#especially with how often i’ve looked it up

[aspenmissing]

Hello my dear!

Sooo, I'm a huge fan of reading (especially reading fantasy books). And I can't get the headcanon out of my head. Where Viktor x Reader having a cozy evening in their shared apartment. And out of the sudden, Viktor is showing interests for Readers book. With every question he is asking, she feels, like she's falling in love with him all over again. And feels loved and appreciated for his interest in her hobby. So she just wants to cuddle and kiss him so badly.

Like, seriously....I would be on my knees for a moment like this in rl! ;---;

ꜰᴀꜱᴛᴇꜱᴛ ᴡᴀʏ ᴛᴏ ᴀ ʀᴇᴀᴅᴇʀꜱ ʜᴇᴀʀᴛ

ᴠɪᴋᴛᴏʀ x ʀᴇᴀᴅᴇʀ || ꜰʟᴜꜰꜰ/ᴄᴏᴍꜰᴏʀᴛ || 2352 ᴡᴏʀᴅꜱ || ᴡᴀʀɴɪɴɢꜱ: ɴ/ᴀ

ʀᴇQᴜᴇꜱᴛ ᴀɴꜱᴡᴇʀ: ᴏʜ. ᴍʏ. ɢᴏᴅ! ᴍʏ ᴅᴇᴀʀ ᴀɴᴏɴ, ʏᴏᴜ'ᴠᴇ ᴍᴀᴅᴇ ᴍᴇ ᴛʜɪɴᴋ ᴏꜰ ꜱᴏᴍᴇᴛʜɪɴɢ ɪ ɴᴇᴠᴇʀ ᴋɴᴇᴡ ɪ ɴᴇᴇᴅᴇᴅ, ʙᴜᴛ ᴀꜱ ᴀ ꜰᴇʟʟᴏᴡ ʀᴇᴀᴅᴇʀ - ᴛʜɪꜱ ɪꜱ ᴊᴜꜱᴛ… ʙᴇᴀᴜᴛɪꜰᴜʟ. ɪꜰ ꜱᴏᴍᴇᴏɴᴇ ᴇᴠᴇʀ ᴅɪᴅ ᴛʜɪꜱ ꜰᴏʀ ᴍᴇ, ɪ'ᴅ ᴍᴀʀʀʏ ᴛʜᴇᴍ ɪɴ ᴀ ʜᴇᴀʀᴛʙᴇᴀᴛ!

ʀᴇᴀᴅᴇʀ | ᴠɪᴋᴛᴏʀ

It was one of those peaceful evenings in their shared apartment, the kind that only came after a long day of work, filled with little moments of quiet bliss. The soft hum of the city outside mingled with the warmth of the fire crackling in the hearth. Viktor had finally set aside his cane for the evening, resting in a comfortable armchair, his back relaxed but his gaze still filled with a quiet intensity. Y/N sat beside him on the couch, a book open in her lap. Her fingers gently turned the pages as she found herself fully immersed in the world of myths and legends, a world far removed from the realities of Piltover.

Viktor, however, had been restless, his mind working over a small project on the table. The sound of gears clicking and metal pieces shifting filled the air, but it wasn’t the usual mechanical rhythm that usually filled their home. Tonight, there was something else in Viktor’s eyes. It wasn’t his usual focused intensity, but something gentler, more present. She noticed him glance over at her a few times, his gaze soft, almost as if he were seeing her in a new light.

"Y/N," Viktor’s voice broke the quiet, soft but full of curiosity. "What is it you're reading, Lásko?" (Love)

Y/N smiled up at him, a warmth spreading through her chest at the sound of his voice, always so attentive. She couldn’t help but feel special when he asked. “It’s a novel about myths and legends from the Vastaya people,” she explained. “A collection of stories that weave together history, magic, and forgotten realms. It’s one of my favourites.”

Viktor leaned back in his chair, resting his cane against the side, his focus shifting from his project to her. “The Vastaya… I know them in passing, but I’ve never had the chance to truly learn much about their myths. Why does this particular book resonate with you?”

Y/N closed the book and looked over at him, her heart swelling slightly at the genuine interest he showed. "I think it’s because these myths remind me of where I come from,” she said, her voice softening with the emotion she carried. “They tell stories of things I feel in my bones, things I can't always explain. There's a connection to my roots in them, something deeper than what words can fully capture.”

Viktor’s expression softened, his eyes taking on a more tender look as he processed her words. “That’s… beautiful, Y/N,” he said quietly. “I can understand why it would be so meaningful to you. You have such a deep connection to your heritage. It’s truly a part of who you are.”

Y/N smiled, feeling both grounded and uplifted by Viktor’s words. It wasn’t often that he opened up about how he saw her, and when he did, it left her feeling cherished in a way she couldn’t quite describe. She glanced at the book in her lap, then back at him, her gaze lingering for a moment.

“Tell me more about the myths,” Viktor urged, his voice soft but filled with curiosity. “What’s your favourite story from this book? I want to know everything.”

Her heart fluttered at his genuine interest. Every question he asked made her feel more seen, more understood. She leaned back into the couch, her fingers tracing the edge of the book, the words tumbling out of her mouth as she began to describe one of the legends, about the ancient guardians of her people. Her voice grew more animated as she spoke, the passion in her words unmistakable. Viktor’s gaze never wavered, and his attention was unwavering. He was completely absorbed in her every word, hanging on to each syllable as if it held an entirely new world for him.

When she finished, he leaned forward slightly, his voice low and full of admiration. “It sounds… enchanting,” Viktor said, his voice barely above a whisper. “The way you describe it, it’s as if the myths come alive through your words. I’d love to see more of what inspires you."

Her heart skipped a beat, and for a moment, she felt as though her entire being was being pulled towards him. Viktor had always been brilliant, focused, but right now, he was utterly absorbed in her, in her stories, in the things that mattered to her. It wasn’t just about the myths; it was the way he made her feel—deeply valued, loved for the parts of herself she often kept hidden.

