#every time i try to add more dialogue and it never works out

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[jelloapocalypse]

Hi! I guess it’s ask time? Just wanted to say I think you’re one of the funniest people on YouTube; I have a playlist called ‘Emergency Funny’ and like half of it is just your videos.

I’m wondering, when you’re cold-reading a line, like in those streams of voice acting a video game while playing it, what are the small details, if any, that you look to to figure out how to read the line? I’m continually amazed how you manage to have near perfect delivery while never having read the line before. Sorry if this is worded confusingly I legit don’t know how to phrase it

This was sent months ago, but it's actually a very good question and talking about this might help people who like to voice games on stream get better at doing that.

For context, this is about our "fully-voiced" game playthroughs where we cold read an entire video game out loud.

One small thing I try to do that helps is pressing the "advance dialogue button" when the person speaking is about 65-70% of the way through their line. That way, if the next line is from the same character the actor has a chance to read it smoothly as though the lines were not separated at all.

If it turns out to be a different actor's line, this gives the new actor more time to skim the words as well as extra time for them to realize they're about to be speaking so they don't get caught off guard.

Doing this is actually kind of hard because every actor we work with reads at a different pace and the person actually playing the game has to keep that in mind. Oz, Vixen, Arim, and I can sight read most lines almost instantly. I've seen Oz and Vixen in particular read entire text boxes that were only onscreen for a couple frames. But, obviously, not everyone is that fast, so everyone gets different "advance the dialogue" speeds.

Ideally, if a game is well-written and the characters you're playing have a strong voice, you'll slowly fade into the character as you read them. You begin to feel the things they're saying rather than just reading words on a page. Once you hit that flow state, it becomes easier to process what they might logically say next. If you notice one of us make 2-3 errors in the span of just a few lines, it means we're probably not in that flow state.

Some games are also much easier to scan than others, usually because of their character poses.

A game like In Stars and Time has such incredible character portraits that you can usually tell the tone of the accompanying line within a few frames of a portrait change.

Loop (above) is an extremely suspicious and weird character, but voicing them was so much fun because I could always rely on the portraits and the font changes in the text to give me direction on how to play them accurately, even though I didn't actually know what their deal was until about halfway through our playthrough.

Coffee Talk also has very strong portraits that react in real time to the lines of dialogue. The framing can push characters smaller or larger in focus depending on how upset or meek they are, so it's very easy to react on sight and adjust accordingly.

Every time a game developer takes the time to painstakingly add portraits that match every single line, every time they add SFX to accentuate certain words, every time a font wiggles to tell you someone is speaking in a sing-songy way, that's all direction that the game's creators are giving you.

Another thing that helps is just media literacy. I think everyone on the channel is pretty good at that because, speaking frankly, I don't like hanging out with people who have bad media literacy, lmao.

The more media you consume, the easier it becomes to know how a story is going to go. Even a really well-written mystery usually has only 3-5 real options for an ending, and while you're reading games aloud it's a good practice to consider all of them equally so your reads make sense no matter what. You'll notice it's pretty rare something takes us entirely by surprise in a read-through.

Also, of note, it's much easier to notice specific foreshadowing and word choice in dialogue when you're reading it aloud as opposed to silently skimming.

A solid example is our fully-voiced playthrough of Trails From Zero, which actually happened on SurpriseRoundRPG a few years back and not my own Twitch or YouTube.

Minor spoilers, but the character above, Ernest, has some antagonistic interactions with your main party over the course of this game. He wants Ellie, the white-haired party member, to quit the police force (that's your group) and go back to working with him in the Mayor's office.

When Arim played this game solo he didn't really think much of this guy. However, when he played the game for us and we read it out loud, having lines like the one pictured above spoken aloud makes it kind of impossible not to notice that this man is a freak. Mo, his VA, ended up playing him as a manosphere incel weirdo because that's the vibe he was putting out, and, lo and behold, that's pretty much exactly the character he turned out to be.

There's a running theme on our channel where commenters are often surprised to see the game "play into our bits" and how we "accidentally predict things".

What's really happening is the reverse.

It's very, very rare that we decide to make up a bit from absolutely nothing. It's not a hard and fast rule, but I find we only make jokes and play up aspects of characters based on things that are already there. Hence that one time in Miles is a Robot when I said something awful and sexual as Ray Shields, Oz groaned, and I said "Hey man, I'll give him a different joke when the game gives me somethin' else to work with!" I didn't choose to make Ray awful and sexual all the time. That's just how he is, so that's the well we pulled bits from.

Because we only extrapolate from existing content and our "silly" versions of the characters onscreen are just exaggerated versions of what's really there, whenever the game gives us more info about them, the new stuff tends to be very in-line with the bits we've already been doing. It's not us being psychic. It's us being consistent!

It also helps that almost all the regulars on my channel have done professional voice work and have been doing some version of this for literally 10+ years. Practice makes perfect!

[phantomarine]

Clam's Quick Tips for Starting Your Very First Webcomic

Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.

1) Make Your First Chapter a Pilot Episode

You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.

But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.

Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.

2) Simplify Your Art Style For Your Own Sanity

Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.

But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.

Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!

3) Resist the Reboot! RESIST!

The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."

You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.

I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.

But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."

Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!

---

That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!

[ravenstargames]

Forced mouse movement is not okay. Ever. Uninstalled and unfollowed. Never do that again.

I want to assume this ask was sent to express discomfort over a feature of the game with somewhat of a good intention. However, it doesn't feel that way.

We weren't going to reply to this initially, but after checking this is not an accessibility issue, we want to use this as a way of reminding people that small developers are not faceless corporations with endless patience and no will to respond to rudeness.

I'd like for you all to keep in mind the way you word things. There's a line between "feedback", "expressing discomfort / disagreement" and whatever this is.

No, you don't get to tell a small creator, artist, developer, how to use their tools. You can express your opinion. You can make suggestions. Small developers want to take care of their audience, because their audience is what allows them to keep working on their games. I'd like to believe every indie developer appreciates and values their audience, and wants to listen to their wants and needs.

However, you don't get to have a say in every little aspect happening in the media you consume. You are absolutely free to have your opinions, express them, have a conversation, and move on. This is not what's happening here.

There was absolutely no need to come to our ask box to say using a narrative element, a tool provided by the engine we use, is "never okay" and to "never do that again". You don't get to decide that. We don't know what response or reaction you were expecting. There is obviously no desire for improvement or dialogue here.

