#especially in zelda's case
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mylonelydreaming · 2 years ago
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I'm all for platonic relationships, but I just think romantic suits botw zelink the best. Let other zelinks be platonic, this one is about one hundred years of yearning and shared trauma and tension and forbidden love, and an actual positive version of the knight and princess trope.
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amiharana · 1 year ago
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i come bearing a revalink suggestion,, they’re friends?? rivals?? but Revali’s been trying to rile Link up in a more flirtatious way and it all comes to a head when the champaign’s are out on an expedition with Zelda and oops! someone forgot to bring enough bedrolls for the night, enter: sharing a bed
yk what i mean
HI ANON i'm sorry i took so long to answer 😭 but thank you for the suggestion 👁️👁️ i've written about revalink sharing a hammock, but that was them in an established relationship, so this.... and they were hammockmates (oh my god they were hammockmates)
the premise of my canon-based situationship fic (if i ever get to write it LOL) was going to kinda be like this, a pre-calamity revalink who have decided they are no longer going to be rivals, but not necessarily friends, and then somehow revali catches feelings for link 😄 i just love the idea of revali seeing link and being like "this fucking idiot. i want him so bad." and reluctantly attempting to court him even if he knows that link doesn't understand what he's trying to do. my favorite part of this is that link is completely clueless. he has no idea what the hell is going on but he appreciates that revali is nicer to him :D
(warning: long ass fucking post. but we are so fucking back baby)
imagine revali trying his damndest to work up the courage to go give link a bouquet of swift violets, because (1) he knows it's a hylian courting ritual and link is a pretty simple guy, so he'll probably appreciate flowers, right? (2) revali thinks swift violets are very pretty flowers actually, and (3) they have a functional use in increasing link's speed during a fight when cooked into a meal, and with how often link gets injured in battle, goddess knows he needs the extra boost. imagining revali trying to give the bouquet to link on several occasions, but he always ends up chickening out or he waits too long so the bouquet gets ruined or dies so he has to gather more flowers for a new one, and when he finally gets to actually hand the bouquet to link, he gets nervous and insults link like the dumbass he is 😭 ("being the one with more foresight between the two of us, i predicted you would be in great need of something as simple as these swift violets. perhaps you could stand to learn a meal or two utilizing their innate effects on the field.") and then it turns out link is actually allergic to swift violets KJDHFKJSHDKFJH and revali has to take him to the infirmary in shame
just an endless string of the most cartoonish failures of revali's attempts to court link ☝️😹 because it either ends in disaster or link completely misunderstands the situation, and of course revali gets frustrated that link isn't understanding his advances, what an idiot! and it makes him want link even more! so his advances become more and more obvious until even daruk is like. hey man. please calm down now it's not that serious. and revali is like NO he's so stupid daruk how can he not understand that i am trying to court him!!! how much clearer can i make it? (meanwhile daruk is like 🧍)
but revali's desperate pleads are answered when zelda calls the champions early in the morning into the throne room for a mission 🙇 i'm thinking maybe there have been sightings of a lynel up in the northernmost part of akkala and it seems to be much more powerful that the citadel squadrons can handle, so they've called in the help of the champions. not that i'm actually gonna write about them fighting the lynel though 😹 you know me, i just be creating context and circumstances wherever i go
"they couldn't handle one lynel? revali says, when the princess finishes. "you would think a fortress chock-full of hyrule's greatest soldiers would be able to take at least one down."
"well, i don't see you volunteering," urbosa says crossing her arms, a faint smile on her lips. "would you like to show them how it's done?"
revali shoots her a glare and then tilts his beak up, tossing his braids over his shoulder. "hmph. i normally don't waste my time on something as savage as a lynel, but if it could inspire better archers of the citadel, then i suppose my extraordinary skills may be necessary there." out of the corner of his eye, he glances at link; the little hylian doesn't react at all to his boasting, continuing to stand calmly at attention. it irks something in revali, but he blows air out of his beak and turns his head again. stupid link.
zelda sighs. "well, if we are all settled then, i dismiss you all to begin preparations to leave. we hope to leave just past noon and make it to foothill stable by nightfall."
"that'll be right in between our homes, miphy!" daruk says, placing his hands on his hips and leaning backward to laugh heartily. "ah, we've stayed at the castle so long i almost forgot what the heat of death mountain feels like!"
"i feel similarly, daruk," mipha says, giving a small smile. "i wonder if my father and sidon are doing well..."
zelda bows her head in remorse. "i apologize for keeping you all from home for so long. i did not intend for you to stay this long, either."
"it's alright, little bird," urbosa says, stepping forward to place a hand on zelda's shoulder in reassurance. "it's our duty as champions to serve the land of hyrule and protect it from all evildoing. if staying a little longer is what will ensure this era of peace and prosperity, then so be it; we can be patient." she smiles at the princess, and zelda stares at her with wide eyes for a moment before returning the smile.
"thank you, urbosa, i appreciate your kind words," she says. zelda turns back to the rest of the champions and bows her head slightly again. "i will see you all in a few hours. thank you."
SORRY FOR WRITING OUT THINGS THAT HAVE NOTHING TO DO WITH THE PROMPT LMAO. ONCE AGAIN. I JUST LOVE TO SET THE STAGE AND CREATE A CIRCUMSTANCE. i also just miss the lack of champions in totk 🥹 but anyways! zelda & the champions meet at the front of the castle and with some extra personnel (hi impa!) & a battalion, they all set out towards the akkala citadel as the sun hits its peak in the sky.
at this point, you might be thinking, why don't they just travel in the divine beasts since they're bigger and can cover more ground in a shorter period of time? and to that i tell you, 🌸 shut the fuck up 🌸 KJDFHKDFJKH nah but in my head in this point of time, the champions all left their divine beasts in their respective regions because they're all still learning to control them and they would rather not go stomping around on random civilians while traversing hyrule. do you know how insane it would be to be a traveler going through hyrule field to visit the coliseum or something and then all of a sudden, a gigantic stone camel with long ass legs nearly squashes you flat? i would die of a heart attack on the spot.
i also think it's important to romanticize the naturalness of traveling on-foot and it would also be interesting to see how they would accommodate for each champions' needs or habits as they travel together; they have to travel near water so that mipha doesn't dehydrate, revali and daruk leave the main group momentarily every now and then to go burst into the sky or roll down further along the path respectively bc they're sick of walking, etc.
the group reaches foothill stable just after sundown; revali complains that they should have just brute forced it to the citadel since it was just further down the road, but zelda insists that it could be dangerous since ganon's power seems to be growing and they could be ambushed by monsters in the night. as safe as the citadel seems, they shouldn't let down their guard! so revali, not wanting to fight with the literal princess of hyrule, just shuts his beak and trudges along after the rest of the group, the calm warm glow of the stable in the distance growing brighter as they approach. he won't admit it out loud but he's a little weary from travel too 😹
link and zelda board their horses at the stable, and everyone else sets up camp just off to the side of the stable, pitching tents, starting campfires and cooking pots, and passing out bedrolls. but as they unpack and pass out bedrolls, they realize that there's not enough for everyone to sleep comfortably through the night. zelda pays for the rest of the beds in the stable to cover for the rest of the battalion, but it leaves out one soldier who link knows happens to have sleeping problems or something. so he decides to give up his bedroll to the dude; it's not like he needs it as much, he could probably fall asleep straight in the dirt right now if he wanted.
"ah, champion link! i couldn't take this from you—" the man starts, but link just shakes his head and pushes the bedroll into his arms, giving him an insistent look. the soldier accepts the bedroll in defeat, but bows his head. "oh... well thank you, champion, i appreciate it very much!" link nods and turns away before returning to the rest of the champions.
"hello, link— where's your bedroll?" mipha says, noticing the lack of one in his hands. link tilts his head back towards the soldier he had given his bedroll to. "oh, what about you?"
he just shakes his head. "don't need one," link says softly. though he's comfortable speaking with the champions, he's still not used to the way his own voice reverberates against his throat; he hasn't used his voice as much as he should since he took his 'vow of silence'.
"what do you mean you don't need one, little guy?" daruk says, scratching his head. "i might be a goron, but fleshy little hylians like you are made for fluffy beds and—"
but link pays him no mind and strides over to a nearby tree (one that happens to be near the two that revali has set his hammock up at 👁️), drops his stuff on the ground and sits next to it, leaning against the tree with his arms crossed. mipha and daruk both open their mouths to object, but urbosa places a hand on both of their shoulders.
"leave him be," she says, as all of them watch link settle against the tree. "that boy is far too stubborn for his own good. once he has his mind set on something, he won't give up."
"you sure the little guy's gonna be alright?" daruk says, face contorted into an expression of concern. "i know he's tough, but i can't imagine that what he's doing is comfortable at all."
