#even if I don't post as much as before..

[greyhands]

More stress than peaceful moments in my life lately, need a puppy eyes Nate ❤

[alexassanart]

favourite scenes from pacific rim 3 💙

[dollya-robinprotector]

I remember I did draw something like this, cuz Stelle and Sampo reminded me of Lumine and Childe. I remember I wanted to see Stelle top Sampo so so so bad I had to go draw some food for myself.

Sigh. This scam mf still hasn't given me his E6. Maybe I'll post my HSR stuffs here later.

[dekarios]

i need help with vet bills (again).

hi. for those of you who remember, earlier this year i asked for donations to help me afford toos' vet bills, who we found out through your help had kidney failure, and again with your help we got her on medication for it. unfortunately it wasn't enough, and we lost her. and then shortly after, dexter began deteriorating, which we put down to his grief of losing toos - she kept him young, he followed her everywhere, he only played because of her, he only ate when she ate, etc. without her he just stopped. and then he started to have seizures and fits daily. we got him blood tests, but he was suffering so badly. we made the decision to put him down. i didn't ask for donations this time, because i was so deeply embarrassed to ask for help again. but we are still recovering financially from that, as well as the parts of toos bills that didn't get covered from donations. my mother hasn't worked for a very long time, she's disabled and very sick, and she receives PIP from the government that only covers her monthly medications that are not covered by the NHS. my father retired early to become her full time carer, and we are living off his pension. i am too disabled to work, but because my mother already receives PIP and i live with them, the government are resistent to giving me any help - so i have zero income, and rely entirely on my parents.

this is jenny. she's a 14 year old cairn terrier, who loves when we garden because she wants to help dig holes. she helped us bury dexter and toos, digging their graves for them with my dads help. she's an angel, and loves people so much she likes to escape under the fence and join other families for awhile. one time she got into someones back garden and asked to come in as they were eating lunch. she really hates flies, and will try to bite them out of the air (she has never succeeded but i believe she will one day). she will rub her face against you until you start stroking her, and will growl and even bark if you stop! we don't have the money to take jenny to the vets, for a checkup or for anything they may want to do. this has been an ongoing issue, but toos and dexter took priority, and it hasn't been a bother to her. she existed as normal for a long time, but that's since changed.

jenny has this lump in her mouth, it is larger than the picture shows, but she is a nightmare to force open her mouth since this got so big, i think it's uncomfortable or painful for her. she can't properly close her lips now, and it has pushed all her front teeth away, misshaping her mouth, and sometimes it bleeds profusely. eating has become difficult for her, she can't eat anything hard, and currently will only eat soft human foods like rice, scrambled egg chopped up so small she doesn't have to chew, and things like soups and gravy. she's lost a lot of weight, and i'm getting frightened. to add onto it, i've found lumps like this across her body. i've done as much research as i can, and i believe it to be an oral tumor, it fits, and it looks right, and it spreading across her body is called 'full staging'. and going by all i've read - they will want to remove them in surgery. according to my research, this will cost anywhere from £585 - £4,740 for just the lump in her mouth. that's not including any checkup/test costs, or the other lumps on her body.

she hasn't been to the vet yet, i don't have any secure goal or bills to share, just my assumptions and beliefs from researching myself online. my parents refuse to take her because we can't afford it. i want to save up money, have it in my bank, and show them that we can help her now, before it gets worse, or it's too late. as i said before, i don't have any income, so the only way i can do this is with help.

here's a link to my paypal.me

the icon is a little mouse, and the @ is rivellon

i struggled so badly posting the first post like this for toos. i felt so guilty and embarrassed and ashamed. but i have no choice again, i want to help jenny. i don't want her to suffer. and selfishly, i can't handle losing another dog so soon. this year has been waking nightmare, and i need your help to stop it getting even worse.

please reblog and share, even if you can't donate.

thank you for reading.

[tooies]

i think probably the reason i like the idea of like a girl secretly being a dragon but still trying to just have a life in society and be normal is because it's kinda a transfem narrative of the whole like everyone thinks you're a terrifying monster but you just want to be a girl. and the other reason is due to i'm otherkin

[rdr2gifs]

''the morning light, when it comes to me, it was there but I could not see''

Arthur’s life was profoundly shaped by his self-hatred, lack of self-worth and disbelief in the existence of kindness in a seemingly dark and cruel world.

I strongly disagree with the statement that Arthur only became a ‘’better’’ man after being diagnosed with tb. His struggle with his true/inner self is apparent as early as chapter one. ‘’You are not who you think you are, sir… which is lucky’’

He has lived a rough life, raised by criminals and surrounded by violence ever since he was born. It was installed in him early that his value lied within being a violent enforcer and he has lived this life since, knowing nothing else. As a highly aware person, Arthur's actions weight heavy on his soul. He accepts that his actions have consequences. He knows that a person who has caused so much suffering is not meant to have happiness in life. His way of life has caused him to believe that he is not worthy of love or redemption. He doesn’t want to believe that a person like him could be capable of any good. (a thing to note here is that imo, Arthur’s actions near his death weren’t attempts at redemption but rather a strong desire to do right and possibly be his true self.) This is why he keeps living as he does as it’s the only thing he’s ever known, it’s the thing that brings him profit, praise from the person he looks up to and he is already damned so he might as well continue living this life anyway.

The internal problem Arthur faces is that this violent, cruel way of life doesn’t align with what I’d call his true self/ideals. He is torn between the harsh reality he has known and an unconscious yearning for righteousness/love. To be able to carry on with his actions he must enforce certain ideals within himself, such as: I am bad, ugly, nasty, ignorant, mean etc. He also decides to see the dark side of reality, telling himself that the world is a grim dark place and this is just as things were meant to be. This is why he feels so uncomfortable being complimented for his good deeds, because a bad rotten person like him should not be able to do good. It breaks the image he has built for himself and he doesn’t want that happening. This can be seen a lot during the ‘’Money Lending and Other Sins’’ missions where he is unusually mean (even for his standards) to each of the debtors. Imo, he acts this way because he must truly convince himself of being a terrible man to be able to carry out a job which revolts him so badly. In the last debt collecting mission with J. John Weathers, it can be seen in his face/expressions how much he is struggling to put on a tough, uncaring, heartless act. He needs to maintain a ruthless persona to survive in the world he knows. He must convince himself of his own cruelty.

''Forgive me, but that's the problem. You don't know you.''

Contrary to Arthur’s beliefs, he is a naturally kind-hearted person who is unconsciously drawn towards kindness. And yes, even before he was diagnosed with tb. This can be seen in the people he respects the most and, in his willingness to help strangers (notice how he often does unnecessary acts of service for total strangers such as: carrying their things, holding out hands etc. even though they had already troubled him). Despite the life he has lived, Arthur does not enjoy violence, he does not enjoy hurting people. He doesn’t want to dominate over others. He thinks mostly about others and not about himself. This fact alone is very telling of his character.

