#especially the 2006 show

[rubynyoro-n]

Limmy's Show (2006)

[candygriff]

hyperfixating on old media sucks because in order to engage with the community you must risk spoilers. I NEED to see memes. I NEED to see peoples' takes. or my hyperfixation will die a sad and lonely death and I don't want that!!!

[ghosta-r]

is there anything that's worth more than peace and love on the planet earth?

[roe-and-memory]

i saw a tiktok about how men usually get their first flowers at their funerals and… it made me think…

imagine its race day, lightnings on the track, sallys in the pits, and she just. randomly gets the idea to get him flowers. its sudden, an abrupt urge to just go get them Right Then, so she tells the crew she’ll be right back and slips out of the pit and infield, and finds the nearest flower shop.

lightning likes flowers because she does, he’ll listen to any of her botany rambles any day, even if they dont make much sense - but hes gotten her flowers hundreds of times and shes never returned the favour. she picks the ones with the most meaning, the ones that mean i love you in every way no matter what, the ones that remind her of him. when shes successfully created a bouquet of flowers that is him in any way you can think, she buys a card. and she writes him a love letter. she names every flower she put in the bouquet and what they mean. and she tells him how much she loves and adores him, and how she’ll always love him more than anything. she adds a couple cheesy compliments in there too, seals it up, and makes it back to the track just in time to watch him take the checkered flag; he wins the race.

they meet in victory lane, and she hands him the flowers first (keeping the note safely in her bag until she can give it to him when its quieter) and. just imagine him standing on top of his car, hands thrown in up in the air in celebration, with the flowers clutched in one hand and the bottle of champagne in the other and and. god i love them

she gives him the card later that night when everythings quieted down — docs outside the motorhome drinking a beer with strip, and the crew is working on the car and getting the garage cleaned up — so its just them. with the flowers safely in a cup on the kitchen counter, she pulls it out of her bag, hands it to him, and gently prods for him to read it then.

hes not the emotional type, its been drilled into his head by a couple different people that hes not really supposed to cry, but its a great improvement when he tears up a little bit while reading it. she cant help but smile because god. isnt she lucky?

when he finishes reading it, he wipes his eyes with the back of his hands and ushers for her to come closer and they end up cuddling on the couch (doc finds them about an hour later, curled up together, sound asleep. he throws a blanket over them and leaves them be)

[jaymber]

The Psychcule

Sometimes, I wonder how straight people see this series.

Personally, all I can hear here is a double entendre of members of a polycule talking about their metamour...

Headcanon so far(I started season 5) below the cut😌

[featureenvyproductions]

"Why does everything need to be Gay now it's so shallow to make men attracted to each other when they could be Pure Platonic Friends -"

oops sorry I can't hear you over the sound of me Doing What I Want Forever because I have been watching movies, TV, and animation since the 80s and have watched enough shallow heterosexual romances that would have been stronger as mlm-wlw solidarity friendships to fill the space between stars in a galaxy

[iceslushii]

[saerins]

°୨୧ INEVICABLY, UNDENIABLY

+ gojo satoru x f!reader | wc 3.3k | content: fluff, modern au, friends to roommates to lovers, timeskip thing; from high school -> adulthood, alcohol, implied sex, children, marriage, gojo is mostly clingy and annoying and we love him for it, the years and age correspond to his actual birthdate, take this as my birthday fic for him <3

summary: despite seemingly having it all, gojo satoru’s goal has always been the same all these years you’ve known him—all he wants in life is you, and only you. during his birthday this year, gojo counts his blessings.

2006; seventeen.

the day you agreed to be satoru’s partner in homeroom class is the day you signed away your sanity. not because satoru’s hard to get along with or that he’s rude or slacks off, but because it’s hard not to fall for a boy with such pretty eyes and even prettier lips who likes to say the most beautiful things.

getting to know satoru is like taking a deep in the clearest, coldest ocean after an entire lifetime of being dipped in molten lava. he’s annoying, refreshing and eye-opening all in one.

satoru shows promise in the first lesson, doing fairly well at cooking and sowing, although afterwards he just falls off because you end up having to teach him how to properly use alcohol in his cooking so he doesn’t burn himself or that you’d end up patching his fingers up since he accidentally pokes himself a lot more than the average human would.

still, it’s not his fault he isn’t naturally talented in the home economics department. he is in sports, you find out, after a few months of being in the same class as him.

“hey, y/n.” he’s leaning back on his chair, depending on its hind two legs for support. it’s become his habit during class to bother you whenever the teachers aren’t in.

you were assigned the seat diagonally behind him, and it’s become a habit for you to ignore him—mostly because most of the time, it’s nonsense that falls out of those lips, especially after you’d gotten close. it’s his sign of affection, you realise.

“hey y/n, i’m being serious this time, i need to talk to you,” satoru whines, pouting and sighing in that over dramatic way that only he can.

that’s also not the first time he’s tricked you into acknowledging him so all you do is look at him, a smile appearing that you failed to suppress, and bring a finger to your lips, signalling for him to hush.

unperturbed, satoru smirks and gets to scribbling on a piece of paper, folding it (annoyingly and quickly) into a swan before handing it to you. he winks at you, and you’re immediately driven not to give him satisfaction by reading it. instead, you bow slightly and stuff it in your pencil case, making satoru pout again and giving yourself the sweet taste of victory.

the rest of your sophomore year in high school, you find yourself growing closer to satoru, an unfamiliar feeling growing inside of you. you find that you like knowing what makes him tick, and even the way he says your name, or even watching him ace every kind of sport and then having him blow a teasing kiss to you after each win.

“y/n, i’m so jealous of you, how’d you manage to get gojo satoru of all people?” one of your classmates whine, swooning endlessly over him.

you only laugh it off, deigning to think too much of it.

it’s weird; he’s most of the schoolgirls’ crushes, but you’ve never considered him to be yours. maybe it’s just a fleeting feeling that will go away with the test of time.

yeah, that should be all that is.

2007; eighteen.

“why not? we’re practically going to the same college.”

with time, you thought that maybe satoru would become a little more sane. like how growing into adults, you slowly shed the ridiculous dreams you had as a child. but he’s not, if not—he’s even more insane.

“we haven’t got the results yet, satoru.”

“i’m pretty sure we’ll get in though.”

“and what’s your basis for that?”

