#everyone has their own method that works for them

[alexanderlightweight]

Wednesday! Thanks to you this has become my favorite day of the week besides Fridays so, I wanted to ask for more of walls of adoration, claws of desperation, older Alec is so hot, HOTI indeed

it has been a bit but Wednesdays are still my favorite and so thank you for this prompt!! it has been so long since this fic I'm happy to finally get back to It I hope you enjoy

the other parts of this fic should be in this tag

<3 lumine

-

walls of adoration, claws of desperation

Alec looks at his latest text from Aline and sighs.

As fond of her as he is, Alec can’t trust her as much as she can afford to trust him.

Which means that Alec can’t tell her the real reason he isn’t returning to Idris despite his original plan to only be in New York for a few years at most.

That he accepted the summons to New York was for one reason alone and that was because it benefited him to oust his own family from power in New York.

However now he has another reason to stay, the reason he’s dug in and cleaned up the mess that was the New York Institute and that was simple.

It is because Magnus is in New York.

And so Alec will stay as long as he can with official orders, until that isn’t enough and then he will make his own way.

—-

Magnus caresses the ring on his finger, an elegant A that is glamoured to look like any other ring.

Except that this one was handcrafted for him by his Alexander.

A man who currently only has the power he creates and what a dynasty he is forging.

In the three years he’s been in New York, Alexander has raised the Institute to new levels of not only talent but professionalism. 

Magnus’ interactions with shadowhunters stay limited, but what he does experience fills him with pride.

Because everything is a result of Alexander’s work.

Hard work.

Work that keeps him from Magnus more often than it lets him close and three years later, they are no closer to revealing their relationship.

Oh, Alexander’s second certainly suspects they have something between them.

Magnus can tell from the way she is respectfully deferential to him in the rare times they’ve met, but what she doesn’t officially know the Clave can’t hold her accountable for.

Catarina and Ragnor know, of course.

They’ve met with Alexander enough that they’re familiar, comfortable with him in a way that pleases Magnus, but still.

Hiding their relationship wears on his boy.

Alexander hates denying their love, he would ardently proclaim that he belonged to Magnus. 

That Magnus was also his in return.

Alas.

They cannot.

Magnus loathes it but at the same time, he doesn’t share Alexander’s anger, mostly because the quiet relationship between them, hidden from prying eyes and cutting words, has been a balm.

It healed something in both of them and Magnus understands that Alexander is proud of what they’ve built together and wants to share it.  But the loathing of being a dirty secret hasn’t bothered Magnus in this scenario.

Because he’s a secret for his safety, as much as Alexander is equally kept secret from everyone whom Magnus does not trust with his very heart.

Alexander’s efforts have earned the Clave’s recognition, their praise and also their expectations.

It’s a heavy burden, especially because while Alexander doesn’t outright say it, Magnus also knows he gets a lot of grief for being ‘single’ and not having any of his own heirs yet. 

However, it will be their loss for Alexander will not be siring any heirs, or staying forever at the Institute.

Alexander has explained that he needs to achieve a sufficient level of notoriety among the other Institute’s so it will be harder for the Clave to pressure him. It’s working somewhat, especially since Alexander has also been cleaning up the Clave’s messes, methodically hunting down the remnants of the Circle and herding up the uncovered traitors for culling.

Magnus has been invited to several of Alexander’s less... sanctioned hunts.

The ones that have led them both deep into other territories, chasing shadows and patterns until they discovered an ugly truth that Magnus is infuriated, but not surprised by.

Valentine is alive and preparing for something yet the Clave will never admit it.

So Alexander is striking first.

Despite no longer being a trainer, Alexander visits as frequently as possible with Institutes across the globe. Portaling over for training sessions, weapon segments, strategy techniques and most importantly, common sense.

Many of the hunters Alexander takes on these trips are unbloodied.

They are born anew in ichor and blood and added runes of honor and Alexander sears them into their skin personally.

It leaves a mark on someone.

The touch of another's soul permanently marking your body lingers.

It’s a travesty, an intimacy with others that Magnus allows only because of the added protection it brings Alexander and the closer it lets them come to their shared goal of a solid future together.

Their relationship public, proud and known to the shadowworld.

Except... Magnus is beginning to wonder if he wants it to be known so loudly.

If it should be shared so very boldly.

If they should expose themselves so willingly to harm.

Alexander’s love isn’t in question.

Nor his devotion.

But his safety is and Magnus better understands why the rules regarding consorts are so stringent.

Because that’s what he wants Alexander to be.

His consort.

Immortal and bonded to him, bound to his side and life and magic... yet consorts are not paraded.

They are hidden.

Beloved.

Hoarded.

Some live hidden in plain sight, others donning personas throughout the ages but never are true identities shared at large.

It’s too great a risk for the warlock the consort is bound to. Because if you have a warlock’s consort, you have the key to destroy them or bend them to your will.

Magnus is powerful enough to taunt the world with the identity of his consort, but the question is does he want to?

Despite his enjoyment of the extravagant, Magnus finds himself longing to indulge himself in the bounty of Alexander and the comfort of home more than clubs and theatres. 

Magnus checks the date and sighs, at least three more days before Alexander will be available.

Then, Magnus will ask him.

See if it is the right time to reforge their plan because the one Magnus currently has spinning in his mind?

It has a much quicker timeline than their current route.

[guidonian-hand]

So essentially, Ethan kind of makes other people he interacts heavily with more like him; what that generally translates to is them becoming more hopeful, determined, bold, and compassionate. The most obvious examples of this are within the team:

Luther is generally more realistic and pragmatic, but he is increasingly optimistic as the films go on; it is Luther who insists that Ethan will do his part during the climax of Fallout, with no evidence but his knowledge of and trust in his friend.

Benji becomes more bold and surefooted about his place throughout the series. While some of this can be attributed to experience, I would argue Ethan's influence, especially considering how disheartening much of his field experience has likely been. This also heavily relates to the probably-a-headcanon-but-very-likely-idea that Ethan inspired Benji to pursue field training.

While there is less data for Brandt and Jane, it can be noted how working with Ethan restores their confidence after deeply traumatizing failures.

Ilsa is rather independent; she often acts in ways that are self-serving (not in a selfish sense, just in a practical one). It would be hard to imagine the same woman who left Ethan at least twice in Rogue Nation to sacrifice herself for a stranger (Grace) in DR, but considering Ethan's influence (as seen in Fallout where she helps them escape the club, fights off the Apostles in London, and save Benji in Kashmir), it makes a lot of sense.

You can even notice a shift in Hunley, as he goes from being dismissive of Ethan's methods to believing in them in Fallout, defending his choices both to Erica Sloane and to Ethan himself.

Paris is the most obvious example here; Ethan spares her life in Venice, despite having no real reason to beyond his own morals. Someone more ruthless wouldn't have thought twice about it. This leads to a change in her, one that she didn't even see coming, but the Entity did.

(Arguably, Lane is also changed, but in a negative way, and is the only example of this. RN Lane is calculating and terrifyingly calm. Fallout Lane is taking things personally, determined to make Ethan suffer, even if he doesn't fail. Ethan takes every mission personally, and now Lane does too.)

That being said, not everyone survives this change. Yes, Ethan is brave, loyal, unflinchingly hopeful, and recklessly compassionate. But he also has a near superhuman ability to survive impossible odds. Not everyone has this ability, and it gets them hurt, or even killed.

Paris is nearly killed for a compassion that she hasn't even recognized within herself. Benji helps Ilsa fight off Lane, nearly dying in the process. Hunley dies attempting to save Ethan from Walker. Ilsa dies defending Grace from Gabriel.

It is possible that Ethan recognizes something of this, at least in the sense of proximity->death. In Fallout, he feels a need to apologize to Julia for putting her at risk again after everything he'd already done to mess with her life. But she insists that his influence in her life was a good thing, and it's likely true. Erik credits Julia with encouraging him to leave his comfortable and successful work in a domestic hospital to help in more desperate conditions. Julia seems to credit this choice to Ethan.

I just think it's interesting how this pattern emerges throughout the films, of the life-changing effects of radical hope and kindness.

Anyone interested in hearing my thesis on how Ethan often makes people he meets more like him (and how they often do not survive this)?

[makenna-made-this]

I love you chickens and offer two of my own. Do you have any advice on how to improve my backgrounds? I have a lot of trouble with flowers and other plants, like the purple hyacinths in the first drawings?

all your BAWKtobers are so cute I love them

!!!!!!!!!! I'm so glad you are enjoying BAWKtober! It is the highlight of my year. And my goodness, these are lovely! Your choice of colors are so nice to look at, they feel like a soft place to rest your eyes.

Honestly, backgrounds have always been something I myself struggle with, and I don't know if that makes me more or less qualified to offer advice, but I can pass on what I have found helpful for myself.

1.) Start with something you LOVE. Trying to draw something you struggle with can already flick the little task avoidant I Do Not Want To Do This switch in your brain, so we are going to stack as many positives against it as we can in an effort to get our mindset as far away from This Sucks and I'm Not Doing It zone as we can, so: Start with something you love.

Are you passionate about nature and plants? Start practicing with nature backgrounds. Fascinated by roman architecture? We're gonna get drawing those pillars. Have a bunch of OCs that live in a fantasy setting and desperately want to be able to draw them interacting with the places you've imagined in your head? Get ready to get worldbuilding. If it's a subject you are already interested in it is going to feel significantly less like pulling teeth at the start than if you are stuck doing Boring Square House In 2 Point Linear Perspective (unless you love Boring Square House in 2 Point Linear Perspective, in which case, follow your heart).

I do this a lot with my BAWKtober drawings. I love drawing chickens and want to be able to have them interact in fun environments. The Chickens Part of the drawing are easy and familiar for me. It's something my brain is comfortable with. So I use it as a bit of a mental touchstone to keep myself skirting just shy of the This Sucks edge long enough to stay motivated on the background part of it.

Find your "Chickens."

2.) SIMPLIFY! Even complicated things are just many big and small shapes. Learn to break things down into their most basic shapes and use those as the building blocks to map out your background. Everything is Shape. Think Shape.

You don't have to get hung up on finer details right now. Those can come later. I did this with the rows of wheat field in my Harvest Moon prompt. Envisioned them as large blocks laid out next to each other. I mapped out shadows by darkening the sides away from the source of light (Big Ol' Moon Circle),

And after i got that base work i built off it with details (notice how you can still picture those shapes underneath it all). While this is by no means a Complicated background, the general method works for more intricate things too.

It's also helpful when trying to map out lights and darks. I do this a lot when I am trying to get a sense of depth and shadows for an environment:

Start with the really basic shapes. I like to imagine the background, middle ground, and foreground are all on different layers stacked atop each other facing the viewer (think those cut paper shadow boxes).

GENERALLY speaking, you are gonna have things closest to you be darker and more vibrant colored, and objects in the distance will be lighter and less saturated as they fade into the atmosphere. There are of course instances where this is not the case ( a background of a dense jungle or mouth of a cave may do the reverse, getting darker and darker the deeper you go, to show the lack of light and shadows that grow the further you venture from light) but it is a good rule of thumb when starting out, especially with landscapes.

Once you have that figured out, you can start slapping down more details~

3.) REFERENCES! I know everyone and their mother says this but it's true. The human eye and memory can be so, so faulty when trying to think back on how something looks. You might THINK you know, but when you try to sit down and draw it you sit there and have a 10min existential crisis (If you don't believe me, just try to draw a bicycle completely from memory. It's miserable).

So look at real things! Pay attention to the way your fav walking path curves over the hill on your walk home. Make note of how the distant skyscrapers on the outskirt of town fade into the soft pinks of the sunset much more the the stark, towering ones right outside your window. Look at cars and bushes spaced out in your local wal mart parking lot, take pictures of the flowers in your grandmother's window box. What's the simplest shape they can be broken down to and still be recognized? You are training your eye to see things in a new way and help you get good at positioning them in 3d space. Eventually, you will get better at this and won't need to reference things as often (but you always CAN. References are your friends!)

4.) Lastly, JUST DO IT!!!

JUST DO IT OH MY GOD JUST DO IT! JUST DRAW tHE BACKGROUND. I know, i know! It sucks and it's hard and it's not as fun as drawing the characters that you love and it might look bad at first but jUST DRAW IT BAD.

In the past i've spent so much time getting in my own damn way because I somehow get it in my head that there's some hidden knowledge or information or tutorial that i am missing, and if i wait until i Learn It i will finally understand the thing and Then i can go about learning it the "right way." Which is a wonderful way of shooting yourself in the foot before you even take a step.

It's really easy to get bogged down in the mindset of "i'm not good at this right now, so i have to wait til i Get Better so i can do it right" and this is Lies. This is the devil on your shoulder talking. This is the mind killer, and it is also a paradox. You want to get better at The Thing before you Do It, but you have to Do It to get Get Better. So you just do Nothing and then you feel bad 'cause you haven't moved anywhere.

So, just start trying. Pick something you love and let that carry you through the hard parts of the learning. Try not to care so much about how it looks at first. You are learning a new language, a visual one. If you get frustrated take a step back, or try drawing something else. Keep it simple, at least at first. And if you feel discouraged, remember i recently had a 10min existential crisis when i realized i couldn't remember how to draw an egg carton, which I see and hold in my hands every single day.

TL;DR DRAW IT BAD, BUT DRAW IT!

[spamtoon]

(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)

Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...

Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!

(She gets close, and squints her eyes.)

I know what you are.

Farewell, now!

(She then leaves the way she came from.)

(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)

And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...

(She looks down, continuing to laugh nervously.)

You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?

I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.

(The giggling resumes, lasting far shorter this time.)

Your brother's a piece of fucking barp, by the way

(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)

Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.

WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.

Oh i'm so fucking screwed. What kind of bitch gets filament fever

[shiftthemoon]

reality shifting isn’t hard. you’ve been told it’s hard because everyone’s too scared to admit it’s not. they cling to their 800-step methods, their must-have crystals, their perfect conditions because they think that if they let go of that control, they’ll fail. but here’s the thing: the more you try to control the process, the more you convince yourself it’s out of your control. and that’s the problem. that’s why so many people feel stuck. shifting isn’t some big, far-fetched thing. it’s just you. it’s always been you.

we’re conditioned to think we’re powerless. think about it—school, work, society, all of it drills this idea into us that everything has to be proven, earned, validated. so, when you hear about shifting, your brain freaks out and says, wait, wait, this is too easy, this can’t be real. and then you spiral. you overcomplicate it. you make yourself think you need the “perfect” script, the “right” subliminal, or that you have to meditate for three hours while the stars align perfectly. like, no… you don’t. all of that? it’s fluff. it’s noise.

at its core, shifting is belief. just belief. no, really, let that sink in. you don’t need to “do” belief perfectly. it’s not something you master through sheer willpower. it’s something you already have. you’ve believed in things your whole life. you believed in gravity without needing proof. you believe your favorite songs are beautiful without needing to explain why. belief is natural. it’s effortless when you stop overthinking it. that’s the energy you need to bring to shifting—trust. trust that your mind knows what it’s doing, and that if you let it, it will take you there. every single extra thing you pile on? the overthinking, the doubt, the need for guarantees? that’s what’s slowing you down. not the “lack of progress,” not some mythical “block”—it’s you convincing yourself it’s harder than it is.

and let’s talk about social media for a second. oh my god, the shifting community on social media… i get it. it’s comforting to see other people on this journey. but let’s be honest—how much of that content is actually helping you? like, really? 90% of the time, scrolling through shifting advice isn’t inspiring; it’s overwhelming. everyone’s got their own opinions, their own “best methods,” their own rules. one person says scripting is a must, another says it’s a waste of time. one person swears by affirmations, another says visualization is the only way. and before you know it, you’re sitting there questioning everything you thought you knew, wondering if you’ll ever get it “right.” spoiler alert: you already know how to shift. you don’t need a thousand voices telling you what to do. in fact, the more you listen to them, the harder it becomes to hear yourself.

take a break. seriously. log off the apps. give yourself space to breathe and think. ask yourself: why do i want to shift? what’s stopping me? what feels right to me? no tiktok trend, youtube guide, or reddit post can answer those questions for you. only you can. and i know that sounds scary. we’ve been conditioned to think we need external validation for everything, but shifting is a deeply personal thing. you don’t need a step-by-step tutorial. you need to trust your instincts. that’s it.

and let me be clear: i’m not saying methods or subliminals are bad. they’re fine if they help you feel aligned. but they’re not what makes shifting happen. you are. methods are just tools. if you use them, great. if you don’t, that’s great too. because the truth is, shifting isn’t about doing things “right.” it’s about letting go of the idea that you need to.

so let me break it down for you. the only things you really need to shift are:

1. a desire. you have to want to go to your desired reality. no brainer, right?