He writes about Charles, a man who he truly respects: ‘’He’s a better man than me. He does not need to think to be good. It comes naturally to him, like right is deep within as opposed to this conflict between GOOD↔EVIL that rages within me.’’ A man who is not struggling with his inner self would not have written this. To me this clearly implies an inner desire to be a better man. He writes about his mentors: ‘’I love Dutch like a father, but in many ways, I love Hosea even more. He’s kind and fair and like a human being. Dutch is something else.’’ Clearly showing a preference for Hosea who is of a more gentle nature and shows genuine kindness. Unsurprisingly, these are the people who see through his dumb/though act and encourage him to drop it.

When he comes across Brother Dorkins for the first time, he writes: ‘’(he)was one of those innocent people who make you feel better about human beings and about yourself a little. Must be odd to see all that goodness in the world. Place always seemed dark and brutal to me.’’ Expressing how he does not see goodness in the world, implying lack of good examples/kindness/good experiences in his life. Yet, the monk leaves an impression and imo, this encounter (seeing genuine goodness) disrupts Arthur’s perception of what the world truly is. ‘’Just as evil begat evil your whole life long, so good may begat good’’ (what strengthens my belief in this, is the following, symbolic scene of Arthur realising the consequences of his actions right after picking up a crucifix. He was aware of them before sure, but is unable to truly ignore them now having seen it right in front of his eyes). If only Arthur was presented with more examples of goodness in his life.

''You have it in you... I can tell!''

His desire to do as much good as possible after realising he won’t live long is instant. This would not be the mindset of someone who did not already possess kindness in his heart. ‘’Know glory and forget about shame.’’ Arthur’s shame and self-loathing caused by his previous actions were what was holding him back from allowing kindness into his life. Knowing that he has limited time left has not made him into someone he wasn’t before. The diagnosis was a catalyst, allowing him to embrace that love/goodness truly does exist and accelerate the process of chipping away from the persona he has made for himself. This was a newfound understanding for him as in the past he was rejecting any notion of kindess. In himself and perhaps the whole existence of it. ‘’You keep hidden all that matters, even from yourself.’’

After being diagnosed, he writes: ‘’What kind of a man have I been? What kind of a man am I? What world is this we live in? A land of fury or a place of love? Am I being prepared for eternal damnation? Am I past any kind of saving? Is that all fairytales? Man ain’t got much good in him. I ain’t got no good in me… I don’t think and yet I see goodness. I see it. If not in me, in good folk. In Abigail and her love for Jack. In that silly monk. In Downes, I guess. Begging not for himself but for the poor, even though he was near starving himself. Maybe I don’t want salvation. Part of me has always longed for death.’’ This entry perfectly shows how deep Arthur’s self-loathing goes and just how much it has damaged him. As his journal allows a look into his true feelings, he truly does not see a single good thing about himself. He knew for a long time that the way he lives is detestable but he could not let go of it. Not because he didn’t want to, but because it’s all that he has ever known. He didn’t believe in anything else. This sudden acceptance of goodness has allowed him to see clearly, which was obscured from him before, and for the first time, enabled him to act free of past regrets for what is right.

⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪

Arthur’s redemption is not about becoming a good man. It is about finding the strength to change and recognise your true self despite a lifetime of self-loathing and breaking free from destructive beliefs of the past.

In Arthurian legends a stag is a symbol of the unending quest of spiritual knowledge/enligtenment

[front-facing-pokemon]

[egophiliac]

so we know you love diasomnia endlessly, but who is your favorite character from each of the other dorms

this is SO hard to answer, because so many of the characters are, like, those pet adoption ads that say "MUST STAY TOGETHER, CANNOT BE SEPARATED". it's all about the relationship dynamics! and I think everybody in the main cast is pretty neat, honestly; there isn't anyone who doesn't have something I really like about them. but if I haaaaad to choose...

Hearts - Trey, partly because I do like me a good Mom Friend™ character, and partly because he pretends like he's all sane and normal, right up until he does something to prove he's just as much of a dipshit as everyone else. you're not immune, sir.

Savana - BUFF 👏 TSUNDERE 👏 WEREWOLF 👏

Octa - this one took a lot of soul-searching, because I do feel like the Octatrio is at their very best when it's all three of them, especially when they're in full Ed Edd n Eddy mode. but in the end, Jade ekes out a win, because sometimes you get this Jade:

and then when he gets back from his nice mushroom-foraging hike, you get this Jade:

Scara - Kalim, my sweet little moron. such a good heart, so few braincells.

Pome - 90% of the time when Rook shows up, you know it's going to a be fun time watching a silly little man dance around and break into song for no reason and wax poetic about the beauty of, like, a chair. always a delight!

except every once in a while, he'll bust out something that is absolutely insane even by Twst standards:

this isn't a complaint, it's just. why is he like this. I want to study him under a microscope, except I'm afraid of what I might find.

Igni - MUST STAY TOGETHER! CANNOT BE SEPARATED! ...but I would probably go with Ortho, just because right now I'm pretty invested in his Learning Emotions story arc and looking forward to seeing it progress. he's a good boy who will post your cringe fanfic publicly if you annoy him

...and at this point I'm calling technicality because the ask says "other dorms", and I genuinely do not think I could choose between the Dia boys at this point. let's see how episode 7 goes first!

[fountainpenguin]

Dimmsdale Rich Families Analysis

Misc. musings that haunt me daily...

I love Dimmsdale's rich families... You've got the Dimmadomes who are all about real estate, fancy buildings, hosting city events, and (Thanks to Dale) they got into tech and shipping.

Contrast that with the "old-fashioned pencil and paper" vibes of the Leadlys, plus the Buxaplentys running the trains... It's a triangle of supporting each other's businesses (and thus, the rich get richer).

This post written under the assumption we're treating these episodes as canon, though I cherrypick "Country Clubbed" in my worldbuilding and I use Dimmsdale's founding year from Season 3 over the one given in Season 9.

General Background

Several flashback episodes imply the FOP world exists in a timeline where the English settled at least part of the west coast in 1665 (as opposed to the Spanish).

- Presumably, this is one of the unique things a universe-hopper like Jimmy Neutron would identify this world by. - On that note, people are heavily implied to "stand differently" in the FOP world, which is why visitors from other dimensions react with surprise when they see their bodies (and fall over before they get their footing):

Just some fun "alt reality" vibes. Enjoy your visit; sea legs required.

Notably, this is also a universe where trains existed on the west long before they existed in ours, but we'll get to that.

Today I'm discussing the Dimmadomes, Leadlys, and Buxaplentys, but for anyone who's interested in learning more about rich families, Season 9's "Country Clubbed" namedrops a bunch.

Dimmadome Family

We know the Dimmadomes for their impact in the modern world- they're always innovating, hopping from one thing to the next. Dale does seem to have consistency in the businesses he owns (though I am DYING to question what his plans are for that indoor amusement park).

Doug doesn't seem able to commit to anything for long, though we know he's very proud of the Dimmsdale Dimmadome. He hosts many events throughout the series, from music shows to wrestling to demolition derbies.