“i’m never wrong about these.”

as always, satoru lives in his own little bubble and you can’t help but to sigh. in his head, both of you will get into that same college you applied for and he has it all planned out: “we get into college, sign up for whatever classes, and then rent an apartment together—genius right?”

that was satoru just moments ago, elbows leaned over the grocery cart as he grins at you, beaming like a dog waiting for their owner’s approval. now he’s still doing the same, except you’ve flicked him on the forehead before turning your attention to the aisles because apparently, he says he hates the food at home and would rather have what you’re cooking.

he’s made it his life mission to invade your meals over the weekend, squeezing himself into your family, bonding with your sibling and your parents and only then did you realise what you forgot in the first place: satoru is one of the most charming people to ever walk the earth. your siblings constantly ask about the next time he’s coming over, and your parents are just waiting for you to announce that he’s your boyfriend—which he’s not, but he sure likes to make it seem that way.

another thing you notice about satoru thanks to your now-weekly grocery runs: he likes to wander around way too much, and complains afterwards when he finds you after losing you.

“y/n!”

it’s like routine by now; the way satoru rushes over to you, putting his arm around your shoulder and sticking his cheek against yours, telling you how he almost died because he thought he lost you—like the drama queen he is. by now, all you can offer him is a ruffle of his hair before you carry on like normal, as though your heart isn’t beating right out of your chest from that simple proximity.

because satoru, despite his generally icy look, is always warm; his body heat, his cheeks, the way he looks into your eyes all the time, even his fingertips when they brush against you.

you think he’s especially warm when he falls asleep beside you after watching a late night movie, his head nuzzled in your neck, hands somehow rested over your own. your favourite thing about the friendship, though, try as you might to deny it, is how satoru’s hands always find yours when he walks you home, fingers lacing around your own as if it’s second nature.

ever since then, these routines have become a staple, and perhaps even does your growing feelings. the inexplicable one.

2008; nineteen.

satoru was right.

both of you did get into the same university, and the same course, with different minors so at least there’s some differences. so of course, satoru did not let the shared apartment idea go. though, of course, thanks to your initial hesitance on the matter, the only available apartment is a 4-bedroom, entirely too big and hence you’d convinced satoru to just rent the other bedrooms out for extra change.

and no, satoru does not need extra change because his family’s loaded (which you realised you didn’t even know before this) but at least this would allow you to not dwell on whatever you’re feeling too much. university is going to be stressful enough without the added consideration of your possible feelings towards satoru.

then enters geto suguru—your new roommate who, thankfully, steals enough of satoru’s attention so you have some breathing room. turns out, they’re like two peas in a pod. but while you and satoru major in business, suguru majors in psych. so that still means satoru’s around just you most of the time.

some routines change; like how movie nights are shared amongst the three of you in the living room instead of just you and satoru in your room. or how during grocery runs satoru still runs up to you when he finds you again except this time, an exasperated suguru is beside you sighing at him, always a “how do you stand this guy?” rolling off his tongue. the most surprising one for you might be how meals include suguru now and satoru’s the one who does the cooking now, and funnily enough, he’s absolutely great at it. no ounce of hesitation as he flips the pancakes, or stirs the fried rice—no whining about how it’s too hard because he’ll get burns on his fingertips and has to ask you to tend to his wounds.

but some change in a different way. they leave no room for someone else, like how satoru always finds your hands to hold on to, keeping you within a reach too close to pass as just friends but both of you refusing to label it anything else anyways. it leaves no room for other people to butt in and whisk either of you away.

and for now, at least, both of you are okay with just that.

2009; twenty.

participating in different activities and clubs inevitably mean that you and satoru wouldn’t be attached at the hip most of the time. and of course, while that leads to satoru becoming even clingier when you’re both home (not that you’re complaining when it’s nice to feel wanted from the very guy you’re completely not having a crush on), both of you are in separate social circles.

satoru occasionally has his friends over, the ones you don’t really know that well. the one where you can only remember names like haibara because he’s extra friendly and yuki because she’s one of the prettiest people you’d ever seen and nori because she’s a mix of the two. you’re nice, and cordial to all of them, although you can’t really say the same for satoru.

occasionally you and suguru invite your friends over, because nicely enough, you both have the same interests. it’s mostly shoko and nanami, a med student and law student respectively, but both of which satoru loves to annoy to no end. lucky for you, shoko is strangely naturally tolerant of his antics and nanami shrugs it off as white noise.

“y/n, surely you’d rather spend time with me rather than that blondie?” satoru always asks, pouting as he looks at you over his shoulder during breakfast—a constant whenever you have plans that involve nanami.

it’s kind of cute.

“mmm, that’s a secret,” you’d always tell him, knowing that satoru’s pouts won’t last all day anyway. it’ll relegate to an excited grin whenever you’re back after that.

you’d never really had to face your feelings, then, until all of you gather one night, before the holidays officially start. you should’ve known that something would be different this time, especially when there’s alcohol involved. naturally, in the circle you sit in, satoru asks people to scoot over, purposely sitting beside you, as close as he can, close enough that your arms and knees practically brush.

it’s just for a simple game of truth or dare, and it’s innocent enough until someone asks nanami and he says truth, and his truth is that out of everyone he knows, he’d most likely date you. beside you, while everyone else is whooping at the declaration, satoru clicks his tongue in annoyance, though he says nothing about it. and you’re not really emphatic about it until someone dares nori to kiss the guy she wants to date the most and she kisses satoru, deep and slow, in front of you, haibara letting slip that she’s had a crush on satoru for a while now.

satoru’s five shots in and tipsy and he was imagining that was you and maybe that’s why it lasted for five seconds before he pulls away.

and when it comes to satoru?

as though noticing his dilemma, suguru gives an amused smile as he states his dare, “kiss the girl you most wanna marry.”

he doesn’t waste a single second in pulling you close and kissing you, his alcohol-tainted lips pressing against yours, daring tongue teasingly prying open your lips, chuckling as he feels you kiss him back.

“not most,” satoru corrects right as the both of you pull away, his forehead still pressed against yours and both of your half-lidded pair of eyes still staring at each other.

“what?” you’re almost breathless, forgetting that everyone else is watching.

“the only girl i wanna marry.” and you think he’s never looked more handsome, genuine smile plastered on his face and pretty blue eyes threatening to pull you in.

while everyone moves on, satoru doesn’t—he keeps you there with him, telling you for the first time in four years since he’s known you, “i love you.”

the next week, after you get home for the holidays, the first time being away from satoru in a while, you manage to find your old pencil case, the folded paper swan satoru folded for you all those years ago still inside, somehow forgotten.

curious, you finally open it, finding his message enclosed inside, bringing a smile to your face.

i’m gonna marry you one day.