Unable to stop herself, Y/N moved closer to him, her hand gently resting on his, her thumb brushing lightly over his skin. “Viktor…” she whispered, her voice trembling just a little with emotion. “You make me feel so… seen. So loved.”

Viktor’s gaze softened, a tenderness flickering across his features. He reached out to pull her gently into his arms, the warmth of his embrace enveloping her in a way that felt like coming home. He kissed the top of her head, his voice soothing, filled with care. “You are loved, Y/N. More than you’ll ever know. More than I could ever put into words.”

Y/N felt a wave of affection rush through her, and as the minutes passed, the fire crackled in the hearth, casting a soft glow on their faces. The quiet hum of the city outside was barely audible, and in that peaceful stillness, Viktor placed his project aside completely, giving her his undivided attention. His hands moved to gently tug her closer, and with a soft, inviting smile, he whispered, “Come here. Let me hold you for a while. Just let me listen.”

Y/N’s heart skipped once more as he offered her the chance to simply be, to share not only her thoughts but herself with him in the most simple and intimate way. She shifted in his arms, settling against his chest, her head resting against his shoulder. Viktor’s arms wrapped around her, his warmth seeping into her as if he were offering not just his body, but his very soul.

She let out a soft sigh of contentment, feeling her body relax into him, her fingers absentmindedly tracing over the fabric of his shirt. He gently kissed the top of her head again, his voice low and filled with affection. “Would you… read to me, Miláčku?” Viktor asked, his words barely more than a whisper. (Darling)

The request, so tender and personal, caused her heart to swell. She smiled, feeling the deep love and appreciation he had for her. She picked up the book once more, and as her voice filled the quiet room, she felt a warmth spread through her chest. As she read aloud, the words seemed to come to life, her voice dancing in the air as Viktor listened with rapt attention, his hands gently running through her hair. She could feel the deep connection between them, the way they both shared this small, perfect moment in time.

And as she continued to read, Y/N couldn’t help but feel that she was falling in love with Viktor all over again. It wasn’t the grand gestures or the loud proclamations of affection, but these quiet, intimate moments that spoke volumes. He had always been so focused on his work, so absorbed in his genius. But tonight, it was as if he were completely absorbed in her.

The fire crackled softly, and as the evening deepened, Y/N closed the book, setting it aside. She looked up at Viktor, her heart full, her thoughts scattered in the best way. She kissed him softly, slowly, as though to show him just how much she loved him in return.

“I love you, Viktor,” she whispered against his lips, her voice thick with emotion.

“I love you too, Y/N,” he replied, his words steady and sincere. “More than you could ever know.”

And in that moment, as the fire flickered and the world outside faded away, Y/N felt completely at peace. Wrapped in Viktor’s arms, with his love surrounding her, she knew there was no place she’d rather be.

The days drifted by, each one marked by their quiet routines and the bond that seemed to grow deeper with every passing moment. After that peaceful evening, where Viktor had so thoroughly captured her heart with his quiet attention and affection, something began to shift in the way they spent their time together.

Every time Y/N finished reading one of her beloved books, she would set it down on the small coffee table beside the couch and stretch, content with the peaceful moments she shared with Viktor. But soon, she began to notice something strange.

The next day, after finishing a particularly captivating myth about the ancient spirits of the Vastaya, Y/N placed the book on the table, intending to return to it later. When she stood up and turned around, she noticed a small package resting on the table. It wasn’t there the moment before—she would have noticed it, surely.

Curious, she reached for it and carefully unwrapped the soft leather cover. Inside was a new book, its pages crisp and untouched. She turned it over in her hands, a soft smile tugging at her lips as she read the title—Legends of Lost Civilisations. It was exactly the kind of book she would love, filled with ancient stories and hidden histories.

Before she could even process it, Viktor appeared beside her, his expression warm and a little playful. “I thought you might enjoy something new,” he said, his voice low, almost shy, as though he wasn’t sure how she would react. But there was a tenderness in his gaze that made her heart flutter.

Y/N looked up at him, her lips curving into a smile. “You—Viktor, this is... I don’t even know what to say.”

“I noticed how much you enjoy your reading,” Viktor continued, his voice soft, “and I thought you might appreciate a new one to add to your collection.” He hesitated for a moment before adding, “I hope it’s to your liking.”

She pulled him into a tight hug without thinking, overcome by the warmth of his gesture. “I love it,” she whispered, holding him close. “Thank you. You always know exactly what to do to make me feel so cared for.”

Viktor’s arms wrapped around her, pulling her close, his voice rumbling with affection. “I pay attention,” he murmured. “I want you to feel loved, Lásko. And I’ve noticed the joy you get when you dive into your stories.”

Over the next few weeks, it became a small but cherished tradition. Every time Y/N finished one of her books, a new one would appear on the table—sometimes wrapped in soft fabric, sometimes simply resting there, waiting for her to discover it. Viktor had an uncanny ability to choose books that fit perfectly with her interests, each one a little more special than the last.

One day, Y/N had just finished the latest one—a beautifully written account of the starry skies and the constellations that were said to guide the Vastaya when they first arrived on Runeterra. She placed it down, ready to settle in for another quiet evening, when, to her surprise, a new book was waiting for her on the table.

This time, it was an older volume, its edges slightly worn, and its leather cover embossed with intricate designs. As she picked it up, she noticed the weight of it, and the delicate gold leafing on the spine. The title was faint but readable: The Heart of the Wilds: A History of the Vastaya’s Ancients.

Her heart skipped. This was a book that her grandmother had once spoken of, a rare and treasured work from generations before her. It was a history she thought she might never find. She looked up at Viktor, who had been standing by the fire, watching her with that same quiet smile.

“How… where did you find this?” she asked, her voice filled with awe.

Viktor stepped closer, his hand gently resting on her shoulder. “I asked around, did some research,” he said, his tone nonchalant but with a glint of pride in his eyes. “I knew you’d appreciate it.”

