#especially if you're a creative.
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the juxtaposition between my life being on fire vs having fanart, comics, memes and animations for the dnd campaign i'm dming for the first time.
#OOC.#small/ville theme plays in the background#i'm actually writing right now i'll recheck in the morning and put stuff in queue pls love me still i'm trying to be back here.#i'm a bit sick and grieving my bestie changing jobs AND the fact we got informed that we might not even have a job by april#while trying to scrape and finish a project so we don't go bankrupt. it's been. hell.#don't ever become a lead in a small company because you WILL be doing the job of 10 people at least with little respect#especially if you're a creative.#BUT. BUT. at least my dnd is fun. i made my friends cry. we have memes. like i LOVE THEM SO MUCH.#they're drawing........... so much fanart. so much.#10/10 love having fantasy friends.#oh. also my heating doesn't work at home and it's minus celsius here which is fun.#the dude that was supposed to fix it provided by our housing has ghosted and rescheduled so many times that no wonder i'm a bit sick.#negative tw#technically. i know it's just a bunch of excuses to y'all but honestly fam your girl is struggling a little bit#AND I MISS AND LOVE MY KIDS I WANNA WRITE FOR ME#but the animatics for my dnd tho... keeping my last shred of sanity.
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at this point, i'm just in awe at how they f*cked up a live action adaptation of ATLA twice... TWICE 🤦
#atla#Avatar the Last Airbender#huge red flag from the get go when Mike and Bryan decided to leave due to 'creative differences'#the characterization in the live action series was HORRIBLE#it's like they took every aspect that we love about the original characters in the animated series and just chucked it out the window#like what tf did they do with Bumi and Azula?!!#don't even get me started on Katara...#ugh i cannot even#and no amount of little references to the original animated series is gonna do sh*t#especially not if you're gonna ruin everything we love about these characters in the first place#just to clarify my gripe isn't with any of the actors it's with the WRITING#seriously just stop...#STOP MAKING LIVE ACTION ADAPTATIONS OF A PERFECTLY GOOD ANIMATED SERIES AND LEAVE THEM ALONE
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hii... grins... question abt surface au...
how long did it take for sebastian to get used to walking on land with Legs again and does he ever need aids like a walker... ive got a few ideas forming in my head for the fic i promised but i need to know which are possible and which arent..
Hihi!! You know I was thinking about this the other day and I wanna say it took him a hot minute to regain full confidence in walking, like nearly a year? The first few months post-procedures were really rough, like that was the time period where he (begrudgingly, Painter and doctors insisted) used a walker to get his feet back under him, and as he progressed switched to aids such as elbow crutches~
Present day he doesn't need them anymore, but he does keep a cane in the closet as a backup in case of bad days (he didn't anticipate the long lasting effects, so that was a kind of hard pill to swallow. The logical side of him suspected that he wouldn't be able to simply pop back with his 20yo vigor, but his hopes were maybe a touch too high)
#you're welcome to take creative liberty though!! most of this came to me as i was typing lmfao#also his cane is probably badass looking and he wields it like a sword#but yeah those first months with his bod back he has very few fond memories of ironically#it was definitely a slight on his dignity especially after painter only having seen him as this big badass fish monster#painter was nothing but supportive but they had their moments#pressure surface au#pressure roblox#sebastian solace
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this tree from my new drawing looking goated afffffff 👑👑
#yes this is a nel/vas drawing get off me😂#text#i wanted everyone to see it but also since i draw on paper in total silence i think a lot about everything so i wanted to voice some -#- thoughts too's. tbh i've been veeery self indulgent lately#actually i'm happy that n*lv*s is getting actual hits out of me that i like looking at#especially on-paper stuff that i can recall being fun for me to draw. all traditional art is fun to draw#and digital has turned into an actual task for me (only sometimes tho maybe i;m lying.. mspaint we're still bffs)#i think i just don't see the joy in trying to scrap up a ''' finished ''' piece in an art program .. pencil i love you and i love the -#- feeling of it scratching along the paper....sigh............ Rabu#i don't want my blog or thoughts to turn into traditional art suck-off ventures bc ik not everyone can get into it for many possible -#- reasons but if u feel like it U can ok? do it for Pencil✏️ and for me? for silusvesuius? 𝖎 𝖜𝖎𝖑𝖑 𝖕𝖗𝖔𝖙𝖊𝖈𝖙 𝖞𝖔𝖚#but Lord i hope i don't also come off as one of those people that r like 'to improve in art just draw that one fictional character u -#- rly like 😂😂' bruh gtfo my face with that.#i'm noticing 'improvement' in my stuff mainly...i think... because i'm always striving to impress#not so much other people that are here just for my art but more so myself#i have a very huge ego (Mind Battle)#also it makes me sad to think about how big egos or genuine (not obnoxious) flauntiness are looked down on#and i can tell bc i used to look down on people that would express the things i'm expressing now#especially in art focused spaces. now i'd rather be in a circle of artists that love to J*rk off their own brain for it's ideas -#-and talent than be w/ very self-conscious artists that are never expressing pride about any of their work#worse if it's to the point where they actively start to fish for compliments bc of it#fishing for compliments is always OK i just wish it didn't stem from insecurity in that context if that makes sense#but maybe that's very easy for me to say and admit bc i did develop a very big ego around my art and ... Creativity? like it's a sims skill#not that i still don't seek out 'attention' or compliments from others to soothe myself but hmmmmmm i hope u feel me.#it just turns me into a very competitive person#who am i competing with? Myself#i'm always in 'you can do better Because you're YOU' mode#which is much better i believe than comparing yourself 2 other artists#i don't think a lot of people read my tag ramblings but if u do i wonder how one feels about a very pompous artist#like me .......(?)
