#episode: old dog new tricks

[cryscendo]

i’m proud to be different. it’s the best thing about me.

KURT HUMMEL FROM GLEE (insp)

[jauntilyplacedcaps]

[gleesongtournament]

[gleetournaments]

The Ultimate Episode Tournament: Round 1 Match 11

[augustusaugustus]

12.10 Old Dogs, New Tricks

Another new technology episode, this time a crime database computer system. Reg thinks it’s brilliant, the chief inspectors are not convinced and Tony hates its guts.

[theromanticrationalist]

Just finished A Little Snip and Teaching Old Dogs! Definitely have a lot to say here, but I know the next episode is THE EPISODE. And I'm SO NOT OKAY. It is also upsetting because I feel like with this episode the season feels like it is just settling in, and not coming to its end. sigh. Btw, that was so messed up that George got a vasectomy without telling Mary! I was so glad that it came and bit him in the. . .you know what, in the end. Mary and George's marriage always had that problem where they struggled with communicating with one another. Makes me think of the episode of TBBT where Amy tells Sheldon that that isn't how they were going to do their relationship/marriage, and how their relationship is so strong because they communicate and talk through everything to make sure they are on the same page. They bicker a lot, but they are honest and share one another's hearts. 🥰

If only George could have seen his little boy so happily married and successful. *cries into the spacetime manifold*

[ophernelia]

🤫

Eloise strides forward, heavy boots crunching the branches and leaves underneath her feet. Kellen follows, struggling to catch up with his daughter as she navigates her way through the trees. She stops as she reaches a clearing. Looking around silently as she struggles to discern which way the bison ran. "Eloise!" Kellen pants out, swallowing hard as he struggles to steady his breath. He notes that he's clearly out of shape and not as good a hunter as he once was. The last year of slow living at the Redwater compound has done him no good. Eloise answers, her eyes still shifting around the area searching for signs of recently moved bracken. "You're interrupting my hunt." Her tone is sharp and to her father, insulting even- but he pays it no mind. "I think you should at least hear him out." he says still panting, though his breaths are beginning to steady. "He's your grandfather." He adds. Eloise rolls her eyes. She had heard her father beg her to speak to Arenthal a thousand times now, each time his tone more desperate than the last. "I don't want his blood money and I don't give a damn about what else he has to say". Kellen starts "It's not blood money-" but Eloise quickly retorts already knowing how his sentence will end. "It is. He gets paid to kill people." Kellen scoffs, annoyed with Eloise's newfound sense of morality. "So does every fast food chain in America. It's hardly any different." Eloise whips around to face her father, her face contorted with anger now. "It's not the same and you know that."

[maybe-boys-do-love]

Thai BL isn't lesser. It just has different aesthetic goals. It often prioritizes what some would call a theatrical style to filmmaking over a cinematic one.

Theatrical approaches, in the US at least, are currently associated with older films and television. They're also linked to contemporary shows in what are currently thought of as more conservative genres like youth-oriented cable programming (think Nickelodeon or the Disney Channel), soap operas, and sitcoms.

However, the theatrical style in the west has been at other times very much associated with cutting-edge subversion and queer camp. In the 80s and 90s, for example, counter-cultural cinema projects leaned heavily towards more theatrical approaches in the face of blockbuster corporate sheen. The films grouped into the Queer New Cinema loved to play with this. Consider the bold colors, static shots, and unsubtle dialogue in But I'm a Cheerleader.

In the 50s and 60s, the theatricality of sitcoms was a site of transgressive feminism and gender representations like in Bewitched (see more in The Queer Fantasies of the American Family Sitcom or Camp TV: Trans Gender Queer Sitcom History, among others).

Both those eras used theatricality for a number of reasons: budgetary necessity, subsequent technological limits, but also as a counter to the different kinds of elitism associated with the cinematic style in those periods (intellectual in the 50s and 60s and corporate in the 80s and 90s).

