#especially with how often i’ve looked it up

[latenightreadingpdf]

Beneath the Moonlight - Remus Lupin

₊‧⁺˖⋆ Masterlist ⋆˖⁺‧₊

Summary: In the days leading up to a full moon, Remus Lupin receives an anonymous gift basket filled with potions, chocolates, and a carefully-brewed Wolfsbane Potion.

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

Y/N considered herself a rather observant student, especially when it came to the Marauders. It was hard not to notice them, really. They were practically a four-person parade through the halls of Hogwarts—pranks, laughter, and charm trailing behind them like a comet's tail. James Potter with his messy hair and endless attempts to impress Lily Evans, Sirius Black with his dazzling grin and effortless cool, Peter Pettigrew following close, always eager to please. But one Marauder stood out to her more than the rest. Remus Lupin.

There was something about him that had Y/N hooked from the beginning. Perhaps it was his quiet brilliance or the way he seemed to carry a world of mysteries in those warm, honey-colored eyes. Or maybe, it was the way new scars seemed to appear on his face and hands every so often, faint but unmistakable. They fascinated her, those scars, and as her gaze lingered on him in class or at meals, she found herself trying to figure him out.

And, admittedly, somewhere along the way, Y/N developed a bit of a crush on him. But who wouldn’t? He was brilliant, always top of the class without trying too hard, and—and yes, he was gorgeous. Handsome in that annoyingly effortless way. Soft, tousled hair that practically begged to be touched, sharp cheekbones, and—Merlin, those knit jumpers that always made him look so adorable. How was that fair? It was like he’d been sculpted by some benevolent god of tall, bookish, sweater-loving dream boys.

But Y/N’s interest in him was more than just attraction. There was something… otherworldly about him. She’d started to notice patterns—how he would seem worn and pale every few weeks, how he would disappear entirely from school grounds for a day or two, only to return looking exhausted and, if possible, even more scarred than before.

A month ago, after endless speculation and careful observation, Y/N had arrived at a conclusion: Remus Lupin was probably a werewolf. She wasn’t completely certain; it was more of an educated guess. But what could she do with this theory? It wasn’t like she could walk up to him and blurt out, “Hey, Remus! You don’t know me, but I’ve been watching you for months, and I just wanted to ask, are you, by any chance, a werewolf?”

The thought alone made her cringe. Y/N sighed, tapping her quill against her parchment. Remus Lupin might be full of mysteries and maybe—just maybe—she’d get the courage to actually talk to him someday.

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

The full moon was only a few days away, and Y/N could already see the toll it was taking on Remus. He was limping slightly, a stiffness in his stride that made her heart ache, and the dark circles under his eyes were more prominent than ever. He looked exhausted, like he hadn’t been sleeping in days, and though she knew he had his friends—the Marauders, always fiercely loyal—she couldn’t help but feel he needed more comfort than they could provide. She wanted to do something for him, something small but meaningful.

The idea hit her while she was rummaging through her bag in the library: an anonymous get-well-soon basket. She could leave it outside his dorm, a collection of little comforts to ease the days leading up to his transformation. She’d make sure it was subtle, not too personal, just enough to lift his spirits without drawing attention.

Excitement and nerves mixed in her stomach as she mentally listed what she’d need. A couple potions to help with sleep, pain, and anxiety, some of Honeydukes' finest chocolate, a soft blanket to keep him warm, and a few baked goods from the kitchen elves. She might even add a small note with a simple message—“Hope these bring you a bit of comfort during the full moon. Take care of yourself.”

Over the next couple of days, Y/N carefully gathered everything. She bought him a midnight-blue wool blanket that felt like a hug in fabric form and a variety of different chocolates. She used her advanced potion skills to make Murtlap Essence, a Calming Draught, and a Healing Potion.

But the most important addition was a small bottle of Wolfsbane Potion. She’d somehow managed to get her hands on the recipe, even though it wasn’t officially taught at Hogwarts—and she’d acquired a secret stash of the rare ingredients needed to brew it, though she'd never admit where from. It had taken several nights of brewing in the abandoned classroom she’d found, but she’d done it.

The full moon was only two days away when she finished assembling the basket, carefully placing the note on top before leaving it right outside the boys' dormitory. With a final glance over her handiwork, she quickly walked back to her dorm, satisfied with her work.

As she returned to her room, a little thrill of satisfaction bubbled within her. Maybe, just maybe, her small gesture would help Remus feel a little less alone, a little less burdened by the full moon’s approach. And that thought alone was enough to fill her with quiet joy.

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

Just a few floors below, the Marauders were still lounging in the Gryffindor common room, sprawled across chairs and couches as the fire crackled low. They’d spent hours discussing pranks, arguing about the latest Quidditch match, and bickering about everything from Potions homework to the best way to dodge Filch. When the last embers started to die, they finally decided it was time to call it a night.

As they made their way up the stairs, it was James who first spotted the basket. He froze mid-step, eyebrows raised as he pointed it out. "Er, lads... anyone know what this is?"

The other boys crowded around, peering down at the unexpected sight.

“No clue,” Peter murmured, squinting at the note resting on top.

Sirius, with his usual curiosity, leaned down and plucked up the note, inspecting it with a grin before his eyes gleamed mischievously. “Ooooooh, Remus, it’s for you!” he cooed, reading the note aloud for the group: ‘Hope these bring you a bit of comfort during the full moon. Take care of yourself.’

The boys’ faces all fell at once. Whoever had left this knew. Someone had figured it out. Their carefully crafted excuses, the timing of their sneaking around, all the little tricks they’d come up with—they thought it was foolproof. But apparently, someone had been watching more closely than they’d realized.

Without another word, they grabbed the basket, exchanging uneasy glances as they rushed into the dormitory, shutting the door firmly behind them. They gathered around Remus’s bed, where James set the basket down, and just stared at it.

“Well? Open it already!” James urged, his voice a mix of curiosity, excitement, and a tinge of concern.

Remus took a steadying breath. His friends were watching him closely as he slowly lifted the wrapping, half-expecting some kind of prank to burst out at him. But instead, he found an assortment of thoughtful items neatly arranged within the basket. A stack of Honeydukes chocolates, carefully tied together with string. A blanket, dark blue and soft, lay folded at the side. Several small bottles—potions, each labeled with precision, sat in the center, cushioned by tissue paper.

They all scanned the contents in awe and curiosity, but Sirius was the first to notice something unusual. He gasped, eyes widening as he pointed to one particular bottle.

