#equality hurts no one.

[lgbtally4ever]

The finale made me cry 😢

HAPPY, but BITTERSWEET TEARS, because THERE SHOULD BE MARRIAGE EQUALITY!!!! And nobody should have to keep the most important parts of their lives a secret. We need more understanding in the world.

Enjoy the finale! It was wonderful.

[jesuis-assez]

↠ Tim & Lucy ↳ 5x04 - The Choice

[da-janela-lateral]

And You and I

[starry-bi-sky]

rewriting my childhood friends jason and danny post be like: “how do i better convey that jason is also as “ride or die” in this friendship with danny as danny is,,,” (while still being from danny's point of view)

“Oh i know!” *turns 85 degrees towards Danny* “:) im going to hurt you”

[crabussy]

IS ANYONE ELSE FEELING KIND TODAY!!! IS ANYONE ELSE FEELING GENEROUS TOWARDS OTHER PEOPLE!!! IS ANYBODY ELSE BEING KIND AND TRYING TO UNDERSTAND EVEN WHEN ITS HARD!!! IS ANYONE ELSE ASSUMING THE BEST OF OTHERS INTENTIONS AND RESPONDING IN KIND!!!! CAN ANYONE HEAR ME

[ancha-aus]

RealAgeAU drabble - Moving

Hello I am back and I got another idea for this little silly au that I have @spotaus to thank for for the original idea :3 Though I think this may be officially becoming one of my AUs hahahaha

First part Prev Part Next part

Also yes. I know it would work better to number these uploads but also i am not writing these in any set order so it will become miserable for all of us if i number them because either they will be out of order or I will have to rework all the names and I am already editing links I don't need that extra energy in my life.

ANYWAY! :D

Next part! The one I lovingly clal in my head - The one where the gang finds a more permanent temporary home. (also yes. Before this they all speed-run the whole Parental bonding and emotional bonding to the idea of having a babybones. Which honestly can and probably will make four different drabbles)

-------

Horror stares at the door and wonders once again how he got to this point.

Well, no. That is a lie. He knows exactly how he got to his point.

He glances over his shoulder where the other four at hiding off to the side. Out of view from the doorway but still visable for Horror if he looks just right. Seems like Dust won the discussion, again, and is holding Nightmare, again.

Horror wants to say it is surprising how quickly they all just... accepted the situation they got into but he really isn't. Monsters are weird like that. Forced adoption is not that wild all things considered when you are talking about beings made of magic and emotions.

Horror stares at the door and raises his hand before knocking twice.

He really hadn't wanted to do this but they have no other choice. As he waits he can't help but think back to what made them decide this.

Cross walks from side to side "That was way to close! That was the third time we came across the Stars with Nightmare out. Third!"

Killer nods from where he is sitting wiht the sleeping Nightmare in his lap "Yeah no kidding. It is annoying as shit that they are hunting us."

Dust shrugs "Not surprising. Nightmare 'disappeared' after all. We are their only lead."

Killer grins "We were lucky Cross managed to lie his way out of the last one." and he shoots Cross a wink.

Cross sputters "I panicked!"

Killer grins and winks "Sure sure daddy crossy."

Horror holds up his hands between his two... co-parents "This is not the time. We need to figure out where we can go." and he thinks things over.

Cross sighs "I don't get how they keep finding us!"

Dust huffs as he packs their bags "We go to too little universes. Makes it easy for Ink and Dream to pick us out because they recognise us personally."

Killer frowns "Meaning. we need a big universe?" he taps his chin "But also mostly positive as we still don't know how obvious Nightmare would be otherwise."

Cross frowns "I think it will be fine. He can't feel the balance anymore right? And no one seems to have a reaction to him like they had before nor how people have a reaction to Dream's aura thing. Maybe with the corruption gone he really is just... ex-guardian now?"

Killer groans "I hope so. I am not a fan of child labor."

That is when it hits him. Horror sits up "I think I know a place."