2. belief. this is the big one. you have to trust it’s possible. no “what ifs,” no “but hows.” just trust.

3. persistence. if it doesn’t happen right away, that’s okay. don’t give up. if you’ve ever learned to ride a bike, you know that falling doesn’t mean you can’t do it—it just means you’re learning. shifting is the same.

that’s it. no fancy rituals, no endless research, no “perfect” conditions. the process is simple because it’s natural. you’ve probably done it before without even realizing it— the only reason it feels hard now is because you’ve convinced yourself it has to be.

stop making it harder than it needs to be. shifting isn’t this unattainable, mystical thing reserved for “chosen ones.” it’s something anyone can do. you can do it. your mom can do it. that anti-shifter lurking in every crevice of shiftblr could do it. you’ve always been capable. but you have to stop getting in your own way. stop doubting yourself. stop relying on others to tell you what’s possible. this is your journey. own it.

and above all, be patient. shifting is not a race. it’s not about how fast you can get there or how perfect your dr is. it’s about trust, intention, and focus. log off, tune into yourself, and let it happen. shifting has always been yours to claim. it’s not something you need permission for. it’s not something you need to earn. it’s just you, your mind, and your belief. always has been, always will be.

[sheeezu]

What to do if you have not shifted for +++years

(Most of my anons were along the lines of this same issue, I want to make a common post for them. I won't be telling you "you're already there" or "persist" I'm going to have a heart to heart conversation with your mental health in mind, this will be a long post)

First and foremost I have to say, this post is very heavily opinion-based. Alright, I'll divide it into topics, and two categories: before shifting and during shifting.

Before Shifting.

Determining the laws of your reality.

This is where you've got to do most of the work. (Don't worry, it won't be 7 hour subliminal listening sessions) now let's present a very important note: I don't know who you are. But most importantly I don't know what you believe in. Shifting isn't a known set of rules, Shifting doesn't have a single method, it does not have a wikihow page. Everything that exist is because of you. Therefore there are differences in my reality and yours. What you believe in is acting out in reality. LITERALLY.

So first you need to ask yourself some questions, with full honesty, oh and don't apply the thoughts you have by certain reprogramming affirmations, don't force yourself just because you have to persist.

"What am I?" What do you believe you are? Currently, are you a soul, a human? Or you something greater, seek within yourself to answer what you believe.

"What is reality?" How is everything working around you? Why are you here.

"Who is in control?" Who makes you shift. Who or what makes everything happen.

"How to shift?" Self explanatory. If you write with utmost truth on what you think shifting is like and when and how it happens; you'll basically have the code of how reality works for you.

Relax.

After you've gathered your research sheets. Take a breath, since you've got all the answers you need. Now, close your eyes, whenever you like. Imagine a serene atmosphere, for example, sharp sunlight falling on your skin, warming you up, or the rain droplets drowning your senses, as you run across a forest. Tell yourself, "this is what shifting is" , and "I've shifted." That's all it is. You feel some you get some.

Some important realizations,

• Time is not linear.

• Failure is a perception.

• You're not beneath anyone.

• You don't need to prove yourself to anyone.

• you'll survive, you'll be alright.

Don't. Kidnap. Yourself.

The title sounds weird, but it is regarding heavily applying the principle of assuming until you have it, to EVERYTHING. Idc if people come after me. I don't want anyone to suffer by stamping their foreheads with "persist!" Even if it works. I love loa, until it crosses over into toxic positively. Don't just put yourself in a coffin; don't become a prisoner to your thoughts! Don't make it feel like there's an angry witch in your mind, who will scream at you if something goes wrong, the problem is! Something might go wrong and you'd end up highlighting the idea that you are being forced to assume against something. Don't feel forced. Simple. (You can still use loa, if you like)

Declutter your mind.

I said it before. and @ilovecatfr explained this here, there's so much in your mind. I can tell. Each and everyone has their own unique spin on shifting. That's great and they put out advice to help people, similarly you... also have it within you. Afterall, these bloggers, big well written and decorated posts are the projection of your assumptions. I'd like to say, majority of the bloggers are kindhearted with the aim to help others. Although for some, you being desperate in their asks is an ego boost, nothing is wrong with feeling good about yourself for your knowledge, but you the person at the other end of this screen, are not a pawn, not just another anon, alright? you know how to shift, look back at what your answers were to the questions.

Control your emotions towards this reality.

I've always wanted to discuss this. Emotions are the puppeteers of this show. They're a grounding mechanism of any reality. If you feel something deeply, you're angry at circumstances you form an attachment to this reality, it keeps you here. Think about what happens to a person when they get disassociation. Similarly belief + emotional investment = reality. Its a code. I can confidently say anyone who has not shifted (... not targeting anyone, genuinely trying my best to help; ty ty back to the text) is because they're giving too much emotional importance to this reality. This can be in the form of stressing that you have not shifted, being worried that you're not in your dr, putting much focus on the "What ifs" of if you wake back in this reality.

But we can't just go BLANK. we're still humans who feel deeply (for now huehue) so what's the solution to this non-issue? Direct these feelings towards your destination, your intended reality! This would mean feeling like your dr self, if you're experiencing negative emotions you can last second convert them to any scenario related to your dr, emotional investment there pays well, here? It just wastes time.

Don't let feelings get the best of you and keep you here; you're their creator after all.

(Optional) Create a homey dr.

This comes from personal experiences. If I don't mention this I won't be completely open with each one of you. I shifted through intense love and reverence for my home. I knew that each and every second spent in this reality led up to me shifting to my home.

So for ease later on when you can't decide between drs, it'll be comforting to have a reality you can call home and choose over and over again.

Rewire.

This is where you come back to what you answered to the questions. Do you like your response? A human is living in a reality, and your answers are the universal law there. Will they have an easy time with shifting? If you think so, then choose to not do any "rewiring" and act upon the answers you wrote, shifting in accordance to them as they have become the pillars of your reality. If you think the person's reality's laws regarding shifting are complicated, then you can choose to rewire them. This can be a simple manifestation. As it has no basis in the 3D yet, you will manifest it within seconds. You can either write it down, listen to a subliminal, or simply think of the new beliefs in your head (eg "I shift in seconds") and let go. Stop.

(Severely optional) strive for spiritual awakenings

*shrugs* I thought I should mention based on personal experience.

During shifting.

Confuse your logical brain

You don't have to give it validation. Instead, just make it unable to predict the next move of it creator. Its built to look at everything with skepticism.. but it has nothing when you don't give it the chance. For example, the anti method by @hrrtshape is the best example. I like that you can do this, pre-method like a little warm up. (You can also manifest to not think logically)

Know your game

To act like you're in a battle field is not the way to shift. You don't have to give the actual practice of shifting much or any importance. You know how to shift, then why is there a need to have plan B's and checking your own environment? You are the commander in front, you're the one switching the reality, your reality is not the one switching.

Senses shift last

Explained by @stilljuststardust here.

Be blind and deaf to each and everything other than your intended reality

...and be so obsessed with your intended reality. Live out entire days, you're there, no, time is not passing by, the previous reality has disappeared by your hyperfixation on your intended reality. Ever done that exercise where you stare at a dot for so long, everything around it disappears? Well then, EXACTLY. Make it dissapear. Make it dissappear by not giving it any more of your energy. ....how I shifted. This is based upon being your dr self, that's snatches away the spotlight from this current reality.

Keep yourself comfortable

All of you are experienced enough to know, you don't need to lay in the starfish position. But remove the unnecessary thought that if you dare move your finger you might mess up the whole attempt (This is a subconsciousness belief) here's how to not worry about your 3D: again, senses shift last, Your current reality = intended reality.

It is about breaking free from human functions

Your software is set to being an earthly human. This is why acting like your current reality (the noises from the environment, physical annoyances) are from your intended reality, helps. This allows you to trick your human brain and move forward. The more you try to make sense of shifting, the more less it'll make sense. You don't have to know everything about shifting. The point is to be awfully natural about it. Just like how you wake up in this current reality without any requirement. You don't overthink it, then why overthink shifting.

Hope I cleared everything, I spent 5 hours on this post. If anything is not clear, please send in an ask, I am 100% avaliable to answer anything amiss.

Now let's see how much time I take to actually make this post aesthetically pleasing, so people don't have to bleach their eyes or ruin their blogs with this.

Dedicated to @lilyblairkinda who gave me this idea, once.

[reiding-writing]

cold!reader used to work with VCAC? the idea that she's good with children despite just hating everyone is so funny to me

would you consider writing a fic where the BAUs main witness is a kid and cold reader is the only person to get through to them? and then the kid becomes like super attached and the rest of the team is just like 'hm, strange' because they never expected her to be good with kids? thank you!

𝐭𝐡𝐢𝐫𝐭𝐲-𝐬𝐢𝐱 𝐡𝐨𝐮𝐫𝐬.

A family annihilator who's killed three families in two months makes a fatal mistake. He leaves behind a witness, a child, and she's the only one that can help solve the case.

s10!cold!reader ❅ 10.0k ❅ series masterlist. ❅ main masterlist.

CW | typical criminal minds violence, violence against children, mentions of trauma and ptsd, you do not know how tempted i was to kill this child but i didn’t

The scent of burnt coffee lingers in the air, mingling with the sterile chill of the air conditioning.

The conference room is dim, the overhead lights casting a dull glow against the crime scene photos spread across the table. Three families, their faces smiling in old photographs, juxtaposed with the horror of their final moments.

You sit stiffly in your chair, arms crossed, watching as Hotch stands at the head of the table. His expression is unreadable, but the tension in his shoulders speaks for itself.

The team is silent as he clicks to the next slide on the projector, displaying the most recent crime scene. Blood splatters across beige carpet. A broken picture frame. A child's shoe, left in the doorway.

“This is our unsub's third family in six weeks,” Hotch says, his voice steady but heavy. “All killed in their own homes, in the middle of the night. No signs of forced entry, no clear connection between the families. Each time, he’s managed to evade security cameras and forensic evidence. He’s methodical, careful, and fast.”

“Spree killer tendencies, but controlled,” Spencer interjects from across the table. His fingers drum against the tabletop as he speaks. “He escalates quickly, but there’s no erratic behaviour at the scenes. He’s not disorganised—he knows exactly what he’s doing,”

“Until now,” JJ murmurs. She leans forward, her brows drawn together, eyes fixed on the next image—a little girl. The survivor.

She’s small, her arms wrapped tightly around her knees, pressed into the corner of what looks like a hospital bed. A police officer stands nearby, talking to her, but there’s no recognition in her eyes. She looks… empty.

“She got away,” Emily says, glancing at Hotch. “How?”

“The unsub killed her parents and older brother before she managed to escape through a back door,” he explains. “The neighbours called 911 when they heard screaming. By the time officers arrived, the house was quiet, and the suspect was gone. She was found hiding in their backyard shed.”

“A survivor,” Morgan says, shaking his head. “That changes things. This guy has a pattern—he wipes out the entire family unit. That means she wasn’t supposed to make it out alive,”

“Which means he might try again,” Rossi adds grimly.

A beat of silence. The weight of the statement settles over the room like thick fog.

“Local PD has had no luck getting her to talk,” Hotch continues. “She hasn’t said a word about what happened. Refuses to answer questions. She’s traumatised, barely verbal, and right now, she’s under police protection until we can confirm if she has any extended family who can take her in.”

You shift in your seat, already sensing where this is going. A slow dread creeps up your spine as Hotch’s gaze flickers toward you.

“We need to get through to her,” he says. “She’s the only witness we have, and if the unsub left anything behind—a name, a face, a detail—she’s the only one who can give it to us.”

His words hang in the air for a second too long. You feel everyone’s eyes move toward you.

And then Hotch says it.

“I want you to talk to her.”

You inhale sharply, jaw tightening. "Hotch—"

“You have a PhD in Psychology,” he cuts in smoothly, as if he already anticipated your pushback. “And your time in VCAC makes you the most qualified person here to work with child victims.”

The mention of VCAC makes your stomach twist. You fight the urge to grimace.

“I moved to the BAU for a reason,” you remind him, keeping your voice measured. “Children can be… difficult. Especially ones dealing with trauma this severe. She’s not just going to start talking because I ask her to.”

“I know,” Hotch says. “But if anyone can get her to open up, it’s you.”

Silence stretches between you.

You don’t want to do this.

You hate working with kids. Not because you don’t care, but because they feel too much.

They cry, they panic, they cling, and their emotions are messy—unpredictable in ways adults rarely are.

You spent years in VCAC, watching helpless children break apart under the weight of their own trauma, and it wore you down in ways you never admitted.

That’s why you left.

You’re not the nurturing type. You don’t coddle, you don’t reassure with empty promises, and you don’t have the patience for endless sobs and incomprehensible explanations.

And yet.

You glance at the image of the little girl again. She looks so small. So completely alone.

No one else in this room is going to be able to reach her. And if she doesn’t talk, if she doesn’t tell you what she saw—

The unsub will keep killing.

You exhale slowly, forcing the tension out of your shoulders.

“Fine,” you say finally. “I’ll do it.”

“Good,” Hotch nods. “Wheels up in 30.”

The meeting disperses, chairs scraping against the floor as the team gathers their things. You stay seated for a moment, staring at the blurred-out image of the girl on the screen.

A hand brushes against your arm.

You look up to see Spencer standing beside you, concern flickering in his eyes.

“You okay?” he asks softly.

You almost say yes, but stop yourself. Instead, you shrug.

“It’s just… not my favourite thing to do,” you admit, voice quieter than usual.

He nods, as if he understands. Maybe he does.

“You’ll be good at it,” he says. No hesitation. No doubt. Just quiet certainty.

For some reason, that makes your chest tighten.

You swallow, push back your chair, and stand.

“Let’s hope so,” you mutter, grabbing your case file.

And then you follow the team out the door.

—

The jet touches down in Minnesota under a dull, overcast sky, the kind that promises rain but never quite delivers. The air outside is biting, cold enough that you pull your coat tighter around you as the team steps off the plane.

The local PD is already waiting for you on the tarmac, their unmarked cars idling, exhaust curling into the frigid air. Hotch exchanges quick introductions, then splits the team without hesitation.

“Rossi—you’re with me at the latest crime scene. JJ, you’ll work with the department’s media liaison to handle the press. Morgan, Prentiss, you’re going to the ME’s office to go over autopsy findings.”

His gaze lands on you. “You’re going to the station to talk to the girl.”

You nod, ignoring the way your stomach tightens at the assignment.

“I’ll go with her,” Spencer says, stepping forward.

Hotch gives him a brief look, then nods. “Keep me updated.”

You don’t say anything as you and Spencer break off from the group, climbing into the backseat of a waiting squad car. The officer driving doesn’t speak much, just gives you a curt nod before pulling out onto the highway.

You spend the drive flipping through the case file, rereading the details you already know.

The survivor’s name is Madelyn Carter. Eight years old. No prior history of abuse or neglect. No suspicious activity leading up to the night of the murders. A completely normal kid—until the night she lost everything.

The police reports are frustratingly sparse. Non-verbal. Unresponsive to questioning. Won’t engage.

You tap your fingers against the file, jaw tight. She’s just a child, but already, you can feel the weight of the challenge ahead of you.

The police station is small, tucked into a sleepy suburban district, the kind of place that probably never sees much worse than drunk and disorderly charges.

But today, it’s buzzing with quiet tension.

You and Spencer are led to a small interview room at the end of the hallway. The walls are a washed-out shade of blue, meant to be calming, but the effect is ruined by the harsh fluorescent lighting.

And there, curled up on a chair too big for her, is Madelyn.

She’s impossibly small, arms wrapped around herself, knees drawn up to her chest. Her hair is tangled at the ends, her clothes a size too big, probably donated by someone at the station. A stuffed rabbit sits limply in her lap, its fur worn and patchy.

She doesn’t look up when you walk in.

The officer standing in the corner—a middle-aged woman with tired eyes—gives you a look that’s equal parts sympathy and frustration.

“She hasn’t said a word since we brought her in,” she murmurs.

You nod, but your focus is on the girl.

You know better than to overwhelm her right away, so you take your time settling into the chair across from her. No sudden movements. No clipped, authoritative tone. Just careful, deliberate quiet.

“Hi, Madelyn,” you say gently.