Our demo is free, the content warnings are clear, and the "dark fantasy" and "horror" tags are there. If there's a need to add more content warnings, everyone following us knows they are welcome to inform us about it. I think we've made sure everyone feels comfortable reaching out to us with their opinions since we started publicly working on LiL. Our ask box and our DMs are always open for everyone.

But there will be spooky elements. Agency will be taken away from you. You will feel happy, loved, frustrated, angry, and sad. That's the game we want to make. You can try out the demo, find out you are not comfortable with whatever elements are in it, and decide not to engage any further with it. You will always be free to stop supporting us and our game any time and for whatever reason.

The use of this tool, the forced mouse movement, is justified and adds to the storytelling. We didn't use it deliberately just for the funsies. It shows that there's a higher power trying to control you, and it prepares you for the fact that sometimes this power will be greater than you.

Again, you are absolutely free to uninstall and unfollow, but I advise you not to go to another dev with this much entitlement telling them what to do or how to tell their story this way. You don't like it. It is not made for you. You are not the target audience, and that's completely fine. Curate your space and give some love to the small developers of your favorite games.

[bless-my-demons]

Redamancy: Chapter Twenty-Four

Series Summary: What happens when your soulmate is a vampire that struggles to maintain a diet of trying not to kill you? Common sense says run for the hills, nothing is worth your life - but my heart is whispering why not, what’s there to lose?

Warnings: Tooth-rotting fluff, cuss words, and… angst

Notes: I fell asleep after I decided to add a Jasper dialogue last night… I’m sorry it’s later than normal lol remember, I told yall Jasper has to make up for his being gone😌🫣

Word Count: 2373

Series Masterlist

• March 20th, 2006 • Forks HS •

Reader

The weekend passed by in a blur, I spent it wishing I got more time with Jasper, but he desperately needed to hunt. So that left me with Quil, if he noticed my far-away mind, he didn’t comment, the new video game he picked up Friday occupied most of his attention.

Friday. I jumped off a cliff with Bella, was rescued by Quil’s ex-best friend, and then the object of my every waking thought showed up at my doorstep.

Friday was a long day, to say the least.

Which brings us to today - Monday. I have to go to school as if it were a normal fucking day, like my weekend hadn’t changed the trajectory of my life. Like my other best friend isn’t in Italy right now fighting to save the man she loves.

Slamming the door shut to my locker, I turn towards the direction of second period when a hulking mass at the other end of the hallway stops me short.

The blonde next to him grins, gracefully walking in my direction as if no more than the weekend had passed since I last saw them.

“Life has been rather dull without you.” Rosalie brings me into a delicate hug, the smile on her face growing.

“I missed you too.” The words aren’t much more than a whisper and my heart twists in my chest, they’re really back.

My eyes haven’t left his and they’re so full of sadness. The hallway empties out, but neither of us has managed to move an inch or look away.

Rose nudges me, “Go.”

A simple word, but the command moves my feet. It started off as one step and then two, but then I’m halfway down the hallway in a full sprint. Emmett takes one large step and then another before I fling myself into his arms, wrapping my own tightly around his neck.

“I hate you.” The words aren’t true, but this ache in my chest can’t be described any other way.

“I know.” His words are muffled as he lifts me.

“I missed you every day.” Tears well in my eyes, making it hard to see the grin splitting Rosalie’s face.

“I missed you more.” He argues back.

Safety, that’s Emmett McCarty Cullen. He’s strength and power and softness that only a man his size with his heart could exude. He is the definition of protector - someone that would go to any lengths to safeguard those closest to him. And just his hugs alone could cure anything, the hug of a brother who cares immensely.

“You left me.” The tremble in my voice gives my hurting heart away.

He clears his throat, “And I put him through hell every day for it.”

“He really has.” Rose confirms, full on smiling at me.

Emmett sets me back down on my own two feet, holding my shoulders in his massive hands, “Never again, I can promise you that.”

“Emmett-” I start, but he isn’t having it.

“Nope, we’re already late for class and I have some catching up to do.” Winking, he offers me one arm and his mate the other, leading us in the direction of next period.

• March 21st, 2006 • Home •

Reader

“Hey, you got a sec?” Knocking on the door frame to my mother’s bedroom, I watch as she turns off her tv.

“For you? Always honey, c’mere.” She pats the bed in front of her, her full attention making me a little nervous.

I sit and work up the courage for a few beats. “He’s back.”

“I know, I saw Doctor Cullen at work yesterday.” Her calm answer surprises me.

“I’m not sure what to do, momma.” I pull at her old bed spread, hoping for some words of wisdom.

“Well, you have options.” Her warm hands cover mine and encourage me to meet her eyes. “You can kick him to the curb since he dropped off the face of the earth for six months.”

“Or?” I ask, provoking her to complete her unfinished advice.

“Or, you can give him another chance.” A beat of silence while I weighed her answer. “You don’t have to do it right away either, you can ask for space to think about it. You can make him talk it out too.”

I process the possibility of cutting him out of my life for all of half a second before my heart tells me it’s impossible.

“Talk to him, I know you need to.” My mother has always been able to read me like a book, it’s why it’s so easy to get along with her.

“Why give me options? Why not forbid me to see him?”

Her knowing smile grows, “Because you’ll do what you want anyways. And no matter how much I want to protect my baby,” she lovingly strokes my cheek, “you have to navigate this in a way that heals that pretty heart of yours. I’d be failing you as a parent to not allow you to figure this out.”

“Mom-” tears threaten the corners of my eyes.

“Don’t think that means I’ll cut him some slack.” She jokes, but her tone includes some seriousness. “He hurt my baby.”

“I love you, you know that?”

“Always sweet pea, I love you too.” She delivers a sloppy kiss to my cheek before reclining back to her previous tv-watching position.

Rising from her bed with a lighter heart in my chest, she stops me at her doorway, “I got your back kid, whatever you decide.”

I turn and give her a genuine smile, “I know, thanks mom.”

• March 22nd, 2006 • Forks HS •

Reader

Setting my tray down at the dubbed “Cullen table” I make direct eye contact with Edward as I stand before the siblings.

Don’t fucking do that again.

His face splits with a grin. “To which are you referring?”

Leaving her, leaving your family, going to Volterre with a death wish, you fucking idiot.

He actually laughs at my angry directive thoughts, the bastard.

You have people that care about you, you know. My eyes soften as his meet mine seriously. Including me. I’m glad you’re safe. And home.