“Holy shit, is that—”

“Wolfsbane,” Remus finished quietly, staring at the vial with a mixture of shock and disbelief.

They all fell silent, taking in the implications of that single bottle. Wolfsbane Potion was incredibly complex, nearly impossible for a student to brew, and yet here it was—crafted, sealed, and ready for him. Someone had not only figured out his secret but had gone to lengths far beyond casual concern. The potion’s presence in the basket hinted at more than just kindness; it was a deeply personal gesture, an unspoken understanding that spoke volumes.

Remus swallowed hard, his fingers brushing the cool glass of the bottle. "Did the card say who it was from?" he asked, looking over at Sirius, who shrugged and handed him the note again.

Remus read the short message over and over, searching for any hidden clues, some hint that might give away the sender. But the note was short, simple, and entirely anonymous. He turned it over, checked for invisible ink, even held it up to the light, but there was nothing.

“Not a single hint?” James murmured, peering over his shoulder, a frown deepening across his face. “Nothing?”

The group exchanged baffled glances. They examined the basket once more, handling each item carefully to make sure nothing seemed dangerous. The potions were labeled clearly and accurately, the chocolate smelled rich and sweet, and the blanket was incredibly soft—perfect for a night when he’d be feeling cold and drained. Every item seemed genuine, carefully chosen, with not a hint of a prank or hex.

As they finished examining the basket, they slowly started getting ready for bed. Remus sat quietly on his bed, his mind racing as he took in the kindness of it all. He tucked the potions into his bedside drawer, hiding the chocolate where he knew Sirius wouldn’t be able to steal it, and spread the blanket over his bed. It was soft, warmer than his own, and the weight of it settled over him like a quiet comfort he hadn’t realized he needed.

Sliding under the blanket, Remus felt a warmth blooming in his chest. Someone out there knew his secret, but instead of using it against him, they’d tried to make things a little easier. And he knew, without question, that he had to figure out who it was.

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

The full moon had passed in a calm that Remus had never experienced before. He woke that morning still feeling sore, but the aches were manageable. Normally, the transformations left him scarred and hollow, as if all the energy and warmth had been drained from him, leaving only exhaustion in its wake. But this time, thanks to the Wolfsbane Potion and the potions from the basket, he felt… human. Less broken.

After seeing the other Marauders off to class, Remus leaned back into his bed, feeling the softness of the new blanket wrap around him like a gentle hug. He’d spent the morning drinking one of the calming potions, using the healing salve for his aches, and nibbling on a bit of chocolate to ease his nerves. And though he was grateful, he couldn’t shake the strange blend of curiosity and unease that swirled in his mind. Who knew? Who cared this much? The secrecy felt like a burden, yet he couldn’t help but feel a small glow of warmth every time he glanced at the basket.

Meanwhile, James, Sirius, and Peter were trying to answer that very question in their own way. During Potions, they’d had an idea. Whoever had brewed Wolfsbane Potion had to be incredibly skilled, so finding out who had the best marks in Potions could narrow things down. The second Slughorn dismissed them, they pounced.

Sirius leaned casually on Slughorn’s desk, grinning with exaggerated innocence. “Professor,” he began, “say I wanted to improve my Potions skills. Just hypothetically.”

Slughorn’s eyebrows lifted, clearly intrigued by Sirius’s unusual interest. “Oh? Well, it’s about time, Mr. Black. I’d say your marks could certainly use a bit of boosting.”

“Oh, I know, I know!” Sirius waved his hands, laughing a bit. “That’s exactly why I was thinking maybe a bit of tutoring could help. So… who would you say is the top student in your class?”

James sidled up next to him, nodding earnestly. “Yeah, Professor. Who’s the best at brewing?”

Slughorn looked delighted, his chest puffing with pride at the idea of his Gryffindor students taking a sudden interest in his class. He lowered his voice as though he were sharing a prized secret. “Ah, if you’re looking for someone with real talent, you’d want to speak with Y/N Y/L/N. A truly gifted student! Absolutely meticulous with her brewing, and a Gryffindor as well! You boys ought to know her.”

Sirius and James exchanged baffled glances. “Y/N Y/L/N?” James muttered, frowning in thought.

Peter piped up, looking a little surprised. “Oh, I remember her. We did a project together in second year. She’s very sweet. I suppose she’s easy to miss, always keeping to herself.”

“Right…” Sirius trailed off, scratching his chin. “Doesn’t sound like the type to be sneaking around in the dead of night to drop off mysterious gift baskets, does she?”

“People can surprise you,” Peter shrugged. “I bet she’s got her reasons.”

After classes were over, the three Marauders nearly sprinted back to the dormitory. They’d waited all day to tell Remus their findings, and as soon as they saw him, they launched right into it.

“So,” Sirius said, flopping dramatically onto Remus’s bed, “we might know who left the basket.”

Remus looked up, eyebrows raised, though he tried to appear casual. “Really?”

James nodded, practically bouncing with excitement. “Y/N Y/L/N. Slughorn says she’s his top student in Potions. And she’s a Gryffindor, so she’d know where to find us.”

The name caught Remus off guard. “Y/N Y/L/N?” He knew exactly who she was—quiet, always hanging at the edges of things, never drawing attention to herself. He remembered her from their earlier years, especially a few years back when she and Peter had done that project together. She’d been kind and incredibly smart, but she always seemed to fade into the background.

Sirius shot him a curious look. “Wait—do you actually know her?”

Remus hesitated, carefully picking his words. “I mean… I remember her. We’ve been in classes together since first year.”

But what he didn’t say was that he’d once felt drawn to her quiet kindness. She wasn’t like other students; there was a thoughtfulness to her, a gentle intelligence that had always intrigued him. He remembered her now, the shy girl who had somehow made him feel seen, and the idea that she might have left the basket stirred something inside him—a mix of hope and nerves.

Sirius smirked, leaning in conspiratorially. “Oh, you remember her, do you?”

Remus rolled his eyes, trying to hide his blush. “Look, it’s probably not her. There’s no way she’d still remember… I mean, we barely ever talked.”

James raised his eyebrows. “Barely ever talked? That doesn’t mean she wouldn’t care. Besides,” he added with a grin, “you clearly want it to be her.”

Remus glanced away, not trusting himself to deny it. Because if it really was Y/N… she’d have gone to extraordinary lengths just to help him. It would mean she knew his secret and, rather than fearing him, had quietly found a way to ease his burden. And perhaps the most surprising part? He found himself hoping it was her.