2010; twenty-one.

dating satoru is like finding a new hobby that you’re effortlessly good at.

despite living under the same roof, instead of finding out the ugly, you find the good in each other. even with suguru in the mix, you all live harmoniously like you have been since the start. except now, satoru likes to sleep in your room, both of you fooling around and occasionally forcing suguru to tell you to pipe down.

satoru is still full of surprises, sometimes pulling up with his car as though both of you don’t sleep under the same roof, telling you that he planned a date and to dress nice. he buys you flowers even if you’re not particularly fancy of them and surprises you by buying things that simply reminded him of you.

dating satoru is like finding out that the right person for you will always think of you and your feelings, no matter the circumstance. the way he makes sure to tell you if he has to hang around nori, or the way he asks if you need anything when he passes by the grocery store alone, or going so far as to memorise your cycle so he knows exactly what to show up back home with.

by the time it’s your one-year anniversary and his birthday comes and you ask him what he wants, all he can answer is “you” and for the first time, you can tell he isn’t trying to be annoying or cheeky or flirty—satoru is surprisingly simple and his answer always has been and somehow always will be just you.

2013; twenty-four.

you still remember the day satoru got down on one knee, his handsome smile even more radiant under the golden hour glow, those still-beautiful blue eyes gleaming even from beneath his bangs.

just an intimate proposal with your closest friends, both shoko and suguru helping to distract you in order to create a successful surprise, while nanami and haibara helped with the decorations and photography.

thanks to them, you’re laughing now, at your wedding reception, looking at all the ways you nearly found them out that day, exactly one year ago, in the form of pictures. and thanks to the best man’s toast, you find out that suguru’s always known about satoru’s feelings, and just how deep his emotions for you ran.

“i won’t forget how much he whined about y/n getting close to nanami. that was probably the one time his whining got so out of control that i wanted to stuff a pillow over his face,” suguru divulges, garnering laughs around the hall, including from you, as your new husband pouts and squeezes your hand.

thanks to that, nanami finds the need to disclose during his speech, “i have never intended to date nor had such thoughts about y/n. my truth during that game of truth or dare was simply the result of a process of elimination—” and haibara cuts him off to give a more fitting speech, fits of laughter all across the room.

that day, you steal glances at satoru, wondering how you got so lucky to be with someone who loves you so much and continuously proves so with every passing day.

“satoru?” you call to him softly that night, as you both find yourselves completely bare in the bedroom of your new apartment, one to yourselves.

his piercing blue eyes flick up to meet yours, relishing how it feels like inside of you, every time as though it’s the first. “yeah?” it’s breathy, because he’s about to lose himself.

“i love you, satoru, and only you, forever and ever,” you tell him, finally knowing that in this life, it will always be gojo satoru for you, and that it’s the same for him too.

he only chuckles, pulling you close, “forever me and you, baby, only us.”

2023; present day.

“wow, more than ten years, i think i need to give you a trophy for that, y/n.”

satoru groans, rolling his eyes. “what’s that supposed to mean?”

beside him, suguru laughs at shoko’s comment. this time, the six of you find yourselves at a round table in a seafood restaurant during satoru’s birthday, talking about how it’s you and satoru’s tenth year together too.

“i’m not too much, am i?” satoru teasingly asks you, although you only shrug in amusement before drinking your glass of water as an excuse not to answer.

you’ve always been like that, but it’s part of what satoru likes about you. scratch that, he’s loved every part of you since he met you. it’s like it was meant to be; or so he likes to think. there’s an undeniable pull that always lulls him back to you. to satoru, there’s never been question that you’re the only one for him, maybe that’s why it’s so clear-cut.

“you’re just so head over heels for me, huh?” you ask him, a smug grin on your face, the conversational context something he’s missing since he’s been zoning out in his thoughts.

since the first time he saw you, he’s been drawn to you every second of every day. maybe that’s why he did all those stupid stuff like pretending not to be able to cook and ‘accidentally’ burning himself to get you to tend to him, or purposely pricking himself with the needle and asking you to put a plaster over it just to feel you close. even those times at the supermarket when he purposely loses you so he can find you again and see your helpless smile and feel the way you rub his head affectionately afterwards.

maybe it’s stupid too, how he had to silently admit he knows how to cook all too well because he didn’t want suguru to taste your cooking when he first moved in. it was something satoru felt he wanted to himself, something he wanted to keep between him and his future wife. or how a wordless stare between him and suguru during that game of truth or dare was all suguru needed to know that satoru wanted to make you his at that very second, afraid that kiss between him and nori would make you hesitant.

he shouldn’t have underestimated you though, because you know him better than most people do. there were never any pointless arguments or unrecoverable friction.

as they sing happy birthday annoyingly loud like best friends do, chanting for him to make a wish—his hands find yours again as they always did, he can honestly say that there’s no other way he’d rather live his life. you’re made for him and he has you and the little mini yous at home so really, there’s nothing that he has to wish for.

except, maybe, one thing, if he could be selfish.

in this life, and every other life, he’ll want to be with you and only you, forever.

[arminsumi]

THE SPRING I MET YOU

GOJO さとる

He hates spring because of "allergies"; he blames his sniffly nose and red eyes on the season.

Warnings : angst (heartbreak)

Playme : First Love/Late Spring

SPRING 2006

You had met Gojo Satoru through a common friend — Geto Suguru.

Oh how many times had you heard him say, like a broken record;

"You really have to meet this guy, you're gonna click with him I just know it. You're like the same person."

You're like the same person.

Suguru'd nag you to meet Satoru ever since he entered Jujutsu High, because he thought he was... you know, just the kinda guy you'd fall in love with. And he hated to see you moping around, lonely and hopelessly seeking a lover that was certainly not "coming to you on a summer breeze" like your mother insisted.

So you met Satoru, by Suguru's demand.

And your first impression of him was: oh no; he's an idiot.

A loud-mouthed, obnoxious idiot. Inappropriate. Overconfident. Irresponsible.

And his first impression of you was: eh, she's too shy.

A put-together, attractive woman. Too proper. Too shy. Too responsible.

If you and him were words, then you were antonyms to each other.

But that didn't matter, it was just the peripheral view you had of each other; something still drew you into each other. Like the universe was drawing up a constellation especially for you and him.

What did you have in common? Nothing. What did you like about his personality? Nothing. But Satoru was always nobody but himself and you liked that. That's the thing about him that saved you from viewing him as an unworthy madman.