All of them turn to him and he immediantly regrets saying anything. See? This is why he normally tries to limit what he says.

Either way. Here they are now and Horror prays this works. Please. They need one thing to work in their favor.

The door opens and a gasp "Horror! It has been ages! It is great to see you. How have you been?" Crop smiles at him.

Horror steels his nerves. Come on. Too much hangs on this moment "Hey Crop. Nice to see you. I am... okay. How are you?"

Crop frowns at him instantly "You sure? You don't sound okay. Trouble at home?"

Horror chuckles "Kinda? Not exactly. Euh... Can't go back to that place now?"

Crop frowns "Why? Need a place to stay? I got a spare room."

Okay yes! this is going great! just... gotta make sure he knows.

Horror nods "I do need a room. Not just for me though..." Crop starts to frown and Horror raises his hands "Just temporarily!"

Crop frowns "Did... something go wrong?"

Horror pauses and thinks this through once more. He trusts Crop. Crop has never been anything but kind even when Horror had been an ass. Even when he had to once drag Dust here to get healing before they could make the jump back home.

Horror looks to the side and he sees the others just beyond the treeline, hidden in shadows and waiting. Crop takes a look as well but he can't quite spot them. Crop looks back up at him.

Horror takes a deep breath "You need... to promise me, no not just promise you need to swear. That what you are about to learn will not leave this universe."

Crop frowns as he immediantly looks uncomfortable. It is the reaction a promise gets from most of them. But Crop also shoots him a considering look before he nods. He holds out a hand "I swear and promise I will not share the about to be giving information. UNLESS! It endangers anyone." and he waits.

Horror stares at the hand and thinks. That... That is fine right? That should be fine. Nightmare being a child doesn't endanger anyone. Only them and Nightmare. Horror nods and shakes the hand.

Crop nods and steps aside "Come inside. I bet you will be more comfortable explaining there." he glances at the forest "Do your... friends? Want to come in too?" a guess clearly. probably on multiple fronts.

Horror shakes his skull "Not yet. Need to know your answer and reaction first." He turns to the forest and makes a signal to wait a bit longer. He sees a thumbs up shot his way back. Probably Killer. He never bothered with the signals they had learned together.

Crop nods as he steps aside and Horror walks in, having to duck slightly for the door. The door closes behind him and Horror sees the small living room with fireplace.

Crop leads him to the kitchen "Lets talk there. I will get some tea."

A few minutes later they are both seated and with a cup of tea. Crop looks at him expectingly.

Horror takes a deep breath and takes out their most valuable resourch. The Dreamtale book. And places it on the table. Crop frowns at it before looking at Horror.

Horror nods to it "It will help explain... Very long story short... Nightmare was never an adult. He was a child with a magical shield of some type. That magic has ran out."

Crop stares at him for a moment, then he pulls the book closer and starts reading it. He pauses at the title before opening it.

And now he waits.

---------

Crop sits wiht his skull in his hands. Horror just sits across from him, with his empty cup of tea. Crop's own cup has grown cold a long time ago. Horror just waits for anymore questions but Crop hasn't said anyhting in the last ten minutes.

Horror looks back at the book and sees that Crop has turned the pages back to the one with the drawing of Nightmare's head being cracked open. The image makes a very clear show on how small Nightmare was compared to the ones attacking him.

Horror still thinks the book doesn't do it justice. Nightmare is much smaller in person than the picture makes him seem. The cracks had been much worse than the picture showed. But it is the closest they got.

Crop finally sighs and speaks. He doesn't look away from the picture "I don't... Know a lot about this whole... multiverse stuff. It isn't my place at all. And that is fine." he pauses for a moment "But this... You are telling me... That the one being that had everyone afraid. That everyone saw as a demon. Is a child... is this child?"

Horror nods before he explains more "Nightmare... gained a lot of magic and powers when he ate those apples. At least that is what the story implied. We haven't managed to get him to tell us yet, mostly because well... he is six again." Crops pulls a face as well, yeah. Horror agrees. A PTSD filled six year old is not easy. But they are managing.

