#ernest x larry

[the-nonsense-is-mine]

"That one's wrong."

Larry did not look up from his homework, knowing full well who was speaking and what was coming next. With a sigh, he drew his papers closer to him, leaving the back of his desk clear. Ernest sat down on it immediately, one leg tucked underneath him and the other foot propped up on the edge of Larry's seat, blocking him off from the rest of the classroom.

Resolutely, Larry frowned down at his homework. He could see, now that it had been so helpfully pointed out, where he had made a mistake, but he didn't want to give Ernest the satisfaction of seeing him erase his work.

"You don't seem very chipper this morning," commented Ernest, resting his chin on his hand and leaning in.

"Maybe because someone's taking up my time and workspace when we are supposed to be studying," replied Larry, giving up and restarting the problem.

Ernest hummed in consideration, and Larry resolved himself to ignoring him entirely. It went spectacularly well for about another minute, as he finished his work for the problem, although he was acutely aware that Ernest was watching him the whole time.

"You know," said Ernest, as Larry turned over the paper, "I'll leave, if you want me to."

Larry looked up sharply in surprise, only to find that Ernest was much closer than he had originally thought. He startled, and sat up straighter, pushing his chair a little further away from the desk to properly look at Ernest without going crossed-eyed.

"I- what?"

Ernest tilted his head and smiled. Larry wasn't sure what to make of that.

"I said, I'll leave if you want me to," Ernest repeated. "If I'm really an unwanted distraction."

Larry blinked several times, trying to process the odd tone of Ernest's voice, which, coupled with his teasing smile, was making Larry feel both warm and cold at the same time. Ernest nudged Larry's leg with his shoe, still balanced on the side of Larry's chair, and Larry swallowed his confusion.

"You're certainly a distraction," he said, leveling Ernest with a look that he hoped was as stern as he meant it to be.

"Larry, please," Ernest drawled, "it's not my fault that I'm interesting."

"And the fact that you're choosing to be so awfully interesting on top of my homework is, I'm assuming, also not your fault?" asked Larry.

He folded his arms across his chest, because this deviation from their usual morning interactions and Ernest's wholehearted attention was making him feel more than a little unsteady, and he wanted to at least pretend he wasn't going pink with inexplicable self-consciousness.

"Oh, no," said Ernest, "that I will take the blame for."

Out in the hallway, Prufrock's clanging bell sounded for the end of the period. Larry recognized, somewhere in the back of his mind, that they both needed to go, but it didn't translate to any attempt to actually do so.

"Why are you here, then?" he asked, cautiously.

With the glee of someone who had been just waiting for the right question, Ernest slid forward on the desk so he was right in front of Larry.

"Because," he said, reaching out and straightening the tie of Larry's uniform, "I prefer your attention to anyone else's in the school."

Ernest stayed right there in Larry's space for just a moment, watching his words sink in, before patting Larry firmly on the chest and sliding down off the desk. He strode across the now-empty classroom as if nothing unusual had happened, even though Larry didn't think he could breathe anymore.

"Oh!" said Ernest, stopping in the doorway and looking back at Larry. "Still on for a tutoring session tonight?"

"Uh-huh," managed Larry, as his brain supplied helpful things like hands, tie, legs, smile, lips.

Ernest smiled, and the expression simply exuded satisfaction.

"Looking forward to it," he said, and he was gone, leaving Larry to his racing thoughts and unfinished homework.

[theultimatefan]

Gerads, Morrison, Guggenheim, Golden, Williams Headline Fan Expo New Orleans Comics Creators

Comic creators like Mitch Gerads (“Batman: The Brave and the Bold”, “Mister Miracle”) Bill Morrison (“The Simpsons,” “Roswell”), Marc Guggenheim (“Arrowverse”, “Planet of the Apes”), Michael Golden (“Avengers,” “The Micronauts”), Freddie Williams II (“Batman,” “TMNT”), Larry Houston (“The Fantastic Four,” “The X-Men") and dozens of others who have delighted millions with their work will be on hand in a standout Artist Alley at FAN EXPO New Orleans, January 10-12 at the Ernest N. Morial Convention Center.

Among the other standout superstar artists and writers fans can meet are Kami Garcia (“Teen Titans”), Jeremy Adams (“Green Lantern”, “Flash Gordon”), Chris Campana (“Spirits of Vengeance,” “Daredevil”), Mike DeCarlo (“The Simpsons,” “Archie”), Mark Russell (“Batman: The Dark Age”) Ariel Diaz (“Witchblade,” “G.I.Joe”), Stephanie Williams (“Nubia and the Amazons”), Brandon Easton (“Robotech”), Brianna Garcia (“My Little Pony”), Guy Gilchrist (“The Muppets,” “Nancy”), Gavin Guidry (“Superman 78: The Metal Curtain”), Scott Hanna (“Amazing Spider-Man,” “Superman: Lois and Clark”), Travis Hymel (“TMNT Adventures,” “Trailer Park Boys”), Terry Kavanagh (Marvel Comics editor, writer), Erin Lefler (“Star Wars,” Lucasfilm), Anthony Marques (The Kubert School, “Batman: The Audio Adventures”), Aaron Reynolds (“Effin’ Birds”), Sajad Shah ("Zindan,” “AngryHero”), Arthur Suydam (“Marvel Zombies,” “The Walking Dead”) and Ron Wilson (“The Thing,” “Marvel Two-in-One").

Virtually every franchise will be well represented by numerous creators. Q&A’s, interactive demonstration sessions, autographs, commission opportunities, and more help turn FAN EXPO New Orleans Artist Alley into a paradise for comics lovers of all genres.

Fans can view the entire FAN EXPO New Orleans field of creators at https://fanexpohq.com/fanexponeworleans/comic-creators/.

Today’s announcement of the comics creator field enhances a celebrity lineup that includes a Back to the Future reunion of Michael J. Fox, Christopher Lloyd, Lea Thompson and Tom Wilson, celebrating the 40th anniversary of the first installment in the franchise; the “Smallville” trio of Tom Welling, Michael Rosenbaum and Kristin Kreuk; "Firefly” standout Alan Tudyk; original Star Wars standout Anthony Daniels, “Superman & Lois” headliners Tyler Hoechlin and Bitsie Tulloch, “Doctor Who” Thirteenth Doctor Jodie Whittaker; “Buffy the Vampire Slayer” star James Marsters; Alice Wetterlund and Sara Tomko (“Resident Alien”) and Corbin Bleu and Lucas Grabeel) (“High School Musical”), with more soon to be announced.

FAN EXPO New Orleans features the biggest and best in pop culture: movies, TV, music, artists, writers, exhibitors, cosplay, with three full days of themed programming to satisfy every fandom.

New Orleans is the first event on the 2025 FAN EXPO HQ calendar; the full schedule is available at fanexpohq.com/home/events/.

[thecolourrainbow]

Fiction

Carrie stephen king x

the silence of the lambs Thomas harris x

The big nowhere James ellroy x

Speedboat Renata adler x

Giovanni's room James Baldwin x

Nightwood djuana barnes x

Troutfishing in America Richard brautigan x

Play as it lays joan didion x

Desperate characters Paula fox

The golden notebook Doris lessing x

The moviegoer walker Percy x

The man who loved children Christina stead

Time with children elizabeth tallent

Getting into death Thomas m. Disch

Where you'll find me and other stories anne bettie

God lives in st Petersburg Tom bissell

The zebra storyteller Spencer holt

The art of struggle Michel houellebecq

The boat nam le

Pigeon feathers and other stories john Updike

Everything ravaged, Everything burned wells tower

What narcism means to me Tony hoagland

Pity the bathtub it's embrace of human form mattea Harvey

Foucalt's pendulum Umberto eco

The canterville ghost Oscar wilde x

Los sorias Alberto laiseca

Pandemonium Darryl gregory

Hopscotch Julio cortazar

Igur nebli miquel de palol I muntanyola

Journey to the end of the night louis-ferdinand Celine

Point omega Don dellilo

Black Sunday Thomas harris

El jardi dels set crepuscles Miguel de palol I muntanyola

The street of crocodiles Bruno Schultz

Tabu Timo k. Mukka

Don't forget to breathe (migrations, volume I) ashim Shankar

El troiacord Miguel de Pollo I muntanyola

The egg head republic Arno schmidt

Rock star Jackie Collins

The lost scrapbook evan dara

Geek love Katherine dunn

Parley after life diy guide to death and other taxes Bobby Miller

God's mountain erri de Luca

Precarious: stories of love, sex and misunderstanding al riske

Where are the children mary Higgins Clark

Gryphon: new and selected story Charles baxter

Venus drive Sam lipsyte

The girl in the flammable skirt aimme bender

The chrysanthemums and other stories john Steinbeck

A clean well lighted place Ernest Hemingway

To build a fire and other stories jack london

Why I live at the p.o and other stories Eudora Welty

Appointment in sammara john O'Hara

Man in the dark Paul auster

The rocking horse winner d.h Lawrence x

House of sleeping beauties and other stories yasunari kawabata

Time's arrow martin amis

Blubber island Guillermo galvan

Darconville's cat Alexander theroux

Canti del caos Antonio moresco

Sam Dunn is dead: futurist novel Bruno corra

Lonesome dove Larry mcmurtry

[c0ffinshit]

♡ FAQ ♡

╭────── · · ୨୧ · · ──────╮

here is a list of questions i get asked a lot by fans and people in my real life about my writing.