She doesn’t acknowledge you.

That’s fine. You expected this.

You shift slightly in your seat, keeping your posture relaxed as you introduce yourself to her. “I’m a Doctor, I’m going to try and help you,”

Still nothing.

You glance at Spencer, who watches the interaction closely, hands tucked into the pockets of his cardigan.

“That’s a nice bunny,” you say, nodding toward the stuffed animal in her lap.

Madelyn doesn’t respond, doesn’t even flick her eyes toward you. She just tightens her grip on the rabbit, her small fingers curling into its worn fur.

You exhale slowly, adjusting your approach.

“I used to have one kind of like that when I was little,” you continue, keeping your voice soft, conversational. “Mine was a bear, though. His name was Theo. I took him everywhere.”

Nothing.

Not surprising, but frustrating nonetheless.

You lean back slightly in your chair, glancing at Spencer, who watches the exchange with quiet patience.

“You’re good at this,” he murmurs under his breath, just for you to hear. “Just be patient,”

You barely resist the urge to roll your eyes. “She hasn’t said a word, Spencer.”

“That doesn’t mean she’s not listening,”

You don’t respond, but his words linger in your mind as you turn back to Madelyn.

She’s still curled up, still silent, but you notice the way her fingers twitch slightly against the rabbit’s ear. It’s a small movement, but it tells you one thing, she’s aware of you.

That’s something.

You decide to change tactics. Instead of talking, you lean forward, resting your arms on the table between you. Then you take out your notepad and a pen, clicking it open.

Madelyn doesn’t look up, but you catch the smallest flicker of movement in her posture—curiosity.

Good.

You start to doodle. Simple things. A flower, a star, little patterns in the margins.

Still nothing from her.

But when you glance up a few minutes later, her eyes are on the notepad.

Just for a second. But she was looking.

You resist the urge to smile. Instead, you gently slide the notepad across the table toward her, placing the pen on top.

“You can draw something, if you want,” you say simply. “You don’t have to, but sometimes it helps.”

Madelyn doesn’t react immediately. But then, slowly—so slowly—her fingers twitch again, and she reaches out.

She doesn’t grab the pen. But she touches it.

Your heart stutters slightly in your chest.

Progress.

You let her take her time. You don’t push, don’t rush. You just watch as her tiny fingers trace the edge of the pen absently.

You glance at Spencer again, and his expression is warm. Encouraging.

After a long silence, he speaks, his voice gentle.

“Do you like stories, Madelyn?”

She doesn’t answer.

But after a moment, she nods. Barely. But it’s a nod.

You share a look with Spencer, and for the first time since walking into this room, you feel the smallest spark of hope.

She’s in there.

You just have to find a way to bring her out.

—

You don’t know how long you sit there, watching Madelyn’s fingers trace absent shapes against the edge of the pen. Time moves strangely in moments like this—slow and thick, like wading through molasses.

Spencer stays quiet, offering his presence but not overwhelming the space. You appreciate it more than you’d ever admit.

Madelyn doesn’t speak. But she nods. And she touches the pen.

That’s more than you had ten minutes ago.

So you build on it.

“You like stories,” you say, keeping your voice soft. “What kind of stories?”

No response.

You lean back slightly. “I like mysteries.” A pause. “Not the scary kind, though. More like… puzzles. Things that make you think.”

Nothing at first. But then—so subtle you almost miss it—Madelyn shifts. It’s small, just the faintest movement of her shoulders, but it’s acknowledgment.

Encouraged, you try again.

“I think you might be really good at puzzles,” you say casually. “The way you were looking at my drawings earlier—that was you figuring things out, right?”

She still doesn’t answer, but this time, you catch the way she avoids your gaze, like she’s fighting the urge to react.

She’s engaged. Even if she won’t admit it yet.

So you take another risk.

“Do you want to play a game?”

That gets her attention. Not fully, but her head tilts just slightly—like she’s listening more closely.

You grab the notepad again, flipping to a fresh page.

“It’s really simple,” you tell her. “I draw something, and you guess what it is. If you guess right, it’s your turn to draw something for me.”

You don’t expect an immediate response, so you keep moving. You draw a cat. Just a simple, messy sketch, the kind a kid might do. Then you slide the notepad back toward her and wait.

Silence.

You don’t push.

Then, after an agonising pause—Madelyn reaches for the pen.

She doesn’t say anything. Doesn’t look at you.

But she writes one word in the space beneath your drawing.

Cat.

Something in your chest unclenches.

“Yeah,” you say, voice even softer than before. “It’s a cat.”

Madelyn’s fingers tighten around the pen.

Then—hesitant, almost reluctant—she starts to draw.

It’s shaky, unsure, but after a moment, you recognise it.

A rabbit. Her stuffed animal.

You don’t rush to answer. You let the moment sit, giving her control.

Finally, you say, “Is it your bunny?”

Madelyn nods.

Not small. Not hesitant. A real, full nod.

Your breath catches. Spencer’s posture shifts beside you, like he can feel the significance of it, too.

You’ve got her.

—

It takes another hour before she agrees to talk.

You don’t push her. You keep playing, keep gently pulling her out of the dark space she’s been locked in. She tells you her bunny’s name is Milo, that he’s red because it’s her favourite colour, about things that don’t hurt to answer.

She tells you her friends call her Maddie. You ask if you can. She agrees.

And slowly, carefully, she leans into it.

Finally, when the moment feels right, you set your pen down.

“Maddie,” you say gently. “I need to ask you about what happened that night.”

Immediately, she shrinks in on herself.

You don’t reach for her. Don’t move too fast.

“I know it’s scary,” you continue. “And I know it hurts to think about. But you’re the only one who knows what he looks like.”

Her grip on Milo tightens.

You lean forward slightly. “I want to stop him,” you say. “I don’t want him to hurt anyone else. But I can’t do that without your help.”

She’s trembling. But she’s listening.

Spencer speaks for the first time in a while, his voice quiet but steady.

“We can do it in a way that’s not so scary,” he tells her. “You don’t have to remember everything at once. We can do it piece by piece, and you can stop whenever you want.”

Maddie hesitates.

Then, after a long, agonising pause—she nods.

You take a slow breath.

“Okay,” you murmur. “Let’s do this together.”

—

The cognitive interview is exhausting. For her, for you, for everyone in the room.

You guide her through it carefully—asking her to picture the house, to focus on what she remembers before things got bad.

She whispers about the TV being on. About how her brother was playing a game on his tablet. About how her dad was in the kitchen, and her mom was upstairs.

Then—the noise.

Something breaking.

Screaming.

Maddie shakes violently, curling in on herself, and you immediately pull back.

“It’s okay,” you say quickly. “You’re safe. You’re here with us.”

She nods, but her breath is coming too fast, her body trembling too much.

Spencer places a gentle hand on your arm, meeting your gaze. You understand what he’s asking. Back off. Give her a moment.

So you do.

You wait.

Finally, she whispers, “He—he was big,”

You go still.

She’s talking about him.

You nod encouragingly. “Okay. Big. Can you tell me anything else?”

A shaky breath.

“H-he had a�� a hat.”

You glance at Spencer, who’s already jotting this down in the case file.

Maddie’s voice is barely audible.

“I think it was red.”

Your heart pounds.

Piece by piece, she tells you more. His height. His clothes. A scar on his arm.

By the time she stops, she’s crying.

You reach forward, gently—so gently—and brush a piece of hair from her face.

“You did so good, Maddie,” you tell her. “So, so good.”

She hiccups, her tiny body wracked with exhaustion.

And then—before you can react—she throws herself into your arms.

You freeze.

You’re not the nurturing type. You don’t know how to do this.

But right now, this kid trusts you in a way she doesn’t trust anyone else.

So you let her cling.

You let her cry.

And for the first time in a long time—

You don’t pull away.

—

The interview is over, but somehow, it feels like the work is just beginning.

Maddie doesn’t leave your side.

Not even for a second.

You’d thought that once the interview was done, you’d be able to hand her over to someone else—maybe the police, or someone from her extended family who was supposed to arrive soon. But instead, Maddie just… clings.

After the interview, she refuses to let go of your hand. You try to tell her she can go with one of the officers to get something to eat, but her grip tightens.

When you tell her it’s time for you to go back to work, she just looks up at you, her eyes wide with that quiet, vulnerable desperation that makes you want to soften, but you can’t.

Her tiny fingers dig into your sleeve when you stand, like she’s afraid you’ll disappear.

You can’t blame her.

You’ve been the one who’s been there for her, the one who’s gotten her to speak, the one who’s made her feel safe for the first time in days.

But the child is persistent.

Everywhere you go, she follows. To the small break room where the team is gathering, to the bathroom when you briefly step away, back to the conference room where they’ve gathered for a case update.

She’s your shadow now.

And the team notices.

You try not to make it awkward, but it's impossible when she insists on sitting at your side, her tiny body almost engulfed by the chair next to you. Her stuffed bunny sits in her lap, its fur nearly as frayed as her nerves, but she holds it tightly. It’s like her last link to some semblance of safety.

Morgan raises an eyebrow as he walks in. “I thought we were done with the interview?”

“We are,” you say, keeping your tone neutral. “She just… she doesn’t want to leave me.”

No one teases you—at least, not directly—but there’s a quiet amusement in the air as they all take in the sight of Madelyn curled up in her oversized chair, the edges of her blanket practically touching the floor, with you sitting across from her.

Hotch is the only one who doesn’t seem particularly surprised. He’s worked with children before—he knows how attachment works, especially after trauma.

But the others? They’re bemused.

JJ glances over at you as she sips her coffee, a smile pulling at her lips. “She seems to have taken quite a liking to you,”

You tilt your head, barely acknowledging her. “I’m just doing my job.”

Maddie, of course, doesn’t let go of you, even as the case discussion begins. She stays glued to your side, her small hand clutching the sleeve of your jacket, her eyes darting from one agent to the next as they go over the details of the unsub’s pattern.

You keep your voice even, answering questions when necessary, but it’s becoming increasingly hard to focus when you feel the weight of her gaze fixed on you, like she’s waiting for something.

Spencer notices.

He’s been watching the whole scene unfold with quiet fascination, his arms crossed, his head slightly tilted, like he’s trying to puzzle out the situation. Finally, when the meeting breaks up, he sidles up next to you as you get ready to leave the conference room.

“She’s really latched onto you, huh?” he says, his voice low, but the smile tugging at his lips is evident.

You glance at him, your expression unreadable. “It’s nothing. Just transference.”

“Uh-huh.” He doesn’t believe you, but he doesn’t push.

Maddie hasn’t let go of you once during the discussion, and now that it’s over, she’s still following you around, pressing close to your side as you move toward the exit.

“Are you hungry, Maddie?” you ask her gently, glancing down at her with a touch of exasperation. “You haven’t eaten, and I’m pretty sure there’s a café close to here.”

Her head nods almost imperceptibly.

Spencer watches, his eyes softening slightly as he observes the quiet bond that’s developed between the two of you. It’s not obvious at first—just the way the girl clings to you like you’re the only thing tethering her to some kind of reality.

“Maybe we can grab lunch,” he suggests, his tone more teasing than anything. “I mean, you’ve earned it. Getting the kid to open up like that? Not easy.”

You roll your eyes, though there's no malice behind it. “I’m just doing what needs to be done.”

“You’re good at it.”

You mutter something under your breath about it not being a permanent situation, but Spencer just chuckles.

He walks with you as you lead Maddie toward the small café a few blocks away. As you cross the threshold of the restaurant, you notice the oddity of the whole situation.

It’s strange to have someone at your side like this. A small, vulnerable child who insists on being with you despite everything that happened.

The waitress gives you an odd look when you request a secluded booth, but she doesn’t say anything. You slide in, Maddie immediately beside you, her fingers still clutching your sleeve.

Spencer orders for everyone, giving Maddie a soft smile as he does. You can’t help but notice the way his expression softens around her.

“She seems to like you,” Spencer comments as you sit, his voice light but carrying a certain warmth.

You cross your arms and shoot him a glance. “What can I say? I’m just a magnet for clingy children.”

Spencer laughs quietly, but it’s warm. “You’re good with her. I think she feels safe around you. And you are good at what you do.”

“Thanks,” you mutter, but there’s something unsettlingly genuine in your voice.

Spencer raises an eyebrow, but he doesn’t press you. Instead, he changes the subject, discussing the case with you as if nothing’s out of the ordinary.

But in the back of your mind, you can’t shake the feeling that something has changed.

As you eat, Maddie picks at her food, her gaze flickering from you to Spencer and back again. She looks at you with a certain familiarity, like she trusts you completely, like you’re the one person who’s made her feel safe in the whirlwind of everything that happened.

After a while, she speaks.

“Are you boyfriend and girlfriend?”

Your fork stops halfway to your mouth. Spencer looks at you from across the table, just as surprised.

You freeze. How do you explain the whole weird mess that is your and Spencer’s relationship to an eight-year-old? How do you explain the not-together-but-kinda-together situation that doesn’t even make sense to you half the time?

So you side-step the question.

“No, sweetie,” you say, “Not quite.”

Maddie doesn’t seem disappointed by that answer. She just nods, although a little confused.

You glance at Spencer, who’s trying to hide a smile behind his cup of water.

“It’s okay to be curious,” he tells her gently.

You roll your eyes and take another bite of your food. “It's just complicated,”

Maddie shrugs, her focus shifting back to her plate. She doesn't press any further, and for a brief moment, you almost feel normal again—just two adults eating lunch with a kid. Like a proxy family.

But normal doesn’t last long. The reality is that she’s still attached to you, and you're still the one she turns to. For now, at least.

And despite all your reservations, there’s a part of you that’s starting to understand why.

—

The evening sets in with an oppressive stillness that mirrors the tension in the air.

Maddie has been tucked into a small cot, an officer stationed outside her door to ensure her safety. She’s asleep now, her face still flushed from the day’s events, her small form curled tightly under the blankets. The moment she closed her eyes, a quiet kind of peace settled in the room, but the unease in your chest hasn’t subsided.

The case isn’t over. Not by a long shot.

The team has reconvened, sitting around the large conference table in the BAU’s temporary Minnesota office. The maps, photos, and notes are all spread out before you, the room filled with the usual quiet hum of focus.

They’re all working with urgency now—calculating, piecing together information, and drawing conclusions. But none of them, not even Hotch, seem willing to speak the one truth you’re certain of.

Madelyn is in danger.

It’s only a matter of time before the unsub comes back for her.

“Based on the pattern,” Hotch begins, his voice steady, “we can assume the unsub is going to strike again. He’s methodical. The way he works suggests he’s already been planning this next move. We have a window.”

You listen, but you’re not really hearing him. Your eyes are fixed on the girl’s picture—the innocent smile frozen in time, the eyes full of unspoken fear. She’s just a little girl.

“And our best bet,” Morgan continues, leaning forward as he studies the information in front of him, “is to get her back into her old house. Lure the unsub out with a setup that looks weak—something that’ll convince him to make his move.”

Your stomach churns.

“That’s what we’re doing,” Hotch affirms, his eyes briefly meeting yours. “We need to make sure he’s brought to justice, and we’re running out of time.”

You can feel it—the tension rising in your chest, suffocating you. It’s not just the decision they’re making. It’s the plan. It’s the idea that they’re considering putting Madelyn in danger again.

You can’t stay silent.

“Are you serious?” Your voice cuts through the conversation like a knife. “We’re going to use her as bait?”

There’s an edge in your tone, one you rarely let genuinely show. The room goes still, and all eyes turn toward you.

Hotch looks at you with that ever-steady gaze of his, the kind that’s usually so impenetrable, but you can see the frustration beneath it. “We don’t have many options here. If we can’t draw him out, we risk losing him completely.”

“By using a child?” You repeat the word like it’s a poison, something that doesn’t belong in the same sentence as the word justice. You stand, unable to keep still, the anger making your pulse quicken. “This isn’t some game, Hotch. This is a real little girl. She’s already been through enough. We can’t just—”

“You’re overreacting,” Morgan interjects, his voice quieter now but firm. “We’re not putting her at direct risk. The setup will be controlled, and we’ll have backup in place,”

You shake your head, the words slipping from you before you can stop them. “Controlled? How do you control something like that? How do you control what he does to her when he finds out she’s there?”

Spencer speaks up from across the room, his voice calm but carrying an underlying note of empathy. “We’re not doing this blindly. There’s a risk, yes. But we’re also talking about a chance to stop him, once and for all. This is what we do,”

You turn to him, frustration boiling in your chest. “This is not our mission. She’s not just some tool to help us find a solution to our problems. She’s a child!”