Horror nods "so... What Cross nad Dust think what happened is that... The magic and negativity of the apples bond itself to Nightmare. Which game him the magic and powers he would use. The connection to the balance because the apples were part of the balance. and more importantly, an adult form and mind to fit all the magic. There was just no way all that magic and energy would have fit a babybones. Especially one that hadn't shown much magic beforehand." an assumption on their end as Nightmare was never said to use magic in the book.

"We think... We think that this magic of the apples just. ran out. We had been in battle at the time and Nightmare had been hit but it shouldn't have had that much of an effect. it was the same type of attack he had been hit by before. Dust thinks it was just the last bit of magic that the apples had having run out. Meaning that with the magic and energy so went the form." all a theory of course. But it is the only thing they have.

Crop nods as he clearly thinks "And as he was suddenly an adult. instead of just being afraid and scared. all that pain and emotions took a more violent turn. As he was an adult and was suddenly able to realise that it was unfair which made him angry..." Crop pauses.

Crop glares back at the table and shakes his skull "It is... It is a whole story about victim blaming. A victim is blamed for the abuse they suffered. They are made to believe they deserve it and should be abused. Then as soon as they fight back and defend themselves they are seen as guilty." Crop takes adeep breath as he leans back "What I don't get... Why come here? I can't help with any of this."

Horror shakes his skull "This isn't about any of the big stuff. We don't even care about it. We just... Nightmare is himself again. His real self." he taps the page lightly "Not his aged-up self that the corruption enabled him to be."

Crop stares before his face changes to shock "You are trying to hide him." Then a frown "Why not go to your own home? Has it been compromised?"

Horror snorts "At this point? probably." a confused look and Horror continues "Nightmare used his magic to shield off an universe and make a castle." he shrugs at the glance "Nightmare likes to read. I imagine he liked to read back then too. He may have been an adult technically but he was still a child at soul. Child him wanted a home and wanted that to be a castle and adult him made it happen... probably... that is Killer's theory at the moment."

Crop laughs and nods "Suonds reasonable- oh... and with his magic disappearing."

Horror sighs "When I left his universe the castle had already been decaying..."

Crop frowns "Left? The five of you you mean?"

Horror looks to the side and feels the shame return "We.... we did not react well... when we saw the changes at first... we... we obviously dind't know what was going on and well." he looks down "We abandoned him. I know it was wrong and stupid and we all regret it. We came back but we still did it." shame.

shame shame shame shame shame shame shame-

A hand on his shoulder. Horror glances up and Crop smiles at him "It is okay. You are trying to fix it now right? obviously. Not cool that you abandoned a child... but it can be nerve wrecking. Suddenly going from a position where a person is mostly guiding you, to going to a position where you suddenly are responsible over that same person."

Horror looks to the side "We still left." he can't believe they just left!

Crop nods "But you returned." he grins "And you are trying to fix it."

Horror nods again "We are..." he chuckles "Not that we have been doing a good job at it. Jumping from place to place."

Crop hums "So you are looking to settle, at least for a little bit, while also hidding. Why this universe?"

Horror nods "Yeah..." He looks to the side "We... we don't know how everyone will react. To him being like this. Maybe they will react well. Maybe not. We don't want to risk it. Risk him."

Crop stares at him for a long time and nods "There must be better places?"

Horror shakes his skull "The Stars kept finding us. Dust figured out we needed a big universe that leans towards positive. Yours is one of those. It is one of the wider and bigger ones. And overall leaning towards positive."

Crop frowns "It can't be the best one..."

Horror shrugs but continues "True... there are bigger and more positive ones. But those are busy. Many people. many places. Yours is quieter. more empty. Gives peace and room to work from."

Crop frowns as he taps his chin. He thinks deeply before sighing "You guys got any type of backstory we can use? The multiverse thing isn't a known thing here and the only reason my brother and I know is because you crash landed here."