Cinematic style didn't begin to fully emerge anyway until the 1940s and 1950s with lenses and cameras that could depict greater depth and move through the spaces the characters were inhabiting. Before that, theatrical presentation was simply the only option. So Old Hollywood is rife with theatricality, and plenty of of those films still have the power to move audiences and feel surprisingly relevant with their visual and scripted commentary. Camille, with what some consider to be a nearly all-queer cast and main production crew and one of Greta Garbo's best performances, holds up incredibly if you're willing to accept its theatrical diva-licious approach.

But plenty of the Old Hollywood films are also duds along with the other eras mentioned. Theatricality, like cinematic approaches, is not inherently more queer or superior to other forms. They're just styles. As Zadie Smith wrote, "In Britain, we are always doing this: mistaking an aesthetic choice for an ethical one." I'm guessing that tendency is pretty universal, either mistaking aesthetic choices for ethics or, even more often, quality.

Appreciating theatricality will hopefully help you understand other choices in Thai BL with less judgment, though. The comic sound effects, jarring as they might be for western audiences who've had laugh tracks and sound effects sequestered away from much of their 'prestige' media, are an artistic choice in their own right that Thai BL has refined over the years to work as leitmotifs (small repeated sound sequences) in the series that reiterate the themes.

Two great examples of sound cues came out last year even as their cinematography leaned more towards a cinematic style. The Trainee, a GMMTV show about a film production company, used computer error sounds as a comedic beat when characters' fucked up, while Kidnap had a pathetic dog whimper, which created more sympathetic characters, like injured puppies who needed love and patience to recover from their injuries.

There's an art to using these theatrical tools in productions. I was rewatching an episode of Little Bear recently and Mother Bear blew out a candle, which was indicated not by a blowing sound effect but a clarinet trill. So much more tender! These sorts of sonic tricks were used beautifully throughout silent films, opera, and symphonies in the West for years. It merely fell out of fashion outside of cartoons and some comedies.

But just because certain tastes or practices were deserted or designated for "low-brow" entertainment in one culture, doesn't mean that other cultures are somehow 'behind' or 'lesser' for their use of it. Both cultures are equally contemporary to one another. One is not more advanced just because it has a stronger economy or easier access to certain goods and technologies. Nor does the designation of 'low-brow' to some art mean that the 'low-brow' entertainment is actually less skillful or impactful. The viewer just might lack an appropriate angle to appreciate it from or there might easily be cultural biases at play, not just across different cultures but regarding social status and rules within a single culture (and bother are something we ought to be very sensitive about when dealing with queer media).

I want to look at one of my favorite aspects that comes out of Thai BLs preference towards theatricality. The performances, and even certain production elements, often burst with spontaneity, clumsiness, exuberance. It can infect an audience with joy as the shows demonstrate what we often call (from lack of clearer aesthetic terminology) "heart." Dismissively, plenty of fans refer to the 'heart' of Thai series as if its unintentional and unrelated to the elements of the series they see as inferior. Its the sweet taste that got them addicted to a guilty pleasure! The 'heart,' though, comes from the Thai creators prioritizing a view of human messiness over the technical precision preferred by a cinematic aesthetic.

Thai BL often has a similarity to live theater in this manner, as well as improvisation-based media. Again, these are not lesser forms of art. I bring up improv specifically because it's easy to believe that the lack of pre-planning and compositional directive ought to diminish it in the made-up hierarchy people have going in their heads. Yet, we have Mike Leigh, a British director of dramedies, and Christopher Guest, an American comedy director, both famed and critically celebrated for their humanist works founded in improvisation.

You won't find me arguing that all Thai BLs are successful or that one country's BLs are somehow better than another's. I just do my best to understand, explain, and make meaningful comparisons to appreciate the aesthetic goals I see shows' evoking. It's also fun to look into influences beyond my own cultural scope and love (and repost) when others' share them. What are specific East and South Asian media reference points that influence the style of the shows (lakorn, literary BL media, Thai traditional theater)? I'd be remiss not to mention, for example, that the theatrical traditions for Thai shows derive mainly from Asian traditions in cinema and theater, despite all my comparisons to Western history!

Then there's the question of local political, economic, and cultural issues and limits that the creators live alongside and must create within and/or against to some extent. I'll never know all the answers, but exploring the questions is so much more fun than disparaging shows for what they aren't and what they can't or don't aim to be.