Spencer’s eyes flash for a moment, but he softens his tone, lowering his voice. “I know, but we’re doing this to protect her. We can’t just sit back and wait for him to come to her. That’s not an option anymore,”

The conversation swirls around you, their voices growing distant in your ears as the weight of the decision begins to settle over you.

The plan, the baiting, the manipulation of this little girl’s already broken world—none of it feels right. The thought of putting her in harm’s way, even with all the precautions in place, is enough to make your stomach turn.

But no one is listening to you.

And you know, in the back of your mind, that it’s already decided. They’re going to go through with it.

Hotch gives you one last look, his gaze unreadable but firm. “I understand your concern, but this is the best option we have.”

You hold his gaze for a beat, the frustration still burning in your chest, but you can’t push it anymore.

Instead, you take a breath and step back, your voice tight. “Fine. But don’t expect me to like it.”

The rest of the team doesn’t speak up—no one challenges the decision. They all know what needs to be done, even if it isn’t easy. Even if it feels wrong.

And in that moment, you realise just how far this has gone. You’re not just part of the team anymore. You’re now complicit in something that you can’t reconcile with the woman you thought you were.

—

That night, you sit at your desk, staring at the case file in front of you, though you’re not really looking at it. Your thoughts drift back to Madelyn—her fragile, trusting eyes, the way she’s clung to you all day.

You didn’t sign up for this.

Spencer walks past your desk, pausing when he sees the way you’re hunched over the case files.

“You’re really not okay with this, are you?” he asks quietly, his voice soft but knowing.

You don’t answer at first, focusing on the photo of Madelyn. Her smile, her bunny clutched tight in her hands, all of it makes you feel like you’re trapped in a nightmare you can’t wake up from.

Finally, you speak, your voice barely a whisper. “I just—I can’t believe we’re doing this to her.”

Spencer’s silence speaks volumes. He doesn’t say anything for a long time, and you don’t expect him to. Finally, he leans in, his tone steady but sympathetic.

“Sometimes, we have to make hard choices,” he says. “But that doesn’t mean we forget who we’re doing it for,”

You glance up at him, meeting his eyes. There’s something in his gaze—a quiet understanding, a recognition of the struggle.

“You’ll be okay,” He hesitates before setting a hand against your cheek, thumb brushing over your skin. “And so will she,”

—

The silence in the room is almost oppressive. Madelyn has been tucked into her cot for the night, her small body curled into the covers as if trying to make herself as small as possible.

You’ve been avoiding looking at her, because every time you do, the weight of what you’re about to ask her presses down harder on your chest.

You know that this is necessary. You know that this is the only way to stop the unsub and give her a chance at safety. But that doesn’t make it feel any less wrong.

The plan is set. Tomorrow, they’ll use her as bait. And you, the one person she trusts in the world, are expected to stand by and watch.

It doesn’t matter that you’ll be there to protect her. It doesn’t matter that you’ll be the one closest to her. The thought of her being used like this leaves a bitter taste in your mouth that no amount of logic can cleanse.

But there’s no getting around it. The team has made their decision.

So you sit at the edge of her cot, trying to steady the storm of conflicting emotions swirling inside you. You’re the one who has to make her understand, and that terrifies you.

Maddie is lying on her side, her bunny tucked into the crook of her arm. She looks so small in the dim light, so fragile, and it hurts to see her like this.

The trauma she’s endured is still written on her face, though the interview was a step forward. But that doesn’t mean she’s ready for what’s about to happen. None of you are.

“Maddie?” you say softly, your voice quieter than usual. She doesn’t respond at first, her wide eyes flicking from her bunny to you. She’s so still, almost as though she’s bracing herself for something worse.

“Hey, sweetheart, look at me,” you coax gently, reaching out to touch her shoulder. She hesitates for a moment, but then she turns, her face a mask of anxiety and exhaustion.

You swallow hard, forcing yourself to hold her gaze. “I need to tell you something important. Do you remember what I told you earlier, about keeping you safe?”

She nods, her lips trembling. “You’re gonna stay with me?” Her voice is barely above a whisper, like she’s afraid of hearing the wrong answer.

Your heart aches. You can feel the weight of what you’re about to say hanging in the air like a storm cloud. But you can’t lie to her. Not now. She deserves the truth. Even if it breaks you to say it.

“I’m not going anywhere, okay?” you promise, trying to keep your voice steady. “But tomorrow… tomorrow’s going to be a little different.”

She furrows her brow, her small hands twisting the edges of her blanket. “How?”

You take a slow breath, carefully choosing your words. “Tomorrow, we’re going to do something to make sure that bad man never comes back. Something that will keep you safe. But it’s going to be a little scary, and I need you to trust me, okay?”

She looks up at you, eyes wide with apprehension. You can see her processing, the fear bubbling under the surface, trying to break through. But she doesn’t pull away. She stays there, watching you, waiting for the rest of it.

“It’s not going to be easy,” you continue. “We’re going to go to your old house, the place where all this happened, and we’re going to make it look like it did before. We’re going to have people watching from close by, and I’ll be right outside. The whole time, okay?”

Her lips tremble again, and you can see that she’s struggling to understand. The idea of going back to that house—where so much horror happened—is almost too much for her to process. You don’t blame her. You’d feel the same way.

“I won’t leave you,” you say again, making sure she hears the sincerity in your voice. “You’ll be safe, Maddie. I won’t let anything happen to you.”

The trust in her eyes is palpable, but the fear is too. Her small body stiffens for a moment, and she looks down at her bunny like it’s the only thing holding her together. “What if… what if I’m scared?” she asks, her voice barely audible.

You lean in, your heart breaking just a little more. “It’s okay to be scared, But we’ll make all the scary things go away.”

There’s a long pause, and for a moment, you almost feel like you’re breaking. The responsibility is too much, the pressure too great. You want so badly to pull her out of this situation, to find another way. But you can’t. You have to do this, not just for her, but for everyone who’s been affected by this unsub.

Madelyn bites her lip, her eyes filled with uncertainty. “You promise?”

You nod, your voice thick with emotion. “I promise.”

She looks at you for a long moment, as if weighing your words, trying to decide if she can trust you. And then, just as you’re starting to doubt yourself, she nods, barely perceptible. “Okay. I trust you.”

The words settle between you both, and for a moment, you feel the quiet weight of the promise you just made. This isn’t just a case anymore. It’s her. It’s her safety, her future, and you’re the one who has to make sure she’s protected.

“Good girl,” you say softly, brushing a few stray strands of hair from her forehead. “You’re so brave, Maddie. I’m proud of you.”

Her eyes flicker up to you again, and this time, there’s a faint smile. It’s small, but it’s there. “I’m not scared if you’re with me.”

That’s the moment you realise: she’s not just trusting you to keep her safe. She’s trusting you to give her back a sense of control over her own life, something she hasn’t had since the night her family was taken from her. And you can’t let her down. Not now, not ever.

“I’ll be with you,” you repeat. “Every step of the way.”

And as you watch her settle back into the covers, her bunny tucked tightly under her arm, you make a silent vow to yourself that no matter what happens tomorrow, no matter what you have to do, you will keep that promise.

Because no one else is going to.

Not like you will.

—

The air inside the old house is heavy with tension, each creak of the floorboards under the team’s feet amplified in the stillness.

The plan is simple. Madelyn is placed in the house, under the guise of a minimal police presence, to lure the unsub into taking the bait.

Everything has been carefully orchestrated, right down to the smallest detail. Outside, the team is positioned in hidden locations, all eyes on the house. They’re watching for any signs that the unsub is approaching, but you know they’re all thinking the same thing—you hope this works.

You’ve spent the entire day getting Maddie ready, talking her through the steps again, reassuring her that this is the right thing to do, that she’ll be okay. And, despite your own misgivings, you’re trying to convince yourself of the same thing.

You’ve promised her that you would stay by her side, and you have to see that promise through.

The door to the house is left slightly ajar, a weak police presence positioned just inside. You take your position on the floor below Maddie’s bedroom, staying close, but not so close as to be obvious. Your heartbeat is a loud thrum in your ears as the time ticks by, every minute stretching into what feels like an eternity. The silence inside the house feels like a storm waiting to break.

Then, it happens.

The motion sensor outside the house triggers, and you hear it—the unmistakable sound of someone breaching the perimeter. Your stomach lurches. The unsub is here.

It’s go-time.

The team moves in quickly, and in that same instant, you spring into action, your focus singular. Your only thought is Maddie. The unsub can be handled by the others. They’ve got it covered. But you can’t take your eyes off the one person you promised to protect. You know exactly where she is, and you don’t even hesitate to run toward her.

—

You burst into her room, your heart pounding. The light is dim, casting long shadows across the space. Maddie is standing by the window, looking outside with wide, fearful eyes. The moment she hears the door open, she turns to you, her face a mixture of confusion and terror.

She doesn’t say anything, but you can see the fear etched into her small features, the tremor in her hands as she holds the bunny close.

Without thinking, you move towards her in two quick steps. You scoop her up in your arms, holding her tight to your chest, pressing her small form into you as though you can shield her from all the horrors in the world. The weight of her trust feels heavier than ever.

“Shh,” you whisper, your voice as steady as you can make it, though it cracks just a little. “It’s okay. You’re safe now. I’m right here. See? I told you you’d be okay.”

She clings to you, her fingers curling into your shirt. She’s trembling, but she doesn’t pull away. In this moment, she’s not just the scared little girl caught in a nightmare. She’s the child who trusted you with her safety—and that trust is all that matters.

You stroke her hair gently, trying to soothe her with the rhythm of your hand.

Your heart is racing, but you can’t afford to let that show. She’s looking up at you now, her wide eyes full of questions, full of fear that you can’t quite banish. But she trusts you. That’s enough.

“Everything’s going to be okay,” you say again, even though you can’t promise it. You hold her tighter, wanting to shield her from everything outside this room, from the danger lurking just beyond the walls. You’re not thinking of the unsub anymore—only of Maddie. She’s the only thing that matters.

For a moment, everything else fades away. The outside world is a blur of movement and sound, but you are anchored in this small, dimly lit room with this little girl in your arms.

You don’t hear the team’s voices anymore, don’t hear the chase or the shouting, don’t hear anything except Maddie’s breathing against your chest. She’s calm now, her body still trembling but no longer with fear—more from the shock, the exhaustion of the night.

It’s a strange thing, the weight of her small body in your arms. There’s something deeply instinctive about it, something that stirs in you like an echo from a past you thought you’d finally buried alongside your Professor.

In this moment, holding her like this, you can’t help but think of what might have been. If you’d had that child, if you’d stayed.

What would it have been like? To raise a child of your own? To care for someone who needed you as much as she does?

The thought catches you off guard. It’s a brief moment of reflection, one that passes as quickly as it comes, but the weight of it lingers, like the fading scent of something once held close. It’s not the first time you’ve thought about it, but it’s the first time it’s felt so… real.

You quickly push the thought aside, focusing again on Maddie’s presence. Not now.

This isn’t about you. It’s about her. Always her.

“Hey,” you murmur, pulling her back slightly to look into her eyes. “You did great. You were so brave. You’re okay. It’s over now.”

Her eyes are wide, still searching your face for reassurance, but she doesn’t speak. She doesn’t need to. You know that she’s still processing everything, still trying to make sense of the danger, of the chaos, of everything she’s been through in the past few days. But she’s safe now. She’s in your arms, and you’ll keep her safe for as long as it takes.

“Do you trust me?” you ask softly, even though you already know the answer.

Maddie nods, her small hand clutching tighter onto her bunny.

“Good,” you say, giving her a small but sincere smile. “Then we’ll get through this together.”

—

The storm has passed. The danger is over. Madelyn is safe. The unsub is in custody, and the team is in the clear. You’ve done your job. You’ve kept her safe, just as you promised.

But now comes the hardest part.

Her grandparents are here, having arrived just after the house was secured, the paperwork signed, and the chaos of the operation settled.

They’re older, frail but warm, and there’s a visible relief on their faces when they see their granddaughter—safe, unharmed, and sound, despite everything she’s been through.

They approach her cautiously, with a tenderness that is obvious in their every move, but it’s clear that Madelyn isn’t ready to leave yet.

She’s sitting on the edge of the bed, her back to you, staring down at her hands, her bunny still clutched tightly in her grip. Her eyes flicker toward the door every now and then, but she doesn’t look up.

She can hear the voices outside—her grandparents—her family—but she’s frozen. The transition from being with you, the one person she’s come to rely on, to a completely new environment is more than she’s ready for.

You move closer, kneeling beside her. Her head doesn’t turn, but you can tell she knows you’re there. The silence between you is comfortable, not awkward, but weighted with the realisation that this is the end of the road for you both. This is where you have to let her go.

“Maddie,” you say softly, your voice a little hoarse from the long hours. “Your grandparents are here. They’re going to take you home. You’ll be safe with them.”

She doesn’t say anything, but you can see her shoulders tense, just a little. Her fingers flex against her bunny’s fur, as if trying to hold onto some sense of control, some last shred of the familiar. She’s scared. You understand that, even though she’s made it through the worst of it, she’s still just a little girl. And little girls need security. They need the things they’ve trusted, and right now, that’s you.

“I know it’s hard,” you continue, gently brushing her hair back. “But you’re going to be okay now. You’re going to be with your family. You’re not alone anymore.”

Madelyn stays quiet, but this time, she finally turns her head to look at you. Her eyes are wide and vulnerable, and it’s all you can do to hold back the swell of emotion threatening to break free. She’s asking with just a look—Can I stay? Can you keep me safe?

But you can’t. You’ve done what you promised. You can’t be her protector forever, and you both know it. She needs her family now, the people who can be there for her in ways you can’t.

“I’ll always be here if you need me,” you say, your voice steady, though your heart is anything but. “But you’ve got your grandparents now. They love you, and they’re going to take care of you. You’ll be safe with them, just like I promised you.”

Maddie looks down at her bunny again, as if deciding whether to give it up. For a long moment, she just holds it, her fingers tracing the worn fabric. You don’t push her. She needs to come to this decision herself, in her own time. But eventually, she looks up at you, and her face is as serious as it’s ever been.

“I want you to have him,” she says quietly. “He keeps me safe. Maybe he can keep you safe too.”

Your throat tightens at the simple, honest offer. The bunny—her constant companion, the thing that has been with her through every terrifying moment, every flash of panic—is now being entrusted to you. You can feel the weight of it, of the trust in her small hands as she holds it out to you.

For a brief moment, you hesitate. You weren’t expecting this. You didn’t want this. You didn’t want to accept anything from her, to make it feel like a goodbye, like this was the end. But the way she’s looking at you—her eyes filled with the kind of vulnerability that only a child could show—it’s a gift. A gesture of complete trust.

You reach out, slowly, your fingers brushing against hers as she places the stuffed animal into your hands. You don’t say anything at first. You don’t need to. The weight of the moment says it all.

“I’ll look after him,” you say finally, your voice soft. “I promise,”

Maddie gives a small nod, her lip trembling slightly, but she doesn’t cry. She doesn’t need to. She knows she’s safe now. She knows that the danger is over, even though it’s going to take a long time for her to truly feel like it. But she trusts you. That’s what matters most.

Her grandparents step forward now, gentle and patient. Her grandmother reaches out, her hand trembling slightly, but Madelyn doesn’t move. She looks up at you one last time, and it’s like she’s asking you for permission. You nod, brushing a hand over her hair one last time, offering her the comfort and security she’s going to need in the days to come.

“You’re going to be okay, Maddie,” you repeat, knowing it’s true. You’ve done everything you could for her, and now it’s time to let go.

Madelyn doesn’t look back as her grandparents gently lead her out of the room. She doesn’t cry, though you’re sure the tears will come later. For now, she’s holding herself together, with the knowledge that she’s safe, and that she’s going to be okay.

—

The hum of the office is soothing in its familiar monotony. You step inside, the heavy weight of the case finally lifting from your shoulders. It’s strange—part of you feels relief, the other part feels like an echo of something left behind. Something you didn’t quite expect to feel, but there it is, nestled in your chest, quietly tugging at you.

You take a deep breath and walk to your desk, setting down your bag and the files you’ve been carrying all day. Then, without really thinking about it, you place the stuffed animal on the corner of your desk, the soft bunny now a permanent fixture in the workspace that’s been both home and battlefield for so long.

It’s a small thing, but it’s a thing that means something. And as soon as you set it down, you feel a soft exhale escape your lips. A sense of finality, of closure, as if everything has settled into place.