Horror blinks "You will let us stay?"

Crop nods "Sure." and he grins "Can't kick out four parents with a babybones." and he gets up.

Horrro shakes his skull "That isn't... Well I mean technically." He knows that Killer has come close to killing quite a few people with how protective he has grown over Nightmare and that isn't even including the motherhenning of Cross nor the clinginess that Dust has.

Crop chuckles as he nods towards the stairs "The attic is messy and should be cleaned but can be used by you four, well five. There is an old bed and an old lounge chair up there." more thoughtful "How big is he exactly? we will need some clothes. Probably also get a healer to check him if he is developing okay after all those magical shenanigans."

Horror stares for a moment before smiling "Thank you... I know it is a lot."

Crop shrugs as he opens the linnen closet "Horror. Taking care of milking all the cows on your own is a lot. Having to fix your roof in the middle of a thunderstorm is a lot." He straightens his spine with blankets in his arms "Helping a friend and his friends who have somehow aqcuired a babybones, while strange, does not compare to either of those. Now get your friends out of those woods. They will make the animals nervous." he grins "I am excited to be one of the first ones to meet the real Nightmare."

Horror smiles as he packs his book and goes towards the door. "Thanks again Crop."

Crop waves it off as he moves the piles upstairs.

-------

Boom! and they are staying in FarmTale for now! Horror and Crop are homies and Dust is more of an acquaintance of Crop but it works. Aged-up Nightmare knew that Horror had an universe he liked to visit but never demanded details. *shrugs* Nightmare didn't see the point. as long as horror wasn't going to betray him what did it matter he didn't tell him?

Surprise Nightmare, this is your temporary home now. For a bit. or maybe longer? They are still figuring it out.

First part Prev Part Next part

[lord-squiggletits]

Semi related to the other day's post about people calling OP a hypocrite for not wanting to kill people, it also really annoys me how often this fandom (even in corners like MegOP where OP is ostensibly one of the main characters) just disregards or does not care about how Optimus feels. Or seemingly doesn't even comprehend that OP having his own emotions/goals besides validating Megatron/whoever else he's being shipped with or interacing with. Or they think that every time OP is "mean" to someone else it's bad and awful, but when any other character does bad things it's justified because they were upset/hurt.

It's not really a commentary on character apologism or morality so much as it is annoyance that the spaces I've been around in near universally don't give a crap about how Optimus feels ever. Like, to use MegOP as an example since that's my main context of seeing Optimus content, I always see takes like this that only center Megatron's experiences/feelings while completely ignoring anything Optimus feels.

Like. TF One? It's okay for Dee to turn on Orion because he feels betrayed by him "siding with" Sentinel and Orion is such a jerk for banishing him from Iacon. But god forbid that OP might be a little upset about being dropped down a pit by his own best friend (and then said best friend immediately tries to kill him again when he comes back) and want Megatron to get the hell away from him if he's gonna be so violent.

Can't even count the number of examples in IDW1. Megatron is traumatized and oppressed so that means he can do as many crimes as he wants and hurt Optimus as much as he wants because "Optimus should've just listened to him better" never mind that OP literally did listen but no one besides dedicated IDW OP lovers ever points out that OP has a right to be pissed off at Megatron for some of the shit he did to him. People get mad at IDW OP for making Megatron give a speech denouncing the Decepticons because it's mean/controlling/anti-revolutionary or whatever (never mind that OP letting Megatron go free on a space adventure is incredibly permissive and informed by his personal bias towards Megatron) but they could care less about the fact that OP is staying on Cybertron dealing with the remaining Decepticons + shit with the neutrals and might maybe want Megatron to pull his weight deescalating the post-war situation so that Optimus has an easier time trying to manage.