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"I think the reason I like Henry x Charles so much is the variety. Because of the nature of Henry Stickmin's story, there's a lot of different dynamics the two can be placed in. You want enemies to lovers? Top Hat Recruits is a big one but it can work with almost any PBT routes. You want Enemies to lovers with a power imbalance? Top Hat King and Top Hat 4 Life (depends on if you want Henry to have a wingman or not). Want friends to lovers? Well there's the countless routes where Henry is allied with the government. Is angst more your style? Valiant Hero is there for a reason. The possibilities are endless" submitted by anon
#no but anon you're right#stickvin has so many possibilities it's insane#especially bcz it's never properly shown how charles feels about henry in certain routes and vice versa#stickvin really lets you explore different dynamics and get creative!#thsc#mod dave#thsc confession#thsc confessions#henry stickmin#charles calvin#stickvin#anon
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I am obsessed with how narratively convenient Lark's divinatory abilities are. She's the only one of the protagonists who is both pragmatic and has a working sense of self-preservation, so having some internal impulse that is actually the guiding hand of the cosmos pushing her into doing the REALLY stupid shit is both necessary and really useful.
Like, I am the type of writer who kind of scoffs at the idea that characters are beyond the writer's control and will completely screw over your outline, because on one hand, a sensible outline will follow the characters' personalities and tendencies anyway. Obviously in an ensemble cast you will need to do some wrangling, but in theory your characters are responding to varying degrees of stimuli in order to maneuver them into the places you need them to be for things to all come together in the end.
But more importantly, "curse from god" is the funniest and easiest way to push any character to do things beyond the realm of reason when necessary, and frankly, what the fuck is the point of playing god if you don't embrace that?
#midst podcast#midst spoilers#cr meta#anyway at all times I am advocating for taking full responsibility for your characters and overall story#this is also why I laugh at those posts like 'um if you're not going to treat your characters right then you shouldn't get custody of them'#sorry babe there is no CPS in my head. I am the cruel custodian and these are my poor darwinian orphans.#that's a joke but really like. look. yeah sometimes you gotta fabricate scenarios to make characters do what you want#but like... you do that by going 'who is this character and what would it take to push them to x'???#and especially in an ensemble cast sometimes that thing is 'curse from god' or 'divine insight'#fun fact: I LOATHE that post about 'my writing teacher made a joke that the characters are driving and the writer is locked in the trunk'#absolutely fucking hate it.#because THE WHOLE POINT OF FORMALLY LEARNING WRITING IS LEARNING HOW TO BE INTENTIONAL.#it is perfectly possible to write successfully without ever having a formal teacher but IF YOU HAVE A FORMAL TEACHER. UH.#like yeah yeah 'workshopping' but like. okay go build your own workshop group don't pay somebody jfc#(cuz it's not like most creative writing teachers know how to teach you to workshop. let's be fucking real.)#if you wanna learn how to workshop take a script class for the love of god.#ANYWAY rant over but I'm correct. the highest purpose of a writer is to be a control freak and to play god.