The case is over. Madelyn is safe. But something about this—about the stuffed animal—feels like a piece of you that will always remain in that small room with her, in the moment when you promised to keep her safe.

You don’t realise Spencer is watching you until you hear his soft voice.

“She gave it to you,” he says, a quiet smile tugging at his lips.

You glance over at him, momentarily surprised. His gaze is soft, understanding, and there’s a certain warmth in his eyes that you’re not sure you’re ready for.

You glance back at the bunny and then back at Spencer. It’s an odd feeling—the way he’s looking at you, almost as if he sees more than just the case, more than just the professional side of you. He sees the part of you that changed over the past 36 hours.

“She did,” you say, your voice low, not quite sure what to say after that. It’s true, but you hadn’t really thought it through. You hadn’t thought about what this moment would mean.

“You didn’t have to take it,” Spencer offers gently, taking a step closer. “But I think it’s... a good thing. That you did.”

You swallow, unsure how to process the mix of emotions stirring in your chest. It’s strange, this feeling. The feeling of having kept a promise, of having kept someone safe. You’ve done this kind of work before, but never like this. Never with this kind of personal connection.

“Yeah,” you say, your voice thick with something you can’t quite put into words.

Spencer steps closer, his posture relaxed, yet there’s an unspoken care in his movements. He looks at you—softly, steadily—and you feel the warmth of his presence settle around you. He reaches a hand out, his fingers brushing over the edge of your waist. It’s a gesture that’s comforting, gentle, not pushing, just there.

“You okay?” he asks, his voice barely above a whisper, as if he’s afraid of breaking the moment. His touch is subtle, yet you can feel the tenderness in his gesture.

You nod, but the answer feels incomplete. How do you explain that you're fine, but also changed? How do you explain that the girl who clung to you, who trusted you with her safety, left something inside you that you hadn’t expected to find?

“I’m fine,” you say finally, because it’s easier to say than to explain.

Spencer doesn’t press, doesn’t ask for more details. He just gives a soft nod, his fingers still lingering for a moment longer than necessary before he steps back slightly. He doesn’t push. He’s always been good at giving space when needed.

“Want me to take you home?” he asks, his voice gentle. “Or… we could just go somewhere. Get some food. Something to relax.”

The offer is simple, but you can tell that it’s more than that. It’s his way of letting you know he’s there for you, not out of obligation, but because he wants to be. Because he sees you in a way that not many people do.

The soft affection in his voice, the quiet care in his words—it’s enough to make you feel like maybe, just maybe, you’re not as alone as you’ve felt in the past.

You glance at him, a soft smile tugging at the corner of your lips. For a moment, the world outside the office fades, and it’s just the two of you. He’s standing there, so patient, so steady, and the weight of the last 36 hours begins to feel a little less heavy with him around.

“That’d be nice,” you say finally, surprising yourself with the answer. You don’t know why, but you do. You could go home, retreat into the silence of your apartment, but there’s something about the idea of being with him—of having someone there, someone who understands, someone who’s seen the way you’ve changed—that feels better.

Spencer smiles, a quiet relief crossing his face. He steps forward, offering you a hand, and you take it without hesitation. His fingers close around yours, warm and comforting. It’s a simple gesture, but it feels like a promise, like something new is beginning.

“Let’s go then,” he says, giving your hand a gentle squeeze.

[obeymeluv]

In Your Defense [PT 1 - Heartslabyul, Savanaclaw]

You decide to work at Sam's for Valentine's Day and your crush just happens to hear a customer hitting on you. If they get arrested, can you be their alibi? AKA: This person has a death wish and you find out your crush might be jealous?

Note: Each one is random and some will be longer than others. If I made everyone the same length this thing would be MASSIVE and I would probably die.

Not proofread because of the length. Trying to get everyone done today. It's my last day off for a few.

Whatever part Ortho is in will be platonic, obvs.

Happy V-day!

Riddle likes to think he's made great strides not being angry but hearing some utterly disgusting joke about 'how much do you cost?' sends him like nothing else ever has. This guy is tall and so unimpressive, so plain, so average that Riddle can't really recall him at all. Maybe that's just the absolute fury blurring his vision. He knows he's not breathing but his chest isn't burning near as much as his face; the heat is spreading quick and he can feel it in his cheeks and neck. Temples pounding, his vaguely aware of the growl bubbling in his chest as it threatens to slip past his clenched teeth.

Ace calls it his teapot snarl.

Before Riddle knows it, he's flown off the handle and he's going off on a rant. The whole shop is quiet, people physically backing away as he just methodically unravels everything about this cretin from outfit, posture, presence, delivery, unoriginality--everything. Honestly, he doesn't even remember everything he said. The redhead doesn't even tune back into the sound of his own voice until he ends the onslaught with, "You've just paid twenty thaumarks to embarrass yourself but that pales in comparison to the fact that you thought you had a chance with them. You should be ashamed!"

The man slinks away, sad little bag dragging off the counter.

Whispers and giggles diffuse throughout the shop. He ignores the looks that come his way, using the time to come back to himself. Riddle fixes his cute casual clothes, content with the fact you picked them out together. He catches sight of the matching rose clips on your outfit and in you hair and smiles softly. "A strawberry cookie and a cake pop, please." he clears his throat, fishing his wallet out of his pocket.

Sam had an assortment of sweets and he was going to capitalize on strawberry's popularity while he could. He saw you root through the display case, carefully considering the designs even though they were all supposed to taste the same (allegedly).

"Sure thing. Your total is 12 thaumarks. Thanks for stopping by Sam's Mystery Shop! Happy Valentine's Day!"

He hands you the thaumarks as you take the time to slide the I LOVE YOU cookie in his bag.

----

Deuce is an honors student! He is a good boy that's going to make his mother proud!

HE IS SO GOING TO PUNCH THIS MOTHERFUCKER IN THIS FACE!

His shoulders tense, fist clenching at his side. "Why, you think they're cheap? Something to be bought? What an insult!" his head snaps up as he stares down the slightly taller boy. Deuce's teal eyes turn a dark turquoise; the giddy glint of seeing you and chocolate eggs in one place turns to something sharp and steely. He hands the chocolate eggs to Ace, turning right back around to stare the creep down. Old habits die hard; he's grinding a fist into his hand.

"Aren't you the guy always complaining about limited time sales being unfair? Not my problem you missed the window." the guy scoffs, leaning back against the cashier counter. "Anyways," the guy tilts his head back and starts talking to you.

You look uncomfortable and angry that you can't handle this yourself. Professionalism and all.

"You may have caught the window but I'm about to show you the door." Deuce draws up on him with a quickness people have never seen. Not many people know about all the fights he used to get into. Gripping the guy's hair almost to the point of pulling it out, steering him like a panicked bull, Deuce all but chucks him out the front door of the shop. He turns around to walk back inside and buy his chocolate eggs but that spine-tingling feeling of someone fixing to take a cheap shot makes him pivot and nail the guy with a solid kick to the chest. The guy falls back on his butt, breath hitching.

Deuce scoffs and wipes his shoes on the step before going into the shop. The door is almost closed behind him when he hears a strained grunt. He's been in enough fights to know the guy is off the ground and making one last attempt to catch him from the back. More than done with this and just wanting his damn eggs and to say hi to you in all your festive lace, he shoulder checks the door like he's trying to shove Jack out of the lunch line (which he would NEVER, EVER DO).

The guy falls with a satisfying thud and Deuce tries his best to relax his face as he resumes his place in line. It's red from aggravation and the fact he's fishing for his thaumarks because he's forgotten what pocket he put it in. "Sorry about that," he tries to uncrumple the thaumarks a little before handing them to you. "And the face. My face. Not your face! Your face is fine! Like, you're not ugly! I just, uh--"

"Take the change, Deuce-y!" Ace is standing behind him, guiding his nervous body like a puppet. He makes Deuce grab the change and turns him around, shoving him away from the counter before he can make it any worse. "Now help me move this guy's body! He's out cold!"

---

Ace can only laugh when he hears that line. First of all, it's weak. Secondly, the dude must not have any faith in his game if the delivery depends on you being captive behind the counter. During work hours. With an obligation to be forward facing and listening to whatever he says.

"Why? You worried about your budget, buddy?" Ace laughs, hands laced together behind his head.

The guy snaps up, stick-straight. "N-No! I was just--" his face is blooming pink.

"People aren't products, bro. There's no discounts." Ace shakes his head.

"W-What I meant was, I want to take you on a date!" the guy turns back to you and flashes a big smile. All of Ace's pouty mutters fall on deaf ears. Not because he's being quiet, but because the guy is straight up ignoring him. He's not sure where the idea comes from--he'll blame it on an itchy hand--but he sneaks a couple of small candies in the guy's pocket. Sam's familiar top hat bobs into view, snaking around the shelves.

"DON'T FORGET TO PAY FOR THE STUFF IN YOUR POCKETS!" Ace felt confident in his sleight of hand tricks. It wouldn't be the first time he tricked NRC students. It's actually really easy to do. That works in his favor because if everyone can't get their story straight or agree on what they saw, he's a free man.

Sam materializes at the edge of the aisles and seems to stare into the boy's soul. "Young man, please step aside."

Ace looks like the cat that ate the canary as he moseys up to the counter and slaps the box of cherry cordials down. He buys a cherry sucker at the last second, not seeing it at first. "Thanks, Sweets!" Ace winks at you as he strolls out with the bag.

Sam nearly scares him out of his skin, leaning against the wood just outside the door. Ace finally feels the tug of shadows on his feet. "Speaking of sweets," Ace flinches and hides his ear with his blazer, groaning as Sam hooks an arm around his neck and pulls him into his chest sternly. "I understand your frustration, Little Imp. Young love is adorable in all it's wiles! But mark my words, Little Imp: if you lie about wrongdoings in my shop again, you will not come back. Clear?"

"Yes sir." Ace gulps.

"Happy Valentine's Day, Little Imp."

---

Trey isn't really surprised to hear what he just did. 'Boys will be boys', as the saying goes. Frankly, he's disappointed. He's heard smarter things come out of his little brother and sister.

He adjusts his glasses, mentally trying to relax the knot between his eyebrows.

Should he say something? Of course he wants to. It's you! He's been on the other side of the counter plenty of times and has had vivid daydreams of sticking a customer in a stand mixer. But, then again, he has a reputation to uphold and anything he does could reflect back on Riddle.

And send Riddle into a fit, giving him something else to handle.

The more he thought about it, the more he realized he'd have the element of surprise. People--especially men--don't cook enough to know how much arm strength it takes to lift twenty pound bags of flour on the regular. Or the stamina it takes to walk said bags from Sam's shop to Heartslabyul. Even the small five-pound bag of sugar in his basket would suffice as a weapon; the sugar was packed enough to hit like a brick if he lobbed it.

Trey's running the options through his head, almost settling on just saying 'how much for you to stop?' when he sees the end of a sucker rolling between the guy's teeth. Too easy, Trey pushes his glasses up on his nose, hand hiding his smile and the quiet incantation for "Paint the Roses".

All of a sudden the guy is gagging and running for the door. You and everyone else are wondering what the hell just happened. He doesn't come back in. One brave soul suggested he had a really bad gag reflex and the sucker did him in. Only Trey knows it was a mix of sour milk and the pungent soy sauce tart nightmare he tricked Riddle into making once.

"Just this, please. Oh! And what Sam had on hold for me." Trey hands you the sugar, relishing in the brush of your hands.

"Candied violets and a bag of sugar. Twenty thaumarks, please."

"Thanks." Trey smiles at you, laying the sugar flat so his delicate, delectable candied violets don't get crushed.

"Thank you." you smile brightly, handing him the change.

----

Cater wants to gag. Normally Valentine's confessions are cute and IN THE RIGHT SETTING pickup lines are amazing. This? This is a tragedy. Mostly because there is ZERO chemistry and you look #uncomfortable.

He's big on consent since he's always looking for collabs and people to pose with on Magicam so maybe that's why this scene bothers him. Aside from the fact that you're out of this guy's league, obviously. Like, it's really an insult to your time.

'How much do you cost?' Really? You're #priceless.

His brows furrow, lips thinning as he wonders what to do. He plays with the idea of Split Card and creating a small crowd of copies to boo and jeer the guy but the store would be even more packed than it already is. Cater's green eyes twinkle as it hits him. Turning his phone longways, he zooms in on the guy and tells him to keep going because he's live on Magicam. "Don't worry! I've already got all the V-day tags on there! Everyone will see it!"

He's friends with practically everyone at NRC so this guy will be seen by everyone.

Something sick and unfriendly and satisfied swirls in him as the guy's face pales in real time. If he zooms in a little, he can get the beads of sweat in there. "I'll, uh--another time, okay?" the guy darts off and abandons his handful of candy at the register.

"Haul coming later! 'K, bye!" Cater sends a peace sign to the camera, smiling at his own face. He swipes the little chocolates into his basket nonchalantly. He's not even the biggest sweets person but those are his now!

"Gonna have a spicy Valentine's Day, huh?" you ring up the cups of spicy ramen.

"You know it!" he laughs.

"I get it. You have to balance out how sweet you are." you smirk up at him. "Twenty-four thaumarks, please."

#in love. #kiddingnotkidding. #sendhelp. #downbad.

----

Leona doesn't even know why he bothered to show up to Sam's. He could just send Ruggie to get whatever he wanted. The variety of jerky was somewhat tempting but he could just as easily take the bus and get a proper meal off campus. And yet, he stood there with a gloved hand in his pocket, tail swishing back and forth in mild agitation. His green eyes sweep over the winding line until they land on you at the front.

His cheeks warm a little and he scoffs at himself, pretending to pick through the hanging strips of sunflower seeds as the line moves. Every step gets him closer to this soft, powdery scent with just a hint of sweetness. He starts to blame it on all the chocolate and candy and sugary shit exploding out of every possible spot in the store but there's this unmistakable undertone of skin.

Your skin.

He's only caught the scent a million times while hiding from people in the Botanical Gardens. Or when he's forced to attend class, catching a hint of you in the halls.

Leona's not sure why he cares anything about you because you're not magical. You're not interesting.

You shouldn't be, but you are.

You're literally the only person he's ever met from another world. You have no context for the Sunset Savanna or the hierarchy of it. To you, everyone is impressive. He can be something to you.

Why does that matter? He doesn't even know. That's what he tells himself, anyways. You say you have no magic but Leona thinks you can read minds. The look you always give him isn't a pitying one, but a curious one that seeks to dissect him and force him to face everything he keeps shoved deep down inside himself.

Part of him is waiting for the day you pull the right thread and he comes undone in the way he knows he need but can't find the strength for. Somewhere in that knotted mess is his true feelings for you. The stuff he can't admit.

You stand admirably on your own two feet, roughing it out like Ruggie, but you're so far from the intimidating women of the Sunset Savanna. You're approachable and soft; you're built like prey but you have the quick thinking of a predator.

Something in your demeanor changes--your hands pause and flutter nervously--and he's on alert. He's careful to relax his grip lest he crush the box of protein bars for Jack. His ears sling forward and his eyes narrow as he catches that half-baked flirting attempt. Leona doesn't even bother to hide the sneer twisting his face.

Just the thought of you with that hopeful schmuck is nauseating.

Suddenly the scent of all the males around you is overwhelming. Disgusting.

"If you have to ask about the price, you can't afford it. Haven't ya ever heard that before?" Leona 'hmphs' triumphantly, one hand on his hip as he bends down slightly to stare the chump in the face. "Askin' about the price is tacky."

"Wh-what was my total again?"

All Leona had to do was stare at the back of the human's neck. Humans, much like prey animals, grew really squirmy when a predator stared at them too long. Or encroached on their space, much like he was doing. It was for the hell of it at this point.

Leona made a mental note of the guy's face as he scampered off like a terrified cub and looked forward to the day he could send a stray spelldrive disk in his direction.

"Hey Herbivore," Leona plunked the basket down unceremoniously.

"Hey Leona," you looked down at the random stuff in his basket, trying not to smile at what just happened. Something warm and--dare he say it?--proud welled up in his chest when he realized you were happy about him scaring the guy off.

The heart-shaped stickers he kept finding on everything when he got back to Savanaclaw helped, too.

----

Ruggie lived for the holiday specials at Sam's. He was a bit put out that he wasn't picked to staff the Valentine's shift but the in-store discounts were a small consolation. It'd be better if he could stack them with an employee discount but he'd take what he could get! His mouth started watering as soon as he entered, sniffing out deliciously fluffy donuts.