It's very much a thing that heroic characters are held to higher moral standards than villains and grilled over doing similar things that villains are cheered for. But this isn't even some strictly moral thing, it's just. So fucking bizarre how ready people are to demonize Optimus because "he hurt X" or "he got in the way of Y" or "he sided with Z when he should've sided with A" but completely disregard all of the many, usually valid reasons Optimus has for doing what he did! It's all about poor woobies who suffered so much and are doing bad things because they're upset and justified from their perspective. But all of a sudden when it's Optimus, his feelings don't matter and how things look from his perspective (his goals, values, obligations, what he feels is right or wrong, the depression he often has across continuities) doesn't matter either. He did something that made someone else feel bad therefore he's the literal worst who only does things out of hypocrisy/self-righteousness.

It's not like Optimus could ever experience emotions like depression, anger, frustration, fear, loneliness, urgency, etc etc that drive him to do what he does. Optimus has no internal struggles between what he desires as a person versus what he feels is the right thing to do/what he's obligated to do. Getting sympathy for the very real hurt and struggle he experiences is just for every other character except Optimus, I guess. Swear to god the majority of the fandom doesn't actually see Optimus as a character and instead just sees him as a prop to either validate their fave or to act as a scapegoat for whatever's wrong with the plot.

[chirpsythismorning]

Some of the evidence supporting Mike not being in love with El is brutal. No, but seriously.

In s3, when El's leg is injured, instead of Mike putting his arm around her waist, allowing him to take some of the weight off her injured leg, he puts his arm around her shoulder, basically having the exact opposite affect of taking the weight off of her, instead just adding more weight for her to have to carry.

Now, I’m not coming at Mike here, I’m actually coming at the writers, because this choice here has everything to do with them using this gesture to signal Mike’s lack of feelings for El, even at the expense of realism.

I say this bc any person with common sense, including Finn and everyone around him and Millie filming these shots, would've known it looked unnatural for Mike to be adding more weight onto El as opposed to taking some off of her.

This means that what Mike did here, Finn was directed to do, and therefore it was for a specific reason.

And we know they could have easily made the opposite choice, because they show us Max AND Lucas doing it.

See how putting an arm around El's waist looks so much more natural? Because homegirl is injured and clearly needs help taking weight off her leg to qualm some of the pain she's experiencing there, which is why Max and Lucas are shown here doing it the correct way.

And so, why can't Mike do the same? Why are the writers making a point to show Mike being incapable of simply taking some weight off of El, instead doing the exact opposite?

I don't think it's as deep as Mike not being able to do something intimate, and that's bc, again we see Max and Lucas doing it.

I honestly think what they're trying to convey with this choice here, is that Mike thinks he's helping El, when he is in fact doing the opposite despite his best efforts. The implications of that and how that sort of aligns with their romantic relationship and what it leads to at the end of s3, going into s4, is pretty spot on.

I do think Mike thinks he's doing the right thing by being with El instead of voicing any doubts at the end of s3, because he is under the assumption that she is in love with him. I do think he believes he is indebted to her and that this is the least he can do after everything they've been through together, which has mostly been riddled with romantic pressures and so continuing that instead of disputing it seems like the only option anyways. Not to mention, he does care for her deeply, so it's not hard to imagine that he's a teenage boy confusing deep care for love (he literally tells us this is his problem when he can only say care and not love to El's face... but that's a whole other conversation).

Still, when it's all said and done, Mike's not actually doing El any favors by being with her romantically, if that is not what he truly wants.

Because that's the sad truth about all of this, which is that you would never want someone to be with you just because you want them. If you knew that they truly couldn't have those feelings for you, you'd want to know, right? You don't deserve someone just because you have deep feelings for them. And I think there's so many layers to this idea, bc many people are capable of not giving Byler a chance bc they truly believe Mike could never return Will's feelings. Will also feels this way atp, so though it hurts, he rips the band aid off, because he would never want Mike to be with him just out of pity or something. No one would want that. And so it all really comes down to who Mike truly loves romantically and wants to be with. And the right thing to do, even if it hurts someone, is to be honest, because being with them just bc you think that will make them happy is never going to be enough if you aren't truly feeling it, or worse, feel it for someone else.