And you? He thought you were always trying too hard to be somebody else, someone you were not, someone you could never be — and he wanted to change that. To see what was beneath the diffidence, beneath the plastic sheet that you covered over the image of your self.

He wanted to provoke you more than anyone else, not for the purpose of eliciting a cheap reaction and feeling fleeting amusement, but because he wanted to get you out of your shell.

His heart was on his sleeve, and yours was wrapped up in winter layers even though it was a warm spring. Satoru peeled off the layers one by one, until finally he found his gold; your sweet, tender, loving heart. And once he found it he grabbed it in a way that showed he intended for no one else to steal it from him; his love, all his.

It was just beautiful from then on. You and him. Satoru and you. The two stars in the constellation that the universe specifically designed just for you and him. Only you and him.

How did the first date happen? It just happened. How did the first kiss happen? It just happened. How did the first slow dance happen? It just happened. How did the boyfriend girlfriend thing happen? It just happened.

Everything between you and him always just happened. Like Tetris blocks falling perfectly into place. Like puzzle pieces perfectly connecting. Like clockwork.

No friction, no tediousness, no miscommunication between your stars. You and him shared your minds, bodies and souls with each other.

Like you were the same person.

SPRING 2009

Satoru's face trembled and nose reddened as tiny tears rolled out of his eyes.

This was the first time he had cried in three years. And it was a first for having an emotional breakdown in public, in the middle of a busy train station.

"Satoru, I'm sorry." you said to him. "I have to start my life."

"But we've already started a life here, together!" he yelled with a broken voice, in the middle of that busy train station. People looked.

It was Spring of 2009; you were breaking up with a 20 yr old Gojo Satoru as sensibly and sensitively as you could, but he still acted like a child.

When you and him had gotten together in 2006, both of you were just simple-minded, carefree teenagers who had yet to be shaped by the hurt of life.

Oh him and his prismatic feelings, they spill out the edge at the right angle and show a display of everything you never thought he felt.

"Things have changed. I've changed, and so have you. We have to move on from each other." you said, and he shook his head and looked at you like he was falling to pieces.

"I haven't changed! I'm still your boy. C-can't we talk about this at the cafe—

"—Satoru, my train is here."

SPRING 2018

"—Sensei, the train is here!"

He was interrupted back then just like he's been interrupted now from his daydream of you.

"What's the matter?"

Gojo-sensei's blindfold soaks up his tears, but it can't muffle his sniffling or reddened cheeks and ears. His nose wrinkles up and wiggles to the side as he sniffles and runs the back of his hand under his nostrils.

"Allergies. This is why I hate spring." he chuckles.

"Aw, get allergy medicine."

"Yeah yeah, I will. You rascals catch your train before it runs off without you." Gojo

「じゃあ！」 Yuji raises a hand of goodbye to his teacher and boards the train with Megumi and Nobara.

He waves goodbye to his students, lifting his blindfold to catch a peek before the train carries them out of sight. His smile drops when they can no longer see him at all.

He stares for a long moment at the place where you once stood, and remembers two memories;

One late spring you were on your tip-toes kisssing him for the first time.

And one late spring you were waiting for your train, breaking his heart with goodbye.

© arminsumi

I do not permit the copying/reposting/translation/plagiarism of my works. Do not steal what I've worked hard to create.

This is fictional work.

[jeonginsleftcheek]

Stray Kids with an S/O who is a huge horror movie fan

pairing: ot8 x gn!reader

genre: fluff

disclaimer: this is as always just my opinion :)

a/n: as a huge horror movie fan myself, I had to write this! enjoy!🩷

Chan:

As he said before, it's not like he's scared of horror movies, he just doesn't think they're interesting to watch. But, you're interesting to him and he loves you so he will definitely try for you. He also thinks he won't get scared cause 'nothing scares him' but oh boy was he wrong. You have to promise him extra cuddles because he's not gonna be able to fall asleep that night. Will also try to dissect the plot with you after the movie, and try to find meaning in the story just so it's less scary to him.

If he was never really invested into the horror genre, you could show him the classics like The Shining(1980), The Omen(1976), The Amityville Horror (1979), Psycho(1960) and then also some newer iconic movies like Get Out(2017), The Ring(2002), Sinister(2012), Hereditary(2018) and The Conjuring(2013).

Minho:

Loves it. Loves to try and scare you while you're watching a movie together. At first, you're so happy that you can share your love for horror with your significant other. And you know he really doesn't like jumpscares, so you try to find movies that don't have many of those. But if they do and Minho predicts a jumpscare, he'll grab you at the same time it's happening, making you jump out of your skin even though you saw the movie already. You kinda start regretting watching horror movies with him because he annoys you on purpose. He thinks you're so adorable when you're mad at him, but he wont push too far and he'll always make it up with cuddles and kisses later. Overall, 10/10 experience.

I feel like he'd watch almost any horror movie cause he's a curious cat (hehe) and you'd both share your favorites.

I don't know why, but I also feel like Minho would appreciate good old silent horror movies. I just think if he's a horror fan he may enjoy seeing the roots of horror. Like The Cabinet Of Dr. Caligari(1920), Dr. Jekyll and Mr. Hyde(1920), The Phantom Carriage(1921), Nosferatu(1922) and Häxan(1922).

Changbin:

I don't think he's too scared of them but I think he doesn't really care for them too much? Though, if you have some interesting thriller or detective movies to recommend he will definitely wanna watch them with you. I think Changbin likes a movie that has an intelligent story with a plot twist. He likes to guess what's gonna happen next and when he's actually right he'll be so happy and proud. He'll keep talking about how he guessed the plot and how smart he is and how you have to give him extra cuddles now. Either way, you're cuddling and snacking the whole time while watching and it's just nice and cozy.

I think he'd enjoy thrillers like The Game(1997), Fracture(2007), The Machinist(2004), The Double(2013), Shutter Island(2010), Zodiac(2007) and 1408(2007).

Hyunjin:

Miss him with that shit cause he ain't watching it unless you manage to coax him into it. It's gonna take a lot of persuading until he finally gives in but you have to be careful in choosing the right movie for Hyunjin. He doesn't like loud noises and he doesn't really like to feel scared. He'd rather watch something for the story, especially if it's an emotional one, and he also likes character driven stories.

I think he could watch artsy or slow creepy movies that are more drama-like but have elements of horror like Pan's Labyrinth(2006), Dark Water(2005), Windchill(2007), It Follows(2014), The Eyes Of My Mother(2016), I'm Thinking Of Ending Things(2020) and Case 39(2009).

