#everyone do your share

[dreamsteddie]

Steve and Eddie who kind of flop in life and end up poor, living in a trailer in a different small town living quiet lives of no import.

The kids, Robin, Nancy, and Johnathan all seem to take the small handful of opportunities offered to them by the government in the aftermath of the Upsidedown to take off and make something of their lives. They're off writing headlines, making news, and living their lives to the best of their abilities, but Steve and Eddie find themselves stuck.

Steve stayed in Hawkins until the kids graduated and left for college. By then Nancy, Johnathan, and Robin are all in their second or third years of college. John and Nancy have their own apartment in New York together and don't reach out all that often, only seeing the rest of the Hawkins crew on Holidays and some vacations. Robin is flourishing at an all-women's college in Maine and has a partner and a cat and plans for graduate school brewing. She's always saying Steve can come out and join her whenever he's ready, but when the time comes it feels like he would just be trying to insert himself in the middle of a life he doesn't know how to fit into, so he turns to Eddie instead.

Eddie is permanently disabled in a number of ways following the events of season four. He struggles with chronic pain, has breathing issues due to the loss of part of his right lung, and lost enough muscle mass in his left leg that walking will never be easy or done without the use of a walker or arm bar crutches. The doctors said he recovered as well as he could have. The kids said he would get better with time. Wayne said it didn't matter if he never got better, he could do anything he set his mind to.

Steve is the only person who tells him the truth.

Steve tells him that it sucks. Tells him that it will probably always hurt. Doesn't give him false hope when he's trying to grieve the loss of the life he wanted to live. The goals he wanted to reach. When he falls deeper and deeper into himself, stuck in the muck of depression, Steve is the only person he lets in. The kids try their best but their lives are moving fast, and taking care of someone like Eddie is exhausting, no matter what they try to say. Eventually, everyone but Dustin gives up on reaching out, the younger boy showing up every Sunday to try and get Eddie out of the house. He always leaves disappointed.

When Steve asks him if he wants to use what's left of their partly government payouts and Steve's equally meager Family Video savings to buy a truly shitty trailer in a town an hour and a half south of Hawkins in the fall of 1990, it feels like the first boon he's been given in almost five years. He'll never be who he could have been if he had ignored Chrissy that day in 86', but he's always thought maybe he could be more than a ghost between Wayne's walls if he could just get out of this god-forsaken town full of people who know too much and too little of what's happened to him.

They get the trailer, pack what little they have, let Wayne hug them close, and leave.

Steve has already transferred to their new town's Family Video, moving up to claim the dubious honor of being the opening manager. Mostly he just unlocks the door, signs into the computer, and makes sure nothing catches fire. Eddie hoped that moving would miraculously make him fit to enter back into the world, but he spends most of his days with a blanket on the front porch, watching people pass by. He does, though, finally accept that he needs to apply for disability to help Steve keep the lights on and the water hot. That last little bit of hope that he could be what he used to be dies, but he's learning to be content with what he does have. He starts taking a walk, just ten minutes around the loop of the trailer park saying hi and trading polite nods with his fellow residents. He's not ok, but he's starting to build a new community of people not too different from himself.

The new trailer only has one bedroom. Eddie sleeps on a fold-out mattress in the living room. It had been a major argument when they first moved in with Steve insisting that Eddie needed the bed. Eddie argued that it wasn't fair for him to take the room when Steve was the one working 40 hours a week to keep them afloat. In the end, Eddie was the more stubborn of the two. It helps that Eddie has absolutely no qualms about crawling into bed with Steve on the nights when the couch bed really won't cut it for his aching body. Steve never questions it, just shuffles over a little and lets the other man in.

Steve doesn't question a lot of stuff.

He doesn't question when all their effects are shared between them with no effort to distinguish between yours and mine, Eddie's and Steve's. He doesn't question it four months in when Eddie starts to get his feet under him and decides to take up cooking, always trying his best to have everything done just as Steve walks through the door. He doesn't question when a good chunk of Eddie's first disability check goes to buying Steve a sturdy, if not very fashionable, new watch for his birthday since his old one went bust almost a year ago.

He doesn't question it when Eddie holds his hand for the first time under the stars hanging above their front porch.