Tears threatened to spill from her eyes, but she held them back, overcome by the thoughtfulness of his gesture. “This means so much to me,” she whispered, her voice thick with emotion. “You always go above and beyond for me. I can’t… I can’t even put it into words.”

Viktor’s hand gently cupped her cheek, his thumb brushing away the softest of tears that had slipped down her face. “You don’t need to. You never need to explain how you feel, love. I just want you to know how much you mean to me.”

In that moment, Y/N leaned up and kissed him, softly at first, then deeper as the emotions between them swirled and tangled. She felt the weight of his affection, the tenderness in every action, and it made her feel loved in a way she hadn’t known was possible. When they finally pulled away, breathless, she smiled up at him.

“You know, I think you’ve spoiled me, Viktor,” she said, her voice playful yet sincere. “I may never want to read another book that doesn’t come from you.”

Viktor chuckled softly, brushing a lock of hair from her face. “I’ll take that as a compliment. And if it means you feel special, then it’s worth it.”

That night, as she sat down to read the new book Viktor had so thoughtfully given her, she felt as though she were falling in love with him all over again. With every turn of the page, every word of affection, and every shared moment, Y/N realised just how deeply Viktor cared for her—and how lucky she was to have him by her side.

And so, with each new book that arrived, her love for Viktor only grew, filling their home with a quiet kind of magic—a magic that had nothing to do with spells or machines, but with the simple, profound ways they made each other feel truly seen and cherished.

[ladykailitha]

Spellbound Part 5

Hey guys!! Here we have the next part of this lovely fic. I've been steadily working on it, just not on WIP Wednesdays because... well... it's getting really spoiler-y and I don't want to ruin your fun.

In this we Chrissy acting suspicious and Steve deals with a couple of Fey. Yep. Fey.

Part 1 Part 2 Part 3 Part 4

~

Steve decided that he was going to do his own errands this morning, as he had been using the kids after the attack on Bav to make sure she was going to be okay. But she nudged him out the door today with a basket full of his medicines.

His nosy curious nature brought him to the Munson’s door first, Wayne’s arthritis medicine in hand.

He knocked on the door and wasn’t surprised when Chrissy came out of it when it opened. He nodded. “Miss Cunningham.”

“Oh!” she cried, blushing bright red. “Hello, Steve! Wayne isn’t in right now, but I can take that for him.”

Steve stepped back, clutching the basket to his chest. “I’ve got other errands to run, I’ll just come back.”

She reached out for the basket and he took another step back. “It’s fine, Steve. I’ll make sure he gets them.”

Steve shook his head. He didn’t trust her. He tried scrying on her after Robin’s pronouncement that she was visiting Eddie and couldn’t. He wasn’t sure why, but he didn’t want to find out.

“I’ll come back,” he said, firmly. “Have a good a day!” He turned on his heel and hurried down the path, careful not to look back. His heart was going a mile a minute and his lungs tightened around his quickening breaths.

Behind him he heard Eddie’s voice call out, “Who was that?”

“No one,” was the unsettling response and then the sound of the door closing, echoed in his ears.

Steve hurried down the path. He didn’t know what her reasoning for lying was, but it sent a chill down his spine. There was something rotting in this town, but to be fair, that was why his mother sent him here in the first place. It was too closed off for a town of it’s side to be normal.

He quickly finished his errands, with the head of the watch’s house last. Jim Hopper was a good man who had left Hawkins to start a new life, but had come back after the death of his daughter and his wife subsequent descent into madness.

Wayne wasn’t the only one to use his arthritis medicine, Jim used it often too. Especially after a long day out in the rain.

Steve enjoyed visiting Jim for another reason.

“Steve!” a voice cried out and suddenly he had a armful.

Steve wrapped his arms around her and held her tight. “Good afternoon, Elinor, is your dad home?”

The little girl looked up at him with a big grin. “Yes, he’s home. But so is Father and Mother...”

Ah. That would explain how gleeful she was.

Elinor Hopper was a changeling. She had been swapped with another child like they always were, but what they didn’t count on was the baby being dropped off at a way station and picked up by Jim Hopper. He, still grieving the loss of his own daughter, Sara, nursed the changeling back to health and properly took care of her.

And when the fae came to take back the stump they had used to swap create her, they found a happy, healthy child instead. A child they could not take back to the faerie lands without Hopper’s permission. One he refused to give.

Steve had managed to intervene in time before the sidhe got upset enough to raze the whole town. He got them all to agree to terms that Jim would raise Elinor as his own and she would return to the faerie lands when she was grown and could make her own decisions and they would pay for her upbringing.

After all, it was their fault she was created in the first place. It did make for some awkward moments over the years. Most when the fae got tired of paying for her upkeep and would show up to demand her back.

Honestly though, Steve thought it was the funniest thing because try as they might they could never get his name to bend him to their will. Because he would go by Jim or Hopper, never James. Steve didn’t think there was a single soul anywhere who knew it was for sure, James.

“I’ll go smooth things out again,” he promised kissing her forehead.

Steve walked into the house and there stood the most graceful, elegant beings you had ever seen. Both were tall and thin, but in an uncanny valley kind of way. Their hair was long and blond, coming to the middle of his back and her waist. Their eyes were a bright, unnatural blue and their clothing screamed wealth in ways no human could match.

“Lord Eanethreal, Lady Melisande,” he said bowing, “it is good to see you again.”

Both pairs of blue eyes and a third more natural pair of blue eyes turned to him. Steve looked unassuming most days, but not in that moment. Not then.

He stood up straight and his clothes that were a warm, olive green most of the time, had shifted from an earthy tone, to a glittering emerald green and on his head was a matching pointed hat that denoted his profession and rank. The change made the green in his own eyes stand out, making them more hazel than brown.

“Steven,” Lady Melisande said with a nod, though Lord Eanethreal just ignored him with a sniff. “We have come to take the child you call Elinor. She is missing vital teachings as she wastes away up here in the mortal realm.”