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if you are a creator of any kind I would highly encourage picking up "The Creative Act: A Way of Being" by Rick Rubin the next time you see it in a bookstore

I haven't been able to read a book in YEARS and this thing has me annotating like some sort of book pervert
#dumb babbles#book rec#Idkbif its just that I've been more active in smaller creative circles lately but this is HITTING time and time again#ESPECIALLY if you're a younger artist#I feel like I'm gonna end up using this like some sort of artist Bible to whip out knowledge whenever someone is ragging on their own art#Its good stuff
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Genuinely AI and character ai will never replace the absolute joy and excitement of planning out a whole plot and story with potential reactions, ideas, concept, and art with the other person
The people only using character ai really don't know the soul and fun that comes with doing actual roleplay that stays consistent and won't repeat the same sentence/motion a million times over
#also actual roleplaying to me is genuinely so fun if done right#i will always fight and stand by roleplay#especially since its my way to cope project and sometimes enjoy things i never see#also it improves my writing and art a lot because i will get so invested in scenes that I detail them out or even draw it#plus if you really want you can loosely go off what happens in the roleplay to make into a fanfic for others to enjoy (with permission ofc)#roleplay at least for me keeps my mind active and creative too#cai and all that other rp ai bullshit is all the same where it has it all laid out for you to where it basically limits what you wanna do#ive tried to understand and honestly i dont get it#the characters are never accurate its always bland and there's no fun when you don't come up with ideas with another actual person#hell even characterizing the way you want isn't the same with ai bs because you can't really personalize those characters#sorry for the rant i just really like roleplaying#also before anyone argues about it: as long as they're cool with what you want in an rp and you communicate it you can do whatever you want#we're all freaks here and another freak isn't going to judge you unless you're actively breaking their boundaries or making them uncomfy#trust me there's some people i know that will rp anything as long as its not one or two specific things#and theyre really chill and cool btw#like every interaction and relationship with any being: communication is important and the key
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#[ good afternoon guys! uvu/ ]#[ been busy for a few days and also my health is kicking my ass ]#[ but we power forward! ]#[ feeling pretty good today so i will try to get stuff done :D ]#[ i really have a ton of things to write ; chores to do and projects i wanna start ]#[ especially thinking about the art youtube channel i wanna make ]#[ making videos was one of the first creative things i did when i was a kid xD ]#[ i used to enjoy it sO much and i really wanna get back into it uvu ]#[ better work hard so i can make progress on my goals and projects !! ]#[ hope you're all doing good! thank you for your patience with me! ]#toby post. ╱ out of character.
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Okay I did write something. A two paragraph warmup to be set aside for the possibility that the story it could be part of might ever be viable. But after I got the thoughts that were rolling in my head out by making that last post I already put my creative energy to better use than whoever is rewriting the entire overhyped children's book series so I feel better either way.
#look you can see me as judgy and I'm not gonna pretend I'm not#but I don't care if you like the thing we all have stuff from our childhoods that is still important#I just think sometimes you have to reevaluate your creative priorities#sometimes it's important for your wellbeing to ask if what you're working on is good for your mental health#and especially in asking if whatever media you're attached to is good for your emotional wellbeing
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Really liked your ask comparing alison weir's book excerpts to that of historians, do you have any other examples like that?
this one?
and sure, again, the important thing to remember is that pop history is digestible and straightforward; but that this doesn't make it 'better'. the genre is dependent on a misapplication of the adage, 'when you hear hoofbeats, think horses, not zebras' to any single primary source. a better rule of thumb to go by would be that 1) where there is a general consensus by a variety of sources, and a single aberrant, it's reasonable to assume the former was true (rather than a conspiracy that only the aberrant has 'outsmarted')-- or, at the very least, widely believed to be true --, and 2) where there is a total contradiction between sources, it's reasonable to assume that the truth lies somewhere in between.
pop history also deals in truisms that do not allow for the complexity of history, nor the people of history: that praise was either always genuine, exaggerated, or disingenuous, that invective always reflected fact and complete understanding, and was never motivated by self-interest, that self-fashioning always reflected truth. as such, it does not give space for individuation and it assumes homogeneity.
this is the comfort and the insidiousness of pop history: the neophyte reader often feels that the scales have dropped from their eyes, that they have been privy to the unwrapping of the mysteries of the universe for the low, low price of £2.99...when, in reality, what they have read is merely a summation of primary and secondary source quotes with no true interrogative research and nothing approaching historical methodology, with some narrative fashioning and paraphrase techniques threaded throughout.