We see how Mike's inability to be honest with El at the end of s3, leads to a season of Mike feeling deeply insecure and undeserving of the love El has to offer him, and even though he does try, he always comes up short. Despite Mike putting up this front that they are the perfect couple, the details are telling us something is off. And it gives him away.

Another example that I think is very similar to this loaded gesture from Mike to El in s3, is the scene in s4 when they hug in the airport.

Common sense ppl, picture this: You're reuniting with your long distance girlfriend. Then suddenly, she runs up to you, with her arms wide open, and instead of opening your arms wide to embrace her properly, you take the bouquet of flowers you brought her as a gift, and shove them against your chest just as she approaches to hug you, effectively squishing the present you got for her (a pretty delicate present at that) for no reason other than to... what exactly?

Like?? El isn't even squishing the present Mike, she's trying to hug you, dude! Your gf is trying to hug you properly and you threw the gift you got for her in between you so you could throw in a careful! x3??

Again, this has less to do with Mike's thoughts and reasoning behind this gesture in a literal sense, and more to do with the simple fact that this is a narrative choice! Mike is not a real person! There are real people sitting down and writing this and actors are having to do multiple takes to act it out. What feels natural for a situation is going to be what is often chosen 9 times out of 10, because of realism and wanting the audience to see stuff happening that is believable. That 1 time though, when it's not being done the way it would usually be, is usually because there's a specific reason for it.!

So the question really is, not why is Mike doing this, but why are the writers having Mike do this, and what message are they trying to convey about Mike's feelings based on his behavior, in these moments where he's just not capable of committing to El genuinely, one way or another?

[abelas]

datv thoughts. mainly me bitching 😮‍💨

anyone else feel like datv’s companions were shallow and a lot of elements of them and the game were sanitized orrrrr

[nomlioart]

i was supposed to do it earlier but i was really lazy lol, but here you go

my pepstavo hcs in a nutshell

a lil more in the tags 👁️ 

[pyr0frnzy]

remember when Zoro ate that muddy rice ball with sugar in it off the ground and told Luffy to tell the girl that it was delicious…yeah…

[lgbtally4ever]

#Thailand must be making millions, if not billions, of dollars from the BL industry.

Although, they seem to be fairly Progressive with the LGBTQIA 🏳️‍🌈 community, they could really make it count if they would legalize same-sex marriage. Or, at least legal civil unions, so partners are legally protected, and permitted, to make important decisions for their life partners, medically, and otherwise.

[featheredcritter]

if you mention any sort of bird larger than the average blue tit you can be damn sure every person in a mile radius will tell you how terrifying and hideous that bird is

[yearnerspermit]

This continues to be one of the best shots in the entire show and I will never shut up about it

[x-itzzzzzz-x]

thinking about Atsushi Nakajima and kicking my feet while giggling gleefully

[zishuge]

Today I gave myself feels thinking about Fang Duobing, Di Feisheng, and Hulijing moving on and aging in a world without Li Lianhua. A world where Li Lianhua isn't there — but then again, he is there, in Lianhualou, and in the townspeople who flock to it, bearing gifts for the miracle doctor who once saved a life, fixed a roof, exposed a conman, comforted a child. Young Fang Duobing used to want to know every little detail about his hero, Li Xiangyi. Now Fang Duobing wants to know every detail about his beloved friend, Li Lianhua. The years pass and fewer people come. But if they remember him, Li Lianhua lives on.