“That was not the bargain, my lady,” Steve said with a gentle smile, “as you well know. Would you really go back on our deal?”

That was when Lord Eanethreal took notice of him, spitting in anger. “It was a trick! A low down dirty trick and I refused to let it stand!”

Jim chuckled. “Don’t like it when it’s you on the receiving end, huh?” He shook his head in amusement.

“To break your word,” Steve warned, “once it freely given will bring a curse upon you for one hundred years. Is that really what you would like happen here today? Because you could take her, but there is no prison strong enough or deep enough to stop her from clawing her way back to Jim. So not only will you be cursed as the deal states, Elinor will have wrecked havoc on the faerie lands that will be felt for centuries and all because you doubt the love of this human man for that little girl.”

He pointed at Jim who glared at them, daring them to refute Steve’s statement.

Steve held Eanethreal’s gaze for a long moment before the fae lord broke contact first. He snarled something feral and dark, but suddenly pantry was full and the coffer overflowing. He turned on his heel and stormed out of the house, the smell of lightning crackling behind him in his wake.

Melisande shook her head. “My apologies, yet again. It is a sore spot for my husband to be bound to the mortal realm thusly.”

Steve bowed his head respectfully. “I understand, but the usual laws don’t apply here. He not the person you sought to punish by swapping out their baby for the changeling, and Elinor did not die as most do. So it created an unique situation that must have unusual rules.”

“There is wisdom in that,” she murmured. “I will try harder to convince him of such wisdom.” She nodded to Steve and swept out the door without so much as a backward glance to Jim.

Then Steve was back to his normal every day self. His head began to pound and he swayed on his feet.

Then everything thing went black.

~

When Steve woke up, he wasn’t surprised to see that he was laid out on Jim’s bed. No, what was surprising was that Eddie was there at the bedside looking concerned.

Steve blinked up at him in confusion. “Did I hit my head on the way down?”

Jim chuckled from behind Eddie. “No, kid. I caught you in time. Eddie was passing by when he saw our visitors and was curious as to the nature of our little get together.”

“That’s a whole story for someone other than me to tell,” Steve huffed, staying lying down. He knew his limits and he had blown past them. “Short version. I make the fae pay child support.”

Jim chuckled. “Steve just used too much of his power forcing the bastards to back down.”

“Why the hell would you need to use your powers to tell them to fuck off?” Eddie asked, frowning.

The room stopped spinning so he carefully sat up as Jim passed a plate of food over Eddie’s head. Steve took it with a grateful smile.

“Because they would only negotiate with those they deem equals,” Elinor said grimly. “If his power wasn’t half the level it should be, he wouldn't need to be using glamour to make himself look bigger to them.”

“Well, Miss Thing,” Steve teased, “unless you have a solution about unlocking my full potential that isn’t finding my soulmate, shush!”

Elinor giggled. “Nope, pretty sure that’s the only way.”

Eddie looked over his shoulder at her and then back at Steve. “I thought you didn’t hold to the notion that you were that ultra rare super witch or whatever you called it was.”

Steve sighed around a piece of bread and cheese, putting down the piece he had in his hand. “That’s what everyone thought were I grew up. That I just wasn’t as powerful as my mother because I’m a male witch, but...”

“Well that’s sexist,” Eddie huffed. “And I’m guessing that every soul powered super witch were lesbians?”

Steve burst out laughing. “Well no. A lot of male/female pairings in the centennial sorcerers as my Auntie Muriel liked to call them, a handful of lesbians, too. But the reason they didn’t–um... think it was me because there’s never been a male/male pairing in any record. Granted there hasn’t been that many because it’s once every hundred years...”

Eddie smiled. “Still out say the last ten or so, it’s never happened?”

Steve nodded. Not many people in the village knew that he was gay. In fact with the current mayor, it was a safe bet that no one outside his very intimate circle knew that fact.

“Still sexist, Steve,” he said softly. “You just said that about of a third of the most power witches were men if there were heterosexual powerful prestidigitators in the past. So your family just dismissed as being male without cause.”

Steve opened his mouth in shock. “Oh shit. I never thought of it that way. You’re right, that was pretty awful of them.”

Eddie smiled at him and then got to his feet. “Well, now that I know you didn’t kill yourself protecting the little miss, I’ll be on my way.”

“Since you’re here,” Steve said, pointing to the basket on the table, “you might as well take your uncle’s medicine with you. He was going to be my last stop.”

Eddie picked up the basket and one of the packets, frowning at them. He picked up the rest of the packets and tucked them into the safety of his inner pocket of vest.

“I’ll make sure he gets them,” he murmured. “Seriously though, you need to stop using up all your power to protect others, or you might just burn out before you meet your soulmate.”

Steve huffed a laugh. “I’ll probably never meet them here, this town isn’t very friendly for people like me.” He tilted the head to side. “The witch thing doesn’t help either.”

Eddie burst out laughing. “You really are something else, Harrington. Take care of yourself. you hear?”

“Will do,” Steve murmured softly. “Say hello to Wayne for me.”

Eddie nodded and then slipped out of the house. Both Jim and Elinor turned to Steve.

“He didn’t touch you or Dad,” Elinor said succinctly, tilting her head to the side. “But he rustled my hair, why?”

Jim huffed a breath through his nose. “Probably for the same reason Steve here doesn’t touch men. He knows his soulmate is a man and it would be pitchforks and torches if happened to be the wrong man.”

She nodded sagely. “I’m sorry you were forced to use your powers so soon after the incident with the Carver boy. I hope you find your soulmate quickly. I fear there is a storm coming that will alter this town forever.”

Then she smiled and skipped out of the house as if nothing had happened.

Jim and Steve looked at each other in concern.

“Well,” Jim said darkly, “that was fucking ominous.”

Steve could only agree.