But look, I personally have a preference for the style a lot of Thai BLs go for. It reminds me of the cartoons, musicals, DCOMs, and vintage tv I've loved watching for most of my life. I like the variant gender and sexuality representations they offer. I like the intricate economic-political commentary I see the writers working into the subtext. It's not going to resonate for everyone, not everyone will see what I see, and all that's okay. I've personally never been happier with the amount of series' that match my tastes.

[demonic-werewolf]

Okay, time for some Thoughts

god, this episode was SO GOOD at building tension. Here's some thoughts, in no particular order.

something is up with Carla. I don't know what, and maybe it's just residual emotion from 73 yards, but she names "The Beast" before anyone else has a chance to think, and that's weird. "I know it's name, it's the beast!" Ma'am???

I have not seen Pyramids of Mars or whatever the episode was where our new(old) big bad shows up, but I'm familiar with Set, so imagine my surprise when he showed up and was...a dog

did no one else find it strange that Ruby's mom just kinda...fades away? vanishes? that's weird right?

Not sure what's up with our Mrs Flood, but it's definitely something. Maybe she's Susan? I haven't seen much classic who but she makes more sense to me than Susan Twist

We have the names of most, if not all, of the pantheon members

Cannot believe that the "Arbinger" surname trick worked TWICE!!

if I had a nickle for every time the TARDIS was part of the big bad's plan, I would have AT LEAST two nickles. Which isn't a lot, but it's weird that the Doctor keeps falling for it

That summoning speech was incredible though

WAIT WAIT WAIT HARRIET SAYS "I WAS BORN FOR THIS" ABOUT DECODING THE IMAGE

[honeyjars-sims]

Drag Superstar Episode 5: The Finale

Diamond: Hello and welcome to the finale of Drag Superstar! Tonight we will be catching up with all of the contestants and finding out who will be crowned this season's Ultimate Drag Superstar!

As always, I'm joined by my fantastic panel of judges. Please welcome Diego Lobo, Penny Pizzazz, and Izzy Fabulous! Judges, who do you think will be taking home the crown tonight?

Diego: For me, it has to be Lady Astrid! The artistry she's brought is unmatched!

Penny: I love Lady Astrid, but I haven't been able to get Vapore LaWave out of mind mind since the acting challenge!

Izzy: I'm rooting for Velvet Envy. She's serving up glamour on a silver platter, and I'm eating it up!

Diamond: Thank you, judges! Before we crown our winner, let's see what life has been like for our queens since the season started. First up, it's Kylee Kouture. Kylee, your time on the show was short, but you've had social media buzzing.

Kylee: Yes, the internet can't get enough of my looks--and okay, maybe I've been running my mouth a bit, too!

Diamond: I heard that you and Jacqueline had some beef on Social Bunny. Can you tell me about that?

Kylee: Well, apparently some old, bitter queens can't handle us younger girls getting attention.

Jacqueline: I'll tell you exactly what happened, Diamond. All I've heard from the clubs I've been performing in is how Kylee is always late, she's being a diva, she's cancelling gigs...so yes, I had some words with her on SB about how you have to earn your dues in this business.

Kylee: Yeah, whatever. Jealousy is an ugly trait. Anyway, my follower count shows who the public really loves.

Jacqueline: The followers you bought?

[The other queens laugh]

Diamond: Ok, let's move on. Darla, how has life been for you after the show?

Darla: It's been great, Diamond! Despite our conflicts in the girl group challenge, I've gotten close to Vixen and Vapore. And I'm releasing a single!

Diamond: A single???

Darla: Yes, I took some voice lessons and I've really improved!

Jacqueline: I've heard they're doing amazing things with autotune these days!

Darla: [laughing] Okay, I'll admit there was a lot of autotuning, but it's a fun track!

Diamond: I can't wait to hear it! Vixen, how is your ankle?

Vixen: It's doing fine! I had some physical therapy and it's healed well. I'm happy that it hasn't impacted my burlesque act!

Diamond: I'm so happy to hear that! And I want to let you know that you're welcome to rejoin us next season to have another shot at competing!

