#essentially leave me the fuck alone

[diapause]

dude you need to put on some pounds..

"dude" don't judge people's bodies online especially as that is I believe the second of only TWO photos of me on this whole blog

[jaspersbaseballsack]

It's the fact that so far Armand is the most inhuman monstrous vampire still walking the earth that we as readers have met. And yet we see him fall hopelessly in love with the most ordinary human man.

[fidgetspringer-art]

✧ The Ardal stars ✧

[tearfulangel]

LEAVE ME THE FUCK ALONE

[ruvviks]

PLEASE DO NOT TAG AS YOUR OWN OC.

Sebastian has been searching for himself ever since he has freed himself from the shackles of Arasaka. Stripped from his identity and only just now rediscovering his own agency in life, he struggles with seeing his own worth— too used to existing solely for a purpose, and too used to relying on others' perception of him to define this purpose in the first place. He wants nothing more than to get back to himself; if there even is a self to get back to at all. SEBASTIAN VIDAL || BELONGS TO @MOJAVES.

mahmoud darwish, i didn't apologize to the well // 'out of control', by ruslan isinev // salt in the wound; boygenius // vardges petrosyan, a shirt made of fire // by liam wong // this is love; air traffic controller // bilal al-shams, sacrifice // 'the dying gladiator', by pierre julien // flesh and bone; black math // by hel7l7 // romance; fontaines d.c. // 'the invisible man smokes', rick castro // little words; the happy fits // georges bataille, the dead man // by matthew grant anson // deep water; american authors // kay redfield jamison, an unquiet mind: a memoir of moods and madness

[fideidefenswhore]

Hi! I understand if you don't feel like sharing it ,but i really would like to read your meta about that Henry/Anne scene in BSR ''Isn't that enough?''. I hope you have a nice day.

"is it enough for you?" , but yes, i actually elaborated on this a little more elsewhere in other tags because i used that shot of that scene again for another edit.

so, expanding where i left off:

the images chosen are more the vibe for the quotes but the one from BSR is very specific

it's a great scene and it's so well-acted bcus she feels BAD for him here.

she pities him. she feels bad for him because he's losing her bcs she's not going to settle for these terms

because she knows she's amazing

and she's so self-posessed in the scene

and he cannot handle this and so it manifests in the reaction(you're making a big mistake; except that is his own big projection)

she's willful and knows her worth and won't diminish herself for anyone

...and i chose the reaction from the scene bcus it's not necessarily at odds with these descriptions (of her 'prudence')

bcs it takes a lot of dignity and self-worth and inward grace to stand one's ground enough (to withstand the 'tide of their prince')

...to give that rejection that by all social and cultural norms and graces she was simply not supposed to give. or was at least supposed to couch in more self-effacing terms.

but yeah anyway i know people thought BSR was 'trashy' but i actually thought the acting and chemistry between them was really great and maybe even lifted the writing from its weaker points.

because just the way he reels back at the line 'is it enough for you?' in all its pity-wrought glory...firstly, because it seems like it's a question no one has ever thought to ask him before, and secondly, so it gives way into that transformation from the shock into anger (how a 'lesser' person is daring to pity him, how he doesn't want her pity, he wants her love) which is just...chef's kiss. she absolutely obliterates his dignity here, not only in her rejection but in this eloquent explanation as to why this is her answer, and in the finality of her conviction. it is delicious. they could have this scene anywhere, in this darkened staircase for its the tudors copycat setting in this lithuanian palace, or on a fucking greenscreen, and it would still be just as powerful if these were its actors.

(im realizing that if anyone who is reading this hasn't watched they're going to think i'm an insane person based on this description... so hopefully the actual beats of the scene below will reveal what i mean, lol:

there's also a compelling subversion of (modern) expectation here, because...the only different thing in this equation is the status of the man asking to love her, asking why love is 'not enough'. for most 16c women of anne's status, no, 'love' wasn't enough. security was preferred. and, actually, it's very anachronistic how much this opinion is villianized (see, tobg:

...when it's like...yeah, a man's love was considered worthless. if it wasn't, they wouldn't have considered betrothal contracts to be a necessary evil!). it's very easy for him to say that she would 'want for nothing' (households, jewels, etc, one assumes), and she isn't allowing his ease: she's contradicting him, and pointing out that there is little security in the position of royal mistress.

herein lies the constant counterfactual moralistic tutting: anne 'should've just become a mistress,' always paired with 'this would, in the end, have made her 'safer.'' and it would have, as we know (not anne), but it would also, as she points out here, likely lead into her being a nonentity (a voice on the pillow, a woman hiding underneath the sheets and behind the bed curtains, an ornament for dancing), and she didn't want to be one: she wanted to be partner and collaborator of her future husband, not the diversion and darling of someone else's.

tl;dr the scene is powerful because she feels bad for him (she feels bad for herself, too, but she only allows him to see the former:

[vogelmeister]

anyways in 2019/2020 i went on a rampage on eurovision youtube regarding lena and maNga (nothing too wild, i was 18, but mainly just calling them out on being plain delusional and then getting called racist in return) and i still get salty maNga stans replying years later and its honestly so pathetic the more time goes by. grow up. get a hobby. who the fuck cares. you found my four year old comment and you decided to argue back.