He nods, unable to meet my eyes now.

“I’d hug you if you weren’t so adverse to physical affection.” Before I finish my statement, he rises from his chair to round the table towards me.

Shock roots me to the spot as his arms envelop lightly around my frame, my arms hesitantly wrapping around the tall Cullen after a beat.

“Thank you.” It’s whispered low enough for just me to hear and he’s returning to his seat.

Emmett’s jaw practically hits the floor, “You’ve never given me a hug-”

“Because your hugs are rather violent in their intensity.” Edward notates.

“But-” Emmett whines.

“No ‘buts’, I’m his favorite.” Sticking out my tongue at Emmett as I take my seat next to Jasper, the jealous vampire launches into a deep explanation of why he must be the family favorite.

“Thank you for starting something I will never hear the end of.” Jasper leans over to whisper in my ear as I grin at Edward who rolls his eyes.

“Glad to be of service.”

Reader

That afternoon I rode with Alice to the Cullen’s after school, something about an intervention with Bella and their family. And naturally, the curious part of me agreed to tag along.

The moment her car comes to a stop in their driveway, Jasper is opening my door and offering me a steadying hand.

“Do you know what this is about?” I ask, watching as Alice skips ahead of us.

“Not a clue, sweet girl.” He answers, leading me inside his family home.

His cool hand enveloping mine sends a pang through my chest, it’s like none of this is real - I’m just in some heavy dream. I’ve wished and hoped for their return with every fucking cell in my body, but now that they’re back? It’s surreal and I’m on edge - I’m waiting for the other shoe to drop.

Standing loosely in a circle in the living room, our attention turns to Bella on the stairs, Edward looming behind her.

“You all know what I want. And I know how much I’m asking for. The only thing I can think of, for it to be fair, is to just vote.”

“You don’t know what you’re talking about-”

“Shut up.” Bella shushes Edward from his grumbling.

Bella is asking them to vote on her becoming a vampire? A slight tremble begins in my hands, this isn’t exactly a debate I’d wished to be a part of. I mean, what would this mean for me? Would we eventually have one of these for me?

“Alice?” Bella asks, opting for starting with the one securely in her corner.

“I already consider you my sister.” She surges forward to wrap her in a hug. “Yes.”

One vote yes.

“Thank you.”

“I vote yes.” The rumble of Jasper’s chest under the hand I have placed there stops my breathing. “It would be nice to not want to kill you all the time.”

It would be nice to not want to kill you all the time. The words ring in my ears and burn my chest, repeating.

Two votes yes.

“I’m sorry. I’m sorry to both of you for how I’ve acted. And I’m really grateful that you were brave enough to go and save my brother.” Rosalie’s next sentence a quiet confession within her answer, “But this isn’t a life I would’ve chosen for myself. And I wish there had been someone there to vote no for me. So, no.”

A breath, one vote no.

“I vote hell yeah.” Em spins her around in his excitement, “We can pick a fight with these Volturi some other day.”

Three votes yes, one vote no.

“I already consider you a part of the family, yes.” Esme happily gives her blessing as Carlisle steps forward to look at Edward.

Four votes yes, it’s almost unanimous.

“Why are you doing this to me?” He asks his adoptive father. “You know what this means.”

“You’ve chosen not to live without her, which leaves me no choice. I won’t lose my son.”

Carlisle’s answer is like a gavel being slammed down, sealing her fate, confirming what she wants.

Bella meets my eyes, even I can tell relief floods them as I’m sure anxiety fills mine. She’s going to turn into one of them - a vampire.

Jasper

After a few heavy minutes following the votes of my family, I turn to Y/n.

“Would you like to go home? It’s getting late.” I ask her, but her eyes are distant.

Immediately I gently probe at her emotions, but I can feel her trying to suppress them. I furrow my brow as I look down at her, why is she hiding from me?

I tilt her chin back and she removes herself entirely. Ice, I know as a vampire my core temperature is already low from the absence of blood in my system, but with her physical departure - it feels as though every ounce of warmth has been zapped from my very soul.

“I need time.” Her request is hardly a whisper and her eyes still refuse to meet mine.

Shock roots me to the floor, time? She’s asking for time from me. Not with, from. Away. Without.

And I must grant it to her. I’d give her anything in this world she would ask for.

I remove myself a step back from her even though my chest wishes to tug me forward.

“Emmett?” I ask aloud, not taking my eyes from her, he immediately answers by way of flashing to my side. “Take her home?”

“Of course, but-?” Curiosity tinged with sadness finishes what he fails to ask.

“Just get her home safe, please.” I step aside, forcing my eyes to my shoes as I clear the path to the front door for them.

Emmett escorts her outside and I swear, every bit of strength leaves and threatens to buckle me. I watch as the Jeep’s tail lights disappear down the driveway from the front windows.

“It’s the right thing to do.” Esme lays a hand on my shoulder as she watches with me, I hate the truth in her words. “She needs to process everything, we haven’t given her the chance and now this with Isabella, it’s a lot.”

“I know.”

Love. “Come here.”

I turn into her waiting arms, the overwhelming urge to cry hits me like a fucking freight train when her arms pull me close.

“She will be back, just be patient with her.”

“What if she realizes-”

“Nonsense, she’s hopelessly in love with you.”

I pull back to inspect her face, “What?”

She smiles at me in only the way a mother really can, “My son, trust me. Give her a few days, but she needs to know that love is returned.”

“How do you-”

“I’ve known since the day you first brought her home. I knew then she was yours before you ever figured out she was your singer, I’m a mom like that.” Winking at me, she pats my shoulder. “She makes you happier, lighter. It makes me happy to finally see that in you.”

Venomous tears make my vision swim, more often than not I take the fact that Esme mothers us in ways unique to every single one of us for granted.

Glancing down, I clear my throat like a typical male trying to avoid being emotional, “Thank you, Esme.”

“Dear, you never have to thank me, I love you more than you know.”

“I love you too.” I kiss her on the cheek, our talk having smoothed out my frayed nerves.

Time. I can give her time to think, to process everything that’s happened in the last week. But then she’s mine - she has to know how I feel about her. And if she wants nothing to do with me after that?

Well, I guess I’d give her that too.

But not until after I fight for her, because fighting for her is in my bones. Fighting is all I’ve ever known and it’s time I put it to good use.