Jisung:

Okay, with this one you can go crazy. Any weird horror movie, anything kinda disturbing, deranged or unhinged will be right up his ally. As a horror and anime fan himself, he's seen some pretty weird stuff so experiment, I guess. I also feel like he'd like fun horror movies, idk how to explain but ones that are disturbing but fun at the same time, like you can't look away even though you're looking at a train wreck.

Movies like Funny Games(2007), The Ruins(2008), Suspiria(1977), The Perfection(2018), Perfect Blue(1997), May(2002), Audition(2000), Saw franchise and Terrifier series would be fun for him. Also, since he mentioned Paranormal Activity, found footage horror movies would be fun to watch with Jisung too like Creep(2014), REC(2007), Unfriended(2015) and Cloverfield(2008).

Felix:

This is just not happening unless you can bribe him with cookies, gummies or any other sweets and ofcourse many cuddles and kisses, even more than you share usually. You'll have to practically beg him to watch a horror movie with you or make some kind of compromise that you'll participate in some activity he likes more than you later. He's not gonna sleep all night if you make him watch anything too scary, actually he wouldn't even be watching that. He'd probably be hidden in your neck the whole time and even the creepy sounds coming from the tv will give him nightmares.

The only way to make him watch horror movies is if they're mixed with comedy or they're so bad that they're funny. Like the Scream franchise, The Cabin In The Woods(2011), What We Do In The Shadows(2014), The Happening(2008), Tucker & Dale vs. Evil(2010), Housebound(2014) and ofcourse zombie comedies like One Cut Of The Dead(2017) and Shaun Of The Dead(2004).

Seungmin:

Kind of indifferent towards the scares but I think he gets annoyed with plot holes and characters acting stupid. Rolls his eyes at every over used trope or cliche sentence. You actually end up laughing while watching horror movies with him because he's too cute when he's annoyed.

"How is this killer still alive? He's been run over by a truck ten times, this is stupid!" or "Okay but why is he going towards the sound? Is he that dumb, he's gonna die!"

He does like dry humor though so he'd like some black comedy movies with horror elements like American Psycho(2000), Parasite(2019), The Lobster(2015), The Menu(2022) but also if you want to annoy him on purpose (because he's cute when he gets worked up) show him slashers like the Halloween franchise, Friday the 13th franchise and Black Christmas(2019).

Jeongin:

With Jeongin, I feel like it can go either way and it definitely depends on the theme of the movie. Also, he will probably try to act brave in front of you (until he jumps at a loud sound and then gets embarassed). For some reason I don't have an exact subgenre of horror for him but for some reason I feel like he'd like newer horror movies like Us(2019), Nope(2022), Last Night In Soho(2021), His House(2020), Host(2020), The Invisible Man(2020) and Fear Street film series.

[2tarbell]

hi love! 💗 — i was wondering what the vibes of tp!rafe’s cute little trailer with his baby is like.

if you’ve already did a post like this feel free to ignore.

EEEEEK okay!!! i love this question because i’ve thought about this sooooo hard…. i firmly believe tp!rafe and reader live in like 2006 or something so their little home reflects those nostalgic times!!!!! she’s a sweetheart but tp!reader is also a diva when she wants to be. that shows especially in how she decorates their shared space!!!

she’s very much a project girly — rafe adores it. he comes home and sees her with a huge shelf in the yard, painting away in her little overalls. he can’t believe she’s real. kissing his cheek, apologizing about getting paint on his face & wiping it off with her thumb. there is always a little DIY thing she’s doing while he’s off at work C:

some little things about their home: big tub used at least once a week (which always ends up in sudsy sex), she collects quilts & candles (she hates uses the big lights), has many cute aprons rafe loves feeling her up in, and a lot of different mismatched picture frames of her & her man!!!! they might be on a budget — but they are very content in their home!!!!

[maybe-im-dark]

Wolverine Wasn't Born to Be a weapon—He Was Born to Be a Protector

Here's Why:

Let’s get one thing straight: Wolverine (Logan) wasn’t born to be a weapon. He was forged into one. But at his core, Logan has always been about protecting those he loves, not just fighting for the sake of violence. And the X-Men movies prove it time and time again. Let me break it down:

1. His Origins Aren’t About Violence—They’re About Survival and Protection

In X-Men Origins: Wolverine, we see young James Howlett (Logan) forced to defend himself after witnessing the death of his father. His claws first emerge out of sheer survival instinct, not out of a desire to harm. Even as a child, Logan’s instinct was to protect—first himself, and later, others.

2. His Connection to Rogue in X-Men (2000)

When we first meet Logan in X-Men (2000), he’s a loner, but everything changes when he meets Rogue. Despite his rough exterior, he immediately takes on a protective role, shielding her from harm and even putting his own life at risk for her. This isn’t a man who craves violence—this is someone who cares deeply for the vulnerable and will do anything to keep them safe.

3. The Battle of Alcatraz in X-Men: The Last Stand (2006)

During the Battle of Alcatraz, Logan doesn’t charge into the fight because he loves war—he does it because it’s the only way to protect his friends, especially Jean Grey. Even when Jean is consumed by the Dark Phoenix and is destroying everything around her, Logan is the one who pushes through, not to fight, but to save her from herself. His final act, putting her down, is one of mercy, driven by love, not violence.

4. The Wolverine (2013) Shows His Struggle With the Weapon He’s Become

In The Wolverine, Logan’s struggle with the violence he’s capable of is laid bare. He isolates himself because he’s haunted by the destruction he’s caused. When he’s dragged back into conflict, it’s not because he wants to fight—it’s because he can’t stand by while innocents are in danger. His time in Japan shows that his true nature is to protect, even if it means facing his demons

5. The Ultimate Protector in Logan (2017)

Logan (2017) is the ultimate testament to Wolverine’s true nature. The entire movie is about him protecting Laura (X-23) and the other young mutants, even when he’s physically and emotionally broken. Logan’s final stand isn’t about being the best soldier—it's about being the best protector. He sacrifices everything, not because he wants to die in battle, but because he wants to ensure the future of those who can’t protect themselves.

6. It’s Always Been About Love and Loyalty

Whether it’s his love for Jean, his loyalty to Professor X, or his protective instincts toward Rogue and Laura, Logan’s motivation has always been rooted in love, not in a thirst for violence. He’s fought in countless wars, been used and abused by countless people, but the one thing that remains constant is his unwillingness to let harm come to those he cares about.

