#everyone feel free to send me more

[sweetandglovelyart]

Another Kirby OC Ask Game!

Thought I’d make another one of these since everyone liked the first one so much! Here are some more Kirby OC asks. You can send a number or an emoji, whichever is easier.

1. 🎶: What is a song that you associate with your OC, and why do you associate it with them?

2. 🗣️: Does your OC speak more than one language? If they do, what languages do they speak and how did they learn them?

3. 🪐: Has your OC ever left their home planet? If so, what other planets have they visited?

4. 💖: Has your OC met Kirby? If they have, what is their relationship with him like?

5. 📚: What kinds of books would your OC like to read? Do they have a favorite genre?

6. 💼: Does your OC have a job? If they do, what is their job and do they enjoy it?

7. 🧙‍♂️: If your OC had armor and a weapon themed after them for Super Kirby Clash, which of the roles (Sword Hero, Hammer Lord, Doctor Healmore, or Beam Mage) would the armor and weapon be for and what would it look like?

8. 🦄: Is your OC the only one of their kind, or are there others like them?

9. 🪞: Does your OC have a mirror counterpart? If so, what is their mirror counterpart like?

10. 🫂: Is your OC a forgiving person, or do they tend to hold grudges?

11. 🐾: If there was a Forgotten Land copy ability upgrade themed after your OC, which ability would it be for? What would the hat for it look like and how would it upgrade the base ability?

12. 😢: Is your OC open with their emotions, or do they tend to keep their feelings bottled up inside?

13. 😱: What is one thing that your OC is afraid of, and why are they afraid of it?

14. 💍: Does your OC wear any jewelry? If so, is there any significant meaning behind their jewelry?

15. 🫶: Are there any canon characters that your OC ships/that your OC thinks would be a good couple? If so, has your OC ever tried to play matchmaker and set these characters up?

16. 📺: If the anime got a reboot or if there was another Kirby TV show, do you have any ideas for episodes that your OC could appear in? What would the plot be and what role would your OC play?

17. 🪦: Has your OC lost any family members/friends/anyone else that they were close to?

18. 🎬: Are there any characters from any cartoons/TV shows/movies/games/other media that remind you of your OC or that helped inspire you to make your OC? If so, what qualities do they share with your OC?

19. 💫: What is your OC’s favorite place to visit on Popstar?

20. 🥀: What is your OC’s favorite kind of flower/plant?

21. ⏳: How old is your OC? If they don’t have a specific numerical age, feel free to just give an age range instead (child, teen, young adult, older adult, etc.)

22. 👻: Has your OC ever been possessed or mind controlled? If yes, how did it happen?

23. 👊: What would a boss fight against your OC look like? What attacks would they use and why would they be fighting Kirby?

24. 😴: If your OC could pick one of the Star Allies Dream Friends to go on an adventure with them, who would they pick and why?

25. ⭐️: If your OC could pick a final weapon from any game to use (such as the Star Rod, Crystal Gun, Triple Star Cane, etc.) which one would they choose and why?

[dazeddoodles]

The ask I got about my ADHD Eda headcanon analysis got deleted, but I'm here to share it anyways.

Okay so. After Them's the Break Kid came out a lot of people started headcanoning Eda having ADHD and I actually REALLY like and agree with that headcanon. And not because

"Omg she got distracted by fire!!! 🤪"

But because of how we seen her when it comes to school. Now most fans assumed Eda hates studying and learning. Which is fair, since in I was a Teenage Abomination she made it clear she hates school.

HOWEVER, then you remember she literally made a hidden tunnel that can be used to listen to the different classes. Because remember, she WANTED to learn different types of magic.

A lot of her problems with school aren't because it involves learning, it's the school SYSTEM she has problem with.

And in the scene where Luz was teaching Eda and Lilith how to use glyphs, she was using a traditional teaching system with desks and everything. Lilith liked it but Eda did not.

This also led fans to believe that Lilith was just smarter and did better at studying.

But then in the opening of Them's the Break Kid we see the both of them studying. Lilith is using flashcards and assumes Eda is not paying attention because she's playing with her ball.

But it turns out Eda not only knows all the material but knows more than Lilith.

To ME this reads as Eda being a hands on learner, (and possibly even a form of stimming) she learns through action and movement and hates having to sit still to learn like how you're supposed to do in school. And when she's able to learn this way she's actually very smart.

That could also be the reason she acts out so much in school, especially if she already knows a lot of the material being taught.

In fact, this is actually kinda a parallel to Raine. With Raine they were introduced as being smart, and then in Them's the Breaks Kid we learn they are also very powerful with magic but are underestimated because they are a bard.

Meanwhile Eda was introduced as being the most powerful witch on the Boiling Isles. And THEN in Them's the Break Kid we learn she is ALSO very smart.

Which is also meant to be a surprise in universe by how Lilith reacted. She didn't expect Eda to be that knowledge on the subject, especially more that HER.

AND she gets distracted by fire. In conclusion, this girl is mentally ill but we already knew that.

[wizardsix]

ok... so I have finally finished veilguard after about 90 painful hours (two playthroughs). im not gonna write an actual review about all of my detailed thoughts bc it'll actually take days, this is just to at least get my general thoughts out and see if anyone else feels the same or if ive actually lost it.

overall it is the weakest dragon age game story-wise, and I'd give it a nice lukewarm 4/10.

(i wrote this post right after I finished the game on the weekend so maybe I sound a bit harsh, I tried to edit it to be more reasonable lol but I didn't really want to delete this since I do still stand by a lot of this)

I really tried to go in with an open mind, bc I always want to experience media in full before making any kind of judgement, but about a few hours in I had this horrible feeling that once again this was another soulless, rushed game, and I still don't feel any different after finishing the game.

what stuck out to me was that there's no sense of urgency despite what the plot is, serious topics are not treated with care as the writing overall is shallow, and the gods as well as any other enemy you encounter are just cartoon villains (and apparently the lore retconning, but I'm not well-versed enough to dissect that so I won't).