Dimmsdale was founded in 1665, named after Dale Dimm (following him throwing Alden Bitterroot the witch down a well). It's possible Dale Dimm is an ancestor of the Dimmadomes, given what we know about:

- Dimmadomes having their hand in things (including the founding of Dimmadelphia). - One Dimmadome ancestor using the surname Dimm ("Lost and Founder's Day"). - Dale Dimm's very tall, barefoot figure is a hilarious ancestor choice for Doug "tall hat" and Dale "boot obsessed" descendants when you think about it.

While it's heavily implied Dale was born into generational wealth, we can't confirm whether that was (or wasn't) true for Doug. It's possible his family helped him get his start, but he seems to have kicked off his own success story by mining for gold (Presumably at a young age given that was back in 1953 and the main FOP series kicks off in 2001).

I like to think Doug (prior Dale's birth) changed his family's surname to Dimmadome to move away from the negative connotation of Dimm and commit himself fully to his big and shiny brand image.

Doug's a pretty interesting character! He's not afraid to get involved in his projects and work hard personally, as opposed to outsourcing- a trait he and his son Dale seem to share.

Doug also seems pained to surrender a check to Timmy in "Odd Ball" (even asking for a minute to say good-bye to his money), which isn't far off from Dale's attitude towards stocks.

He was even down to move to Alaska to follow the Ballhogs basketball team. He loves throwing all his chips on the table and doesn't back out easily. He also goes all-in with promotional outfits, like the parka above or his chicken costume in "Chicken Poofs."

That said, he might have some "sunk cost fallacy" views towards some of the stuff he buys. While the basketball team cheered they'd won the game by a close shave, Doug's first remark was that now he'd have to figure out what to do with all the stuff he bought in prep for their move to Alaska. He immediately started eating the Blubber Nuggets he would no longer be able to sell.

In "Chicken Poofs," when Doug sees the town inside his restaurant's chicken-dunking cages, his first thought isn't "Oh my gosh, I have to save these people." It's "These people stole my chickens- I'm ruined!" However (at Timmy's advice), he comes back from the loss of his chickens by selling the eggs they left behind. He wasn't about to go home empty-handed.

I'm obsessed with Doug's chicken-dipping machinery having labels so the thing one step up from Deep Fry is The Sun, and the step up from Sun is Lava. When would he ever need a dial that goes that high?

A "waste not, want not" attitude is fascinating in contrast to Dale being so incredibly wasteful, he brought two single-use helicopters on his trip to the park in "Stanky Danky." Is Dale rebelling against Doug's "We have to make the most of everything" parenting style? I think that plays really well into my vision of Dale being the first born into excessive wealth, while Doug possibly worked his way up after striking gold in 1953. Dale is wasteful, Doug more practical.

Doug is also over-the-top ridiculous and would sooner work around his love for tall hats than stop wearing them.

He owns a boot-shaped phone and a laptop with an armadillo logo, apparently. I'm not sure what they were going for with the armadillo - it's probably just random or meant to represent high security - but I looked it up and in Mayan folklore, armadillos are perceived as cunning critters that outwit people and dodge consequences thanks to their shells, which... Yeah, I think that sums the Dimmadomes up pretty well. Fun fact, but armadillos are one of the only things Fairy magic can't affect ("Teacher's Pet") because magic bounces off their shells. My Anti-Fairy biology incorporates pink fairy armadillo biology because we know Anti-Fairies are also immune to most Fairy magic. Just kind of a "Hm" implication, especially since "Crock Talk"' here and "Teacher's Pet" are both Season 7 episodes. I guess the other horrifying option is that Doug eats armadillos the way you eat apples, but...

I'm also of the opinion that Doug torched things in the Learnatorium, given what we know about the Learnatorium's interior ("Totally Spaced Out") and this scene of Doug "destroying childhood memories" in "Odd, Odd West"

In fact, it's not even a reach to say Doug takes pride in destroying people's cherished childhood memories. He seems to "look down on wasteful, childish things" and seems to value anything that is more useful in performing a task or turning a profit. Again, that's big "Everything must be useful and we can't waste space" energy (and presumably reflects on his offscreen parenting).

Where my fanworks are concerned, I love the idea that Doug paid for personal tutors to help Dale adjust to society and/or some basic schooling. Say... maybe an elementary teacher to start with? I don't think it would be unreasonable to theorize Crocker was involved with that, at least at first, as it helps justify the money he would've needed to expand the Crocker cave in the early days. -> We know from S4's "Genie Meanie Miney Mo" that Mr. Birkenbake states he can't afford a garage because he "doesn't make Crocker money," implying resentment... which is pretty interesting when you consider that Crocker also doesn't have his own place because he moved back in with his mom after university, and not even to his old room (Instead to a room above the garage). -> We know from S6's "Wishology Pt. 2" that Crocker stole the money intended for "the school's new science wing" and used that to pay for some of his tech, like his rocket. Both these episodes come well after S2's "Nectar of the Odds," so it's interesting to consider Crocker getting money earlier to support his tech pursuits in Seasons 2 and 3.

Dale seems to feel strongly about his dad- If it's not love, it's obsession and Grade-A Daddy Issues. His tent is shaped like his dad's head - despite Doug not being present at the event as far as we know - and even his house features statues of his dad.

Considering the nervous, over-the-top, aggressively money-chasing person Dale turned out to be, it's no surprise we can see a lot of Dale in Doug. While Vicky did a number on Dale's psyche, there's definitely some Doug influence in his behavior too.

Fun Fact: The Dimmadome gives off Roman Colosseum vibes, so it's fitting that one of the ancestors we saw in "Lost and Founder's Day" is an ancient Roman!

I would also be remiss not to look at the Dimmadome fortune, glance at the sheer number of businesses Doug is constantly opening... and question if there's some money laundering going on there. Seems kinda sus, ngl...

I'm just saying, Doug with a ton of "disposable income" (gold) because he ended up with a lot of it very quickly seems like a "great" way to get into gambling. Shout-out to the Dimmadomes and their obsessions that hint at addictive personalities. Actually, that makes Dev's game addiction so much darker and now I'm horrified. He could get into trouble so easily...

Also, in "Engine Blocked," Doug literally tries to pay Vicky with a bunch of [I assume fake] money with his face on it, so that's questionable...

One last interesting note is that the Dimmadrones (called such in "Stanky Danky" when chasing Cosmo, Wanda, and Hazel) are clearly based on the early model of Amazon delivery drones.

I think the obvious assumption is that Dale* built them for Dimmazon, but repurposed a few of them for Dev's caretaking (as opposed to them being built for Dev in the first place).

* It's possible the robots were built by a team, but knowing Dale programmed the statues in "Lost and Founder's Day" & Dale's seeming preference to do things himself rather than outsourcing, I'm going with the "Dale built them" theory.