Finally, he cleared his throat. “Alright. I’ll talk to her. See if there’s anything to this theory of yours.”

The next morning, with a hint of apprehension and excitement, Remus set out to find her. He decided to look in the library first, where he thought she might be studying between classes. But as he crossed the common room, he spotted her in the far corner, curled up in a chair with a thick book on her lap.

He took a steadying breath and made his way over to her. She looked up, clearly surprised to see him, her eyes widening as he gave a small, nervous smile.

“Hi, Y/N,” he said, trying to keep his voice steady. “Do you mind if I join you?”

She blinked, a little flustered, but nodded, gesturing to the seat across from her. “Um, of course, Remus.”

They sat in a slightly awkward silence for a moment, and Remus could feel his heart beating hard in his chest. He cleared his throat, feeling the weight of her attention on him.

“So… I, uh, wanted to thank you,” he started, not sure how to bring it up. “For… everything.”

She stiffened slightly, her cheeks flushing, but kept her gaze steady. “I’m not sure what you mean,” she replied quietly.

He watched her, seeing the faintest hint of a smile playing at her lips, and knew then, without a doubt, that she was the one. “The gift basket. The potions. The blanket.” He lowered his voice. “The Wolfsbane. It helped me… more than I can say.”

Her face softened, and she nodded, understanding in her eyes. “I’m… really glad to hear that. I just wanted you to have what you needed. It’s not easy going through all that on your own.”

Remus felt his heart swell. Here she was, fully aware of the truth and yet sitting here, calm and kind, accepting him exactly as he was.

He met her gaze, feeling a sense of calm he hadn’t felt in ages. “Thank you, Y/N. I don’t know what I did to deserve that kind of kindness from you, but… it means a lot.”

They sat there in a comfortable silence, the unspoken words passing between them, understanding filling the space. He knew he’d found a friend in her—someone who saw through the mask he wore and had chosen to help, not out of pity, but because she understood what it meant to care quietly, deeply, and without expectation.

And perhaps, he thought with a hint of warmth, this was only the beginning of something much deeper.

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

A/N ~ this is kinda rushed sorry, school is killing me :P

[4k-starbound-k4]

Yandere Headcannons

Ft: Childe, Cyno, Kinich, Sethos, Wriothesley

Trigger warnings: Fem!reader, Stalking, Noncon, Breeding, Blood, Somnophilia, Abuse of power, Bondage, Corruption, Degradation, Male Manipulation, Slave kink, Oral fixation (m!receiving), Prey kink

Childe

FREAK! FREAK FREAK!

He stalks you for hours on end, days even.

Leaving the store in your cute adventurers’ outfit it drives him crazy. Those ribbons around her thighs make his mind spin.

When a sneznayian merchant comes to make a trade deal he’s pissed when the man calls you beautiful and implying you’d make a good wife! He knows you will but you’ll be HIS WIFE!

He thinks of how clueless you are when people start going missing and how members of the fatui don’t bother you anymore.

He especially thinks when you leave your bedroom window open. Far too many nights has he climbed inside and curled up to you.

You only bury your face in your pillow when he buries himself deep inside of you. He’s careful to go slow and stretch you just enough for him to do this every night. His fingers abusing your clit as you writhe in a deep sleep.

Tsarita forbid you moan another man’s name while he takes you. He’d have to spend the next night getting rid of them — and that pissed him off.

So when you have an eventful meeting with the head of Northland Bank, and you're forced to walk home with damp panties from the man’s constant teasing...

He’s quite quick to follow you home after expelling anger on an innocent mililithe guard. He didn’t care that blood stained his clothes or his hands. He wasn’t going to let that bitch banker take you from him. You’re his prize, and he had spent to many nights cumming in his hand to spare you from getting pregnant.

Not tonight.

He knocked. How polite. So, when you open the door to a deranged Childe covered in blood, your first thought is: he must be hurt!

“Childe? A-are you okay? Do you need me to help you?”

His eyes train on yours before walking in, forcing you back into the apartment before he wrapped a hand around your neck with a voice almost deadly, “You stupid slut, I’ve been so good not cumming in you! I haven’t hurt you either. Yet you let that bastard touch you!”

“Huh— I—ack I don’t—“

He walks you to your bedroom before shoving you against the wall, pushing up your night gown, “You’re mine, I’m going to make sure of that. I’ll make sure my sweet girl doesn’t get used by bad men.” He purrs in your ear before biting your shoulder.

Cyno

As the General Mahamatra you’d expect him to never do anything so terrible, especially not to the woman he loves.

Well, um, fuck the police!!

You were simply a student at the Akademyia, working hard on your studies. You never did anything wrong. So when The General enters your house one night, under the pretense of hearing you were studying forbidden knowledge, he took count of how you only slept in a tiny pair shorts and a sheer baby doll dress.

Your teary eyes and breasts made his head fog. He knew you were innocent the minute you threw yourself at his feet, begging for him to realize it was a misunderstanding.

“Please sir, you have to understand! I’m just studying King Destraht and the disappearance of dreams. I promise I didn’t do anything wrong! Please believe me.”

“If that’s the case you should become a dream keeper and stop wasting our time with nonsense.” He gripped your hair, making you look in his eyes as he shamelessly soaked up the sight of your breasts and tears. A sick smirk on his face as he lets you go roughly.

That’s when he started watching you. How you ran around Sumeru city, books to your chest. He wondered how much he could get away with.

It started simple. Like how you would you help him with task. Then he started questioning: would you follow him? Would you change your outfit if he said it wasn’t his standard? He found your innocence a major turn on.

He often called you naive and sweet, always ending it with, “If somebody hurts you tell me and I’ll handle it.”

So you’re walking back to the desert late at night. He stalked you into the ruins of the temple.

He quickly blows out the torch leaving you in the dark, and he takes no time before pinning you to the ground. Your eyes can’t see anything, especially not as well as his.

He pushes up your skirt and pulls off your panties as he kisses your neck. You crying and trying to fight was so cute, before he started to finger you slowly. Your first time being taken in a dirty temple by a man you couldn’t see! Oh, it stung his heart to see you so scared.

But he didn’t stop, making sure to take his time with you. He wanted you so confused as to why your pussy was craving this. He was suddenly training you for his size as he gets rougher. He feels you cum several times before his stamina depletes. He himself cumming inside you three times, pumping it in and out, until your pussy was dripping, a frothy mess from his cum and yours.

