#episode 'have you ever seen a unicorn' for reference | Explore Tumblr posts and blogs

aspoonofsugar · 4 years ago

Text

Emerald + Mercury = Cinder

BEGINNING OF THE END = MIDNIGHT

The episodes Beginning of the End and Midnight can be seen as complementary.

Both share a similar structure with the first part telling Cinder’s story and the second part showing how past events are influencing the present. At the same time, they show the links among Cinder, Emerald and Mercury and explore their changing dynamic.

In Beginning of the End it is shown how they came together and we reach the climax of their cooperation. The Fall of Beacon is when the trio is at its strongest. It is only because of their coordination and teamwork that the plan succeeds. In Midnight instead we are shown the beginning of their separation.

For different reasons (fears and wishes) both Mercury and Emerald are about to leave Cinder. Mercury already has and it is probable Emerald will soon.

The two episodes also give us two opposite and complementary visions of Cinder.

In Beginning of the End, we have the way Cinder wants to appear:

Cinder: (stepping forward slowly, glass anklet shifting with her footsteps) I've already told you. And I don't like repeating myself.

Salem: I would like to think I have shown a great deal of patience over my many years walking Remnant. But I do hate repeating myself.

Mercury: Is this how you treat a patient? (Emerald reaches over and twists the screwdriver in his leg, causing him to wince) Ah, too tight!

Cinder: Enough. Our Mercury put on a wonderful show. He was quite brave.

Salem: Do you find such malignance necessary?

Watts: I apologize, ma'am. I'm not particularly fond of failure.

Salem: Then I see no reason for your cruelty towards young Cinder. She's become our Fall Maiden, destroyed Beacon Tower, and most importantly, killed dear Ozpin. So I'm curious, to what failures are you referring?

In Midnight we see who she really is. Moreover, it becomes more and more clear that her imitation of Salem is different from the original:

Salem: I will tell you when and where you are needed.

Cinder: Both of you, get out. I’ll let you know when you’re needed next.

Mercury: Yeah about that, Salem’s got other plans for me. I’m not gonna be taking orders from you anymore.

Why is this being shown through her interactions with Emerald and Mercury? Why are they important for Cinder’s character?

First of all, Mercury and Emerald are Cinder’s kids, at least narratively speaking:

Roman: Oh, look! She sent the kids again! This is turning out just like the divorce!

Roman calls them so when they first appear and later on several characters refer to them as kids in relation to Cinder.

Raven (about Emerald and Mercury): Two children you've tricked into following you.

Tyrian: (chuckles as he slowly walks toward Emerald) Careful, little girl. Cinder isn't here to protect you anymore.

Tyrian (mocking Mercury): Oh yes, the world is mean, and I'm a big, bad man now just like the others.

Salem (to Emerald): Speak, child.

In short, they are meant to be the last link in a chain of abuse that starts with Salem, goes on with Cinder and finally arrives to them.

At the same time, as the title says Mercury + Emerald = Cinder because they are nothing more than parts of Cinder herself, both in their backgrounds and in their personalities.

CINDER + “HUNGER” = EMERALD

Cinder: Follow me, and you'll never be hungry again.

Cinder: It's... an emptiness. It burns. Like hunger. I like it.

In Beginning of the End Emerald and Cinder are shown to share a hunger motif.

Emerald is presented as a street rat who survives through stealing. She is poor and starved, so she accepts Cinder’s offer to be taken care of and to be given food. That said, it is clear that other than food what Emerald is truly starving for is love:

Emerald: I just... (sighs) Cinder was the only family I ever had. She cared about me, taught me things...

I'm the one Who rose out of filth and was loved by no-one

Similarly, Cinder too is shown to be hungry. More specifically, she is hungry for power:

Cinder: I want to be powerful.

It is meaningful that in the episode where Cinder tells Emerald she won’t have to starve anymore, she herself is starving. This contradiction conveys the tragedy of Cinder’s character aka a traumatized girl taking in a kid similar to her and becoming like her past parental figures.

As a matter of fact Emerald and Cinder’s first meeting has parallels with Cinder meeting both Madame and Rhodes.

When Cinder meets Madame she asks for food, but is negated it:

And she is later shown to have survived through leftovers.

In contrast, food is the first thing Cinder offers Emerald, who she recognizes as a girl who has survived in poverty, like her.

In their first meeting, Cinder also treats Emerald pretty much like Rhodes treated her. Both discover a young girl, who has just committed a theft and confront her. However, instead of punishing the girl, they both offer to be the girl’s mentor and become her idol.

As a matter of fact both Cinder and Emerald are shown to idolize their saviors to the point that both girls try to look like them by changing their hair/clothes:

So, it would superficially seem that Cinder is acting like Rhodes and in the opposite way of Madame. However, the reality is far more complex. Deep down, Cinder is acting like her adoptive mother because she is targeting a girl and thinking about how she can weaponize her. At the same time, there is a key difference between her behaviour and Rhodes’s. Rhodes had Cinder give the sword back, while Cinder never stopped Emerald from stealing. If anything, she encouraged her criminal activities changing her from a thief to a terrorist. In other words, Cinder radicalized Emerald.

This is once again linked to the motif of hunger both girls share:

Cinder: You Atlas elites are all the same! You think hoarding power means you'll have it forever, but it just makes the rest of us hungrier.

Cinder’s trauma is rooted in the unfairness of the world. She was made to starve simply because she was born in the wrong situation and society completely failed her.

What is more, when Rhodes refuses Cinder as well, she too refuses his vision of the world. Rhodes, pretty much like the Prince of the original fairy-tale, offers Cinder a way to social-climb. In the fairy-tale, Cinderella marries the prince and so becomes a princess in the end. Here, Rhodes is telling Cinder she can reach her own castle. Cinder can escape her misery and reach Atlas. However, this is seen as a lie by Cinder the moment he attacks her.

So, Cinder giving food to an orphan like her and trying to destroy the current order are both coherent with the idea that the world is unjust and needs to be changed. However, Cinder is using the same problems she criticizes to her advantage. What is more, she is exasperating them in order to fulfill her personal agenda, which is only about herself and her self-image.

Let’s see now, what do our two young thieves steal? What are they “hungry” for?

a) Emerald steals a ring:

Salesman: A beautiful ring... for a beautiful woman.

Interestingly, the ring itself might be a reference to the original story of Aladdin, which is apparently Emerald’s allusion.

In the original story Aladdin meets two jinns. The first one is in a ring and Aladdin uses it to save himself and to escape with the magic lamp, where a stronger jinn is. So it makes sense for Emerald to steal a ring (something she wishes) just to meet a woman that promises her she can have more (her personal jinn aka someone that can realize Emerald’s dreams).

Why does Emerald steal the ring?

It is possible she just wants to sell it in order to buy some food, but I like the idea that she steals it also because she wants some beauty (”a beautiful ring for a beautiful woman”) in the harsh and horrible world she lives in (“filth”).

b) Cinder steals a sword:

Like in Emerald’s case, the object of Cinder’s theft can be seen as part of her fairy-tale’s allusion.

As a matter of fact, in Cinder’s adaptation of Cinderella the swords are nothing, but her glass slippers.

This is made clear later on when Rhodes (both the Prince and the Fairy Godmother) gives Cinder the first sword. It is meant to be a prize on his part. He is showing Cinder she does not need to steal it anymore because she has gained it. Moreover, weapons are said to be extensions of a person by Ruby, so it makes sense that the slipper of the original Cinderella becomes a sword in this version. It fits the personality of our Cinder, a fiery young girl, who wants to become a huntress.

Finally, since Cinder’s story uses both inversion and deconstruction when adapting the fairy-tale, it is interesting that in the end the Prince refuses to give Cinder the other sword (slipper) and Cinder takes it by force:

In this way, Cinder goes back to stealing, which was what Rhodes had originally tried to avoid.

Why does Cinder steal the sword in the first place?

She steals something to defend herself with and to hurt her tormentors. Violence is rooted in Cinder’s first theft.

In short, Emerald wants something beautiful, while Cinder wants something powerful.

This difference is coherent with their respective semblances since Emerald creates illusions, while Cinder is able to overheat objects, so that she can create explosions and manipulate their shape. Both powers are representative of their user’s flaw and coping mechanism.

Emerald is a person who has reacted to her traumatic life by chasing illusory dreams of warmth and love. She tricks others and is tricked because she refuses to dispel her self-delusions.

Cinder is instead a person, who has been molded through violence just like the glass statues in the hotel. She is forced to endure until she can’t take it anymore and she explodes:

She herself is the Glass Unicorn, which shatters like Cinder’s innocence when too much pressure is added. Not only that, but Cinder too has started molding others to her will. She has been grooming both Emerald and Mercury for her own ego. This is why the name Scorching Caress fits her so well. It is because behind every act of care it is hidden an act of manipulation. And this happens because Cinder too has been treated utilitaristically and the only kind of love she experienced (Rhodes’s) was a “weak” love Cinder ended up perceiving as fake.

In short, Emerald and Cinder have different coping mechanisms and aim for different things. However, this does not mean that one is better or worse than the other. Their main difference is that right now Emerald is more in touch with her own needs and wishes. Ironically, the delusional girl has never lost sight of what she truly wants.

Emerald wants a family. She has been looking for it in the wrong places and she has been pursuing it in the wrong ways. However, Emerald has never forgotten what she is truly after and she is starting to realize she won’t have it, until she stays on Salem’s side:

Salem: It's important not to lose sight of what drives us: Love, justice, reverence... but the moment you put your desires before my own... they will be lost to you. This isn't a threat, this is simply the truth. The path to your desires is only found... through me.

Tyrian: Shh, shh, shh, shh, shh. I want to tell you both a little secret. Your question is all wrong. (laughs)

Emerald: What?

Tyrian: "What do you want from this?" Children, please, if you're not loving what you're doing, then you're in the wrong field.

Salem promises to fulfill Emerald’s wishes, but Tyrian has already told her that pursuing a wish while working for Salem is useless. Emerald is starting to realize it and this is why she will probably leave.

Cinder has instead forgotten what she originally wanted:

Cinder: Like you? You can do whatever you want, go wherever you want.

Cinder’s original wish was to be free and also to be loved, like Emerald:

You're no good I hope you know That your life is of no use And the truth is that No one's ever loved you

However, her being failed by the adults has twisted her wish into a desire for power.

This difference is well conveyed by Cinder and Emerald’s respective line in Beginning of the End:

Cinder: Follow me, and you'll never be hungry again.

Emerald: Thank you...

Cinder: The Huntsman severed the connection before it was complete. (pause) Yes. It's... an emptiness. It burns. Like hunger. I like it. (pause) Yes. I will claim what is ours. (pause) Thank you.

Emerald thanks Cinder because she won’t have to be hungry anymore, while Cinder thanks Salem because she is able to feel a hunger she likes.

This fits well with Cinder’s last words to the Madame:

Cinder: You’re right. Without you I am nothing. But because of you, I am everything.

Emerald does not want to be hungry, while Cinder has been tricked into thinking that being hungry is the only way she can become not even “everything”, but just “something”.

CINDER + “EVERYTHING” = MERCURY

Cinder: Because of you, I am everything.

Mercury: So I got strong, but I never got it back! I've had to work harder than anyone to get where I am.

Cinder’s way of thinking is very similar to Mercury’s. Not only have they both endured their parents’ violence, but they have tried to give this violence meaning. It is because of Madame that Cinder has become “everything” and it is because of Marcus that Mercury has become “strong”. They must believe that it was not all for nothing and that the pain they felt made them stronger instead of weaker.

This is why Cinder thinks that deep down her “hunger” is good. It is because it drives her, but she ignores that it blinds her too.

This is why Mercury keeps going back to his father:

Mercury: Bad hair, used a scythe, and smelled like my dad after a long day. It was him.

Mercury: My dad always said... "if you need to know a city, ask the rats."

He mentions Marcus here and there and uses his teachings to solve problems. That is because those teachings must have some value, right? If they don’t, then Mercury’s life means nothing.

The nature of Cinder and Mercury’s foiling is clear in their first meeting:

Like in Emerald’s case, Cinder finding Mercury calls back a moment of her past.

In particular, it parallels the murder of her adoptive family and Rhodes discovering it. Mercury, just like young Cinder, has just killed an abusive parent and is confronted by a person after the fact.

Once again, Cinder seems to act differently from the adults that let her down. Rhodes was horrified and attacked her, while Cinder praises Mercury and has him join her group.

However, she is deep down acting as Rhodes did. As a matter of fact what truly hurt Cinder about Rhodes’s reaction is that he convinced her that she is irredeemable.

The whole scene plays with the Cinderella’s allusion and inverts it:

The clock strikes midnight and just like in the fairy-tale, the magic is over. In Cinderella, the protagonist goes back to her true self and runs away not to be seen. However, in the end, the prince recognizes her through her slipper (a symbol of her innate beauty and kindness) and marries her despite her humble condition.

In Cinder’s story, midnight is when she reveals a part of herself to Rhodes. She shows all the anger and violence she has been repressing. Cinder is not a “good victim” like the Cinderella of the fairy-tale and Rhodes can’t accept it. Not only that, but he negates Cinder’s dream to be free:

Rhodes: You can run, but you’re going to be running for the rest of your life.

Cinder: I won’t have to run now.

Rhodes: That’s all you’ll ever do.

This shatters Cinder’s hopes and self-perception. She internalizes that she will have to live in opposition to society because she is somehow “a bad person”. She is not a huntress (a princess), but a nobody who’ll have to use violence to survive. And she starts doing it immediately. As the song that starts playing implies, she has been awaken from the “fragile lies in bones”. However, this “truth has broken her soul in two”. This wound is still there and it has influenced, among other things, her reaction to Mercury.

When Cinder meets Mercury, she associates him to his father three times:

Cinder: And you're his son. We saw your fight from the treeline. He's taught you well.

Mercury: Guess so.

Cinder: What's your name?

Mercury: Mercury.

Cinder: Mercury... Tell me, are you anything like your father?

In this way, she strengthens the connection Mercury tried to cut by killing Marcus. She is indirectly convincing him that he can’t be different from his father:

Tyrian: All you ever learned was pain and violence, and now you're too afraid to leave it. Such a tragedy.