This repurposing might be backed up by Dev referring to the ones that hang out with him as au pairs - a phrase meaning "caretaker" - and even claiming his au pairs are Au Pair #1 and Au Pair #2. While that might just be convenient shorthand since those are the two he interacts with, maybe those are a different type of Dimmadrone that was designed (or tweaked) specifically for Dev's care.

In a previous post, I discussed my headcanon of Dev having hypoglycemia and referenced the au pairs having the ability to "alert on him," or at least use both visuals and noise to signal him, as in this screenshot from "28 Puddings Later" showcasing a glowing exclamation point:

We also know Dev has specific food needs (Lactose intolerance), that he's very picky with his food (Even a treat like cupcakes that you would expect a 9-year-old to enjoy regardless), and that the au pairs are capable of food preparation (since Dev tells Hazel in "A New Dev-elopment" they can make sushi).

The au pairs are probably the most advanced, expensive, time-consuming models (compared to the ones that simply need to be mass produced for package pick-up and put-down).

I do like the thought that - for all his faults I didn't touch on here - Dale does care enough about Dev that he took the time to design two robots that could look after Dev in his absence... and specifically, took the time to think of what a child actually needs.

Dale probably thinks "I spent 7 years struggling... I would've loved the comfort of knowing my base needs like food were taken care of."

In my hypoglycemia post, I said the au pairs seem to know what hugs are and can recognize when Dev wants comfort. That implies Dale put a lot of thought into the design of the au pair and its ability to assess Dev's needs. Dale's not oblivious to what a child needs, like safety, appropriate food, and physical affection... He just lets the au pairs handle Dev.

Dale definitely gives the impression of someone who's making a genuine effort to parent, considering he missed out on healthy role models for at least 7 years of his life (Not to mention Doug is a wild character and probably fell short of being an excellent parent himself).

Along with designing the au pairs to look after him, Dale involves Dev in his projects, greets Dev, and answers his questions, and that's so interesting when you compare him with people like:

- Remy's parents (after the shipwreck in "Fairy Fairy Quite Contrary"'s closing scene) opting to count their surviving money and open a luxury hotel while still dressed in rags, forcing Remy to forage for his and their survival - Vicky and Tootie's parents opting to stay with perceived cannibals rather than disobey Vicky ("Timmy's 2D House of Horror"); they consistently let Vicky run the show and beg her forgiveness when they upset her. You could 100% make an argument that Vicky is Tootie's actual caregiver. - The "Fairy Idol" alt version of Bucky (Chester's dad) who lost his house and went off to party instead of securing food or shelter for his son. Also, Regular Bucky canonically feeds Chester animals he stole from the zoo or aquarium ("Who's Your Daddy?") and I think we should talk about that. - A.J.'s parents are fantastic in many ways, but there's something incredibly dark about the way they don't like A.J. going outside where there are germs ("Who's Your Daddy?"), they have a laser set up in front of their house to vaporize visitors ("The Big Scoop"), and A.J. seems to believe they dislike Chester (given his long silence after Chester asks why A.J.'s parents' security system got more aggressive after finding out he was Chester). - Later-season neglectful Timmy's parents (though I acknowledge I don't love that flanderized aspect of their character unless viewed from the 'got burned out after 50 extra years of parenting' lens, personally). - Clark and Connie who walked out on their daughter having an anxiety attack (and sent Chloe into a dissociative episode 3 times in the first episode they appeared). - A distracted adult Timmy ("Channel Chasers") leaving his kids with a robot Vicky babysitter despite the sight of weapons and his children begging.

Dale IS an antagonist and a neglectful parent. This post is not meant to take away from that or excuse it, but I think it's interesting that within the bounds of FOP characterization... He is pretty consistently in line with how parents in this show behave, and he does have many positives alongside his flaws. I totally understand why child protective services have not taken Dev from him.

Disclaimer: All characters are morally gray and this list is for amusing discussion purposes. I'm not calling these characters "bad parents" so much as highlighting interesting behaviors for consideration.

FOP's characterization leans into adults being foolish and neglectful - Dimmsdale is named after the idea that the adults are dim, after all - and I think it's worth evaluating all the FOP parents within that framework.

Related Dimmadome Posts:

- This post where I had the thought that Doug might have ADHD/OCD comorbidity (Hilariously, something I'd already decided to do with Dale and Dev...)

- This post comparing Doug and Dale body language

Leadly Family

S9's "Dog Gone" is a bonkers episode, and I love it so much. Notably, it's the episode that confirms Leadly is personally rich- Not just Pencil Nexus as a company, which has multiple branches in other states and can afford a jet.

In fact, Leadly is so rich, he offers to buy Sparky from the Turners for 17 million dollars, just because Sparky gave him the Heimlich maneuver and Leadly thought it was neat.

My personal headcanon for Leadly is that he's somewhat aware of magical beings and is actively seeking them.

The Leadly mansion is pencil-themed, of course.

The Dimmadomes and Buxaplentys are both confirmed to have generational wealth. We have no proof one way or the other for Leadly. It's likely his is too, but it's not impossible he founded Pencil Nexus and committed to its branding because he's proud of what he does.

Leadly doesn't have many appearances, but we know some very important things about him:

- He's convinced he's being haunted by a hot tub ghost, reason being that Cosmo likes to use his hot tub at night (whether Leadly's in it or not). Sparky also claims that he had an accident on Leadly's lawn (Crashing his car), but that Leadly blamed the hot tub ghost.

- He's super buff.

- His company is literally the only thing keeping a [presumably magical] forest from overtaking Dimmsdale, considering that when Pencil Nexus reduces their tree chopping in "The Boss of Me," the forest overtakes the city within a couple hours.

Did some godkid out there just wish for renewable trees and now Dimmsdale is cursed and suffering??

Leadly just flexes like this and has massive muscles, but his aren't as big as the people affected by the Everleadys.

The episode makes it explicitly clear that people's massive muscles are magic and aren't going away (Hence the lawsuits and decision to remove Everleady pencils from the world), but Leadly's muscles do fade when he stops flexing. His are natural.

Despite the jokes that he flies the company jet around to goof off, it's not unreasonable to think he's out there personally chopping trees and I respect him for it.

Y'know, I did wonder how on earth selling pencils made him rich enough that he can afford to spontaneously buy things for 17 million dollars (and keep a pet snow leopard that he apparently rides, considering it was tame enough for Timmy's Dad to ride it home from work and he parked it outside his house and it just stayed there).

Did he fight the snow leopard? Did he raise it? I'm afraid of him.

Conclusion: Ed Leadly has a monopoly on an infinitely replenishing wood source. His company can never take a break or the city will be overtaken by magic plants. Big "curse of Midas" vibes.

I can't stop thinking about how in "T.U.F.F. Puppy," it's implied that Petropolis exists in the same general location as Dimmsdale... Los Angeles county:

- Los Angeles' population in the 2010 census was 3,792,621. Dimmsdale's hillside letters parallel the Hollywood sign. - 91502 is the Burbank area code, where the Nickelodeon studio is - Jorgen claims in "Meet the OddParents" that the power he has to do that was vested in him by both Fairy World and Whittier, California. This seems to match the city borders seen in "Fairy Idol" while he's zooming in on Chester to assign Norm as his godparent.