(long post, half meta, half fic, bittersweet)

They travel together, with Hulijing, in Lianhualou. Fang Duobing has nothing better to do, so he takes up detective work again. Di Feisheng has nothing better to do, so he comes along. Everywhere they go, they look for Li Lianhua. And in their journeys, it seems like everywhere they go, someone is talking about Li Xiangyi. Li Xiangyi, who had always been something of a legend, but ever since his reappearance and subsequent (re)disappearance, has seemingly been elevated into something approaching godhood.

you should've seen him, people say, floating across the rooftops in red, cold and beautiful, like an avenging hero out of some novel. wasn't he dead? no — of course he wasn't, li xiangyi would never have been so easily killed. but it was bicha poison, i heard nobody could survive bicha poison. yes, he was definitely dead, and came back to life through dark magic. no, he'd been alive the whole time, just held captive by di feisheng. he tried to kill his shixiong ten years ago and failed, and came back to finish the job. no, his shixiong tried to kill the emperor and li xiangyi came to stop him. the emperor? impossible. yes — don't you know, li xiangyi is the emperor's long-lost son?

All of it only amuses Di Feisheng, but it irks Fang Duobing. The same Fang Duobing, who, when he was younger, would've hungered for every little detail about Li Xiangyi and begged to hear more, now finds it maddening to listen to these strangers talk about him as if they knew him. The world might have known Li Xiangyi, but it had never known Li Lianhua.

Li Lianhua, who could wield Shaoshi like it was a natural extension of his arm, but regularly cut his fingers clumsily slicing radishes and onions. Li Lianhua, who would invariably try to shrug off an attack of bicha poison, but yelped and jumped back from hot oil splatters in the kitchen like a child. Li Lianhua, who frowned when a passing carriage splashed mud onto his robes, but knelt carelessly into the dirt and grass to play with Hulijing.

None of them knew any of that.

But as Fang Duobing and Di Feisheng continue their travels, they begin to encounter other people as well. People who come running when they see Lianhualou in the distance tottering their way. People who come bearing gifts — a woman looking for the shenyi who had helped her with her back pain and also exposed the con artist who had tried to trick her daughter into marriage. A young man coming to thank the doctor who had given his father herbs for stress while uncovering the corrupt official who had falsely accused him of theft. An elderly couple looking for the young man who had helped them thatch their roof before a rainstorm and had given them some medicinal cream before he left. (One middle-aged man with a club, looking for the wangba quack doctor who had exposed his infidelity to his wife — he had left after one look at Di Feisheng, standing silently in the doorway with his arms folded across his chest and dao strapped across his back.) People who greet Hulijing like an old friend.

Fang Duobing listens eagerly to every story they tell him, and in return, he tells them about his brilliant, kind, exasperating friend. Di Feisheng rolls his eyes every time, but Fang Duobing notices he never walks away either. They don't talk about it. But it’s as if Li Lianhua returns, however briefly, during those visits; in those moments, Fang Duobing can almost see him standing there, bending down to pet Hulijing alongside these old friends as she grins her little doggy grin and wags her tail. She escorts their guests to the door, and sits in the doorway after they leave, looking out at the world as though waiting. He doesn't ask if Di Feisheng can see him too. They sit and share wine after these visits, and eat the fruit that the visitors bring, until Di Feisheng can stand the heavy silence no longer and pushes Fang Duobing outside to spar. Hulijing follows faithfully, as always.

(fang duobing had brought home a puppy, once. he can't remember where he found it, but he remembers that he had held it in his lap in his wheelchair, eager to show it to his uncle before taking it home to his mother. his uncle had glared, and told him that dogs were only useful to guard the house, and tianji manor already had guards, human ones, and that fang duobing would do better to focus on his swordplay rather than waste time on such useless and frivolous things. he had taken the puppy away and fang duobing had never seen it again. it wasn't until those blurry months as he rode across the countryside looking for li lianhua, hulijing trotting along ever so loyally at his side, that he realized this was just another way that shan gudao and li xiangyi were opposites.)

The years pass, and there are fewer and fewer people who come. One day Fang Duobing wakes up with the unbearable realization that he is now older than Li Lianhua had ever been, would ever be, and is unable to get out of bed for a good half a shichen. Di Feisheng leaves him be.