I can't take this plot seriously when it feels so disjointed and forced and lazy. and I see no point in caring about anything when choices literally don't matter. no say in who you recruit, no say in the relationships with them and they have almost no awareness of rook, definitely doesn't matter if you have allies or not bc they show up anyway, and only four companions are locked into unavoidable decisions where one of them bites the dust no matter what (which is strange bc why are harding and davrin forced to die no matter if they're at hero status while bellara and neve can literally survive blight if they're at hero status), so it's impossible to try to strategize for better (or worse) outcomes with all the people you've gathered when there's only one right answer that the game pretty much tells you instead of letting you think for yourself (and side note this game does an incredible amount of hand holding). the game actively tries to trick you into thinking your choices matter with the onscreen notifications, but nothing matters bc the devs clearly had only one story in mind and for some reason lied that it had "complex choices".

also rook in general wasn't interesting as a protagonist bc they were written to be perfect. they always know what to say and are so supportive of everyone. they never struggle with anything. not even with leadership beyond "man leading a team is hard :/" but it doesn't actually show how hard it is by having actual volatile conflict between the companions* or showing how their plans sometimes fail. which, if we actually had choices that mattered, would have helped develop that struggle. also? what's with everyone being so friendly? I'm not gonna get into that but everyone is so eerily nice and it's been said a lot but yeah, the world is extremely sanitized and devoid of any real conflict aside from the gods I guess.

*(like off the top of my head cassandra fighting with varric and accusing him of not being on their side or how the inquisitor can literally punch dorian and solas if approval is low enough or fenris and anders bordering on killing each other is not the same as lucanis and davrin distrusting each other or people being uncomfortable with emmrich's necromancy. it just scratches the surface of conflict and never goes anywhere)

and let me say real quick again, there's nothing wrong if they wanted to make a more rigid story about being a hero. it's been done a million times and it can be executed well, but if you do that you need to make sure you 1) don't lie to people and 2) actually flesh out your (especially main) characters and plot to give people a reason to care. look at dragon age 2. hawke is a fixed protagonist with their own life front and center. they ultimately only have two choices (siding with mages or templars), but it works bc the game took time to build up the conflict straight from act 1 so by the time chaos happens in act 2 and 3 you understand why bc it's Been brewing the whole time. it just makes sense. the villains as well have sound reasons and feel real instead of being evil just bc. the story is more grounded, yet you have choices. you decide if hawke ends up alone or not. you decide how they approach situations with force or diplomacy. there's none of that in veilguard. a game that supposedly took 10 years to make. when dragon age 2 took almost 16 months (yes I know da2 also has problems like the fact that the templars are always proven right but this isn't the place to dissect that).

I want to be fair though and I do want to restate what I enjoyed about the game. the cc (though would it kill them to have more variety in face textures like age and body types beyond average.. also no colour wheel... especially since they claimed their cc was so good), the map progression/visuals/exploration (how certain places become more blighted overtime), the factions (though I feel there should have been more content for your faction, and helping them or not should have mattered more), the combat (did not feel like a slog, pretty fun and mindless), the companions (bellara, davrin, emmrich, harding, and lucanis had solid personalities and stories despite my complaints. neve was not memorable and I just feel sad for taash's bad writing), certain parts of the story were good, the intro and the point of no return sequences were solid, and the ending didn't feel rushed or boring compared to inquisition. and yes, I do appreciate that rook can be trans, I just think a little more subtly and care would've been nice.

another thing I did like and predicted was that varric died at the beginning of veilguard, and for a second I actually enjoyed that because i thought we were finally (a bit too late tho) getting some depth to rook and their own struggles of accepting his death and carrying this weight without him. and while I do think maybe they should've taken more time to establish the mentor/mentee relationship so we really feel rooks regret, I still think it was at least the right direction where in their grief they still see him, giving advice and narrating their journey.....but then it turned out to just be solas manipulating them the whole time, immediately destroying any emotional weight this reveal had.

whenever bioware has good ideas they shoot themselves in the foot and make it about solas. it's like nothing in the world exists without solas being involved somehow, and that is just incredibly boring and uninspired to me. not to mention solas just being an insufferable ass the whole time, which is fine, but it's not even in a compelling way like he used to be. he became so ugly by the end and the fact that the devs consider redeeming him the "good ending" and not giving him what he deserves is very telling and once again shows their own bias is king over good storytelling (solas' feelings should not come into play here, whether you/your companions live or die should determine good/bad ending since solas is trapped no matter what, only difference is who is trapped with him. idk but I personally think different endings actually means different outcomes). i will not go into the bs of the secret post credit scene, bc frankly I'm fed up with bioware's shitty writing and I won't be playing their next world ending space aliens game (unless they miraculously pull a good story out of their ass but lbr).

overall the bad outweighs the good for me. it's fun to play as a game, it's a decent fantasy game, but the story just doesn't do anything for me. sometimes I wonder if dreadwolf was a completely different game and was scrapped for veilguard last minute. maybe this was yet another inevitable industry fuck up and maybe there was a good story planned at one point. idk. all I know is bioware lied. respect and credit to the poor devs and writers who actually cared and to those who were kicked from the project, but in the end bioware promised too much and delivered too little.

[lemongogo]

oo u want 2 draw soo bad..

[incorrect-jojolands-quotes]

Hot take but I think what we saw in chapter 13 was necessary.

I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.

Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.

As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.

Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.

So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.

While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.

My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.

I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.