since you asked, i'll continue to use weir as the exemplar of these contrasts (which i'll get to, i promise, scroll down for that part if you want to reach it first, it'll be cued in red): i'm not a 'fan', but i won't diminish her efforts by denying that these books are her life's work in the sense of how much time and effort she must have put into every single one, in reading, in research, and in writing (six wives of henry viii, her first, alone had 656 pages, so did her likely second most popular, henry viii and his court, her book children of henry viii was 385 pages, her biographical books on the boleyns alone, lady in the tower and the mistress of kings, a collective 900, so altogether of her most popular that's...2593 pages, and bestselling, no mean feat...but it continues, 366 from her katherine swynford biography, 494 pages from "she-wolf of france", 640 pages of her mqos biography, 544 pages of her elizabeth i biography, 336 of her book about the princes in the tower, 441 for her biography of eleanor of aquitaine, and her book about the wotr, at 512 pages, clocks us in at 5560 pages from 1991-2010).
but there's a reason weir's published fifteen nonfiction books since 1991, and there's a reason twice as many degreed historians (the 'power couple' of john guy and julia fox), despite their collaborative efforts, together have published a comparable volume only within a much longer amount of time (if we limit to the above timeline of 1991-2010, we have his mqos biography of 574 pages, his biography of margaret roper at 448 pages, the tudors: a very short introduction at 128 pages, and julia fox's dual biography of catherine of aragon and joanna of castile at 464 pages, her biography of jane boleyn at 416 pages, clocking in at 2030 pages total...again, for perspective, this is the output of two historians in the same twenty years as a single pop historian, drafts of their upcoming books notwithstanding, they probably existed in some format, somewhere, unready for publication); and the reason is that the process of historical methodology and rigorous research takes much, much more time (not to mention, expertise...) than the process of pop history.
As a non-fiction author, I write 'popular' history. The term has sometimes been used in a derogatory sense by a few people who should know better, because all historians use the same sources. History is not the sole preserve of academics, although I have the utmost respect for historians who undertake new research and contribute something new to our knowledge. History belongs to us all, and it can be accessed by us all. And if writing it in a way that is accessible and entertaining, as well as conscientiously researched, can be described as popular, then, yes, I am a popular historian, and am proud and happy to be one.
let's say i'm not going to quibble with the generalizing, obfuscating statement of "all historians use the same sources" (is alison weir accessing archives directly? is she fluent in the languages of these sources in their original form, or is she relying on the translations of others? is she making any attempt at all to research and integrate various sources of the same events??); and for argument's sake, let's say i accept it at face value. for argument's sake, that brings me back to my earlier point: what weir's readers are accessing is a narratively entertaining summary of primary and secondary source quotes with no true interrogative research or historical methodology behind the narrative. as such, it is often teleogical and presentist. they are accessing something they anyone could recreate with their own "voice", so long as they have the same list of quotes, verbatim and paraphrased, that they could putty their own narrative cohesion in between: so long as they had the free time, the financial support, the skill, the will, the interest, the drive, the discipline and the stamina.
"history belongs to us all", yes! "history can be accessed by us all", i really wish that were true, but it isn't, not entirely. that's not me 'gatekeeping', that's me acknowledging that there are sources and books not everyone has access to, quite unfortunately. not everyone can visit museums or historical sites or archives or universities in person (whether due to cost, or disability, or both), not every book or article can be accessed without university (library) access or at quite great financial cost, even in the case of academic papers that have been made available on open access websites, some might be in a language the reader is not fluent in, and the translation either does not exist, or is not open access... not every library will have every paper, book, or access to online archives that the researcher is searching for, not every library has an ILL (interlibrary loan) program.
at least two of her most popular books were published before the advent of wikipedia, but there is, again, a reason that many chapters from many of her books read like expanded versions of wikipedia articles. they read as encyclopedic 'everyman's' entries because that is what they are, subjectivity masquerading as objectivity. anyone can have a point of view, but a pov alone does not make a work "conscientious". her usage of 'conscientous' as a self-descriptor is rather revealing in and of itself, because my impression is that she is referring to her own writing as being driven by her personal conscience, rather than any prevalent ethical standards that define the 'conscientious historian' within the professional study of history:
Q: Is it not the case that testimonies can be manipulated and distorted to serve certain interests? If so, what critical tools must we avail ourselves of to unmask such manipulation? A: In order to answer this we must refer to the epistemological structure of historical knowledge. The fundamental objective of a good historian is to enlarge the sphere of archives, that is, the conscientous historian must open up the archives by retrieving traces which the dominant ideological forces attempted to suppress.