~

Tag List: CLOSED

1- @itsall-taken @watermelonmite @zerokrox-blog @sadisticaltarts @dolphincliffs

2- @gregre369 ​@a-little-unsteddie @cryptid-system @kultiras @kimsnooks

3- @maya-custodios-dionach @goodolefashionedloverboi @val-from-lawrence @carlyv @wonderland-girl143-blog

4- @bookbinderbitch @bookworm0690 @forgottenkanji @dreamercec @blondie1006

5- @yikes-a-bee @awkwardgravity1 @genderless-spoon @fearieshadow @thesecondfate

6- @dragonmama76 @ellietheasexylibrarian @thedragonsaunt @useless-nb-bisexual @disrespectedgoatman

7- @counting-dollars-counting-stars @tinyplanet95 @ravenfrog @swimmingbirdrunningrock @lingeringmirth

8- @gutterflower77 @a-lovely-craziness @just-a-tiny-void @w1ll0wtr33 @beelze-the-bubkiss

9- @wheneverfeasible @micheledawn1975 @gloomysoup @dotdot-wierdlife @tartarusknight

10- @ollyxar @yesdangerpls @two-vampires-kissing @themoonagainstmers @estrellami-1

[just-an-emily-existing]

Happy 2/2 everyone! I can happily say that Edward is the first engine I’ve gotten a full ref sheet for! All I did was give him a new outfit lol

Headcanons and more below! ⬇️

💙Headcanons💙

Is always giving people advice.

Is very sentimental and loves giving hugs to his friends.

Hates coffee and anything bitter.

Is a very pretty crier. No one knows how he does it.

Has always wanted to go to Disney.

Tells dad jokes unironically.

Drinks prune juice.

Has insomnia and night terrors often.

Used to be a very rebellious teen and caused trouble daily. Thankfully he’s gotten out of that phase.

Had an emo phase.

Has one tooth missing in his back jaw. It was just a bad tooth.

Has been struck by lightning and never noticed until his driver said something.

Loves to bundle up in warm clothing no matter what time of year.

Loves hot cocoa.

Even though he doesn’t know how to play video games he loves listening to the ost's (Especially Minecraft and Undertale)

When it rains, Edward will leave a bucket to get the rain and then either help Henry water his plants or put some in his tea.

💙Get to know the wise engine💙

Element: Water

Birthday: July 1 1896

Real Age: 129

Age he plays by: 43

Zodiac: Cancer

Chinese Horoscope: Monkey

Spirit Animal: Owl

Height: 6'3

Sexuality: Gay

Gender: Trans Man

Pronouns: He/Him

Personality Type: ISFJ

IQ: 101

Nicknames: Eddie, Slow Coach, Oldie, Old Man, ect

Allergies: Wheat, Parsley

Disabilities: Hearing loss, Limp in his left leg, Glaucoma

Right or Left Handed: Right

Quirks/Habits: Plays with the chains on his vest, Blinks a lot

Home Town: Manchester, England

Nationality: British

Siblings: The only one he can remember is his oldest sister Dovie

Original Driver: Rickey Sage Brock

Original Fireman: Philander Rusty Tailor

Who is the most important person in his life: James

Person he looks up to the most: Gordon and Henry

Best Friend: Thomas

Lover: James

Rival: None, he is a friend to all

If he could have a superpower it would be: Super Strength

If he was a human, what job would he have: Veterinarian

Biggest Fear: None, he chill af

Biggest Flaw: Whispers all the time and has to repeat himself

Favorite Animal: Hamster

Favorite Hobby: Knitting

Favorite Color: Pale Yellow

Favorite Food: Chinese Dumplings and Fish n' Chips

Favortie Drink: Water (Basic bitch)

Least Favorite Food: Anything spicy

Favorite Season: Fall

Favorite Movie: Gone with the Wind (It was the first movie he ever saw)

Favorite Book: Moby-Dick

Favorite Singer/Artist: Al Bowly

Very skilled at: Writing and making stories

Least skilled at: Playing video games (Bro sucks)

Greatest Achievement: Saving Trevor

Pet Peeves: People who chew with their mouth open

Introvert or Extrovert: Introvert

Organised or Messy: Organised

Is he good at singing: Yes, but with slow songs

Can he bake: Absolutely

Can he cook: Somewhat

Does he play any sports: Nope, old man sits on the sidelines

Instrument: Violin

Motto: “Every day is a second chance”

💙Theme Songs💙

Lazing on a Sunday Afternoon - Queen

What a Wonderful World - Louis Armstrong

[calamarispiderart]

hello hello!!! random question before i get started on work haha

how do you come up with dialogue for ur hms comics? the back n forth of them feels so heavy and realistic. especially the casualness paired with the bleeding-brooding (alliteration for fun) violence makes everything just. hit. in a tragic and hopeless way imo. it’s so neat :0

i’ve been trying that kind of writing out a bit lately too. this is what i’ve managed with my iambic pentameter gang (hms but rain world iterator). MiND is being threatened by the rage pent up inside himself. and, strangely enough, it has the voice of HeART.

constructive feedback is welcome ^_^!

once again, hello hello! sending good wishes and all :]. i love ur work ^_^ 💛

oooo hmm... this isnt something ive ever really thought about trying to explain, thank you for the question! big fan of the posing in the piece youve added here btw, i like the alliteration in 'heliocentric heathen' B:•∆

honestly the way i go about writing them isnt something i feel i can put into words with a clear structure of process... often with my comics it starts with me simply having a vague idea of 'i want to make a comic today', and drawing what feels right to lead into it. the words typically link in with the actions as well - i usually draw something, draw the next thing, write a bit of dialogue, draw the next thing, write more dialogue.... not in that exact order but the words always feel to be a reaction to the actions and the actions are a reaction to the words (and/or, words and actions work in tandem). people rarely talk in a vacuum, especially when theyre having the conversation in person, so i find it helpful to see the actions as part of the dialogue and vice versa.

occasionally ive scripted out dialogue beforehand (always with actions included within the script.) but even with a script what actually is said needs to adjust with whats been drawn. when i dont write with a script (which is the norm), its often while im drawing the next frame that im thinking over whats being said. typically i just go over and over a sentence mentally, adjusting bits until it feels right, looking at it once its written on the page and adjusting it more if necessary.

perhaps a bit vague? apologies! i do have certain mental rules i try keep in mind for each of the threes characters while writing. 'how would heart respond, how would he word this? mind? i cant word it this way because i know he doesnt do this...' <subconscious questions and thoughts but they are important to keep in mind. i find it the most helpful to keep the core traits i personally see in them in mind, and let those traits kind of... guide what is said. if i think of how that collection of traits and facets would respond to something, the vague concept that creates can then go through the filters of dialogue traits i have in mind for them. ...ehhh, put more simply... 'what is the general response this character would have to this situation' and then 'how would they structure that response through words and/or actions?'.

i, being who i am, cccc being what it is, am somewhat naturally inclined to writing grim and bleeding-brooding (nice word) things. i also consider myself to be quite a grounded person, which i hope comes through in my work! however, natural inclinations aside, cccc itself is quite a bleeding-brooding album (at least it is to me). its one about depression and self hatred and it really doesnt pull many punches in that respect. or at least, thats my read on it! as a result, that becomes reflected in my interpretation of hms. however, id also note that cccc is silly at times, theres humor in it. all good grim things need a bit of levity to really make it feel Real... people joke in the worst of times, not just the best, and it really helps in writing serious things to have just a little bit of joke to it, even if its not immediately noticable... this is hard to really give examples of honestly but it is relevant i promise. im unsure if youve read much of my writing aside from my comics, but theres just a bit of absurdity and humor in both my cccc pieces that would make the writing feel sorely lacking without in my opinion. notable with how violent and tense both those pieces are.

lots of words now! hopefully helpful ones B:•] or at least interesting! ill try write out some of the core traits and details i keep in mind when writing hms so as to give better reference points to all my prior words:

heart: reactive, not instigative. he doesnt start fights, he finishes them. he also doesnt need an insane amount of prompting to get going... but he does need prompting. apathetic, a bit fanciful. hes depressed, and not in a cute way. he talks casually but he uses serious words. no point in simplifying his language - he wants to be taken seriously, and while he makes himself look small and weak at times he is Not weak and he is Not small. hes just as much of a wordsmith as the other two. he covers his mouth when he speaks sometimes, and he puts his hand over his chest... a bit defensive? muffling his own input, but notably he still speaks. lies by omission or by twisting facts - if full honesty helps his case, thats what he uses. if a white lie works better... i personally see him as a bit of a planner too. sometimes his reaction to things is built up to; it never comes out of nowhere, even if it may seem like it.

mind: instigative, less reactive. he still reacts to things but hes generally the one starting shit and hes honestly very bad at Not talking shit. uses contractions. <this is a small one but mind says 'dont' and 'cant' and i dont think ive ever heard him Not use contractions to any notable degree. kind of weak! hes proud of himself, very proud of himself, and even in the moments of the album where theyre getting along he cant drop his superiority complex. hes bad at making compromises that put him as the lesser one. hes also quick to point blame and to lie (even if hes a bit roundabout abt it). hes also not That smart - or at least, hes not any smarter than the other two. he Thinks hes smart and hes quite confident about that but that doesnt actually mean hes right lol. aggressive verbally, passive physically. hypocritical.

both of them tend to see soul as an afterthought, or as something to benefit from. note the 'something', not 'someone'. imo, they dont really see him as a valid living entity in the same way they see themselves. speaking of soul...

soul: hes difficult. hes a difficult and complicated guy. vague, fanciful, depressed, suicidal, tired... i personally see him as quite passive. both passive and active... hes violent, towards himself and towards the others. just as they dont see him as an individual, i believe hes too apathetic and burnt out to see them as individuals either. when he threatens to hang himself, thats a direct threat to the two if them as well - and it functions as one, seeing as they are all linked in that way! his suicidality isnt purely self destructive in the way it would be in other story contexts which i find important to remember. i see him as someone who sleeps a lot... and as someone who is treated more like a tool than anything else. but he is, simultaneously, idealistic. he hopes for the best and would do anything (Anything.) to try and achieve it. he wants things to Get Better or to Stop. most of the time when i write or draw him its within the 'Stopping is the only option to Get Better' stage of things. hes tired and he doesnt want to deal with things but he has to and he doesnt want to and hes at the end of his rope. honestly within the album he feels a bit like a ghost. hes granted a similar level of personhood as the shadow of what could be, which is both more and less than mind and heart get.... hes confusing! hea a difficult guy. honestly you can take a lot of my notes and thoughts on his character with a grain of salt because hes always been such a puzzle to me haha. i find him easiest to convey in art... OH yes one last thought/trait is hes a bit... arrogant? hes tired and hes careless. listen to me or fuck off and die. arrogant. what a guy.

ahaaha this kinda became me just rambling about my reads on the three but.. hopefully helpful!! this is all stuff i try keep in mind when im writing and drawing them. theres certainly nuances ive missed and things i havent worded as well as i could, but you get the idea i hope! all of that informs how i write them and... in a way they almost lead me through the piece.

also! this isnt something i often think about because its just a natural part of the process, but sometimes i end up scrapping stuff! entire paragraphs, panels and poses, because it hits a stasis where i cant find any way for one or the other to continue the interaction - theres a distinct difference between this and the interaction hitting its ending point. if ive written one person saying or doing something and none of the parties involved are able to respond in any way at all, thats a sign that ive conveyed their characters wrong and i need to go back. people *always* have a response to something, whether thats continuing the conversation or leaving or anything. if none of them can come up with a response that feels like them, ive messed up somewhere. dont be afraid to go back and rewrite things.

ummm yeah thats all i can think of to say now! thank you for the question, and thank you for the nice words!! B:•∆ im very happy my comics come off the way youve described, and very happy youve enjoyed my work enough to want to ask me about it!! means a lot to me B:•] your rainworld iterator hms concept sounds swag as hell, id just say to keep at it!! from what youve shown here youve already got a great start B:•∆ thank you again! hope you and anyone else reading this has a good week!

[rumoredtoexist]

i just found out that palmetto state university is a very REAL university??????

[trash-can-sam]

What happens when your coworker kills your other coworker but both of you are in a relationship (kind of) with the same ethereal woman who had an admiration for said dead coworker.

+bonus Evandrey because it’s funny to me (I’m sorry Eva.)

[yourqueenb]

Feeling another random burst of self confidence (probably due to lack of sleep honestly) so have a heavily made-up eye reveal I guess? 😂

[swaghaver69]

i feel a heavy pressure like someone is sitting on my chest making it so i can’t breathe whenever i think about how every single structure in society and social conditioning makes it so that women have no choice but to inevitably end up with a male and it is pushed so hard as the only possible viable option and it feels choking and inescapable (personal rambling vent in tags)

[redflannelsheets]

.

[cetoddle-archive]

i rlly have been enjoying dressing more “girly” and feminine the past few months :]

[ko-eko-ev-go-ms]

Smth I think about sometimes is how like, I do so much stuff to overcompensate my struggles with various things, but generally I don’t acknowledge that I’m doing outside things to overcompensate or if I do I don’t get into specifics.

And then because of that like even if I tell people I’m struggling with x thing they just won’t believe me sometimes coz they didn’t see/listen to me doing work on my own time.

Even if I’m already underperforming they won’t understand how much effort it was taking JUST TO UNDERPERFORM.

But then if I make any progress or aren’t the literal worst it’s all swept under the rug as if it’s easy for me and I just wasn’t working hard enough the whole time or something?

[beloveds-embrace]

Idgaf abt how military works sorry yall but imagine the 141 gang having to do mandatory charity and no, not even Ghost can opt out of it regardless of how he says he’s honest to god not fucking fit to be visiting sick patients. But alas.

But they end up meeting you- frail, fragile, and sick you, no visitors around you. Though you look at them with curiosity and admiration, you keep yourself away, almost as if you don’t want to bother them.

You can’t help looking at them, though. You’ve been sick all your life- born to a mother who left you on the doorsteps of an overcrowded orphanage, left alone often and long for your body to just… fail you. You don’t think you’ve seen outside the orphanage walls and then these hospital grounds since your birth. You would be dead now if it weren’t for the CEO of the hospital taking pity on you after you turned eighteen and the orphanage cleaned their hands off you.

And so, you can’t help but envy them just a little. Strong, agile people in the military, bodies fit and healthy. Despite knowing they are always putting themselves on the line, constantly in danger, you can’t help the longing you feel. Longing you don’t realize is clear as day in your eyes.

The one to approach you first is the man you thought one of the prettiest men you’ve ever seen. He introduces himself as Kyle, and despite your silence- your interactions with others that are not doctors or nurses are far and few, and you are painfully shy- but he is nice. Gentle. Easily keeps the conversation going despite. He is so easy-going he has you grinning and laughing in no time. It catches the attention of a the Scot with a mohawk, who joins in by sharing even wilder stories. And then the man with the scary ghost mask, so often in their stories, comes to your little crowd. He is big, scary if the nurses’ reactions are anything to go by, and yet the only thing you’ve ever truly been afraid of is dying with a life not truly lived. So you don’t flinch or cower from him, merely ask if he has anything interesting to share with you.

The last you speak with is John Price. Captain John Price. If there is a man that can embody a bear, it has to be him. You are sure of it. Especially when you witness him smacking the back of Kyle’s head lightly after a teasing comment.

Maybe your chances of a long, fulfilling life are slim but today, just for today, you allow yourself to envision a life with them. Such a strange desire, a useless and wistful one.

“Thank you, for today.” You tell them quietly, when it’s nearing time to leave. Your hands are held in Kyle and Johnny’s, frail and weak compared to theirs. You smile at them, squeezing lightly. “I think this is the most happy and content I’ve been all my life. I won’t forget today.”

And in return? Neither will they. How could they ever forget you, the sweetheart in the hospital bed, your sickness keeping you away from the joyful life you deserve?

The won’t forget you. Not at all. And when you start receiving gifts, polaroids and letters and texts, you already know who is sending them to you.

It makes things just a little easier- your life just a little brighter.

Other works + help me choose a title for this!

[arkangelo-7]

I’m sure someone’s already headcannoned this, but Bruce having pet names for the Batkids? Man, those are his babies—you can bet your ass he has pet names for them. He might not be the type of man to show much affection beyond a shoulder pat or the occasional forehead kiss, but he’s determined to parent the crap outta these orphans, and pet names are an easier medium to show that he cares.

Dick is both “chum” and “sweetheart” depending on the context. When Bruce is feeling playful and comfortable (the easy, “your mine and I’m just happy to be here with you” kind of love), he’ll stick with “chum” and Dick absolutely loves it. But when Dick’s sick or has a nightmare or got injured during patrol? It’s sweetheart. It’s default mode for Bruce, because seeing Dick in pain brings up so many raw, intense emotions (Bruce gets scared, goddamit) that it’s easier for him to say “I’ve got you, sweetheart, it’s okay, just keep your eyes on mine,” then it is to say “I’m so terrified that I’m going to loose you, I love you, you’re my everything.”

Jason is“Jaylad.” But it’s less of the name that’s important and more of the story behind it that is. For the first few months that Jason was in Bruce’s care, Bruce didn’t dare call him anything other then his name, in fear that he’d scare him away (he was already so distrusting, so hesitant, so fearful whenever Bruce talked to loud or moved to fast or got upset), but at the same time, he’d seen how pleased Dick had been at being called “chum” and wanted to bestow a similar endearment on Jason. But—he didn’t want to go to far. So instead of calling him “lad” like his own father had once called him, Bruce calls him “Jaylad.” It’s a little more impersonal, but it makes Jason more comfortable. (But when Bruce cradled his son’s broken body he said “no, darling, not you, don’t leave me—” because just how Dick is “sweetheart,” Jason has also always been “darling.”)