"he'll be fine," urbosa reassures him. she glances to the side, where revali is already keeping an eye on link, sitting at the tree where the farther end of his hammock from the little hylian is tied and tending to his bow. she smirks knowingly; "he's already in good care."
so everyone gets ready for the night; the battalion soldiers are already fast asleep, zelda, urbosa, and impa are sleeping in the stable beds, daruk is rolled up closer to the rockier terrain near the stable, mipha is straight up sleeping in the nearby cephla lake, leaving link and revali to be the only people awake. they're both still sitting against the trees, revali making the final tweaks to the great eagle bow and link polishing the master sword. revali has been stealing glances at link the entire time, watching and waiting for an opportunity (and also working up the courage) to say something. even at the base of death mountain, the cold night wind perseveres and revali catches every single tremor that goes through link's body as he shivers. maybe he could offer to...
"why did you give up your bedroll?" revali says finally. to be honest, he could probably already figure out an answer if he wanted to, but he asks anyway.
link pauses and glances up at him, before returning to polishing. revali's feathers ruffle at the lack of answer and he looks away, beak clenching. while he cared not for link's stance on verbal speech, acknowledging him and not giving an answer was rather unnecessary, wasn't it? especially since link had grown comfortable speaking with the princess and the champions, that should have included revali as well—
"i don't need one," link says suddenly, so softly, revali has to hold his breath, straining to hear the little hylian. link's voice is so quiet, it could be carried away by the night wind and revali is borderline obsessed with it, but the answer he gives is the same one he had given to the other champions. so revali says nothing and stares at link, prompting him to elaborate. "torin needed it more than me."
"torin?" revali questions. he wonders how much of the hyrulean army link knows by name.
"the man i gave my bedroll to," link replies, still wiping at his blade. "excellent fighter, great with a sword. but his chronic pain makes it difficult for him on the field." he sets down the cloth he was using to polish the master sword with and holds it up, appraising the blade. it glints in the moonlight quite elegantly. "giving him my bedroll is the least i can do to aid his comfort."
for a moment, revali is speechless; he had known that link was rather altruistic, always offering to help out even if it was inconvenient to himself. perhaps he shouldn't be surprised at all.
"you didn't have to do that though," revali says. he has stopped tending to his own bow at this point, letting it lay across his lap instead. "isn't it 'first come first serve' with you hylians? you were one of the first to receive a bedroll. you could have kept it to yourself, and i doubt anyone would complain since you're their champion."
link only shakes his head. "he needed it more than me," he insists, still in the same soft voice. "as a captain and a champion, it's my duty to care for my fellow knights. we're only as strong as our weakest member."
"then what about you?" revali says, staring straight at link. "if that's true, you're in no better of a situation than he was in previously."
"i'll survive," link says simply, and then, he yawns. at the same exact moment, another cold night breeze passes by, tousling link's bangs and once more does revali watch, completely entranced by the way link's body shivers in reaction. then, he slides the master sword back in its scabbard before raising his arms to stretch and yawn again. "sleeping on the ground for one night isn't that big of a deal."
and revali sees his chance and it stares right back at him like it's a challenge, like an eye glowing bright gold in the darkness; this is now or never.
"you don't have to sleep on the ground," he says quietly, but he looks down at the bow in his lap when he says it. in the corner of his eye, he sees link's arms pause mid-stretch before he slowly lowers them. he can feel the piercing blue gaze of link's eyes searing right through his cheek feathers and in turn, his heart skips a beat. stupid, stupid link. revali wishes he could despise the effect that a hylian of all people has on him.
"what do you mean?" link says in similar volume.
revali looks up to meet his gaze and swallows at the sight of those terribly beautiful blue eyes sparkling at him in the moonlight. now or never. "you could stay with me," he says softly, before he loses his nerve.
and link's eyes widen. if revali lets his vision blur a little, perhaps he can convince himself into thinking that the pink flush on link's cheeks is just the natural color of hylian skin, or just a trick of the moon's light and the glow of lava oozing down death mountain above them. but nothing can change the fact that he can see the entirety of link's irises, or the slight part in his lips.
"with you? in your...?" link whispers, but in this moment, his voice is the only thing the rito can hear at all. revali gives a single nod. "why?" there's not a single hint of mirth in link's voice, only genuine surprise.
revali looks away. "your heroism makes you foolish enough to give up the supplies necessary for your own survival in order to ensure the survival of others," he murmurs. "look at you, you're shaking in the cold like a loose feather. if you were a rito like i, you wouldn't have this problem."
he hears link snort and glances up at him. link is looking at him fully, a small smile on his face, and perhaps they are far too close to death mountain with the way that heat floods revali's cheeks and makes his limbs melt into the ground.
"and we wouldn't want the princess and the hyrulean army to wake up in the morning finding that their beloved champion froze to death in the night," he continues softly.
"no, i suppose not," link replies, still smiling. but the smile fades in the next moment or two, the pink flush revali had tried to pretend was just the color of his skin returning to link's cheeks much darker than before, as if to goad him. "s-so... how are we going to...?" he trails off, staring at revali with wide blue eyes.
revali blinks, and then swallows. truthfully, he didn't think he would get this far, but there's no backing out now. with his heart grabbing the bones of his ribcage and bashing its head against them, revali stands dusting himself off and hangs the great eagle bow on one of the branches of the tree. then, he turns back to face link, who's still staring at him with wide blue eyes and his pretty pink-flushed face from the ground. he walks towards link until he's standing in front of the little hylian, and then offers a hand.
"well firstly, are you ready for bed?" revali says, attempting to sound irritated, like his own offer is an inconvenience to him. but it's all in vain; his voice comes out too soft, too tender, too fond.
link stares up at him for a couple moments more before nodding, so revali extends his hand a little further out. "hurry up then," he says, voice still so unbearably soft. "i wouldn't do this for anyone else."
so link takes his hand and revali pulls him up in one swift movement. but he pulls too hard, because before he can even register it, suddenly both of link's hands are on his chest, his body pressed up against revali's. instinctively, one of his arms goes to circle link's waist, pushing them closer together, and the rito's ears are full of the sound of link's quiet gasp at the pressure; is he depraved to want to push him closer, to hear it again?
"s-sorry," link whispers, just slightly pushing off of revali's chest. "i didn't mean to—"
"it's fine," revali whispers back. with all his will, he lets his arm fall from link's waist to let him step away, resisting the urge to pull the warm little hylian back into his embrace. hylia above, how could revali ever have offered to share his hammock with such depravities rotting his mind?
revali turns away to walk towards the hammock, desperately trying to ignore the electric pull of the string tying him back to link. he looks over his shoulder back at the little hylian. "come on," revali says, feigning all the coolness, all the suaveness he can muster. the show must go on, after all.
revali slides into the hammock easily, settling into a comfortable position, and then he looks back at link. the little hylian stares down at his body and suddenly he feels self-conscious, his crest feathers ruffling. "are you getting in or would you rather stand there until sunrise?" revali snaps, and then cringes at his own tone.
but link only looks at him with the same wide, blue-eyed gaze sparkling in the moonlight. "yeah," he whispers, "i just..."
"just get in," revali mutters, looking away. "i won't fall out unless you're trying to make me fall out on purpose."
and slowly, so slowly, link grabs the edge of the hammock closer to him with hesitant, gentle fingers. he looks up at revali, who gives him a nod of encouragement, so he continues, reaching over revali's chest to grab the opposite edge of the hammock and begins to climb in. with some fidgeting and struggling, link lies atop revali's chest, their legs somehow tangled together. revali hopes the little hylian can't hear his heart drumming its high-strung song against his ribs.
"you're so warm," link whispers. "i didn't think you'd be."
"how do you think the rito are able to live so close to the hebra mountains?" revali murmurs back. "our feathers are insulative and keep us warm even in the most bitter of winters." he pauses, considering his next words, and then continues. "if you ever return to the village... our artisans are working on a prototype of an outfit to help featherless hylians like yourself brave the frigid temperatures of hebra. they are... using some of my own plumage to make it. if you wanted to truly experience the power of rito feathers yourself, i extend an invitation for you to come visit rito village at your earliest convenience."
"i'd like that a lot," link murmurs in response.
the rito hums in acknowledgement and they both fall silent. another cold wind breezes past and this time, link curls closer around revali's body, sighing quietly. instinctively, the rito raises his wings and drapes them around the little hylian's form in response, pressing him even closer than before. they stay just like this, beginning to drift off to the sounds of nature around them.
"revali?" link says suddenly, pulling revali a little bit out of his drowsy.
"mm?" revali replies. he doesn't try to summon the energy to even pretend to be irritated, only wrapping his wings tighter around link's body.
"thank you," link whispers. "for this. you didn't have to."
revali just hums back, letting the drowsiness pull him under. "go to sleep," he mumbles. "there will be more time for gratitude in the morning."
"okay," link whispers back, and revali feels him snuggle closer. there's a moment of hesitation, and in the next, it dissipates as revali finally falls asleep, feeling link's arms circle his torso, embracing him gently.
in the morning, the champions find them wrapped around each other in the hammock, urbosa being the first. she smirks down at them, a hand on her hip and shaking her head in amusement.