[peculiaritybending]

Do you think that Maiko were in a relationship* before Zuko was banished? Or atleast were aware of their feelings? The getting together after S2 seems to be approached very casually in a way that a new relationship wouldn't be

* relationship here meaning a silly middle school one where they hold hands and cute stuff like that

OH YES I DEFINITELY THINK SO !!

I actually think their relationship would have been kind of similar to how it is shown in s3, being casual but very supportive and loving too (not without some disagreements and silly arguments though of course) but more awkward and childish. I also think they would have been less guarded and closed off with each other, being younger and it being before Zuko’s banishment and all. I think that’s part of why Zuko is often trying to get Mai to open up and express herself more. He remembers when they trusted each other and would confide in each other a lot as children and wanted that security back. This isn’t to say I think he was unhappy with their relationship in s3 or that Mai or, Zuko for that matter, was ever super open with their feelings. I think Mai is naturally a very closed off person and so is Zuko to an extent. What I mean is I think they would probably be the type to complain about things together in a very dramatic pre-teen and/or early teen way. Very emo/goth and dramatic like “Life is a prison. There is a black void inside me. The world is a dark and miserable place. Wanna write poetry and hold hands about it?”

I think they also seem like the type to play harmless pranks on people but specifically more the type that irritate or confuse people and not the like “bucket of water above the door way” type. I feel like they would do shit like make the guards think there was a ghost in the palace or move Mai’s parents’ belongings to weird places in the house and watch them get annoyed and confused about it. Both of them having an interest in blades is something I always thought would have been something they would share with each other. I can see them both practicing their skills together. There’s probably a tree in the palace garden with lots of long slashes in it from Zuko’s dual swords and deep indentations from Mai’s throwing knives and maybe even their names carved in it (twice because Azula stole Zuko’s knife and scratched it out once out of jealousy).

That’s all I have right now, I could probably spend hours coming up with cute and silly little scenarios of the two of them if I tried. Thank you for the ask I love having an excuse to talk about these two.

[compressednerve]

I have a few friends waiting on my response to messages... I wanna apologize >_< I've had a recent event that's caused a weekslong crash/flareup and this has been accompanied by alogia. The words for conversation just aren't coming to me... sometimes I wish I could just use hieroglyphics or interpretable dance movements.

I'll get to responding soon. When I can find the words.

[kyouka-supremacy]

For the ask game, how about, Naomi

Sure, I adore her!!!

Favorite thing about them: She's funny and witty and empathetic and resourceful and kind! I love her personality.

Least favorite thing about them: I mean, I'm not the greatest fan of the whole sleeping with her brother thing lmao. Still, I wish we got to know more about them, like, what's their deal? Because so far it just seems like this type of bsd dark humor I don't really vibe with. It's fairly easy to ignore for me though, so I don't really dwell on it too much ahah.

Favorite line: I reread all her lines and I this is the nicest one I could find where she isn't like. Quoting Dazai

brOTP: Naomi and Kyouka!!! NAOMI AND FUKUZAWA. I've recently elaborated on this here, in my mind Naomi is Fukuzawa's right hand woman lol. And rightfully so, she's so competent and clever!!

OTP: Naomi and Gin... 👀👀👀

nOTP: Nothing, whatever.

Random headcanon: Naomi and Fukuzawa play Go together during breaks.

Unpopular opinion: Idk? She should be back in the manga soon. Also, I feel like people underestimate how witty she is.

Song i associate with them: ............ If I had to think of one, The Snow White Princess by Noboru↑-P, but it's kind of an unfortunate association...

Favorite picture of them:

Favourite panel from the manga:

Favourite illustration:

Favourite illustration in the anime art style:

[yuanwang]

knock knock!!!

[batsplat]

i really want to hear your opinion on this. I feel like some people underestimate pecco a lot. most of the people I’ve seen on here are talking like it’s certain that marc will do better than pecco next year, but I’ll be surprised if it’ll be actually like this. pecco has way more experience on the ducati and nobody understands the ducati like pecco does. see race weekends like assen or mugello, he’s literally unstoppable and I feel like he’s even holding back. plus pecco is 26yo and he’s in his prime and probably will be for at least two more years before the decline inevitably begins, and he’s injury free! but the real advantage he has over marc, in my opinion, is that he literally lives under pressure and he already knows that marc will try to hit him on the track and above all mentally. he knows what he is getting into. when he talks about wanting to maintain harmony in ducati it’s because he’s already aware that marc will ruin it. like yeah ppl r saying a lot that marc is going to destroy pecco and all that, but right now the facts state that pecco is a 2 times wdc back to back (probably 3 by the end of this year) and right now on the ducati he’s the best rider of the grid. marc won his last wdc in 2019, it’s been years since he won, and he got his arm fucked up in the process. so yeah marc will try everything to destroy pecco but he needs to be careful to not destroy himself in the process. (this is not marc hate, I’m just tired of seeing people understanding pecco)

first of all, I'm broadly with you on a lot of this, anon, though I wouldn't quite as far as to say I'm predicting pecco to beat marc. second of all, I do think I have a bit of a problem where I have my rational sports brain - but I also have the other less rational bits of my brain. and some of those irrational bits are currently stuck in this mode where I have two different fundamentally contradictory mindsets that are kinda... mental blocks in terms of me predicting what will actually happen next year

mental block #1 is 'you've been following sports all your life and you know how this goes'. like, I've kinda been conditioned to think if you aren't a wunderkind, one of the talents of the century, already a megastar when you were in your nappies bla bla, you're basically fucked? certainly fucked when you are going up against one of those prodigies. you may get close and trick everyone into thinking it's actually possible, but... idk. this is a mindset that broadly stood me in good stead when I started watching motogp, like you just don't bet against fuck you talent. something like 2017, I never really thought marc was going to lose that title. so when I look at marc and pecco, however much I rate pecco there's a bit of my brain that automatically goes 'yeah but marc will win anyway'. it's that kind of... sometimes things that look slim differences in sports, margins that should be small aren't actually small at all, and in a way the end outcome feels like it was always kinda inevitable. I get that same sense when I'm watching 2005 last lap duels between sete and valentino - these are situations where you both parties should have a decent shot, but somehow you know that if you ran the simulation one hundred times, it'd basically always go one way. it's the illusion of competitiveness. one guy's always got something a little bit extra in the back pocket