Next

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@aoi-targaryen @Min-jianhyung @pbbsl @timelordhunterandmysterysolver @sheerangermany @clearwater-hoe @Blackbluerose666 @ivy-plays @random-human02 @delightfulbluebirdstarlight @steh-lar-uh-nuhs @gaymazinglula @l3ejm @angelfuzzy2 @losa12308 @thekinkpopstandsforkrackheads @flyawayprincess @ropickle @catbusloki @deviat3dsn0wf0x @lovesanimals0000 @unrevived @h-naec @cutesnakemum @zudooms @itsmytimetoodream @stinkii-boii @acoolnight @anothercoffeeblogx @irishblend10 @from-now-on-im-switzerland @kyraslife2 @naolvshan @kiiwiigii @rosedpetal @kiaraandrea @foolsgoldxo @heartfilia01 @azuredgalaxies @geekysimmerthings @graciereads @ramen-girl-2424 @0hmydekiru @creeqvealley @cherriebat @whichwitchisthebitch @dragon-rider-with-a-book @secretfairytailpetscookie @psychobitchsthings

[mouwrites]

Creepypasta/MH - Doing Halloween Stuff With Them :)

(Characters: Tim/Masky, Eyeless Jack, Jeff the Killer, Nina the Killer, Jane the Killer, Ticci Toby)

Tim/Masky

Hear me out... corn maze

I believe that Tim enjoys a good puzzle every now and again

He loves trying to figure things out (specifically when there's nothing at risk)

Getting to show off his navigational skills is also a major plus

He just likes to impress you, even if it comes off as annoying sometimes

"See? What'd I tell you? The exit's right there."

Though he does like the satisfaction of completing the maze, what he really treasures is that time you spend together figuring it out

Once you finally find the exit, you'll celebrate with hot cocoa :D

Eyeless Jack

This man LOVES carving pumpkins

He goes all out; definitely one of those people who makes the crazy intricate designs that look like they take hours

He'll love it if you help him!

If you have a steady hand, he'll let you do the details

If you don't, he'll task you with gutting the pumpkin/handing him tools

You guys collaborate on multiple pumpkins throughout the month, setting them in random locations for everyone to see

If there's a design you want to do, just show it to him, there's no question he'll be down

If it's too simplistic, he'll try to add more details

"Ooh, Jack, look at this one. Can we try to re-create it?"

"Of course! Though I do have some ideas on how it can be improved..."

Jeff the Killer

Another pumpkin carving enjoyer

But for a different reason... a very different reason

He loves the goriness of gutting the pumpkins

He couldn't care less about making actual designs, he just wants to get messy stabbing the pumpkin and gouging out its insides

That being said, he'll 100% gut your pumpkin if you ask him (he'll probably end up doing it even if you don't ask)

It's honestly a little disturbing watching him work

He just gets this look in his eye...

"You, uh... you doing okay there, Jeff?"

"Hm? Yup! Never better!! Say, can you grab the big knife from the kitchen for me?"

Nina the Killer

You best bet she's the costume queen

Spends the whole year planning matching horror-themed costumes

She'll settle for no less than creativity and perfection

High-quality props and articles only!! She'll even make them herself if she has to!

You can expect to spend at least an hour in front of the mirror while she does your makeup/adjusts your clothes

She's an SFX makeup legend, loves incorporating as much gore into your costume as possible

Don't ask why it's so realistic (it's not like she knows how the wound would look if it was real or anything)

"Wow, Nina... It's almost like I can feel it! It's so real!"

"No, no. If you were feeling it, you would be screaming pretty loud right now."

You can also expect to attend multiple parties where you show off your costumes

You guys dominate costume competitions

Jane the Killer

Horror movies!!

Specifically, making fun of them

You both pick apart the plot, the characters, the dialogue, the special effects, everything

No horror film is safe from your scrutiny

If you're the type to get scared during horror movies, her snide comments will help distract you

"Ooh, I can't look!"

"Oh, come on. Look—I bet they used corn syrup for that fake blood. It's way too thick."

When the movie ends, you're both feeling more amused than scared

She doesn't like to see horror films in theaters because she doesn't get to make commentary, plus she doesn't want to "waste" money on a "stupid tryhard-horror flick"

She'd much rather dig up some old indie DVD/VCR and have a home movie night with you

Ticci Toby

Halloween sweets are his bread and butter

Candy apples, fun-sized candy bars, candy corn, pumpkin bread...

He would perish if you made anything homemade for him

Spends the whole month gorging on sweets almost as fast as he can get his hands on them

He will not share with anyone but you

And even you only get a small portion of his goodies

Robs at least one child on Halloween night, mostly for the candy but also because he likes scaring little kids

"Where did you get all that candy?"

"Got it from a little birdy. By that I mean a kid in Falcon cosplay."

"Toby! ... save me the (favorite candy)."

Thank you for reading! Have a good day/night my spooky pookies <33

(divider by saradika)

[wilteddreamsofbaldursgate]

Emi’s BG3 Fic Writing Guide for First Time Writers in 3 Acts

The Baldur’s Gate 3 fandom is blessed with an abundance of incredible fanwork and it’s a joy to observe how many different ideas and voices further enrich this fandom every single day. But creating content for something you love and sharing it with such a huge fan base can be pretty scary, especially when you’ve never done it before! That shouldn’t stop anyone from trying, though. There’s always plenty of space for your ideas and creations, and your voice deserves to be heard.

Disclaimer This is a Fic Writing Guide, though I’ll have to disappoint you right away: I won’t tell you how to write. I can’t, since—in my opinion—there is no “right way” to write, and even if there were, I wouldn’t know it. Luckily, everybody writes in their own unique way—and isn’t that so amazing? Writing is a deeply personal experience that comes with lots of trial and error; only you can find out what works for you! All I can do is offer you a very basic rundown of writing tips and approaches that worked (or didn’t work!) for me over the years, so take the following content with a grain of salt. I’m not a professional writer. All opinions are my own, as are any fic examples. 

And now:

Happy happy writing—you can do this!

Contents: 

ACT 1: Getting Started

Fanfiction for Writers & Working with Source Material (+ Research)

Writing Set Up: Where to Write Your Draft

The Idea: Coming Up With and Developing Your Idea (with examples)

Finding Inspiration

ACT 2: Writing Your Draft

The First Draft: Just Write.

Art or Garbage?