"ah, urbosa, where's link—?" mipha says as she approaches the chieftess. but she spots them right away, snapping her mouth shut and blinking owlishly until it grows in a held-back grin.
"i told you, link is already in good care," urbosa says. she looks past mipha to see daruk and zelda walking over, the latter yawning and tying her hair up. when they see the predicament that revali and link have gotten themselves into, daruk has to hold back a guffaw and zelda just rolls her eyes.
"they took their time, didn't they?" zelda grumbles.
"with all due respect, you should not be the one to talk, princess," mipha says, smiling politely. zelda wrinkles her nose at the zora princess, who giggles behind her hand.
"none of you should be talking at all," comes revali's voice, gravelly and hoarse from sleep. the champions turn back to the hammock, where revali gives them a dirty look with only one eye open. he remains in his position in the hammock, wings still wrapped around link who's asleep on his chest. "speak louder than a summer breeze and i'll show you the true strength of a rito's shot."
"my, my, so aggressive," urbosa muses. "has he made you soft for him already?" revali's glare only intensifies, so she holds up her hands in playful surrender. "alright, i'll leave you two alone. everyone, let's go start making breakfast. we have some time before we need to be at the citadel."
the rest of the champions begin to walk over to the cooking pots they've set up, zelda's head on mipha's shoulder and daruk listing off what his favorite types of rock meals are for breakfast. when they're out of earshot, revali relaxes and lets a breath out through the nares of his beak.
"what'd they mean, 'take our time'?" link suddenly mumbles against revali's chest.
revali blinks in surprise, staring down at the mop of dark gold hair atop him. "nothing you need to concern yourself with," he says, eyes wide. "when did you wake up?"
"been 'wake since 'fore sunrise," link mumbles. "jus' too warm 'n comfy to get up. hope you don't mind."
revali relaxes and sighs. "you're lucky i'm too comfortable to care either," he murmurs. he adjusts the way his wings are wrapped around link's body, and the little hylian hums and snuggles closer. suddenly, revali feels wide awake and he swears his heart could jump right out of his chest right now. "do you plan on remaining shackled to my body for the rest of the morning?"
"if you'll let me," link murmurs in response, and the rito feels like the breath has been stolen from his lungs.
"fine," revali acquiesces, once he feels like he can breathe again. "just this once... you'll have to get up to eat anyway. everyone here knows about your voracious appetite. you're incredibly insatiable for a hylian." it's not like he truly wants link to leave anyway... but link doesn't need to know that part.
link hums. "okay." they're both quiet for a couple moments, until the little hylian speaks again. "thank you again for this, revali. i appreciate it a lot."
revali pauses, his heart skipping several beats now. "good to know you possess enough of a developed brain to not take my gifts for granted," he replies, barely keeping the tremor out of his voice. but the rito's voice softens as he continues. "and... you're welcome. my kindness is not a gift i grant as often as you might think. so treasure it now; you may not be so lucky to receive it so freely again."
"i will," link replies, his voice muffled in revali's feathers. the rito swears he can feel link smiling into his skin. "so thanks again."
revali blows air through his nares of his beak. stupid, stupid link. try as he might to reject and dislike the effect this little hylian has on him, he can't help but crave it more and more. perhaps the bestowal of more of revali's gifts onto link are in order...
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jheselbraum · 8 months ago
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"oot Link committed atrocities" this and "oot Link is a war criminal" that you know who I never see mentioned in these "uh holy shit the Gerudo desert is fucking empty in Twilight Princess and that has some awful implications" discussions?
This little shit:
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Like I'm sorry we're not gonna acknowledge that if oot Link was running around then oot Zelda was too, and that she would've been the one giving the orders? We're just gonna gloss over that?
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rawliverandgoronspice · 8 months ago
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I have many goals with Thralls, but my main two are :
Make a convincing case for Ganondorf as the unhinged but incredibly charismatic leader of a rebellion movement whose best and worst quality is to be absolutely brutal as a war strategist --which secures short-term wins and reputation by pulling off crazy gambles and doing the warlord shtick of sending messages through spectacle, but cannot keep a movement together to save his life (literally rip) because he absolutely fails to identify and compensate for the emotional toll that kind of strategy takes on his troops, and the fact that not everybody agrees with neither the ends nor the means used to justify them. He runs his army with hyperfocus on short-term goals and handwaves the rest with hype factor, basically. That may win a battle, even a war! But if you can't convincingly sell what peace will look like under you, then the cost paid to get there may start to look a little steep for some.
Make a convincing case for Impa as simultaneously the worst and the best person in Hyrule; someone who has SO MUCH blood on her hands she barely manages to understand herself as a living person anymore, and her moral compass has been so completely shattered that she has forgotten she has not only the duty, but the right to draw moral limits for herself and to have beliefs about herself and others instead of being that stone-cold pillar to support every hylian that flail with guilt and self-righteousness around her, but also: her love and attachement for Zelda does remain her path to some form of redemption in spite of the many ways it chains her down --partially because she loves Zelda too much to let her become the worst version of herself, and Zelda loves Impa too genuinely not to question her role in her life, and the many perspectives she does not have on the events that shaped her.
I am. Excited about this story. In spite of the Horrors. ;;
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toiletshit · 10 months ago
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I'm at it again
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pokemonruby · 1 year ago
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i do think, like i said, totk could have been better narratively but when it wanted you to feel emotions, boy did you feel them. from the plot-twist that shall not be named at this moment in time to the climax of the game, which is where i think it shined the most in terms of its storyline, and just the inherent beauty of the botw-verse... i don’t know if anything will compare to how i felt first playing like, skyward sword or twilight princess for example, but god it’s definitely up there.
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lady-bog · 3 months ago
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I absolutely love that Zelda doesn't have a sword in Echoes of Wisdom, since ot would ignore her personality just to make her a reskin of Link
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linderosse · 3 months ago
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Guys.
Super long post; read at your own peril (tl;dr at the end).
But I just had a brilliant possible idea about where Echo (the new Zelda from Echoes of Wisdom) fits in the Wisdomverse, so I’m documenting it in case I decide to use it.
See, merging Echo into Fable would be cool. They seem very similar already (relevant post), and it’s a good option.
Yet there are a few small problems with this. I can get around them, but they’re still something to consider.
Fable’s already in four separate games (Most Zeldas get one game or less). Adding EoW makes a fifth.
Fable is already quite powerful amongst the Zeldas. Adding EoW makes her a bit OP. I’ll have to balance that carefully.
Fable has a planned story arc in the Wisdomverse. This might conflict with EoW (for example, this is why LU decided against adding TotK to Wild)
So while I still think it could be cool to merge Fable and Echo, I’m also looking for other possibilities. I don’t want to introduce a new Zelda between Fable and Dawn unless I have to.
And then I realized:
There is already a canon Zelda between Fable and Dawn.
I’ve literally already introduced her.
I have plans for her that could totally work with what we see in Echoes of Wisdom.
She’s vastly underpowered and could use the abilities from EoW very well
I could totally see myself writing her personality into EoW Zelda— it’s a different take than how I’ve depicted Echo before, but it would work equally well imo
And she’s also the Zelda with the least canon information; the one we know the least about overall— especially since we never meet her in her own time.
Guys, if Fable doesn’t work out, I think it might be awesome to merge Echo with Aurora— Hyrule’s second Zelda.
Imagine this:
Aurora woke up centuries in the future, after the Great Decline. She’s trapped in a vastly different world with Dawn and Hyrule as her only solace. She loves them, but she’s not from here; and she can’t shake the dread that she’s left everything behind: her friends, her realm, her brother, who she still cares about despite everything he did to her— and also, of course, her Link, who she loves, and went on an entire adventure to save.
When she was Echo, she was a hero. But as Aurora, she’s an echo of the past; a mournful ghost of a bygone age
Tl;dr: What if Echoes of Wisdom is the era Aurora came from— and where she desperately longs to return?
Masterpost
(More thoughts on the timeline under the cut.)
So— Echoes of Wisdom seems (so far) to take place around the time of Legend’s era, with enough ambiguity that it could be either before or after Legend’s era of ALttP/Oracles/ALBW/TH.
Currently leaning towards “EoW before Legend” considering the similarities to OoT, but I could very well go with “EoW after Legend,” which would be necessary for the Aurora merge. The Oracle games, after all, have a lot of similarities with OoT in terms of races and characters present (Zoras, the Deku Tree, Zelda’s design, etc), and they come after ALttP, which doesn’t have quite as many. Same thing with FSA, which is canonically after Twilight Princess but obviously resembles Four Swords more, and both Wisdomverse and LU have shifted the timeline to match. So there is precedent for similarities to skip a generation or two, even in canon.
I also doubt EoW is going to include a Prince of Hyrule (the one character we know of from Aurora’s backstory). This is fine, because I’m confident I can come up with a reason the Prince was away during the events of EoW. Perhaps during the events of EoW, the Prince left on a journey of his own and first encountered the Wizard that leads to Aurora’s downfall.