(brief interruption here to offer my own commentary specific to the subject: a huge drawback of tudor pop history, not unique to weir, but imo, is that it acknowledges protestantism as an-- eventual, and sometimes, arguably, prescientally early-- dominant ideological force, and does not regard catholicism as a dominant ideological force in the same way...even during mid-henrician, edwardian, and elizabethan eras, catholicism was the dominant ideological force of 'christendom', at the very least, even if not in england...& at risk of losing forest for the trees, i'd also argue protestantism /= henrician anglican supremacy/caesaropapism, but i digress...)
[con't] [...] In admitting what was originally excluded from the archive, the historian initiates a critique of power. [...] The historian opposes the manipulation of narratives by telling the story differently and by providing a space for the confrontation between opposing testimonies. We must remember, however, that the historian['s] [...] [condition] dictates that we can never be in a state of pure indifference. The historian's testimony is not completely neutral, it is selective activity [...] it is, however, far less selective than the testimony of the dominant [...] Here we should invoke [the need for] 'reflective equilibrium' [...] between predominantly held beliefs and the findings of critical minds represented by professional people such as historians. Such a mechanism helps us distinguish good from bad history.
so, what is highlighted, well...weir fails to acknowledge any of this, nor does has she (and arguably, has never, or at the most generous i could be, rarely) practice any of this, and i'm about to demonstrate an example...
(if you've read this far, you're a real one, bcus i am finally going to delve into a specific, parallel example, like the former ask:
"In October 1535, Cromwell brought the King devastating news: Tunis had fallen to the Emperor, and the Turks had been crushed. Chapuys told his master that Henry and Anne looked 'like dogs falling out of a window", so distressed were they by the news. As if this was not bad, enough [...] Anne was blamed [for the bad harvest and bad weather] by the common people [...] It was not a happy homecoming when Henry and Anne ended their progress at Windsor on 26 October [1535]." The Six Wives of Henry VIII, by Alison Weir
so, let's break this down: although citations would have made an easier flow, weir has, at least, done right by at least integrating and specifying the source for the first claim: "chapuys [wrote to charles v] that [this had happened". let's examine that primary source:
"Remarks on the Emperor's military achievements. The English are much pleased at his victory, in accordance with the incredible affection which they almost all bear to him; except the King, the concubine, Cromwell, and some of their adherents, who, as a man whom he sent to the Court reports, are astounded at the good news, like dogs falling out of a window. Cromwell could hardly speak." Chapuys to [Granvelle]. 13 Sept [1535]. Vienna Archives.
is this the entire story? is this more than one angle? it's not even really an exhaustive summary, weir hones in on the reactions of henry&anne (rather than the reactions of cromwell and 'their adherents') to underline the conclusion of the summary: "it was not a happy homecoming...[for] henry and anne". it's clear that it's a partially redacted image, because as the excerpt from weir's book continues, she continues to adhere to the single source in question. i'll discuss and expand on others once i've done the comparison between her summary and the relevant report for the second highlighted piece:
"The said ambassador expressed his astonishment to me at the English being still allowed to import corn from Flanders. This, he said, would not be tolerated in France under the circumstances. My own opinion is that the affair ought to be looked into, inasmuch as the harvest here has been very poor, and people begin to murmur. The King and his concubine, who formerly had it preached from the pulpit that God favoured particularly the English by sending them fine weather, have it said now that, "whom God loves, He chastises."" + "This would be the best time [to invade England], while the people is provoked by the great cruelties daily committed and the worse than tyrannical extortions practised on Churchmen, the expulsion of monks and nuns from their cloisters, and, most of all, the famine which threatens to prevail in consequence of the bad harvest, all which is imputed to the bad life and tyranny of the King."
well...again, this is all very interesting. as weir states, chapuys reports harvest is poor, the weather is poor, and that 'people begin to murmur' at these happenings... but he doesn't specify, actually (at least in relation to the bad harvest and weather), that it's anne boleyn who's blamed by the people. actually, what he specifies here is that the famine is imputed by them to the "bad life and tyranny of the king", not the queen (or, as he names her, 'concubine'); it's reasonable to assume that 'the concubine' is part of the 'bad life' they're condemning, but she's not specifically stated as the cause of the 'murmuring', it's henry viii's actions that are (and, it makes sense that he's pushing this, because it's an uprising against henry specifically that he's promoting, here).
