. I think a lot of people have forgotten quite how horrifying the situations of the maidens are, possibly due to the prevalence shipping between Alcina and the maidens, and though we have minimal information what we do know is very frightening. Alcina uses her work force like livestock, draining them for their blood in a cellar full of horrific torture devices, and leaves their corpses to shamble around, armed and ready to attack any unwanted guests that have slipped out of the daughter’s clutches so that Alcina still doesn’t have to do her own dirty work, given how highly above everyone but Mother Miranda she appears to view herself as. While yes, Alcina does need human blood to survive, her methods are brutal, and none of this has been enforced upon her by Mother Miranda. Similarly to Jack on occasion, she takes a great deal of pleasure in hurting and attacking Ethan as he runs from her. Additionally, everything she does to Ethan is against Mother Miranda’s request. While yes, it is retaliation after he killed Bela, the part I often see people leave out is that Alcina is equally as upset that he entered her property and was attempting to steal from her, and she isn’t just after him to kill him.

Alcina has also been an active participant in aiding Mother Miranda with at least one experiment, considering that I’d how she got her daughters. While I’m sure her strong admiration for Mother Miranda and Mother Miranda’s power over her has absolutely had an affect in this, that’s not something I’ll deny, Alcina is still a grown woman and in her written entries about this shows no qualms about her participation in this. Her general attitude towards others, using young women as a good source and turning men into scarecrows, also leads me to believe that she does not exactly care who gets hurt or taken advantage of when it comes to her and Mother Miranda’s personal endeavours.

Donna and Moreau are the two more sympathetic people within the four lords, but they are not innocent. To start with Moreau, he’s desperate for Mother Miranda’s approval, as well as the other lords. He’s insecure and lonely, and he’s doing what he has been instructed by Mother Miranda when it comes to protecting the flask. However, he does also take quite a bit of joy in trapping Ethan in the reservoir and swimming after him with the intention to eat and kill him. Moreau though, given his conditions and circumstances, is the one I think is the least to blame for what he does.

Donna is hard to discuss because we know so little about her. Her parents are dead, as well as whoever Claudia was to her, she communicates through Angie and she can cause those who enter her house to hallucinate. According to Mother Miranda, Donna is severely mentally ill and that is what has made her an unfit vessel. I think a lot of people took this to mean that Donna is unaware of what she is doing, that the hallucinations she is showing Ethan are frightening, but after having been a fan of this game for years I just can’t agree with that anymore. Donna intentionally lures Ethan into her house with visions of his supposedly dead wife. Donna is going after fears she likely knows Ethan has, making him relive Mia’s death, take apart a mannequin of her, listen to her voice panic over something being horribly wrong with Rose, all building towards the horrifying baby that chases him through the house. There is no way Donna doesn’t understand how what she is showing Ethan is distressing, especially when you consider that, given how she can make herself appear and disappear at will within Ethan’s vision and that Angie is sitting in the hallways stationary and unspeaking, Donna was likely close by Ethan at all times and could see and hear his frightened reactions to what she was intentionally showing him.

Donna’s death is upsetting, but Ethan was not just chasing her down and killing her. Donna was attacking him, or at least she was controlling her dolls to do so. It’s still a hallucination, but Ethan doesn’t know that. When faced with a threat that is keeping you trapped and trying to end your life, you will likely try to get away or try to fight back, as Donna is doing to Ethan after he starts to attack her and Ethan is doing to Donna when he thinks his life is still in danger. I would also like to remind everybody that Donna communicates through Angie. What Angie is saying, that’s Donna. Angie doesn’t talk or move once she’s dead, it is Donna who controls her.

Lastly, Heisenberg. I think Heisenberg is the one of the four most entrenched in headcanons. Headcanons are fine, I am never in this post trying to suggest they aren’t, but my issue comes in when people use them to try and change the canon of the game. For example, it’s fine to believe that Heisenberg was experimented on by Mother Miranda as a child, but that isn’t canon. It’s fine to believe that Heisenberg mourned the deaths of his siblings, but that isn’t canon. The opposite is, with Heisenberg not viewing the cult as an actual family and being very openly mean to all three other lords, even Donna and Moreau who seemingly haven’t done anything to slight him. While his goal of killing another Miranda is a very understandable and sympathetic one given what she has done to him, using a six month old baby as a weapon and trying to bring her father into the mix only to try to get him killed when he denies him is not. I cannot overstate quite how little Heisenberg actually cared for Ethan and Rose’s safety when it came to his goal, and given that we are playing as Ethan, Rose is the priority.

Heisenberg has built an army of corpses he has presumably stolen and desecrated. This is kind of fucked up actually, and done completely independently of Mother Miranda. He also puts Ethan through a very dangerous lycan gauntlet before he even reaches the factory, which makes it even stranger to me that people seem to interpret Heisenberg’s deal as something that would have benefitted both him and Ethan and as if he ever had Ethan’s safety in mind.

All four of the lords have tragic aspects to them and there are definitely reasons to sympathise with all four. They’re victims of Mother Miranda, who knows they will all be killed. She wants them to be, giving her less to deal with by the time she has Eva back. They never meant anything to her. Not Alcina or Moreau, who were desperate for her attention. Not Donna, suffering from her unspecified but apparently severe mental illness. Not Heisenberg, who was seemingly her favourite creation. However, all of them are grown adults who do their own bad things independently of her.

And it’s fine to still like them. It’s fine for them to be your favourite character. It’s fine to have happy or nice headcanons about them or want to kiss them or be their friend or to want them to have survived. It’s fine to like characters who do shitty things. It’s to be expected in a game series like Resident Evil. It’s a horror game series. People are going to do bad things.

I just find it so boring when people take away all their bite. What makes a character like Lady Dimitrescu so fun it’s that she’s completely over the top. She’s campy and ridiculous, her castle layout makes no sense, she’s got three kids made of swarms of flies dressed like a set of goth triplets, she’s a lesbian who’s castle is full of naked statues of women, she turns into a big dragon and laughs maniacally while flying around and trying to eat you. She’s evil and it’s fun. It’s the same with Heisenberg. He’s a campy show off with a fun voice and a massive hammer he never actually uses. He can control metal. He looks like a cowboy. He pronounced Miranda in a funny way. He talks to you over an intercom while trying to get you killed. They’re fun and evil and they fight over who gets to kill Ethan like they’re two little kids. It’s absurd.

What makes a character like Donna so scary is that she’s silently working in the shadows, unassuming at a first glance and unseen for most of the time in her house. She is the least threatening of the four upon first glance, and yet she has undeniably the most frightening part of the game. Pretending as if Donna is completely unaware of what she is doing and babying her like she is an incapable child waters her down completely and takes away from the effectiveness of her character.

Villain characters are great! They’re very often the highlight of the story they are in, and they aren’t real! The four lords especially are often so completely exaggerated in what they do as well. It’s fine to like villains! It doesn’t make you bad! Characters can be bad people and you can still like them!

It’s just frustrating seeing a group of very fun and exciting villains, all designed with different aspects of horror, all over the top and campy and stupid and fun, all doing their own set of fucked up things, watered down to a set of poor innocent victims who have never done any wrong ever. If you want Jack and Marguerite, take Jack and Marguerite. Lady Dimitrescu loves killing and eating women and Karl Heisenberg turns corpses into soldiers. They’re bad people and they do comically exaggerated bad things. If you can’t stomach liking a character like that, horror is probably not the genre for you. Unless it’s Resident Evil 7, I suppose, but apparently tall women aren’t hot when it’s Marguerite Baker crawling on the walls.