This implies parallel universe vibes, though in my lore, I have all four Hartman shows blended into one continuity.

See my 2019 post, "A T.U.F.F. Timeline" or the shorter "How Hartman Shows Co-Exist" post if you want details on that

Here's the thing... In "T.U.F.F.," it's implied the forest near the city has been allowed to spread and evolve. Its bizarre flora and fauna certainly give a "non-natural evolution" vibe, so it's not implausible magic could be at play.

It's made very clear in "T.U.F.F. Puppy" that this show is still set on Earth, yet "Flower Power" refers to the Petropolis Rainforest. That implies this forest exists around the city. In fact, we know it's separate from the Amazon, which is referenced in "To Bee or Not to Bee").

Interestingly, the episode "Til Doom Do Us Part" depicts Petropolis being overrun by brightly colored flowers once weddings are mass canceled-

- which implies the florists are keeping the creep of nature back from Petropolis.

I feel like this is especially cursed in my lore where "T.U.F.F." exists in a post-FOP future... Leadly, your woods!! Oh no, he can't hear us... He's been gone for 2,000 years...

Shout-out to Pencil Nexus keeping Dimmsdale safe, one pencil at a time. And shout-out to Leadly's unique body language of gripping the sides of his coat, because he does it a lot and it makes me smile every time. He is just some background guy with a pencil-themed gimmick, but he has a special body language quirk and I love it.

Related Leadly Things:

- If you haven't watched S9's "Dog Gone," I recommend it. It's silly. There are some late-series episodes that give secondhand embarrassment vibes, but for some reason "Dog Gone"'s bizarre energy is so charming to me.

- Leadly appeared in these one-shots of mine, if you're interested in my portrayal of him hunting down magical creatures (and just generally being entitled and getting in the way): "Opportunity" & "Trying Too Hard"

Buxaplenty Family

The Buxaplentys have been running the railroads ever since Dimmsdale's early days, with Orville Buxaplenty the first to do so. Timmy's distant grandfather (Ebeneezer) mocks trains by claiming they're "just a fad" and there's no future in them- Thus, he chooses not to involve himself with trains and leaves Orville to do so alone.

This establishes the Buxaplenty wealth as being generational through these trains. Presumably, Dimmsdale has a large train station, as this seems to be where the Buxaplentys have set up shop.

If the Dimmadomes have businesses spanning Los Angeles to Dimmadelphia, it's very likely the trains play a key role. Assuming we take the 1665 founding date of Dimmsdale as canon ("Which Witch is Which?"), the trains may have been essential at moving resources from Dimmsdale to later found Dimmadelphia. -> See also, respawning magic woods (?) Rich people crossover of the centuries??

Notably, their family takes some heavy hits in "Country Clubbed" when Mr. Buxaplenty is forced to watch the destruction of the club, his mansion, yacht, and limo in quick succession.

The surname Buxaplenty is clearly a play on the phrase "bucks aplenty" (and I want to shout-out a 'fic I read many years ago - but unfortunately do not remember - that had a whole thing about Remy's surname actually being Buxley and everyone just calling them Buxaplentys in a derogatory way, because that's hilarious).

A neat detail about Remy is that in the Spanish version of Fairly OddParents, his surname is Cajallena, which (to my understanding) translates as "full cash register."

In my lore, I made Cajallena the maiden name of Remy's mom.

I did some poking around. Apparently, Remy is based on comic/cartoon character Richie Rich, popular from the 60s to the 90s or so (and who still shows up in modern reboots of things today).

I'm not familiar with this series, but both are blond, the only child in their family, and wear big red bows. After brief research, I get the impression Richie was at least a little associated with trains... even owning a toy trainset that costs 1 million dollars (and paying 8 million to buy the factory that makes a part of his set that broke).

I want to highlight this comparison:

From the Hanna-Barbera cartoon, I believe, and it looks like Richie owned other gold vehicles like a boat as well.

As for Remy himself, I believe I read a few years ago that he's designed around the concept of "green-eyed envy," so he has literal green eyes. I think envious is a very good way to describe his character, considering that his immediate reaction to learning Timmy has fairies was "If he has fairies, he could wish himself richer than me; I wish his fairies were gone."

This is a minor detail, but I rewatched some Remy scenes (especially the lunch scene in "Remy Rides Again" and the breakfast scene in "Stupid Cupid") because I could've sworn Remy said at some point that he likes caviar. That might be true - I didn't find it in my hasty rewatch - but I definitely laughed when I checked and saw that instead of eating caviar for lunch like I'd remembered, he ate steak. Kid knows what he wants.

We also know Remy enjoys Crimson Chin and Crash Nebula. Specifically, we know that he's a fan of Cleft the Boy Chin Wonder, but that when Remy ventures inside the comic world, he made the character more relatable to him by making Cleft rich... in addition to minor costume changes, such as slapping the Buxaplenty logo on him in place of Cleft's usual C.

Remy sees something in Cleft that connects with him, but that extra "I want Cleft to feel like me" bit is interesting. Admiring Cleft isn't enough. He needs to be "I am Cleft's secret identity. I, Remy Buxaplenty, have this alt life." The Crimson Chin can't seem to tell the difference between Timmy and Remy as Cleft - unsurprising since he's a comic character playing his role - but Remy saving the Chin from falling is one of the only acts of kindness we see him engage in. That implies Remy does value the Chin and/or feeling like a hero in some way... or if nothing else, he values the praise the Chin gives him.

As parents, the Buxaplentys are pretty interesting. Even by "dim FOP parents" standards, they're exceptionally bad at being loving - or even effective - parents.

- Remy's dad is so awkward, he's not even sure how to address Remy when we see them in "Fairy Fairy Quite Contrary." It's his wife that suggests he try "Son." Also, Remy's parents time themselves so they spend no more than 2 minutes per day with him, which they tell him openly.

- Remy's dad calls him "Liam" later, which isn't close to his name... but Remy's grateful to be acknowledged anyway, which has interesting implications. Remy takes anything he can get; putting up with what little scraps they offer to avoid the risk of turning them off the idea of reaching out to him.

- At the end of the episode, Timmy wishes Remy could spend more time with his parents. We can assume Cosmo and Wanda didn't want to hurt the Buxaplentys on purpose - especially given what we know (from episodes like "Boys In a Band" & "Go Young, West Man") about Da Rules preventing godkids from harming others directly.

So that begs the question... Was shipwrecking the Buxaplentys the only option to get them to pay attention to their son? That's kinda dark... Angela will turn down a book pitch to care for sick Hazel, but "Remy gets sick and a parent tends to him" was seemingly not on the table. Which does make sense in-universe- After all, there are plenty of butlers and staff who wait on Remy.