He left you there, but waited from afar as you went home crying, cum dripping down your leg as he had stolen your panties.

He waited for you to tell him, and his prayer came a month later when you came to him crying on a rainy night.

“Can I- can I stay with you please? Someone — a month ago — someone they- they forced themselves on me. I was so scared.” You cry.

“Sure thing, come tell me what happened. In detail so I can help you.” He picks you up and makes you straddle him on his couch.

As you tell him the story, he begins getting hard. Grinding you suddenly on his cock, burying his nose in your neck.

“C-Cyno? What are you doing?” You whimper as he kisses your neck.

“Shhh let me make it better.”

“Wait, Cyno.” You shake your head as he pins you to the couch.

It isn’t until he’s inside, and you're crying, does it click that it was him. You sob, but the way your cunt squeezes him, he knows you're bound to forgive him.

“Don’t worry, I’ll take care of you.”

You'll forgive him because you're just so nice.

Kinich

Kinich is such a good boyfriend.

There’s truly nothing to complain about. He kisses you as much as he can and he loves you unconditionally. His family was terrible and he swore to never be like his father. So, each night he cradles you and tells you how much he loves you.

It was a normal day as you help around the Scions of the Canopy. Before heading home to make sure Kinich has something nice for dinner after the night's war.

When the door opens, his arms quickly find your waist. He reaches under your shirt and grips your breast as he kisses your neck leaving harsh bruises trailing down your throat.

“K-Kinich… are you okay?” Your voice shakes and shivers at his rough touch.

“Hehehe, You’re such a slut. Look at you shivering just from my touch.” A familiar voice made you glance back.

It’s Kinich's body however his hair was yellow and green; his eyes were more like emeralds than topaz. He has horns and a tail.

Ajaw

“I’m so tired of him fucking you like a princess. You’re nothing but a fatui slut. So you’ll be my pretty slave. Right? Wouldn’t want to lose Kinich’s soul forever, would we?” He taunts pushing your legs apart.

“Wait-I.” you whimper as he grinds on your ass.

“Are you denying me?! The great K'uhul Ajaw,” He pulls you away from the table, and throws you to the floor, before pulling you up to your knees pulling out his cock, pushing the sweaty member to your face.

“Go on suck, slut. If you do well at pleasing me, I won’t hurt you.” He laughs pushing his tip past your lips and forcing you to deep throat him.

Deep, spastic thrusts, nothing like your loving boyfriend who let you go at your own pace and was ever so kind. He fucked your throat like it was the last high he’d ever achieve.

When he cums he’s thoughtful enough to force you to swallow half. Pulling out and jerking the last few ribbons all over your face and tongue.

He drops down and kisses you, claws shredding your clothes from your skin as he forces you on your back. Threatening to make you fall in love with his cock so that you’ll beg for his cock instead of Kinich.

He puts your legs over his arms and fucks into you, immediately bottoming out, coaxing embarrassing squishing sounds, making you tear up as he laughs.

“Fatui slut, look at you so wet for the great Ajaw! Stop pretending you’re a good girl, you like being pinned down and fucked like my prey.” He laughs and mocks.

“No-no I’m a good girl. Please, I’m a good girl, Kinich please.” You moan, fucked a little too stupid.

“Stupid slut! My stupid human slut. I’m going to breed you stupid, we have all night til the resurrection, I’m going to break you.” He growls.

Sethos

Lucky girl. That’s what you are a lucky girl.

He watches as you walk around Sumeru. His eyes trained on you like a moth to a flame. He’s so quick to get in your way and help you.

“Hi! I was wondering do you need help?" he asks.

You appear to be from the city a bit turned around in the desert.

“I’m sorry, I’m trying to get to the jungle. I’ve been traveling from Natlan and I can’t seem to find the best way to the city?” You sigh.

“Well let me be your guide.” He offers his hand and starts the walk to the City.

He didn’t leave your side. Not when you had to find your mother. Not even when you were heartbroken to find out your mother was no longer in Sumeru. He even started leading you back to Natlan all for no charge.

He sat beside you on the cool morning in the desert sand. The both of you staring at Natlan in the distance.

“Hey? I mean I know you didn’t find your family but if you want you can um… stay with me?” He offers.

“Haha, don’t worry I have people waiting for me back in Natlan.” You smile sweetly at him.

“Oh yeah? Friends?” He scoots closer to you.

“Yeah, and a boyfriend. He was supposed to come with me, but he was busy with work.” You explain as his smile falls.

Cut to an hour later, him pushing your face into the wall of some ruins as he snapps his hips, making you cum and shiver. Your pretty eyes filling with tears as he grits his teeth, pulling out only to pick you up.

His hand firm on your throat as he pulls you back down on his fat cock, “You’re so lucky I saved you. Mmm baby don’t cry, you’re. So. Fucking. Uh-Lucky! I’m going to fucking keep you. Don’t worry I’ll give you a nice big family.”

Wriothesley

OH THE DUKE

When he caught you walking around with the hearth children, his heart almost exploded, gazing attentively as he watched you care for the kids.

He figured he could handle seeing you occasionally, but when he learned from Lyney that you left for Sneznaya often, it pissed him off.

He thought of ways to keep you but each time, he missed mark. He tried talking but it was taking long. He was an awkward guy after all, what would girl like youvwant with him?

Thats when there was an opening. Unwanted Fatui actives opened way to a court case. And you were brought to the fortress for questioning. The sight of you in hand cuffs makes his stomach sink and flip.

He can't help but watch you squirm and glare at him. He kows you would hate him if he tried anything, but you keep making it so hard.

“I’ll let you out, but only if you agree to my terms.” He orders, narrowing his eyes at you.

“What do you want! I told you I haven’t seen anything.”

“Due to your individual crimes, as well as your part in Fatui matters, you’ll stay here under my watch. When you prove to be a model citizen, I’ll let you free.”

“You want to monitor me?!”

He nodds and watches as you shake your head in a silent agreement, expecting to be out in days.

-

Now, almost a year later he's splitting you on his cock for the 4th time today. His cute little office slut, forced to drip his cum whenever he decides.

He revels in your muffled moans from the muzzle he keeps you confined to. Your hands bound in hand cuffs whilst fucks into you sporadically.

When he’s done he pulls out and takes off the muzzle, “Do you want to go back on the surface?”