Writing Dialogue (with examples)

How to Deal with Self-Doubt

Writing in a Second or Third Language

ACT 3: Publishing Your Fic 

Editing and Formatting

Polishing your Post 

How to Tag 

Words for the Road

As you can see, there’s an individual post for each topic and as much as I would love to know whether this guide was in any way helpful to you or not, I would appreciate it even more if you all engaged in (constructive) writing discourse/exchange of ideas/ and generally uplifting behavior with each other. Feel free to use the comment section underneath each post to connect with other BG3 fans and writers(-to-be)!

If you have any questions or if there’s anything you would like me to add to this guide, feel free to let me know!

[h2llish]

𓂃 ࣪ ˖ ❀ PRETTY PETALS, DARLING WORDS

❝ darling, i'll be your sunflower, just give me your light ,, ─── 200 follower event!

✉ ─── hello! i decided an event for the growing following of this blog would be nice! so here we are. i thought long and hard about whether or not i should do an event, so i hope you enjoy it! explanation and rules for this event will be below, including how to request.

【 this event takes place from june 21st to august 30th 】 ─── event masterlist

♡ ─── RULES FOR THIS EVENT (please read before requesting!)

♡ the fandoms i write for all apply ─ twisted wonderland, stardew valley, demon slayer, and obey me

♡ as i do for all my writing, i will only write oneshots for this event.

♡ there is no set number of requests i will take, and you are allowed to send in how many requests you want until the end date. but please try to refrain from sending in another ask until i'm finished with your first! it's much easier that way.

♡ please remember i am a writer for only male and gender neutral readers, and it will be written gender neutral lest you ask otherwise.

♡ this is only a reader insert event

♡ you are allowed to ask for platonic requests with the prompts! i will write both romantic and platonic.

♡ if you have any questions please don't hesitate to ask!

♡ you can request for certain add ons in your request like if you want more fluff, or if you want the reader to act a certain way! an example of this can be found with requesting examples.

─── that's all, you may continue reading to understand the event and how it works!

✉ ─── EXPLANATION

allow me to explain this event and how it works! this event has two parts, [pretty petals] and [darling words]. they can be requested separately, or together!

[pretty petals] are flower prompts, choose a flower ─ a prompt ─ and i will write it. some prompts are strictly romantic, but some can be applied platonically, i will specify on the prompt so be sure to tell me if you want it written romantic or platonic!

[darling words] are dialogue prompts, and much like the first event they can be applied romantically or platonically, so try to specify in your request!

─── now moving on to the prompts!

❀ ─── PRETTY PETALS (part one)

❝ you're pretty like a rose ,,

red rose

(romantic) prompt: you liked to think it's easier to love someone in secret ─ or perhaps just loving them quietly was easier. you only wished they'd notice you in the way you've always seen them.

yellow lily

prompt: they've always been a constant in your life, which is why it was so hard when you lost touch with them ─ but now they're back and things are different, and you can only hope you can go back to being as close as you once were. but maybe that's just wishful thinking.

sunflower

prompt: your shop has always been short on staff, you never quite understood why, but you didn't complain. which is why you were surprised when your boss suddenly introduced you to your new coworker. even more so when you recognize them to be a frequent customer.

black dahlia

(romantic) prompt: they'd left some time ago, and along with them, went your feelings you had kept to yourself for as long as you two had known each other. but now you're in front of them again as they hold out a hand and ask you to dance amidst the crowd. you thought you were over them, but oh how wrong you were.

black calla lily

prompt: reincarnation ─ to live again and again, to go through the motions of wanting and needing from the very beginning, it was exhausting. but it was easier when you had them in your life every new breath. it's unfortunate you're only the one who remembers the before.

white camelia

(romantic) prompt: they love you ─ adore you even. but they've always thought you see them as nothing more than a friend. which is why they're confused when they're friends seem to believe otherwise ─ wait what do they mean they're going to play matchmaker?

✿ ─── DARLING WORDS (part two)

❝ and you smile like the sun ,,

✿ "it's okay, you can stay."

✿ (romantic) “i need to tell you something. and i need you to not hate me when i do."

✿ (romantic) “i honestly don’t even know who you could possibly be referring to.”

✿ “why does everybody keep saying that?”

✿ "i forgot how much i missed you."

✿ (romantic) “do you like me?” ♡ “something like that..”

✿ (romantic) “you’re my favorite.” ♡ “favorite what?” ♡ “everything.”

✿ "I don't feel that way about you"

✿ "you can't do that"

✿ "let's try again"

✿ (romantic) “I’m tired. I want to let go.”

✿ (romantic) “I don’t mind loving them from afar if it means I get to keep them in my life.”

✿ "where are we going?"

✿ "you're so dramatic, you know?"

✿ bonus ─ give me your own prompt!

─── a lot of these prompts come from @celestialwrites , @love-me-a-good-prompt , @dumplingsjinson and @novelbear

─── optional: if you request only from this part of the event, you can give me a setting if you want, if not, then it will all be up to me!

✉ ─── REQUEST EXAMPLES

in case you're a little confused here's some examples for requests!

─ i'd like to request red rose with vil from twst

─ can i request romantic "i forgot how much i missed you" with lucifer and male reader

─ yellow lily and "why does everyone keep saying that?" with ace, platonic

want to add a little extra to your request? here's more examples!

─ can i request romantic mammon and yellow lily with a reader who is sarcastic

─ platonic male reader and "it's okay, you can stay", after cater stumbles across reader who is upset

─ red rose and lucifer, but ends in angst

requests are open until august 30th, please don't be shy to request!

do not repost, translate, copy or run my writing through an ai

[withthewindinherfootsteps]

Some dialogue from the original MDZS which was cut from the current version:

When Jiang Cheng had lost his golden core. Wei Wuxian had given up his own to him. When Lan Wangji heard this did he feel as if he would give anything up out of gratitude? Wei Wuxian immediately bluted out, "Nonsense! Nonsense! That’s outrageous ! I'm not that sacrificial*! It’s nothing like that!” - from this post, but I've found and verified this passage in the original version myself – see below.