The years pass, and Di Feisheng grows older too. There are lines on his face, snowy white beginning to thread through his jet-black hair. Fang Duobing wants very much to tease him about it, but the words catch in his throat when he looks too closely at the signs of time on Di Feisheng's face. What a precious and altogether rare thing it is, to age.

The years pass, and Hulijing grows older too. Fang Duobing finds that more and more often, Hulijing can no longer keep up with him when he goes riding. He stops going riding. She gets cold more easily now too, and more and more often Fang Duobing wakes in the morning with Hulijing curled up under the covers next to him, her wet nose shoved into his armpit. He holds her close and thinks about Li Lianhua shivering in his arms.

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It's been nearly a year since their last visitor, but today there is an old man. He comes in the morning, bringing a basket of plums. A long time ago, he says, a young man who lived here saved my life. I had been poisoned, he says, by my son who wanted my money and my lands. The doctors said there was no cure. But then the young man came and performed a miracle. He saved my life. He saved my life.

Fang Duobing knows it was no miracle that saved him. He asks for the old man's hand and it is given readily, albeit bemusedly. He presses his fingers to the inside of the man's wrist, and is greeted with a whisper-faint, gentle thrum of yangzhouman — a soft hello from a much-beloved friend. You fool, he thinks dazedly, caught somewhere between overwhelmed that here is someone, inside whom a piece of Li Lianhua lives on, and so bitterly angry. What had it cost? Some hours, days, weeks? He doesn't let himself think of what another week might have afforded them in those wild final days, in their desperate search for a cure. Fang Duobing gives the old man back his hand and blinks back the sting of tears. He cannot talk about Li Lianhua today. He apologizes and tells him that the man he is looking for is traveling and won't be back for a few days, but that Fang-mou will pass on the message. Before he leaves, the man leans down to rub at Hulijing's ear. My old friend, he says, like me, you, too, are truly old now.

After the man leaves, Fang Duobing folds himself into a sit on the floor of Lianhualou and gathers Hulijing into his arms. Gently — her joints are stiff now, and he can't haul her around, can't roughhouse with her the way he used to. Di Feisheng comes down the stairs from where he had been listening; he stands behind Fang Duobing and places a warm, steady hand on his shoulder. At the edge of his vision, near the door, Fang Duobing can see the hazy hem of green robes. If he looks up, he wonders brokenly, what would he see? The face of a man forever frozen in youth? Or a face lined with age, snowy white beginning to thread through jet-black hair? He suddenly finds that he cannot bear to find out.

Fang Duobing knows. He knows that the myth and the outlandish rumors about proud, arrogant, beautiful Li Xiangyi will never die. But he also knows that one day, there will be no one else who comes to Lianhualou; no one left who remembers gentle, sly, infuriating Li Lianhua. One day, the old man will pass on and the piece of Li Lianhua that he carries with him will fade as well. And one day… Fang Duobing presses his forehead against the soft fur of Hulijing's neck where it has gone white and thin with age. He closes his eyes and breathes.

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Years and years and years later, Fang Duobing is awakened from where he has fallen into a light doze reading in his chair by a soft knock on the door. There is a woman standing outside, holding a small basket of pears. I think I remember this building, she says. I must've only been six years old, but I had run off and lost my parents. I fell down in the street and skinned my knees. A kind gege helped me and gave me a piece of candy. He said he would walk me home but I said I didn't know whether I should tell him where I lived. He laughed and asked if it would help if I knew where he lived. He pointed to the most fantastical and wild house I had ever seen. I think it was this place. Xiansheng, does he live here? Who was he? Do you know him?

Fang Duobing smiles and invites her inside. On the bed, the small white dog that Di Feisheng has named, ridiculously, Baigujing, raises her head and thumps her tail a few times in hello. Di Feisheng looks up from where he is writing a letter at the table. Fang Duobing leads the woman over and waves at her to sit down. He sits across from her, ignoring Di Feisheng's eyeroll, and offers her a piece of candy. He always keeps candy around. Fang Duobing smiles once more and says, if you'd like to know — there is so much I would like to tell you.