Hopefully people would be distracted with the lollypops and chocolates and leave his donuts alone!

He choked down the occasional nervous whine when people gravitated too close to the donut display, distracting himself with the decor and wondering what would be most profitable to flip. His eyes began to wander to the people in front of him; Ruggie tsk'd at how casual and unguarded they were. Ripe for the picking, he looked at their wallets and fistfuls of thaumarks just out in the open.

If he wasn't worried about being banned from Sam's and losing some gigs he'd--

"How much do you cost?"

EXCUSE ME?! Ruggie freezes, eyes going wide and ears twitching when he hears that. The dude said that and LIVED?

Oh, right. You're not a Savanna girl. The girls back home would beat him up and make him pay them to stop. Or just smack the shit out of him hard enough to put him in a coma. Maybe break his jaw so he can't drop anymore awful lines.

Women are to be respected! Not treated like something you can purchase!

Given that you weren't a Savanna girl and were bound by the rules of 'I'm currently on the clock', Ruggie took things into his own hands. You could just treat him later!

"Laugh with Me!" Ruggie hisses, backing into the closest display. It was a little bump to him but far more to the guy up front. He waved his arm around, skimming the bags of gummy candies while the guy at the register knocked down a whole tower of balloons on a stick. Bending over just enough to line the guy's head up with the counter, Ruggie lunges forward.

WOMP!

Oh it was so satisfying. The guy is hopelessly, helplessly stunned. He gathers his bearings and Ruggie slides his foot out; the guy loses his footing and slams into the counter again.

Only two times before he gives up? Kind of weak-willed, Ruggie thinks with a little smirk as he side-steps the disoriented guy and waits patiently to check out. Sam tends to him while you get the donuts he's been craving.

They'll taste even better because they smell like you. Happy Valentine's Day to him!

-----

Jack is usually very stoic but a lot of people mistake his stoic observation for irritation. He would blame it on his intimidating physique but he's not sorry and takes great pride in his appearance. He's a beastman--a Howl!--he's supposed to be intimidating! Intimidating appearance aside, Jack is also a very helpful soul.

A good boy, if you will.

The only reason he's in Sam's is on Ruggie's behalf. He was tasked with picking up a few things and was more than happy to help out his senior. They were from the same dorm, after all! Practically a pack! You have to help your pack!

He's not really bothered by the amount of people, more focused on keeping his tail out of people's way and making sure he doesn't knock anything over. All at once, the atmosphere changes a little. There's a hint of sour in the air and a noticeable hike in someone's pulse.

It's your pulse. You look...distressed? Why are you distressed? Where is the threat?

Whatever it was, he missed it and he's cursing himself.

His ears swing forward as he catches bits and pieces of conversations. Some people are complaining the guy is taking too long, other people are laughing at his crappy pickup line. Some people are wondering if it's going to work.

This was a weak display if he ever saw one. The guy didn't even look confident in himself! All of your body language has now firmed up into rejection but the guy's not getting the hint. He's trying the 'oh, c'mon!' thing his siblings do when they want to play.

You don't know it, but you've been feeding Jack when he trots by in wolf form. He likes to finish off his morning jogs in wolf form to really stretch his joints and obliques. It was supposed to be a one-off thing, him following the tantalizing aroma of food to your door. Your cooking is fantastic and while you don't know that you're a pack mate, you're a pack mate!

You're just a pack mate who feeds him and gives him occasional pets. And these to die for scratches that he'd kill to feel with his real skin instead of fur. Any touch would be fine, really. Not that you'd ever know.

Jack doesn't even know he's growling until people start moving out of his way. The growl crescendos as he walks towards the guy. Tail bristling, Jack opens his mouth to show off sharp canines. "Get lost! They're not interested in you! They're just trying to work!"

As expected, the guy tucks tail and runs. Jack snorts, licking his lips that have suddenly become dry. His ears don't know what to do, caught between catching all the murmurs behind him and wanting to press down in embarrassment.

It's quiet but he hears it. "Thank you, Jack."

"Don't mention it," he crosses his arms, looking everywhere but you as you scan his items. He was avoiding looking at you directly but he notices you slip a few extra beef sticks into his bag. He blushes.

Yeah, don't mention that either.

[charlietheepicwriter7]

Despite Danny's best efforts, no matter how much time past, Amity Park refused to see Phantom as a hero.

Sure, there were pockets of support, particularly among teens, but most of the town blames Phantom for the property damage, saying if he didn't fight the ghosts then it wouldn't be so bad, to that time he got mind controlled by Freakshow and "attacked" the mayor. It wears him down. It wears Tucker and Sam down. Jazz can only try to support them all.

Then one day, a member of the Justice League visits. Someone minor, and kinda a jerk... maybe a Wonder Twin? Zan? Whatever. They don't investigate; they don't look deeper. They listen to the town folks and declare the ghost hunters, Red Huntress and the Fentons, to be the official heroes of the town.

Worse? Danny Phantom is officially considered a villain to the Justice League. Tuck hacks into the Watchtower and confirms that they have a file (a heavily inaccurate file) about how to defeat Phantom.

Danny doesn't think he can do this anymore.

A few weeks later, a young villain escapes into Amity and demands (begs) that Danny help them escape from the hero after them. No idea who, I can't find a lot of info on teen villains in DC, so let's fudge some ages and make it Kyd Wyckyd from the Teen Titans cartoon. Danny agrees, because to hell with the Justice Losers, and they defeat the hero, becoming friends in the process. Kyd confesses that they became a villain after being ostracized bc of how they look, and they've been trying to avoid villain organizations because HIVE was abusive, but it's really hard to be a villain alone bc of all the heroes.

Sam gets an idea. Tucker agrees with the idea. Jazz is just happy they'll end up making friends.

The next day, the Teen Villain Alliance is formed, ready to assist with any teenage illegal shenanigans their allies might get into.

Some notes:

It's created to be a healthier option for teen "villains" to connect with others and support each other.

It's more important that this is for Teens rather than Villains. They're tired of adult villains taking advantage of them. The TVA would rather ally with a teen vigilante than with an adult villain.

Again, no idea who the teen villains are, but Klarion is definitely here. He leaves the Light for the chaos of the TVA. Maybe Ember is there too?

Timeline wise, this is around when Tim is still Robin, but Damien has arrived at Wayne Manor.

This is because, when it comes time to try to infiltrate the TVA, they'll have a convenient child-assassin who has none of the monitors of a teen hero that Phantom immediately picks up on.

Damien, who at this point has been abandoned by his mother, dismissed and scolded by his father, and has had no success at carving his own place in the family, jumps at the chance. He is then surrounded by peers who don't insult him or try to change his behavior (too much; jazz is trying to help him find healthier methods of expressing himself). He... might not want to continue being a spy.

Danny, Sam, Tuck, and Jazz are the founding members.

Danny reinvents himself as the High Prince of the Infinite, Prince Phantom Dark. He got kingship from fighting Pariah Dark, but since he's still alive, he's only a prince. He steals the last name Dark as an intimidation tatic against those in the know; only Danny would have the balls to claim family with Pariah.

Sam works as a powerless villain, but she might no be powerless? Either way, Danny gives her a bunch of repurposed Fenton tech, and she buys the rest with her parents credit card. She does NOT care if that's traced back to the Mansons. She would choose something goth, maybe something spider related or even bat?

I love Pharaoh Tucker, so I think he should get magic powers? Since pharaohs of old were considered the balance between the real and the divine. He's still a tech guy, now he's a tech and magic guy.

Jazz isn't really a villain, more of a team mom who's planning on using everyone's psyche's as her thesis paper. You know what, that's her callsign, she's Psyche. Sometimes she flirts with Nightwing.

[sunderwight]

Fic where Su Xiyan lives but she's like, a huge asshole about it.

Tianlang Jun still gets stuck under the mountain, see, and Su Xiyan's been thoroughly betrayed by her own master, and seemingly not just him but also all the other major sects too. They all sided against her and against her lover based on prejudice. The fact that they were tricked likely wouldn't be known to her, from the outside it would just look as though they all readily dogpiled on at the first opportunity to take down a heavenly demon, even though he never did anything wrong.

Plus her own reputation has been ground to dust, going from the respected head disciple of the second greatest sect to being slandered as a honeypot who seduced a demon emperor in order to bring him down. She was used to destroy the man she loves, she almost died trying to keep her baby, her cultivation's probably taken a massive hit and she has no chance of getting to that mountain and digging her lover out from under it. Even if she could, he believes she betrayed him, so what kind of reception could she hope for?

Not that this will stop her from trying to dig him out anyway, but it's not like she can just snap her fingers and get him out. There's a whole mountain on him, and she's on the run with an infant.

So she decides she's going to make this everyone's problem as much as she can.

For a couple of years she lays low, just trying to rebuild her cultivation and look after the baby. If she's being honest, she's not great at it. She loves her son but maternal instincts don't really kick in, he's kind of a shriveled ball of misery and mess, and she doesn't really see the appeal. It gets better as he starts to get bigger and more of a personality asserts itself, and she can start treating him more like a small human than a wailing parasite that's latched onto her tit.

She would still hire someone else to look after him at the first possible opportunity, but she's paranoid about some aspect of his seal slipping and giving them away. With no body ever recovered, Huan Hua Palace is still looking for her. So she's stuck with childcare and she hates every minute of it and spends most of her time changing diapers just seething about dropping her old shifu into a mountain of shit and watching him suffocate.

Once Binghe is big enough to walk, and Su Xiyan is well enough to fight, they make for the borderlands. Su Xiyan starts teaching her son the earliest forms of cultivation he can learn, but his demon heritage is still sealed and right now he's too weak and small to risk unsealing it. So she focuses on herself, on rebuilding her own strength, turning to demonic methods and forbidden techniques (why not, when one has already been tarred and feathered and was never particularly precious about righteousness to begin with?) and hunting other cultivators just as often as demonic beasts.

Time passes and Su Xiyan begins to build a reputation even worse than Wu Yanzi's. A deadly rogue cultivator known only by some epithet or other who kills even powerful disciples of mighty sects. She experiments with what it would take to destroy a mountain, how much force, and what could provide it. Sacrificial arrays that feed off of the energy of cultivators or demons. Rituals and artifacts that demand high prices. Ways to summon demons or open gateways for them to possess others. She even considers using her son -- his blood is heavenly demon blood, his body is the closest thing she has to a suitable vessel for Tianlang Jun.

It would probably work, is the thing.

As the thought turns around her mind and she washes the blood from her hands, she decides that she's got to send her son away, actually. He's too weak and burdensome (and the fact she'd even consider using him such a way means that not even she is fully safe for him to be around any longer, not with the kinds of things she's doing, not with the kind of creature she's becoming). Now that he's big enough to survive on his own, she can ditch him somewhere to level up and bring him back once he's got enough strength to actually make himself useful.

So she sends him off, tells him not to come back until he's strong, ignores the tears and the hands gripping her robes until she finally has to wrench them away and strand the boy in a city far enough from her hunting grounds that he can't easily get back on his own.

Of course, he does still try, but he's lost and doesn't know where he's going. A kindly washerwoman takes pity on him and takes him in. The now-named Luo Binghe (his mother only ever called him 'son') isn't sure what he's supposed to be doing, but he suspects it's not just keeping house with his new caretaker. However, at the ripe old age of five he doesn't really know what else to do, so he stays and gradually the memories of the cold-eyed woman he called mother start to fade, until he wonders how much of it was merely a dream.

When his second mother dies and encourages him to go become a cultivator, Binghe decides that sounds right, so he goes to the Cang Qiong entrance exams and gets taken in. There's something familiar about his new shizun. Not in his looks, really, but in the way he acts, how he snaps and sneers, how he seems to hate Binghe but also claims him. Luo Binghe finds himself utterly desperate for the man's approval, even though he can't completely explain why. But it feels like, if he could just get this person to love him, the world might make sense.

Shen Qingqiu doesn't love him, though, if anything he hates him, and that only seems to change at random after a qi deviation. Which at first drives Luo Binghe slightly mad trying to figure out what he did and guarantee he can keep it, but gradually his thoughts and feelings on his master start to shift as, it seems, the man becomes someone completely different.

Meanwhile Su Xiyan has built up enough strength and information that she has a plan to move a mountain using a legendary blade that can open portals. She's also gradually begun to infiltrate her old sect again, using dark techniques to turn some of her former shidimei into puppets. By the time the Immortal Alliance Conference comes around, she's built the underpinnings to take the entire sect out from under her old master, and the chaos of the conference provides the perfect opportunity.

Shen Yuan has no idea what he did to cause the Huan Hua Palace Master to get ripped apart by demons during the invasion, and he's even more confused by the woman who materializes during the final hour and does him the favor of throwing Luo Binghe into the Endless Abyss herself, saying something about needing him to fetch a sword for her before she'll welcome him back to her side.

[fictionalsweethearts]

A CHILD FOR ZAUN | SEVIKA X READER | ARCANE

Synopsis: Under pressure from the Council and with a heavy responsibility on her shoulders, Sevika decides to have a child with her wife to show her commitment with the cause. However, indirect methods are too risky and she ends up choosing the traditional way, being an equal part spectator and participant.

Contains: mention of pregnancy, threesome, male participation, voyeurism, breeding kink, wife!Sevika, dirty talking, jealousy (I could keep going).

MINORS DNI

Note: Alright, so this is some kinky ass shit, I admit, so if you're not into male participation you can enjoy my other works on my masterlist. If you're staying... enjoy.

“A child?” Sevika asked, her eyebrows knitting together at Shoola’s sudden proposition. The councilor had waited until the session had adjourned and the rest of the councilors had left to discuss this with Sevika.

The work at the council seemed endless; since the war with Noxus and all the havoc it caused—from half of Piltover in ruins, to hundreds of casualties, widowed wives an husbands, orphaned children, and protests and riots on the bridge due to Zaun’s refusal to actively collaborate with the other side of the bridge—Sevika had barely had time to make amends and command a plan of action to favor Zaun in this whole mess. She was chosen by her people to represent a city whose fate hung in the balance. There were internal disputes, the districts seemed to want to take sides in the war and attack Piltover now that it has weakened, but Sevika knew that this would cost her authority and the promise to finally include Zaun in the Council's plans and stop being marginalized from public discussion. There were sessions and sessions of disputes and long speeches, where Sevika was ignored or the problems she brought up were disregarded by the rest of the members; by everyone of course, except for Shoola and Caitlyn. Both knew the importance of including Zaun, of making its needs known, even if in the past Sevika had been the enemy, or vice versa.

"A child," Shoola insisted, professional as ever. "You're in a difficult position, you don't yet have the trust nor approval of the rest of the Council. They don't know who they're dealing with."

"How a child would make them see me differently?" Inquired Sevika, both hands on the table before her.

"You must understand that you are rare case by being on the Council and being a Zaunite," Shoola explained. "In the eyes of the others, you are still a threat. The others do not trust you to have a say in matters on this side of the bridge, because they do not know what you are putting at stake."

Sevika clenched her jaw. She was a Zaunite at Piltover's council table, a fish out of water in a world of politics and alliances.

"My loyalty lies with my city, not this side of the bridge."

"Your loyalty will bear no fruit if you are not listened to. You must prove that you are not a mere visitor, Sevika. Committing to the cause means having something to risk."

"And what do you suggest, Shoola? A Zaunite child to hold as a bargaining chip? A token that ensures our cooperation?"

"Not a token, but a proof. A proof that you're not just advocating for your own interests..." she said, her tone growing more serious. "But for those of someone you care about, and the Council can see that you do so."

"Isn't the whole city of Zaun proof enough?" She inquired.

"It's about making yourself seen, Sevika," Shoola insisted. "The rest of the Councillors have entire nations behind them; children, parents, countrymen, enemies and allies. Yet you show up here without the full backing of your people, only a small portion who are not related to you in any way other than mere conviction and ideology."

Sevika looked away, Shoola's speech seemwd to acquire more sense with every word. "Besides... a child of your own will keep you grounded, it's a reminder of why you're here and what you're fighting for." She added.

Sevika knew Shoola had a point, no matter how much she hated to admit it. She was a lone wolf in a pack of powerful families and nations, at a disadvantage before an entire lineage of renowned nobles and politicians.

"I understand the need for solidarity," she said through gritted teeth. "But a child isn't a toy to be used for political gain. I won't endanger a child just to prove a point."