mental block #2 is that it's actually been really fucking long since I've seen marc win and there's been a lot of false dawns on this front. I thought he'd win the title in 2020. I kinda thought he'd win the title in 2021. I was at least open to the possibility he'd win it in 2022. okay, in 2023... but you could still go 'yeah but he's finally physically fit now' (or, well, you could until the first race weekend was done). and honestly? gut feeling, I was feeling pretty bullish about 2024, partly because I didn't think the gap between the bike specs would be this noticeable. so by now it's a bit? you know, I kinda need to see him win again to believe it? which he probably does too, just a touch, and that makes it a completely different proposition from all those other titles... within this sport in particular, it's really not that easy to recover from years in the wilderness. you never really know if he can get close to handling the field like he did in his prime until he does it again. and... however impressive I've found him this season, which I really, absolutely have, I still haven't seen that from him. I also feel like currently... the magic is still there but his pace is so fragile, and that used to be the really scary thing about him - the relentlessness of his pace. this year, it's one lap pace, it's weekend to weekend, it's how sometimes he's slower in races than you thought he'd be - and yes, there are all these other explanations, but... well, again, if the bike is holding him back, if it's the ducati adaptation period, then that's all well and good. but I'm not really going to feel that's true until I actually see the next step

now obviously both of those things can't be true - and the fun thing about next year is that I don't actually feel it's a done deal. because, yes, people do underestimate pecco. and also because, yes, there's still some real question marks about the version of marc we're getting. just look at this sachsenring situation... obviously 'someone could get injured' is quite a depressing way to look at future title fight permutations, but you can't really treat it as a certainty that it won't happen, no? I feel like one element of last year that doesn't quite get the attention it deserves is that pecco was winning that title a whole lot more comfortably before a bike ran over his leg. the race right after that was misano, where pecco had won the two previous years and there's zero reason to believe he couldn't have done so again rather than take two laboured p3's. that's not a title fight anyone's primarily remembering as an injury arc (cf too the le mans crash) - but it clearly did play a big role and could easily have been decisive, without actually taking out one of those two contenders of competition. marc used to win his titles with a whole lot of throwing himself down the road to find the limit of his bike, but he can't afford to do that any more (if he ever could). we still need to see what version of marc we're getting, if we're getting a version who can just be fast anywhere come sunday - or a very good version of marc who isn't quite that. who knows exactly how much worse the gp23 is than the gp24! who knows how much more there still is to come in terms of ducati potential from marc! we have rough indications, but it's far from definitive. maybe one of them doesn't click at all with next year's bike! we'll only know when we see it play out!

and yet I still expect deep down that marc wins that. it's just kinda supreme belief in his fuck you levels of talent, the belief that he'll figure it out somehow because I've seen him do it so many times. and of course, the other big problem is we don't know what version of pecco we're getting! I have talked before about how historically unusual pecco is as a champion in many ways, which for me always makes it quite tricky to figure out what he'll do in basically any situation. like, where is his ceiling? is he still going to get better? is he going to get his act together? my problem is that I feel like I enter every single season going 'yeah I reckon this year pecco will get his act together, ugh he's going to dominate the field' and then it's just a bit? is this just who you are as a rider, or is this something you can still change?

the thing is, with my fullest respect to pecco's titles, however much I enjoyed those train wrecks, obviously you cannot do this against a version of marc marquez that is remotely up to scratch. like, you just cannot. pecco cannot do a 2022 and expect to win the title. against an even slightly serious version of marc marquez. on the same bike. pecco can't really do a 2023 either. I'll give him a pass for some of those late season results, but if you're chucking it down the road that often early on then, yeah, no

that being said... low key if you ignore all the little numbers, this year is actually a serious title fight...?

like I am always aware that acknowledging this could make them both dnf five times in a row but...? there's one sunday race one of them haven't won, and cota is its own thing. everything else...? whisper it softly but this is a good title fight? 2022-23 were sort of accidentally good because everyone's errors and runs of good forms and performance trajectories just kinda coalesced so you got late season drama, but this? consistent high level of performance from both blokes, decent wheel-to-wheel action between both title rivals at several different races (definitely more than in 2015 and everyone remembers that as a classic, also on course to be more than in 2013 and most years 2007-12). idk, at what point do we just have to acknowledge these guys are pretty good at what they do? sure they're on the strongest bike, as are the vast majorities of blokes who win titles historically. but bastianini's reasonably highly rated and he's not even gotten particularly close to winning a sunday race this year on the exact same bike - one p2 on merit snagged on the last lap and another one less on merit when vinales was highsided to the moon for mechanical reasons right ahead of him. yes, the title contenders have had some howlers... pecco's portimao and catalunya sprints were... well, y'know, and martin's jerez race and mugello sprint were also... y'know. but apart from that?