╰────── · · ୨୧ · · ──────╯

Q: Who Do You Write For?

A: well, that question has a lot of answers. i've written for a ton of ethan hawke characters like ernest toller from first reformed or james sandin from the purge. but i have also written for characters outside of the ethan hawke fandom like dexter morgan from dexter or the different doctors in the tv show doctor who.

Q: Who Do You Want To Write For?

god, that list is wayyyyy too long. but since i'm sooo nice i'll name a few i want to write for.

willard stiles from willard (2003)

john q (simon) from dinner in america (2020) (ik i wrote for him before but i wanna write more)

peter strahm from the saw franchise

and many more !!!

Q: Are Your Request Open?

A: currently, my request are closed. but always check back there if that changes.

Q: What Is Your Favorite Work You Have Posted?

A: i like Bonnie and Clyde Syndrome, Reach Down, and Hello, You the best.

Q: Do You Only Write Romance And Smut?

A: i actually get this question a lot these days. my answer is no, however. i write a lot of romance and smut, yes. but i've written western and horror before, among others.

Q: Are You Accepting Tips?

A: currently, no. i feel no need to do this for money. writing is a joy that i want to give to the world. ergo, i need nothing in return. will i accept tips in the future? i doubt it, but maybe.

Q: Then If You Aren’t Accepting Tips, How Can I Support You?

A: honestly, the best way to support me is through reblogging and word of mouth. as i said, i do this for the fact that it brings you joy. so, knowing that you loved my art is enough for me.

 Q: What Other Social Medias Do You Have So I Can Ask For Requests Without Using Tumblr/Support You And Your Writing?

A: well, my ask box is always opened for support but if you need to reach me in other ways i am active on my threads and tiktok accounts.

tiktok: pintsh1p

threads: c0ffinshit

Q: What Else Did You Write That’s Not On Tumblr?

A: yes i have. warning though, they both are seven types of bad since they are super old.

late night wonders : larry johnson x reader (sally face)

but in his arms, i could forget : greg x sexworker!reader (succession) 

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ｡ﾟ

i hope i answered all of your hard-pressing questions, check out my introduction for other information not included in this post !! ʕ•ᴥ•ʔ bye bye 

love thy neighbor and treat each other with kindness!

[aseriesof-unfortunatequotes]

I'm sorry but "Beautiful Trauma" by P!nk reminded me of asoue so I'm leaving this here

Beatrice: We were on fire

Olaf: I slahsed your tyres

Esme: it's like we burn so bright we burn out

Jacquelyn: I made you chase me

Ernest: I wasn't that friendly

Jerome: My love my drug we're fucked up

Olaf: Cause I've been on the run so long they can't find me

Kit: you're waking up to remember I'm pretty

Esmè: and when the chemicals leave my body

Frank: yeah they're gonna find me in a hotel lobby

VFD: Cause mm tough, times they keep coming, all night

Kit & Dewey: laughing and fucking

Josephine: some days like I'm barely breathing

Gustav: After we were high and the love dope died it was you

Montgomery: the pill I keep taking

Lemony: The nightmare I wake in

Quagmire Triplets: There's nothing

Baudelaire Siblings: no nothing

Carmelita: nothing but you

Fiona: my perfect rockbottom

Sunny: my beautiful trauma

Esmè: my love, my love, my drug, oh

Jerome: My love, my love, my love, my drug, oh

Esme: My love, my love, my love, my drug, oh

Jerome: My love, my love, my love, my drug, oh

Esme:My love, (oh) my love, my drug, we're fucked up

Kit: you punched a hole in the wall

Olaf: and I framed it

Jacques: I wish I could feel things like you

Olivia: everyone's chasing that holy feeling

Ike: and if we don't stay lit we'll blow out

Josephine: blow out?

Baudelaire Orphans: cause we've been on the run so long they can't find us

Klaus: who's gonna have to die to remind us?

Violet: that it feels like we chose this blindly

Kit: now I'm gonna fuck up a hotel lobby *horrified look from Dewey*

VFD: Cause these tough times they keep coming

--not the full song but yes--

[beatricebidelaire]

mutually beneficial ; esme squalor / sally sebald

a last minute argument arose, and esme and georgina, who had previously planned on going to the masked ball together, were now going separately. didn’t have the ability to hypnotize someone into being her date like georgina could, esme decided to strike a deal with someone she knew who was definitely not happy about the georgina’s act of hypnosis.

caramel salt ; georgina orwell / bertrand baudelaire

long letters filled with complicated words discussing different fields of topics, polite pleasantry catching flies with honey, subtle suspicious glances at each other behind the glasses. it’s not a love story, but maybe it could have been, once, had things been different.

3, 2, 1, Action! ; gustav sebald / larry your-waiter

gustav sebald got on his nerves, and larry really only put up with him for jacquelyn’s sake, knowing he was jacquelyn’s good friend. gustav sebald with his annoyingly handsome hair and his annoyingly husky voice as he talked about zombies in the snow. gustav sebald with his ridiculous black cape that was supposed to make him look like a ridiculous vampire wanna be but only somehow made him look ridiculously attractive. it’s becoming a problem.

another first kiss ; beatrice baudelaire / r, the duchess of winnipeg

the first time beatrice and r kissed, it was at a rehearsal for a play. it was r’s first kiss ever, but she knew it probably wasn’t beatrice’s. the moment ended far too soon, and before she could realize it, esme was already loudly saying the next line, and everything that happened that afternoon afterwards felt like a blur. it was just a rehearsal, a kiss that didn’t mean anything, r told herself. but why did she keep thinking back on it?

unsent ; ernest denouement / bertrand baudelaire

he wrote a letter every week, and then stashed it into the locked drawer of his desk in his office at the hotel. “thought i saw your from afar when you came to visit dewey yesterday, i like your new haircut.” “did you have the chance to do the crossword puzzle of daily punctilio last week? 13 down reminded me of an inside joke we had.” “i miss you i miss you. i’m starting to think frank’s music taste is getting worse, i didn’t know that was possible.”

[inkinghubris]

Hemingway and Other Things You Shouldn't Talk About

Hemingway Said, You Do Not Talk About Writing

Rule number one: You do not talk about writing. Rule number two: You do NOT talk about writing! I always picture Brad Pitt walking around telling a group of authors all the rules before a furious word slinging writers event, in some dark, seedy basement covered in sweat and coffee stains.

Hemingway and Fight Club have things in common, such as rules about not talking. Obviously this is not the case. However, as writers we have a series of unwritten laws that we tend to either abide or pretend to be oblivious too. I am Jack's complete lack of interest. Writers Have Heroes, Too As writers, we have authors as heroes just as those school kids look up to athletes. Stephen King, Ernest Hemingway, Henry Miller and Stu Stein, to name a few. These authors broke the first rule of Writing Club: they all have a publication called On Writing. "Throughout Ernest Hemingway's career as a writer," says Larry W. Phillips in his introduction to Ernest Hemingway on Writing, "he maintained that it was bad luck to talk about writing." So what else are we mortal writer's, superstitious or otherwise, not supposed to do or say? There is quite a list, actually. I am Jack's bleeding heart. Rule #1 As we have established, it is bad luck to talk about writing. Thanks, Ernest. Why, though? Basically, as Hemingway explains further, it is better to just write and not speak of it. In his method of removing all the bullshit and leaving behind only the greatness. I disagree with this almost completely. Almost. I feel that we are just glorified campfire story-tellers. It is our duty to tell stories. Written down for others to enjoy at their leisure, obviously, that's why we are "writers". At the core of it all, however, we tell stories. Talking about our stories is just in our nature. I am Jack's gaping mouth. I do agree with the concept that we shouldn't brag, and we also shouldn't try to school or teach every passer-by with our knowledge of the process. Just tell the story, mate. Rule #2 Another no-no myth is that we should write perfect. I am Jack's decaying ego. As the saying goes: practice makes perfect. I disagree. I used to tell my football teams that practice does NOT make perfect, only perfect practice makes perfect. They just looked at me and nodded "yes coach".