Anyways, these are just tentative plans. We’ll see what happens when the game comes out!
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st0rmyskies · 4 months ago
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What Your Favorite Link Says About You
A.k.a. The Links as tarot cards/your rising sign/your blood type.
Time
You're likely an older Zelda fan. Ibuprofen has become a food group for you. Anyone who thinks OoT isn't the greatest Zelda game has you clutching your pearls and tutting. Kids these days don't know how good they have it.
You are a person to whom young people come for advice, either in your career or in life in general. You're happy to give it, especially because you love to help, but on the inside you're silently screaming, What?? Why me???
You may have trouble sleeping through the night. Even if it's not every night, there are some where you just can't turn your brain off and worries or worst-case scenarios just keep playing and replaying ad nauseaum.
You enjoy time in solitude to appreciate the beauty of nature. I bet you know how to braid a mean daisy crown.
“The flow of time is always cruel...” - Some event in your life took your innocence from you, perhaps much too early. You grew up quickly because of it.
Legend
Either you had a crush on the emo kid in high school or you were the emo kid in high school.
You might be jaded by the world, but you still have a solid work ethic and a soft heart despite it all. Even if you hide it all beneath a healthy layer of sass.
You possess a multitude of skills, not all of which are related. Anytime a friend needs a piece of clothing mended or a picture frame hung on the wall or a leak in a faucet addressed, you have the tools and the willingness to help.
Either you have a history of moving frequently when you were young, or you have a restless spirit. You may never quite feel 'at home' in any given place.
"But, verily, it be the nature of dreams to end." - You’ve suffered a meaningful loss in your life and you have a hard time opening up again because of it. 
Hyrule
You root for the underdog, or perhaps you are the underdog. Any of those "against all odds" stories just hit you square in the chest.
Somewhat quiet by nature, you do vital work behind the scenes but you aren't the type to seek out a leadership position. Leave the limelight to somebody else, please.
You might sell yourself short when it comes to your skills and abilities, but you should believe in yourself, man! You can do it!!
You have a capricious streak in you that rears its head now and again. That smile can look sharp and devilish in the right light.
"It's dangerous to go alone!" - You either already have or are destined to find 'that one person' with whom you can open up and truly be yourself. 
Twilight
I'm willing to put money on the fact that Twilight Princess was your first Zelda game.
You have a strong sense of justice and get really bent out of shape when you encounter unfairness or flaw in the system, whatever that may be. You might be considered an outsider in some way because of this.
You're the friend who scoops spiders up in a cup and sets them outside. Live and let live.
You were the 'wolf kid' in middle school. Come on, those amazing tie dye shirts? Wolf Woman? Julie of the Wolves?? Even if you kept it inside, it was there in some way.
"Your current power would disgrace the proud green of the hero's tunic you wear." - You put a lot of stock in the opinions of others and hold yourself to a higher standard because of it. Sometimes that standard isn't achievable, though, so try to be kind to yourself. 
Sky
You, my friend, have a soft heart. You're generally a happy-go-lucky sort of person. You're likely to make excuses for those who've been mean to you in the past and come out as friends on the other side.
You're crafty, or at the very least good with your hands. You're the type to give someone a handmade gift rather than go buy something for them for their birthday, a holiday, etc.
You have a strong affinity for your friends. If anything bad were to happen to them, you'd turn violent at the drop of a hat.
You may have some level of chronic illness that affects you. Although you might do things in a different way or at your own pace, though, you still come out on top.
"You fight like no man or demon I have ever known." - You have the capability for great things. World-changing sorts of things. Don't give up!
Wild
You're some flavor of neurodivergent, if I had to guess I'd say ADHD. You have 42 tabs open in your brain at any given time and you have no idea which one the music is coming from.
You're an incredibly creative person, although you might have trouble finishing tasks/works-in-progress. Doesn't mean you didn't learn something along the way!
Rigid guidelines or deadlines stress you out. You'd rather be given a goal and decide for yourself when and how to get there. When you do have a deadline, you're a bit of a procrastinator.
Sometimes you don’t get the 'right' way to do things, but you carve your own path--although sometimes it's unorthodox--and get there in your own time.
"Courage need not be remembered, for it is never forgotten." - In spite of how your life changes you, for better or for worse, you have a driving inspiration or ethic or vocation that moves you forward at all costs.
Warriors
Those who don't know you well tend to boil you down to one or two trite traits. In reality, you contain multitudes. Most people couldn't handle all of you, not that they deserve to know even part of you.
You tend to lay it on thick--be that your charm, attitude, or whatever else your social shield might be--because you're hiding some deeper secret or insecurity at your core.
You're the mom friend or the planner in your group, or perhaps you're the oldest child. You’ll pass on an authority role if and when you can, but likely you’re still involved in some supervisory capacity in a given situation. 
You kill spiders with fire. Show NO mercy.
"You dare raise the blade of evil's bane to me? So be it. Hyrule's blood will be on your hands." - You have strong convictions and you aren't afraid to take risks, major risks, to do what you know to be right.
Four
Babe, if you ain't short, you've got short person energy. You scare me a little bit tbh.
You were praised for not being a problem child growing up, or for being very responsible at a young age.
You have a vivid imagination! You may have had an imaginary friend as a child or lived in your own little world altogether. I bet your notebook pages were strewn with little doodles in school.
You're a lover of information. If you could choose between an afternoon at the library or a movie matinee, it would be the former.
"Hanging around with you fools is dangerous for my health." - You're the snark friend, aren't you.  
Wind
You are extroverted to a fault. You need the company of others to recharge that social battery. The quintessential golden retriever friend.
You had active involvement in the music and theatre department. I'd be surprised if you weren't in at least one show in high school.
Having adventures is where it's at! You're a big fan of travel, either cross-country road trips or international flights. You could happily live out of a suitcase.
You tend to make friends easily wherever you go. If everyone in this classroom/workplace/bar doesn't know your name already, they will pretty quick.
"I have been waiting for you, boy... Do not betray my expectations.” - Against all odds, you've proven yourself to be worthy of great things. Screw what fate has in store! You're the type to take your own destiny by the 'nads.
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miharuhebinata · 5 months ago
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do you mean twilight princess, in which she held a sword exactly once in a flashback and pretty much immediately dropped it in surrender? or wind waker, where she forgets how to use a sword the second she turns into princess zelda until literally the final battle 🤔? and i genuinely can't think of whatever other time you're referring to that she apparently uses a sword. spirit tracks? ok i'll give you that one, i guess, because phantom zelda is pretty badass, but other than that.........??
"ummm actually it's a good thing that zelda plays differently from link, because link has the triforce of courage so of course he fights and uses swords! meanwhile zelda has the triforce of wisdom, so obviously she's going to find more clever ways to solve her problems teehee ;)" hey did you guys know you can still be excited for the game while also acknowledging it's pretty fucking shitty of nintendo to act like zelda is incapable of picking up a sword in a mainline game.
#i'm sorry if this response seems condescending or rude but this is just a very flimsy argument.#like....you know what i meant. nintendo acts like she's incapable of fighting outside a very scant few circumstances & use the#“well she wouldn't solve her problems like that” or “but if she's the main character what would link be doing haha” as an excuse.#also before anybody tries to use it as a gotcha yes i know she does get to use the bow of light in a few games as well#(in all 3 games mentioned funnily enough). which is cool! i think the bow of light is awesome and an iconic weapon of hers#(and yes i think of it as *her* weapon. which is why i'm so fond of the idea of a bow and arrow being her main weapon of choice in the same#way a sword is link's). but those times are few and far between and it's always only to play a supporting role to link.#which obviously works from a gameplay standpoint since in those cases we're playing as link and thus would literally have nothing to do if#she DID do all the fighting. but the fact she still doesn't get to fight in a game she's literally headlining????#idk it's just not a great look to me. combat has ALWAYS been a very core part of the loz series from the very beginning & on one hand yeah#think it's cool they're trying to branch out & experiment with different gameplay styles. but idk it just leaves a bitter taste in my mouth#(especially because i can already tell the whole ~just throw shit at enemies~ thing is going to get very annoying very fast for me lmao)#...HOWEVER. i do also acknowledge that overall we actually know very little about the game so far. only what we saw in the reveal trailer.#so obviously i'll withhold final judgement until i play for myself. i'm just a little wary is all.#honestly i guess what i really take issue with is the loz fans acting like the decision to focus less on combat is somehow more#“in-character.” as if every iteration of zelda doesn't have her own distinct personality anyway? it would literally be so easy for them to#write a zelda who's eager to fight (even if only because it's to save link) while still keeping close to her core characteristic traits.#like. come on.#sigh. but anyway. sorry for the rant but it's just so upsetting that so many loz fans#(and this isn't aimed at the person in the screenshot. just in general) seem perfectly ok with the perpetual mistreatment of zelda#especially when they use the same tired arguments to justify it. i'm so over it but i'm also not going to discuss it further#as this literally took me 6 hours to write and i'm sick to death of having to think about this because honestly all of my thoughts#are far more nuanced than i care to convey in the tags of a tumblr post anyway.#...actually i'm kind of tempted to write a whole essay about this now. if nothing else it might help me sort out my thoughts a bit better.#lmk if any of you (assuming anybody's even made it this far lmfao) would be interested in seeing that ?#but yeah ok seriously i'll stop talking ...for now 😈#replies#send tweet
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askmerriauthor · 1 year ago
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Homie. Darling. Muchaco. Please help me. You're an animator. You've worked in the video game industry. When you get to That One Memory in TOTK (you know which one I mean and if you don't, you will),
Please help me figure out what the fuck is going on with Ganondorf's face rigging
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Man, I didn't even need to look anything up: I knew EXACTLY what you were talking about as soon as you said it.