[The queens applaud]

Vixen: Thank you so much! No more injuries, I promise!

Diamond: I'm going to hold you to that! Valerie, when you left the show, you were dealing with some difficulties at home. How are things going now?

Valerie/David: Well, Diamond, everything has been wonderful! My son was going through a rough time, but he really turned it around. I'm really proud of him! I'm proud of all of my children. My oldest daughter is getting married and touring with her band, and my younger daughter is starting a business.

Diamond: That's fantastic! It seems like you didn't have anything to worry about after all.

Valerie/David: That's right. It's a relief knowing that I've set my kids up with a good foundation. Even when times get tough, they know how to pull through. I've learned I can't control everything, but I also don't need to.

*I forgot to take a solo pic of Jacqueline, oops

Diamond: What a wonderful lesson to learn! Thank you Valerie. Now it's time to catch up with our finalists, starting with Jacqueline Galloway. Has your life changed since the show?

Jacqueline: Well, you've already heard about my conflicts, but there have been a lot of positives as well. I've been booked and busy. It turns out you can teach an old dog new tricks!

Diamond: Tell me about it! Any more social media fights in your future?

Jacqueline: I'm going to try to let my career do the talking from now on.

Diamond: Wise decision. Lady Astrid, how has the show impacted your life?

Lady Astrid: In the best ways, Diamond! I have more time and money to work on new looks and it's really pushed me as an artist. Plus, I've had a lot of trans youth tell me I've inspired them to express themselves freely.

Diamond: That must make you feel good!

Lady Astrid: It really does. It shows how important visibility is to our community.

Diamond: Absolutely! Thank you, Lady Astrid. Next up, Vapore LaWave. How has life after the show surprised you?

Vapore: Well, going into this competition, I never thought of myself as being a funny person. But everyone really loved my campy performance in the acting challenge!

Diamond: You were hysterical!

Vapore: Thank you! Since the show, I've been taking acting lessons. I'm always up for expanding my skill set!

Diamond: That's great! Best of luck to you! And last but not least, it's Velvet Envy! Velvet, how do you feel about your performance on the show?

Velvet: I'm feeling very proud! I didn't know what to expect going in, but I'm happy that I not only won a challenge, but I've made it all the way to the finale.

Diamond: It's well deserved!

Velvet: Thank you! I never thought I would come this far when I started doing drag on a whim years ago!

Diamond: And look at you now! Thank you to all of my queens for making this a season to remember.

Diamond: And now it's the moment you've all been waiting for. I've taking the opinions of the judges and the viewers into consideration, but ultimately this was my decision to make. The winner of this season of Drag Superstar, our Ultimate Drag Superstar, is...

[dramatic pause]

Diamond: Lady Astrid!!!

[confetti falls from the ceiling as everyone applauds]

Condragulations, Lady Astrid! Do you have any words to share?

Lady Astrid: This is for anyone who's ever been told that they can't be who they are. Let our voices of love drown out the hate!

Thank you to @sirianasims for sharing Lady Astrid and Velvet Envy with me, and @invisiblequeen for Vapore LaWave! I enjoyed having them in this project!

Previous | Beginning of story | Beginning of chapter | Next

[chambersandfogg]

April 2nd, 1930

Dear John, 

Thank you for your March 29 letter, and for the restatement of your invitation to California. I believe you, when you say that even such dire times as these seem somewhat less so in the face of sun and an ocean breeze. But I can’t tear myself away from the Eastern coast just yet. I think I may finally have a way to make true in roads in D.C. I’m not under any delusions that I’ll get Hoover’s ear, but I have to try. 

I regret having to reject your invitation to Los Angeles, but I have no regrets about rejecting your offer of money. I’m not so hard up as to need a hand out from you, though I do appreciate the gesture for what it is. Because yes, if you must know, most of my wealth was either given away or put into stocks. But I still have the Manhattan home. It’s on the market now and while it certainly will go under asking price if it goes at all, I’m sure the funds will be enough to get me through this difficult period. It can’t last forever. 