Remy even tells us that his parents stopped paying attention to him after about 3 seconds despite being stranded with him on a desert island, which is pretty bad... but it gets worse when you realize Remy was stranded between Seasons 2 and 5.

When he returns in "Remy Rides Again," he asks Timmy to "guess where he's been," and informs him he "just got back from an uncharted island."

Combining that with Remy's claim that his parents only paid attention to him for 3 seconds - and looking at the scenes of Remy foraging for food while he wears rags and his parents get involved with business despite being stranded - That's..... just awful.

That's a long time for Remy to be without the comforts of home or the comforts of Juandissimo while struggling to survive (and keep his parents alive along with him). Depending on where you personally place Timmy's time freeze, it can get way worse.

And Remy was just happy he had time with his parents... Happy to forage for food... Happy to get a headpat... and for what? They don't deserve you, kid.

For all his greediness and schemes, he is pretty grateful for what little he has. In addition to looking forward to spending time with his parents, when Remy is venting to Timmy at the end of "Remy Rides Again," not once does he mention "And I didn't have my nice things." He says "I didn't have my fairy, Juandissimo, to comfort me."

Remy's parents don't even take care of themselves, let alone pay attention to his needs. They chose not to leave the deserted island - and apparently took their sweet time calling for clothes to be delivered - and Remy seems to be the one in charge of food.

Also, the implication here is that Juandissimo gave some part of his physical form up so Remy could eat, which is horrifying?? Did that happen multiple times, considering these scenes take place immediately after the shipwreck and later after Remy's mom opens her luxury resort, so definitely different days? Did... did Remy reach the point where he was struggling to find food - or the more awful option, struggling to find food for himself because he was giving it to his parents first - and Juandissimo said "F that" ??? ... help.

On top of all this, the official canon is that Juandissimo couldn't hold a job after being separated from Remy because he was so hung up on Remy's situation (and his own shame that he failed), he couldn't stop crying, so he bounced from job to job.

It's the thing I love most about Juandissimo, because when he's introduced in FFQC, he's a huge lapdog for Da Rules, even going off about how not following them would lead to madness. But we learn one very, very important thing about Juandissimo in "Remy Rides Again"... which is that Juandissimo openly broke Da Rules to return Remy's memories.

He's very clear about this: "I decided to help you no matter what Da Rules say, so I gave you back your memories." Because he loved him... and he knew Remy's situation wouldn't get any better if he sat and did nothing. The godparenting program and Jorgen weren't going to help, so Juandissimo - who LOVES Da Rules - broke them.

We know Juandissimo returned those memories while Remy was on the island. That suggests Remy's parents had no intention to return to Dimmsdale... and presumably, they also didn't care Remy was missing school.

We know Remy got real clothes again at some point on the island, and we can assume he had food and a bed because his mom opened a luxury resort, but there's more a child needs... Schooling, medical care, social interaction with peers... everything about that situation just screams neglect. Serious neglect. "We literally do not care" levels of neglect.

Even when Remy's parents do return to Dimmsdale and care about his schooling again, they send him to a military school full of older kids and adults. And that seems at least a little reasonable on the surface - After all, Remy's been a brat, so of course they'd send him to a school for ne'er-do-wells - but that begs the question...

... What has he ever done to upset his parents?

Remy's envy leads him to be rude, sure. And he's presumably committing some kind of fraud or deception crimes in the background due to the implication in "The Big Bash" that he bribes people with checks, but puts stops on them later so they don't go through. These are things that happened when he was doing magical stuff away from home.

But all signs point to him being extremely respectful towards his parents even when they're very dismissive of him... even when he's been placed in terrible, scary situations like being shipwrecked on an uncharted island, not knowing if they'll survive. Remy is polite, does what he's told, never talks back, and volunteers to find food.

It's almost worse that his dad acknowledged Remy finding food was a good idea and still didn't lend a hand in that. The Buxaplentys are such concerning people, and that's just my recap of things that happened in Season 2 and Season 5.

According to Season 9's "Country Clubbed," Remy's dad hits "classless saps" with his limo on purpose every month - which sounds horrible even without the next part - and he does that so he has an excuse to invite them to the Fancy Schmancy Country Club and he and his friends can mock them (under the guise of allowing them access to the club in exchange for them not suing). He heavily implies he'd like to hit Timmy later since he didn't get him while hitting his parents.

That's really messed up... WHAT is going on in the Buxaplenty parents' heads?

The only slightly relieving thing from that statement is that presumably, they don't run over Remy because we can assume Remy isn't a "classless sap," but I don't think "choosing not to run your son over because he shares your wealth" is a real point in their favor.

I make no claims that Dale is a fantastic parent, but the weird thing is... I don't think Dale is outside the range of how other subpar parents in the FOP universe act. Except the Buxaplentys- They're pretty much the lowest of the low.

There are so many concerning things going on in the Dimmadome house, like terrible safety rails, and Dale does cut his son off, dehumanize him, and make him feel unwanted. This is all true.

But at least Dale knows Dev's name and calls him that. It's very possible he's aware of Dev's lactose intolerance (seeing as Dev had to get his allergy card from somewhere). At least Dale provided the au pairs to look after Dev and gave them the ability to cook and recognize when he wants a hug. Even if Dale doesn't go out of his way to hug Dev, he seems to like him enough that he's happy to clap a hand to his shoulder and talk to him. At least he seems interested in talking to him and hearing about his day.

Dale even tries to get Dev outside, but didn't snap at Dev when Dev lay down to play his game instead in "Stanky Danky." That was their father-son thing, though it would've been easy to leave Dev at home.

Dale arguably took charge of Dev's care during that event, seeing as the au pairs don't hover around Dev. idk if Dale made his 9-year-old walk home himself across a very busy road while he chased after Danky, but that's not the point.

The implication is that Dev tags along on Dale's walks to Signal Hill - and has done so many times - because Dev knows Dale's calls drop up there. It's implied Dev plays on that hill when his dad is on a call because Dev knows the grass makes you itchy if you roll down it. He'd probably played there recently since that was the first place to come to mind during the treasure hunt with Hazel, and he remembered the itchiness of the grass.

Dale even makes donations to Dev's school, which is more than the Buxaplentys ever did (See also, Remy likely missing school while shipwrecked).

Remy could die and his parents probably wouldn't spend a cent on his funeral... or get his name right in a eulogy without a lot of note-checking and effort. In fact, it wouldn't shock me if they hid his death so no one found out, because a dead son would be bad press.

Actually... It's very sad to imagine them putting more effort into hiding Remy's death than into caring for his life.

Shout-out to Chapter 10 of the 'fic "Buy Me Love" by DeliverUsFromEvie where Remy addresses two mansion employees by name, but they're confused to find out their boss has a kid and that said kid has been in the house this whole time. I think about it constantly. hey. what on earth.

This 'fic has one of the most brutal interpretations of Remy I've ever seen, and Evie has this and several other awesome works, so consider checking them out!

All of this said, there's something else that's interesting here, so let's talk "Turner Back Time."