[arctic-hands]

My first foray into essential oil cosmetics resulting in slathering my pits in wasp bait has considerably lessened my desire for artisanal soaps and the like

[knightelf]

feeling complicated things this wednesday at 2pm

[collectiveofdumbasses]

I fucking hate the Wilbur soot fandom

[running-in-the-dark]

okay but seriously the way everyone always focuses on me finally getting a job as if that's the ultimate end goal of life and there's nothing else that matters at all is making me feel like. if I can't do that. what is left.

like it's.. not that unlikely that no matter how hard I try I'll never be able to work full time (or even part time, who knows at this point honestly), and it makes me feel like - okay so then I just need to stop existing I guess

[nostalgia-tblr]

If I could do Fics With A Plot I'd probably attempt An AU Where Lauffey Dies And Odin Goes "Oh Hey, Frost Dudes, I Had Your Heir All Along :D He's Urs Now :D" Except Because This Is A Shit Plan It Does Not Go At All Well. Because it does bother me. Because I worry too much about fictional monarchies having the 'wrong' rules. D:

[lynxalon]

have to rehome the cats :(

[void-botanist]

Okay I wanna ask you Blorbo wrapped questions back lmao. I'm also curious about who you thought was coolest, who you rotated in your head the most and who was most fun to write. But also, did you have anyone that was kinda driving you up a wall but then something clicked and you really figured out how to write them? If not, who's still driving you up a wall?

Kendrick! I think you saw that I got too excited and answered my own questions over here but who has been driving me up a wall is an excellent question, lol. There are a few who aren't actively driving me up a wall (what's up with Aza huh) but the people who I still haven't got a hold on are Declan, Horatio, and Sid.

I'm almost hesitant to say Declan because I don't think I have a hard time writing him but I also feel like I haven't fully keyed into the fact that he's an autism creature of a man (and also making it clear that the way the rest of the crew does things behind his back is not them infantilizing him because of it but more complicated than that. They do think he's fragile but that's because of how he's handled his grief). Also like. He literally trusts his crew with his life. But he is so so bad at talking to them and I haven't totally figured out how that all works out.

Oops this got long so here's a cut

Horatio got a character lift in this version. He's always been a sweetheart but that evolved out of him having A Sense Of Justice while also being generally pathetic and wet and soft. Now he has the Standing family deviousness that goes along with it and I don't know how to write that. Because also he looks completely different to Sid, who knows him very well and who he's open with, than he does to Avis, who hates him somewhat for the circumstances of his birth (she tries not to because it's not his fault) but extremely much for being sun-coded in the "cheerful" and "unavoidable and intense" ways. So like, what is he plotting (especially about getting Sorian and Avis back together) and how is he plotting it and how does this dovetail with the happy-go-lucky florist which is equally as much who he is?

Sid on the other hand is challenging in the sense that writing him feels fine. He's a real everyman if you will. Except I don't get his character and I think that's a major stumbling block for AOM as a whole. Yeah, on some level he has to be the sad traumatized guy but like. How does he handle his parents trying to run his life once he takes a massive step outside of their frame of reference? How does this work with Avis's story? (Can I successfully shove these two stories into one thing that is a whole? They have so many themes in common help) In his earliest iterations he was the devil-may-care I'm-doing-my-best guy who mildly tormented Horatio Sense Of Justice and I guess they've sort of flipped? Except Sid is always the Doing My Best guy.

Also when it comes to Anni and Zel, Anni is so easy to write with all the technical stuff and much more challenging with the romance stuff and I don't want it to be that way aaaaaaa

As for who did click, I think I'm getting there with Patience (even though I haven't worked on TFA in a while), Rodney worked better when I just let him be soft, working out Fay's whole divorce history helped make her easier to write (she's not pretending to be the good suburban mom. she just is sometimes and other times she sucks), the fact that Wylie hates himself cracked his whole character wide open, and lately I've realized that a critical part of post-divorce Sorian is that he's tired. He's tired of Avis needling him, always being there but never being there for him. He's not even sure he deserves for her to be. But he kinda wishes she would just leave and move on so he can too.

[averygayplant]

Kay guys so I somehow got like 5 followers overnight and now there are 14 of you and so now I have just enough people to spread my agenda- Bentho and Morro They do not even interact once, BUT IF THEY DID Funny backstory behind this rarepair I would literally die for but apparently the name is seabreeze which is cute, but there is such a criminal lack of content that I made my own names in the meantime, which were Shipshape and/or Turbulence. Technically I'm undecided but I'm liking Turbulence better every time I think about it

[giftedpoison]

My therapist essentially saying a past patient wasted two years of her time on therapy because it took her two years to be ready to feel and listen to her emotions.

Me: hahahaha what the fuck