idk man... we can cry over photos of casey on his gp7 all we like, but at the end of the day these twits have come out with some class performances these last two years. and at a certain point you've just gotta hand it to them. they've become more experienced at how to manage a title fight, which is how you get a version of martin this year who is still fast but is less likely to phillip island it. some of those performances late last season were great! for every martin qatar and pecco india, you also get a martin thailand and a pecco indonesia. maybe they'll stop chucking it down the road so often, or maybe they'll keep chucking it but so will marc, because these days they have ridiculously many opportunities to do so! I also think it's worth pointing out that minus some questionable early season form from pecco, those two are basically always on the pace! they're always there or thereabouts! that's how marc used to kill his title rivals, not necessarily by winning a bunch of races but by making sure he was always picking up points - because he didn't have any truly slow weekends. these guys don't either at the minute! we are seeing them actually get better in front of our eyes, it's great

the other stuff... oof, I don't know what pecco's prime will end up being - remember, actually he's low key already edging out of title-winning age. he's now 27. this century, only two riders have won titles when they were older than 26 - valentino twice and jorge once. obviously, that's partly happenstance, and you don't suddenly get struck down by 'being washed' lightning when you turn 27... plus on the flip side, I also think the fact that pecco has only reached his prime relatively recently means he could have quite a few more years to go. who knows! who knows if marc being increasingly more breakable becomes a big factor! recovering from injuries gets tougher the older you get and the more knocks you've taken! on the other point, the ducati is a bike pecco knows very very well and has a lot of time riding... but broadly speaking I do trust marc with a year's worth of experience get as much out of that bike as he ever will. just the fuck you talent again. we don't know what that performance level looks like, but I don't think it'll be a question of familiarity any more at that stage

so where does that all leave us? do I really want to be making motogp predictions this far in advance? yeah, sure. if I had to put money on it, I'd still back marc, I think? but I really do hope we get a proper fight, and I really do think we might! I'm far from convinced in writing off pecco. basically *grabs the crystal ball, aka checks the races we've literally just watched* let's say pecco absolutely dogwalks the field at a few circuits. like maybe a mugello, an assen, a cute qatar, even a catalunya now he's faced down his demons (though maybe jorge on that aprilia goes bye bye at montmelo). then give marc his races where he laps the field twice in cota and sachsenring. and we're going to get a few classic duels, for the fans. if those duels happen at the mugello's and catalunya's of this world, pecco's might be in deep shit. if they happen at the misano's and aragon's and maybe even jerez's, we can get something going. they both have at least one silly early season crash (also kinda tradition for marc outside of his peak peak seasons lbr) and everyone gets to call pecco a bottler and crank out the good ol' crashquez. and then hopefully we can massage those numbers enough that pecco isn't crashing three times to marc's one and we actually get a proper title fight. and hopefully they don't get injured too badly. I've said this before, but I could easily see a title fight where pecco wins most of the big duels but his inconsistencies let him down. if his bad days are p3's, however, or if marc himself is a bit flaky at times, then we're suddenly having a very different conversation (also don't feel that comfortable in writing off aprilia/ktm and their respective star riders, especially in year two of the factory ducati partnership)

one thing about pecco (that you do also bring up anon)... if there's one trait in his competitive makeup that most reminds me of marc, it's his resilience. he's very good at bouncing back, he's very good at dealing with adversity, a lot of the times he's at his best when he's under ridiculous amounts of pressure... if anything, he's worse when he has reason to feel confident. it comes through both in what a class defensive rider he is and how good he is at dealing with title fight pressure. if there is ever a time where he mentally gets his act together at the very start of the season, surely it's going to be when he has the famous marc marquez in his garage. if that doesn't do it, literally nothing ever will. and listen, knowing marc will try to mess with you isn't quite the same as being able to stop him from messing with you. wanting to maintain harmony doesn't mean your chances of maintaining harmony are necessarily great. but... you know, pecco got his first ever win by defending against marc lap after lap, facing essentially the most stressful situation imaginable with the 93 on his tail. marc made him a better rider that day. marc might make him a better rider next year too... you never know

[moonshine-nightlight]

Any advice for writting longform stories like NWWD?

@honoikazuchis

thanks for this ask!

thats a pretty open ended question and my answer will inherently be relatively specific to me and the way i write, but i'm happy to share my advice!

I will link a few other posts where i answered some other writing asks:

worldbuilding [x] editing/exposition [x] writer's block/POV [x] plotting vs pantsing [x] how long does it take me to write stuff [x] my writing process [x] writing spicy scenes [x]

otherwise, see below for me rambling way too long about writing.

disclaimer: this is just my opinion and how i do things, obviously there's a lot of variety and nuance for everyone's writing process.

firstly, is that personally, i'm inclined to writing longform stories so thats a bit of a built in strength of mine. generally speaking my story ideas come with lots of lore (see above for my love of worldbuilding) and i like relationships that are deeper/longer, with slow burn being a favorite of mine (why basically all my short stories have the two people involved having met prior to the story starting). that being said, technically the main character in 'Nothing's Wrong with Dale' doesnt meet demon!Dale until the flashback of chapter 2 and why is part of why that story is so long/has a built in arranged marriage premise. Of my two potential long form stories i'm going to do next: one they already know each other (and are basically already in love just being pining idiots about it) or two the story takes place over several months/high stress situations and does not end with marriage etc. But thats more of a concern if you're writing romance.

in general, my advice for longform stories is to already have a relatively complete, high level view of the story when you start. some people can just improvise the entire story as they go--I cannot. i think its very helpful to know where ur story is going to end, more crucially when it is long and you'll be taking a while to get there. by this i primarily mean the setup for the story, then general ending, and vaguely what sort of metaphorical journey they take to get there. you do not need to know every scene and detail in the middle--and plot points/characters can and will evolve as you write and think more on everything--but having the broad brushstrokes figured out asap is critical, in my opinion.