Tyrian spells it out clearly for both Mercury and the audience. The only reason Mercury joined Cinder and is now working for Salem is that he is scared. Not only is he scared for his own survival, but he is scared about failing to be anything else than what his father taught him.

Cinder is deep down scared too by Salem and her group:

However, she too, like Mercury, has given up on being anything different than a criminal. She puts up a strong demeanor, but is actually really frail. She is like glass that has been bended through heat (violence) and can easily shatter.

Both Mercury and Cinder are two violent victims. This duality is kind of conveyed also through their names and colors.

“Cinder” is something that has only partially burnt. They tried to reduce her to ashes, but failed and a part of Cinder is still burning. This is why her main colors are black and red. She is black because she was burnt. She is red because she can burn. She was both hurt and has hurted others.

Similarly, “mercury” is a silver/gray metal and this is Mercury’s main color. This choice gains a possible deeper meaning when one considers that his aura is white and that his surname is Black. His aura can be seen as Mercury’s nature, while the surname “Black” is a symbol of the “nurture” he received. Mixing these two factors made so that Mercury turned out like he is (a gray character).

So, Cinder and Mercury have been shaped by their abuse and this is clearly visible on their bodies as well:

Cinder keeps the scar on her neck hidden, while Mercury has chosen to weaponize his missing legs.

It is telling that Mercury made of his own mechanical legs his weapon and that he mostly uses kicks to fight. It is another detail that shows how he is reducing both himself and his trauma to weapons he can use.

Cinder too shows how frail her sense of self is through weapons. It is not by chance that her current weapons are made of glass. In her backstory her swords were a symbol of her true self and of who she could become. Right now, they are nothing, but glass imitations of that ideal.

In short, Cinder and Mercury are both victims and murderers and they needed to have both sides of themselves accepted by their mentors.

However, Rhodes and Cinder failed to do so. They both refused the victimhood of the child in front of them, but they did so in opposite ways.

On one hand Rhodes refused Cinder’s violence and its reasons. He ignored his feelings of affection for the girl and steeled himself, so that he could fight her.

On the other hand Cinder gladly accepted Mercury’s violence and groomed him (Scorching caress), so that he would completely embrace it too.

The difference between Rhodes and Cinder lies in them having different reactions to the violence perpetrated by a child. However, they both fail to address the child’s pain. Rhodes does so because his vision is too black and white. Cinder does so because she is not even able to address her own pain.

However, both Cinder and Mercury need to address their own victimhood. Still, they refuse to do so because it would mean to accept their vulnerability. It is easier to convince themselves that they are the strong and violent ones. They are the ones others are scared of:

Mercury: We're the guys you should be afraid of.

But it is precisely because of this refusal that they are currently caught in dynamics similar to the ones they escaped:

Salem and Tyrian are nothing, but more dangerous versions of Madame and Marcus.

Salem treats Cinder as a pawn, rather than a person. She strips her of her personhood and agency and punishes her violently.

Tyrian is a killer, who enjoys his job like Marcus. He keeps invading Mercury’s personal space and threathens him. Moreover, his own semblance is similar to Marcus’s. It might not steal people’s semblances, but it still messes with their auras (with their very souls).

Cinder and Mercury struggle to recognize their own situations because to do so they must accept they are still stuck in their horrible childhoods:

Mercury: You may not like it here without Cinder, but I think I'm right where I'm supposed to be!

Cinder: I don’t serve anyone. And you wouldn’t either, if you were built that way.

However, this refusal is confusing them about what their true needs and wishes are:

Cinder: I want to be strong. I want to be feared. I want to be powerful.

Mercury: So what's in it for me?

In Beginning of the End both characters receive a line where they express some kind of wish.

As stated above, Cinder’s wish is not her original one, but a twisted version because she thinks she can’t reach her true desire.

When it comes to Mercury, he is not even sure of what he really wants. This is made clear even later on:

Emerald: I mean, there has to be something you want from this, right?

Mercury: Salem's promised us everything. We win this thing for her, we'll be top dogs in her new world. What more do you want?

He says Salem will give him all he wants, but he still fails to answer Emerald’s question. What is it that he wants?

He wants “everything” Cinder can offer him and later on “everything” Salem offers him. However, this is just another way to say he’ll take anything he is given, be it even something as basic as survival:

Mercury: Look, even if what he said was true, we can’t stop Salem. You told me yourself, Hazel tried. He failed and he got in line. Big guy’s not going to pick fights he can’t win, and neither should we.

This is because Mercury is so scared and hurt he can’t even start to think about what he wants.

Similarly, he goes back to a fatalistic vision of the world:

Mercury: Just made sense.

Emerald: It made sense?

Mercury: All my life, my father trained me to be a killer, an assassin like him. And then moments after I killed him, you two showed up looking for someone with my exact skills. Just felt like it was meant to be.

Let’s highlight that Cinder does the same:

Pyrrha: Do you believe in destiny?

Cinder: Yes.

Cinder: You know, Neo, someone once asked me if I believed in destiny. And I'm happy to say I still do.

Both Mercury and Cinder have convinced themselves that there is a “destiny” written for them and that they must play that role (the role of an assassin, the role of the Maiden). However, in this way they are just chaining themselves and accepting to Do As They Are Told by adults and mentor figures, who do not really care about them.

EMERALD + MERCURY = SOUL + BODY

I'm the one That was born in a nightmare a murderer's son Got no gun But I gleam like a blade and I'm harder than iron I'm the one Who rose out of filth and was loved by no-one Delusion I'll steal til your blind and defeat you from inside your mind

I'm the one That was ripped from the earth and exposed to the sun Overrun By the hate and the beatings defiled by a father I'm the one I'll race with your eyes and you'll never outrun Illusions Will conquer your mind and will make you fulfill my design

Mercury and Emerald’s song says several things about them.

First of all, it conveys the idea of two kids that feel let down by the world and have decided to retaliate. They mock their opponents and praise their respective abilities. However, it is clear from the verses above that it is just a mask to hide their pain.

This fits with them appearing for the first time in Best Day Ever where Ozpin says this:

Ozpin: And they will be, but right now they're still children. So why not let them play the part? After all, it isn't a role they'll have forever.

Differently from out protagonists (at the time), Emerald and Mercury are not playing the part of kids, but they are acting as big bad thugs to prove themselves to the people around them.

Secondly, the song is useful to explore Emerald and Mercury’s foiling.

I'm the one Who rose out of filth and was loved by no-one Delusion I'll steal til your blind and defeat you from inside your mind

I'm the one That was ripped from the earth and exposed to the sun Overrun By the hate and the beatings defiled by a father

Emerald was never given love, while Mercury was given hate:

Mercury: I'm sorry you didn't have a mommy that loved you, but I had a father who hated me!

This difference is at the root of their different personalities.

On one hand Emerald attaches herself to the care Cinder gives her and takes it as the most love she’ll ever receive.

On the other hand Mercury is just content with not receiving hate and violence from the people around him.

Emerald is more open about her connections with others, while Mercury is more disillusioned. She is strongly driven by them, while Mercury is too scared to fully embrace them.

Emerald has clear wishes, but she is deluding herself about them. Mercury has fears that do not let him realize what he wants.

This difference stems from the different nature of their traumas. Who was never given anything accepts whatever they are offered, while who received pain thinks even nothing is better than more pain.

Still, we are currently seeing an inversion of this dynamic. Emerald’s wishes and their not overlapping with reality are making her doubtful. Mercury’s fear and survival instinct are making him refuse the truth:

Mercury: And all of this is pointless, anyway. Salem’s not ending the world.

In the end, facing one’s own feelings, being them wishes:

Or fears:

Is still better than repressing them, even if it might be painful.

I'm the one That was born in a nightmare a murderer's son Got no gun But I gleam like a blade and I'm harder than iron

I'm the one I'll race with your eyes and you'll never outrun Illusions Will conquer your mind and will make you fulfill my design

The song I’m the One has four key verses. In the first two ones both characters tell a little of their past and then discuss their abilities, while in the other two Mercury mostly talks about his past and emphasizes it, while Emerald highlights her semblance more.

This ends up foreshadowing the importance of Emerald’s semblance and Mercury’s lack of one (”got no gun”).

Emerald’s semblance is important on different levels. As stated above, it perfectly embodies Emerald’s flaw:

Mercury: You're in denial.

And it is linked to unconscious aspects, like wishes and fears. Finally, it is a semblance linked to trickery and lies and these are among the causes of The Fall of Beacon:

Cinder: Our Kingdoms are on the brink of war, yet we, the citizens, are left in the dark.

It is not by chance that this semblance specifically has been so instrumental in Cinder’s plan, after all.

Similarly, Mercury’s lack of a semblance is one of his defining traits:

Mercury: He never went easy on me! Every day of training was a beating. And when I unlocked my Semblance, he stole it with his!

Ironically, this would make for an excellent narrative objective for Mercury’s character. However, he is so sure his semblance can’t be taken back that he has completely given up on it. This even if he is clearly bitter about having had a part of himself stolen.

The key aspect here may be that Mercury has failed to get his semblance back through his father’s teachings:

Mercury: He told me I could have it back when I was strong. So I got strong, but I never got it back!

And he is now considering it lost forever. It is possible that the path to find his ability again is instead another one altogether.

That said, while Cinder mostly used Emerald’s semblance in her plan, she also made great use of Mercury’s skill and of the peculiar nature of his body:

The first step in her plan, after all, uses both Emerald’s semblance and Mercury’s prostethic legs to spread negative emotions. This tendency continues in PvP where Emerald uses her semblance and Mercury, unhurt because of his legs, prevents Ruby from interrupting the fight.

In short, Emerald mostly relies on her semblance, while Mercury mostly relies on his legs and fighting prowess.

This detail adds to the idea that Emerald and Mercury have been acting as a unit and have been complementing each other. Emerald acts as the “soul” and Mercury as the “body”.

The soul is one’s personal essence (like the semblance). It is where (once again) wishes reside. The body is what protects the soul and is animated by instincts and self-survival.

They complement each other. This complementarity is shown in Emerald and Mercury’s fights.

In the Vytal festival, Mercury takes on both Coco and Yatsuhashi for a short while, so that Emerald can size her chance to fight Coco at her own terms (and she wins by using her semblance).

In the Battle of Heaven, Emerald uses her semblance to help Mercury fight and, in a sense, she compensates for his lack of one:

This perfect complementarity used to make them strong, but right now it is clear that it has become limitating:

Blake: When you’ve been at someone’s side for so long, after a while they become a part of you. But that’s just it, they’re only a part of you. Don’t forget about the rest.

This is why they are currently being separated by the narrative.

On one hand Emerald must learn not to be so emotionally dependant from others and must make her own choices. This is also why her using the lamp might be meaningful:

Qrow: This last great creation would be given the power to both create and destroy. It would be given the gift of knowledge, so that it could learn about itself and the world around it. And most importantly, it would be given the power to choose, to have free will to take everything it had learned and decide which path to follow - the path of light or the path of darkness.

The whole point of the relics (and of the journey we are going through) is to learn about the world, about creation and destruction, so that in the end a choice can be made.

This is why the first relic we saw is the relic of knowledge. Now, Emerald is a character that has been dependant on others, so that she could realize her wishes. Aladdin itself is a story about a character depending on a Jinn to make his dreams come true. However, it is possible Emerald’s arc will be different and it will be about gaining the knowledge to act and realize one’s wishes.

On the other hand Mercury must face himself and learn what he really wants. He must start living instead of simply surviving. In a sense, he must take the soul his father stole back.

Mercury quoting Marcus: "This is a crutch!" "This makes you weak!"

Marcus was wrong. One’s individuality (semblance) does not make them weak. If anything, Marcus’s abuse of Mercury made him need a literal crutch (since he lost his legs) and the boy is still hiding behind this violence to avoid any real choice about himself. This is what prevents him from becoming strong:

Yang: You might be powerful, but that doesn't make you strong.

Raven: Who do you think you are, lecturing me?! Standing there, shaking like a scared little girl?!

Yang: Yeah, I'm scared. But I'm still standing here!

His connection with Emerald might still play a role in this. After all, Mercury is, among other things, the god of thieves and this allusion has been played with by making him protective of Emerald (whose surname means “thief”). It might be used in a deeper and more meaningful way later on.

Emerald and Mercury must grow because if they don’t, they’ll end up as their dark foils:

Both Hazel and Emerald ended up joining Salem out of a feeling of love that was twisted. Emerald joined Salem because of her loyalty to Cinder, who is using her. Hazel joined Salem because of the death of his sister that he blames on Ozpin. Their semblances are even symbolic of their respective flaws since Emerald is caught up in her own delusions, while Hazel is unable to properly grieve, so he can’t “feel pain” on more than just the physical level.

Both Mercury and Tyrian are assassins and Tyrian is who Mercury might become if he truly chooses to live only to kill and does not find a different goal.

It is also telling that both Emerald and Mercury are currently put in similar circumstances as their two foils. As a matter of fact Mercury is leaving with Tytian, while Emerald and Hazel have been given the password to use the lamp and must choose what to make of this information.

At the same time, Emerald and Mercury have also some traits of respectively Tyrian and Hazel as well.

Emerald is fiercely loyal to Cinder like Tyrian is to Salem:

Tyrian: So devoted to someone so incompetent.

Hazel wanted to protect Gretchen (and is still acting on these unfulfilled feelings of protectiveness) like Mercury is trying to protect Emerald. Moreover, Gretchen and (probably) Emerald’s choice was/will be to fight an enemy that can’t be beaten, going against Hazel and Mercury’s wishes.

All in all, Emerald and Mercury have had interesting interactions with both Hazel and Tyrian that can be (ironically) seen as two incomplete and flawed mentor figures.

On one hand Hazel has been acting as a protector of sorts. He carried Emerald when she lost consciousness after the Battle of Heaven and he tried to protect both Emerald and Mercury from Salem’s rage after their failure.

On the other hand Tyrian is seen tormenting the two kids whenever he gets the chance. That said, he ironically ends up spelling out for them truths the two must face:

Tyrian: Do what makes you happy children... please? I'm begging you...