[o-fantome]

okay. quick history lesson, LND was started in the 90s, when andrew lloyd webber collaborated with author frederick forsyth to write the phantom of manhattan. this was the original plan. but it was bad and no one got on board and the very idea of a sequel was dumb. everything was scrapped (which is why you can hear the coney island waltz and beneath a moonless sky motifs in the 2004 movie; ALW just had them lying around and didn't have anything to do with them.) now comes along 2006 and they start to work on it again. SEVERAL changes are made from forsyth's book but the most important ones here are what they did to raoul. to save time here's a quick list and if you read the book (it's on amazon) you'll see what i mean:

he no longer knows and accepts from the beginning that gustave (pierre in POM) is not his son

he's now an alcoholic and gambler and broke

he is no longer there on the scene when christine dies

most of all: he's no longer the better option for christine

ALW and his team wanted so badly for erik and christine to be the favoured pairing that they NUKED raoul's character for the sequel. to make the sudden character shift from "loving childhood sweetheart who's just a little dumb" to "borderline abusive husband and neglectful father" believable in the sequel, they had to tweak how he acted in the original. in 2010-2011 (when LND was in the final stages before being premiered) actors playing raoul were told to change how they presented the character. start looking annoyed, be snappier, be less caring, etc.

the most obvious example of this is hadley fraser in the 25th anniversary performance. he looks grumpy, he rolls his eyes at christine when she's in distress.

here is a compilation of some comparisons between steve barton, hadley fraser and post-covid raoul actors (who i will address the importance of in a moment) in the rooftop and masquerade scenes:

i think these two moments really display raoul's character, both in the good eras and the bad. on the rooftop hadley looks annoyed. he's physically rough with christine and then dismissive when she tries to explain. the others (ESPECIALLY steve) are just concerned and continuously (try to) comfort her. in masquerade it's the same thing; hadley is upset and argumentative when the others are worried and even try to lift christine's spirits by showing her how happy they are about the engagement.

and finally here is a post on ig from former firmin actor matt harrop where, in the caption, he talks a bit about the resurrection of raoul as he leaves phantom:

View this post on Instagram

A post shared by Matt Harrop (@matt_harrop74)

tl;dr: 2010-2019 was a dark era for raoul as a character because of his presence in the sequel. god bless our lord and saviour steve barton and the raouls of the 2020s.

goodnight raoul nation 🫡

[intuitive-revelations]

The near future in the Doctor Who universe sure gets dire doesn't it? Especially if Mad Jack / Roger ap Gwilliam is still part of history.

I thought I'd have a bit of fun listing things out, combining as many sources as possible. Turns out he fits in shockingly well with what we know. There's a lot missing here or cut out, and for obvious reasons it's very UK / Europe focused, but nonetheless:

[ID: Scene from The Christmas Invasion showing Harriet Jones on BBC News. The news ticker reads "PM HEALTH SCARE", "Unfit for duty?", and references a "SECRET GOVERNMENT MOLE" and a quote: "BLOOD ON [HER HANDS]".]

2006-2021 (obviously the past now, but still noting for the resulting temporal and political butterfly effect) - In the original timeline, Harriet Jones remains Prime Minister for 3 consecutive terms, presumably 15 years assuming no snap election was called, referred to as a 'golden age' [World War Three]. The Tenth Doctor deliberately changes history to cause her deposal [The Christmas Invasion], leading to numerous disastrous terms in the meantime, including those of Harold Saxon [The Sound of Drums et al.], Brian Green (who tried to appease the 456) [Children of Earth], Boris Johnson (an auton host of the Nestene Consciousness) [Rose (novelisation)], and Jo Patterson (responsible for deploying cloned Dalek defence drones in the UK's streets) [Revolution of the Daleks].

[ID: Scene from Revolution of the Daleks. A 'defence drone' Dalek is used to support anti-riot police in a test, dispersing protestors with mock tear gas.]

2010s-2030s - The European Union gradually integrates further, eventually becoming the European Zone / Eurozone, a global superpower which competes with the USA through the 21st century. The UK eventually forms part of the bloc [Trading Futures].

It's likely that Harriet Jones's deposal led to this and related events being delayed or erased, with Brexit (driven by, among others, one of Jones's successors in the new timeline) reducing european unity. Most notably, Ramón Salamander's rise to power occurs now not in the 2010s [The Enemy of the World], but in the 2030s [Doctor Who and the Enemy of the World]. There are other events that are seemingly delayed by ~20 years by changes to the timeline, including future events like the dictatorship of Mariah Learman [The Time of the Daleks, Trading Futures], and yet also possibly past events like the death of Queen Elizabeth II [Battlefield, The Longest Night et al.], which may suggest something else (eg. the Time War) may be responsible.

~2030 - During a time of rising global tensions [73 Yards], Ramón Salamander convinces a group of scientists in an underground shelter endurance experiment that nuclear war has broken out on the surface. They are convinced to generate artificial "natural" disasters to fight back against the enemy. Between this and ongoing climate change, several global food sources collapse as a result, including Canada and Ukraine's corn and flour production [The Enemy of the World].

2031 - Tensions culminate in the "Great Russian War". Despite posturing, not a single nuclear weapon is fired, at least by NATO [73 Yards]. This may be later considered World War III [Trading Futures].

~2032-2035 - Following the war, tensions rise again, now between the Eurozone and the USA [Trading Futures], possibly in reaction to actions (or lack thereof?) taken by NATO during the war [73 Yards]. Both send separate peacekeeping forces to conflict in North Africa. Meanwhile, Italy is engaged in civil war [Trading Futures].

[ID: Scene from The Enemy of the World, showing Ramón Salamander.]

Over the decade, Ramón Salamander rises in power in the World Zone Authority, using his patented "Sun Store" satellite technology to aid the growth of crops by controlling sunlight over agricultural regions. In the background, he murders and blackmails officials to place loyalists into powerful positions, with the goal of ruling over the World Zone Authority as a dictator. Salamander's treachery is later discovered and he disappears [The Enemy of the World].

2037 - 2042 - Several militia declare wars of Independence from the USA. Notably, Phoenix, Arizona is destroyed in a terrorist attack. While the country largely persists after the conflicts, some territories seem to successfully secede - with, for example, a Montana Republic seemingly being in existence in 2054 [Alien Bodies].

2038 - The World Zones Accord is signed. This is later considered to have reduced the United Nations to a 'joke' compared with the World Zone Authority [Alien Bodies]. Given the extensive power it gives to the WZA, this was likely originally part of Salamander's plan, but due to his disappearance he is not around to reap the rewards [The Enemy of the World].