I also, as a side note, don't set out with a story length in mind. i can generally get a good handle on how long a story will be by the idea and outline, but i dont try to make it long. if anything, i did try to challenge myself to write shorter stories, like my novellas, when i started this blog/posting original writing here. that was not only because i do tend to get very complicated/long original ideas, but also because i think it was important to me to actually finish some original work, which i had never done before.

shorter stories tend to have more straightforward plots. not that you can't boil down longer stories to simpler summaries, but generally longer story ideas have more stops along the way so to speak that come to me when i'm developing the idea because i want to cover more with the story. the main character in dale having had childhood illness, dale raised by his grandparents, there being tournament stuff and assassins stuff and uncomfortable parties and most importantly MC figuring out dale was a demon immediately and dale not knowing the MC knew that were all things i came up with (loosely) very soon after i started working on it.

which leads into my next piece of advice: write everything you brainstorm down - you will forget and you will remember there's something u've forgotten and it will annoy the hell out of you. write your notes, write your what ifs, write down possible character names, write down cool ideas for scenes--heck write some of the scenes up then, evn if its for chapter 24 of 35. dont save what ur most excited for as like a carrot on a stick, i find that it doesnt help and that having part of my story that i love existing already is a much better motivator to write the rest

i'm also a big outliner and planner. i think some people think what that means is that u should b able to write a plan once for a story and then never change or deviate from it--but no! change the plan as you go; scrap things that dont work out and add new ideas when they come to you. however, i do think having something down that covers the whole story, lets you get a good idea of the shape of the story, and reminds you of your end goal, are all incredibly helpful. i also keep multiple worldbuilding notes docs; character and location lists; picture inspiration; etc to support the longform idea

i think u also hav to hav confidence/delusion that you will in fact finished. i hav started multiple longform original writing ideas in the past. none of them are done except dale. and part of it was not taking some of my own advice up top, but i think i also just wasnt as committed? lik it'd get lost in worldbuilding, or writing other projects, or life happening (which is all absolutely fine) but dale was the first longform idea where i like, really believed i could write it all and where i was dedicated to putting in the time i'd need to finish it. i knew i would need to take breaks and it would take more than a year (which i did and it did) but i still believed i'd get to where i am now, with a finished draft which i think was really key.

also, practice, i've been writing for years and year; i've been reading for even longer; and i've been writing and posting fanfic for years as well. some of my longer fanfics were such good practice for how to plot a long story without having to generate all the lore myself and having guardrails on for the story/characters in general. aside from dale, my next five pieces of longest writing are all fanfic.

lastly, find at least one person you can talk to about your story. i really think that helped me stay excited and motivated about my longform story in particular. i of course like talking about shorter stories too, but i dont think i felt as compelled to keep talking about them during the process of writing them as i did for my longform stories (even my longer fanfics i talked with other ppl in the big bang about or other writers on discord). and i dont just mean posting the rough drafts as u go like i did, but friends, irl or online, that either are also writers or are just interested in what story you want to make. i think it helps make it more real to you, it gives you ways to talk through issues that come up, its a way to get excited because they're excited, and it makes someone besides you ask how everythings going. the longer stories ideas i had but never got finished are also ones i primarily kept to myself, because i dont think i'd realized how helpful it could be to share them and also because i was still sure that in order to justify telling someone or evn for someone to care, it would hav to already be written, but it doesnt! and in retrospect, i wish i had because maybe those stories would exist--or maybe i'll dig up those notes and talk to someone about them and then find myself back to writing about them (rip to Aftermath, that corrupted external hard drive did u dirty and killed my motivation).

i think getting to understand and figure out your own process, to really look at yourself and see what works and what doesnt (as honestly as you can) is extremely helpful. u'll also figure stuff out along the way--dont hesitate to try to new strategies or drop one that are really not working for you. its all a learning process. be nice to yourself! give yourself the grace to make mistakes (or tell a friend so they can bully you into to cutting urself some damn slack when u can't stick to a weekly upload schedule u made up for urself).

whatever longform story you've got in ur head is one worth sharing and seeing through to completion--and then inflicting on everyone else lol OUR problem now ;)

[onepiece-polls]

I love your polls and it’s great you try to be on both sides to give fair chance to everyone, but the way you talked about shanks/buggy is crazy They’re fine together but in canon they’re brothers and your shipping googles got so tight you actually sounded like you could believe they’re anywhere close to canon which is u know stupid af

lmao, okay, this came out of nowhere 😂 Like... I talked about that months ago. But okay.

Anyway, Shuggy is canon. They're making out behind you right now.

[theflyingfeeling]

💖 it's here, it's pink, it's sparkly, and full of fluff 💖

Hiiiiii and welcome to witness my attempt at an Olli/Allu Advent Calendar, in which I'll give you ~a cute little something~ about these two idiots in love almost every day until December 24! My plan is to use prompts from this list to either write a fic based on the prompt or just some good ol' delulu thoughts if all else fails. I cannot guarantee there'll be a post literally every day, but I'm really excited to try this out and I thank you for your support along the way in advance 💝

The biggest thanks and a million hugs go to one of my favourite human beings @kraeuterhexchen for making the adorable banner!! I mean helloooooo?? 😭 Go show them some love ❣️

For December 1, the prompt list is titled One True Pairing Moments, and the prompt I chose was 'calling just to hear their voice' 🥺 You can read the fic below, I hope you like it <3

.

PS. Even though this is an advent calendar of sorts, I'm not planning on making this particularly Christmassy. I hope no one minds terribly!

~

Falling for Aleksi had, in a way, sneaked up on Olli, at least if he fooled himself a little. He could pretend he didn’t feel any different about the man than he did about, say, Joonas or Tommi, but that strategy only worked for so long – that is to say, approximately until Aleksi as much as smiled softly at him from across a room or bumped his shoulder into his jovially when walking down the street and Olli would feel his breath getting caught in his throat or stumble in his words, his tongue tangled like shoelaces, which was so unlike him as well and frustrated him to no end. It really took a special kind of fool to not only develop some level of feelings for a friend, a colleague, a bandmate for Christ’s sake, but also become so hopelessly enamored with him that you rolled awake in bed in the dead of night, grabbing your phone and tossing it back on the nightstand again and again because you couldn’t decide whether or not you should, on some erratic 2 o’clock impulse, call him to let him know he was the very reason for your insomnia. 