Short Answer: Need more polys.
Long Answer: It's simultaneously a case of limited model structure and potentially some degree of intentional design choice specific to Ganondorf's presentation in this particular game.
Discussion below the jump, just for the sake of not stretching out people's dashboards. No worries about spoilers: none of this is story-relevant.
So! To give a very broad strokes bit of coverage on the wide and varied nonsense that is 3D modeling, this is a case of Topology. The basic thrust is that topology is the overall structure and layout of the mesh that makes up the 3D model's various shapes. The lower the polygon count on that mesh, the more angular its structure and the less capacity for deformation it has. The higher the polygon count, the smoother its structure and the greater its capacity for deformation. The trade-off, however, is that low-poly models are easier for a game engine to render. High-poly models are a massive drain on processing power, to say nothing if they're built inefficiently with a bunch of wasted geometry bogging things down.
Here's an example of a low-poly model on the left and a high-poly model on the right.
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So when you want to make a character emote, you're basically grabbing a bunch of those polygons around the face and moving them around to shape the face into the desired expression. If you don't have a lot of polys to play with, it causes folding and tearing issues where the model and its textures do some pretty wonky shit.
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Something both BoTW and ToTK have going for them is that they're actually very low-poly games, which is extremely helpful in making the games run as smoothly as they do given the world size and seamless loading. The lighting and texture work do A TON of heavy lifting to make the game look as good as it does. Really look at these models closely and you can see how angular they are. Look at Zelda's outstretched hand or how sharply light falls across the character's features. In the bottom right, notice how you can see the sharp points that make up Zelda's shoulders? They're not rounded; they're angled just enough to give the general illusion of a curve at a glance. Same goes for her eyes; you can count the angles that make up the shape of her eye but, at a distance and at a glance, they look big, round, and doleful.
Something you can also notice is when characters talk, a lot of them have little to no facial deformation. Mineru, for example, basically has a one-hinge Muppet mouth outside of pre-rendered cutscenes. A lot of characters' eyes are basically painted onto their faces and switch between static texture shapes as opposed to being fully rendered and animated orbs modeled into their heads.
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Ganondorf actually has a fairly complex character model, especially compared to Link or Zelda, but he doesn't have a lot of model deformation. Basically the only parts of his head that move are his eyes/brows and mouth/jaw. If you look closely around his eyes you can see they're rendered basically as triangles. There's only two or three points along their shape the model can deform at. Further, since the rest of his face doesn't really deform when he emotes, it means the only thing that really moves are those small key elements. Which yields moments like this:
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The animators are basically pushing his expression as much as they are actually capable of with this model's limited structure. See the hard fold in the lower eyelid, or the fact that his teeth aren't attached to anything inside his jaw? It does the job though; it overall looks good and, in the moment this scene happens, really adds something to the unsettling nature of what's going down.
I mentioned before that there may be a certain intent as well. Something specific to Ganondorf in this iteration is that, more than ever, he's become an Oni. Ganondorf's character design has slowly been leaning toward more Japanese-specific visual concepts over the past few appearances but he's gone full yokai for ToTK. Not just in his build, but in his clothing and weaponry. Dude is swinging around a kanabo for the first time ever in the franchise.
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In Japanese mythology and Noh theater, a Red Oni basically functions as the embodiment of all the worst parts of mankind. They're greedy, brutal, cruel monsters who revel in causing destruction. If you want to look at their good aspects, it's traits like passion, ambition, and a wild spirit. But, overall, they're the bad guys. Ganondorf is 100% depicted as a Red Oni in ToTK. So when you keep that in mind, add in the implications of what Ganondorf just did in that scene, and consider the traditional appearances of a Red Oni...
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...then that face-breaking grin makes a lot more sense.
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maple-the-awesome · 11 months ago
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He Becomes a Dad! || Part 1/2
PART 2
Pairing: Time, Four, Legend, Hyrule x Reader
Overview: Congratulations, you're new parents 🎉 Some of the Links are prepared. Others...might need a moment to gather themselves. But rest assured! At the end of the day, they're all going to get a handle on this whole dad thing. I'm a sucker for family tropes and there simply aren't enough out there for the Chain to quench my thirst, so here it is, I'm adding my contribution👍 Btw, there will be only two parts for this prompt since Wind will be excluded for obvious reasons. Baby making isn't a platonic activity🤷‍♀️
Zelda Masterlist 🩵Fandom Masterlist
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You only brought the topic of children up to your husband once. It was at some point during the early half of your marriage and after a particularly lengthy day of enduring Malon’s well-meant pestering. Time, beside being caught slightly off guard, delivered a straightforward answer:
“It wouldn’t feel right bringing kids into this world, especially when I would hardly be home to help you rear them.”
Now, you can’t lie and say you weren’t at all disappointed by this answer, although you wouldn’t say you had the rug completely pulled from beneath you. You understood the true implications behind Time’s statement right away. It’s the same reason he took so long to let himself marry you. It’s not you nor a disgust towards children, but rather an unspoken fear of building a life where he’s too happy - one that could be ripped away from him at a moment’s notice as has seemed to be the case for his younger years.
Although his worries are needless, you never pushed against his boundaries because you could at least see the sense in his argument. Sure, the idea of having children did always appeal to you deep down, however between Time’s constant traveling and your hard work helping at Lon Lon Ranch, it would be difficult to squeeze a family into the schedule. There was no sense in forcing him into a commitment he wasn’t ready for nor one you weren’t in a  position to properly foster.
Twelve years of blissful marriage passed before your plans changed. The blame lies with those other heroes, too. One would think traveling alongside a group of unruly young boys would’ve made someone more certain of their decision to never again subject themselves to such a headache, yet it apparently had the opposite effect on your dear husband.
Discovering first hand how much pride he could feel towards a descendant was life-altering, to put it light. Twilight was living proof that somewhere along the line, Time does something right. Whatever kids he might have will grow up to have children of their own and so on…Not to mention Twilight isn’t a terrible outcome by any means. To raise someone with the possibility of them turning out like him and to do so with you of all people? Well, needless to say, it was settled rather quickly after that: Time wanted kids.
Call it baby-fever if you will, but he was suddenly rather eager about the concept he had once avoided like the plague. He brought it up through not-so-subtly hints at first, then when you outright asked him if he was being serious, he went on a slightly nervous spew about your home being too quiet and how he could officially retire from traveling to be home more and it’s really a shame that you have an extra bedroom just sitting around - You just had to kiss him to shut him up which eventually led to…other things. Let’s just say you both got started right away.
It took you twelve years to realize you did indeed want kids yet less than a year to actually be holding them for the first time. It turns out even the universe was impatiently waiting for you both to come to your senses, so once you finally had, it decided to award you with not one, but two beautiful girls whom you affectionately named Saria after Time’s old friend and Mallory, a mix between melody and Malon, their ever-so-excited godmother.  
It’s safe to say that the twins are pretty spoiled. Malon has been over almost everyday, bringing you plenty of baked goods as a bribe to let her spend more time with her favorite goddaughters and you have practically every baby related item that you could need, courtesy of the Queen of Hyrule herself, but of course, it’s their parents who love them the most.
Never in his wildest dreams did Time think it would be possible to feel so at peace with the life he’s built. For so many years, he feared true happiness was impossible - that every turn would result in the same cruel fate he had been subjected to during most of his existence - and yet for the last couple of nights, he’s held it in his arms. He’s watched the moon rise outside his window while playing soft lullabies on his ocarina, you cuddled by his side with your daughters shared between you both. You wear a small smile even in sleep and he swears the girls match it, too; he definitely does himself…This is a priceless treasure he’ll give his life to protect.
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Four and you had already been married for a few years by the time you found out you’re pregnant. It’s not to say you were actively planning for it, although you also weren’t actively trying not to either. 
It had been agreed upon early in your relationship that kids would be nice should they come your way, therefore you were both equally excited that your wishes were finally being granted, so much so that the nursery was finished within the first month (courtesy of your handy husband). It’s painted in beautiful pastels that are easy on the eyes and decorated with many toys Four had hand-carved himself; a useful craft he’s now very appreciative towards Sky for teaching him.