(It was the whole dialogue exchange that was cut, likely due to it laying out LWJ's motivations form pushing WWX away too explicitly, not just this line. Add that to characters acting pretty much the same in this version, and MXTX never mentioning characterisation as something she was refining in the edits, we can be relatively certain this cut is not due to a change in characterisation)

Now, why is this important? MDZS (in its current form) doesn't state character traits outright – it's written better than that – but this is the closest thing to direct, verbal confirmation we'll get that WWX isn't a self-sacrificial idiot! You could always argue that since it's WWX speaking, he's being an 'unreliable narrator', but his remarks are proven right multiple times in the text. He doesn't seek out situations where he has to sacrifice something, it's certainly not his preferred route when dealing with a situation (he finds ways where no sacrifice is necessary, it's a side effect rather than a primary motivation, and as seen in the linked scene with Su She, if something isn't working, he won't go down with the ship trying to save someone. Even the motivations of the Golden Core transfer are a lot more than they seem at first glance – firstly, there's the Jiang debt ('He remembered every single thing he promised Jiang FengMian and Madam Yu—to help and take care of Jiang Cheng'), and this exchange with Wen Ning adds useful motivation context as well:

"If his core was ruined, he’d manage to live on, but Sect Leader Jiang was a different case. He was too driven. He laid too much emphasis on such a subject. Cultivation was his life. If Sect Leader Jiang could only be an ordinary person, unable to go anywhere in life, his entire life would be over." - EXR, Chapter 89

(And that's not just a conjecture! We along with WWX, are shown it in JC's reactions throughout Poisons 5 – he's not drinking or eating anything, thinking that dying and living would be the same thing and there's no point in living anymore.)

So from the evidence we’re shown, I’m pretty confident in saying that this is supposed to be taken truthfully.

Original Chinese:

江澄没了金丹, 魏无羡就把金丹剖了送给江澄, 蓝忘机见了, 会不会隐约觉得自己为了感恩什么都肯付出? 魏无羡立即道, 胡袄! 胡袄! 岂有比理! 我可没那么伟大! 跟那完全没关系! - MDZS original version, taken from here – you can find all of it there!

—

*From what I can find, the actual wording here, 伟大, means 'great'/'grand'/'worthy of the greatest admiration' rather than directly 'sacrificial'. However, judging from the context – that this is in retaliation to the view that he'd easily give up and sacrifice anything for some purpose (here, for gratitude) – it's safe to assume this is what it means.

[notmorbid]

i am homeless if this is not my home.

dialogue prompts from i am homeless if this is not my home by lorrie moore.

i suffer stage fright everywhere but the stage.

i am braced at every turn for disenchantment.

i sort of remember you.

i am here for you and with you.

what is there to be bitter about?

people don't think i know who they are.

reminiscence is an earache.

i am personally unreconciled to just about everything.

i have about two weeks of sobbing i haven't gotten around to yet.

i am so burned out.

do you remember that day?

all 'good' usually means is that someone got lucky.

i don't believe in 'good' anything.

there was no one heroic in my entire ancestral line, i'm pretty sure.

it's easier to speak when you don't have to look at people.

i didn't think you'd live this long.

i never really closed out the tab on ___.

i'm ostensibly more myself, or building up that way.

all that wanting's going to wear you out.

you? feel sorry for me?

i'm so sorry this is happening to you.

every marriage has a sinister little wobble in it.

i thought you might win. i really did.

jesus. i thought you were here to cheer me up.

the real story is never the official one.

if it adds up too neatly, it probably isn't correct.

be careful. you'll hear from HR.

democracy is a fine idea, but we've never actually had it.

did you bring any weed?

i miss you already.

i can't just come home.

i still have some things i want to tell you.

failure is a form of vacation.

i've never been good at connecting dots.

photos are a weird form of time travel.

why were you working so late?

may i kiss you?

you may want to sit down.

we were never on the same page at the same time.

are you trying to hug me?

i don't know how to block people.

i guess i'm like a bad penny. always turning up.

i guess death is kind of a spectrum.

did you think i had forgotten you?

changes of heart are my superpower.

aren't you happy to see me?

are you going to make me do a ted talk about my devious inner world?

it's hard to forgive what you've turned me into.

didn't you try to forget me?

your vitals are not so vital.

i did nothing but want you.

this mirror is gaslighting me.

you never really know where anybody is.

is this a dream? where am i?

i think this is a crime in several states.

it's not the prayer, it's the things you do to move the prayer along that give the prayer a fighting chance.

faith is not about argument.

i want my death to be helpful, even if it turns out it's not. i want to try to be helpful.

did you really die?

are you joking? sometimes i can tell, but not always.

we were each other to each other. not everyone can say that.

i'm sorry that i failed you.

is there something you'd like to share with the class?

you're going to carry me?

i'm a lot of things i didn't tell you.

life is a tough room.

where would we be without music?

i think i should be wearing sunglasses.

hang on. i'm going to sweep you off your feet.

sorry if i resemble a swamp person.

it's not haunted or anything.

i don't keep the shotgun loaded.

if anything seems not to work, just kick it, smack it, or unplug it then plug it back in.

now would be the time to cry.

i have an extra shirt you can wear.

here with you. this is my home.

the dead prefer the company of the living.

do we have a safe word?

you have a lot of weird knowledge.

i know this is too soon, but i do believe i love you.

don't you love farce?

my bad. i thought that you'd want what i want.

i want you in the world, where you belong.

i'm just a bump in your road.

i will miss your rogue and random energy.

tell people i was fun.

listen to me. everything is going to be okay.

you're just going to leave me here?

i realize it's over, but i can't let go.

[rowan-of-waterdeep]

I have a love-hate relationship with the character of Astarion.

I love the depth, the emotion, the sheer humanity that Larian managed to imbue into that little bunch of pixels.

I love that Larian pulled Neil in time and time again over four years to work on Astarion *with* him.

I love that Neil helped to shape Astarion's story. Advocated for him. Pushed for the *right* dialogues. Was the person to say "He wouldn't say that!"

I love that Neil is both passionate about Astarion and vehemently does not want to be him.

I love that Neil did such a wonderful job on Astarion's voice and movement. He deserves every damn award he's received.

I hate that the other actors didn't seem to get the same opportunity to engage with their character and put out the same sort of performance as Neil did. Because yes, he did an amazing job. But the playing field does not seem to have ever been level.

I hate that Neil in particular has had so many issues with fans because a vulnerable hurting character attracts the predators.

I hate that the other characters didn't get the same level of attention and love, and that it shows so damn dramatically.

I hate that Wyll, our only Black companion, got 6 months of Theo shoved into a sound booth with lines thrown at him and often no idea of what would be coming that day.

I hate that Theo seems to have never had the chance to really grasp or understand Wyll's story, let alone advocate for him, because everything was so rushed and he was basically burning the candle at both ends.

I hate that it shows so much in Wyll's story, his interactions, everything.

I hate that I love Astarion and constantly resent this fictional character a little because he gets to be an oil painting and the other characters are a collection of crayon drawings and sketches.