2039 - A group of Mexican astronauts studying minerals on the Moon go missing [Kill the Moon].

~2030s - 2040s - The Earth begins to experience major climate change effects, including "appalling storm conditions" which harm agriculture [The Waters of Mars]. The ice caps melt and flood much of the Earth [K9] with nations like the Netherlands ending up entirely flooded [St Anthony's Fire]. Some regions experience corrosive acid rain [Cat's Cradle: War Head, Strange Loops]. One summer sees Britain experience a 22 week drought. At this time, the Eurozone closes its borders to millions of North African and Baltic Sea refugees [Hothouse]. This time period may be known as the "Oil Apocalypse" [The Waters of Mars].

[ID: Scene from K9 Episode 13: Aeolian. Big Ben stands in the middle of a colossal storm of wind and rain.]

With Earth's ecosystems collapsing [Davros], humanity begin to realise it's facing extinction [The Waters of Mars]. An artificial cooling agent is spread in the atmosphere to semi-successfully combat the effects, but leads to dramatic side-effects, including freezing some areas of the globe. This is known as the "Great Cataclysm" [K9].

2041 - A three-human team, including Adelaide Brooke, lands on Mars for the first time [The Waters of Mars]. However, with this accomplishment, and increasing turbulence on Earth, Humanity gradually loses interest in space exploration [Kill the Moon].

Before 2045 - Around this time, the UK falls into a dictatorship ruled by the "Director", head of a military council that has allegedly (secretly?) controlled the government since 2028 [Britain Protests]. It is possible that this Director was previously the "Minister of War" for previous governments [Before the Flood].

2045 - The World Zones Authority evolves into a World Government, with Nikita Bandranaik being elected President. The UK is not part of the organisation [This is 2065].

2046-2050s - The Director is overthrown [Down with the Director] and the rest of the government "collapses in shame" [73 Yards]. Some of the revolutionaries celebrate now being "masters of [their] own country" [Down with the Director]. Despite the hopes of the World Government for international integration, this nationalistic streak continues.

[ID: Scene from 73 Yards. Roger ap Gwilliam, with an Albion Party ribbon on his chest declares victory on BBC News, live from Kennington High in London. Headline reads "LANDSLIDE VICTORY FOR ALBION PARTY: Majority of 92 predicted. Roger ap Gwilliam declared Prime Minister."]

Roger ap Gwilliam is elected Prime Minister, with the far-right nationalistic Albion Party gaining a majority of 92 MPs [73 Yards]. While his government does take the step to officially join the World Government senate [Down with the Director], he seeks greater independence from other nations. One of his first actions is to expand the UK's nuclear arsenal, purchasing missiles from Pakistan and withdrawing from NATO. In his term, the world is brought to the brink of nuclear war [73 Yards], likely in the pre-2050s "Euro Wars" [The Time of the Daleks].

In this time, the "Department", a (private?) multinational security organisation is born, based primarily in the UK. They gain broad powers, which they use to control populations with propaganda and use of "CCPC"s: robotic law enforcement notorious for their surveillance and brutality. Despite its recent revolution, the country is rendered practically a police state [K9].

[ID: Scene from K9 Episode 1: Regeneration. CCPCs, hulking police robots, march down a dark alley.]

2049 - The Moon starts to dramatically gain mass, causing massive tides on the Earth, flooding entire cities. In a last ditch at survival, humanity plans to try and destroy the Moon using an array of nuclear bombs. Despite the people of Earth being offered the vote on what to do by turning off their lights, it appears the decision is made on a national level, with lights going off grid-by-grid. Nonetheless, the Moon is allowed to hatch, leaving behind a new less massive egg "moon" with minimal further destruction [Kill the Moon].

[ID: Scene from Kill the Moon. The Moon hatches in the background, as the TARDIS stands by the sea.]

Humanity's interest in space exploration returns [Kill the Moon], starting a new space race. Among these projects, Australia begins constucting a space elevator, Spain a project called "SpaceLink", while Germany and Russia each begin a series of new Moon missions. The Philippines are rumoured to be planning their own landing on Mars [The Waters of Mars].

~2050 - The UK Government (ap Gwilliam's?) is couped once more, by General Mariah Learman. With the King's permission, elections are suspended for at least a couple years, with her ruling over a "benevolent dictatorship". She is later abducted and forcibly mutated by the Daleks [The Time of the Daleks]. Despite the previous description, her promotion of Shakespeare in schools is remembered as the only good thing about her rule [Trading Futures]. (Note: As mentioned prior, it's likely that Learman's rule may have been delayed as Salamander's was. This is suggested by the mention of her in Trading Futures, set seemingly ~2030s or earlier, despite The Time of the Daleks taking place around the 2050s.)

~2050s - The Gravitron is built on the new Moon. This is used to artificially control the tides and weather [The Moonbase]. It likely also is intended to study and monitor the new Moon for future changes [Kill the Moon].

[ID: Scene from The Moonbase, giving an external shot of the base.]

2058 - 2059 - Bowie Base One is established: humanity's first colony on another planet and an international collaboration between the UK, USA, Russia, Germany, Turkey, South Korea, Lithuania, Australia, and Pakistan. One year later, it is mysteriously destroyed in a deliberately triggered nuclear explosion. In the original timeline, there were no survivors. However, after the interference of the Time Lord Victorious, the true story is eventually told on Earth. Regardless "a veil of darkness" sweeps over the planet over the next few years. [The Waters of Mars], as international tensions heat up once more... [Total Eclipse of the Heart].

[ID: Scene from The Waters of Mars, showing an internet news website. Various articles appear focused on the Bowie Base One incident, including "SURVIVORS STORY - BROOKE SAVED EARTH", "THE MYTHICAL DOCTOR", "BROOKE'S HEROIC ACTIONS SAVE EARTH", and "HOW THE COUPLE ESCAPED MARS". The feature image shows the two survivors: Yuri Kerenski and Mia Bennett.]

2060s - The "Great War" breaks out on Earth, involving every country on Earth. This is likely World War IV. Details are vague, but it ultimately ends in a ceasefire, when it's realised the conflict is risking Earth's habitability [Total Eclipse of the Heart].