Seeing as this was already a somewhat anticipated next step in your lives, Four’s pretty relaxed throughout the process despite its many challenges. For starters, pregnancy itself unfortunately isn't as much of a 'blessing' for you as some have made it sound. You’re rather sick from beginning to end. If it isn't your inability to keep food down (especially in the early stages) or your fluctuating blood pressure, then it’s the aching you constantly feel thanks to both your very heavy bump and extremely active baby who just loves to make sure you never forgot about their existence by kicking you as hard as possible day and night. 
Worry not. Four has made your struggles more bearable by being a darling husband through and through. He’s by your side during each doctor’s visit, does his own personal research on all things baby-related, and helps with every chore he can to give you at least some rest even if just for a quick nap, however most spectacularly, he does all of this without ever being too overbearing. 
Although certainly concerned for your health, Four can recognize your strength any day of the week, especially when you've been rolling with the punches like a warrior queen during such a draining pregnancy. Anxious, sure, but not afraid. Why would he be? He’s confident that you’re both prepared to face anything together! …That is, until you actually went into labor…
Yeah, remember that previously mentioned, relaxed and darling husband? Forget about him. Your water broke and so did Four's calm demeanor, but can he really be blamed? You went into labor early - and not just by a couple of days either. Oh no, we're talking a couple of weeks early. 
Regardless of his newfound fear, Four does his utmost best to still present himself as calm and collected in front of you, not wanting to freak you out any more than you’re already freaking out yourself. He first helped you lay down with plenty of pillows and cushions before running to get help. After that, he doesn’t leave your side, encouraging you throughout the process with a smile on his face, however don’t be fooled: the second you turn your head to the midwife’s voice or close your eyes to scream, your poor husband’s face reflects his inner thoughts as the situation fully begins to sink in. 'Scared shitless' - that's a good word to describe it; eyes wide in terror with a mouth that’s hung agape and slightly twisted in pain as your nails clawed into his hand.
As said, he never leaves your side - not even for a millisecond. You don’t have to worry about him being the type of guy to get grossed out by natural fluids or complain about your expressions of pain; none of that is remotely a concern of his. He’s just grateful to see you okay and even more so to hear his baby crying as they should.
A girl; small like her daddy, but healthy all things considered. Four couldn't wait to hold her, knowing damn well he was going to cry the second her soft skin touched his, but he isn’t ashamed of it in the slightest. Who wouldn’t cry holding something so precious?
Then you scream again. He thinks something must be wrong until the midwife announces that it isn’t over - that there are more squeezed in there waiting.
At the end of the day, you're just relieved to finally breathe easy without going through agonizing pain while Four, on the other hand, is left in shock staring at not one, not two, but three little babies, all healthy girls who wiggle and whimper in their parents' arms, but oh well. The nursery may have to be expanded, although there's plenty of love to go around. At least he can thank Hylia that it wasn’t quads (he's had enough of those).
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Legend and you have been in a relationship for several years, although you had mutually agreed earlier on that neither of you were big fans of the whole 'marriage' thing. What difference would a ceremony and piece of paper make, anyway? You already act as any officially married couple would. You live together, go on dates, occasionally argue, and even share a bed which is exactly what resulted in a recent, unplanned detour in your lives: a baby.
When you first told Legend the news, he panicked, asking himself all those stupid questions like ‘what now’ and ‘how could this have happened’ even though he knew damn well how. Then he left. Giving some half-assed excuse about needing fresh air, he turned his back to you despite your pleas and didn’t return for hours. 
Now, rest assured, he did immediately regret having that reaction and apologized for it as soon as he came home. He didn’t mean to scare you with the thought of abandonment, but as he would quietly confess during his apology, the thought of being a parent had just been too overwhelming in the moment. Neither of you had ever talked about having kids, and while he could at least have some peace of mind knowing you’ll obviously be a great mom, he fears that the same won’t be applied to him.
You have always been the light in a dim room, as Legend would put it. You’re fun, sweet, and amazing with kids. Any child of yours, planned or not, will love you with all of their heart exactly as he does. Meanwhile he’s stubborn, cranky, and the last kid to cross his path literally started sobbing. Maybe it had to do with him being covered in monster blood after just having crawled out of a dungeon but he’s pretty sure he traumatized a kid nonetheless…The thought of being just as bad around any kid you share together scares the crap out of him.
Deep, deep down, Legend’s actually somewhat excited to be a father. Although he’s too stubborn to admit it to anyone other than you, he’ll sometimes daydream about how nice it would be to tell a little replica of you both about all his adventures or to teach them how to use some of the items he’s collected over the years like his trusty boomerang. Seeing the excitement in their eyes would definitely be worth listening to you scold him afterwards. If that’s all there was to being a father, Legend wouldn’t have a single concern, yet it’s his insecurities that always have a habit of souring things. Would his kid actually find his stories cool or would they just be tempted to throw the boomerang right at his head?
You’ve done your best to reassure him, often falling back on the argument that the baby will be a part of him. Like father, like son, right? Legend was almost ready to believe you, too, especially upon laying eyes on his child for the first time. As you passed the tiny bundle over to him, he thought that maybe being a dad wasn’t going to be that scary after all, and it might not be so bad to even have more someday either…However, his worries were quick to return when the baby started screaming two seconds after being set into his arms…
Baby screams if he holds him. Baby whimpers if he looks at him for too long. Sometimes, Legend swears the thing starts crying simply by hearing his voice in another room. It doesn’t happen with anyone else, though. The baby just adores you as predicted, but what Legend can’t stand is the fact that the baby seems to like Ravio, of all annoyances, over his own dad.
He’s forced to watch as the little brat happily lets Ravio cradle him, the sight filling him with bitter jealousy and sorrow. You’re convinced that he’s just overthinking everything - that he should give himself time to adjust to his new position as a father instead of holding himself to unrealistic standards, but how long is he exactly supposed to wait until it clicks? It’s been a whole month already and he still feels as confused as day one! Will he ever get the hang of this whole dad-thing or is he a lost cause…?
If there’s any comfort Legend can have, it’s that even Ravio doesn’t know what to do with the baby once he starts crying, so at least he’s not alone in that aspect. The only problem is you’re busy making lunch and stubbornly refuse to pause your efforts. Instead, you shove a bottle over to Legend, insisting that he be the one to feed his son since it should be a ‘good bonding exercise’ for them. You won’t take ‘no’ for an answer and judging on your glare when he tries to protest, you probably wouldn’t be happy if he tries passing the task onto Ravio either.
Thus, Legend is left to awkwardly sit down and take the baby into his arms. He already knows it’s obvious he has no idea what he’s doing, Ravio doesn’t have to point it out, but luckily after some swift around, he manages to hold his son more securely against his chest before shoving the bottle in his face. The baby continues to fuss while turning his head away from the bottle, and Legend’s almost tempted to call for you in defeat until at last, the room falls silent.
Looking down, he watches in quiet awe as his son accepts his meal eagerly. His little hands quickly rise up, gripping onto Legend’s which holds the bottle in place. They’re so tiny; barely able to wrap around a single finger - Oh, and his eyes as well! They’re wide as he stares up at his dad with unbroken eye contact. It’s like a wordless conversation - one more valuable than any he’s heard before.
You return, offering to take your son now that your work is done, but Legend is quick to shake his head. Why don’t you take a well-deserved break while he handles this little troublemaker? It would be a shame to bother him when he looks so comfortable in daddy’s arms.
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You've been dating Hyrule for longer than either of you can really remember, however you aren’t in any big rush to get married, figuring that it would make no real difference in your commitment to each other. You love Hyrule and he loves you. What more is there to say? For a while there, you were both perfectly satisfied with simply taking things slow and letting fate decide your course, although more recently you’ve had to switch up that method to something more stable for the baby. Yes, a baby.
You wouldn’t necessarily call it a surprise, but you also can’t truthfully say it was planned either. You had agreed that kids might be nice if the goddesses ever blessed you with any in the future, however you weren’t exactly trying for them…You just weren’t being very careful…
Hyrule must admit he was rather nervous at the start. The only prior experience he really had around kids was with Wind, but there’s a pretty big difference between a young teen and newborn. Pair that with his not so ‘kid-friendly’ world and there’s plenty to worry over. Anything could happen, but Hyrule’s determined to be the best dad and partner he can.
First thing was first, of course: you needed a place to stay. Traveling is fun and you both enjoy being on the move, but that’s no life for a baby. Hyrule and you had actually already considered the idea of settling down someplace before, so you didn’t think of it as a massive loss to take off your adventure boots for a while. If anything, it was a welcomed change once you remembered how lovely it is to be able to kick your feet up for a rest or be surrounded by warmth during a terrible rainstorm.