Tyrian: Of course she is! You’re surprised? Salem is destruction incarnate! Our mistress wishes to see the end of it all! There is no ideal more beautiful.

In short, some kind of interesting foiling seems to have been set-up for the four of them and it will be interesting to see if/how it develops.

MIDNIGHT = BEGINNING OF THE END

In a sense, when the clock stroke midnight it was the beginning of Cinder’s end because she entered a spiral she has not been able to stop since then. Not only that, but she has dragged other people in that same spirals and those people are now struggling against it, just like her.

At the same time, midnight signals the end of illusions and that may be a fitting description for where we are in the story so far.

Ruby has just announced the existence of Salem to the world, Emerald is uncovering several truths about Salem, Cinder and herself and the Ace Ops are being forced to face their emotions. Of course, when some illusions end, new ones appear. However, it is clear we are in a pivotal moment, which will hopefully lead to some changes.

Similarly, Cinder, Mercury and Emerald will probably go their own ways soon and it will be interesting to see how their paths will foil and where they will meet again.

As for now, it seems that because of Emerald’s allusion to Aladdin, she might use the last question to Jinn. If so, she will probably aquire knowledge and wisdom (emeralds are the stones of wisdom apparently).

Mercury will probably spiral a little bit as for now, but I wonder if he will receive some pivotal focus in the Vacuo’s volumes. Other than him going there with Tyrian, there is also the fact that it would make what is currently just a juxtaposition with Penny (thank you, @hamliet for noticing) a more interesting foiling.

Penny is an artificial human, a creation who was given life because her father loved her so much that he sacrificed a part of his aura for her... twice. She is at the centre of the theme of creation and it represents the good sides of it. She is a creation with a soul, a child, the fruit of parental love. It is because of the love she received that she is willing to protect creation:

Penny: That is not… I choose to fight for people who care about me.

Penny’s arc is about self-actualization. She struggles to be her own person outside her role, her purpose and even her parent. However, even if she has been objectified and keeps being objectified, she has also been given affection and this is why she fights.

Mercury is her opposite. He was the target of his father’s violence. Marcus not only stole his legs (while Pietro built Penny a body), but even a part of his soul (while Pietro gave Penny a part of his). He taught Mercury hate and violence and this is why he is currently helping a witch to destroy the world. Because of this, it would be interesting for such a character to receive focus on the volumes about destruction.

Finally, Cinder, as the Fall Maiden, is linked to the theme of choice. This has already been explored a little bit in her being obessed by destiny, as said above. However, the theme of choice is one which must still be fully explored.

In particular, there are several references to choice and destiny when it comes to Cinder’s foil aka Pyrrha:

Cinder (about Pyrrha): Hmm... People assume that she's fated for victory, when she's really taking fate into her own hands.

Cinder: It's unfortunate you were promised a power that was never truly yours.

Pyrrha: When I think of destiny, I don't think of a predetermined fate you can't escape. But rather... some sort of final goal, something you work towards your entire life.

Red-Haired Woman: She understood that she had a responsibility... to try. I don't think she would regret her choice, because a Huntress would understand that there really wasn't a choice to make. And a Huntress is what she always wanted to be.

Pyrrha’s arc is about making a choice. She must choose if she wants to become a Maiden. She struggles, but in the end she accepts this responsibilty. She embraces her idea of destiny and tries to be a Maiden even without powers.

Cinder’s idea of destiny is not fully explored. In a sense, just like Pyrrha, she has taken destiny in her own hands. However, she also seems to use the idea of destiny to nurture her self-image as the Chosen One and as the Worthy One.

At the same time, Pyrrha’s choice led to her tragic death. Not only that, but in the end her death accomplished little. Even Ruby activating her silver eyes has more to do with her wish to protect life, rather than with death. Why is that so? It is probably because Pyrrha’s choice was made without knowledge. She had been explained only a fragment of the truth, while the whole point is that one should learn, meet creation and destruction and then make a choice. This is why we have yet to meet the relic of choice.

My guess is that the theme of choice will mostly be explored through Cinder’s character, who will be asked to choose her destiny in the end.

#rwby #rwby meta #cinder fall #emerald sustrai #mercury black #my meta

349 notes · View notes

dangermousie · 4 years ago

Text

2020 End of Year Post - cdrama edition

This is only going to cover cdramas that aired in 2020; if I had to make a post about all the cdramas I watched this year, I would still be doing it in three months...

Overall it’s been a fairly decent cdrama year (certainly better than the very lacklustre kdrama year.) It’s no miracle that 2019 was (so many excellent dramas!) but overall pretty solid.

DRAMAS WATCHED

(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)

44 The Legend of Jing Yan - the worst cdrama I have seen this year, and possibly the worst drama of 2020, period. The hero and heroine were both uncharismatic, incapable of acting and saddled with such shrilly moronic characters, the only suspense was how they haven’t both perished long since from forgetting to breathe. Nor was anyone in the rest of the cast much better; the screenplay was written by a lower mammal and the cinematography was the best a third-rate wedding cinematographer could offer. Stay the HELL away from this one.

43 Unicorn Girl - the only unicorn about this bland yet irritating piece of pap was the fact that I was supposed to believe the leads are hockey players.

42 Autumn Cicada - I like spy stories, Allen Ren, and Republican Era settings. I can tune out Communist propaganda with the best of them. Yet, the propaganda ate the story to such a degree that there was nothing left; pre magic change Pinocchio was less wooden then this narrative.

41 You Complete Me - no you do not.

40 Skate into Love - the only positive thing I can say about this is that at least it’s better than Unicorn Girl, if for no other reason that only one of them is supposed to be a hockey player.

39 Irreplaceable Love - how do you make a story about fake siblings with a mad mother falling for each other boring? I don’t know, ask the makers of this.

38 Eternal Love Rain - I hate to rain on their parade, but these two actors cannot act, have about as much chemistry as a piece of bread, and are trapped in a story perfect for entertaining the mental abilities of the leads of Jin Yan.

37 For Married Doctoress - ummmm, you could do worse I guess. It only made me break out in mild hives. The sadistic ending did make me laugh though.

36 Dance of the Sky Empire - why you get Xu Kai and waste him in this insipid mess of a story is beyond me.

35 Love Designer - it’s inoffensive except to my sense of entertainment. There is nothing wrong with it but oh God is it bland.

34 Love a Lifetime - It felt like a lifetime watching this, but I didn’t love it. The story is incoherent, the actors have no chemistry and it’s all an epic waste of time.

33 Love is Sweet - so sweet it gave me diabetes. I like Luo Yunxi and Bai Lu, but there is literally no plot. I don’t need to sink into a plotless morass to watch pretty people engage in PG-rated make-outs. I am an adult with access to stronger stuff if I am thus inclined, though to be fair they could get x-rated and I still wouldn’t be able to sit through so many episodes of plotlessness for that.

32 Fake Princess - I love Zhao Yi Qin, but the guy needs to pick better projects. The female lead in this one has the voice and personality that can strip paint but the story is also doing nobody any favors.

31 The Changan Youth - I lost my brain checking this out. I had to go and read a dense treatise on medieval coinage or Mayan farming to try to recover it.

30 My Dear Destiny - kinda cheesy fun. It honestly shouldn’t be as low except it really feels like community theater.

29 Handsome Siblings - why is the Nic Tse version so good and this one so bad? True mystery for the ages. Chen Zhe Yuan is the sole reason this isn’t lower, because that kid tries SO HARD to make this drama bearable and almost succeeds. I can’t wait to see him in Sha Po Lang which actually will give him something to do.

28 In a Class of Her Own - see my comment on The Changan Youth. But at least Song Weilong is gorgeous to look at.

27 General’s Lady - inoffensive, pretty and so utterly pointless.

26 The Blooms at Ruyi Pavilion - those two leading actors are a no go to me but at least they considerately acted with each other instead of ruining two dramas for me. It’s very pretty though.

25 Jiu Liu Overlord - it’s a mess and I bailed, but I placed it this high merely due to the fact that Lai Yi finally gets a leading role and he’s sexy as fuck and I am shallow. Whoever styled Bai Lu should never work again except at a circus, however.

24 Cross Fire - not my genre and Luhan will always look too much like my cousin for comfort, but it’s a surprisingly gripping and dark drama. I liked it!

23 God of Lost Fantasy - if you want to watch a mediocre wuxia/xianxia, this is not a bad choice. Probably better than Legend of Fei actually, because at least it doesn’t have an A-list cast to waste and gives us Sheng Yilun himbo and shirtless.

22 Renascence - the insane cuts (it went from 70 eps to 36!!!) made a fairly cheesy story into a total mess. But I had a good time until I finally bailed mainly because of the male lead (Chen Zhe Yuan yet again carrying a not-good 2020 drama on his shoulders; the guy should be nicknamed Atlas) and the insane but in a fun way story. The female lead (both the character and the actress) were not up to par but oh well.

21 Legend of Fei - only this high because objectively there is nothing I disliked it. But there is nothing I liked either. The most uninspired drama on the list. If you could eat cardboard, this is what it would taste like.

20 Ever Night 2 - compared to EN1, it’s a waste of film. On its own merits, it’s not very good (the cast replacements are uniformly inferior and Dylan Wang is so wrong for Ning Que I cannot even put it into words; the script is useless.) But it had some parts I loved so very VERY much (all the shippy stuff was perfection) so I don’t feel too bitter.

19 Castle in the Sky 2 - a lovely if not too complex fairy tale. It is inferior to its prequel because it doesn’t have Zhang Ruo Yun who elevated it, but it’s still a solid bit of fun.

18 The Great Ruler - it’s very high fantasy, very pretty, and surprisingly involving.

17 (tie) Legend of Two Sisters in the Chaos - the secondary couple steals the show but the rest is not too bad if not too involving.

17 Legend of Awakening - a solid bit of fun with a seriously BDSM streak (theme this year apparently - but come on, the lead’s powers only activate when he’s in extreme pain!) It’s a bit generic and the costuming is done by a blind person, not to mention the OTP is a NOTP, but the rest of relationships (romantic and platonic) are wonderful (I live for the found siblings story in this one) and I like most of the characters.

16 Consummation - a rare modern cdrama I liked; a sweet coming of age story (and love story) even if wrapped in a pretty weird virtual reality concept.

15 Oops the King is in Love - this is how you do a low budget, sweet, silly piece of fluff. Our heroine pretends to be a eunuch and crosses paths with a powerless young king and they are adorable, even more so than the drama.

14 Song of Glory - pretty solid, though draggy and I didn’t love the toothpaste filter. But A+ cast, excellent leading couple chemistry, Li Qin being a BAMF and a leading man (Qin Hao) who is actually an adult.

13 And the Winner is love - objectively kind of a mess (and the heroine has the brainpower of a gnat), but the OTP chemistry is excellent and Luo Yunxi fighting and flirting with a fan as finally a leading man is worth the price of admission.

12 Miss S - snazzy and snappy and stylish and whatever else starts with S.

11 Eternal Love of Dream - I don’t know if it would work for you as well if you weren’t a hardcore shipper for this OTP in Three Lives but I was and this was such a darling, wonderful, shippy delight; plus I love this type of high fantasy.

10 (tie) Maiden Holmes - solid and sweet and a wonderful OTP. Proves that functional doesn’t have to mean boring. If you watch one cross-dressing drama this year make it this one.

10 Qin Dynasty Epic - srs bsns history epic. I am not far into it but it’s so good and smart and visually stunning (if you love battles, this one is for you.)

9 Love Lasts Two Minds - I adored this so much more than I should objectively have, but it’s so beautiful (and no I am not just referring to Alan Yu’s face) and the OTP has wonderful chemistry and the story is solid, and the whole trope of her memory being wiped but falling for him all over again while he’s constantly and utterly devoted is a fave; plus he’s in pain and semi-dyng for most of it so sluuuurp (happy ending, don’t worry)

8 To Love - yes, a modern drama is this high! But it involves intensity, tragedy, genuine adults and sexiness that is Lin Gengxin. And there is an actual plot and darkness OMG!

7 Legend of Xiao Chuo - so beautiful, so fun, so full of gorgeousness of Shawn Dou. Plus, Liao is a rare setting for a cdrama and there are a lot of characters and stories I liked a LOT. Less ship content than I wanted but more than I expected.

6 The Romance of Tiger and Rose - so so delightful. I was literally laughing out loud. I have no idea if it will work as well if one isn’t a seasoned watcher of period cdrama/reader of web novels, with bonus for watching/reading Goodbye My Princess, but it was a complete delight for me (and yes, I shipped for real, as well. Best of both worlds.)

5 Twisted Fate of Love - Jin Han gets a leading period drama role! And he’s enjoying it to the hilt, excellent as a smart, twisty bastard who is also charming and so madly in love with heroine. Sun Yi is beautiful and tough and her chemistry with JH is on fire, the story never drags, and it’s so twisty and fun and just awesome.

4 Love In Between - the most underrated drama on this list. It has no big names or big budget, but it’s wuxia that’s clever, driven, tragic, hopeful and so beautifully shot. Three separate (amazing) OTPs, a leading man who is so not typical (a doctor who cannot fight and who never acquires this ability) and who is intense and smart and damaged, a heroine who puts her quest ahead of her emotions, an unhealthy degree of involvement by yours truly. This is a drama Fei should have been.

3 Love and Redemption - such a lovely, addictive, utterly romantic fairy tale. I was obsessed with it for a reason. All the tropes you love and some you didn’t know you did, a star-crossed OTP to the nth power (and a secondary OTP I hardcore love), a twisty yet coherent plot, some insane chemistry and so much whump and hurt/comfort they must have bought blood packets in bulk.

2 Go Ahead - yes, I can’t believe it either. A contemporary slice of life cdrama made it this high on my list. But the way it feels so real, the found family perfection, the characters I love and loathe, the perfect cherry of a wonderful OTP that hits my narrative kinks on top, and just a perfect storm of loveliness all around with this one.

1 The Wolf - is that any surprise to anyone who’s checked out this tumblr for the last couple of months? Tragic, intense and gorgeous; so romantic and angsty and passionate it made me lose my mind (though some of it was gone the moment the camera panned to Darren Wang) - all my favorite tropes and then some; this is a drama that may not be perfect but it is 100% and then beyond perfect for ME.