Turning on his back, Olli groaned (only a little desperately) as he remembered losing himself in the lingering hug they had shared just before the arrivals lobby at the airport, inhaling Aleksi’s scent and wishing they wouldn’t have to go home just yet, even if Olli was more than ready to finally sleep in his own bed again. Ironically, ever since they had returned home from tour, Olli had spent night after sleepless night missing Aleksi terribly: his stupid jokes and playful banter that bordered on being flirtatious if Olli allowed himself the benefit of delusion; his quick, subtle smiles that probably meant nothing; his little touches Olli hoped meant something; his smell and his touch and the softness of his hair at the back of his neck, compared to which the blanket Olli was grasping in his fist was like sandpaper. (How he had come to know of the qualities of Aleksi’s hair in such detail, he preferred not to dwell on too much to save himself from the heartache, so let’s just leave it at ‘stressful, emotional week far away from home’ and ‘a little too much to drink’).

Above all, Olli missed Aleksi’s voice. He hadn’t even thought that was possible, until the other morning when Olli had woken up to a voice message Aleksi had left just hours earlier, rambling about a song idea he had gotten in the middle of the night – something he did from time to time – and Olli had spent the next several minutes replaying it over and over again as he had lied in bed procrastinating getting up and and instead closing his eyes to better imagine Aleksi lying there beside him, turned on his side to face Olli, talking to him sleepily like they often did when they shared a room on tour and were just too lazy to join others at breakfast. Much like the hug at the airport, Olli wished those moments would have lasted way longer than they did, often ending abruptly when either of their phones would go off with Santeri’s name on the screen, a passive-aggressive interruption to the soft, low tone of Aleksi’s early-morning thoughts. (Sometimes, when Olli was lucky enough, he had been blessed with the bliss of feeling the light touch of a fingertip tracing along his collarbone, cut short just as frustratingly by their well-meaning tour manager politely enquiring whether the two of them had plans of dragging themselves downstairs for some toast and coffee, or if they’d rather starve until lunchtime, for which he wasn’t at all sure they’d even have time that day.)

The lovesick idiot that he was, his thumb hovered over the ‘play’ button of Aleksi’s voice message, probably for the millionth time that week. The chest-carving hesitation turned into a heart flip when he noticed Aleksi was online.

Then Aleksi began to type, and Olli held his breath the entire time until a new message appeared in the thread, anticipation holding him by his throat.

You awake?

Olli exhaled and typed his affirmative reply, leaving out the reason why.

He blinked at the screen, waiting for Aleksi to ask him a random question that clearly couldn’t wait until morning, or perhaps talk about something related to another late-night Twitch stream (from what Olli had gathered, Aleksi had been doing a lot of those recently, and with his last remaining braincell Olli had managed to resist the temptation to watch every single one of them, because he knew that if he did, it would only dig his grave of pining and longing deeper, seeing Aleksi smile and giggle about but not being able to do that with him or snuggle up next to him when he was wearing that flannel Olli often used as a blanket in the tour bus). But instead of another text appearing on the screen, Olli’s phone began to vibrate in his hand, and it took him an embarrassingly long while to understand it was because Aleksi was calling him. 

“Hi,” he sighed when he finally collected himself enough to speak. He prayed he’d be able to hear what Aleksi was going to say from the thumping heartbeat echoing in his ears.

“Hi,” a soft voice said. “Sorry, I know it’s late…”

“No, not at all,” Olli hurried to say, “I mean, I wasn’t sleeping. Not even close, actually.” Part of him hoped Aleksi wouldn’t ask about it, but in some foolhardy way the possibility intrigued him. 

Nothing much, he would have likely said anyway, but what would happen if he told Aleksi how it really was? That he squeezed his pillow imagining it was him instead, or wailed into it because something had reminded him of a moment-that-was-probably-not-a-Moment™ they had shared? What would Aleksi say if he knew Olli sometimes touched himself the way Aleksi had touched him That One Night they never talked about? The only obstacle between Olli and that knowledge was a bottomless ocean of cold sweat and cowardice, and Olli had never been a great swimmer.

“So, ummm…,” Olli said when Aleksi’s end stayed silent. “What’s up?”

A short breath of laughter sounded through the phone line.

“Honestly? I don’t know, I… It’s just been a… weird week, I guess.”

“Yeah?”

“Yeah, like… my head’s just been so full of… everything and… I’ve been so busy and kinda tense and… fuck, this is going to sound crazy,” Aleksi laughed that brief laugh again, although to Olli it didn’t sound particularly cheerful. Tired, more like. Strained, somehow. Not sad, but definitely a little troubled, and Olli intended to find out why.

“I’m all for crazy, you know.” Olli hoped his sorry attempt to lighten Aleksi’s mood would work, and so he smiled in relief when he heard Aleksi chuckle at his comment.

“I know,” Aleksi said softly, in that tone of voice that had Olli melt against his bedsheets. “So yeah, it’s been a rough week, but… in between all that stupid shit, I’ve been thinking a lot about… umm… well, the tour and– and… about you, for some reason,” (the troubled laugh made its return) “and… yeah. That’s sort of helped me a lot recently.”

Olli listened to the words carefully, not fully believing what he was hearing, yet clinging on to them until they were all but swirling around in his otherwise empty head like dry leaves in October wind.

“And tonight I just couldn’t fucking sleep for some reason and nothing I did seemed to help and so I thought I’d call you. And I’m–” If it hadn’t been dead silent otherwise, Olli wouldn’t have heard the shaky breath Aleksi paused to take, “I’m sorry I’m calling you at this hour and bothering you with this all but I guess I just… wanted to hear your voice. To see if that would help.”