He doesn't question it when Eddie introduces him to one of his new neighbor friends with a hand resting comfortably on his lower back

He doesn't question it when Eddie starts sleeping in the bedroom every night.

Or makes him box mix cupcakes for Valentine's Day.

Or kisses him for the first time on the couch that's never a bed unless they want to spend the day binge-watching bargain bin films.

Because really, isn't this how it was always going to go? Wasn't this exactly what Steve was asking for when he asked Eddie to skip town with him?

Isn't this what Eddie was hoping for when he said yes?

[egophiliac]

What do you think of Rook's savanaclaw card? <333

I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.

and then even the actual moment of the groovy is just like

this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways

[mayasaura]

I don't wanna further hijack that poor poll, but the thing about Harrow's schizophrenia is that it's canon. The author has confirmed it, and shared that it's based on her own experience.

It's a pretty obscure bit of canon, so of course there's no shame in not already knowing, but that's why I'm so obnoxiously persistent about letting people know.

Whatever else is up with Harrow, autism or cptsd or any number of likely headcanons, she is also schizophrenic. I feel like that's too important to be handwaved away as a difference of opinion.

[rendevok]

“Take my hand” pages 12-15

1 - 2 - day 3 - 💙free day❤️ - 4

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[blightedcrow]

Songs for Rook!

inspired by an anons prompt and because i love character playlists, let's build some playlists <3 it is totally okay if you answer different questions with the same song more than once! you're welcome and encouraged to explain any thoughts or reasoning! interpret questions as you see fit for your lore~

What would you consider Rook's theme song to be?

What's a song that matches their vibe?

Which lyrics best represent Rook?

Which npc/companion(s) are they romantically involved with? What song describes their relationship?

Share a song that best represents Rook's day-to-day life?

What's a song they'd listen to? What's their taste in music like?

Which song represents their motivation?

If a song can describe their internalized thoughts/feelings/conflict, which one would it be?

What song could an antagonist use to describe their conflicts with Rook?

Which artist best matches your idea for Rook's voice?

Which song best describes them during their time prior to being Rook?

Which best describes them during their time as Rook?

What song would they feel best describes their self?

If they were to have a modern day fanbase, what song would be popular to use for fan edits/amvs/etc.?

What's a song title that Rook could adopt as their own title?

Which npc/companion(s) are they close friends with? What song best describes their friendship?

What song would you use to share a dark experience they had?

Which song best explains who Rook is to their core? Their believes? Their morals?

Is there a song you could visualize your Rook singing?

What song plays for the "ending credits" of your Rook's adventures?

[alexandraisyes]

The cutest reminder ever that the way family works in TSAMS canon is that two parties have to be in mutual agreement that they are family. If one party doesn't agree then they aren't family. Parties can revoke familial ties whenever they want and that means they are no longer family.

"Code Relation" theory is stupid because you're then implying that Eclipse is Sun and Moon's child. Which he isn't. Or that Killcode is somehow Moon's child and his brother at the same time that he's Eclipse, Lunar and Bloodmoon's "father" at the same time that they're Sun and Moon's grand children. Like, we're seeing the issue here, right?

Don't make things more complicated than it has to be. Just accept the fact that family is literally determined by a verbal agreement between two animatronics and nothing else because none of them were born from wombs. That means respecting canon when characters in canon decide that they aren't comfortable being family (like Eclipse) or just straight-up disown everyone (like Bloodmoon). It's okay to have headcanons, but don't try to push them onto canon.

[shelfperson]

this too is yuri

[verflares]

some doodles for a skyward sword zelink modern au concept ^_^ the details of which are only known to me and 4 other people probably 👍

credit to @linkvcr for their uns + their fits and for going crazy with me over them always hehe

[crazy-ache]

I’m never going to buy the “Elain is a spoiled rotten child” interpretation that I see floating around fandom. To me, Elain is a chronic people pleaser.

She desires to please everyone around her at the expense of herself. It is why she so desperately wants to be seen. She is deeply unhappy. Symbolically, Elain is described as a trembling fawn because she is frozen like a deer in headlights in the face of what she wants vs performing what other’s expect of her.