[project-sekai-facts]

Only one date is ever mentioned in-game, that being 2021. Considering that the Virtual Singer Fan Festa seems to be a stand-in for Magical Mirai 2021, we can assume that the Scramble Fan FESTA! event takes place in September 2021 (the real-life MM2021 was delayed to November due to covid-19, but the pandemic doesn't exist in-universe and MM Tokyo usually takes place at the beginning of September). There are Leo/need Daily Life social media posts that show them attending Magical Mirai, and do state the year of the event, but these can be considered promotional material for the event itself rather than canon material, especially since the characters address in-game that only one year has passed since the start of the story (despite the fact they have celebrated new year's day 4 times now. Timeloop things).

Based on this date, we can actually place exactly when every main character was born. The cutoff date for Japanese schools is April 1st, making Ena the oldest main character, being a 3rd year with a birthday of April 30th, followed by Tsukasa on May 17th, so on so forth all the way down to Kohane, a 2nd year with a birthday of March 2nd.

Considering when Scramble Fan FESTA is set, Ena, who was a 2nd year at the time, would be 17 years old. That would place her date of birth as April 30th, 2004. Additionally, while Kohane, a first year at the time, should be 15 during the event, the game considers her to be 16 due to using a set age for every grade bracket. Regardless, the event setting places her date of birth as March 2nd, 2006.

Based on this, we can conclude that:

Ena, Tsukasa, Rui, and Shizuku were born in 2004

Mafuyu, Kanade, Airi, Minori, Saki, Toya, Nene, An, Ichika, Mizuki, Emu, Haruka, Honami, and Akito were born in 2005

Shiho and Kohane were born in 2006

This also means that Ena, Tsukasa and Rui are all older than the MEIKO software (released November 5th 2004), and everyone except Kohane is older than the KAITO software (released February 17th 2006). Every main character is older than Miku, the Kagamines, and Luka based on this information.

Using the information around set ages*, we can also work out rough estimates for when the side characters were born. For example, Arata, who was 19 during the first 3 years of the game, is 3 years older than the members of VBS who were all considered to be 16. Since the members of VBS were born in the April 2005 - April 2006 school year range, Arata was likely born in the 2002-2003 school year range.

* based on how characters like Youta and Miu, who are said to be the same age as Leo/need, were both confirmed to be 16 years old before the 3rd anniversary age-up. Also Haruka's age is confirmed as 16 at a point in time when she shouldn't be 16. Timeloop things.

Based on this, the oldest living side character, Kounosuke, who was 55 pre-3rd anniversary and 39 years older than Emu, was probably born between April 1966 and April 1st 1967. On the younger side of things, Hanano, who was 14 pre-3rd anni, was likely born between April of 2007 and 2008. I've put the rest of the estimated side character DOBs under the cut.

assumed age as of 3rd anniversary in brackets (literally just pre-age-up age + 1)

Rakunosuke Otori - April 2nd 1922 ~ April 1st 1923 (98 (at time of death. would be 100 if still alive))

Kounosuke Otori - April 2nd 1966 ~ April 1st 1967 (56)

Jean Riley - 1967~1968 (55)

Harumichi Aoyagi - 1968~1969 (54)

Shin'ei Shinonome - 1973~1974 (49)

Mr Yoisaki - 1975~1976 (47)

Ken Shiraishi - 1978~1979 (44)

Taiga Kotaki - 1978~1979 (44)

Mrs Asahina - 1980~1981 (42)

Yoshiki Shindou - 1982~1983 (40)

Yuuka Kazamatsuri - 1990~1991 (32)

Keisuke Otori - 1991~1992 (31)

Shousuke Otori - 1994~1995 (28)

Daigo Kijima - 1994~1995 (28)

Tatsuya Okazaki - 1999~2000 (23)

Yuuki Akiyama - 1999~2000 (23)

Ayaka Saito - 2001~2002 (21)

Hinata Otori - 2001~2002 (21)

Iori - 2002~2003 (20)

Mio - 2002~2003 (20)

Arata Tono - 2002~2003 (20)

Souma Miyata - 2002~2003 (20)

Asahi Genbu - 2003~2004 (19)

Kotaro Mita - 2004~2005 (18)

Sakurako Seiryuin - 2004~2005 (18)

Nanami "Nanamin" Hayakawa - 2004~2005 (18)

Futaba Natsuno - 2004~2005 (18)

Arisa Higure - 2004~2005 (18)

Ayumi Tabata - 2004~2005 (18)

Hibiki Miyake - 2004~2005 (18)

Shuuta Hayashi - 2004~2005 (18)

Ibuki Taniyama - 2004~2005 (18)

Yuina Uchiyama - 2005~2006 (17)

Shouta Hayashi - 2005~2006 (17)

Miu Takagi - 2005~2006 (17)

Youta Yoshizaki - 2005~2006 (17)

Riho Hasegawa - 2005~2006 (17)

Saku Kousaka - 2005~2006 (17)

Mai - 2006~2007 (16)

Hanano Yoshizaki - 2007~2008 (15)

Additional notes (mod is rambling atp):

Rakunosuke died when he was 98 years old. In the WxS main story, Emu says that he died a year ago. Assuming Emu was 15 at the time, they have an age gap of around 83 years. The year of birth listed here was based on that assumption.

We know that Kanade's mother died aged 30, but we do not know when she died. She is still alive in flashbacks set roughly 10 years prior to the events of game.

In the third fanbook, ages were given for Mrs Asahina, Shindou, Yuuki, Asahi, and Arisa as one year less than they are given in this post. The reason for me adding a year on is because of the confirmation in a livestream of Daigo's age being 27. Daigo is meant to be the same age as Shousuke, whose age was given as 27 prior to the 3rd anniversary. When his age was provided on stream, he was grouped with the 5 I mentioned earlier. Based on this we can assume that all their ages are taken from the same time frame, i.e, pre-3rd anni (and this also confirms that NPCs inexplicably don't age but we'll ignore that for continuity reasons).

We do not have confirmed ages for Nagi, Reki, Sakaki, Ohara, MMJ's landlady, Mafuyu's father, Hiiragi, or the members of ReLight yet

Rui suggests that Reki is the same age as him in A Story Where You Are The Star while talking about both him and Asahi in the same sentence. Asahi was since confirmed as 18/19, so it is likely that Reki is also around that age.

Nagi's age is left blank in the fanbook due to it not being revealed that she was dead at the time of publication. She is younger than Taiga, but we don't know by how much, but nonetheless she was likely born in the early 1980s. It is unlikely we will ever know her exact age.

Ohara is stated to be in his mid-30s, placing his birth year as somewhere in the 1980s, likely around 1986-1989. Sakaki is an old college friend of Ohara's, so he is likely a similar age.

No NPCs are given exact birthdays

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week