Shoola's expression softened, she interlaced her fingers. "It's a necessary decision, Sevika; causes require sacrifices," she said. "There are children waiting for a change there, using one could help dozens, hundreds. You can't keep arguing with a wall."

Sevika stood there in tense silence for a long moment after Shoola left. The room felt more empty than ever. Her mind raced with the idea of being responsible for a child, of being held accountable for their well-being. With a frustrated growl, she slammed her fist down hard onto the table, the sound of her prosthetic arm hitting the wooden top echoed in the room.

"How long am I gonna fight against this?"

┈ ⋞ 〈 ⏣ 〉 ⋟ ┈

"Margot won't allow it." Mumbled Sevika under her breath, letting out a heavy sigh.

Sevika took another drink, stamping the glass on the desk before looking back at the map hanging on the wall. She had been in a resounding silence for twenty minutes, interrupted by her own murmurs and growls. The plan to reduce the coverage of the red light district to favor the construction of hospitals seemed more like a fantasy than a plan, taking into account the powerful influence that brothels and sexual services had in Zaun. Sevika knew that truncating that specific area would be liquidating much of the city's income; she herself, when she used to be a regular customer, could realize how essential the business was.

Suddenly, a couple of arms wrapped around her chest, the softness of your cheek against her back and your smell interrupting Sevika's thoughts.

"You're going to pierce the map if you stare at it for so long, wifey." You purred.

Unconsciously, Sevika's shoulders relaxed as she heard your voice behind her. "It's called strategizing." she said with a half smile.

"What's the deal this time?" You inquired, peeking from your wife's wide back to take a look of the map too.

Sevika's grip on the edge of the desk tightened as her gaze traveled over the map pinned to the wall. She seemed to be studying the layout, her mind working through the challenges and options.

"The Rapturewalk," she replied. "It's becoming problematic. Profits are up, but the city needs hospitals, not more entertainment venues."

"Margot won't allow it." You said, just like Sevika thought before.

She sighed loudly. "I know. But the needs of Zaun are not being met. We're prioritizing profit over basic necessities. People are suffering while Margot makes money."

You ran your hands over her shoulders, your eyes sharpening at the markings on the map before you. "Keeping Rapturewalk is your best card, actually."

"How so?"

"It's a constant and safe source of income, after Shimmer's factories." You argued, crossing your arms as you looked at the map. "Let's say that whores are the economic basis of Zaun, whether you like it or not. And the best way to generate reserves to allocate them to other projects is to take advantage of the profits of the red light district."

It was not the first time you had helped Sevika to unravel a problem of this nature. She used to pay attention to your judgment as much as the councilmen's and she trusted your vision as much as her own.

Between pouts, jokes and a kiss on her cheek, you proposed possible solutions. Sevika responded with a grunt, dragging on her cigarette before looking at the map again. "I've only been on the Council for three months… and I'm going crazy already."

"Take the mining and taxes thing as advice only," you said. "I'm just the wife, the final decision is up to you."

"Don't say that." she said firmly, walking up to you and gently grasping your arm. "You're my partner, in every sense of the word." she stated, placing a kiss on your forehead.

And the truth is that your role in Sevika's life was not limited to just being a wife. From the beginning you were a pillar for her when she didn't believe in pillars or in the need to seek support from other people, you showed her that asking for help was not a sign of weakness but of strength, although to this day it was still a bad habit of hers to swallow her problems until she vomited them out between complaints and a few days of drunkenness. That night was no exception, and as soon as you moved away from her, you noticed her staring at your abdomen longer than usual.

"Is something wrong?" you asked.

"No, nothing's wrong." she grunted, knowing she was lying.

"You sure?"

Sevika remained silent for a moment, her tone sobering. "How does children sound to you?"

You seemed speechless for a moment.

You raised your eyebrows and a flash of excitement crossed your face before you turned serious. “Sounds like something we never considered possible…”

"I know we've never discussed it. But the thought has crossed my mind a few times... I never thought it would be an option, given our circumstances. But then again, I never thought we could have a life together in a room above a poker den either."

"I, uh..." you stuttered. "It's a sort of fantasy of mine, actually." you admitted. "You always said you weren't interested in children, and I respect it."

"Well, things has changed, haven't they?" Sevika took a step closer. "We've changed."

But something wasn't fitting, and you sensed it. "Sev. Why are you suggesting this all of sudden?"

She took a deep breath, her hand dropping back to her side.

"The Council has been... making suggestions," she said. "They think it would be a... symbolic gesture. A way to bridge the gap between Zaun and Piltover."

And all clicked.

"So you want a heir, not a son." you stated.

"No, I want what's best for Zaun. And if having a child serves a greater purpose, then that's what I must do."

"A child for a purpose? A symbol." you spat, crossing your arms as the anger began blooming. "Are you trying to please those snobs? Who made you think a heir would change their vision towards you, or towards Zaun?"

"It's about making them respect us. Showing them that Zaun can play the game they set and still come out on top. Sometimes sacrifices have to be made for the greater good."

"Haven't you done enough sacrifices?" you insisted. "Following Vander, then Silco's cause, then Jinx. You've sacrificed what you are every damn time and they still believe it's not enough?"

"What choice do I have?" she snapped back. "If I don't show them, if I don't do something significant, they'll continue to disregard Zaun."

"And using a child is the proper way to earn approval?"

"Babe, it's about respect!" she snapped at you, followed by a sigh when she noticed you flinched.

Silence, thick as fog, settled in the room. Sevika looked not only exhausted, but hopeless. She was making drastic decisions and she knew it. "Love… I don't expect your approval in this, just your support."

You reached out, cupping her cheek as she looked into your eyes, speaking with them. You couldn't stand against that look, you never could. "I'll think about it." you whispered. "But I want you to understand that if we have a child, I will treat him as a son first and as a political tool second."

"I understand." she nodded. "I swear I do."

As the days went by, while the Council gave no respite and neither did Zaun, Sevika planted the seed of a child in your mind frequently. She would talk to you about adoption processes when you were cooking, accompanied by a well-placed caress on your back and a kiss on your neck, and then, after making love, she would talk to you about the possibilities of testing fertilization in a laboratory. Usually you limited yourself to nodding or emitting an "mhm", still questioning the changes that a child would mean, not only as a political symbol, but as an addition to the family.

Sevika would be a good mother, no doubt. She took care of Isha for a whole month without even mentioning she cared for her, but she still came to Jinx's lair with treats and toys or gadgets that she bought at the market. She asked you to cook an extra portion for dinner and whenever you asked her why, it was because "she got hungrier lately", knowing well that it was for Isha. And when she finally admitted her affection towards the blue-haired girl, she passed away.

Sevika remained strong for Jinx and for herself, but you found her asleep in the bathtub the day she found out, her eyes swollen and stinking to whiskey.

"I loved that kid," she admitted later, once you were able to get her out of the tub. "Why is everything dying around me, babe?"

That day you promised yourself to be Sevika's anchor, and bring more joy than worries to her life.

“Baby?” you whispered after Sevika turned around. “Do you think we could visit that doctor you mentioned the other day?”

"Dr. Allard? Yeah, we can. Why?"

"We could ask for advice... about the fertilization process."

Sevika rolled over, her eyes pierced into yours. "Do you wanna... try?"

"Yes, I-" you said before Sevika swallowed your words with a kiss.

And she kissed you later that day, as you two waited for the test results. Fertilization using hextech was still in the experimental phase and was certainly based more on theories than successful cases, but you still hoped you were a suitable candidate for the procedure. Sevika held your hand as the doctor entered, her solemn face not indicating good news.

"The preliminary tests show that your body's response to the hextech fertilization process is not as strong as we would have expected. The success rates will be much lower than we had originally suggested..."

It was the formal way of announcing that achieving a baby by that means was not feasible. And Sevika read your disappointed expression while the woman continued explaining technical details that you stopped listening to. Your wife squeezed your hand and wiped the hint of a tear from your eye. "We'll find a way."

And frustration was beginning to overwhelm you and Sevika. You drank at breakfast and dinner, ruminating on the possibilities and pressuring the Zaun orphanage just to find out there wasn't a goddamn orphanage in the first place. A month of arguments, tears and breakdowns went by. The Council gave no respite, Sevika was on the verge of collapse balanced by two cities that refused to cooperate, drowning her anguish in whiskey and smoking her worries, sleeping barely a few hours and giving up her intimacy and quality time with you. You watched Sevika fall into a cycle of slavering work from which you could not get her out until you found her unconscious in the living room, passed out from exhaustion and alcohol.

And that was the last straw.

"I'll look for candidates," you said in bed, after having fed Sevika a substantial dinner and a spoonful of Shimmer. "You can choose the one you like the most."

"And if I say no?" she dared to argue.

"Then you'll quit the Council."

She was silent for a moment, too weak to argue and too tired to find another solution. She couldn't believe she would consent this.

"Fine," she said grudgingly. "You can look."

It took you no more than a week, spreading out a series of files on the living room table and asking Sevika to study each one carefully. The process took barely an hour.

"This one," she said finally, laying the sheet on the table. "It's the most suitable.

You kind of expected it, Misk. A thirty-three-year-old Zaunite in impeccable health; a rarity in a city like ours. He was an athletic man who was both handsome and noble. He was known to run a humanitarian business, providing beds, food, education, and health. A true symbol of the spark of humanity struggling to survive in the city and an indirect ally of Sevika, if she could put it that way. The file was accompanied by a photo of the man in question. He had tanned skin, pale, slanted eyes, a straight nose, and generous lips. His black hair, usually tied back in a half ponytail, was dazzling with silvery glints and vitiligo had paled half of his face, spreading across his left arm and left pectoral. You knew Sevika had chosen him for his unusual features, she had a thing for Zaun's genetic diversity.

"Did you find him handsome?" you dared to tease her.

"Qualified." grunted Sevika. "I could never call a man handsome."

┈ ⋞ 〈 ⏣ 〉 ⋟ ┈

"I won't repeat myself," Sevika said firmly. "We bought your silence, you keep your mouth shut. Whatever happens in this room, stays in this room."

You were sitting on the edge of the bed, an olive-colored robe as your only garment, your hair loose and your skin soft and smooth from the scented bath you took earlier. The room smelled of floral, penetrating honey, while the lights were dim and invited to retreat and intimacy.

You had prepared the room in advance for the special night; cigars lay on the coffee table in front of the wide bed with silky damask sheets. Three glasses of whiskey with ice, a jug of water, poppy oil beside the bed, aromatic herbs hung from the ceiling and a series of candles spread across the furniture and the windowsill, through which the silver bath of moonlight filtered in. You looked at Sevika, clad in a wine-colored kimono, revealing a glimpse of her bare chest and long, shapely legs. Her hair loose and her mechanical arm gleaming with Shimmer. Certainly her feminine energy was taking more prominence tonight, and you couldn't help but finding her even more beautiful.

Sitting on the couch, Misk watched Sevika intently, sipping whiskey and taking orders with the abnegation of a soldier. He had a robe on and his hair tied in a ponytail. He was more handsome in person and when Sevika first watched him walk in, she let out a chuckle. "He looks like a puppy."

"Sevika."

"He'll act like a puppy, alright."

Misk greeted you and your wife cordially, acknowledging the reasons why he was there and taking a seat on the sofa.

"This is not about your pleasure, but about the purpose. You will do as I say." continued Sevika. "You will touch my wife only when I allow it, and you will not speak unless spoken to. Understood?"

"Yes, ma'am."

"C'mere." she commanded, watching Misk stand up and come closer.

Sevika wrinkled her nose, blowing smoke into Misk's face as she studied his bearing, his face, and his scent. She parted his lips with her fingers, taking a look of his teeth and then his eyeballs, looking for any indication that would cast doubt on his medical certificate. He smelled healthy. "You're in good shape," she said, cupping the young man's jaw to look at his angles as if he was a rare animal.

Certainly for Sevika he was, she only adresses men for gambling, business or brawls. The sole thought of sharing a bed with him was uncanny still. "My wife chose well."

She ran her hand down his throat, feeling his pulse, which felt strong and steady. "Have you been in a threesome before, young man?" inquired Sevika with a dark grin.

"I have." nodded Misk.

"Good, I'm not into teaching men what they have to do." said Sevika, letting his throat go. "No funny business or I'll rip your cock off."

"Sevi." you protested from the bed.

Sevika grinned, her eyes flickering to you. "My wife seems to have a soft spot for you," she said. "Don't push your luck, then."

Misk nodded, his expression serious. "I understand."

"You're scaring him, babe." you insisted.

"He has no reason to be scared," she said shortly. "If he behaves, he'll be rewarded. If he doesn't, he'll remember it for a long time. He also signed a contract, remember? He knows what's he getting into."

Just then, Sevika seemed convinced enought to start.

“Take a seat and watch,” Sevika ordered, leaning over to stub out her cigarette in the ashtray. “You’ll join when I say so.”

You stood up, ready and eager as Sevika approached you with confident steps. She caressed your cheek. "Are you sure you're okay with him watching?" you whispered softly. "He can enter later."

"Let him stay. He can learn a thing ot two."

┈ ⋞ 〈 ⏣ 〉 ⋟ ┈

You squeezed your tits between your fingers, Sevika gave you a slow and methodical oral, she ate you out with all her heart and her whole face, diving between your legs and moaning against your pussy. She took all the time in the world on it, making you shudder and whimper for relief, only for your wife to straddle you on her thigh and order you to ride her as soon as you reached your first orgasm. You refused her nothing, even when Misk was on the couch watching everything and made you shy for a moment. But Sevika gave two shits about his presence, urgently kissing your mouth, whispering obscenities that only she was capable of saying and pinching your nipples between her fingers.

Misk realized that he was in front of an experienced couple, totally in tune.

"Don't look at him," she murmured. "Eyes on me, baby. I'm the one you're riding right now."

Sevika kissed you hard, filling all your senses so that you wouldn't even consider looking at a man while you were with her. She didn't take pleasure in letting a man possess you, not now or ever, but she couldn't deny that she was attracted to your pitiful moans and the way your lips would part when Misk fucked you. Sevika knew that this encounter wasn't just for a particular purpose, it was pleasurable in equal parts and she was certainly spoiling you by consenting to it.

"Admit it." whispered Sevika. "Admit that you're dying for him to fuck you. That you're dying to be the center of attention."

"No, Sev..." you whimpered.

Sevika grabbed your throat and looked into your eyes. "You're an attention seeker, even in three years of marriage that hasn't changed. And I love how desperate you are."

"Ah." that's all you could do, pant. "Ah, ah..." and your eyes softened before Sevika let your throat go and you cried your orgasm out.

You fell on top of her. Sevika cupped your neck with a tenderness she only stored for you and placed a kiss on the top of your head. "You're not allowed to be tired," she whispered to you. "Misk is still watching."

You asked for water, Misk was the one who handed you the glass and while you drank, Sevika drew circles on your back. She looked at Misk with analytical, wary eyes, knowing that the unpostponable could not be postponed.

With a kiss on the top of your head, she made you descend from her lap and wait on the bed, still a little shaken by the two previous orgasms. Misk remained in place, Sevika reached for a cigarette on the coffee table and lit it solemnly.

"Misk." she said. "Take good care of her."

You swallowed, still not believing that Sevika was giving you over to a man. A rush of adrenaline and anticipation ran through your body when Misk nodded, looking at you lying on the bed. You stood up, bare and glowing still, allowing him to come closer.

"Can I…?" he asked, clearly afraid of angering Sevika with the slightest contact on your body.

"Yes." you whispered, allowing him to wrap his hands around your waist and kiss you.

Sevika drowned her jealousy in her cigarette, watching as Misk laid you down on the bed and ventured into your skin, your breasts and your abdomen. His touch was gentle, you appreciated it since your wife had left you quite sensitive after her intervention, but you couldn't stop looking at her while he rubbed you between your legs.

You needed her close, not to be removed from the equation.

Sevika read your thoughts clearly, sitting on the couch, the tip of her cigarette glowing with each drag before she placed it on the ashtray. “Stand up,” she ordered, to which Misk seemed to back away. “I didn’t say you were leaving.”

Misk seemed to understand, allowing Sevika to position herself behind you, cupping your breasts in both hands as she began to kiss your neck. You greeted Misk with another long kiss, feeling more secure with your wife’s close supervision. Only then you moaned opnely with pleasure, parting your legs so Misk could once again rub a sensitive but so wet pussy that it left his fingers with a wet sheen.