“Does it?” Olli asked. Aleksi’s confession had made him clasp his blanket close to his chest, as if that would do anything about his rapidly beating heart.

“Yeah. It does. So maybe just… keep talking?”

Despite his mind living a life of its own, completely unfit to form a single coherent thought, for Aleksi’s sake Olli tried his best to think of something to say, but everything he came up with was something he was not ready to tell him quite yet. 

“Uuummmm…” he said to buy himself some time, but while he waited for his useless brain and mouth to form any actual words, Aleksi spoke again.

“Fuck, I’m– I’m sorry, this is too weird, I shouldn’t have– I’ll let you go back to–”

“I miss you,” Olli blurted before Aleksi would hang up on him. He squeezed his eyes shut when Aleksi went silent, too silent for too long for it to mean any good.

The line stayed open, however, which Olli took as a positive sign, even if the seconds during which all Olli could hear was Aleksi's quiet breathing seemed endless.

“And I you,” Aleksi finally replied. “A little too much, probably, or at least that’s what it feels like,” he chuckled. Olli almost missed the quiet sniff that followed.

He had to steel himself for his next question.

“What do you mean?”

“Just… forget it.” Aleksi said quietly. Contrary to Aleksi’s request, Olli knew he was going to all but ‘forget it’ for the next 3-5 business days; mentally he booked all his evenings as well as most of his mornings and noons for pondering what exactly had been in Aleksi’s mind in that moment or why he had sounded so sombre, almost disappointed. He’d probably never come to any satisfactory conclusion about it though, at least not without a little help from Aleksi himself. 

A ridiculous idea popped into his head, and before he could stop himself, the words flooded out of his mouth.

“Do you wanna come over some time? To hang out? When your schedule’s a little less tight, I mean.” He sucked on his lips and closed his eyes as he waited for Aleksi’s answer, ready to hang up the moment he’d decline the offer on some obvious and logical reason for why Aleksi couldn’t possibly make nor want to take a trip to the north to see him, such as ‘didn’t we just spend over two months on the road together?’ or ‘damn, buddy, I miss you alright but not quite that much, I’ve done enough sitting in public transportation for one year, thank you very much lol’ or ‘what about Rilla?’

“You could take Rilla with you, you know.” Olli hurried to say, just in case, the deranged part of his brain thinking there might be a chance Aleksi might be at least considering it.

“Oh! Well, umm… I actually might have time next week? If– if you’re actually being serious about this.”

Funny you should ask, Aleksi; I’ve actually never been more serious about anything in my entire life than I am about having you here with me so that I can hold you and be held by you and see your face when I wake up in the morning and say goodnight to your annoyingly cute face instead of via text message and maybe, if the stars are in position and the northern wind won’t discourage me too much, I might actually be brave enough to torment you with the knowledge of just how miserable I’ve been since we last saw each other.

“I think it would be cool,” he said, because he had a feeling what he wanted to say would’ve been a tad too much and sudden. “I mean, if you’re up for it, of course. I understand if you can’t make it though, I know you have all those side projects.”

“No, I think it might actually do me some good to get out of the capital area for change.” Then there was a muffled ‘ouch’, followed by a laugh that sounded much brighter than any of the other ones Olli had heard from Aleksi that night. “Sorry, correction, it might do us some good. Rilla just told me she’s most definitely coming too. Rilla, stop nibbling on my toes!”

Olli smiled tiredly at the mental image that was painted in his mind of Aleksi and Rilla cuddling in bed, both minding their own business from what it seemed while still minding each other as well, very much indeed.

“I’ll be sure to set up a bed for her in the guest room.”

“The guest room? Do you not know her at all? If she’s not getting the master bedroom, she’ll ruin all your rugs and most of your shoes. Probably also gossip about you to all the neighbourhood dogs. And she’s brutal.”

Olli held his stomach as he laughed, tears almost forming in the corners of his eyes. In his defence, it was late and he was finally becoming tired, thus too far gone to help himself, let alone feel embarrassed about being in stitches about something Aleksi had said that was only mildly amusing. (It wasn’t the first time that had happened either, and likely not the last time.)

“So yeah, ummm, I can take a look at some flight options for next week and let you know, alright? I’m gonna let you sleep now and… I should get some myself too.”

Olli wanted to tell Aleksi he’d love to stay up chatting until dawn, but the yawn he let out when he opened his mouth to speak implied Aleksi had a point.

“Yeah, let me know. And… thanks for calling, I… you have no idea how much I needed this tonight.”

That was as close to a confession as Olli was able to get as of now.

“Probably not half as much as I did.”

Olli chuckled at Aleksi’s response, mostly to hide his own agony.

If only you knew. If only I knew how to tell you.

It didn’t take long for Olli to doze off after they hung up, and when he woke up to the kids from next door having a snowball fight under his window in the morning, he noticed new messages from Aleksi, sent half an hour after their phone call had ended, complete with screen captions of airplane schedules.

Would these days work for you? I might be free all week actually 😇

Olli cuddled into his pillow while typing his reply, hoping it wouldn’t wake up Aleksi.

yeah I’m free as well. I’ll pick you two up from the airport 🖤

From then on, Olli started counting the days until he’d see Aleksi again.

[ashlynniis-bracketeers]

Starting a collection (putting under a cut)

[tardis-technician]

this sucks so bad i need to [remembers suicide jokes are not conducive to my mental health] swap this guys gun with a banana :))

part of an ongoing series

[haii2u]

I liked your RL-3 drawing so much i miss playing fallout 3 for the first time T_T

Thank you!! Despite some of my issues with it, it was such a unique experience ...