Again, Hyrule takes his job as your partner very seriously which wasn’t ever a surprise to you. He found a small house for you both to rent in one of the safer villages around; a perfect place for raising a child. While he might not have a talent for decorating or making a place feel ‘homey’, he does thrive when it comes to making sure you’re comfortable, his spare rupees definitely going to fluffy wool blankets and a rickety rocking chair that he saw at a market.
Early on in the pregnancy, you noticed that your boyfriend also began showing a new found determination for cooking which did scare you a bit at first - Okay, so maybe a lot. Hyrule began taking cooking lessons from some kind elderly ladies in town who must have an endless pool of patience because while you can’t say every dish is a masterpiece (or even editable for that matter), you are happy to say Hyrule can now make things like toast and tomato soup successfully. It’s progress.
There aren’t a ton of doctors in your time and none in your village, so you have to take a lot of notes from local women regarding the process. Hearing all their stories and the possible ‘what if’s for what could go wrong made you anxious, especially once you finally go into labor, but it doesn’t faze Hyrule - not on the outside, anyway. He does an excellent job of swallowing his own fears for your peace of mind, talking you through each painful contraction and doing his best to distract you from it all until it comes time to start pushing.
Some people may get squeamish at the thought of childbirth, however Hyrule isn’t one of them. He’s fought through some terrifying dungeons and has bore witness to more than a few gory injuries over the years, so bodily fluids don’t bother him one bit. He’s kneeled down right in front of you without a second’s hesitation, multitasking between mentally reviewing what he’s been told to do and reassuring you even though he’s sure you don’t hear a word of it over your own screams.
One minute Hyrule’s encouraging you to keep pushing, the next he’s holding a small, crying baby in his arms. His movements after that feel almost automatic as he carefully cleans her off and just admires the fact that this baby - this tiny, precious gift of life is his. She’s yours and his and she’s beautiful despite having come into existence within such a broken world filled with more hardships than he could count…
Your tired voice brings him back to reality - asking if the baby you hear crying is okay. You clearly feel the same thing Hyrule does upon seeing your daughter for the first time, the two of you sitting side-by-side as you soak in this wonderful emotion. Hope...That’s what she represents. Hope for a brighter future...
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ezlo-x · 2 months ago
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NO LET’S TALK ABOUT IT BECAUSE i’m willing to come to botw defense in some cases because i feel that there’s some strong substance there but totk?! did me so dirty, i must be truthful. did me so dirty and left a lame smell behind it.
botw:
zelda characterization is actually something i love about this game; while she isn’t always the strongest/most depthful persona, the fact that her lack of agency and empowerment in that story is actually focused on as the central struggle is a great way to have the typical damsel-in-distress formula while not compromising the characterization of a main character. link’s memories of zelda are the sharpest evidence we get into how hyrule suffered from the calamity, both before and after it passed—we only learn about how hyrule has suffered in the scars of the calamity and the echoes of a dead kingdom, but zelda’s cutscenes turn that suffering into a personification. zelda’s struggle with unlocking her power was relatable, touching, and substantial, and the way the memories end up culminating to her sacrifice makes for an excellent and heavy-feeling conflict. her character is central to botw, and i only wish that they had characterized her much further, so that she had more of an arc in the past, and so that the time we see her would be more valuable.
mipha was done DIRTY. princess of a realm, successor to the king, skilled aquatic warrior, and pilot of a divine beast, and all we get of her is that she has feelings for link? NINTENDO. make it make sense for me, i beg of you. while there’s nothing necessarily wrong with only depicting her feelings for link, it does not really inform us to her character (because link is mostly more static and ambiguously characterized in relation to others), and fails to actually make the tragedy of her defeat feel substantial. still, the details of her character are fun, and the character traits we have of her are good material—it is such a shame that it wasn’t used properly.
urbosa is obviously is a very likeable character, and ostensibly the wisest of the champions. she’s a strong-woman in a sense, but but that characterization isn’t reductive to her persona. her role as a chieftain isn’t very thorough, but nor is daruk’s, so i wouldn’t necessarily attribute that fact to a misogynistic approach. the misogyny (and exoticism??) in the characterization of the gerudo kinda plagues every part of the story/every location that involves them (for example, how most wandering gerudo are on the search for a voe, which is an amusing gag, but not all that funny when we don’t have much else of gerudo culture, or a good sense of their society, in comparison to say, the zora. the rito don’t have it all that well either, to be fair). urbosa’s characterization as a fierce warrior and wise leader isn’t done badly, but it’s very one note, which is disappointing to say the least.
i have conflicting feelings on riju. she’s the young ruler of the gerudo, but it feels as though there’s not much else to her. the moments where her youth shines through (like the stuffed animals in her room, and the fact that the lightning helmet is too big for her) are very endearing, but we don’t really get a sense of how she struggles as a leader, or of how her history informs her person. she’s gerudo, and a later successor to urbosa, so she also exemplifies the same strong and wise traits, which isn’t a very honorable persona to the facts of her character. it is a shame that riju isn’t given as much depth as her character implies, especially when the timeline of the gerudo desert/vah naboris quest is so strong, and when it seems like she has so much potential substance that goes unrealized for the rest of the game.
impa plays the village sage, and is very fun in that role, but there isn’t much more to her than relaying the story of the calamity and offering short comments to things memory or sheikah related
of course, there are other female characters in botw, but none of them star (or enjoy cutscenes) like everyone mentioned above.
totk:
the characterization of zelda in this game is just… ruinous. calamitous, if you will. that person you met in the last game is dead and gone, and the zelda in her stead is heartbreakingly inactive in this story.her sacrifice to bring the mastersword to the present was so strong, and while i hate that it’s essentially a repeat of the damsel-in-distress setup from the last game, it’s technically a different type of conflict, one which i normally imagine wold set her up to take an active character role, but she is so very upsettingly passive in this story, just constantly in the backseat. not a single action of hers (apart from the eating-the-secret-stone bit) impacts the events of the past, which wouldn’t be so bad if she didn’t have the power/knowledge to do so, but she does! her knowledge of the calamity, of the cave paintings, of the incident that brought her to the past are all pieces of information that should have impacted the events of the past! and the fact that they don’t is more than mischaracterization, it’s just a gaping plot convenience. it’s already dismaying to see her characterization from the last game discarded, but the fact that she isn’t recharacterized anywhere near to the same depth or complexity as the last game is just. a source of apathy, as a zelda fan. the events of the past do not expand on her much at all, but nor do they expand much on ruaru or ganondorf or sonia, nor anything related to the zonai, which is kind of a recurring thing in this game.
sonia was fridged, one and done. kind and caring mother character killed off for an emotional payoff. in almost every cutscene of sonia, she is consoling or caring for zelda, so that when ganondorf kills her, the moment carries emotional weight. her only role in the story is to be a tragic loss, and not in any poetic way, but in the storytelling 101 way. she’s quite depthless, and while her persona and design are quite likable, her characterization is undoubtedly poor.
mineru… doesn’t get enough time in the story. every aspect of her character is defined in relation to the conflict with ganondorf (besides being smart/techy), which is a conflict she doesn’t really have any personal stake in, besides her relation to ruaru. this wouldn’t really be a problem if we were given any insight into the relationship between the two of them, but we aren’t given much of anything. at all. so the fact that she’s a zonai and ruaru’s sister is doing a lot of the heavy lifting to sustain our belief in her personal investment and motivation in this conflict, which simply doesn’t make for a good story. her cutscenes outside of the past really isn’t all that different to the other sages, and the sages are so characterless that they don’t even have names.
purah being redesigned the way she is feels like… a choice by the developers. she has about as much of an active role in the story as impa did in the last game, so her actual characterization isn’t necessarily all that important, since she doesn’t feature much. nevertheless, it leaves a bad taste in the mouth that the essential leader of the effort to redevelop hyrule is given less characterization/character conflict than many npcs in that same location, not to mention in the whole game. the fact that she’s redesigned to be older and… modelesque feels less like a development of her character and more of like a cheap ploy by the developers to put a baddie on the opening of the game to appeal to the demographics of gaming who have, well, a typically misogynistic view of women (and their roles in stories), to say the least of it.
i haven’t actually finished totk and i haven’t seen riju’s arc firsthand, so i don’t know enough about her new character to reflect on it.
i don’t know if you can tell but. i don’t like the story of this game. i’m not saying there aren’t things to like (definitely a super cool gaming experience! even just the story itself, good king ruaru defeats bad king ganondorf is a successful trope), but i feel like the story is just incoherent. characters aren’t really given reasons, motivations, or interest for acting the way they do (at least, in any way that implies that these characters are multitudinous or complex), or they’re taking reactive roles to the events of the story. the main conflict of the story is how ganondorf is threatening hyrule, but we see nothing of his motivations, nothing of how his actions impact ruaru beyond separating him from sonia (what of his kingdom? the livelihood of his subjects? the history of the zonai?), nothing of how it impacts zelda (the most we get from her is her reacting to sonia dying and her sacrifice to become the light dragon. so. three cutscenes), and nothing of how it impacts link. the events of the present are entirely disconnected from the conflict of the past, and it doesn’t do justice by a single one of its characters.
i should have probably just made this my own post, it’s waaaay too long, but i had to. let it out.
yknow in animal crossing when you're fishing and you catch a big fish like a whale and one of the quotes says "THAR SHE BLOWS!!" feeling like I caught a big fish rn. This has to be one of my longest asks I've gotten!!