so, what was happening here when weir wrote this? imo, a classic case of confirmation bias. i don't think weir actually was reading quotes from the archives, i think she was reading their summaries, as given in the divorce of catherine of aragon, by james anthony froude:
"The harvest had failed; and the failure was interpreted as a judgment from Heaven on the King's conduct. So sure Chapuys felt that the Emperor would now move that he sent positive assurances to Catherine that his master would not return to Spain till he had restored her to her rights. Even the Bishop of Tarbes, who was again in London, believed that Henry was lost at last. The whole nation, he said, Peers and commons, and even the King's own servants, were devoted to the Princess and her mother, and would join any prince who would take up their cause. The discontent was universal, partly because the Princess was regarded as the right heir to the crown, partly for fear of war and the ruin of trade. The autumn had been wet: half the corn was still in the fields. Queen Anne was universally execrated, and even the King was losing his love for her. If war was declared, the entire country would rise."
that would be my assessment of this particular excerpt: it's froude that connected the 'murmurings' about the bad weather and poor harvest to anne being 'universally execrated', and it's weir, using froude as a source, that followed suit. there's the flavor of "the king was losing his love for her", asw, even if not explicit ("it was not a happy homecoming for henry and anne"...speaking of, let's see what historians say about that specific period of time in reference, post-progress, late 1535:
"Henry and Anne’s marriage doesn’t seem to have been on the rocks [at this point][…] In the autumn and winter of 1535, they were constantly described as being ‘merry together’, which is probably [when] Anne conceived […]" Suzannah Lipscomb
"Secondly, Chapuys' gossip must bet set against the far greater weight of evidence that shows that Henry and Anne were often happily together and that despite occasional outbursts, their marriage seemed set to last. On many occasions the king and queen were reported as merry, notably in October 1535 [...]"
Power and Politics in Tudor England: Essays by G.W. Bernard
weir doesn't examine the context and various sources about henry being informed of charles v's victory at tunis, nor does she here interrogate the authority and credibility of chapuys as a source. but, luckily, for the purposes of this ask, an accredited historian, does:
"Additional information came from the most varied sources, such as Joan Batcok, a resident in the empress’ court in Spain, who obtained copies of letters from Charles V to the viceroy of Navarre and sent them to her uncle, John Batcok, who forwarded them (and the copy of a letter from the bishop of Palencia) to Cromwell on 5 August, along with details he had gleaned from talking to men already back from the North African war.[...] Chapuys was ignorant of all this. [...] It was not until 14 August that Chapuys learnt of what he called the glorious and most important victory in La Goleta from the imperial ambassador in France, and sent a courier to Henry VIII with the news. There was no public audience where it could be publicised. Henry VIII gave the envoy some money as customary, and sent a deer he had hunted to the ambassador, which was interpreted as a sign of his great pleasure.
Later Chapuys found out that Henry VIII had already known of the emperor’s success and had neither celebrated it or shared the information. In fact, the king distanced himself as far as possible without breaching protocol. He instructed Cromwell to relay his «pleasure» at the emperor’s success and Cromwell did so in writing rather than in person. By contrast, when they heard that the French ambassador had news of the meeting between Mary of Hungary and Leonor, he was summoned to speak with the king and taken hunting [...]
The king again instructed Cromwell to give him some money and to inform Chapuys that he could not have been more delighted with the victory if it had been his own, and that he congratulated the emperor warmly. On 10 September Cromwell transmitted the message in writing. The offense was so patent, Chapuys reported the bare facts and commented bitterly: «God knows how much more he would have given [the envoy] for contrary news». According to the envoy, however, the reaction of the English king and courtiers to the news was extreme. He claimed that Cromwell had been left speechless, and the English courtiers so astonished and dismayed he thought they resembled a pack of dogs falling out of a window. Chapuys contrasted this with the rejoicing of «the English people» outside the court who loved Charles V. The king and his court remained inaccessible to Chapuys, who persevered by sending information. He had to be content with polite letters from Cromwell informing him that Henry VIII was «very interested» in the details, and that some of the accounts were so vivid Cromwell could almost imagine himself there.