I hate that despite the glaring issues with the characters and questlines, Larian has still done better than most *major* game studios when it comes to thoughtful, considerate representation and diversity, and how far there is to go.

I hope that Larian were using Astarion as a litmus test. That they wanted to see if pulling in the actors at the start and engaging them heavily - instead of worrying about spoilers and leaks to the point of hurting their game - would lead to a better, more real character. If maybe having a single person advocating for each character would provide a better, more cohesive user experience in the end.

I hope they learnt that yes, people will engage far more heavily with a character when they're rich with detail and feel like real people.

I hope they learnt that to do that, you NEED to have someone in charge of keeping the character on track so you don't wander off into the weeds trying to follow every bit of customer feedback, especially when it's racist or sexist or transphobic or homophobic.

I hope they learnt that yes, letting the actors engage with their characters creates a bond that enhances the performance and adds veracity to emotional scenes. It makes the story feel as though it has a flow to it.

I hope that in their next game, they do better.

I hope that we, collectively, expect them to do better.

[connorjared]

there are so many things I could say and back up with my annotations but there are some things I want to say

- connor is an unreliable narrator, but in an interesting way. unlike evan, connor's text is purposely written like he's trying to seem WORSE than he is. that's why I think rereading the book as an adult (especially if you have worked with kids) is so incredibly tragic. it's easier to see every way he was utterly failed both personally and systemically when you are no longer the child being failed personally and systemically

- connor is canonically a victim of the troubled teen industry and says it was BETTER than rehab. this genuinely breaks my heart because you can catch little pieces of CPTSD throughout his text and dialogue—he becomes extremely defensive and assumes evan is "tricking him into looking crazy," he states relief there's no longer anyone "waiting around the corner to catch him or check for red in his eyes" this child was treated like a criminal and the one place he felt safe in was removed when he chose to take the blame for something that he didn't do (see below)

- connor taking the fall for his... situationshipfriend miguel because he knew his parents were rich enough and he was white enough to get a more lenient punishment for WEED (which. the criminalization of that and the stigma is a whole OTHER thing) this haunts me. the act itself is noble, unhealthily self sacrificing, but that's not what gets me. his proclaimed friend not only allows him to do this, but even after connor GOES TO REHAB FOR HIM miguel doesn't tell his own mom the truth, causing her to ban the two of them hanging out and connor LOSES his only safe space right after undergoing rehab that he never even needed

- connor canonically has been put on and off multiple medications , we unfortunately don't know when this started but we DO know it was not in his control. SSRIs take a long time to work and shouldn't be switched quickly even for adults, let alone teenagers, and they ESPECIALLY should not be used as stand-ins for accommodations of a disability. there's far more I could say about other medications this might have been such as an SNRI (which connor has said to have less than favorable opinions of) and this is possibly even MORE concerning

- there has been a BUZZ on tiktok about how zoe was a girl icon for being forced to mourn her "abusive brother" and while they definitely had a toxic sibling dynamic fed by their toxic parental dynamic, the idea the toxicity was one sided is just... wrong. not even subjectively, the narrative WANTS you to know this is wrong, at least in the book. the musical... lets just say, im glad they wrote the book. it doesn't undo the honestly pretty shit messaging of the musical, but it adds context that helps derail claims like the one above that add further stigma to victims of suicide. zoe is verbally degrading to connor in recollections and in the small amount of time we hear her speak about him (though, this does change as her character develops throughout the book and she begins to mourn him properly.) zoe is a glass child. she resents all of the negative attention connor received because she didn't get any attention at all. so, she often sides with larry through the book, who is said to have more or less gotten tired of connor and considered him attention seeking, which would be something INCREDIBLY validating for a glass child to hear. zoe is, unfortunately and ironically, often written with detail but no substance. evan, who I could talk about at length and very angrily, constantly prattles small things he notices about her—but, and im not sure if this is the author's intention or not, she barely gets any true characterization outside of her interactions with others, which strangely almost makes her a side character (which i suppose she is) but there are some core parts of HER identity and her character alone that can be picked up throughout the book and i could go on for hours about that and i will not now but i will

- i didn't even touch on cynthia and larry and their abuse (yes! people can love their children and be abusive) but by god i will. by god

dear evan hansen fandom please interact. if u disagree i will probably point an autism beam at you in the form of a personally crafted video essay on why I am right and you are wrong. I have read this book inside and out

[skunkes]

I've talked about this before I think but I think "art theft culture" is actually what makes scenarios like this worse... and I Know because I've mentioned that it happened to me before, where a few years ago I was heavily inspired by an artist for a couple of style study drawings without acknowledging them as inspiration, they contacted me after their friends notifed the similarities, and it was resolved as I explained that I had no "plans" for long term theft or passing off as my own, I was just passing by and figuring out what I liked about the style. But I should have just mentioned them!

And that's the point I'm trying to get at here, I feel for a lot of people there's still either shame in using references (I took the upper half of a pose for a recent comm from one of the first memorable google image results for it... How embarrassing!), and there's similar in openly admitting that somebody is currently directly inspiring you, or that you liked something someone made so much you're making your own spin on it.

This is probably because you don't know how people (your audience or the original creator, or THEIR audience) are going to react with regards to """theft""" (which I also feel varies. Like everyone I've seen trying to emulate my style has never gotten close. Which is how it works! Its a good thing! Absorb it into your own! Thats what I do!

But I've also had someone lift every aspect of my art identity and basically try to replicate exact pieces, poses, and dialogue of mine with their characters like oh ok nvm this is kinda weird.) so I get it, because it's scary! It happened to Me, I was a perpetrator LOL and that's that it was style inspiration and not direct copying so I get it... I feel it all the time too, but I wish it wasn't like this in General ykwim. Wish it didn't feel so humiliating to admit influence

EDIT: THIS IS ALSO NOT ME SAYING "you need to list off all your inspirations every single time you post a drawing"

Its more like oh this person is using my exact brushes and exact colors and exact half traced poses and my handwriting and exact dialogue and personal symbols to the point where they're pretending my autobiographic doodles happened to them while pretending they've never seen my stuff in their life, or even shit talking me. Some of these individual aspects are okay (I've literally shared all my brushes with everyone, for example, who cares. My colors are awesome...who cares. 4 petal flower shapes don't belong to anyone, I don't care.) But all of them in combination is what's weird. Ykwim. Like that level of "hey man what the fuck"

I'm about to answer an ask going more into depth about this but I also need to explain that it's hard being on the other end of this too because it really isn't that serious ykwim... I see ppl on twitter get clowned on every day because "you can't steal a style" and that's mostly true. Me and some mutuals "steal" aspects from each other all the time without "crediting" because it's obvious, or we know each other, as well as the "stolen" stuff being something we already made our own thing, so I promise this isn't about that. Art is meant to be shared and inspire and influence.