Don't practice writing, practice perfect writing. In writing, this same method applies to an extent. If you practice writing you will get better, but only so far as you write perfect. The problem is that no one just writes perfectly out of the box. If we did, there would be no need for drafts and we would just pump out perfect final drafts day in and day out. James Patterson was said to have written over a million words before he wrote his first novel. Writing makes you write better, but to write better you don't just write words, you write better words. The one issue I have with this is that trying to write every word perfectly distracts from the art. Instead, I suggest that you just write. Worry only about perfection while editing and focus on writing perfectly whilst writing the final draft. Otherwise, just write. Rule #3 Don't write like your idols. Sigh. I have heard this over and over and over and every time it upsets me to no end. Believe it or not, there is a finite number of writing genres. We are drawn towards certain ones and turned off by others. I, for example, love thriller and horror and dislike romance and most young adult. Having authors as idols is not a bad thing and if we aspire to be an author then who should we emulate? Our idols. Exactly. So why are we told not to? The reasons vary from one mouth to another, but the main theme seems to be that we should write our own style in our own voice. I tend to believe, though, that our own style and voice will come out, anyway. We should write like our idols. I don't write romance, and would never try to emulate Nicholas Sparks. However, writing horror I see nothing wrong trying to write in similar styles of King, Koontz or Barker. Will I ever write a book and have a publisher read it and say... "Hey! did Clive Barker write this?" No. That will never happen. However, if I am trying to sell a horror book and someone compares it to Clive Barker, then I should feel overwhelmingly excited about that. Writing like your idols is never a bad thing. Rule #4 You should never ask your mom for feedback. Again, heavy sigh. Friends and family are essential for writers' feedback, especially if you are just starting out. While it is true that mom and dad will have a harder time giving you negative feedback (generally) this is not a bad thing. As a writer, you will experience enough setbacks and hardships and negativity to last five lifetimes. Eventually it will harden you, make you better, make you more fierce. In the beginning though, it's detrimental to your writing career. If you start out with negative feedback, you will eventually believe it. Having mom coo and gush over your first few works will help boost your ego and keep you going. From there, you will begin perfect practice and have thousands more words under your belt. You must seek out your mom and close friends for feedback in the beginning (and again any time you need to return to your happy place of believing you can accomplish this task). It is essential, and helpful. I am Jack's boastful pride. Rule #5

If you don't know, believe you know. Base it on natural physics or biology and readers will believe it as real, too. Write what you know. This is tricky and I agree with it to a very limited extent. Readers (and publishers alike) know when you are bullshitting them. If you are writing about car mechanics and you know nothing of repairing an engine, you will turn your readers off. Once you lose a reader because you don't know what you are talking about, they will never believe another word you write, if they even finish the book. However, just writing what you know will severely limit what you write about. And what about things that no one knows about? Aliens, vampires, deep space... if we only ever wrote what we knew, then books like Lewis' Narnia or Tolkien's ring quests and hobbits, would never exist. I take the phrase "write what you know" and change it slightly to "write what you believe." A simple change that allows the author to have a slight edge in the truthfulness in the story. I am Jack's cancer-ridden mind. We Don't Know Everything Certainly no one knows about hobbits, but Tolkien believed in them so much that what he said about them was a gospel of truth. No one doubts hobbits because Tolkien didn't doubt them. However, we can't always write absolute fantasy. So you should know your material. You need to know how wounds heal, how radios operate, or how television signals work. Otherwise, if you bull shit these small details, You won't have much success. Roald Dahl wouldn't have such success with Willy Wonka. Sure there is a great deal of fantasy in that chocolate factory, but imagine if Dahl had simply made up how television signals work? We would never believe that it was possible to travel through those television waves and might have put the book down. Believe what you write and learn what you do not know. Don't be afraid of research and get the small details right. Rule #6 Don't write cliche. The main problem I have with this "advice" is that we then have to define what is cliche. Then, further, if we don't write cliche, there wouldn't be cliche to write. The issue there is that cliche works. That is why it is cliche. Now you are asking yourself how many more times can I possibly say that word in one paragraph. The answer is 97. However, I will refrain. Yes, the works can be overworked or even trite. They are important. This is never more obvious than when you get ideas for stories. Just like Hollywood, the literary world goes around in a circle. For example, right now we have an influx of super hero movies that followed a slew of Romance and Romantic comedies. True, too, will be that the literary world will follow suit. Wizards and broom stick games followed by vampires and werewolves. It's all a Cycle Horror is popular when Young Adult is on the decline and Romance blooms when Fantasy fades. Just because you write cliche projects (96) don't worry about it. You may have to put it in a drawer and forget it for a few years, but soon and once again, the time will be right and people will be clamoring for that long-forgotten cliche (95) to be unleashed. Don't be afraid to complete a project, just because the market is currently flooded with a similar style of work doesn't mean it won't get noticed. "It's only after we've lost everything that we are free to do anything." Rule #7 You must find your unique voice. Umm. This is such a convoluted piece of advice. Yes, you do, but no, you do not. Confused? You should be. I spent too many wasted hours trying to follow this seemingly simple "fact". Hours I will never get back. Quickly (as I have other posts and pages about voice here that go into deeper detail), voice is not how you talk or the sounds that come from your characters mouths. Voice is, in essence, a style. The catch, however, is that your book's voice is unique to that book. Your voice will change from project to project. Do you need to find it? The real answer is that you will notice the voice emerging as you work. From draft to draft your project's voice will emerge and you can then focus more on it. For now, in the beginning, it isn't such a big worry. It will come and if it doesn't, then that is one tale-tell sign that perhaps that particular project isn't making the finish line. Rule #8 Finally, the old tale to ensure you write every single day. You must write X amount of words, or for X amount of hours every single day if you are going to be successful. There are so many "facts" to support this: King writes 2000 words every day and won't stop until he's done it. Or, Koontz ensures, he writes for a minimum of 2 hours each day. Yes, that method works for some, even a lot of, people. However, these famous authors are paid to write. Are you yet paid to write every day? I know that I am not. I have work, and children and family and friends and shopping to do and places to go. Let's be frank. You need to make the time to write. It does need to be a habit that you can do and get into. If it's ever a chore, then perhaps it isn't for you. It is nice to have goals. However, I will fight to the death against anyone that says I must write a certain amount or for a certain time every single day. We Have Lives I have a life. You do too. While you, like me, want to make a career from writing, you also have other obligations and other spontaneous things that appear that take our time, focus and attention away. Go with it. Get a break. Take a day or even two off. Go outside. Research. Read. Watch a movie. Get some sun on your skin. Go shopping. You do not have to write every single day. Just as long as you don't fall in the hole and make not-writing the habit. I am Jack's exhausted colon. Write. Write often. Get lost in it. Talk about it. Get positive feedback. Enjoy what you do and do it with a fervor and a vigor that rivals pure passion. Read the full article

[parkiing]

GET TO KNOW ME BETTER!

I was tagged by @hollowbrds

1. name/alias: my name is Parker!

2. birthday: I’m turning 18 on August 10th!!

3. zodiac: leo sun, cancer rising, aries moon...🤡

4. height: I think I’m closer to 5’7 1/2 (171.5 cm) but I have “short rower complex” so I say I’m 5’8 hahaha

5. hobbies: working out, reading- especially about guardian angels, any kind of poetry, medical research, or politics! I also love doing yoga, listening to music, and I’ve recently reconnected with my middle-school self by getting back into playing piano and skateboarding hahahah

6. favorite color: this summer’s color is baby pink, baby!!!! Navy blue/black are my second favs.

7. favorite books: any book about guardian angels by Lorna Bryne. I’m also super interested in the book “A Tale of Two America’s” by THIRTY-SIX different contemporary writers which is my summer reading for KU! Call Me By Your Name by André Aciman was beautifully written and if you enjoyed the movie I also recommend reading the book. I love most of Ernest Hemmingway’s books too because I love the way he writes. My all time fav since I was like..12, is Walk Softly, Rachel by Kate Banks!

8. Last song you listened to: the last song I listened to was WHAT’S GOOD by Tyler the Creator and the current song I’m listening to is Timothy by Tennis!

9. Last film you watched: Midsommar by Ari Aster!

10. Inspiration/muse: I’m gonna have to say that the answer Joce gave was pretty spot on: I think, in regard to art and how I relate to it in everyday life, I’m inspired by: the Female Experience, the “interconectedness” between humans, the symbolism of religion in everyday life/nature, love, and the “tenderness” that comes with being human. These are all themes that seem to be most prevalent.

11. dream job: right now my dream job is anything in the medical field but specifically a trauma surgeon or neuroscientist!

12. meaning behind your url: I deleted my first tumblr which had the DUMBEST name back in like 2014/15 and parkiing was supposed to be temporary, but it’s stuck because I’m too scared to change it to anything else. Parking just reminds me of Parker.