I can't stop thinking about how when Timmy wished his ancestor (Ebeneezer) had decided to work with trains rather than dismissing them, that led to a timeline where the following things happened:

- Timmy's Dad still married his beloved Timmy's Mom (lol). Yeah, you're not prying him away from the love of his life for anything.

- Dimmsdale fell to ruin because Timmy's Dad wouldn't play the Rich People game right (Supporting the city's growth) and instead opted to drive trains off the tracks and crash them through buildings.

- The Turners lived in a mansion, but Timmy's bedroom is exactly the same, presumably because in the timeline where his family's rich, he needed a safe space untouched by his parents' branding.

- Despite Timmy's effort to become miserable, Dad kept showering him with affection and toys, so Timmy didn't qualify for fairies until he was tied to railroad tracks with a train hurtling towards him.

- The first thing Timmy did in his attempt to become miserable enough to qualify for fairies was decide not to eat... Same energy as when he felt guilty and refused to sleep in Season 1 ("Dream Goat").

There is something here about Timmy's Dad ignoring the train system, but being attentive to his son, while the Buxaplentys ignore their son, but Dimmsdale isn't in ruins.

I'll say 1 and only 1 positive thing about the Buxaplentys: At least their trains are on the tracks instead of careening through hospital walls. Honestly, the bar is so low, it is below the floor.

Timmy's Dad became a greedy person in that timeline, but he still chose to marry someone of lower social status, have a son, and be kind to his son- He's happy to greet him, encourages him to enjoy their wealth, and gifts Timmy lots of nice things. In that timeline, it's the Turners who have generational wealth. Dad was raised by generations of Turners and he still makes time for Timmy. Come on, Buxaplentys... Is it THAT hard to speak to your son like you're happy he exists?

Closing Thoughts

The Buxaplentys are definitely an old money family while the Dimmadomes and Ed Leadly give off new money energy (to me).

Neither Doug nor Ed was seen at the Fancy Schmancy Country Club in S9's "Country Clubbed." All the people who were there have names that play on wealth. They also dress in a much more "upper class" way than Leadly with his flashy yellow suit or Doug with his Southern/Western theme.

The Dimmadomes represent business-related wealth and big company vibes, and I'd call them eccentric. Compare Doug's precariously perched cliffside estate (S3's "Engine Blocked") to Remy's telescope-

I really hope he decorates that hat for the holidays

The energy I get from this is "Doug doing whatever he wants just because he can"... which is also the impression I get from the "Crock Talk" scene that shows his hat stretching through the limo roof. Doug does business things and hosts events, but keeps to himself unless he's doing business things.

Comparatively, Leadly is all-in on his pencil branding, and the Buxaplentys flaunt their wealth in everyday life. As in, they buy the most expensive version of anything they want and like to showcase their wealth.

But while Doug and Dale have "Do what I want" energy, the Buxaplentys seem more restricted by social expectation.

That is, the Buxaplentys dress very nice and dine with fancy people- even their 11-year-old wears a tux, bowtie, and cummerbund. Buxaplentys are very "Flaunt wealth & do what people expect of us." They don't go out of their way to do "silly, eccentric" things like putting a hat on their mansion, but they sure will buy golden, diamond-studded things.

Well, that wraps up my analysis on Dimmsdale's wealthy families, who each intrigue and frighten me in their own unique ways... whether that be money laundering, holding back a magical forest, or being absolutely awful parents.

Thanks for reading!

[murderofsomeone]

it's probably decently obvious that my main lemon demon design was created BEFORE seeing any fandom depictions (or even really that much official art past the logo) because of how violently he stands out in comparison to other designs. it's a little obvious that my inspiration was self-contained and it granted me a bit of creative freedom along with a completely different train of thought while designing him. his three eyes however is very much a relic of 2022 because I was designing a lot of demons with asymmetrical faces at the time and well, why not make another

anyway here's a comparison of him to my most recent lemon demon original design (where it's a bit more obvious I was influenced by somewhat of a fandom culture)

extra bonus rambling under the cut

my general design process has actually stayed relatively contained with a few exceptions like soft fuzzy man's color and weirdly neil himself. yeah sorry chat neil is the first guy that was highly influenced by someone else's design you can shoot me too if you'd like. but I legitimately believe he's the only real example because every other character that has a design remotely similar to someone else is likely due to us both following a similar source material (like my cabinet design being based off polybius) or there being only so many ways to interpret the design (gef the mongoose would've fallen into this category if it wasn't for the fact I made him Joker colors)

in general I tend to follow a mindset of how "weird" I can make a design or how much I can push a lyric/implement it into a design. I also like to twist around the convention and try new things. a good example of both of these apply to my doctor amnesia design.

really the main things going through my head were "well he didn't state HOW many eyes", chosing an eye color that often is overlooked in conventional beauty standards to elevate them and cause you to think, while leaning into the somewhat otherworldly nature she's depicted in by giving her blue skin, a color I associate with the song.

another fun thing I'll do is create a "design pipeline" where I'll take an attribute and run it through a list of connections before we end up in a place long past where we started or just combining a bunch of traits that could be interpreted that way, resulting in designs like this.

though wolfgang isn't my weirdest design, he definitely did not start where we ended off. I believe before the wizard of oz theming for clown circus was set in stone (a choice that has EVERYTHING to do with oz explodes and an element I'll explain later), he was some kinda mirror object head that had absolutely nothing to do with his current namesake. since I wasn't satisfied with that design, I kept a relative aspect of the personality and shapes and thus ended up creating a really interesting take on a character who is largely depicted as... well there's no really good way to say this, but Bad.

since I was working with a new fresh aspect I started by making him a wolf... and then connecting him to "there's a robot in my head". this kind of connected the dots to ultimately make him associated to the tin man, since no one was connected to that character for the wizard of oz element and it was up for grabs (this is also how he somehow got associated with toasters via connecting the previously mentioned song to "what's in the toaster", etc etc). these pipelines of connecting songs that aren't normally related, but making them Work in a believable way makes designs more interesting for me and gives them a bit more purpose and personality. I think this is what ultimately makes people get a bit lost on my interpretations considering they aren't super simple by just being about One Song, but by being about multiple that aren't originally related in the source material. just like how I connected dr amnesia to when he died, explaining a bit of her more mildly supernatural or off-putting elements by making the man in that song her father.

the final real design element that I focus on is the strange rule I follow in terms of how these characters are shaped. there's a massive sort of "alice in wonderland" theming going on in terms of how human/humanoid designs look in contrast to designs that look less and less human. their proportions become more cartoon and shaped, their sizes are affected etc etc all while the human/humanoid characters stay relatively normal next to each other with more believable design elements.

here's the horrid long strip of nearly 100 different character renders next to each other to get a general idea on what I'm talking about

the silhouettes of the human characters "pop" less because they're supposed to contrast to their nonhuman counterparts. which isn't something I normally do, but given the source idea of a sort of "wonderland", I think it works in this specific context.