She does this because she is suffering from self worth issues and does not believe her needs or wants are important—and that she doesn’t possess value beyond her complacency and her superficial beauty.

In fact, I believe her book is going to be about becoming selfish. I HOPE it’s about finally becoming MORE SELFISH, which she has never afforded herself to be. I hope she’s selfish and leaves the cage of limitations that has been created for her in the Night Court. I hope she’s selfish and chooses love and a mating bond because she wants it. I hope she’s selfish enough to finally put herself first in order to become the strong and brave female character she was always destined to be.

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[marlynnofmany]

Any alien with an exoskeleton is really missing out on the appreciation of soft fuzzy things. I'm currently sitting on a soft couch, in a soft sweater, under an exceptionally fuzzy blanket and a remarkably soft-furred cat. It is the height of luxury, and the aliens will never know what they're missing.

[fadelbison]

I think the fact that we had two high profile actors have to take a step back from BL due to mental health issues in the last year alone and total 4 (krist james jimmy and chimon but also saint stepped back to bts and up also went that route before slowly dipping his feet back in) since I’ve gotten into this fandom should be an indicator that company’s need to be doing less not more.

Literally saw a fan complaining yesterday that FIRST KANAPHAN was being unfairly treated because he wasn’t getting enough work 😭😭😭 that man is literally never off my timeline how much more can he even work without dying?

When a company is doing 4 re-runs their teams are likely running on fumes and in a talent/ creator based industry you can’t just scale up endlessly resources are not unlimited. And sorry I took that so goddamn personally but burnout =/= incompetent.

They can’t just hire any fresh grad and expect them to work at the pace that the company needs them to. Even if they have talent they need to be trained and invested in and this has to happen at every level of production. There’s even a show coming out about it right now as we speak. I’m begging people to just open up a map of Thailand and realize just how small a country it is.

I can’t stand twitter because it’s an endless barrage of fans demanding demanding demanding for unreasonable things. Tumblr is my escape from that hustle and grind culture. And somehow we’ve managed to import that here.

I have the ability to mass block if I need to but also does anyone here have the ability to just chill the fuck out for a second. Like we have to be honest with ourselves here: I’m *not* a GMM fangirl you guys are just acting bananas.

[cielosuerte]

i really want to believe people who say they have trauma around (people they perceive as) men but i am going to keep it a buck with y'all i don't think trauma triggers are a ticket to never having to deal with hard things. not even just about this, i really think it is your responsibility to handle your triggers so that you do not harm others for your own comfort. you cannot blacklist the world into revolving around you and taking that as a betrayal shows that you are not to be trusted with anything, ever

[hellamorte]

back on stage in my big clown leander shoes, a promised post. here's what i talked about previously: part i, part ii, part iii

let's go back to the last two points in part i (starting with 'now hear me out'): i replayed the whole scene and turns out i was wrong. here's why: 1) never write any theories at 5 am 2) never take things out of the context. sorry for misleading you, lemme make some amends:

if you choose the 'keep touching him' option, leander will notice how desperate and touchstarved mc is (he's constantly pausing before speaking: afraid of hurting anyone with his words or skillfully manipulating? i know it's the latter, but what if it's both? 👁), keeps eliciting information and, when his suspicions are confirmed, he puts his trusted weapon to use: flirting (empty flattery, as vere said). we all know he's lying and he's not infatuated with mc at all (his pulse was steady). BUT!!

power?? is that some kind of doublespeak because leander doesn't want to mention the curse and ruin the moment OR is it a slip, and the curse is not a curse but something that mc just cannot control (yet?)? 🤔

for now the 'level-headed' line in the context seems to be used just for building mc's trust, not for hinting that controlling the curse is difficult; same with "we match" — to stress that everything is okay, and leander's completely reliable, because hey! he and mc are alike! (i am squinting suspiciously here though, i still have a hunch he means so much more) however, that's yet to be seen how much truth leander actually reveals in his speech.

the question is: why does leander need mc to trust him with their life? he can control the curse, can he teach mc how to do that? or does he want to use them however he likes, feeding them lies and using mc's "curse" (or even mc) as a weapon? much to think about.jpg