It took repeated demands from the ambassador before even Cromwell agreed to meet him - on 13 October [1535]. Even then, it took place late in the day and in private. Chapuys’s disappointment is reflected in his comment that he hoped Henry VIII would be punished for «his impious folly and dishonourable joy at the descent of Barbarossa on Naples and at Tunis [in 1534]». To add insult to injury, false rumours spread that Charles V had written friendly letters to Henry VIII during the campaign and entrusted him with the defence of the Low Countries. Worse still, the victory made no difference to Henry VIII’s policy, nor did it ameliorate his treatment of the Catholics or of Queen Katherine and princess Mary, as the imperialists had hoped. Indeed its impact was negative: it heightened fears that Charles V would now attack Henry VIII, as the English Catholics were urging him to do. Katherine thanked God for «the great victory» and the emperor’s safe return because he could now devote himself to relieving the suffering of English Catholics, not least herself and Mary. It was not only the emperor’s covert enemies but his closest relatives and supporters in England who called into question the value of his victory. Chapuys urged Charles V to devote his efforts to saving Catholicism in England which was his duty and more meritorious than anything he had done in Africa. Some English Catholics publicly stated that helping them and organising a general Council of the Church were «more praiseworthy deed(s) than the conquest of Tunis, and more necessary than the recovery of the lands of Christendom from the Turk». Princess Mary, having praised his triumph in the «holy expedition», complained that he had clearly failed to understand the gravity of the situation in England since he had chosen to fight in Tunis. He must rectify now and do this service to God in England in order to gain «no less fame and glory to himself than in the conquest of Tunis or the whole of Africa»."
«NO GREAT GLORY IN CHASING A PIRATE». THE MANIPULATION OF NEWS DURING THE 1535 TUNIS CAMPAIGN, María José Rodríguez-Salgado
i wanted to offer up that broader, overarching context, but to settle back into the report weir offered uncritically: the broad timeline of events is that chapuys informed henry of charles v's victory in august, to which henry sent him money and a gift. he informs him again, weeks later, to which henry sends him his congratulations, and money, again. chapuys then claims (to granvelle, charles v's advisor) that henry (who already knew about it) was shocked by the (second) message, and cromwell (who already knew about it) was too stunned to speak.
#anon#in creative writing; i myself will sometimes find a source that i can only find in one history book. and nowhere else#with no citation...and sometimes if the quote is interesting enough; i'll utilize the excerpt to inspire#either an entire scene or the details of a scene#even if i'm not sure whether or not it's true#but that sort of practice is not acceptable in books claiming to be works of nonfiction#especially when they're not even cited#it will send the reader down a 'from where' spiral that can be endlessly frustrating#if her books are as 'accessible' as she's claiming then every source should be (correctly...much less AT ALL) cited . they're not.#(i don't usually use weir's books for the creative process but that's my own personal preference djfskjdhdh#i'm not above using pop history books for fictional purposes ; i just don't personally care for her style#also like yeah when a book's from 1900...sometimes they just don't#and you're lucky if you can track it down#but in the 21c there's very little excuse. she could reissue and republish these with citations very easily!!#so long as she kept all her notes )
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First post after a p long hiatus and it's essentially a post divider
#DN bs#DN's bs#hello hi I'm back#much to everyone's disappointment :')#long story short irl has been... a series of events for me#got let go from my old job just as soon as I went into hiatus but got another job not long after#the struggle of irl work as usual :'D#anyway I think I'll be back to fandom posting now especially now that DT's put for a while#and I have new blorbo beside my own WoL#probs gonna start posting tomorrow or day after idk whenever mood strike#if there's anything absolutely important I'll post it under 'DN gets serious' or 'DN's important reblog' tags#On FF14 side I have been... getting creative with the gposes#not something mindblowing mind just simple emote edits#also uhh... crossovering Mouthwashing and Thank Goodness You're Here
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#had to listen to ttpd out of plain curiosity because everyone was saying how much it didn't deliver and well they weren't lying#they weren't lying about the lana comparisons either! who's afraid of little old me sounds like born to die in the verses#it's very flat tbh like you're listening to the same songs over and over#it's very hollow like the album was just made just to be made in order to keep her name afloat and relevant#not because she had something to actually say and express. her song delivery is very flat and unemotional idek how to properly express what#i mean. like she sings with no actual emotion behind the words no nerve no nothing. like she can't actually convince me that she's feeling#all that she's singing. also like the music is all the same and the way she sings them. there's no fluctuations no diversity. it's the same#song over and over. also sometimes i feel like the lyrics and the delivery don't really go together with the music#like they don't compliment each other#But Daddy I Love Him is supposedly over her fans trying to dictate her life (i have all sorts of opinions on that but it's a diff convo) an#it had 0 nerve and anger in it. i needed a little more intense a little more angry. i liked down bad and Florida (thank god for Florence 😭)#and all the breathy low vocals are not it either. it kind of makes the album flatter. there's no tension no passion in the album#definitely feels like she's trying to recreate 1989 and maybe folklore/evermore and it's not working#also people comparing this album to midnights are not wrong either#it feels like her last few releases all sound the same with no creativity or bringing something new and amazing#she really needs a break and to take a step back re-evaluate and try to create something more inspiring and fun instead of trying to#recreate the same sound over and over again. releasing album after album in such a short period of time is bound to hinder creativity and#the quality of someone's work. and maybe she does need new people to work with that will push her creatively#also i feel like she doesn't need to create such long albums. especially if you're using the same sound in every song. like one song morpths#into the other and it gets boring! especially if there's little to no build up and tension holding the song and having breathy vocals that#lead to nowhere during each song! anyway it could've been a whole lot better and she has better songs than this
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If I were lucky enough to attract a loyal following of goths, I would simply not slag off the subculture in interviews in a desperate and pathetic attempt to get the mainstream to consider me a real artist. RIP to every musician goths have ever loved but I'm different.