I did have the thought—one complicated by how far in the halls of power I’d like to get over the next year—that it might be time to start thinking about killing Charles Chambers. He’s in his sixties now, not too young for his passing to be conspicuous, and losing what I have in the finance department may have been a blessing in disguise when it comes to this particular conundrum. I can fade into obscurity quietly, amidst the chaos of the current turmoil. 

Killing Charles Chambers is one thing, but who will I be once reincarnated? I’m too old a dog to learn the trick of a new name but “Charles Xenophon” is hardly suited for flying under the radar.  Have you given any further thought to your future self? Do you imagine you’ll still try to pass yourself off as your own grandson? I do see the merits in that, in terms of making claims on your own estate, but what of the scandal? You have no marriages on record, so any child you had that could have produced a grandchild would have to be a bastard. People will talk. Though I suppose you always have liked people talking about you, no matter what they’re saying. 

What we need is a conspirator, John. Someone in the law profession who might be able to ease the way for us generation to generation. Then again, we’d run into the same problem of needing to convince a new person of our nature every sixty years or so. Perhaps a family law firm—a line of fathers and sons who can aid and abet us in committing some light fraud. I never thought I’d be a man to commit any crimes and yet your presence in my life has led to the contemplation of law-breaking on several counts. And when it comes to our continued existence in society, there really is no other option. 

Until such time, I remain, for now,

Your friend,

Charles Chambers

[a letter received by J. S. Fogg]

[to read the pre-1917 entries, join Atypical Artists and get access to the archive of 24 entries (5,000+ words), as well as ad-free episodes of Atypical's whole catalogue. to receive future monthly missives straight to your inbox, sign up for free here]

[cryscendo]

kurt hummel in every performance

5x19 - Old Dog, New Tricks

Take Me Home Tonight - Artie Abrams, Blaine Anderson, Kurt Hummel, Rachel Berry, Mercedes Jones, Sam Evans, Santana Lopez, and Maggie Banks

“Thank you for all your support, but Rachel isn't giving herself enough credit. I mean, this is a true collaboration, and we're just happy to be giving back.”

[jauntilyplacedcaps]

[gleesongtournament]

Glee Song Tournament Round 2

[mylittleredgirl]

m*a*s*h reaction post released from my drafts!! i don't know why i have been worried about making a Good Post when legitimately everything that could ever be said about this show has been said.

so i will SHARE MY THOUGHTS ABOUT SEASON THREE currently in progress:

ooooh war got a sweet budget increase in the off-season. pyrotechnics! helicopters! ACTIONNN BAYBEEEE

i'm falling more in love with everyone, details to follow

top of the list: trapper my bestie has been promoted to trapper my legit fictional crush 💕

don't get me wrong, in real life i would slap his face, but i'm with hot lips on this one. the hair, the smile, every time he takes off his shirt... take me to the supply tent or lose me forever

HOWEVER, i happened to notice that he is not on the header pic on hulu* and none of you talk about him so i must regretfully conclude that he will eventually leave the show

DON'T TELL ME WHEN

anyway i am cherishing him as one cherishes an old dog not long for this world

*speaking of hulu: i have now joined the henry blake appreciation society thanks to this One Weird Trick (reupping my hulu account for a month because i lost my shit after the dvds cut out at the climax of an episode AGAIN)

i went back to rewatch the episodes that didn't play on the dvds, and turns out a lot of them were henry eps (including the trial of henry blake and the one where he is waiting for news about his new baby...) (and also the one where he fell in love with a cheerleader but you can’t win ‘em all)

just in time to appreciate that scene in "o.r." where he tells hawkeye he doesn't want to be discharged so that he can keep doing real doctoring 🥺

"o.r." had so many good character bits!! even frank got some depth?? or at least an explanation for why he's Like That...

other eps i liked:

"iron guts kelly" -- felt like a follow-up to the one last season where hot lips got wasted and broke up with frank and then hawkeye and trapper had to sober her up, which i also loved! "we hate her but she's OURS to hate" is such a good character dynamic.

also lmao every time she cheats on frank, GET YOURS GIRL 😘

the frank/margaret thing is strangely compelling actually? it's like an inverse ship for real. will-they-or-won't-they but for breaking up. same energy though, like i'm glued to the screen rooting for them to fight instead of kiss.