13. top 3 ships: I don’t really watch/read a lot to ship a lot but I guess I would say Hannigram from Hannibal, I’ll forever be a die-hard Larry, and like mulder&scully from the X-Files duh idrk anything else hahahah

14. lipstick or chapstick: consider.... lipgloss

15. currently reading: A Tale of Two America’s (as I said before) and Sometimes God Has A Kid’s Face by Bruce Ritter

16. Some people I would like to do this are: @darkgreenwater @voleux @rilecones @dopplegonger @uninterestiing @ikatoria @skippingclasses @vhspilots @etherealeo @bydia-lew @crystal-lions @rockgarden @deathrind @merfaerie @bastard-lesbian @s-l-u-g-s @cpeacecastlec @softluvr @vmps @pensivewoman @ohth @oldpisces @sadbrowngirlclub @ikeeplosingthings @666morandi666 @gumdecay @sanfranciscoe @nefariousbrat @opuhala @virtualgirlscout @unitybyangels @floatingmirrors @dandelionquartz @soulful-alignment @penutbutteroatmeal @twinbright @higher-frequencies @198-94 @visionsofajohanna @calmd0wnparty @palmtree47 @1paulkraus9

[weolcantramp]

The Midheaven: How You Will Be Remembered

The Midheaven (MC) is commonly thought to describe one’s career path. Although this is a decent indicator of one’s overall path, it can be hard to relate to a specific career so early in one’s life. So, if you don’t relate to your Midheaven like, “Oh, you have a MC in Aries, so you’re probably going to be a police officer, solider, or athlete" then maybe try thinking of the Midheaven as how you will be remembered or what you are generally associated with. (Always trust your dominant sign to describe you the most- *a post similar to this coming soon) ✨No matter what career you decide, you will be remembered by your peers, co-workers, friends, and family by traits from the sign, aspects*, and planets* bestowed upon your 10th House.✨

♈ Aries MC: will be remembered for their courage, boldness, intimidating/unsettling nature, and/or originality. (ex. Stephen King, Meryl Streep, Kanye West, Joan of Arc, Bill Gates, Angelina Jolie, Madalyn Murry O'Hair, Pablo Picasso, Rachel Maddow, Will Smith, Franz Kafka, Tyra Banks, Aleister Crowley, Tina Fey, Francisco de Goya, Julia Roberts, Chris Farley, Joseph Goebbels, Marvin Gaye, Iggy Pop, Kate Moss, Alfred Hitchcock, George Wallace, Hank Williams, Ayn Rand, Rob Zombie, Alexandre Dumas, John Steinbeck, Anne Frank, Twiggy, Jack Black, William Blake, Celine Dion, Galileo Galilei, Al Gore, Emmylou Harris, Las Vegas-Nevada, Manhattan-New York)

♉ Taurus MC: will be remembered for their extravagant style or possessions, their values, and/or “diva” attitude. (ex. Henry VIII, Andy Warhol, Marilyn Monroe, Tina Turner, Pope Francis, Jackie Robinson, Selena Gomez, Drake, Donald Trump, Freddie Mercury, Agatha Christie, Muhammad Ali, Frida Kahlo, O. J. Simpson, Justin Timberlake, Marlene Dietrich, Malala Yousafzai, Christopher Columbus, Michael Bay, Luciano Pavarotti, Nicole Richie, Woody Allen, Marilyn Manson, Maya Angelou, Martin Scorsese, Bernie Madoff, Ringo, Josephine Baker, Andrew Lloyd Webber, Sarah Palin, Josh Groban, Chris Brown, Mary Kate & Ashley Olsen, Norway)

♊ Gemini MC: will be remembered for/through words (writing, phrase, acting, thoughts, speech), their cleverness, and/or mental/emotional detachment. (ex. Jean-Jaques Rousseau, Albert Camus, Madonna, J.R.R. Tolkein, Donna Summer, Wolfgang Amadeus Mozart, Chelsea Handler, Alex Trebek, Kurt Cobain, Julie Andrews, Oscar Wilde, Jay-Z, Richard Nixon, Harriet Beecher Stowe, Tom Hanks, Kris Jenner, Walt Disney, Miss Cleo, Mark Zuckerberg, Steve Jobs, Hugh Hefner, Lizzie Borden, Jane Austen, Charles Dickens, Kathy Bates, Winston Churchill, Melissa Ethridge, Ernest Hemingway, Margaret Mitchell, Paul Simon, Greece, Tokyo-Japan)

♋ Cancer MC: will be remembered for their emotional impact, sensitivity, and/or parental care/control. (ex. Beyoncé, Matamha Gandhi, John F. Kennedy, Venus Williams, Britney Spears, Arthur Rimbaud, Elizabeth Warren, Denzel Washington, Jeffery Dahmer, Sun Yet-sen, Bob Hope, Stevie Wonder, Anderson Cooper, Cat Stevens, Anna Nicole Smith, Joe Jonas, Rock Hudson, Alice Cooper, Woodrow Wilson, Barbara Walters, T. S. Elliot, Coretta Scott King, Albert Schweitzer, Ted Cruz, Monica Lewinsky, H.P. Lovecraft, Anaïs Nin, Katie Couric, Ralph Waldo Emerson, Carole King, Neil Diamond, Harper Lee, Giacomo Puccini, Sidney Poitier, September 11 attacks, United Kingdom)

♌ Leo MC: will be remembered for their theatrics, arrogance/vanity, power, and/or regality. (ex. Grace Kelly, Prince, Isaac Newton, Adolf Hitler, Katy Perry, Charlie Chaplin, Aretha Franklin, Sigmund Freud, Jacqueline Onassis-Kennedy, Stanley Kubrick, Courtney Love, Mark Twain, Chaka Khan, Napoleon Bonaparte, Kathy Griffin, Jim Carrey, Alfred Nobel, Eric Clapton, Annie Oakley, Martha Stewart, Divine, Louis Pasteur, Robin Williams, Ludwig Van Beethoven, Chuck Berry, Vladimir Putin, Clint Eastwood, Missy Elliot, Frank Sinatra, Mel B, Edgar Allan Poe, Los Angeles-CA)

♍ Virgo MC: will be remembered for their scandals/controversy, never-ending toil, physicality/health and/or attention to detail. (ex. Hillary Clinton, Bruce Lee, Kim Kardashian, Ellen DeGeneres, Brad Pitt, Nelson Mandela, Bette Davis, Justin Bieber, Elvis Presley, Erykah Badu, Jimmy Page, Eartha Kitt, Leonardo de Vinci, Bob Marley, Joan Crawford, Margaret Thatcher, Eminem, Friedrich Nietzsche, David Lynch, Chaz Bono, Marlon Brando, Björk, Ozzy Osborne, Emily Brontë, Bernie Sanders, Georgia O'Keeffe, Diana Ross, Kahlil Gibran, Russia, United States)

♎ Libra MC: will be remembered for their inner/outer beauty, adaptability, and/or desire for or appearance of stability. (ex. Elton John, Jane Goodall, Malcolm X, Coco Channel, Kylie Jenner, Ronald Reagan, Princess Diana, Michelangelo, Oprah Winfrey, Bob Dylan, Winona Ryder, Jimi Hendrix, Mother Teresa, Elizabeth Taylor, Cristiano Ronaldo, Angela Merkel, Tom Brokaw, Alan Watts, Charles Darwin, Brigitte Bardot, Patti Smith, Chuck Norris, Linda Lovelace, Ray Charles, Lionel Messi, Eleanor Roosevelt, Lewis Carroll, Noam Chomsky, Lucille Ball, Venice-Italy)

♏ Scorpio MC: will be remembered for their physical attractiveness, taboo activities/topics, and/or natural talent. (ex. James Joyce, Billie Holiday, Taylor Swift, Barack Obama, Carrie Fisher, Jim Morrison, Selena, F. Scott Fitzgerald, Queen Elizabeth II, Ariana Grande, Marie Curie, Anthony Hopkins, René Descartes, Nina Simone, Willem Dafoe, Paul Newman, Mariska Hargitay, Thomas Jefferson, Ray Bradbury, Joseph Stalin, Larry King, Duke Ellington, Joan Jett, Buddy Holly, Megan Fox, Johnny Knoxville, Daniel Day-Lewis, Gwen Stefani, Francis Ford Coppola, Sophia Loren, Marcus Aurelius, China)

♐ Sagittarius MC: will be remembered for their joviality​, reckless/wild free spirit, sense of humor, and/or philosophy/spirituality. (ex. Al Capone, Deepok Chopra, Shia LaBeouf, Audrey Hepburn, Harvey Milk, Johnny Cash, David Bowie, Bettie Page, Pablo Neruda, J. K. Rowling, Christina Aguilera, Michael Jackson, Henry David Thoreau, Adele, Janis Joplin, Maximilien Robespierre​, Ellen Pompeo, Whitney Houston, Paul McCartney, Evel Knievel, Bruno Mars, Jimmy Fallon, Peggy Lipton, Karl Marx, George Takei, Ryan Gosling, Whoopi Goldberg, Vincent Price, Rio de Janeiro-Brazil)

♑ Capricorn MC: will be remembered for their accomplishments/legacy, conquering of odds, and/or persistence. (ex. Martin Luther King Jr., George Washington, Rihanna, Isadora Duncan, Benjamin Franklin, James Dean, Nikola Tesla, John D. Rockefeller, Serena Williams, Joan Baez, Snoop Dogg, Alexander the Great, Barbara Streisand, Ron Howard, Stevie Nicks, Bette Midler, Joan Rivers, Immanuel Kant, Queen Latifah, Johann Sebastian Bach, Walt Whitman, Che Guevara, Liza Minnelli, Amelia Earhart, Mariah Carey, John Lennon, George Lucas, Donatella Versace, Louis Armstrong, Pakistan)

♒ Aquarius MC: will be remembered for their rebellious nature, involvement in a social organization/group​, and/or unpredictability. (ex. Miley Cyrus, Tim Burton, Voltaire, Mick Jagger, Carl Sagan, Rita Hayworth, Neil Armstrong, Amy Winehouse, Pamela Anderson, Carlos Santana, Edward Snowden, Leo Tolstoy, Mae West, Orson Welles, Charlie Sheen, Eva Peron, Miles Davis, Bruce Springsteen, Johann Kepler, Suddam Hussein, Ruby Rose, Gerard Way, Helen Mirren, Howard Stern, Arthur Conan Doyle, Mary Shelley, George R. R. Martin, Kristen Stewart, Jean Piaget, Ronda Rousey, Willow Smith, Florida, India)

♓ Pisces MC: will be remembered for their delusional optimism, supernatural success, and/or they are often idolized. (ex. Vincent Van Gogh, Albert Einstein, Irene Cara, Cher, Salvador Dalí, William Shakespeare, Edie Sedgwick, Fidel Castro, Lady Gaga, Dalai Lama XIV, Steven Spielberg, George Michael, Marie Antoinette, RuPaul, Judy Garland, Michael Phelps, Sally Ride, John Cena, William Faulkner, Victoria Beckham, Lee Harvey Oswald, Douglas Adams, Jean Renoir, Buzz Aldrin, Arnold Schwarzenegger, Farrah Fawcett, Osama bin Laden, Sam Cooke, Michael Jordan, Switzerland, North Korea)

[theultimatefan]

‘Smallville,’ ‘Firefly,’ Heughan Q&A’s, Cosplay, Creative Panels Head Programming At Wizard World New Orleans; Most Included With Any Admission

Q&A sessions with the casts of “Smallville” (Tom Welling, Michael Rosenbaum, John Glover; women trio of Kristin Kreuk, Erica Durance and Laura Vandervoort), “Firefly” duo of Jewel Staite and Sean Maher, “X-Men” voice actors Larry Houston, Chris Potter, Cal Dodd, George Buzza, Lenore Zann and Chris Britton, “Outlander” panel with Sam Heughan and special guests, Ed Speelers, John Bell and Maria Doyle Kennedy, Cary Elwes (The Princess Bride), Holly Marie Combs (“Charmed”) and Matt Ryan (“Constantine”), plus cosplayer and comics creator sessions, adult and kids costume contests, live podcasts and more highlight the programming offerings at the 10th annual Wizard World New Orleans, January 3-5 at the Ernest N. Morial Convention Center. Most programming is included as part of the standard event admission (the Heughan/”Outlander”) panel is a notable exception, requiring an additional ticket) and is in addition to the live entertainment options (dancing, music, trivia, etc. hosted by Kato Kaelin) all weekend.

Some highlights of the more than 150 hours of panels scheduled to date include:

Group panels with “Smallville” (Welling, Rosenbaum, Glover, Saturday, 2 p.m.; Kreuk, Vandervoort, Durance, Saturday, 3 p.m.); “Outlander” (Heughan, Speelers, Bell, Doyle Kennedy; Saturday, 11 a.m., Extra Ticket Required), “Firefly” (Staite, Durance; Saturday, 4 p.m.); “X-Men” (Sunday, noon); “Child Stars All Grown Up” (Thomas Ian Nicholas, Patrick Renna, Samm Levine; Saturday, 2:30 p.m.); and “Heroes of Sci-Fi & Fantasy” (Nick Stahl, Jake Stormoen; Sunday, 11:30 a.m.) Solo Q&A sessions with Elwes (Saturday, 1 p.m.), Combs (Saturday, 1:30 p.m.); Ryan (Saturday, 4:30 p.m.); and Xander Berkeley (“The Walking Dead,” Sunday, 12:30 p.m.) Creator sessions with industry superstars Neal Adams, Joe Wos, Dr. Travis Langley, Jim Steranko, Jim Krueger, Well-Bee, Jeremy Clark, Tyler Kirkham, James Morris, Dr. Janina Scarlet, Terry Maggart, John Hallett and more Fan- and industry-based panels on subjects ranging from turning a comic into IP for TV/Film, Ghostbusters propping, writing comics, storyboarding, Star Wars, Sci-Fi vision, cult TV shows, foam and Worbla, urban fantasy, swords and spaceships, RPG, Harry Potter/Fantastic Beasts, Disney, “Outlander” behind the scenes, Ghosts of NOLA, YouTube, DC Universe, superheroes, burlesque, Star Wars, setting and achieving goals and more, some hosted by Mythbusters’ Rachel Pizzolato and some by Hall of Justice Podcast’s Seth Everett. “Smallville Nights,” an intimate evening with Welling and Rosenbaum (Friday, 7:15 p.m.; Extra Ticket Required) “X-Men” Masterclass (Saturday, 12:30 p.m., Extra Ticket Required) and Meet and Greet (Saturday, 7:30 p.m., Extra Ticket Required) with the seven “X-Men the Animated Series” cast members Dungeons & Dragons with Stormoen (Saturday, 7:30 p.m., Extra Ticket Required) Screening of the original film “Louisiana Ghostbusters, Ep 3 - Goodbye Stranger” (Saturday, 1:30 p.m.) Exclusive Sneak Peek Preview of the upcoming sci fi/ horror film Uncanny Harbor, featuring cast members Corey Wells, William Cheverie, Reid Sinclair and Elle Matarrazo (Friday and Saturday) Kids programming all three days, including free sketches, face painting, hero training, Jedi training, mask making and more World-famous Wizard World Adult Costume Contest, Saturday at 7:30 p.m. and Kids Costume Contests on Saturday and Sunday at 2 p.m. Cosplay with special guests Remy Domino, Ineedsugar, Christina Dark, Artemis Wild and more, throughout the weekend

Unless noted, programming events take place in the designated General Programming Rooms or show floor stages at the convention center. VIP tickets or additional costs may apply to ensure access to select activities, as noted.

A full list of Wizard World New Orleans programming is available at http://wizardworld.com/programming-entertainment/New-Orleans (subjects, guests, times and rooms subject to change).

Wizard World events bring together thousands of fans of all ages to celebrate the best in pop culture: movies, television, gaming, live entertainment, comics, sci-fi, graphic novels, toys, original art, collectibles, contests and more. The first event scheduled on the 2020 Wizard World calendar, New Orleans show hours are Friday, January 3, 4-9 p.m.; Saturday, January 4, 10 a.m.-7 p.m.; Sunday, January 5, 10 a.m.-4 p.m. Kids 10 and under are admitted free with paid adult.

Wizard World New Orleans is also the place for cosplay, with fans young and old showing off their best costumes throughout the event. Fans dressed as every imaginable character – and some never before dreamed – will roam the convention floor and participate in the famed Wizard World Costume Contest on Saturday evening.

For more on the 2020 Wizard World New Orleans, visit http://wizd.me/NewOrleansPR.

[katmovies-blog]

SHAFT New Line Cinema’s action comedy “Shaft” is the next chapter in the film franchise featuring the coolest private eye on any New York City block. Tim Story (the “Ride Along” and “Think Like a Man” franchises) directs this all-new take on a legend, starring Oscar nominee Samuel L. Jackson (“Pulp Fiction,” “Kong: Skull Island”), Jessie T. Usher (TV’s “Survivor’s Remorse,” “Almost Christmas”), Regina Hall (“Girls Trip,” “Barbershop: The Next Cut”), Alexandra Shipp (“Straight Outta Compton,” “X-Men: Apocalypse”), Matt Lauria (TV’s “Kingdom,” “Friday Night Lights”), Titus Welliver (“Argo,” TV’s “Bosch”), Cliff “Method Man” Smith (“Keanu,” “Train Wreck”), and Richard Roundtree, the original John Shaft. JJ, aka John Shaft Jr. (Usher), may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide. Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft (Jackson) agrees to help his progeny navigate Harlem’s heroin-infested underbelly. And while JJ’s own FBI analyst’s badge may clash with his dad’s trademark leather duster, there’s no denying family. Besides, Shaft’s got an agenda of his own, and a score to settle that’s professional and personal. The film is produced by John Davis (“Game Night,” “Joy”) under his Davis Entertainment banner. “Shaft” is written by Kenya Barris (“Girls Trip,” TV’s “Black-ish”) & Alex Barnow (TV’s “The Goldbergs”), based upon the character John Shaft from the novel by Ernest Tidyman. Serving as executive producers are Tim Story, Ira Napoliello, Kenya Barris, Marc S. Fischer, Richard Brener and Josh Mack. Story’s behind-the-scenes creative team included director of photography Larry Blanford (“Ride Along,” “Tag”), production designer Wynn Thomas (“Hidden Figures”), editor Peter S. Elliot (“Ride Along 2”), and costume designer Olivia Miles (“Ride Along 2”). The music is by Christopher Lennertz (“Nobody’s Fool,” “Pitch Perfect 3”), and Dave Jorden served as music supervisor. New Line Cinema presents a Davis Entertainment Production, a Tim Story Film, “Shaft” is set for release on June 14, 2019. It will be distributed in North America by Warner Bros. Pictures, and internationally by Netflix.

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[allbestnet]

The 5000 Best Books of All-Time

Book 251–499 (go to book 1 to 250)

251. All the King’s Men (1946) by Robert Penn Warren 252. The Maltese Falcon (1930) by Dashiell Hammett 253. The Adventures of Tom Sawyer (1876) by Mark Twain 254. Ouran High School Host Club by Bisco Hatori 255. Plague (1947) by Albert Camus 256. Jurassic Park (1990) by Michael Crichton 257. The Stormlight Archive by Brandon Sanderson 258. Shogun (1975) by James Clavell 259. A Town Like Alice (1950) by Nevil Shute 260. Ambassadors (1903) by Henry James 261. Blood Meridian (1985) by Cormac McCarthy 262. No Country for Old Men (2005) by Cormac McCarthy 263. The Castle (1926) by Franz Kafka 264. Phantom of the Opera (1910) by Gaston Leroux 265. Middlesex (2002) by Jeffrey Eugenides 266. The Book of the New Sun (1994) by Gene Wolfe 267. Vanity Fair (1848) by William Makepeace Thackeray 268. Heidi by Johanna Spyri 269. Bluest Eye (1970) by Toni Morrison 270. Seabiscuit by Laura Hillenbrand 271. Pippi Longstocking (1945) by Astrid Lindgren 272. The French Lieutenant’s Woman (1969) by John Fowles 273. North and South (1855) by Elizabeth Gaskell 274. Percy Jackson & the Olympians (2005) by Rick Riordan 275. Gilgamesh by 276. The Infernal Devices by Cassandra Clare 277. Millennium series by Stieg Larsson 278. Cat’s Cradle (1963) by Kurt Vonnegut 279. Northanger Abbey (1817) by Jane Austen 280. The Secret History (1992) by Donna Tartt 281. Screwtape Letters (1942) by C.S. Lewis 282. Twelfth Night by William Shakespeare 283. The World According to Garp (1978) by John Irving 284. A Confederacy of Dunces (1980) by John Kennedy Toole 285. Birdsong (1993) by Sebastian Faulks 286. Dandelion Wine (1957) by Ray Bradbury 287. Light in August (1932) by William Faulkner 288. The Glass Castle (2005) by Jeannette Walls 289. People’s History of the United States (2010) by Howard Zinn 290. Lamb by Christopher Moore 291. Water for Elephants (2006) by Sara Gruen 292. Moneyball (2003) by Michael Lewis 293. Three Men in a Boat (1889) by Jerome K. Jerome 294. Jungle (1906) by Upton Sinclair 295. The Forever War (1974) by Joe Haldeman 296. Le Pere Goriot by Honore de Balzac 297. Number the Stars (1989) by Lois Lowry 298. Siddhartha (1951) by Hermann Hesse 299. Streetcar Named Desire by Tennessee Williams 300. Misery (1987) by Stephen King 301. Calvin and Hobbes (1993) by Bill Watterson 302. I Am Legend (1954) by Richard Matheson 303. Tuesdays With Morrie (1997) by Mitch Albom 304. Medea by Euripides 305. The Witches (1983) by Roald Dahl 306. The Naked and the Dead by Norman Mailer 307. Where the Red Fern Grows (1961) by Wilson Rawls 308. Fear and Loathing in Las Vegas (1971) by Hunter S. Thompson 309. Robinson Crusoe (1719) by Daniel Defoe 310. Angela’s Ashes (1996) by Frank McCourt 311. One Day in the Life of Ivan Denisovich (1963) by Aleksandr Solzhenitsyn 312. Howl’s Moving Castle (1986) by Diana Wynne Jones 313. Go Tell It on the Mountain (1953) by James Baldwin 314. Tinker, Tailor, Soldier, Spy (1974) by John le Carre 315. Silmarillion (1977) by J.R.R. Tolkien 316. Breakfast at Tiffany’s (1958) by Truman Capote 317. The Boy in the Striped Pyjamas (2006) by John Boyne 318. I Know Why the Caged Bird Sings by Maya Angelou 319. High Fidelity (1995) by Nick Hornby 320. Parade’s End (1928) by Ford Madox Ford 321. Kim (1901) by Rudyard Kipling 322. Snow Crash (1992) by Neal Stephenson 323. Works by William Shakespeare 324. Song of Solomon (1977) by Toni Morrison 325. Satanic Verses (1988) by Salman Rushdie 326. Ready Player One (2011) by Ernest Cline 327. Starship Troopers (1959) by Robert A. Heinlein 328. Mahabharata by Vyasa 329. Journey to the Center of the Earth (1864) by Jules Verne 330. The Day of the Locust (1939) by Nathanael West 331. The Day of the Triffids (1951) by John Wyndham 332. My Antonia (1918) by Willa Cather 333. Swiss Family Robinson (1812) by Johann Wyss 334. I Capture the Castle (1948) by Dodie Smith 335. Oh, the Places You’ll Go! (1990) by Dr. Seuss 336. Sirens of Titan (1959) by Kurt Vonnegut 337. The Shawshank Redemption by Stephen King 338. The Golden Notebook (1962) by Doris Lessing 339. Tempest by William Shakespeare 340. Prophet (1923) by Kahlil Gibran 341. Mary Poppins by P.L. Travers 342. Everything is Illuminated (2002) by Jonathon Safran Foer 343. The New York Trilogy (1987) by Paul Auster 344. The Host (2010) by Stephenie Meyer 345. How to Win Friends and Influence People (1936) by Dale Carnegie 346. Brief History of Time (1988) by S.W. Hawking 347. Extremely Loud and Incredibly Close (2005) by Jonathan Safran Foer 348. One Thousand and One Nights by 349. Winesburg, Ohio (1919) by Sherwood Anderson 350. Ivanhoe (1820) by Sir Walter Scott 351. Farewell to Arms (1929) by Ernest Hemingway 352. Awakening by Kate Chopin 353. Little House by Laura Ingalls Wilder 354. Fun Home (2006) by Alison Bechdel 355. USA by John Dos Passos 356. The Shadow of the Wind (2001) by Carlos Ruiz Zafon 357. Ramayana by Valmiki 358. Autobiography of Malcolm X (1965) by Malcolm X 359. The Alchemist (1986) by Paulo Coelho 360. The Power of One (1989) by Bryce Courtenay 361. Aesop’s Fables by Aesop 362. The Virgin Suicides (1993) by Jeffrey Eugenides 363. Darkness at Noon (1940) by Arthur Koestler 364. Love You Forever (1986) by Robert Munsch 365. Batman by 366. Story of Ferdinand (1936) by Munro Leaf 367. Scott Pilgrim (2010) by 368. Seven Habits of Highly Effective People (1989) by Stephen R. Covey 369. Divergent (2011) by Veronica Roth 370. Outliers (2008) by Malcolm Gladwell 371. Childhood’s End (1953) by Arthur C. Clarke 372. A Doll’s House by Henrik Ibsen 373. Hunchback of Notre Dame (1831) by Victor Hugo 374. Thirteen Reasons Why (2007) by Jay Asher 375. Polar Express (1985) by Chris Van Allsburg 376. The Decameron by Giovanni Boccaccio 377. The Neverending Story (1979) by Michael Ende 378. Sun Also Rises by Ernest Hemingway 379. Jungle Book (1894) by Rudyard Kipling 380. Shantaram (2003) by Gregory David Roberts 381. Alexander and the Terrible, Horrible, No Good, Very Bad Day by Judith Viorst 382. Light in the Attic (1981) by Shel Silverstein 383. The Invention of Hugo Cabret (2007) by Brian Selznick 384. Scarlet Letter (1850) by Nathaniel Hawthorne 385. Jude the Obscure (1895) by Thomas Hardy 386. Mrs. Frisby and the Rats of Nimh by Robert C. O’Brien 387. Ringworld (1970) by Larry Niven 388. The Discworld Series by Terry Pratchett 389. Redeeming Love (1991) by Francine Rivers 390. The Shipping News (1993) by E. Annie Proulx 391. Like Water for Chocolate by Laura Esquivel 392. Thus Spake Zarathustra (1885) by Friedrich Nietzsche 393. Tale of Peter Rabbit (1902) by Beatrix Potter 394. Persepolis by Marjane Satrapi 395. The Once and Future King (1958) by T.H. White 396. Little Dorrit (1857) by Charles Dickens 397. Mythology by Edith Hamilton 398. Gulag Archipelago (1973) by Aleksandr Solzhenitsyn 399. Invisible Cities (1972) by Italo Calvino 400. The Walking Dead (2003) by Robert Kirkman 401. Hush, Hush (2009) by Becca Fitzpatrick 402. Bridge to Terabithia (1977) by Katherine Paterson 403. From the Mixed Up Files of Mrs. Basil E. Frankweiler (1967) by E.L. Konigsburg 404. Paradise Lost (1667) by John Milton 405. Moonstone (1868) by Wilkie Collins 406. Adventures of Huckleberry Finn by Mark Twain 407. Lovely Bones (2002) by Alice Seybold 408. Paper Towns (2008) by John Green 409. The Book of Mormon by Joseph Smith Jr. 410. Underworld (1997) by Don DeLillo 411. Where the Sidewalk Ends (1974) by Shel Silverstein 412. Battle Royale (1999) by Koushun Takami 413. The Haunting of Hill House (1959) by Shirley Jackson 414. Cry, the Beloved Country (1948) by Alan Paton 415. Flowers of Evil by Charles Baudelaire 416. Waiting for the Barbarians (1980) by J.M. Coeztee 417. The Left Hand of Darkness (1969) by Ursula Le Guin 418. Les Liaisons Dangereuses (1782) by Pierre-Ambroise-Francois Choderlos de Laclos 419. Bridget Jones’s Diary (1996) by Helen Fielding 420. Kane and Abel (1979) by Jeffrey Archer 421. Martian Chronicles (1950) by Ray Bradbury 422. Delirium (2011) by Lauren Oliver 423. Borrowers (1952) by Mary Norton 424. Origin of Species (1977) by Charles Darwin 425. Steve Jobs (2011) by Walter Isaacson 426. The Mayor of Casterbridge (1886) by Thomas Hardy 427. Killer Angels (1974) by Michael Shaara 428. The Poisonwood Bible (1998) by Barbara Kingsolver 429. Guns, Germs, and Steel (1997) by Jared Diamond 430. Bury My Heart at Wounded Knee (1970) by Dee Alexander Brown 431. Book of Job by God 432. The Dark Tower by Stephen King 433. Under the Dome (2009) by Stephen King 434. The Moon Is a Harsh Mistress (1966) by Robert A. Heinlein 435. Stories (1971) by Franz Kafka 436. Connecticut Yankee in King Arthur’s Court (1889) by Mark Twain 437. Joy Luck Club (1989) by Amy Tan 438. The Sneetches and Other Stories (1989) by Dr. Seuss 439. The Blind Assassin (2000) by Margaret Atwood 440. The Graveyard Book (2008) by Neil Gaiman 441. A Suitable Boy (1993) by Vikram Seth 442. Sister Carrie (1900) by Theodore Dreiser 443. Constitution by United States 444. Notebook (1996) by Nicholas Sparks 445. Silas Marner by George Eliot 446. The Omnivore’s Dilemma (2006) by Michael Pollan 447. Fried Green Tomatoes at the Whistle Stop Cafe (1987) by Fannie Flagg 448. Death Note by Tsugumi Ohba 449. The Last Song (2009) by Nicholas Sparks 450. The Big Sleep (1939) by Raymond Chandler 451. Unwind (2007) by Neal Shusterman 452. A Walk to Remember (1999) by Nicholas Sparks 453. Republic by Plato 454. Little House in the Big Woods (1932) by Laura Ingalls Wilder 455. The Sandman (1996) by Neil Gaiman 456. Speak (1999) by Laurie Halse Anderson 457. The Selfish Gene (1976) by Richard Dawkins 458. Lorna Doone (1869) by R.D. Blackmore 459. The Far Pavilions (1978) by M.M. Kaye 460. Gargantua and Pantagruel by Francois Rabelais 461. The Maze Runner (2009) by James Dashner 462. Bonfire of the Vanities (1987) by Tom Wolfe 463. Glass by 464. House at Pooh Corner (1928) by A.A. Milne 465. Tawny Man by Robin Hobb 466. Kafka on the Shore (2002) by Haruki Murakami 467. Portrait of a Lady (1881) by Henry James 468. Good Earth (1931) by Pearl S. Buck 469. Tuck Everlasting (1975) by Natalie Babbitt 470. Make Way for Ducklings (1941) by Robert McCloskey 471. Red Harvest (1929) by Dashiell Hammett 472. The Andromeda Strain (1969) by Michael Crichton 473. Naked Lunch (1959) by William Burroughs 474. If You Give a Mouse a Cookie (1985) by Laura Joffe Numeroff 475. The Other Boleyn Girl (2001) by Philippa Gregory 476. Angle of Repose (1971) by Wallace Stegner 477. Hunger (1890) by Knut Hamsun 478. The Beach (1996) by Alex Garland 479. Hansel and Gretel by Engelbert Humperdinck 480. The Last Lecture (2008) by Randy Pausch 481. Power and the Glory (1940) by Graham Greene 482. Pygmalion (1912) by George Bernard Shaw 483. My Name Is Asher Lev (1972) by Chaim Potok 484. The Absolutely True Diary of a Part-Time Indian (2007) by Sherman Alexie 485. Cold Mountain (1997) by Charles Frazier 486. Horton Hears a Who! (1982) by Dr. Seuss 487. The Murder of Roger Ackroyd (1926) by Agatha Christie 488. Berlin Alexanderplatz (1929) by Alfred Doblin 489. Cider House Rules (1985) by John Irving 490. Goedel, Escher, Bach (1979) by Douglas Hofstadter 491. The Stars My Destination (1956) by Alfred Bester 492. Twenty Thousand Leagues Under the Sea (1870) by Jules Verne 493. The English Patient (1992) by Michael Ondaatje 494. Outlander (1991) by Diana Gabaldon 495. Sentimental Education (1869) by Gustave Flaubert 496. Marley & Me (2005) by John Grogan 497. Oedipus Rex by Sophocles 498. Possession: A Romance (1990) by A.S. Byatt 499. As You Like It by William Shakespeare

[musicoviniciusrodrigues]

As 10 melhores séries dos anos 1990

Nos anos 1990, quando serviços de streaming ainda eram inimagináveis, a televisão era a mídia que mais se expandia e os seriados estavam entre os produtos responsáveis por esse crescimento. Naquela época, as séries focavam mais no público jovem, mas o conteúdo podia ser assistido por toda a família. Para relembrar alguns títulos marcantes, a Bula reuniu em uma lista as dez melhores séries da década de 1990. A seleção foi baseada nos rankings divulgados pelo Rotten Tomatoes e pelo IMDb, sites norte-americanos especializados em cinema, com prioridade para os seriados que também fizeram sucesso no Brasil. Entre os principais, estão “Friends” (1994), de David Crane e Marta Kauffman; e “Arquivo X” (1993), de Chris Carter.

1 — Seinfeld (1989-1998), Larry David e Jerry Seinfeld

A série explora o humor nas situações cotidianas da vida e acompanha Jerry Seinfeld, um comediante stand-up que tenta ganhar a vida em Nova York, apesar dos problemas financeiros. Morando em um apartamento pequeno, ele recebe constantemente a visita de seus melhores amigos: o neurótico George, o excêntrico Kramer, e sua ex-namorada Elaine.

2 — Friends (1994 – 2004), David Crane e Marta Kauffman

“Friends” retrata a vida de seis jovens amigos que lutam para progredir em Nova York, durante os anos 1990. Rachel é a garota mimada que deixa o noivo no altar para viver com Monica, uma amiga dos tempos de escola sistemática e apaixonada por culinária. Ross é um paleontólogo que foi abandonado pela esposa, Joey é um ator iniciante e o sarcástico Chandler esconde sua profissão de todos. O grupo se completa com Phoebe, uma massagista excêntrica e vegetariana.

3 — Os Simpsons (1989 — Hoje), Al Jean, Mike Scully e George Meyer

Como uma sátira do estilo de vida da classe média norte-americana, a série acompanha a vida da família Simpson, que vive na cidade fictícia de Springfield. O pai, Homer, é um inspetor de segurança apaixonado por cerveja e casado com a dona de casa Marge. Eles têm três filhos: o rebelde Bart, a menina-prodígio Lisa, e a caçula Lisa, ainda bebê.

4 — Arquivo X (1993 – 2002), Chris Carter

Os agentes do FBI Fox Mulder e Dana Scully são os investigadores do Arquivo X, um acervo de casos não solucionados de atividades paranormais. Enquanto Mulder acredita que os casos envolvem uma conspiração do governo para esconder a existência de alienígenas, Scully é uma médica cética, designada para fazer análises científicas das descobertas de Mulder.

5 — Twin Peaks (1990-1991), David Lynch e Mark Frost

Na pacata cidade de Twin Peaks, a bela estudante Laura Palmer aparece morta à beira de um lago, enrolada em um saco plástico. Na autópsia, fica comprovado que ela foi brutalmente violentada antes de ser assassinada. O agente do FBI Dale Cooper é convocado para comandar a investigação e descobre que Laura escondia muitos segredos de sua família.

6 — Anos Incríveis (1988-1993), Neal Marlens e Carol Black

Já adulto, Kevin Arnold narra as histórias de sua adolescência nos Estados Unidos, no final da década de 1960, época de muitas transformações sociais no país. Além de seus dramas familiares, Kevin fala sobre as aventuras que viveu ao lado de seus melhores amigos do colégio: o inteligente Paul; e a bela Winnie, por quem ele era apaixonado.

7 — Três é Demais (1987-1995), Jeff Franklin

Após perder a esposa, Pâmela, em um acidente de carro, o repórter Daniel Ernest Tanner, mais conhecido como Danny, precisa de ajuda para cuidar de suas três filhas: a adolescente D.J., Stephanie e a recém-nascida Michelle. Então, ele convoca seus dois melhores amigos: o divertido Joey Gladstone e o galã roqueiro Jesse Karsopolis, o irmão mais novo de Pâmela.

8 — Lei & Ordem (1990-2010), Dick Wolf

Cada episódio de “Lei & Ordem” acompanha a resolução de um crime ocorrido na cidade de Nova York. Os casos são mostrados a partir de dois pontos de vistas diferentes. Na primeira parte, os detetives investigam as pistas e prendem os suspeitos. Na segunda, o foco muda para os tribunais, onde promotores tentam incriminar os réus, mas nem sempre obtêm sucesso.

9 — Um Maluco no Pedaço (1990-1996), Andy e Susan Borowitz

A série conta a história de Will, um jovem enviado por sua mãe para a casa dos tios Vivian e Philip, que levam uma vida luxuosa num bairro nobre da Califórnia. A mãe de Will deseja que ele tenha um futuro melhor. Mas, por ser um garoto de origem humilde e não se importar com os estudos, Will vive se comportando de maneira inadequada, o que acaba envergonhando seus tios e primos.

10 — Buffy: A Caça-Vampiros (1997-2003), Joss Whedon

Buffy Summers, uma adolescente de 15 anos, descobriu ainda cedo que não era uma garota comum. Ela é uma das escolhidas para proteger o mundo e lutar contra o mal, uma caça-vampiros. Após ser treinada por seu guardião, Giles, ela enfrenta perigosos vampiros e demônios com a ajuda dos amigos Xander e Willow. Ao mesmo tempo, Buffy tenta ser uma estudante normal do ensino médio.

As 10 melhores séries dos anos 1990 publicado primeiro em https://www.revistabula.com

[moikapy]

Peep This: SHAFT – Official Trailer [HD] More Shaft than you can handle. Only in theaters June 14! - http://bit.ly/2tbZhku http://twitter.com/ShaftMovie http://bit.ly/2UNuuX0 http://ShaftMovie.com - SHAFT New Line Cinema’s action comedy “Shaft” is the next chapter in the film franchise featuring the coolest private eye on any New York City block. Tim Story (the “Ride Along” and “Think Like a Man” franchises) directs this all-new take on a legend, starring Oscar nominee Samuel L. Jackson (“Pulp Fiction,” “Kong: Skull Island”), Jessie T. Usher (TV’s “Survivor’s Remorse,” “Almost Christmas”), Regina Hall (“Girls Trip,” “Barbershop: The Next Cut”), Alexandra Shipp (“Straight Outta Compton,” “X-Men: Apocalypse”), Matt Lauria (TV’s “Kingdom,” “Friday Night Lights”), Titus Welliver (“Argo,” TV’s “Bosch”), Cliff “Method Man” Smith (“Keanu,” “Train Wreck”), and Richard Roundtree, the original John Shaft. JJ, aka John Shaft Jr. (Usher), may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide. Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft (Jackson) agrees to help his progeny navigate Harlem’s heroin-infested underbelly. And while JJ’s own FBI analyst’s badge may clash with his dad’s trademark leather duster, there’s no denying family. Besides, Shaft’s got an agenda of his own, and a score to settle that’s professional and personal. The film is produced by John Davis (“Game Night,” “Joy”) under his Davis Entertainment banner. “Shaft” is written by Kenya Barris (“Girls Trip,” TV’s “Black-ish”) & Alex Barnow (TV’s “The Goldbergs”), based upon the character John Shaft from the novel by Ernest Tidyman. Serving as executive producers are Tim Story, Ira Napoliello, Kenya Barris, Marc S. Fischer, Richard Brener and Josh Mack. Story’s behind-the-scenes creative team included director of photography Larry Blanford (“Ride Along,” “Tag”), production designer Wynn Thomas (“Hidden Figures”), editor Peter S. Elliot (“Ride Along 2”), and costume designer Olivia Miles (“Ride Along 2”). The music is by Christopher Lennertz (“Nobody’s Fool,” “Pitch Perfect 3”), and Dave Jorden served as music supervisor. New Line Cinema presents a Davis Entertainment Production, a Tim Story Film, “Shaft” is set for release on June 14, 2019. It will be distributed in North America by Warner Bros. Pictures, and internationally by Netflix.

[moviesshowsnbooks]

SHAFT – Official Trailer [HD]

More Shaft than you can handle. Only in theaters June 14!

New Line Cinema’s action comedy “Shaft” is the next chapter in the film franchise featuring the coolest private eye on any New York City block.

Tim Story (the “Ride Along” and “Think Like a Man” franchises) directs this all-new take on a legend, starring Oscar nominee Samuel L. Jackson (“Pulp Fiction,” “Kong: Skull Island”), Jessie T. Usher (TV’s “Survivor’s Remorse,” “Almost Christmas”), Regina Hall (“Girls Trip,” “Barbershop: The Next Cut”), Alexandra Shipp (“Straight Outta Compton,” “X-Men: Apocalypse”), Matt Lauria (TV’s “Kingdom,” “Friday Night Lights”), Titus Welliver (“Argo,” TV’s “Bosch”), Cliff “Method Man” Smith (“Keanu,” “Train Wreck”), and Richard Roundtree, the original John Shaft.

JJ, aka John Shaft Jr. (Usher), may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide. Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft (Jackson) agrees to help his progeny navigate Harlem’s heroin-infested underbelly. And while JJ’s own FBI analyst’s badge may clash with his dad’s trademark leather duster, there’s no denying family. Besides, Shaft’s got an agenda of his own, and a score to settle that’s professional and personal.

The film is produced by John Davis (“Game Night,” “Joy”) under his Davis Entertainment banner.

“Shaft” is written by Kenya Barris (“Girls Trip,” TV’s “Black-ish”) & Alex Barnow (TV’s “The Goldbergs”), based upon the character John Shaft from the novel by Ernest Tidyman. Serving as executive producers are Tim Story, Ira Napoliello, Kenya Barris, Marc S. Fischer, Richard Brener and Josh Mack.

Story’s behind-the-scenes creative team included director of photography Larry Blanford (“Ride Along,” “Tag”), production designer Wynn Thomas (“Hidden Figures”), editor Peter S. Elliot (“Ride Along 2”), and costume designer Olivia Miles (“Ride Along 2”). The music is by Christopher Lennertz (“Nobody’s Fool,” “Pitch Perfect 3”), and Dave Jorden served as music supervisor.

New Line Cinema presents a Davis Entertainment Production, a Tim Story Film, “Shaft” is set for release on June 14, 2019. It will be distributed in North America by Warner Bros. Pictures, and internationally by Netflix.

https://facebook.com/ShaftMovie.com

http://twitter.com/ShaftMovie

http://www.intstagram.com/ShaftMovie

http://ShaftMovie.com

[greyreign]

More Shaft than you can handle. Only in theaters June 14! - http://bit.ly/2tbZhku http://twitter.com/ShaftMovie http://bit.ly/2UNuuX0 http://ShaftMovie.com - SHAFT New Line Cinema’s action comedy “Shaft” is the next chapter in the film franchise featuring the coolest private eye on any New York City block. Tim Story (the “Ride Along” and “Think Like a Man” franchises) directs this all-new take on a legend, starring Oscar nominee Samuel L. Jackson (“Pulp Fiction,” “Kong: Skull Island”), Jessie T. Usher (TV’s “Survivor’s Remorse,” “Almost Christmas”), Regina Hall (“Girls Trip,” “Barbershop: The Next Cut”), Alexandra Shipp (“Straight Outta Compton,” “X-Men: Apocalypse”), Matt Lauria (TV’s “Kingdom,” “Friday Night Lights”), Titus Welliver (“Argo,” TV’s “Bosch”), Cliff “Method Man” Smith (“Keanu,” “Train Wreck”), and Richard Roundtree, the original John Shaft. JJ, aka John Shaft Jr. (Usher), may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide. Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft (Jackson) agrees to help his progeny navigate Harlem’s heroin-infested underbelly. And while JJ’s own FBI analyst’s badge may clash with his dad’s trademark leather duster, there’s no denying family. Besides, Shaft’s got an agenda of his own, and a score to settle that’s professional and personal. The film is produced by John Davis (“Game Night,” “Joy”) under his Davis Entertainment banner. “Shaft” is written by Kenya Barris (“Girls Trip,” TV’s “Black-ish”) & Alex Barnow (TV’s “The Goldbergs”), based upon the character John Shaft from the novel by Ernest Tidyman. Serving as executive producers are Tim Story, Ira Napoliello, Kenya Barris, Marc S. Fischer, Richard Brener and Josh Mack. Story’s behind-the-scenes creative team included director of photography Larry Blanford (“Ride Along,” “Tag”), production designer Wynn Thomas (“Hidden Figures”), editor Peter S. Elliot (“Ride Along 2”), and costume designer Olivia Miles (“Ride Along 2”). The music is by Christopher Lennertz (“Nobody’s Fool,” “Pitch Perfect 3”), and Dave Jorden served as music supervisor. New Line Cinema presents a Davis Entertainment Production, a Tim Story Film, “Shaft” is set for release on June 14, 2019. It will be distributed in North America by Warner Bros. Pictures, and internationally by Netflix.SHAFT – Official Trailer [HD] https://youtu.be/lD41XdWcmbY