#apparently the mark of a True goth musician is to react with horror and contempt to the whole idea of being associated with - ew - GOTHS#like seriously. these people support your artistic endeavours both financially and through word of mouth#even when you're consistently just the hugest asshole to them in public#goths are some of the most loyal enthusiastic and appreciative fans you can have#especially if what you make is at all 'weird'#if you're really so worried about appearing creatively bankrupt you should worry more about putting down your core fanbase of weirdos#to try to look aloof and smart and ~unique~ and ~artistic~ to an audience that won't appreciate you#because they've already pigeonholed you as 'one of THOSE freaks'#'oh but nooooo the goth scene is too samey-samey and full of slavish followers' like...most large categories of people?#if it bugs you so damn much that there's so little variation (hah!) in goth tho#then maybe try taking the position it's offering you on a silver platter and steering it in new and interesting directions?#adding some diversity to the aesthetic and artistic gene pool?#instead of just bitching and pissing and moaning about the mainstream not thinking you're a ~unique creative individual~?#...unless maybe you don't actually have anything new or creative or original to offer???#and doth merely protest too much??????#anyway we should all be so lucky as to attract a loyal following of goths#this is a rant that's been brewing for a LONG time#andrew eldritch do not interact
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i'm not giving excuses for boring stories anymore!! if boygenius can fit afraid of heights into 2 minutes 41 seconds, you can write a better short story or two hour play. give me those defined characters with clearly different beliefs, conflict and resolution. if i have to sit through another stupid story just about the blandest boy and the girl with one personality trait falling in love and risking it all because they met for two seconds, i'm jumping off that cliff
#@ the cinderella play i watched a few weeks ago#yes there was a couple twists to the original#and the production was incredible for high schoolers even if it was a performing arts school#but y'all LITERALLY have a creative writing department.#if you're going to change up the story... go big or go home#and do it well ffs#this is also completely an invitation to tell me about your stories/scripts.....#especially if you're a boygenius listener.....#(this is actually me begging for people to do that)#afraid of heights boygenius#boygenius#lucy dacus#<3
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if one more well meaning relative asks me if i have done any drawing recently i will start screaming and flip a table 🤪🙃
#it's not their fault!! it's not!!! I'm known for being The One Who Draws#they usually get updates from my parents sending out pictures of things I drew for assignments for school for years!! they haven't gotten#anything new in a long time!!#it's not their fault to ask hey have u been making anything new??#but also if one more person asks I'll literally go fucking nuts I will start screaming crying throwing up#I will begin tearing myself limb from limb#especially if it's my grandma who I see literally every week and she in fact knows I have not been drawing#it's worse when she asks bc then it's also with that quiet pity of someone who assumes I probably haven't but hopes that I have#ANYWAY SORRY I JUST HAD TO PUT THIS SOMEWHERE#I'm doing my best and I'm not in a great space and I'm trying real hard to try and figure out who the fuck I am when my entire life isn't#Completeing Assignments#bc since middle school I have been nothing much outside of a Complete Assignments Machine#and I've found ways to bring my humor and my creativity and things I enjoy INTO Completeing Assignments#but I've somehow then learned I can ONLY do these things if they're for Completeing Assignments#and now I have graduated college and I'm trying to get a fucking job and move somewhere new and my life isn't Completeing Assignments anymor#and I haven't relearned how to have creative fun ideas outside of the assignments framework#but I want to get there again#but I need everyone to stop asking me if I have made any art recently#bc I think for a while the answer is going to be no and if it's not no it's gonna be yes but I'll have made something so fucking weird#you're going to wish I had said no and not explained that I was building a dead rat puppet#im a rambling sam
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