With your wife's intervention, the evening flowed (very) well. You were already sitting on the bed, leaning against your wife's chest who was already easing a couple of fingers in you, while Misk was busy pleasing your nipples with his tongue. You moaned, looking at your wife and giving her a short kiss before looking at Misk again. The man seemed engrossed in his task, his robe sliding enought to reveal his chest and the paleness of the vitiligo. You thought he was handsome, an ideal candidate for a beautiful baby.

However, you didn't allow yourself to look at him for too long, knowing that provoking Sevika's jealousy would probably end with a dead man in the room.

"I wanna eat you out." you whined then, cupping your wife's cheek.

"Aren't you busy enough?" she teased.

"Please..."

Sevika wasn't going to deny you anything either, she loved to indulge you in everything. Not in vain she was allowing a man on her bed. Still, she hadn't pay attention to him, much less touched him; he was there as a mere tool, she insisted. Sevika tangled her fingers in your hair, her palm firm on the back of your neck as she watched you trail kisses from her chest to her pubis. She hissed, Misk kneeling behind you and kissing your spine slowly. She felt the urge to break his nose with a punch, but you kept her busy with your mouth between her legs.

“Fuck.” She growled, looking at you. “If it wasn’t for you…” she added in a whisper.

"Mhm." you moaned, venturing to ease a finger into her. And Sevika's anger was soon replaced by a stronger feeling.

You gasped, noticing the presence of his phallus, hard and wet against your entrance. Your body bristled in anticipation, believing yourself ready to receive Misk. Sevika frowned, her hand between your locks clenching tightly. Her blood boiled.

"You hurt her and I swear I'll rip your cock off," she threatened, not caring if she was ruining the mood or not. She only cared to know that her wife was willing to continue.

"It's fine." you purred, pulling back to look at Sevika. "I'm... I'm ready."

Your hands on either side of her hips, you watched Sevika the entire time. You didn’t look away from her grey eyes, not when Misk rubbed against you, not when you arched your back to allow him in. Sevika sucked in a breath between her teeth, holding your chin when your lips parted in a shaky moan.

“Fuck.” you breathed out, kissing your wife as Misk buried himself in you.

And you were embarrassed by how fucking horny you were.

You didn't know how to put your pleasure into anything but moans, words fell short. The feeling of kissing your wife, her hand around your throat while you were being fucked was delicious. Being the center of attention turned you on like nothing else, the moans, the grunts, the obscenities that reached your ears and made you smile. You soon agreed with what Sevika had said before; you love attention. The clash of skin on skin filled the room, Misk held your waist and squeezed your skin while Sevika caressed your lower lip, watching you, almost admiring you.

"Seems you're having fun." she said against your mouth. "Breaking into moans for a man, aren't you ashamed?"

"So ashamed." you whined before Misk leaned to place a kiss on your shoulder and you read Sevika's jealousy in her eyes. "But you love watching."

"I love you." she whispered, only your ears catching such strong phrase.

You lost count of how many times you gasped, or how many times Misk made you shiver with a precise thrust. Your wife watched everything, absolutely everything, scolded and admired you in equal parts, finished smoking her cigarette and gave you a tobacco-flavored kiss before forcing you upright.

"You're already all wasted, I thought I taught you better than that." she said, gripping your chin as your eyes fluttered with exhaustation. Misk had a firm hand on your shoulder, making slower but deeper thrusts. You felt him fill you again and again, causing a slight numbing sensation in your pussy.

You were reaching your limit.

Misk let out a groan, his breathing becoming irregular and noisy. "I take this is how men let you know they're about to cum?" asked Sevika with a raised eyebrow.

"Sev." you whimpered. "I'm..."

You didn't know if you were about to cum or faint, whichever came first, but it worried Sevika. You weren't used to this amount of stimulation and Misk seemed insatiably focused on his task. It was then that Sevika kissed you and left the bed. Your chest hit the mattress, Misk growled against your ear and his hips moved incessantly, to the point that you felt imprisoned by his body. You wanted to cry, it was an unknown pleasure and your body gave signs of wanting to give up.

Until you felt it, like a warm, wet torrent that made its way inside you and filled your insides. It was then that you stifled a cry into the pillow, Misk didn't seem to stop.

"I told you to take care of her, son of a bitch," Sevika said.

Misk stopped dead at the cold touch of a cannon against his temple. "You get away from her right now or I'll shoot you in the balls, you hear?"

You didn't see Misk leave the room, but you heard him. You were lying on that bed, your legs shaking, a thread of his seed seeping between your legs. Until Sevika made you close them.

"Relax, it's all over now…" your wife whispered, sitting next to you and placing a kiss on your shoulder. "I shouldn't have agreed to this in the first place."

"I'm fine…" you murmured. Exhausted and sore, you couldn't deny that you'd never felt this pleased in bed. It wasn't Misk the important addition, it was the dynamic of being watched by your wife and realizing the desire that prevailed in her gaze.

Well, desire until she seemed to kill Misk at the last minute very appealing.

"Keep them closed, sweetheart. I won't let this happen again, either you get pregnant or I set the Council on fire. You won't go through this again."

You looked up, glancing at Sevika beside you on the bed. She covered you with her kimono, tracing circles on your lower back before frowning. “Tell me the truth.”

“Mhm?”

“You fancy Misk, don’t you?”

“You already said it, Sev. It’s suitable, but I don’t like him.” you smiled despite your exhaustion, leaning over to place a hand on your wife’s knee. “I just want to give you a child, Sevika. I want to be and make you a mother.”

“You’ll look beautiful pregnant.” Sevika whispered. "So damn beautiful, round and glowing. I wonder how I got myself such gorgeous wife."

"I wonder the same..." you smiled and Sevika leaned down to give you a kiss before patting your bottom lovingly.

“I’ll run you a bath and dinner, okay? Get some rest.”

You nodded, rolling over to lean back on the soft pillows of your bed as you watched Sevika get dressed.

"Are you gonna kill him?" you asked after a moment.

"I wanted to." she admitted. "But I have too many things to attend to add murder to the list. As long as he doesn't cross my path on the street, I won't try anything."

"Okay..." you mumbled, watching Sevika leave the room. "Love you."

"Love you more."

You sighed, tired and sore, barely processing the situation that took place in that same bed you were laying on. You had never been in a threesome, and it was a good but unrepeatable experience. You stared at the ceiling for a moment, wishing with all your might that this method would work and that you could have a child for Zaun.

But above all, a child for your wife Sevika.

[neverstophyo]

shifting is self discovery.

excuse the yap but i think it’s very important that people realize how fundamental you are in your shifting journey and that you are literally the only thing you need to shift.

you do NOT need:

a method

subliminals

(guided) meditation

to look for advice hour after hour online

symptoms

the void state

lucid dreaming

to visualize

to use your 5 senses

a script

you DO need:

yourself

you can say fuck you to the universe, doubt as much as you want, and still shift. i say that because i’ve done it before even with doubts! so you can too!

“how do i shift?”

every time someone asks this i lose 5 years off my life span. i can’t determine that for you, nobody can. i can tell you what has personally worked for me and so can others, but there’s no guarantee it’ll work for you.

“so what do i do?”

sounds a bit harsh but you figure it out. and that’s what i mean by self-discovery.

of course, you can & should see what other people are doing to create a base line of what you think could work for you. for example try getting into the void state, see what happens from there. doesn’t work or you don’t like it? (because that obviously won’t do the same thing for everyone) try something else!

play around. add new things into the mix. affirmations. intention. you can visualize or use your 5 senses. keyword can. you don’t have to. because what do i think works the best? minding your business and shifting your own way.

remember that you can literally just say “fuck you i want to shift” and shift. you can shift accidentally. so who’s to say what you’re doing doesn’t work? (if it really doesn’t then you can adjust it slightly. look back on your behavior and think about what you want to change.)

seriously!

you can shift:

tired

awake

asleep

in the hypnagogic state (the state of the transition from wakefulness to sleep)

in the hypnopompic state (the state of consciousness leading out of sleep)

while dancing

sitting

standing

laying down

on the floor

accidentally

through a lucid dream

with doubts

and so much more i didn’t mention. seriously no need to overcomplicate it.

just remember that other peoples’ shifting journeys are not yours and that you’re the most important part of your own.

you are what makes you shift.

it’s not your subliminals or your method or whatever, it’s you. YOUUUU. subliminals? “methods”? those things? just helpful tools. they can HELP you shift, but there’s no guarantee.

for example, i personally have been getting more effective results after listening to specific subliminals regularly (psst.. i make sure they’re safe! to check if they are safe, look at the comments around the page and if you’re still not sure and you feel uneasy then do not use the subliminal. if it makes you feel unsafe or weird then do not use it. always read the benefits or what you can find in the description.) it works for me. it got me results (along with other stuff) but it might not give them to you and that’s okay. you don’t have to use subs.

just a reminder that you don’t need anything but yourself to shift <3

it’s self discovery because you’re learning from it and actively finding out (discovering) what works for you.

your shifting journey is yours so don’t make it rely on what someone else does.

THERE’S NO KEY TO SHIFTING EXCEPT YOURSELF.

[mostlysignssomeportents]

How lock-in hurts design

Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!

If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.

Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.

This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.

Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:

https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/

But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.

Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.

Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:

https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/

This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!

But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.

That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:

https://pluralistic.net/2023/02/19/twiddler/

When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":

https://locusmag.com/2020/09/cory-doctorow-ip/

This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.

An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.

Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.

Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":

https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html

Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:

https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/

But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.

The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):

https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/

Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."

Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.

Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited

Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[incorrectbatfam]

One thing I rarely see in injury and chronic pain fics is the grief that comes with missing out on stuff you love because you can no longer do them without hurting yourself. Writers who have been disabled their whole lives (or at least a long time) tend to forget that not all disabled people are used to being disabled. For able-bodied characters, especially athletic ones like vigilantes, a serious injury could mean a jarring change that includes giving up the things that mean the most to them.

I was physically fine until I was 18. Back then, my sense of self was entwined with interests that required a lot of movement and dexterity. I started doing MMA in middle school for self-defense. I loved parkour and even had a few hundred subscribers on my old YouTube channel. I learned to shoot and was gifted my first gun when I was 16. I took up multiple instruments. You get the idea.

My motorcycle accident fucked up the joints on my left side—my knee and shoulder especially, but also wrist to an extent. When it first happened, I thought I'd be on crutches for a bit but things would eventually get back to normal. The pain didn't go away even after I got rid of the crutches but I figured it was just residual and I should do what I'd been doing before. It's why I turned to substances—to block the pain and do what I love, but that's another topic. I didn't recognize my injury as a disabling thing until the end of the pandemic, when I put my parkour channel on an indefinite hiatus because it was seriously wearing my body down. It might sound silly to you but I was devastated. It's like if Spider-Man wasn't allowed to swing from buildings. It took me a long time to make peace with losing that part of me.

Another piece of that grief is even when you can do stuff, it's not the same because you have to exclude certain aspects of it for your own health. It's like the Robin that died and came back wrong. I can't use certain gym equipment and I have to tell my sparring partners what to avoid. I don't go to the shooting range much now because I can't extend my arm and hold a rifle for the amount of time it takes to aim without it starting to hurt. I'm a drummer, but I need breaks throughout the setlist and I can't do anything too fast or complex with the pedals, which means I can't play some of my favorite songs and my band is limited in what we write and perform. I can't take my motorcycle on road trips without frequent rest stops. Making accommodations helps physically, but emotionally, they're not always easy to accept because that means accepting the pain as a long-term disability rather than a temporary setback.

This got super long because I think it's unexplored in fics so some tips for creators:

First, learn how the body works and how stupidly fast and easy it is to get hurt. Mine was on a residential road because I didn't pay attention for 0.2 seconds

Learn the difference between internalized ableism and being upset over becoming disabled. I think a lot of writers skip over the feelings someone would naturally experience because it can be construed as ableism. Let them be in denial, sad, angry, etc. upon finding out because acceptance almost never happens right away. That's different from being a dick to themselves or others based on disability

Also, not everyone uses the same labels or has the same vocabulary to describe themselves. Different characters will have different ways of describing depending on their personality, level of knowledge, where they come from, and their relationship with their disability. I still don't really call myself disabled since I don't have it as bad as others so I tell people what happened instead (anyone who says "differently abled" will receive a different ability from me in the Denny's parking lot)

Think about how they cope with their new disability. Do they realize it's a disability right away? Do they talk to someone? Search desperately for a cure? Numb the pain? Turn to alternative methods? Do they worry about something else first, like money? Do they develop something else because of it, like a mental illness? Again, coping poorly is not ableism

What stays the same and what changes? I think about the difference between Forrest Gump and Lieutenant Dan after they were both wounded in battle

If they have a passion they can no longer pursue, it doesn't make much sense for them drop it so readily. Maybe they find a way to continue with accommodations (a good place to get creative!). Maybe they try and push through anyway. If they do ultimately resign, include the thought process and internal conflict behind it

[harmoonix]

Caribbean Blue

Astrology Observations

Neptune aspecting the ASC, sun or moon can sometimes give you the impression that something is not real within your life and is just an illusion. You can have moods when you think that life is not real and is just a dream

Sun harshly aspecting Moon = Identity issues, is hard to find yourself because you constantly live in a chaotic cycle which you need to break

Jupiter in the 1st, 5th, 11th houses thrives to explore the personality of the native. Creativity plays a big a role. You can easily express yourself, sometimes in the face of multiple people

North Node in the 3rd or 5th house has the lesson of exploring themselves throughout all their life. Their lesson is to learn about themselves, to discover their talents, to make connections (Same for Gemini or Leo North Node)

North Node aspecting Jupiter is good for manifesting luck in the natives life. Don't skip good opportunities in your life because they for sure will come at you

Everyone can manifest, there are different methods but everyone can do it, you can look at your 11th house, sign, ruler planet, degree they all tell you

Your 10th house sign can indicate how you'll get along with your boss/es and colleagues at your work/job. Pluto can create a tense relationship while Venus and Moon can create a harmonious relationship

Sagittarius Placements hate to be restricted from doing things they like to do. It's like you take away their freedom which they absolutely depend on. They might also hate strict people

Your 2nd house can tell how you value yourself and what makes you unique. Venus in Sun in this house can have high standards of themselves

1st house ruler in the 6th house = Prioritize your health, body, mind, peace, take a break when is needed, do things you enjoy and give you a mental break

11th house ruler in the 7th house = Create good relationships with everyone because it can benefit you. Even if not everyone will like you, be a good person for yourself not for others

9th house ruler in the 10th house = Travel more if you can. Traveling can open so many doors for you in your life and you might end up working in that field or in a educational one

7th house stellium (and if you're single), I know your soul deep down thrives to have a relationship. To feel loved, and the time will come for you but its the best first to focus on your need for a bit

South Node aspecting the Moon can make you too attached to your past. It can become a problem if you can't let it go. We all know we can can't change the past and is for the best to focus on the future (and present)

Scorpio Mars might have a tendency to get annoyed at people flirting with them especially if they just met. You might simply ignore them

I was not aware of Sagittarius/9th house Venus game because damn they can be flirting with everyone in the room but will have only 1 person in their heart

Chiron in the 1st or 2nd house might not have the best relationship with their bodies. Sometimes to even cause an ED but is better for a doctor to analyze that. Your body shall not be hated, is your own mirror

Capricorn Sun/Moon/Asc want to appear as cold people but inside they can be the sweetest (it matters the combo of your big 3)

If they have their Venus in the 12th house or Venus aspecting Neptune, these people can drain your energy, sometimes making you addicting to love them or addicting in not leaving them (manipulation)

8th house ruler in the 7th house = The people you may be dating can be secretive, they may tend to keep things away from you or simply prefering to not tell you every single detail in their lives. They may choose to have a private relationship

I observed that earth venuses will try to find a more stable relationship rather than a relationship when both partners chase each other like a fire venus.

Mars or Saturn in the 10th house tend to create a strong image for themselves. A person who never gives up. If they have strong aspects, your personality can be intriguingly

Bad aspects to your 4th house ruler can indicate family members backstabbing you or being toxic/bad in general. You might want to protect your energy

Cancer Jupiter or Jupiter in the 4th house tends to have lots of family members (some of them might even have step family members, but still, family will be expanding)

South Node aspecting Venus gets attached early in a relationship (can happen from the talking stage). This can be due to your fear of them leaving you

An earth venus or mars will be attracted more on the way you think (mentality) than looks or sexual desire. To be honest, these can keep their sexual energy pretty hidden from others or not showing it at all

💙 Hope you have a great weekend 🙌🙌🙌 lots of love and warm hugs to everyone reading this!!

Love you, harmoonix 💙

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him