FAVORITE DRAMA

The Wolf - I have seen objectively better cdramas; even this year. But it has been literal years since I have been this hardcore obsessed, this utterly pleased, this emotionally catered to and devastated at once. A beautiful dark fairy tale that manages to own me despite the storytelling gaps due to censorship, it took me for one of the biggest emotional roller coaster rides of my drama watching career. Visually gorgeous, poetic, intense, and so romantic it took my breath away, this is not just my favorite cdrama of 2020, it’s my favorite drama this year period, and the one cdrama this year to make it into my permanent Top 10 cdramas list.

WORST DRAMA

Legend of Jin Yan - see my write up for it for why as I refuse to waste more time on this stupid mess.

FAVORITE MALE CHARACTER

Wolfie, The Wolf - he is such a haunted, tormented, complex, dark mess; loving and violent, severely damaged and with a hidden yearning softness, longing and aloof. And the amount of charisma and sheer masculine sex appeal Darren Wang brings to the role is insane and not something I see much of in a cdrama. Plus, that character arc with its rapid fall and slow painful redemption is A++++

Runner Up: Sifeng, Love and Redemption - has a male lead ever loved more utterly and selflessly, suffered more thoroughly and beautifully, and managed to have such chemistry with both his leading lady and his leading man (that his leading lady temporarily turned into) at once? The answer is no.

Almost made the cut - Feng Xi, Twisted Fate of Love, Han Shuo, The Romance of Tiger and Rose, Qing Ci, Love in Between.

FAVORITE FEMALE CHARACTER

Xiao Qian, The Romance of Tiger and Rose - so funny, so much the reason this drama was such a delight. I adore her beyond words.

NEEDS TO BE MURDERED

Murder Daddy, The Wolf - I am sad the censors robbed us of seeing him die on screen. He was fully human but nonetheless managed to be the worst monster in a drama full of literal ones.

Ling Xiao’s Mom, Go Ahead - I hate her so much I don’t want to look up her name. She abused the kid, the disappeared and came back to abuse him some more. I mean she literally gave her child mental health issues. She is the WORST.

FAVORITE SHIP

Xing’er x Wolfie, The Wolf - are you kidding me? Who else could it ever be for me? They destroyed each other and saved each other, sworn enemies and childhood lovers, soulmates and epic messes, they couldn’t live with or without each other. The longing, the passion, the intensity, the angst, the epicness. LIKE THERE ARE NO WORDS!!!!

FAVORITE SECONDARY OTP

Si Yuan, Shen Manqing, Love in Between - I loved them as much and often more than the main OTP. So much angst and passion and a happy ending! She is a seeming sect darling (except the sect is horrible and also sexist so her only worth is as a marriage candidate) and he’s an information broker who is actually one of the members of a destroyed sect that’s blamed for the massacre of her family. That chemistry and yearning is insane. The scene where she touches his face when he’s unconscious was in serious running for my favorite scene of 2020.

NOTP

Legend of Awakening - I have never seen a couple that didn’t just have no chemistry but exhibited actual revulsion towards each other before watching Chen Feiyu and Cheng Xiao try to act as lovers in this one. It was almost entertaining to be honest.

FAVORITE SCENE

It’s a tie and both are from The Wolf. One is a sequence where Wolfie marches to the walls alone, seeking death at Xing’er’s hands and the whole sequence with the battle and rescue follows. The other is the intercut between Xing’er going to her wedding and Wolfie going to his execution, and the auto-da-fe being intercut with her wedding.

BIGGEST CRUSH

Wolfie, The Wolf - Ummm have you seen this tumblr lately, it’s basically a drool shrine to the man.

BEST SCENE STEALER CHARACTER

Yelü Yansage, The Legend of Xiao Chuo - I have loved this actor since The Myth and he continued to competently steal every scene he was in.

NEEDS A SEQUEL

To Love - come out of the coma, dammit!!!!!!!

NEEDS A DIRECTOR’S CUT

The Wolf - duh. It started out as 59 eps and got cut to 49. I reaiize some stuff is never gonna get put in due to censorship, but some of the stuff that got cut got for time reasons because they were deluded and hoping to get a TV broadcast so ep count had to be under 50. I mean I doubt the censors would care if they kept scenes of Wolfie building her a swing or whatever. I really really want a director’s cut the way Goodbye My Princess did even if like with GMP it’s only three extra eps. Hell, I will take extra three minutes, as long as those three minutes are Darren Wang shirtless or with a sword. Ahem.

NEEDS SCISSORS TAKEN TO IT

The Song of Glory - it’s a fairly solid drama but honestly it didn’t need to be as long as it was and kind of got draggy and I got lost interest. (I could have gotten snarky and said all the dramas I didn’t like needed scissors taken to them in their entirety but decided to play nice.)

TOO MANY SCISSORS TAKEN TO IT

There are a number of dramas I could complain about with regard to this (hi there, darling The Wolf!) but this award goes to Renascence - poor Renascence was never going to be a masterpiece, but it had the potential to be a bit of good cheesy fun until it had its run time cut by more than half and became an incoherent piece of insanity.

TROPE THAT NEEDS TO DIE

Dumb shrill innocent heroine who can’t tie her shoes - see basically all the cdramas I didn’t like this year.

FAVORITE TROPE WE’VE SEEN A LOT OF

Male lead torture - I mean it’s always open season on that in cdramas, but between Love and Redemption, The Wolf, Love Lasts Two Minds, Love in Between and so on, it was a banner year!

BIGGEST DISAPPOINTMENT

Legend of Fei - what a waste of that cast; what a waste of our finite time on this Earth. What a waste of my intelligence to hope for something better and stick with it for a dozen eps. I have had stale wonderbread that had more personality than this drama.There is absolutely nothing that stands out about this drama in any way, from half-dimensional characters, to actors who are sleepwalking, to a plot that moves at the speed of an arthritic snail, to uninspired cinematography and direction, to lack of any chemistry between anyone in the cast. If paint-by-numbers was done by a group of particularly linear robots, it might come across the same way as this drama.

BIGGEST GOOD SURPRISE

The Wolf - honestly, I did not expect it to come out AT ALL EVER let alone to become my favorite drama of 2020. I was not familiar with the leading man (hahah), I liked Li Qin but wasn’t yet obsessed with her, and Xiao Zhan was excellent in The Untamed but I was hardly going to follow him from drama to drama (and I don’t do SLS any way.) And the trailer was enjoyable but unlike seemingly everyone, I didn’t think it was going to be some epic masterpiece. And then it came out and while it wasn’t objectively an epic masterpiece, it pulled out all the favorite tropes, shippy and narrative kinks from the deepest darkest recesses of my id. And I fell harder than I have in years.

2020 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

None. Covid Year gave me PLENTY of time

BEST NON-2020 DRAMA I’VE WATCHED IN 2020

Novoland Eagle Flag and Joy of Life - they are in my Top 10 dramas from anywhere now. They are quite different except being smart and giving me protagonists to obsess over.

ETA: Also The Untamed because @idlewilds3 pointed out I actually watched it in 2020 even though I didn’t think so because this hellyear has lasted about three decades.

MOST ANTICIPATED IN 2021

I am gonna limit it to dozen and leaving out ones that aren’t necesarily supposed to air next year (Joy of Life 2, Love in Flames of War, Novoland Princess from Plateau.)

Monarch Industry, Novoland Pearl Eclipse, Silk Washing Stream, Dream of Changan, Sword Snow Stride, Wu Xing Shi Jia, Ancient Love Poetry, Immortality, The Long Ballad, Mirror Twin Cities, The Imperial Age, Fall In Love

221 notes · View notes

chalkrevelations · 4 years ago

Text

Ep 27 of Word of Honor, and that was … Well. That was definitely the unicorn chaser to spending so much time and hugging with Awful Yifu in the last episode.

(Spoilers, as ever, so scroll away and come back later, if you’re still planning to watch unspoiled.)

I mean, what is there to say?

Ha, no, really, I can find plenty to say. Buckle up, I guess.

Clearly, I’m going to talk about The Scene, and there’s a lot going on here, besides the obvious cake frosting of everyone coming to everyone else’s rescue and the fighting and the crying and the declarations, and then once it’s all over, when everybody’s still hopped up on adrenaline, before the crash hits, the shouting and the laughing. At the end of it, we’re not even 20 minutes into the ep, and I feel like that should have been the climax (har), but they probably knew nobody would be able to concentrate on anything else that came before it. I’ve seen a couple of interviews now where Zhang Zhehan said he wanted to play Wen Kexing, and given the chance, he would probably still pick that role, and then everyone involved in the interview rambles on about the complexity of the Wen Kexing character, and it makes me worry that Zhang Zhehan isn’t giving himself or Zhou Zishu enough credit for the depth and range that he pulled out of the character. There’s a lot of various people yelling at various other people in many different places in this show, but there’s not been a scene yet that I felt it like I did when ZZS shouts at WKX after Ye Baiyi finally goes away, wanting to know what the fuck he was thinking. That felt real, and it felt layered – like, there’s a bone-deep fear that’s giving that anger extra strength, fear about the fact that WKX could be so self-destructive. Which also may force ZZS to confront for the first time the idea that WKX could die and leave him alone, just like all his other shidi died and left him alone. I’d have to go back and rummage around in previous eps, but I feel like this could be the first time ZZS really has to confront the idea that could happen, and he’s probably not at all prepared for it, because he’s understandably expecting to be the first to go. But this idea that WKX could just disappear, and get himself killed (because let’s face it, Ye Baiyi tossed them both around like toys), and ZZS would never see him again – that he would abandon ZZS like that, just to hide his secrets – I think that might be part of the anger, here. (You don’t fail me … and Zhou Zishou’s expectations for what constitutes not being failed are a pretty low bar, consisting mainly of not getting yourself killed like a fucking dumbass, and even that bar suddenly seems to be too high for Wen Kexing to clear.)

There’s also a clear parallel here, need I say, to the scene in a previous ep when Gu Xiang (WKX) begs Shen Shen (Ye Baiyi) that even after Shen Shen (Ye Baiyi) kills her (him), could he just for god’s sake not tell her (his) boyfriend who she (he) really was. Wen Kexing’s supposedly thought-out plan was basically just going to be what A-Xiang came up with on the fly, and stupid babies need the most love, I remind myself grimly, particularly when all this is about something Zhou Zishu already knew anyway, because he’s a brilliant former merciless assassin, not a good-hearted self-deprecating cinnamon roll who thinks he’s the least talented person in his sect like Cao Weining. We’ve also got some tasty philosophical stuff in this whole confrontation, including competing responsibilities – loyalty vs. justice vs. integrity – along with ideas of retributive vs. restorative justice. This is another good Zhang Zhehan acting moment, because that whole bit about how, actually, Grandpa, his shifu would have been about guiding his shidi toward kindness and making up for the mistakes he made – I actually believe he’s wholly thinking about Wen Kexing when he pulls out this philosophical rapier, and not at all about how restorative justice benefits ZZS, himself, considering how much blood he has on his own hands and that earlier conversation about frying in oil for 80 vs. 100 years. Good job, my friend. The one thing that makes me sad about this scene is that I’ve seen That Extra, and I hate we were robbed of not only Zhou Zishu actually laying his head on Wen Kexing’s shoulder but of Gong Jun’s single crystalline tear spilling down his cheek. Zhang Zehan’s right, that was a better take.

Anyway, Ye Baiyi proceeds to put WKX under house arrest, which, just. So he has to live with ZZS for the rest of his life? Please don’t throw him into the briar patch, right?

Also, yes, WKX. He’d die for you, dumbass. God.

Just to drive home the point of how the Wen Kexing/Zhou Zishou and Gu Xiang/Cao Weining relationships are the same relationship, we then go to a scene … well, we then go directly to a scene where Cao Weining is just sitting there, chin in hand, gazing adoringly at Gu Xiang, much the way Wen Kexing has been gazing adoringly at Zhou Zishu since about Ep 3 2 1 … but that also leads into a scene where Cao Weining is interrogated about Gu Xiang by his shixiong in a milder, miniature version of the grilling ZZS just took from his elder. “Do you know who she is?” Whoever she is, he’s going to continue to respect her boundaries. “I promised her, so I won’t betray or distrust her.” “We’ve been through so much together.” (“We’re in the same boat anyway, we might as well stay together.”) I won’t fail you. Nobody in this scene has actually made the Ghost Valley connection, yet, and Cao Weining is not as canny as Zhou Zishu, so we’re not yet going to get any kind of resolution on the issue in this relationship - but given the way these relationships are running on parallel tracks, I have positive feelings about how Cao Weining is going to meet this challenge (not that I didn’t, anyway) once the info finally does come out.

What else, what else? We do go back to Xie Wang and Awful Yifu in this ep, and oh boy.

Xie’er: Ghost Valley Master’s faithful minion Heartless Amethyst Fiend has been sent by her master to sneakily follow Cao Weining and infiltrate the Gentle Wind Sword Sect where the Glazed Armor is being held.

A-Xiang, chillin’ outside the gated community in a rustic cabin with her fiancé, doing some mending and waiting for her wedding day: Never speak of my former master again, I have utterly left that life behind me. Also, what should we have for dinner?

I can see how you would come to the conclusion you did, Xie’er, but wow, the only time you’ve been more wrong in your life is about your Awful Yifu. Speaking of which, it appears the cat Awful Yifu is out of the bag. Xie Wang is still all, “Since you saved me, you can take my life back if you want,” and here we are in Zhou Zishu-Prince Jin territory again, shades of ZZS in Ep 1 not even blinking as he offers himself to Prince Jin and takes the gamble that he won’t just get his head cut off for his troubles. ALSO, I distinctly remember telling you, Xie’er, that you were empathizing (although not sympathizing) a bit much with the women of the Department of the Unfaithful, and here we do in fact get an explicit comparison, looking back to the conversation with Beauty Ghost about her loser boyfriend, when you refer to yourself as “also a gambler” as you take your leave of Zhao JIng. You need some Water of Lethe, buddy. Or do you think – to return to that conversation and the parallels with Beauty Ghost – that if you remember all this, you’ll stop making the same mistakes?

A last few random things:

lol, let’s all take a minute to giggle over the fact that ZZS has, in Ye Baiyi’s words, associated with this dude. Is that what the kids are calling it these days? Sorry, but I had to pause the show at that point to snicker like a 12-year-old.

Chengling: “How dare those ruffians beat my two dads! Let’s burn down their house.” Wow. OK. Xiang-jie has been … some kind of influence on her didi.

Last scene of ZZS and WKX, oh my god:

ZZS: You’re feeling bad for keeping a secret from a kid? What about me? How are you going to make it up to me?

WKX: Oh, my goodness, look at the time. I’m feeling so … sleepy. Yes, that’s it. I must go to bed. You also must be so … sleepy. You should. You know. Go to bed. Too. Also. To cure your … sleepiness. As you do, in a bed. Where I will also be.

Me, to the screen: He’s going to make it up to you on his back.

Also me: :facepalm: You are a pair of merciless killers. How are you this adorable?

#zhang zhehan #zhou zishu #wen kexing #ye baiyi #gu xiang #cao weining #xie wang #zhao jing #zhang chengling #word of honor #word of honor episode reax

53 notes · View notes

just-castlevania-imagines · 5 years ago

Text

My Thoughts on Castlevania S3

So I cant sleep, I've binged this series twice now & I really need to get this out. For context on me as a person, I am an LGBT+ WOC (specifically Asian & bisexual). Castlevania is my favourite game series + the reason why I pursued Game Design as my career. The show means the world to me & I thoroughly enjoyed s3 for the most part. I acknowledge the flaws & these r just MY opinions, they do not reflect the other mods intentionally in anyway.

The art + animation was so CLEAN. There was not one scene that did not take my breath away. The attention to detail was phenomenal I have no words to describe it.

Some of the best fight scenes ever just ridiculous, it's like john wick. The action is upped every installment + its just so CLEAN

The entire team puts so much time + effort Into making Sypha such an enjoyable badass it's so amazing. I am never disappointed with her, never ever.

The lesbians. Striga & Morana, god I wish that were me.

Isaacs character arc was so good. Like the budget really went to Sypha + Issac this season LOL

Sumi + Takka, they meant so much to me. I love them, I really do. I cant say I'm not hurt seeing them at the end. I'm actually very hurt, my heart aches. I never thought I'd get to see representation like that in a series that I loved but felt idk invisible to. LGBT Asians in a historical setting outside of Asia, it was just...a dream for me. I fell in love w/ them instantly & I think that's why I tend to over look their faults a lot.

But when you see yourself on screen in something you've dedicated years to & you're just finally seen its...its so hard. The last time I felt this full was Shiro from V*ltr*n and we know how that shit went down. Idk I'm happy for what I recieved, grateful even, for however short it was. I loved their characters, i love sumi + takka i just wish they got a better ending. They all deserved better

More info on Cho I really oof I could not have asked for more. This bitch was so extra & I love her

That music score, the sound design. Bruh I can't even with all this TALENT

I call episode 9 the Fuckening

The Portals to different worlds really confuses me but I am here for it, I hope it's just like an Easter egg to their future projects or that the writers were all high around then

I see u w/ that jojo reference, I bet you think ur all so slick

Hector's entire story arc, wtf was that? My guy you can't be like "Oh humanity is evil and stupid and eats shit" and then be that gullible I-ooof u frustrate me u beautiful boy. Like s2 implies he burns his family alive & I'm sitting here deadass like how the fuck did u even pull that off

The forgemasters being called pretty + their reactions were priceless

I want Richter Armitage to read me a bed time story

Trevor, Isaac & Sypha r just so well done this season

THE. HORSES. ARE. HEALTHIER.

Isaac rode a demonic purple unicorn around the world, he's my fucking hero

Alucard a confirmed bottom + bisexual thank u

The sex scenes were juxtaposed to the intense fighting but it felt awkward to watch but it was also very fitting in an odd way????

The dolls were hilarious

I learned a lot about toilet paper

The Judge being like "no kids run around in my village" is the equivalent to Mr. Mosby from Suit Life of Zack & Cpdy being like "dont u run in my lobby" AND I CALLED IT OUT AND AND WAS RIGHT

This show has taught me to never trust bald, old white men w/ interesting voices

Carmilla was just a hot ball of anger for the most Part & got annoying real fast, but that night robe tho. That was everything

I liked Lenore's character trope. Being that sweet innocent looking one, but shes really just this cruel evil bitch. Like everyone complains about Carmilla but at least shes evil to ur face until this fake bitch over here

Takka doesn't do mornings? Niether do I

Alucards wardrobe upgraded from deep Vs to fluffy Victorian Lestat cosplay

I really really want an empire run by 4 vampire sisters. Like I know they're all evil, cruel bitches but the sisterhood they showed for each other is such a goal. Women supporting women is amazing I just wish they weren't the fucking villains

A lot of my gripe is that all the rep I want & thirst for all falls into a negative category in some way/shape/form

This whole season feels more like a bridge to season 4. Kinda like a season full of fillers.

The ending hurts me I'm several ways, but objectively it is a haunting image and it really invokes so much on it's own w/o context backing it. W/ it tho, even more mindblowing and heartbreaking

Thank you so much for pronouncing Kolkata properly

I'm always blown away by character designs ur doing great sweety

The angel has the juiciest ass

Where the fuck is Cezar?

Aight I think that's all for now. If you got issues then come to me about it, not the other mods. But I'll let u know I will not tolerate racist shit (which I've gotten on IG already). I really needed to dump these feelings out. I stan Sumi & Takka, I love them and I'll carry all that on my own if I have to.

- Sincerely Mod Wall Chicken

689 notes · View notes

aroacekazi · 4 years ago

Note

Hello, this isn't on your list of theories, but I'm curious to see if you have a theory on this: what do you think Aaravos' relationship to humanity is? And do you think its tied to what happened 300 years ago? And do you think he was ever "good" at any point in his past? Though, I'm sure it's more complicated than the simplicity of of the black and white thinking of good and evil. I'm curious about your thoughts.

This is actually something we know a fair bit about when it comes to Aaravos. And it’s quite a unique relationship, especially seeing as he is said to be the ONLY Startouch Elf any human has ever seen.

Where our information starts is long into the past, back in the era of the First Elves. We don’t know much about this, other than that it was ~5000 years ago, and the First Elves were Startouch Elves, and humans were around in this time, struggling to survive. As a First Elf Aaravos was likely also around in this time.

Secondly is still a long time ago in the timeline, but closer to current events than it is to the era of the First Elves (it seems possibly ~2000 years ago). Aaravos came to the aid of the people of the human city called “Elarion”, we know this from a poem that was in Arabic briefly shown in the show, there were also some other interesting similar literary bits and pieces about Aaravos we know about. Elarion was in Xadia, it’s the same place we see the first Dark Mage defending from Sol Regem in the S3E1 intro. We can see its ruins on the map. This is quite significant as it is implied this may have been one of, if not the only, major human settlement prior to the discovery of dark magic, and Aaravos may have had a major role in establishing it as such.

We believe the next major interaction between Aaravos and the humans comes around the time of Ziard (the first dark mage). Aaravos is said to have given a gift to humanity, and even has the title “Giver of Gifts”, this could be referring to dark magic (though I doubt it would be so simple), but something that is pretty cerrtain would be Ziard’s staff, which is later owned by Viren. Why? Because Ziard says the staff is a gift, and when Sol Regem asks who from, Ziard states “one of the Great Ones”. What do we know about the Great Ones? Well not much, but most significant is that Aaravos is the last of them. Given his title of “Giver of Gifts” as well, it’s pretty safe to assume Aaravos is the source of the staff, particularly since its focus seems to be dark magic and Aaravos is likely the only elf to have ever touched dark magic.

Shortly (relatively speaking) after this Xadia was divided, at which Aaravos was present, if he were involved, the elves likely did not know that Aaravos had a hand in this.

Now we get to the point at which we’re a little more uncertain, so I’m going to describe a few more things we know about Aaravos around this time and in the years following. At some point in this time Aaravos befriended a human, who gave him an apple which he liked the taste of. Additionally, again referring back to the map of Xadia, there is a “name of someone close to Aaravos on this map”, possible options (though we don’t know of all these individuals) could be: Tenebris, Skall, Kalik, and “the Castout”. Tenebris would be the name of Luna Tenebris, so we can ignore that for the purposes of this discussion, leaving the other three. Skall comes from the location “Skall’s Hook” in Northern Duren, we do not know anything about this location, or even that it’s definitely named after somebody, other than that it’s in icy tundra. Kalik comes from Mt. Kalik, you may recall this is the highest point in Katolis and the mountain climbed by Claudia and Soren in S1, as well as the place where a mage captured the storm to make the sky primal stone that was owned by Viren / Claudia / Callum, this option has potential as the mountain may be named after that mage, and it sounds feasible as an individual’s name, but it’s not guaranteed. The final option is “The Castout” from the name of the sea in Xadia “The Sea of The Castout”, notably Elarion lies on the coast of this sea.

I want to take a moment to talk about the apple, as there’s an interesting theory around it and a small detail in the first episode of S1. The theory posits that Aaravos was close to the Orphan Queen, who is thought to have lived ~300 years ago, and she gave Aaravos the apple. What is significant about this is that in that episode there’s a small mention about a tree that Claudia almost walks into being 300 years old, and that it is an apple tree that originated when the Orphan Queen & Aaravos met.

From here onwards speculating with as few details as we have becomes pretty meaningless I feel. But it’s evident Aaravos was manipulating Viren in S2 & S3 only to achieve his own goals of conquering Xadia.

As for what I think on Aaravos’ specific relationship to humanity and how it may have changed...? Well, chronologically, I certainly think back in the era of Elarion Aaravos may have actually felt sympathetic to humanity, certainly unicorns (the only other major star primal connected creature we know of) did, and I would think it would be really interesting if the main reason Elarion was the only major human settlement in that time was BECAUSE of Aaravos’ assistance at the time. But things have definitely changed since then, with Aaravos being willing to delve into dark magic, and becoming manipulative only to achieve his own goals. I have to wonder if the human he became close to that gave him the apple was hurt and killed as a consequence of the actions of Xadia and Aaravos has harboured resentment towards them ever since.

I know this post wasn’t exactly what you were looking for, but I hope laying out the lore in this way has helped let you in on some key pieces of information we have about Aaravos, as, as I stated at the beginning of this post, we know a surprising amount of the history here and I think there are probably a lot of takes that could be taken from this. So maybe you’ll have your own unique ideas now.

#tdp #tdp lore #the dragon prince #dragon prince #the dragon prince lore #dragon prince lore #aaravos #ziard #dark magic #xadia #orphan queen #apple #this post took a long time and a lot of effort #clash-of-wolves

38 notes · View notes

d-pennants · 5 years ago

Text

Everything we know about Aaravos

This includes stuff from the books, interviews and ComicCon, so spoilers. Updated with a few things from the artbook. I’ll try to keep updating when I come across new info.

Timeline

From Book 1: Moon

Callum’s Spellbook

Historical texts

The Art of the Dragon Prince

And a third page written in Italian was added to the historical texts.

“Last of the Great Ones” is interesting, because Zaird says to Sol Regem his staff was a gift from one of the Great Ones. Sol Regem is alarmed but doesn’t immediately know who Zaird is talking about. So apparently between that conversation and when this text was written all Great Ones except for Aaravos died, and even he ‘fell’.

Also this note about Aaravos not being at full power.

As a ‘fallen’ Startouch elf Aaravos can only access a fraction of his former power.

The spell Zaird used to absorb the sunbirds to create the fireball he used against Sol Regem and the spell that Aaravos casts for Viren to absorb Zym’s power are meant to resemble each other in their swirling vortex. The symbol for Dark Magic also has a swirl in it around a diamond shaped like the one on Aaravos’ chest. This absorption vortex seems to be pretty central to Dark Magic, and it only seems it can be done with the staff Aaravos most likely crafted.

The Show

Zaird staff is the same staff Viren uses. Aaravos recognized it. Given the historical text Aaravos is the “Great One” who gifted Zaird that staff.

Transcripts of all his lines in this post.

Aaravos is the narrator in the opening.

First appearance in S1 from the first war between humans and elves & dragons 1000 years ago.

Elves don’t seem to ride horses, but big cats, dogs, lizards, etc instead. Yet Aaravos choose to depict himself riding a star primal horse (He could make Viren see any creature he wanted). Considering it turns out that unicorns and Startouch elves are the only two star primal creatures humans know about, is he just being dramatic or does this have a deeper meaning?

Mirror in the Dragon King’s lair.

Cocoon

Dragon Prince Website

Bio;

Mysterious and charismatic, Aaravos is a rare kind of elf few have ever seen. He is secretive yet charming, and even Viren finds himself compelled by Aaravos’ cryptic words and gifts.

Height: 6’6 (6’9 with horns) Birthday: November 14th Age: ???

Birthday Vignette;

Aaravos does not count the passage of time in minutes, nor hours, not even days — he counts candles, one after the other, burning themselves down to the wick and a puddle of hot wax. He would run out of candles if it weren’t so easy to reform them with a wave of his hand, as though the burn had never happened.

He thinks sometimes about the way humans count their years: one day every year marks a precious point in their short life spans. They celebrate. They feast. He thinks that if he cared for the idea, he’d like to remember the taste of a smooth red fruit a human had plucked from a tree for him, once.

It had been so crisp, and so sweet.

AMA, Tumblr, Instagram Live

Who are the First Elves?

AE: First Elves are startouch elves, or possibly a subset of startouch elves...

When did the idea of Aaravos come up? How early in the planning of the saga did you guys come up with him?

AE: Justin and I came up with Aaravos very very early. In the early stages we referred to him as "Mirror Mage." We always knew he would be the secret long-game mystery villain... Aaron

Is the Key of Aaravos actually the key of where he was imprisoned?

AE & JR: We can’t tell you.

JR: We don’t even know. We haven’t even discovered the answer yet.

AE: We know! Actually, that was one of the first things we knew at the very beginning. We’ll get to it.

Did Aaravos create dark magic?

AE: No, it was discovered not created. Did Aaravos turn them onto it or help them discover it? That’s very possible. Whether Aaravos played a role in developing their ability to do dark magic. Exploring the possibilities of dark magic.

How could Avizandum (Thunder) imprison such a powerful creature as Aaravos? Can archdragons do such magic or who helped him? This required some collaboration between archdragons and elves

Were you surprised by all the thirsty reactions to Aaravos? Judging from everyone who worked on the show and their reactions, no we weren't surprised :)

Where is Aaravos walking in epsiode 6? And how and where did he a get a horse?

Aaravos can basically make Viren “see” him however he wants, so he chose to appear on the back of a purple horse. There was actually a line in there at one point that we had to cut for time that clarified a bit more heavily -- Viren grumbles at him, “Must you appear... that way?” as Aaravos is floating in the air, and Aaravos replies, “Ah, I can appear more naturally if you’d like,” and then he flips backwards onto the horse as you see in scene in episode 6. :P

which FFXIV classes would the rest of the cast be?

Aaravos - mysterious benevolent ascian

Interviews

There is no Startouch elf society as they’re not numerous enough.

Hot Brown Morning Potion Ep 5

Hypothetically, if Aaravos knew about his own fandom, how would he feel about them?

AE: He takes a special interest in humans, so he would be very pleased that humans appreciate him.

Wondercon 2019 panel Q&A

“The goal of healing and rebuilding the world is going to be a hard one, and especially a hard one when Aaravos, who may have been one of the mysterious forces who pushed the world into this situation, now seems to be on the cusp of returning or trying to return to the world.”

Inverse Season 4 interview

“Practical usable powerful magic, is drawn from the six Primal Sources, but there’s this idea that there’s this kind of earlier, less differentiated power. A kind of magic that’s deeper and more, (I don’t want to kind of say what all of them are). It’s not that important now. It has more to do with the history of beings and interactions and now I feel like I’m talking crazy, but Aaravos cares about some of this stuff and it’s funny, people have worked on a speech in season 5 where he kind of goes into some of this.”

...

“I think he’s complicated. I mean it’s, I think there’s a part of him that is kind, that is generous, that is giving and I think there’s a part of him that is arrogant and desiring to be, you know, worshipped and revered...

He never lies, I don’t know if he’s never lied about anything, if you understand where he’s coming from, he’s not lying about anything. But you don’t necessarily know where he’s coming from. He never lies, he always tells the truth. You’ve heard us talk about Aaravos before, is it Lucifer or Prometheus, who has a relationship with humanity and the gifts and sharing that he has historically have been, you know, you can interpret it differently.”

...

Q: We know he’s mastered all the primal sources, it that like could all of us do that or just him?

A: He’s very special.

Cartoon Universe Season 3 interview

kn: What’s your favorite Greek myth? AE: There are so many intriguing myths to choose from – I think if I have to choose I would say the Prometheus myth. The titan stole fire and gave it to humans, elevating them – and was punished by the gods for this. I feel like there are parallels to the biblical story of the serpent tempting Eve to eat the apple, and its effect on humanity… and the comparisons are sort of fascinating. I am interested in both the mythic/divine messenger who stole/shared these gifts with humanity, and the story of what humans chose to do once they had these gifts.

Korranews interview

Can I just jump back for a minute to the Star elves, can you talk a little bit about them?

Richmond: We can tell you their name, so they’re Startouch elves, is the type of elf they are and kind of no. [Laughs] They’re super, duper rare, they’re very mystical and we have a lot of plans for them, but that’s kind of all I want to give you. Ehasz: They’re mystical, mysterious - the mystical, mysterious Mr. Aaravos. [Laughs] Richmond: That’s the spinoff. [Laughs] Ehasz: Yeah, they are more - I mean, they’re Star Elves and they’re more associated with the heavens and they’re not immortal, but they have more of a time scale that is more like the stars than other elves, so they’re a little bit removed and big picture, but Star Elves have a, I mean, they’re part of mystery and myth and we’re going to meet one this season. I love the actor who plays him is Erik Todd Dellums, who I worked with on Avatar [the Last Airbender] who has an amazing voice and he’s perfect to embody a character like this and we’re excited about this character. We hope the audience is intrigued and ready for more.

Screenrant Season 2 interview

Going back to Aaravos for one second. We’re assuming there’s a reason why he seems to be telling this story — we see his hands at the beginning of each episode in the opening sequence. AE: Yeah, so he’s a Startouch Elf, and they are closest to the heavens of the elves. They’re kind of the most god-like, in the sense of they span much more time than more Earth-bound or Xadia-bound elves. So yeah, he has this thousand year perspective. This kind of mythic role. So he’s like this mythic character who now, suddenly, is kind of popping up in this contemporary story. JR: And obviously, he’s bad enough that they tried to literally erase him from the books. AE: He’s complicated. JR: He’s interesting enough that they tried to erase him from the books. AE: He’s disliked. That’s not the same as bad.

Hyperable season 2 interview

“The name of a very important person to Aaravos will be in the map of a novel, but it will be a long time before you know what that means,” Ehasz said. “A lot of his motivation comes from that relationship.”

Hyperable Season 3 interview (Possible names on the map are Skall’s Hook, the Ruins of Elarion, and Mount Kalik).

The team also teased The Orphan Queen, a new story they hope to tell in the series, books or even in a feature film, which follows a young human girl who starts from nothing and grows up without parents. She takes a dangerous journey to Xadia and ends up saving the world. She’s also Ezran’s first royal ancestor. Ehasz and Richmond said the idea was born when they were imagining where the Key of Aaravos comes from.

Ehasz and Richmond also dug into the timeline of Xadia, and how certain eras will impact both the books and the series. Five thousand years ago, Xadia was in its “mythical, Biblical first days,” a time long before elves and dragons were allied in which humans suffered and struggled. The “rise of Elarion” came around 2,000 years before the events of the series, and saw humans find their way to magic. Around 1200 years ago finds the arch dragon of sun, Sol Regem, as king of the dragons during this era, when dark magic became problematic and humans poached magical creatures for their parts. Shortly after came the division of Xadia. The next big turning point for the world was 300 years before the series, a time Ehasz and Richmond dub “the era of Avizandum.” Two stories they want to tell take place during this era: The Fallen Star and The Orphan Queen. We don’t know anything about The Fallen Star yet ... but we will. The team noted that history will one day know the modern era as “The Return of Aaravos.”

Polygon season 3 interview

Concept Art

Dorothy Yang’s design 'Fallen Star.’ Check out more of her work on ArtStation.

When they were first brainstorming ideas for the show Aaravos had a blindfold, but that was scrapped for being “too on the nose.” This is Giancarlos Volpe’s early sketches that he posted on Twitter.

#aaravos #my notes #tdp analysis #tdp spoilers #spoilers

276 notes · View notes

coconut-cluster · 6 years ago

Text

Dealing with Intrusive Thoughts

my rambles! sorry i didnt post much of merit last night (morning?), it was 4 am and i woke up naturally and immediately thought “hhhhh viDEO?” and stayed up on two hours of sleep. anyway discussion time!!!

FIRST OF ALL, I genuinely felt bad for Ro in the first five minutes - he seemed so desperate to be included in the discussion and it only got worse when he realized even Logan was in on it. (I’m glad he’s easily distracted by 2005 chick flicks)

Virgil was TICKED. Like, homeboy was mad at the start of the video from all those thoughts. I wish I had my phone to post screenshots but like. wow

Patton singing to himself throughout the episode is, without a doubt, my favorite thing ever and I love him with my whole heart for it!!!

Roman called Logan! He was so uppity and as soon as Logan rose up he got so whiny, i was laughing so hard

The Duke’s entrance? Iconic. Beyond reproach. Poetic cinema.

The Duke, on the other hand? Disgusting. Nasty trash child. Please act like a human

Genuinely though! The slow realization that Thomas/Patton/Virgil had in seeing who had arrived and WHERE he had arrived (aka right behind who they were trying to shield from him) is so entertaining to watch and i have, indeed, watched it a good ten times.

The Duke. Hit roman with a mace, yes? Why does he have a mace. Someone please collect your trash child.

Virgil looks so scared and then so resigned, like “great. well. that happened.”

“yOU KILLED HIM-”

We still don’t get to see Roman’s legs....the mystery continues........

Logan’s reactions to Dark Sides are always the best?? Just. Abject boredom. “Ah. It’s the Duke.” He’s just done with everything, everyone, every day. Big mood.

((Also, does this mean they’ve kept the Duke hidden from Roman’s knowledge this ENTIRE time? Every other Side knows him??))

THE DUKE’S MAKEUP IS SO GOOD. I LOVE THE EYE LOOK. really makes him seem like he hasn’t slept or seen the sun in a healthy 84 years!

Also, his whole demeanor, outfit included, just makes me think of Something Rotten, like.... goblin Shakespeare. Rat-trash goblin Shakespeare.

That song is a blast to listen to and I can appreciate the score, but. I will never be able to watch the video. It makes me sO WILDLY UNCOMFORTABLE. BUT THE LYRICS!

Unicorn horns and dragon tales, Roman’s dull creativity- Excuse me sir, that’s my son

The Duke makes at least one Disney reference during the song (You got a fiend in me!) and I can’t help but feel it’s to mock Roman so oW

The absolute trashfire of trumpet fanfare when the Duke says “I’m your Creativity!” and tries to pull Roman’s pose

Virgil gets visibly uncomfortable every time the Duke mentions creativity. Yeah, they’re all discomfited by his behavior throughout the video, but nearly every time he explicitly says “creativity” or “imagination,” the camera switches to Virgil looking like he’d rather be anywhere else. V even tugs at his collar at one point.

I can’t tell why. Obviously Virgil gets uncomfortable at mentions of the Dark Sides and their old connections, and some topics the Duke brings up clearly bother him, but it’s specifically the creativity part that confuses me. Any thoughts?

“Goooolden girls... who lived in a c- a condo...minium... has it been a minute yet?”

Patton is so proud of himself and happy to have helped Logan enough!! I love them!

“Yeah, that is the BRAVE, HANDSOME, UNBEATABLE Roman!” immediate cut to Roman still face-first on the floor mumbling

(cute royality moment tho)

Virgil is so much more on edge this video than he was when Deceit first came in. Maybe it’s the link between the thoughts and his paranoia, but he seemed sO much more uncomfortable.

Logan correcting the Duke’s twisted metaphors back to literal meaning and vice versa is my favorite part of the episode. you go you funky lil nerd

The Duke made three fratricide references throughout the video? “Have you ever thought about killing your brother?”, hitting Roman over the head with a mace (prompting Patton’s shrill “You killed him!”), and the whole Cain and Abel metaphor, i.e. the biblical story wherein Cain murders his brother Abel for being the favorite kid. I’m not liking those odds, Thomathy

“Why is the cradle in the treetop?” “No one knows!” “Irresponsible parenting.” Logicality exchanges are the best no i will not accept criticism

The night’s intrusive thoughts cutscenes were so chilling and amazing

Logan looks so proud of Virgil insisting that not all thoughts have a profound meaning!!!!

Interesting note: Virgil and Patton are concerned if Thomas is a good person, Roman is concerned if he’s a good person, and Logan is the only who seems to realize that it’s not that simple or necessary to ponder so hard.

Logan!!! Is a psychology nerd!!!! And I love it so much!!!

The Duke constantly jumping on Logan’s points - to the point of kinda flirting with him at one point, ew no thank you - only to be shot down over and over was. poetry. thank you

LOGAN WAS SUCH A STAR THIS EPISODE. HE WAS SO LEVELHEADED AND TRIED TO TAKE PATTON AND VIRGIL’S FEELINGS INTO ACCOUNT. HE TRIUMPHED WITH THE “FIGURATIVELY” LINE. HE’S SUCH A SMART BOI AND I’M SO PROUD OF HIM!!!

Why....why does the Duke blink like that....like....winkwonk...........

The entire connection between religion and intrusive thoughts was really cool, even cooler when Logan points out the religious references throughout the video!!!

“Then what is the problem?”

“...it’s you.”

“Uh oh!”

“And Patton.”

“rEcOrD sCrAtCh?”

REMUS REMUS REMUS

That’s such a cool name, even cooler history reference, wow im in love with it, hate the man love the name, WHOO

Also Remus giving his name just to make a jab at Virgil hurt my heart but oh well

Logan baring his teeth after he fixes them is an absolute power move and we’ve decided to stan forever

(Also just. Patton’s absolutely awed “Wowww....” at that was so cute)

Remus insults Logan with a nickname and that’s when Roman is able to butt in with “How bout you shut up”? Fantastic. Amazing. I’d like twelve

Everyone’s fear toward Remus quickly turning into annoyance as Logan speaks

Patton looks so guilty when Virgil mentions the callback!!! D:

Logan literally calls Remus a child. Absolutely decimated. Destroyed. As the kids might say, rekt.

Logan was so good this episode, seriously. He helped soothe Thomas and ended with such a soft little “It’s okay.” I’m not crying it’s fine

I am crying at Patton’s sweet lil “That was amazing, Logan!”

VIRGIL’S WHOLE SPEECH AT REMUS. DECIMATED AGAIN. WE STAN ETERNALLY.

V does look disconcerted when Remus calls him “Emo,” though - I wonder if that has to do with it being Roman’s usual tagline for him?

Patton and Logan’s exasperated look when Remus mentions his and Virgil’s past is peak “annoyed parents” chic and i’m living for it

VIRGIL’S SMILE. AT 33:55. I HAD TO PAUSE THE VIDEO AND REFLECT ON MY LIFE. HE’S SO HAPPY.

The Fond Looks(tm) this episode were off the charts. Simply superb. 11/10

Also Virgil’s slow “Are you...good?”

And Roman realizing he used the same insult as his bRoThEr and immediately correcting himself was.......so good..........dear lord....

“You’re really...cool.” And Logan’s face? I’m cryin in the club i need to go home

Poor Ro, with the funhouse mirror metaphor :( someone please let him talk about his feelings thanks

Roman vs Deceit - classy, dramatic, charming

Roman vs Remus - Remus, flickering the lights on and off: WELCOME TO HELL WELCOME TO HELL WELCOME TO HELL WELCOME TO HELL WELC

VIRGIL WAS A DARK SIDE, WE BEEN KNEW BUT DEAR GOD IT WAS A TOUCHING SCENE AND I’M STILL CRYING

ANYWAY GREAT VIDEO I NEED SO MANY TISSUES

#ts spoilers #sanders sides #dealing with intrusive thoughts #lexi talks

2K notes · View notes

reversemoon255 · 4 years ago

Photo

Gundam Build Divers Re:Rise

So, if you’ve been here a while, you’ll know I’m a big fan of the Build Series. I even like Try, which has actually offended people. No joke. And Re:Rise is no exception, having the best story and characters in the lineup, not to mention some of the more innovative Gunpla. It’s pretty obvious it’s the most beloved of the Build Series by the general public as well as hard-core Gundam fans, and I feel that’s because it leaned more heavily into the Gundam side of things than the Build side, for both its ups and downs.

The Good: The story is very strong, and is able to get away with things that hampered GBF slightly and GBD a lot. It presents it mystical elements forefront and prominently.

In almost every collectibles based series, there is almost always some form of mystical element (a trend made prominent by Yu-Gi-Oh!), and both GBF and GBD lean into this to different degrees. (Actually, one of the reasons I like GBFT is because it’s the only series like this I’ve ever seen that doesn’t have a mystical element.) GBF’s was pretty subtle, being presented early on and only really being used as a motivator for the Chairman and a sad goodbye. GBD leans into it a little harder with Sarah being the main focus of the entire final arc.

GBDR is able to get around this by having the entire focus of the show be about the mystical element, so there’s no conflict between the grounded story and the abnormal additions. Also, it was just, like, really good? And I think part of that is the naivety of the characters. I was able to pick up almost immediately that everything was real, but I read a lot of the YouTube comments after each episode, and a lot of people were convinced it was just a story mission at first, with more and more people catching on as the series progressed. (For me what sealed the deal was Maiya being able to describe Kazami’s character. A supposed NPC being able to nail the personality of a player.) Since they thought it was a game, the stakes seemed low even though we as the audience knew otherwise. And when everything came to light, not only did the stakes immediately skyrocket, but they did so believably. And wanting to help people is always a good motivation.

The animation was very good. It dove at a few points, as is not uncommon, but the overall quality stayed high. There was almost no stock footage apart from the Core Changes. And the number of cameos throughout this season, especially in the last three episodes, were staggering, but were just balanced enough to not overshadow the main cast.

Except for Kyoya’s Cardass Finisher. Like, ok, reference, but it was, like, three minutes long.

All the characters were very good, and I feel part of that was both establishing a detailed past for everyone to help with their motivation and character growth as people, rather than fighters, and not having the main character be the newbie. Reiji, Sekai, and Riku were all new players and had to have plenty of things explained to them, whereas here all of BUILD DiVERS were either experienced fighters or builders, and Freddie, the non-combatant would only require an occasional explanation while he, in turn, explained his world to the players (a very important give-and-take). I also liked how they didn’t need to spell out every detail of Par and Kazami’s pasts. Par never has to explain how he became disabled to the rest of the team, and Kazami never vocalizes about the death of his dad. Sometimes that’s the better way to handle things.

And finally, the Gunpla are FANTASTIC! Look, I know I complain, but there’s a reason I’ve bought 12 Core Gundams, and will probably buy more. Each design in this series is so lovingly crafted. There’s a good balance of series, motif, and gimmick. And Re:Rising Gundam is such a cherry on all of it. Like, I pointed out all those oddities in my Wodom Pod review, but never did I even consider it was part of a combination. And it so encapsulates the themes of coming together this series oozes. I love it.

The Bad: But, of course, nothing is perfect. While I do enjoy the story, what sets the Build Series apart from other Gundams is its levity and light-heartedness, and that’s something that was lacking from this season. It’s not absent. The Space-Crossing Festival, for instance, was a great example of this, but those moments were few and far between. I think Jed dying was the moment I realized I’d have to look at this as a Gundam series and not a Build one. Being afraid for the show’s characters isn’t something I’ve had to worry about with Build. Even when Sarah’s life was on the line at the end of GBD, I knew everything was going to turn out alright. Here, though? Up until the training mission I was worried someone was going to sacrifice themselves. And it’s good that didn’t happen, but that one moment put me on edge for the entire rest of the series.

And it’s not necessarily a bad thing, but it’s something I expect from 00 or Thunderbolt. Not Build.

Already mentioned the animation had its dips. I think I watched the entire show in 720p. Would have preferred 1080. Moving on.

While I don’t have any real issues with the main cast of characters, I do have a few issues with Eve. I’m not the biggest fan of how she retcons a lot of the events of the first season, having this apparent noble sacrifice that completely doesn’t affect the story of GBD at all. And while I don’t mind May being constructed from some of Eve’s data, I wish it was built up at least a bit? I can think of some moments in retrospect where I can suss out that maybe that’s what they were going for, but it still felt very sudden. That could have been handled better.

And while I love this season’s Gunpla, there are simultaneously a lot and not a lot compared to other seasons. Like there’s a lot of releases, but a ton of them are remolds. Twelve Cores, remember? Almost every suit got a remold. The Justice Knight and Infinite Justice, all the Eldoran and non-Eldoran counterpart units, the Valkylander and Ex are the same mold, and all the Core Armors. That’s probably because they used a lot of suits that are more original and are just homages rather than straight remolds, like the Build Strike or 00 Diver, but it’s definitely noticeable.

Where do we go from here: We have an official announcement of a Divers Battlogue, just like with Fighters, and we may get OVAs like the previous seasons did, too, eventually, but I’m talking about beyond that.

After Fighters Battlogue ended, Fighters did, too. We moved on to Build Divers, and from what I can tell it’s been successful, especially this season. My worry is that with the announcement of a Battlogue, we’re also announcing the end of Divers.

Now, I don’t think Build is going away, because it has its own fanbase, and it’s just good from a marketing perspective. Take some old kits, make a few new parts for them, and resell them. What I’m worried is we’re heading to a new subtitle and a new continuity, which would be our FIFTH (Builders, Fighters, Divers, and GBGW). It made sense to end Fighters because they created a seven year time skip to explain how we got to the point of using original Gunpla, they didn’t go over well, and from a writing perspective it put them in a corner. Divers was a good reboot, returning to modified kits, and giving us a protagonist who actually pilots a Gunpla he built himself (three season in). Divers also has a very large mythos at this point, with AIs, and multiple confirmed species of aliens. If you jumped ahead just one more year, you could write a great story where it’s just exploring this inter-species cultural hub that is GBN. That’s what I’d like to see, anyway. If you skipped ahead just a little farther, you could have Asha, Towana, or Hulun return as our Yuma or Par for that season to connect it to the past one. There’s a lot of potential still there. Like, even the ending suggests they might have some more ideas for Eldora yet (whether that will be tackled in a new season, the Battlogue, or an OVA, I don’t know).

You could also return to Build Fighters. Make it take place in that seven-year gap, which would allow you to have Gunpla more on the level of what we saw in GBD (more advanced than GBF, but not at original yet). Or show us the pro circuit at the same time as GBFT and how insane that’s become. (What we see in GBFT is just the Japan’s U-19, and they apparently can’t hold a candle to actual pro players. Can you imagine what Worlds would be like O_O)

There’s just so many new stories they could tell with what already exists. I don’t want them to reboot the series again needlessly.

Also, we’re running out of headliner Gundams. The only obvious choices I don’t think we’ve touched yet are Barbatos, Unicorn, Victory, and Zeta.

As for my hopes for the Battlogue, I’d like to see Maiya and Kazami go on a date, because that would be adorable. I’d like to see Freddie pilot his first Gunpla, because that would be adorable. And I’d like to see the gang teach the village kids how to build Gunpla, because that would be adorable. What can I say? This series got kinda dark; I’d like some cute to balance it out.

Overall, this series was great. Favorite of the Build Series, even if it is a little more Gundam than Build. There’s a lot of potential still left in this universe, so I hope they’ll continue to explore it, rather than reboot the series again.

#Gundam #Gunpla #Gundam Build Divers #Gundam Build Divers Re:Rise #Review

23 notes · View notes

floatingcatacombs · 5 years ago

Text

Top 10 Sexiest Mechas

12 Days of Aniblogging, Day 4

Mecha is one of the most intimidating genres for anime newcomers. The plots seem overly complex, the episode counts too long, and the giant robot war settings difficult to relate to. I think that all of these are valid concerns, but that mecha often gets a bad rap when most people don’t even want to try it. What both newcomers scared of the genre and hardcore mecha fans often fail to recognize, though, is that on top of the messages of the series, mechas always represent bodies. They are giant robotic representations of their pilots, the visions of their creators, collective psyches, and/or the work’s central themes. The degree of anthropomorphism, the level of abstraction with which the pilot controls the mecha, the colors and shape and size…all of these bodily elements directly tie back to the mecha’s role in the story. Of course, if mechas are bodies, then they are also vulnerable to sexualization. So let’s take all of that into consideration and chart the top 10 sexiest mechs! I’ll be keeping it capped at one entry per series, and will talk about all media, not just anime and manga.

10. EQUUS from Concrete Revolutio

Starting off the list we’ve got a pretty weird pick, but I wanted to make sure that I shouted out this show. Concrete Revolutio is a kaiju and superhero-deconstructing delight, but when it comes to mechas it really plays things by ear and aims for the coolest setpieces possible. The protagonist’s mecha is essentially a Transformer that unfolds from a car into a centaur mecha. While the car body middle leaves a little to be desired, overall the design is a very good synthesis of Car and Horse. It’s certainly a better implementation of the centaur mecha design than say, Overwatch’s Orsia, who has a very visually muddled walking pattern because her legs are far too tiny and packed closely to each other. I’m especially a fan of the wheel joints on the knees and hooves on EQUUS, as well as the unicorn horn. Much as a centaur is an identity crisis between man and beast, Jiro is constantly in self-conflict over whether he can be a heroic protector of all superhumans or if he’s just a monster in disguise.

9. Metal Gear Zeke from Metal Gear Solid: Peace Walker

Metal Gear Solid is one of the most iconic mecha series out there, so picking one specific Metal Gear over all the others proved challenging. The classic boxy REX, the smooth aquatic RAY, the upright Sahelanthropus, the arachnid EXCELSUS…there’s lots of good ones to pick from! It was a tough battle, but ultimately I had to go with ZEKE, the first named Metal Gear chronologically. Designwise, the railgun and Z-shaped legs are a nice touch, but it’s the story arc around ZEKE that interests me the most. A lesbian-sourced war crime machine, ZEKE was created by MSF, the nationless nation of soldiers run by Big Boss. It ended up being hijacked by terrorists from within and nearly caused a globally eradicating nuclear exchange, which is as good of a metaphor as they get for why deterrence is a fucked ideology. Accidents happen, stockpiles become more and more sunk costs, and sometimes anime girl triple agents infiltrate your military base and steal your cool robot.

8. Char’s Zaku II from Mobile Suit Gundam

Confession time: I haven’t actually seen any Gundam. I’m more of a Macross gal myself. But I felt like not having any Gundam on this list would be like ignoring Star Wars on a space opera list. Anyways, Char seems like one of the most awful bastard characters of any series ever, so I’m happy to use a spot on this listicle for his mecha. The Zaku II is infamous for being “three times as fast” as its generic counterparts despite its only difference being its red paint, but c’mon – that’s Char’s absolute moral purity buffing his ship. You deserve that stat buff if you’ve Never Betrayed Anyone In Your Entire Life, Ever.

7. Deus Ex Machina from Promare

--Promare spoilers ahead--

Promare ends, as all Trigger works should, with a whole lot of Act 3 Bullshit. Plot twist after plot twist until all of the themes dangled at in the first half no longer matter, with nonstop fighting getting more ridiculous by the second. At our protagonist’s darkest moment, their problems get handwaved away and they are handed a deus ex machina of a mecha literally known as….Deus Ex Machina. A fusion of Lio’s jet black triangle armor and Galo’s knightly firefighter mecha, the design of this mecha represents their connection and understanding of each other. Yes, of course they’re gay. Why else would it be glistening in rainbow colors?

6. Terminus typeR909 from Eureka Seven

Another mecha anime I’ve hardly seen.. but one that I definitely want to get around to! Eureka Seven just seems like a genuinely delightful time, and I’m a sucker for romance-based mecha shows as well. Anyways, the piloted mechas in Eureka Seven are named after Roland drum machines, with the typeR909 is named after the classic TR-909. They’re nicely proportioned and there’s something sweet about the cutesy magenta robot of the fleet being piloted by a 30-year old man. I guess I’m just a sucker for the gentle undoing of gendered associations and music gear.

5. Eva Unit-01 from Nylon Genesect Evangelical

All of the Eva units are quite tall and bestial and wonderful, but it’s Eva-01 in particular that really stands out due to its conspicuous tendency to disobey its pilot and go berserk, fully unhinging its jaw. NGE takes the “mechs as bodies” thing pretty damn seriously, but throws in the delightful wrench of “what if it’s not your body that’s being represented?”

4. VF-1 Valkyrie from Macross

Macross was the first popular mecha series to utilize transforming robots. What makes Valkyries so sexy is that they’re not just limited to Spaceship and Gundam forms – they have an intermediary form. In GERWALK mode, the cockpit remains exposed having not folded into the mecha headpiece yet, and the wings are still popped out. However, the Valkyire has sprouted its arms and legs already, making it capable of landing, walking on the ground, and wielding a gun pod as a rifle. It’s kind of adorable! Stuffed to the brim with weapons and tech, Valkyries are the perfect blend of stylized and realistic robots. The Itano Circus will live on forever in our hearts as the go-to tactic when you have plenty of talent on your animation team and your mechas are armed with way too many missiles.

3. Jehuty from Zone of the Enders

While the VF-1 mecha is sexy because of its utility and folding form, the Orbital Frames of Zone of the Enders are sexy because…they’re designed with a sexual angle. They’re famous for their literal cock pits, but combined with their broad shoulders, slim hourglass waists, and pronounced thighs, they exude a strong androgynous energy. Jehuty is one of the most recognizable frames simply by virtue of being the playable mecha, but definitely one of the hornier ones too. Case in point: at the end of Zone of the Enders 2, it receives an upgrade after absorbing its sister frame to become Naked Jehuty, a stripped-down but ridiculously powerful mecha with gold sections emulating bare skin. Yoji Shinkawa’s brain is simply too big.