"check-up" i was sooooo brave you guys making peace with the situation BUT THEN TRAPPER STAYED!!! i feel like my crush has been given a stay of execution

i don't know if i ship it per se but i really hope he and margaret hook up exactly once and literally everyone regrets it

i've seen some more episodes and have more thoughts but i need to lie down a lot first

oh one more thing:

i realize "m*a*s*h actors amazing" is not breaking news, but i'm specifically obsessed right now with how they are always interacting with props. i don't even mean the o.r. tools or scripted things, but how in every scene they're doing comedy while also moving crap around, pouring things, drinking, shaving, changing clothes, handing (or THROWING) things to each other, just making a mess all the time while still hitting their lines and comic beats. it's a master class in whatever that is.

anyway it's so good!!! more to come 💕

[immaturityofthomasastruc]

I can see the inconsistency of Felix character is because he actually a character for there "Fans demand" :

Sooo you prefer 2D-Catnoir/Felix rather than our angel Adrien ? Here Felix ! He official debut in "Felix" ! He is Adrien cousin and a big jerk ! Hate him just like how I hate him too !

Wh- What ? You like him ? Fuck ! So you feel he is more competent that our pure evulz bitch teenagers ? Fine ! Here's Felix who manage to trick Gabriel in "Gabriel Agreste" ! Now He is as dangerous as Gabe

Oh Fuck ! You still like him and feel he is more "relevant" than our angel Adrien and my sweetie Marinette ? Here's I present YOU Felix join Miracuclass as "Dog Hero" and then sell all the Miraclouses to Gabe ! He is Evil ! EVil ! EVIIIIL !

What ? You asking me why he want Peacock Miraculous so much ?! Here I present you Felix as Argos ! He wiped humanity out-of-spite and try to create the Utopia for his own freedom ! He is misanthrope !

What A second ? Why... You... STILL.... EXPECTED... CHLOE... TO BE REDEEMED.... why she already... has many traits... to be put in "Complete Monster" territory ? Why YOU keep want her to be redeem like Zuzu and Pacifica just because having shitty parents ? FINE ! Here's Felix to be our Zuzu ! He is tragic little peacock... has tragic backstory.... shitty dad... and a handsome teenager.... pretty much like Zuzu right ? Now shut up and Go simp on him and Feligami already !

Proper redemption arc ? Who hell need redemption arc as long as he is "tragic and handsome" ? Don't worry... we will make Kagami as "senti" out-of-nowhere aside she wear different ring as excuse and a "horny possessive girl" who still can't move on from Adrien and make her Simp felix because he smell and looks like Adrien RIIIIIIIIIIIGHHT LOL

Honestly, it is pretty hilarious that Felix was meant to be seen as the actual character who went through a serious redemption arc compared to Chloe, when the writers pretty much speedran through every major part of it in time for the finale.

Like, say what you will about Chloe and whether or not you think she deserved to be redeemed, but at least the arc leading to her betrayal was spread across three seasons. Felix's redemption arc only lasted three episodes.

Because of the poor pacing, this is the character journey Felix goes through during the latter half of Season 5.

Emotion: "I'm going to wipe out all of humanity and create a better world! Wait, you think I'm insane for erasing your friends and family from existance while essentially committing mass genocide? WHAT HAVE I DONE?!"

Pretension: "Even though I've spent almost no time with you, I think I'm falling in love with you because you may be a Sentimonster person with strict parents like me. Of course, I don't love you enough to break my new moral code against using Sentimonsters or even answering for my betrayal of Ladybug."

Representation: "I'm finally going to do something to help Ladybug because her arch-enemy is getting in the way with my week-old relationship, and that moral code against Sentimonsters? I don't want to use Sentimonsters to fight, but using Sentimonsters to put on a play to convey information I could easily tell Ladybug myself, since my new girlfriend conviently learned her identity over ten episodes ago? Perfectly okay. And since I have a personal stake by wanting to protect both my cousin and girlfriend, surely, this means I'll get to play a big part in the season finale instead of just letting Ladybug do all the work, right?"

Conformation and Re-Creation: