#even if it's not the one who birthed him

[dreamsteddie]

Steve and Eddie childhood friends au where Eddie's mom, Elizabeth Munson, is hired on as Steve's nanny when Steve turns four.

Elizabeth may not have the best reputation in town, but she went to school with Linda Harrington before she threw her life and money away on Al. She was young and foolish and thought he loved her like she loved him. It hurt to be proven wrong, that he loved her modest saving account more than he could ever love her, but at the end of the day, he gave her Eddie, so she carries on.

Linda had known her from before she met Al. They weren't ever friends, but Elizabeth was from a nice lower middle-class family and had long black curls that the other girls could admire. Not popular by any means, but someone who could be partnered up with Queen Linda for a history project without heads turning. Linda also knew from health class that Elizabeth was good with kids, so it's not a complete surprise when she gets a call asking if she'd like to nanny her 4-year-old son, Steve, for the foreseeable future so she can return to work with her husband.

The Harrintons are a wealthy couple, for Hawkins Indiana at least. In the grand scheme of things Richard's position as one of many property realtors in a major corporation keeps them comfortably in the upper middle classes, but the dollar stretches almost twice as far in the sleepy parts of Indiana.

Still, to Elizabeth who has never known more than a modest three bedroom and little Eddie who has never lived outside the tin walls of the trailer park, the Harrington home seems like a mansion fit for a king.

Or in this case, a little prince.

Steve is a sweet little boy, if a little bratty the first few times Elizabeth has to tell him no. When she first comes to the house to be briefed on all Steve's needs and how the house runs, he clings to his mother's perfectly pressed skirts and looks up at him with big brown eyes that remind her so much of Eddie's, full of barely contained curiosity. It doesn't take long after she introduces himself to him, stooping down to say hi and shake his little hand, for him to lose all that shyness and start, trying, to ask her questions. He's not at a place where he can use full sentences, but he makes do with pointing and the words he does have.

It's easy to see that Linda doesn't know how to interact with Steve, telling him more than once to let the grownups talk and to stop holding her skirt. Elizabeth doesn't say anything though, it's not her place and she could really use the job. Edde is sprouting up like a weed, and her previous income from the diner wasn't enough to get him all the things he needed. The Harringtons, for all their faults, are offering her more than a fair salary to look after their son.

The next week, she brings her and Eddie bright and early to make sure they get there just as the Harringtons head off to work. Elizabeth knows Richard wasn't keen on Eddie coming with her, probably not wanting his son to associate with a child he sees as lesser, but Elizabeth quickly realized that matters of the home like childcare were left to Linda's discretion, and she hadn't seen a problem with it.

Steve is waiting for his mother on the front porch, clutching her hand as hard as he can. When Linda pries his hand away he starts to snivel and cry, but to Elizaeth's surprise, he doesn't start to wail and scream. The first time she had to leave for work Eddie just about had a complete meltdown, not understanding where his mom was going or why he had to stay with his Uncle Wayne. Steve stays quiet, muffing his cries in a way that tugs at her heartstrings.

She takes his hand and guides him inside, holding back from scooping him up in her arms like she would Eddie to sing him a song and dry his tears. Something tells him the Harringtons wouldn't appreciate that.

So he waits, watches their car depart from the open doorway, and once she's sure they're completely out of sight she swoops down to hold him in her arms. The act opens the floodgates. Steve starts really crying and wailing into her arms, asking for his mama and clutching hard at the sleeves of Elizabeth's blouse.

That's when Eddie steps in, placing his hand on Steve's shirt and rubbing clumsy circles on the younger boy's shoulder. Eddie's not five quite yet, has about four more moths to go, but he's talking much more than Steve is and seems to relish in the use of his voice. Right now he's using it to soothe Steve, telling him it's going to be ok and his mama will come back and that they can share his mama until she does.

Then he does the damnedest thing.

He starts singing.

It's the same thing she's always done for him. Every time Al comes home and leaves again, when he falls off the jungle gym at the park, when one of the kids in town points out that his shoes have holes in them and that he must be poor. She holds him close, rubs his tiny shoulder, and sings her favorite Patsy Cline song into his ear.

The three of them stay in the Harrington's entryway for as long as it takes for Steve's tears to dry out, starting this new phase of their lives to the tune of Sweet Dreams.

[egophiliac]

I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?

I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.

[turtleblogatlast]

[ cw: assumed death / assumed sibling death / assumed child death / solitude ]

Thinking about Leo being trapped in the Prison Dimension and keeping himself warm through the power of his own ninpo - this ability is shown to us as a flame, after all, so imagine if, when he lets his mystic energy run through him, it warms him up, just a little.

In this desolate place, all cold and alone, he focuses on that flame and leans into its warmth.

He relies on it, and he realizes it that he’d relied on it too much when it goes out, and he’s once again cold.

(In another dimension, the Hamatos believe they lost one of their own.)

[grif-hawaiian-rolls]

sometimes u just get so filled w thoughts about a pair of characters u gotta just go bonkers ya know

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[hylialeia]

you don't get it. she loved him once. she didn't have a maester, she had a brother. he sold their mother's crown to keep them fed. he said Dany, please. she loved him, once.

[olasketches]

the fact that megumi was supposed to be the MC makes me giddy as hell. ITS ALL COMING TOGETHER GUYS

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[feroluce]

Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.

So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!

But then you look at his character stories and it's like. The complete opposite.

According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.

He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!

So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.

Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.

And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.

And Gepard realizes he is in way over his head.

Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.

Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.

Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...

One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.

Gepard doesn't sleep that night.

Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.

Cocolia knows exactly what she's doing.

She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.

"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.

Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.

His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?

“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.

Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”

“A plan?”

“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.

“We don't even know-”

“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.

“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.

It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.

The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.

“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-

Gepard's head snaps up. “No.”

“No what?”

“No. We're not involving Serval in this.”

Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”

Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 

Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.

“At least let me be the one to bring it up to her.”

“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.

From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 

The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.

He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.

Gepard has to remind himself to breathe when he realizes this.

Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.

Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.

In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.

Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.

He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.

He only hopes that it's enough.

[mrscienceman4000]

Wait what if Sanji met Luffy he was a child- that would be so cute, and Luffy would be so supportive of his (future) cook!

[the-woman-upstairs]

It’s just…so painful to watch Armand readily submit in order to obtain the love he so desperately craves. And while it’s most assuredly a manipulative tactic, it’s still one borne out of fear and desperation. He cannot lose this person he’s come to love and so will become whatever they want, do whatever they want just so they’ll stay with him. But it won’t be enough. No matter how much he acquiesces or seeks to control (himself, others, the environment), he won’t be able to make Louis stay with him in the perfect life, perfect self he built in the hopes of finally being loved. It will all crumble with Armand left alone in the rubble of what he created, the author of his own abandonment.

[clowndensation]

there’s a question to be asked i think about to what extent “getting out” can be conflated with “being saved” in this show, and what freedom actually means to any of these characters.

like you can argue that shiv saved ken by voting against him on gojo, but what if your intent behind saving someone is to inflict a worse punishment than if you’d just left them trapped? can a child weaned on poison survive on milk, or are you just sentencing them to a death by inches, starved of the only thing they know? and if you save someone specifically because you know that being saved is the worst thing that can happen to them, is that kindness or cruelty? at what point does a good thing become a malicious act?

and you can say that roman is finally free, but what exactly is he free from? the company? his father? does unlocking a cage mean saving a dog, or are you allowing him out on the street knowing there’s a kill shelter nearby? if the driving anxiety behind roman is that he’s an idiot and a failure—that he’ll never amount to anything, and trying will only lead to pain—and he’s finally cut loose once all of those anxieties have crystallized into cold hard fact in his mind, what has he actually escaped from? if the cage is in your mind, is it even possible for somebody else to unlock it?

the fundamental truth of a tragedy is that even being saved can be a death sentence, if the characters are incapable of escaping the thing doing them the most harm (themselves and their childhoods)

[eir-trixa]

One thing that gets me everytime is that Stoick would have absolutely LOVED Zephyr. And Nuffink of course but I have this weird feeling that he wouldve doted non stop on Zephyr specifically. She wouldve been spoiled rotten by her grandfather, taken everywhere on top of his shoulders or the crook of his elbow. He would be reading her stories before bed. He would have learned to braid her hair and sat down with her on tea parties. He wouldve gone with her troll hunting. He would be there for her and her brother in the way he never got to be with Hiccup because the times were different now and then. He would absolutely be her best friend and Im SAD they never got to meet.

[coquelicoq]

this relationship between the emperor and his favorite concubine is something else. because apparently she was his DAD'S concubine and she reminds him of his mom...he's like you're the only connection i have to my mother (presumably because she was friends with his mom, because they were concubines of the same guy, and because after his mom died she used to take care of him and make him the food his mom used to make him because she "loves children") and i'm sitting there like 😬 ok where are we going with this. then i get to the end of the show and discover they weren't going anywhere with it in particular. they were just like, we want this guy to have a mommy complex and we want you to know about it. okay. thanks i guess...

[hana-bobo-finch]

i feel the need to mention that my cat has a perfect pacman eating a dot shape on his back and it’s the cutest thing ever

[bumblingbabooshka]

Harry Kim saying Naomi is lucky to be born on Voyager and that he would have given "anything" to have her life when he was a kid...