in conclusion: I'm design autistic and like to use designing to try new things, which is why I fucked that lemon up. sorry about that chat

[inkskinned]

im gonna start a fight; and, at the same time, i need you to take this in the most good-faith way possible, but:

videos that involve body-checking and intentionally (and uncritically) show a mealplan of an unhealthy number of calories are just a revamped version of pro-ana food diaries.

and yeah, i know there's arguments. i address some of them under the cut. but at the end of the day, we're just coming back to romanticizing mental illness; we've just found a better platform for it.

this is already something we've done. we knew it was wrong and tried to stop it. and tbh. it just wasn't enough.

there are people who argue "well, what if you have an eating disorder, you can't help it if you don't eat!" except that as someone with an ED; we are not infants. we know what we're doing. part of having an ED is that you are like, maybe too self-aware. even if we can't help our own food choices, we don't need to fucking romanticize the disorder - something we've been warning you about since 2013. there are hours of setup, filming, and editing that go into these videos. they do not happen to fall into place randomly. there is a reason they are pieced together to be beautiful, bright, inspiring.

there's this woman who pretty much only posts daily plans under a normal amount of calories, and everyone defends her saying but it's better than nothing! and i'm like. except she opens those with images of her showing off her body and provides no context in the video or caption that suggests that she believes what she's doing is unhealthy. she has hundreds of thousands of followers on a platform designed for young kids and teens. i refuse to believe that by accident her content just happens to be cheery advice on "healthy" versions of starving.

for any other symptom of mental illness, we would be incredibly enraged by this kind of placid acceptance of a "tips and tricks" fast-start guide. imagine if people posted pink & pretty videos saying "best places to cut yourself" as if it was a fucking storytime. we, as a society, are so fucking fatphobic that we would rather accept blatantly harmful displays of self harm than admit that we are obsessed with a hyper-thin body type.

i am not suggesting someone never talks about their disorder. i talk about mine. actually, it's a plot point in my book.

here's the difference: i recognize it's a fucking mental illness. i am very careful to never mention a specific weight, eating pattern, or calorie plan. i always make sure to position it as something that ruined my fucking life. i do not put cheery music in the background and hearts and sparkles over my worst moments. i do not film it in bright light. i do not start each passage with an image of a thin body followed by "here's how to look like her."

eating disorders should not be framed as aspirational. and the problem is that society worships the "after" image, so long as you don't get too sick. there is a reason so many people who quit being "influencers" will later admit - i wasn't eating well that whole time; an obsession with food was completely destroying my life.

we let any uncredited, uncertified person write the most backwards, fucked up shit about how to get the body you desire! because the underlying, secret belief is: well, at least they're thin! and the real thing that fucking gets me each time - they make fucking money off of it. their irresponsibility and societal harm literally pays off for them.

"why do you care so much." "don't like it don't look." "so what if people experiment with new ways of thinking of food?"

thank you for asking. we're about to get extremely personal. it's because when i was 18 i discovered "thinspiration"/"thinspo." and it absolutely influenced, shaped, and codified my pre-existing eating disorder. i went from having some troubling habits and traits to being incredibly unwell within what felt like a matter of days. there were actual pages designed to train me on how to have an ED correctly. it was all so suddenly easy. i was sick; and the nature of the illness meant - i wanted to be sicker.

it takes an average of 7 years for a person to fully recover. i know this personally - even now, 10 years from the worst of it, i still fucking struggle. i am so much happier now and i eat what i want and i literally don't think about food at all (19 year old me would shudder) and yet - i still fucking know the calories of plain toast with butter.

an eating disorder is one of the deadliest types of mental illness. over 1 in 4 people with an ED will attempt suicide.

and i'm sorry. i just do not see the exchange rate of "high rate of engagement" versus "the value of a human life."

[fearandhatred]

one day this project will be done. today is not that day but look i made them hold hands

panels 1, 2, 8, and 9 of panel 2. i think this one is panel 5. idk anymore

[essektheylyss]

I know it's such a cliche at this point to the point of garnering eye rolls, but we really cannot lose sight of the fact that 2x97 is the Most Episode of All Time. You cannot ignore Essek in that episode, obviously, but honestly the fact that that happened only serves to highlight how buckwild everything else was. That was when Veth got her body back. That was when Caleb first directly set his sights on Ludinus. That was when Fjord tried to ask Jester on a date and instead ending up thirdwheeling Yasha and Beau, who WERE essentially on a date. That was when Jester locked Sharpe on the balcony. That was when Cad got Beau SO high and Fjord was forced to babysit. That was when Fjord and Yasha told Marius he had to kill someone to stay on the crew.

If any ONE of these things had happened on top of the Essek reveal, it would've been notable or memorable, but no, the BREADTH of unhinged happenings in that episode is actually stunning.

[lunarharp]

if i just told you i love you would this world change

[sergle]

what I was talking abt earlier. we have fully looped back around and away from feminism, societally, whereas before it was very Feminism 101 to acknowledge that many parts of existing as a woman in a misogynistic society are painful and upsetting. not that being a woman is Inherently Negative in a bubble. but that living on this earth, in the conditions we're living in, is hostile to women. and that gender is a performance. that many of the Staples Of Femininity as accepted by society are things that you have to create and perform and mold artificially and aren't inherent, that COMPLAINING about day to day difficulties of existing as a woman is something that you're allowed to do. acknowledging these basic, again, feminism 101 things, that something tied to womanhood is more time consuming or more expensive or more dangerous Because Of The Problems. does not CREATE the problems. that when women complain about having to perform femininity, they are not, in fact, oppressing themselves. the call does not come from inside the fucking house. saying that you HAVE suffered does not fucking equate that you believe you SHOULD have suffered.

like I could talk about this for hours. how braindead and one-dimensional the Takes are getting. "being a woman is looking in the mirror and going fuck yeah i'm a woman" damn. I guess any negative experiences you have by living in a misogynistic world... are your fault if you are anything but positive? "you don't actually want liberation" we've fully gone back to telling feminists "you WANT to be oppressed" when anything negative about our society is pointed out. it's not real until I say it out loud, I guess, and then I'm actually the one who caused it. if anybody expresses any unhappiness with how they're treated or the status quo or the language and culture surrounding womanhood and femininity. they've created it, right that second. they invented it just now. it wasn't a problem before somebody complained, right? also trans women aren't braindead zombies who just follow the flow of whatever cis women around them say. I am pretty fucking sure they are very much aware of pain, and are MORE than aware of the swirling torrent of misogyny and standards of femininity than anybody else. actually. and I am pretty sure someone complaining on tumblr that being a woman means always putting on a performance is going to make someone change their mind about transitioning. also "performing femininity" as a necessity to being treated well as a woman is not fucking NEWS to your Local Trans Woman. I AM PRETTY SURE SHE GETS THE CONCEPT. using trans women as a scapegoat for this braindead perspective on gender politics is spineless, meritless, and pathetic.

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.