You merely shake your head, leading him to bury himself within your cunt again. He allows you to sit on his lap as he does paperwork.

[itsabouttimex2]

any lmk ideas you wish were touched on more often in fanfic??

Underused LMK Premises

Oh so many dude you don’t even understand-

1. Courtnapping as a legitimately bad thing. Not “ooh it’s romantic for demons” or “it’s just part of their culture” or “it’s proof of how much they love you” but like… a portrayal of courtnapping that actually demonstrates how viscerally dehumanizing it is to be stolen away by someone you might not even know and treated like a prize who can be won with the right application of charm or power.

(Like I’ve used it I think only once before and pretty much stopped at the “this is what demons do in general thing, but the potential for varied application is just… so high.)

Especially for mortals- imagine being bruised and battered from a long period spent unconsciously slung over someone’s shoulder or under their arm, strewn over a lounge chair or tied up in front of the kitchen table, seething. Eyes focused and hateful, knowing that this would happen eventually if they let down their guard or let a demon too close. It doesn’t matter how the monster peacocks about with that tome or this battleaxe, it’s not attractive, it’s not sexy,- and nothing can steal the feeling of violation that settles in over having been stolen from home in your sleep so you could get an extended IRL version of “I showed you my dick please go out with me” from a thirteen foot demon who is more interested in wooing you than actually wanting you.

Or just… old demons who mumble and huff about “losing their traditions” or “young demons going soft” as they look at woven tapestries in their homes, proud depictions of past conquests standing frozen in time, unaware that their great-great-grandson would lose his newest baby to a hysteric mortal’s iron-toed boot, wild with unforeseen hormones brought on by demonic birth, unaware that his youngest granddaughter would face a life of misery as she grew up, constantly stolen back and forth by two demons as part of a glorified pissing contest, both more interested in one-upping each other than the sapient being they steal from her room each night.

Young demons secretly taught by the last crotchety stalwarts of an old generation that “What you want is yours to take, if you can take it,” before their parents can snatch them away from great-great-great-grandfather and hurry off, praying their little one is too young to understand what was said. Growing demons brought up with those horrid words rattling their horned skulls, heeding and obeying them, then wondering why their dearest friends snap and crack as they’re “spirited away”. Grown demons who come up lonely and tired, seeing their diminishing race in a world flourishing with soft little mortals and wondering spitefully “Why did we ever stop conquering”, only learning the answer at the blunt end of a glowing golden staff when their time is near, the finishing blow timed to the cheers of their captives.

(If I ever write a satire fic, it will 100% be about a Y/N who gets isekai-ed into LMK, but instead of any of the cool or attractive protagonists, they get courtnapped by a crusty-handed, balding and portly demon who doesn’t practice hygiene or housecare. Just to put into perspective how actually awful the whole “I’m being kidnapped as a spouse” thing would probably really be if it wasn’t your attractive, young, in-shape, washes regularly blorbo doing the snatching.)

2. With this, demons just… not understanding mortals. Not for lack of trying, and not for lack of wanting, but through simple psychological incompatibility.

Demons struggling with empathy toward mortals because their minds are shaped by instincts that value strength, endurance, and survival of the fittest. Emotions that seem obvious to humans, like fear, discomfort, or sorrow simply not registering for demons in the same way. They see these reactions, but interpret them through their own lens, often believing that mortals are playing games or faking them or maybe outright performing.

Communal demons in broad daylight snatching up children for hours or days, only to return them with scars and bloodshot eyes, and wondering why they receive no gratitude for, in their opinion “taking up parental duties” without so much as being asked. After all, isn’t a little bit of “toughening up” good for children?

Demons who don’t understand “allergies”, especially when they range from “mild cough” to “near-instant death” and maybe misunderstand how epi-pens work- “Is stabbing the flesh a way to bleed the illness”, asks an curious demon with ancient eyes, worn hands, ragged skin, “and will any weapon do?”

Demons who become artists that need calligraphy tools so large they get mistaken for weapons. Demons who don’t understand tipping culture and assume they’re being fleeced. Demons who need custom chairs and custom clothes and custom bedding. Demons who pick fights on behalf of their friends and coworkers, and then to combat this, demons who get hired on as protection against “honor battles”.

Demons being demons, not just immortal humans.

3. Characters with variable ages that widely differ- like, I’ve gone on here and there about my view on ambiguous ages for characters and why I love that trope so much and how it makes a series infinitely more attractive to larger crowds and audiences than a concrete “14” or “23” or “46”, you know? And the fact that MK and Mei and Red Son could be sooo many different ages all in different configurations is super interesting to me!

Like, imagine- Adult!Red Son with Teen!Mei and Teen!MK, having an absolute full-throttle meltdown when he realizes that the two upstart semi-mortals who keep beating his demonic ass are teenagers. Red Son being both mortified at his continuous defeats and furious at these children’s parents for allowing them to fight in such high stakes.

And then with that slowly growing sense of pity and anger he just scoffs and shakes his head the one time they maybe aren’t in such high spirits (drenched from rain and wind and exhausted from the vigor of battle) and whisks them off to his family’s lair, throwing a demon-sized towel for them to share as he whips up something spicy for the kids.

Children.

They’re children.

He goes home and thinks on that, and then decides that maybe he just doesn’t want to fight them anymore.

Red Son then being reverse adopted by Pigsy + Mr. and Mrs. Dragon because, hey, if he’s playing big brother, might as well let him. Then Red gets to learn what (mostly) healthy family dynamics are through direct interaction and then hold his parents to those standards and basically everyone heals together.

Or hey, Red Son being a teenager while MK and Mei are adults! The two heroes doting on this ever-furious demon with treats and drinks to “cheer him up” after his frequent losses and kinda… accidentally teaching him what unconditional kindness is by becoming surrogate older siblings to the kid.

Red Son freaking out because his parents are going to be mad about this loss or that failure, and

(Red Son getting a phone call in the middle of a fight because PIF is mad he didn’t take out the trash lmao)

4. Y/N being protective of Sun Wukong.

Man, I don’t know if it’s just me but I don’t touch most romantic Shadowpeach x Y/N fanfics at all because I know I’m in for more of the same “Macaque legitimately being an awful person to someone he’s sharing a mate with/to one of his two mates and Y/N thinks it’s funny/doesn’t care” and just like… dude.

Like I know I’ve talked about how much I hate Fanon!Macaque, the simpering sadsack who only exists to get babied and patted on the ass, all his actions whitewashed and cooed over, so like, obviously I wasn’t gonna be a fan of this.

Maybe I’m just not the target audience here but like holy shit… why? It’s never portrayed as unhealthy or anything more than a silly goofy thing that Macaque is constantly tormenting someone he either is supposed to love or share a lover with, and the reader in regard to that mistreatment is little more a drooling dumbfuck without enough braincells to breath through their nose.

I don’t get it. A Y/N who says “Teehee my mate is being abused ‘oh noes’ but Maccy needs cuddles so I’ll disregard one half of my relationship~” is not a Y/N I care about, and I don’t see what’s so compelling about neglect and mistreatment portrayed as the order of the day. I don’t see the merit in “I’m Y/N, and I’m stupid and blind to abuse!”

Cause I think it’s so much more interesting if it’s like…

“Do that again and you’re out.”

And Macaque whips around in shock, looking up from the shadow portal he just shoved Wukong into. “Excuse me-“

“Do that again,” you repeat, voice low and tense- Wukong would be fine, you were more angry than worried-, “and you’re out. Gone. Out of my house and out of my life.”

“I wasn’t-“

“I don’t give a fuck, Macaque! You will not MISTREAT my mate in my own house!”

“I- it’s not- I don’t-“

“I DON’T FUCKING CARE! HE’S NOT A FUCKING PUNCHING BAG, SO I’M NOT LETTING YOU TREAT HIM LIKE ONE!”

You know, a scenario where Y/N isn’t a passive enabler of abuse and bullying, and they actually have a voice of their own outside of “Teehee Mac you’re sooooo mean to my lover but I’m totally okay with that for some reason!~” but also gives Macaque explicit instruction on what he needs to do in order to better the relationship (ex: not abuse their other mate), in which they aren’t stupid or unforgiving and all three can grow together, instead of the usual: “Macaque isn’t ever a bad person. But when he is it’s not a big deal. But when it is his victims “deserve” it.”

5. Transhuman identities and abilities. I mean, just… there’s shapeshifting and magical artifacts and all manner of mystic trinket in the world. Does being gay or trans really matter when anyone can learn the 72 Transformations and become what they wish? Is it any bigger a deal than your child deciding they’re going to live life as a dog, or a demon? Are there potions to make these transformations permanent? Can a person become a demon, instead of transforming into one?

Does being immortal fuck with your taxes? Does knowing magic fuck with your insurance? Does your family look at you differently after you’ve tasted that ambrosial nectar, consumed that slice of eternity? Do they fear or long for a taste? Does your grandmother refuse to come to your wedding, ashamed that you would “break yourself from the cycle”? Does your mother cry into her hands that you wed a demon? Do you run to an old monastery to elope, wed by an old monk with ancient eyes because no other soul will officiate you and that demon? Will you be welcome in the celestial realm if you wed a heavenly soldier? If you take the hand of a god? What will you have you learn? How long until you feel at “home”?

Just… humans getting into mystical trouble outside of battles.

(If anyone else has some stuff they’d wish was expanded on more often, feel free to add on!)

[freenos]

Ok maybe I do have more thoughts on the Medea interactions and how they reflect on Melinoe:

I’ve noticed that the discussion around Melinoe’s morality tends to focus on her proximity to the Olympians but I think there’s also something to be said about the moral grey area that witches fall under. She didn’t grow up in the House of Hades or Olympus, she grew up in the Crossroads and her perspective is influenced by the guidance of witches. And while Circe and Hecate are a little coy about their misdeeds, Medea stands out as the one who really owns the darker aspects of her craft and talks about the suffering she inflicts with pride. In contrast, Melinoe is…not pure but very invested in the idea of doing the right thing and being in the right. So there’s this contrast between them, Melinoe clings to moral justification for her task while Medea isn’t held back by moral dilemmas.

And I think part of that is because Medea pursues her craft to satisfy her own vengeful desires while Melinoe hasn’t gotten to fully explore her identity as a witch yet: They both use their craft in vengeful ways but Melinoe always has this degree of separation from the root conflict. (Nemesis gets at this idea quite a lot actually.) The titans are retaliating for things her family did long before she was born, yet Melinoe is tasked with cleaning up the mess. And when she does take time to herself, she often feels guilty about it. In contrast, Medea gets the satisfaction of personal revenge and is content to use her curses on anyone who gets on her bad side.

It’s that intent that differentiates Medea from Melinoe, I think. No matter how impressive her feats, Melinoe is ultimately a weapon wielded by someone else and lacks pure intent of her own so she often hints at feeling…morally conflicted when talking to Medea. While Medea draws her power from the “blackest of intent” , it seems like Melinoe is forcing a tough exterior, filling a role that doesn’t always come naturally to her. And she wants to know how Medea manages to pull it off so seamlessly. Medea’s “with practice!” line is funny but also, if Melinoe is going to eventually become the goddess of nightmares, maybe she will get there with practice…

I have a suspicion that her arc won’t be about “becoming the nicest person and making everyone proud” but instead, channeling her craft to achieve her own goals without seeking the approval of a higher authority or abiding by someone else's vision of the future. Not perfectly restoring the Age of Gods or the Golden Age of mortals but instead bringing about a different future. She may end up letting her compassion guide her but Prometheus doesn't call her an agent of good or evil, he calls her an agent of change. And it seems like witches in this game are portrayed as catalysts for transformation.

As her understanding of the world grows and shifts, I think it’s interesting that Medea is one of the people Melinoe looks up to and confides in. She asks Medea these very earnest questions about mortals and gods and Medea grants her a joyfully bleak perspective every time:

Medea also has this consistent tendency to disregard mortal suffering, to compare them to livestock and talk about them in terms of how poison-susceptible they are. I get the sense that Melinoe's perception of mortal weakness is influenced by these kinds of conversations:

Melinoe's understanding of the world is shaped by an interesting range of perspectives and is somewhat...shaky and incomplete for now. I think she isn't quite sure how to reconcile her more compassionate impulses and the responsibility that she's dedicated her life to:

Although she adheres to a very black-and-white set of beliefs for the sake of completing her task, there's also hints of uncertainty in her conversations, especially with Medea, a more experienced and self-assured witch. I think Melinoe's character development has the potential to go in a lot of interesting directions!

[morkleesgirl]

Butterfly Kisses l.jn

idol!Jeno x choreographer!reader

Warnings: mostly fluff, but ends in a tiny bit of smut (body worship and pussy eating)

Word Count: 639 Words

A/N: I'm so so so sorry for how long I've been gone, but school has been absolutely killing my time lately. but I've written all day today and am hoping to write some more in the next couple days!! Please please please request, they are open, and I would love some inspiration to write more of what you all want to see!

But, without further ado, please take some Jeno fluffy smut(ish) as my apology

Warmth surrounded you, allowing a comforting haze to wrap around you. The bed feels so warm with his arms wrapped around my waist. Jeno, he's home, he’s actually home. He finally has a couple days off before promotions for the new album go into full swing. He wanted to take you somewhere today, but with how little time the two of you have had, there was nothing that could have pulled you out of his warm embrace. The only thing on your mind was staying as close to Jeno as you could remain. I hope he isn't going to get upset about not going out, you thought, but before you got the chance to think too hard about it two arms tightened around you, pulling you closer to his broad, bare chest. Next you felt his soft lips leaving butterfly kisses up and down your neck "good morning beautiful" he whispered as he kissed that spot right below your earlobe "are you ready for today?" "Baby can we stay here, stay close to each other? I just wanna lay here with you, I’ve missed you so much." That was half true, you did want to soak in all the time you should being close to Jeno today, but you also had been working a lot more often lately, 10 hour days had become your new normal without anyone to remind you to take care of yourself. The kisses halted as his hands slid up to your sides, his hands holding your waist, which was much smaller than the last time he had held you like this. "Beautiful have you been eating enough lately?" Damn, the last thing you wanted was to talk about yourself today, especially because of how upset it makes Jeno when he thinks your not taking good care of yourself. "I'm fine Jen, just been working a lot" you feel him sigh against your neck, "Baby I wish you would take better care of yourself.” He whispers softly against your shoulder, as he shifts you to lay on your back beneath him. “I wish you would realize that you're my everything, that you’re the most important think in the world to me." "Baby it's fine, I just had a really big project, and I was able to lose some weight while working hard on the choreography I was making" you tried to explain, trying to push the attention onto your work and not how poorly you’d been taking care of yourself. "Lose some weight?” he scoffed, looking lovingly into your eyes “baby you're beautiful, and you're perfect how you are." There was silence as he slowly moved to capture your lips in his. "Look in my eyes beautiful," he said softly, placing one of his hands on your cheek, as the other rubbed soothing circles into your bare hipbone. "I'm going to remind you just how perfect you are" he whispered kissing your lips softly before moving to trail more kisses down your neck and onto your collarbone. He kept his eyes full of love locked with yours as he moved down your body leaving marks occasionally. Nipping at the skin of your thighs before pressing them open. “I love you” he whispered before kissing your inner thigh, working closer and closer to the place you needed him most. “You’re so perfect, so so good to me” he continues as he finally locks eyes with you once again as he finally kisses your clit, and begins to eat you out like a starved man. Determined to make you feel as good as you make him feel. Determined to pull orgasm after orgasm out of you until you could do nothing but whine out his name. Determined to take care of you, and he did, leaving butterfly kisses all over your thighs until you were in ecstasy. 

[ddarker-dreams]

As someone who loves writing and is somehow weak at it , I have to ask for advice. You've a captivating way of words , with a certain rhythm to them that snap in a unified tempo (I tend to relate literature with music). But enough of my bickering, what helps you to be such a good writer ? Are there any authors that inspire your style of writing.Have you taken any classes, or are you just someone who started to write since they were little ? Especially because you're incredible at replicating the attitudes/personality of characters . Is there a process you follow ?

Those are so many questions in one 😭 but again, thank you for putting pretty words out into the world

(I leave you this constipated looking horse)

aaa thank you so much!!! 😭😭😭

reading this ask made my day … i’ll go ahead and split up my response so i can best address your questions!! 

writing history

i’ve been obsessed with stories for my entire life tbh. ever since i was a little lock, after finishing a movie/tv show/what have you, it’d linger with me past the end credits. i’d spend hours thinking up new scenarios for the characters based on the rules of their world. i made stories throughout my childhood but it wasn’t until i was about 11 that i began dabbling with fanfiction. i’ve been writing rather consistently since then. 

writing inspiration(s) 

i’d say that the horror genre has influenced me the most over any particular author. i’ve always been fascinated by the macabre. there’s no other genre that’s so consistently captured my attention across every iteration of media (movies, tv shows, video games, books, music, etc). the stories are oftentimes unsightly, disturbing, and raw in how they convey their themes, which leaves a lasting impact. 

getting more specific, the gothic subgenre has been a primary inspiration to me these past few years. some of my favorite elements in gothic literature are isolation, omens, heightened emotions, repression, oppression, decay, and tragedy, to name a few. i try to create this sense of something being ‘off’ to keep the reader engaged as the story unravels. i start with what i’d personally find interesting and build from there. all of my stories were born from simple concepts that evolve as i flesh them out. 

additionally, my writing is very character-driven. i’ve learned the most about this strand of storytelling from my favorite author, fyodor dostoevsky. i could rave about the techniques he utilizes, but the two i find most important are;

stream-of-consciousness type inner monologues

dialectic exchanges between characters with opposing beliefs

this also influences how i go about characterization. putting characters under stress is a useful way to highlight who they are at their core. everything branches off that, whether it be what they do or don't say, their body language, etc. i often like putting characters in situations that serve as a personal challenge. whether their beliefs hold up under scrutiny or they start to bend — there are a lot of interesting paths to take.

ultimately, characterization takes time and will vary depending on the story you're writing.

i hope that any of this is helpful GJWNMEKFNW thank you once again for the words of encouragement !!!!

[rumoredtoexist]

i just found out that palmetto state university is a very REAL university??????

[trash-can-sam]

What happens when your coworker kills your other coworker but both of you are in a relationship (kind of) with the same ethereal woman who had an admiration for said dead coworker.

+bonus Evandrey because it’s funny to me (I’m sorry Eva.)

[yourqueenb]

Feeling another random burst of self confidence (probably due to lack of sleep honestly) so have a heavily made-up eye reveal I guess? 😂

[cetoddle-archive]

i rlly have been enjoying dressing more “girly” and feminine the past few months :]

[redflannelsheets]

.

[ko-eko-ev-go-ms]

Smth I think about sometimes is how like, I do so much stuff to overcompensate my struggles with various things, but generally I don’t acknowledge that I’m doing outside things to overcompensate or if I do I don’t get into specifics.

And then because of that like even if I tell people I’m struggling with x thing they just won’t believe me sometimes coz they didn’t see/listen to me doing work on my own time.

Even if I’m already underperforming they won’t understand how much effort it was taking JUST TO UNDERPERFORM.

But then if I make any progress or aren’t the literal worst it’s all swept under the rug as if it’s easy for me and I just wasn’t working hard enough the whole time or something?

[beloveds-embrace]

Idgaf abt how military works sorry yall but imagine the 141 gang having to do mandatory charity and no, not even Ghost can opt out of it regardless of how he says he’s honest to god not fucking fit to be visiting sick patients. But alas.

But they end up meeting you- frail, fragile, and sick you, no visitors around you. Though you look at them with curiosity and admiration, you keep yourself away, almost as if you don’t want to bother them.

You can’t help looking at them, though. You’ve been sick all your life- born to a mother who left you on the doorsteps of an overcrowded orphanage, left alone often and long for your body to just… fail you. You don’t think you’ve seen outside the orphanage walls and then these hospital grounds since your birth. You would be dead now if it weren’t for the CEO of the hospital taking pity on you after you turned eighteen and the orphanage cleaned their hands off you.

And so, you can’t help but envy them just a little. Strong, agile people in the military, bodies fit and healthy. Despite knowing they are always putting themselves on the line, constantly in danger, you can’t help the longing you feel. Longing you don’t realize is clear as day in your eyes.

The one to approach you first is the man you thought one of the prettiest men you’ve ever seen. He introduces himself as Kyle, and despite your silence- your interactions with others that are not doctors or nurses are far and few, and you are painfully shy- but he is nice. Gentle. Easily keeps the conversation going despite. He is so easy-going he has you grinning and laughing in no time. It catches the attention of a the Scot with a mohawk, who joins in by sharing even wilder stories. And then the man with the scary ghost mask, so often in their stories, comes to your little crowd. He is big, scary if the nurses’ reactions are anything to go by, and yet the only thing you’ve ever truly been afraid of is dying with a life not truly lived. So you don’t flinch or cower from him, merely ask if he has anything interesting to share with you.

The last you speak with is John Price. Captain John Price. If there is a man that can embody a bear, it has to be him. You are sure of it. Especially when you witness him smacking the back of Kyle’s head lightly after a teasing comment.

Maybe your chances of a long, fulfilling life are slim but today, just for today, you allow yourself to envision a life with them. Such a strange desire, a useless and wistful one.

“Thank you, for today.” You tell them quietly, when it’s nearing time to leave. Your hands are held in Kyle and Johnny’s, frail and weak compared to theirs. You smile at them, squeezing lightly. “I think this is the most happy and content I’ve been all my life. I won’t forget today.”

And in return? Neither will they. How could they ever forget you, the sweetheart in the hospital bed, your sickness keeping you away from the joyful life you deserve?

The won’t forget you. Not at all. And when you start receiving gifts, polaroids and letters and texts, you already know who is sending them to you.

It makes things just a little easier- your life just a little brighter.

Other works + help me choose a title for this!

[arkangelo-7]

I’m sure someone’s already headcannoned this, but Bruce having pet names for the Batkids? Man, those are his babies—you can bet your ass he has pet names for them. He might not be the type of man to show much affection beyond a shoulder pat or the occasional forehead kiss, but he’s determined to parent the crap outta these orphans, and pet names are an easier medium to show that he cares.

Dick is both “chum” and “sweetheart” depending on the context. When Bruce is feeling playful and comfortable (the easy, “your mine and I’m just happy to be here with you” kind of love), he’ll stick with “chum” and Dick absolutely loves it. But when Dick’s sick or has a nightmare or got injured during patrol? It’s sweetheart. It’s default mode for Bruce, because seeing Dick in pain brings up so many raw, intense emotions (Bruce gets scared, goddamit) that it’s easier for him to say “I’ve got you, sweetheart, it’s okay, just keep your eyes on mine,” then it is to say “I’m so terrified that I’m going to loose you, I love you, you’re my everything.”

Jason is“Jaylad.” But it’s less of the name that’s important and more of the story behind it that is. For the first few months that Jason was in Bruce’s care, Bruce didn’t dare call him anything other then his name, in fear that he’d scare him away (he was already so distrusting, so hesitant, so fearful whenever Bruce talked to loud or moved to fast or got upset), but at the same time, he’d seen how pleased Dick had been at being called “chum” and wanted to bestow a similar endearment on Jason. But—he didn’t want to go to far. So instead of calling him “lad” like his own father had once called him, Bruce calls him “Jaylad.” It’s a little more impersonal, but it makes Jason more comfortable. (But when Bruce cradled his son’s broken body he said “no, darling, not you, don’t leave me—” because just how Dick is “sweetheart,” Jason has also always been “darling.”)

For Tim… it’s more complicated. He shoved his way into Bruce’s life and he’s forever grateful, but it wasn’t the same as it was with Jason and Dick. He sees Tim as his son, of course, but their relationship was built on the darkest, most despairing part of Bruce’s life. But even in that terrible season, Bruce would look over at Tim working on a case or cleaning his suit and say, “Good job, sport.” It doesn’t happen often, but Tim is “sport.”

Cassandra is “love.” Bruce has never said it to her, aloud, but he knows Cass can read him well enough to hear the unspoken endearment, to see how much he longs to protect her, bring her joy, fill her heart with all the love she’s filled his with.

Steph is “duck.” And not necessarily because Bruce decided that it was, but because 9 times out of 10 he finds himself screaming, “Robin, get down!” because Stephanie will not for the love of God follow his orders, and end up right in the line of fire. To save time he eventually just started saying “Duck!” It keeps Steph from getting whacked to high heavens and saves Bruce (another) heart attack, but over the years it’s also become somewhat of a ritual to say “duck” whenever Steph walks in the room. Bruce secretly wants to call her “ducky” (which is what his mother called Kate), but he’s never worked up the nerve.

Duke is “kid.” By the time he’s in the family, Bruce has loosened up and lightened up, especially with everyday affection (which is to say, he’s not avoiding it like the plague). He’s quick to say “Good job, kid” whenever Duke had an accomplishment or ask “how are you today, kiddo?” when they see each other in passing in the Batcave.

Damian, lastly, would never allow Bruce to call him anything other then his name. But every once in a while, Bruce can get away with saying “son.” And it’s the best thing in the world.

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[byoldervine]

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on