2. Bohrok Pahrak

Look, I can’t just not include any Bionicle on this list. They’re some of the most formative lil’ robots to me. But which one is the sexiest? That’s not really something I’ve had to consider before. While some of the titan sets such as Roodaka and Axonn have a certain sexual angle to them, it feels contrived, carrying the same kind of creepiness as horny OC designs. The Great Spirit Robot might be the super robot of the series, but its design is rather barebones and reminds me too much of The Iron Giant. So I ultimately settled on the Bohrok, the hivemind villains from 2002’s story. While most Bionicle are a combination of biological and robotic, the Bohrok are strictly mechanical – and piloted by the masklike Krana, making them mechas! You really shouldn’t fuck the Bohrok, but there’s just something so perfect about their design. They’ve got it all – not only transformability and an orb design, but transformability into an orb design. Their hunched-over stature reminds me of GERWALK Valkyries – it’s cute and functional! As for why Pahrak in particular, well, the shields it wields are vibrators. Just ignore the fact that they’re powerful enough to seismically level mountains, and you’ll be set.

1. The Entirety of Heaven Will Be Mine

You can tell that Aevee Bee and Mia Schwartz did their homework for Heaven Will Be Mine. They understand better than anyone else that a mecha is a representation of the pilot’s psyche and body, and that damage to the mecha is indistinguishable from that to the pilot. This is reinforced by the mechas being referred to as Ship-Selves – they are literally an extension of oneself more than anything else. By looking at a ship-self, you can almost immediately infer what kind of person the pilot is, what her position in bed is, and what her fetishes are. The layer of abstraction between pilot and mecha ranges from wafer-thin to nonexistent depending on the character. The side effect of this is that since HWBM is about a bunch of gay girls in space having sloppy ideologically charged hookups, the mechas have to be designed just as sexually as everything else. And by god did they deliver on that front. Some of the ship-selves, such as Mare Crisium and String of Pearls, take clear direct inspiration from Zone of the Enders frames. The Krun Macula takes some inspiration from Char’s Zaku II in terms of color and shape, but its face chimes give it a uniquely divine and powerful feeling with no mecha parallel. This perfectly mirrors Pluto’s powerlevel advantage over all of the other pilots, and her humanoid-but-not-quite ship-self perfectly represents her faction’s goals. On the other hand, the assimilationist Memorial Foundation believes in ending the space program and grounding all ship-selves to prevent the splintering of humanity. Their mission manifests literally in that each member of the faction wears some form of bondage gear to represent their shackles to the Earth, and even their Ship-Self has a spreader bar. Heaven Will Be Mine is ridiculously horny, and it has the vision, design, storytelling, music, and everything else to back it up. Truly, the best of all worlds. And if anyone who worked on the game is reading this post.,.thanks.

#12 days of anime #12daysofanime #mecha #hwbm #mgs #bionicle #macross

130 notes · View notes

migleefulmoments · 5 years ago

Text

Abb/y has something to s/ay

Let me premise this by reminding everyone that Abby -like Trump-doesn’t “get” comedy. They literally do not understand jokes, punchlines, or humor. So a satirical show about the Hollywood song writers falls flat. Her time away did nothing to sway her conspiratorial aspirations or her misogynistic hatred of Mia. She watched Royalties not once, but twice... not to enjoy Darren’s creativity and performance, not to support the celebrity she stans, and not even to crack up at the humor, no she watched twice because she was looking for confirmation bias. She wanted to document all of the ways Darren wrote his CrissColfer truth into Pierce’s life and she obsessively listened to all of the diss-tracks he wrote to attack his wife.

Let me also premise this by saying I loved the show. I thought it was funny and the songs are so damn catchy. The lyrics are quintessential Darren- funny, very clever, and raunchy.

******************************************

R/oyalties, the Tale of Two Shows with a Heaping Side of Meta

ajw720. So I just finished watching R/oyalties for the second time, this time solely focused on the meta. Look, we all know, the show is not good, it was not well written and the short format didn’t help as there was no option to develop character or plot. But D knew it would not be good, he apologized for it back in January 2019. And I think the effort he put into acting was the effort it deserved. Ok.

But his songs were genius. As were the videos, hence why i call it the tale of two shows. It truly was like watching content made by completely different people. I concur with MH, D is “intensely talented.” And the part of this show he poured his blood, sweat, and tears into, the songs, are evident of this.

But this is a post about that Heaping Side of Meta. I think D, knowing that that show would not be made in the manner he envisioned, instead used it as a vehicle to make some bold statements and parallels with his career and public life. Shall we begin? And please, unlike the perfect song, this is not a perfect post and after the second round of watching i canceled my Quibi subscription and never plan to look back, so please feel free to add. I know some of these have been pointed out but I thought it was valuable to have one post.

One idea to inpsire the song? A tiny FROG on a dime.

D’s shirt 1st seen in Episode 2: “It is hard to soar like an Eagle when you are surrounded by turkeys”

And of course “Call me Goldilocks bitch” Remind you of something?

How about the entirety of Episode 3 when we are told that an artist is completely the product of the team. That no matter what the artists expresses they want, it doesn’t matter because the Label/manager/publicist/on camera agent/legal will always have a say. And how it will play in America or the Foreign market are key metrics of how the product is produced and presented. I love the line of the songwriter that tells P/ierce and S/ara to “get out while they are young.” Or the line by one of her team “we don’t want something different, we want something the same that is different.” And in the end P&S simply took one of KK old songs and reworked it, making something different that is not different and her team loved it.

And of course, the line that was an utter slap in the face to the most over praised “director” of an indie band video ever when D reminds her of the real director in his life, the man set to direct major motion pictures, “you know who would be perfect to direct? C/hris. C/hris would shatter this.”

Not much in Episode 4, but the gorilla suit in my opinion was mocking of a certain MMR video where we watched Swiller and a banana in a song about a gorilla. Images I never need to see in my head again.

Episode 5, a gem, I am still so fucking proud of D and how he mocked her throughout the entirety of the episode. New lines I love of that amazing song he wrote about her (in addition to those i posted previously here) “Some people say I’m a genius, which comes from the greek word for Latin, and other people will say, alright in fact i’m a fuckin’s genius” “I’m not saying I’m a god, but I’m not saying I’m not a god.” Mocking at its finest made all that much better by the band’s name “Switchback Jacket” that D describes as “butt rock emo” that is performed by a band that doesn’t actually sing, they are just the public image. He literally told us that what we see is an image created for the public and that it is completely fake. And he used his beard to make this statement. Just brilliant. I cannot praise him enough for this, stealing her moment in the sun and making her look like an utter fool, telling us just how narcissistic she is.

Also some wonderful lines from that episode that are beyond telling:

“Power, it felt good to remind Kevin that I hold power over him. You always want to be the one with power”

“p/ierce wouldn’t know where to take a shit if I didn’t tell him.”

“she is like my wife except we don’t have sex and we are friends.”

“alright boss, I am ready to record that song, but where should i take a shit?”

“You will do anything to succeed.”

Episode 8 starring “Poly Amorous and the Unicorn Guild” an episode used to shine a light on how absurd it is that people believe D&PBB lived with platonic roomie B/enny for something like 4 years. 3 grown ass adults, all of whom have money to spare lived together in a relatively small house for four years. It is pure comedy that anyone would believe that this is normal. But hey these are the same people that explained away the infamous arm around her while at an awards show with D looking on:

And the cherry on top of this episode, the inclusion of C/huck (for some background, see my post here).

I really like the one bit of dialogue between P&S, where D pretty much tells us once again that M will use anyone to get what she wants:

“Did it ever occur to you that maybe just maybe, I don’t like where we are now? There were a lot of really great things about the way things were. Things that are worth preserving. Not that you just take and use and through out.”

Episode 9 had some really impactful lines:

“you think i wouldn’t steal for my career? You think I wouldn’t lie? I would do anything.”

The Neils being the nameless individuals, nothing more than a number, who are the ones who actually create the product. And then the song, some of the translations are D telling you how he feels, because sometimes i think in terms of his public image he is just a Neil trying to escape the cage that has been built around him:

“I dream about getting away, I have been locked up in this cage wishing i could make my escape. I hate that I need you.”

And finally Episode 10, where we learn the Neils get no credit and no royalties. This reminds me of a script C wrote that never saw the light of day but suddenly the next season of AHS had the same theme as his script.

And that is all i got, if you have more please add. I think the fact that D took what he knew would be a mediocre project and projected his voice and story throughout it was pretty genius and a smart way to utilize this vehicle, that was clearly payout for so many that have used him for years and to shine a bright light on the truth.

elicc The “perfect song”’s performer is called Bailey Rouge, a clear link to TLOS.

He is a genius.

ajw720 @elicc damn, that was on my list and I forgot. And we all know who Red is inspired by, so seems fitting Bailey Rouge would get the perfect song.

ajw720. Just adding one more I thought about putting in my original post but admittedly think it’s a stretch. But maybe not? Just adding here for fun.

When Theo tells P to bottle up all his romantic feelings I couldn’t help but think of a certain chapter in a book

*******************************************

Oy Vei! Abby didn’t use her time away getting any therapy or perspective. She hasn’t learned any lessons. I have no doubt she’s been reading just as much as she did before and she’s speaking to Cassie, Flowers et al all day. It’s really sad. It’s sad that she can’t see how silly she sounds, what an asshole her version of Darren is. If she could restrain herself even a little bit it might come off less unhinged because turning every single moment of Royalties into some crisscolfer wet dream reeks of desperation.

Abby hates Royalties. In last week’s “Dear D” she had the audacity to say

....Fans that are beyond devoted and mainly because of the way you have treated fans with respect and a level of caring that far surpasses the majority of public figures. And while I am not enjoying the show itself, the music shows how diverse you are as a writer and how you can virtually write for anyone or any genre. The songs are fantastic. Memorable. And really fun.

She knows the the Langs wrote the show and Darren wrote the songs but what she can’t seem to comprehend is that Darren IS Royalties. Everything in the show is Darren’s.

Staying in the closet would be less painful than trying to express oneself through a short-form satirical comedy. Can you imagine trying to express your devastation and pain through Kick Your Shoes off or Break It In?

“I’m the king of the hard fuck....pile drive the bed like a young buck...if you like feathery shit thats pretty cool but I don’t need that...people say I fuck too soft, saying that I can’t please a woman”

BTW Abby- “call me goldilocks bitch” isn’t a reference to TLOS it’s a reference to Goldilocks and Three Bears because because he fucks perfect, not too soft, not too hard. It’s much more believable that he is referring to a random nursery rhyme than it is to believe he is referring to a children’s book his lover/husband/boyfriend wrote 8 years ago. You might love the book but Chris has moved on and written new things.

Darren wrote funny lyrics. I loved Kick Your Shoes Off because it’s written by a man whose watched his wife and female friends wear painful shoes for the same of fashion even though its painful as fuck.

“Yeah, I’m a bad bitch so don’t be mad bitch. I turned the room into a catwalk like a sad bitch. I can’t feel my toes in these stilettos. when I walk out my roomate says you’ll regret those....Beauty is pain but oh I look amazing. You won’t hear me complaining but oh my instep (inside?) is screaming...kick your shoes off (kick em off) ooooooo I do what I want..(Kick em off) ooooo Hey I can’t walk in these, blisters start to bleed now both my feet are swollen. Kick your shoes off (Kick em off).....It’s like i feel so good when my shoes are on, but like i also feel sooooo good when they are off”

Abby’s convinced I am So Much Better Than You is straight up about Mia because Mia is in the video. She listened to it on repeat the day after it came out. In her “Letter to D” last week she said

Especially after you made an effort to mock her for the entirety of Tuesday when her episode aired (and for the record I am still really, really proud of what you did with that episode and how you handled the roll out, that is the fighter I admire and that inspires me. I listened to I am so much better than you on repeat on my drive home from work yesterday).

Good Lord The lyrics are as silly as all the other songs: “My mirror wants to bone me (but it can’t because it’s a mirror)” How did Abby miss the obvious TLOS mirror/ Halloween costume reference here?

“You keep doing push ups while I get buff eating mac and cheese (with overpriced lobster and truffles because I’m worth it)”

“Some people say I’m a genius (which comes from the greek work for latin) Some other people will say yeah I’m right I’m a fucking genius (I’m not saying I’m a god but I’m not saying I’m not a god).

“And even when you sneeze, God blesses me, he blesses me. And even when you sneeze, god blesses me, he blesses me, he blesses me”

“I’m am so much better than you at everything”.

She believes Darren would be- and stay- married to a women that he publicly ridicules and attacks. I don’t get why she thinks that is something admirable .

She thinks Also You is referring to Ben living with them. Where to start with this one? She says

“Episode 8 starring “Poly Amorous and the Unicorn Guild” an episode used to shine a light on how absurd it is that people believe D&PBB lived with platonic roomie B/enny for something like 4 years. 3 grown ass adults, all of whom have money to spare lived together in a relatively small house for four years. It is pure comedy that anyone would believe that this is normal. But hey these are the same people that explained away the infamous arm around her while at an awards show with D looking on”

I’m gobsmacked. Also You is about Polyamory. She doesn’t even understand her own theories if she thinks that is the message Darren wants to share about Mia and Ben. In no world would someone try to proclaim their wife was cheating on them with a live-in houseguest by writing an episode called Poly Amorous and the Unicorn Guild. Also, someone needs to explain cuckholding to her because her theories about Ben and Mia make Darren a cuck.

OMG I just realized that Darren is a cuck and Royalties proves it. He hired Kether to be his costar in Royalties,...Kether is in You’re the Worst as Lindsay. Lindsay cuckholds her husband. Bam! mic drop.

Why isn’t Perfect Song about Mia, you know, if we are playing confirmation bias “No one is as good as you because you're my perfect song”

#CrissColfer #Darren Criss #Abby Speaks

14 notes · View notes