For Tim… it’s more complicated. He shoved his way into Bruce’s life and he’s forever grateful, but it wasn’t the same as it was with Jason and Dick. He sees Tim as his son, of course, but their relationship was built on the darkest, most despairing part of Bruce’s life. But even in that terrible season, Bruce would look over at Tim working on a case or cleaning his suit and say, “Good job, sport.” It doesn’t happen often, but Tim is “sport.”

Cassandra is “love.” Bruce has never said it to her, aloud, but he knows Cass can read him well enough to hear the unspoken endearment, to see how much he longs to protect her, bring her joy, fill her heart with all the love she’s filled his with.

Steph is “duck.” And not necessarily because Bruce decided that it was, but because 9 times out of 10 he finds himself screaming, “Robin, get down!” because Stephanie will not for the love of God follow his orders, and end up right in the line of fire. To save time he eventually just started saying “Duck!” It keeps Steph from getting whacked to high heavens and saves Bruce (another) heart attack, but over the years it’s also become somewhat of a ritual to say “duck” whenever Steph walks in the room. Bruce secretly wants to call her “ducky” (which is what his mother called Kate), but he’s never worked up the nerve.

Duke is “kid.” By the time he’s in the family, Bruce has loosened up and lightened up, especially with everyday affection (which is to say, he’s not avoiding it like the plague). He’s quick to say “Good job, kid” whenever Duke had an accomplishment or ask “how are you today, kiddo?” when they see each other in passing in the Batcave.

Damian, lastly, would never allow Bruce to call him anything other then his name. But every once in a while, Bruce can get away with saying “son.” And it’s the best thing in the world.

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[byoldervine]

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on

[poguelandiarafe]

you’re my person - rafe cameron

pairing - rafe cameron x bsf!reader

warnings - fluff, mature language

summary - rafe’s your person, your best friend. so when you feel the need to rant to him early in the morning, you won’t hesitate to kick out the girl in his bed to get his attention. (i’ve just watched the first episode of grey’s anatomy s11 and thought of this)

masterlist

————

it’s not even sunrise yet, but you find yourself unlocking rafe’s door with the spare key. letting yourself in has become second nature now, knowing exactly where the key is; under the plant pot next to the front door, which probably isn’t the best place. you head straight to his room, knowing the layout of his house like the back of your hand.

it’s peaceful, the only sound being the birds chirping and occasional creaky floorboard. you push open his door, unfazed when you see blonde hair spilling onto the pillow, a girl curled into rafe’s side, barely visible underneath the covers.

“great,” you mutter, moving closer to the bed, “come on princess, up you get.”

when neither of them stir, you try again, loudly smacking your hands against the bed for added effect.

“let’s go, come on. get up.”

the girl stirs, rolling over onto her side to face you. her eyes go as wide as saucers when she sees you standing over her, eyebrows raised and arms folded over your chest.

“who the fuck are you?” she asks, instinctively pulling the covers up to her neck to hide herself.

“doesn’t matter,” you wave your hand dismissively, “get up. you need to leave.”

at the sound of voices, rafe is pulled out of his deep sleep. he groans against the pillow, instantly recognising your voice as the cause.

“what time is it?” his voice is muffled as he speaks into the pillow, “and what’re you doing here?”

“wait, you know her?”

you quickly check your phone, ignoring her, “it’s six. anyway, rafe, i need to talk to you. she needs to leave.”

the girl sits up, not understanding what’s going on. she’s surprised rafe is so calm about someone being in his house, especially this early in the morning.

“rafe…” she whines, shoving his arm for some sort of backup.

“uh, yeah you should probably go.” he mumbles, voice still thick with sleep.

“excuse me?” she sputters, eyes flickering between the two of you, “it is six in the morning!”

“sorry.” rafe says, not sounding sincere in the slightest.

a scoff leaves her lips as she dramatically throws the covers off her and grabs her things, slamming the door on her way out.

before slipping into the spot she just left, you can’t help but double check something.

“are you naked under there?”

“no, underwear is on.” he confirms, giving you a half-arsed thumbs up.

“okay, good.” you laugh, pulling back the covers and climbing in.

once you’re comfortable, rafe rolls onto his side, lazily throwing his arm over your waist and resting his head on your chest. sleep keeps threatening to pull him back under, but he doesn’t let it, knowing something must be on your mind for you to come over this early.

“it’s so early, y/n. i was sleeping.” he complains, blinking up at you in annoyance.

“i know but i need to talk to you,” you reply firmly, already knowing how to get back in his good books, “you’re kinda my person. plus, if you let me rant about it i’ll make you waffles… and i’ll let you sleep on me for a while considering i woke you up and you look super comfy?”

“okay deal. what’s wrong?”

you launch into your rant, rafe letting you know he’s somewhat listening by humming every so often and mumbling out responses when you ask him something.

“i can’t believe you.” rafe cuts in when you take a breath.

“what?” you ask, confused.

“you come to my house at the crack of dawn to rant about some girl gossip and how you’re not sure who’s side to be on.” he huffs out a laugh, unable to find it in him to be too annoyed at you.

“like i said, you’re my person, who else was i gonna go to?” you argue, “plus, you have no idea what it’s been like. it’s like a cat fight everyday, at least with you i won’t get my head bitten off.”

you feel him smile against your skin at the reminder of being ‘your person’, knowing how much he loves it even if he doesn’t admit it out loud.

“i was about ready to bite your head off when you barged into my room at six o’clock.” rafe joked, playfully squeezing your waist.

grinning, you nod your head in agreement, “that’s totally fair.”