I'd never point fingers unless it got severe over a long period of time (not adapting it into your own style), with someone who wouldn't talk it out with me but sometimes I wish I could show some of these specific examples, like I promise I'm not blowing up because someone """stole""" uhhhh the little squiggles I add to my commissions. I myself "stole" that from deco sticker sheets. Who gives a shit.

[ghoulphile]

I absolutely love ur fics!! And I want to write fics of my own soon (not for fallout yet..) can u give me any advice/tips? How do u try to write down the characters as accurate as possible?

Aww thank you so much!!

That's awesome, I'm glad you're getting into writing ❤️

I'm more than happy to talk about what works for me; however, no two writers are alike so some things might resonate and some might not.

Take what does, and leave what doesn't.

Read - a lot. Published works, fanfic, poetry, novellas, series, oneshots, longfic; read it all. Explore different genres and storylines. Find what you like about them, and what you dislike. What makes them good or bad in your opinion. Play around with what you'd do differently if it was your story. All of this will help you figure out a few things: one being what you personally like in storytelling, and two the basic structure of storytelling/what makes it compelling.

Find your voice. We all have a unique tone when telling a story, verbally or otherwise. Figuring out what your personal voice is will help you write authentically but also I can guarantee you're going to be 10,000x more happy with what you come up with.

Showing vs telling is a delicate balance. Sometimes things need to be written out plainly, and other times it works better if you add more meat to the sentence. An example would be: she's angry vs her heart rate pulsed in her temples, her fists shaking at her sides as a wave of heat rolled through her body. While they both convey the same thing, one can be more engaging to read over another.

Sometimes you have to write the boring bits - and write them plainly - to further the plot.

Most people are not a walking thesaurus, and using big fancy words like you're writing a dissertation can be very off putting. Absolutely use stronger words if you can, but you don't need to be using furfuraceous to replace scaly.

Additionally, forward momentum: one action should always lead into another which leads into another and so on.

A first draft is never pretty (if you decide to do multiple drafts) and that's okay.

If you get stuck, go back several sentences. Sometimes we write ourselves into a corner without realizing. OR add what you want in brackets and move on if you're getting hung up on certain parts. An example being something like: He was [find word for mix of angry and sad] but had to stiffen his upper lip and move about his day as if [insert phrase mentioning what happened earlier]. Worse case, put it down for a day or so and come back to it later with fresh eyes.

As mad as it makes me, and as hilarious as it is... writing in Comic Sans helps. RIP.

Saying your sentence out loud can help you figure out if something is off, and saying your dialogue out loud can help determine if it's something an actual person would say.

Taking your time and being patient is the best thing you can do for your creativity otherwise you might burn yourself out.

I find music helpful so I create playlists for every fic I write that matches the vibe I'm going for. Additionally, I have pre-writing rituals that help me get into the headspace.

Yes, cryofreeze your darlings - put them somewhere safe for later. You can use those sentences for something else, they don't need to be completely deleted.

As for keeping characters... well, in character, it depends. Watching/listening to/reading whatever media they're in and paying close attention to the words they say + how they say them + if they have any specific phrases, the way they move + their actions + how they react to things helps a lot. Personally, I keep little lists of things I've noticed that I can refer to if I need them. And sometimes, you just have to suspend your disbelief a little and determine how someone might react to the particular situation you've put the character in. When it comes to that, I tend to think back on when I've been in similar situations or have felt the way they should in that scene, and use how I've reacted as a touchstone.

Write what YOU'D want to read.

And most importantly, HAVE FUN.

I hope this helped, nonnie~!!

Happy writing, you've got this 🥰

[pixelprofligate]

this is another Fallout London post. more of a rant but still:

because GOD this is really not good. maybe im just like really critical of stuff but so much of the mod just doesnt add up to...anything? most of the quests are uninteresting or outright present you with dialogue options that outright contradict themselves or basic established lore of the world they've set up, so many locations are near empty and boring as hell to try and explore, with a SIGNIFICANT number of the marked locations having literally nothing to find in them, some of them actually having nothing in them at all, there's tons of NPCs, both generic and some named that have, and i dont mean this hyperbolically, literally no dialogue at all, the mods full of things that are just wrong about britian, like posters calling the tower bridge london bridge, the combat encounters are regularly boring because all the factions are functionally the same in terms of equipment, lots of the weapons you can use have blatantly anachronistic modifications like actual real modern day attachments, all of the "new enemies" are just model swaps that use the same skeleton and movesets and often the same exact sounds as base fallout 4 enemies and often aren't even properly rigged for the skeletons they used (like the fucking assaultron replacement that just constantly clips thru its own model anytime it moves at all because they gave it a skirt it was never built to have), and on top of all of it, the mod itself just breaks all the time. there were multiple times quests couldn't progress because NPCs just didn't say the line of dialogue they were suppose to, completely softlocking their quests (this happened with every single main faction at least once), and to top it off most of the assets actually used in this mod weren't even made for it, most come from the Capital Wasteland Project, but even things like the terminals and most of the guns are just straight up from other mods. also, multiple terminal entries were just outright written by AI. and im not saying that like "oh theyre just poorly written so i assume its AI" i mean the lead dev in their discord fucking confirmed it and said he had no clue it happened. like i get a lot of people worked really hard on this, and i dont want to shit on them, but to call this mod "one of the best things fallout has seen in years" i think is a massive disservice to everything else fallout related weve seen since even 76 came out. this mod is a mess of ideas that rarely add up to anything interesting, with a story that gives you no real reason to care or engage with it, that leads to a fight that fucking sucks so much the final battle is terrible (you're forced into a melee fight with a weapon that isn't any of yours on a tiny catwalk where you have to beat the same guy TWICE in a row, and then he gets great mouse detectived), and ultimately never feels fulfilling. it does so little actually interesting with the factions it made or the area its set in and the fact people absolutely adore this mod fucking baffles me. this mod is not good. i genuinely want to know what people like about this because i cannot understand a single aspect of it, ESPECIALLY the people saying this is better than like, base Fallout 4 itself.