I REALLY DONT GOT MUCH TO SAY CAUSE YOU HAVE SAID IT ALL except for the TotK Riju part! If I recall correctly her arc is that she wants to master her skill in summoning lightning, after that she kinda plays as Urbosa 2 or the "wise one" of the group. Someone can correct me abt that but she pretty much gave me those vibes, but I can't really go off w botw cause we really don't know much abt her personality wise! So in TotK she's grown...and that's pretty much it
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adrift-in-thyme · 4 months ago
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do you have any thoughts about Twi? 🥺
- hero-of-the-wolf
Ooh YES I have many many thoughts. Get ready lol
If Time’s the dad friend of the group, he’s the big brother friend XD He’s extremely protective — often to a fault — and he’s unafraid to tackle difficult problems in trying to help his brothers. But he’s also a whole lot of fun to be around
He tries really hard to be intense. He’s just not. Anyone who talks with him for more than five minutes can see he’s a huge softy.
He wears his heart on his sleeve. The secret of his wolf form is the only one he’s ever successfully kept for a long period of time, because literally ANYTHING he feels is on his face or in his eyes. It drives him nuts sometimes
He gives THE BEST hugs. Big bear hugs that can make someone laugh and cry and break down because they just feel safe there
His laugh is very loud. Big and booming and boisterous. It’s infectious. No one can resist it
Ilia taught him to make flower crowns when they were little and he’s loved them ever since. Now, he secretly makes them for the Chain and leaves them in their packs as little gifts
Despite being an older brother for much of his life he’s not that great of a leader. He’d rather just do the thing himself so no one else has to
All the Links are extremely sensitive, but he’s easily one of the most out of the group. He doesn’t want to cry easily but he does. He feels everything so deeply it hurts.
He can and will get distracted by the appearance of any animal, no matter how small or large, scary or adorable. He wants to pet them all.
Animals love him back. They’ll sometimes follow him around like he’s the Pied Piper
He wears the wolf pelt as a reminder that he is not the monster — a reminder he often needs given how people view wolves
He’s terrified of fire. This is because of an incident when he returned to Ordon Village, only to be chased out of his own home with torches. He still bears the scars from that
Twilight makes him sad now cause of Midna, but he LOVES nighttime. He’s guilty of sneaking away to howl at the moon
His favorite food is pumpkin soup. But his guilty pleasure are these tiny cakes Zelda introduced him to. He thinks they’re adorable and delicious. Zelda loves that he loves them and she gives him a box of them every time he comes to visit her (they’re friends by the time LU happens)
Although he tries to distance himself from Time in case he can’t change his terrible fate, it’s really really hard for him to, especially with how much Time cares about him. The two of them grow very close as their adventure continues. Their relationship still can be strained given Time’s sometimes standoffish, strict, and intimidating nature. But Twilight knows the sweet gentle fairy boy that’s hidden behind all that. A fairy boy who would do anything for him (and that terrifies him)
He and Warriors are besties. Their relentless teasing is their love language
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blueskittlesart · 3 months ago
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So I noticed in the eow trailer that the room Zelda picked up the mysterious sword for her sword fighting form in is the same room she fought puppet link. What do you think? I think it means it's Link's sword.
https://www.tumblr.com/luna-lovegreat/760703654138363904/so-something-i-noticed-in-the-echoes-of-wisdom
(You don't have to respond to this or anything if you don't want to ofc)
the early-access reviews i’ve seen (which are overwhelmingly positive btw) confirm that the link fight takes place in the first dungeon of the game, so i think that’s likely the case—i wouldn’t be surprised if puppet link was the mini boss of that dungeon and the sword was the dungeon item. this adds another layer to that fight that i’m really excited to see executed!! the idea of zelda using link’s sword throughout the game as she searches for him is something i REALLY enjoy. my worry is that i can see the form she takes when using that sword being explained as like. link’s spirit or something, which i REALLY don’t want. they’d better let her use the sword of her own accord. i’m also a little concerned about the logistics of fighting link and other menial enemies WITHOUT a sword; i know the trailers put a big emphasis on puzzle-based combat via the tri-rod, but i can see that kind of combat becoming tedious and difficult the longer it goes on, especially against an enemy like link who DOES have a melee weapon at his disposal.
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heleentje · 2 years ago
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So there's a take that crops up every so often in the Breath of the Wild fandom, and it goes something like this:
Windblight Ganon is such a piece of cake! If Revali were as talented as he claimed to be, he wouldn't have been defeated by it, so clearly he's just an arrogant blowhard.
I disagree. Because while Windblight might have been relatively easy for the player to defeat, circumstances conspired against Revali in every possible way.
Strike 1: The Blight Ganons were tailor-made to defeat the Champions
While it's not stated outright, the Blights seem to be custom-made to put their respective opponents at the worst possible disadvantage. So while Link can avoid the whirlwinds on the ground, they would be very disruptive to Revali's Gale (something he's only been able to do consistently for a short while). Arrows, too, can easily get blown off course by the wind even when using a heavy bow (so can a Rito, who is presumably lighter than a Hylian).
If, on top of that, it was raining (implied by memories #16 and #17), then Revali's favoured bomb arrows would have been useless. Not a great recipe for a fight.
Strike 2: Rito don't see well in the dark
Botw is a game that doesn't tell you a lot upfront, but you can find a wealth of information in every little corner. Case in point, in Gerudo Town there's a Rito named Frita. And she has a very interesting tidbit to share if you talk to her at night.
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[Image ID: A Rito named Frita in Gerudo Town says: "Us Rito... We haven't got the best night vision, to be honest."]
When the Calamity emerged, an unnatural darkness blanketed the land. A darkness that persists from its appearance all the way through Link and Zelda fleeing and their final stand at Fort Hateno, up until Zelda temporarily sealed the Calamity (memories #15, #16 and #17).
That’s without even mentioning the laser show Windblight Ganon puts on. Ever encountered a car with LED lights on a dark road? Now imagine how Revali felt.
Strike 3: Revali had to fly non-stop for hours to get to Medoh
After sinking some hours into playing botw, you probably get used to warping all across the map via the shrines. Going from Lurelin to Rito Village is a matter of seconds. And if the Sheikah had been able to unlock the Sheikah Slate fully in the past, that would have been a massive boon to the war effort.
Unfortunately, they didn't. Which means that, when Calamity Ganon emerged, all the Champions had to take the long road to their Divine Beasts.
Now what does that mean for Revali? We can hazard a pretty good guess, but we don't have to, because the art book tells us: Revali flew straight from Lanayru East Gate to Rito Village. It's hard to tell exactly how long that would have taken him, but I'm estimating that would be about 8-10 hours flying non-stop.
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[Image ID: A map of Hyrule showing the presumed routes the Champions took to get to their Divine Beasts. Revali's is a straight line across Hyrule.]
Which means Revali (like the other Champions) was probably already exhausted by the time he got to Medoh.
Aaaaaand that's three strikes, he's out!
But if that's not enough for you yet, here's one more thing. Admittedly, this is less solidly canon than the previous parts, but it's conjecture that, in my opinion, is backed up by the Champions' Ballad DLC.
Strike 4: Revali lacked his best weapon and may have been injured
The artbook shows us another salient tidbit. Revali could have detoured if he wanted to, but he didn't: he flew in the straightest possible line across Hyrule Field.
Hyrule Field, better known as the center of the chaos at the time.
Can we really expect a Champion, especially a Champion who's so eager to prove himself, to not stop and at least try to help? And while trying to help, what might have happened to him?
When you fight the Blights in the illusory realm, you gain a set amount of equipment, implied to be what the Champions carried with them at the time. And with Revali, something's missing.
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[Image ID: The bow inventory during the DLC fight against Windblight Ganon. It includes a Falcon Bow, Duplex Bow and Phrenic Bow.]
Where's the Great Eagle Bow?
Would Rito Champion Revali, greatest archer in known Rito history, really not be carrying his signature bow, when every other Champion carried their favoured weapon?
This, combined with his route straight across Hyrule Field, makes me suspect that he did engage the Guardians, lost his bow, and may even have gotten injured in the process.
So there you have it. Just about everything was against Revali in that fight. And while Link, and by extension the player, may have had an easy time of it, they went into it at full health and with all the advantages of the Sheikah Slate.
Meanwhile, Revali arrived at Vah Medoh after a frantic hours-long flight only to be thrown into a fight he didn't expect against an opponent tailor-made to counter his every move, while he was unable to see properly and lacked his best weapon. And he still managed to put up one hell of a fight.
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