#entertainment industry.

[thefirsthogokage]

DUUUUUUDE! Get it South Korea!

That's the article directly. Please give it a read.

If South Korean actors and writers strike against Netflix, Netflix would be COMPLETELY fucked.

[unitedstatesofworld]

The Comedic Giant in a Compact Package: Katt Williams' Height

When you think of Katt Williams, what's the first thing that comes to mind? His razor-sharp wit? His flamboyant stage presence? Or maybe his unforgettable roles in movies and stand-up specials? One aspect of his persona that's often a topic of curiosity is his height. Standing at 5'5" (165 cm), Katt Williams height is far from towering, but it hasn’t stopped him from reaching great heights in his career. In this article, we’ll explore how Katt Williams' height influences his comedy, persona, and overall impact on the entertainment industry.

The Rise of a Comedy Legend

Early Life and Career Beginnings

Katt Williams, born Micah Sierra Williams, grew up in Cincinnati, Ohio. From a young age, he displayed a knack for making people laugh. Dropping out of high school to pursue comedy full-time might seem risky, but for Williams, it was a step towards destiny.

Starting off in small clubs, he quickly built a reputation for his energetic performances and unique style. Despite his diminutive stature, his presence on stage was anything but small.

Breakthrough Moments

Williams' big break came when he joined the cast of "Wild 'N Out," a popular improv comedy show on MTV. Here, his quick wit and fearless humor shone through, making him a fan favorite. His role as Money Mike in the film "Friday After Next" further cemented his place in comedy.

It's interesting to note that Katt Williams' height never limited his roles or comedic range. In fact, it often added to his charm, making his characters more relatable and endearing.

The Impact of Katt Williams' Height on His Comedy

A Unique Perspective

One of the fascinating aspects of Williams' comedy is how he uses his height to his advantage. Standing at 5'5", he brings a unique perspective to his routines, often poking fun at himself and the societal expectations around height. This self-deprecating humor not only endears him to his audience but also highlights his ability to turn perceived disadvantages into comedic gold.

Commanding the Stage

Despite his short stature, Williams commands the stage with a larger-than-life presence. His energetic delivery, animated gestures, and expressive facial expressions make him seem much bigger than he is. This juxtaposition between his physical height and his stage presence adds a layer of complexity to his performances, making them all the more engaging.

Relatable Humor

Williams’ height allows him to connect with his audience on a personal level. Many people can relate to feeling overlooked or underestimated because of their physical appearance. By addressing these issues head-on in his comedy, Williams creates a bond with his audience, making them feel seen and understood.

Memorable Performances

Stand-Up Specials

Williams’ stand-up specials are legendary. Titles like "The Pimp Chronicles," "American Hustle," and "Kattpacalypse" showcase his sharp observational humor and fearless commentary on society. In these specials, he often references his height, turning it into a recurring theme that adds continuity and depth to his work.

Film and Television

In addition to his stand-up career, Williams has made a significant impact in film and television. His role as Money Mike in "Friday After Next" is iconic, and his performances in shows like "My Wife and Kids" and "Atlanta" demonstrate his versatility as an actor. Again, his height plays a role in shaping these characters, adding to their uniqueness and appeal.

FAQs about Katt Williams' Height

1. How tall is Katt Williams?

Katt Williams stands at 5'5" (165 cm).

2. Does Katt Williams’ height affect his career?

While some might see his height as a limitation, Williams has turned it into an asset, using it to enhance his comedic style and connect with his audience.

3. Has Katt Williams ever spoken about his height?

Yes, Williams often references his height in his comedy routines, using self-deprecating humor to address societal expectations and stereotypes.

4. What are some notable roles that highlight his height?

His role as Money Mike in "Friday After Next" and his appearances on "Wild 'N Out" and "My Wife and Kids" are notable for how they play at his height.

The Man Behind the Laughs

Personal Life

Beyond the stage, Katt Williams is a devoted father and a complex individual with a fascinating personal life. He has eight children, seven of whom are adopted, showing his big heart and commitment to family.

Challenges and Triumphs

Williams' journey hasn't been without its challenges. He's faced legal issues and personal struggles, but his resilience and ability to bounce back have kept him in the public eye. His height, once seen as a potential obstacle, has become a symbol of his ability to overcome adversity and thrive in an industry that often values physical appearance.

Conclusion

Katt Williams' height might be the first thing people notice about him, but it's certainly not the defining aspect of his career. His talent, charisma, and unyielding spirit have propelled him to the top of the comedy world. By embracing his height and turning it into a comedic tool, Williams has shown that true success comes from within.

In the grand scheme of things, Katt Williams' height is just a small part of what makes him a giant in the world of comedy. So, the next time you watch one of his specials or see him on screen, remember that it's not the height of the man that matters, but the height of his talent and the depth of his impact.

Whether you’re a long-time fan or new to his work, understanding how Katt Williams' height has influenced his career adds another layer of appreciation for this comedic genius. His story is a reminder that no matter the physical limitations, it’s the strength of character and talent that truly define greatness.

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[kcinpa]

This is kind of brilliant, and necessary.

A group of adult entertainment actors is about to spend $100,000 in the next 29 days running anti-Project 2025/anti-Trump ads on adult websites targeting their male audiences in seven battleground states: Pennsylvania, Michigan, Wisconsin, North Carolina, Georgia, Arizona, and Nevada.

Why?

Page 5 of the 920 page Project 2025 manifesto says of pornography:

It has no claim to First Amendment protection. ... Pornography should be outlawed. The people who produce and distribute it should be imprisoned. Educators and public librarians who purvey it should be classed as registered sex offenders. And telecommunications and technology firms that facilitate its spread should be shuttered.

Now whether or not you approve of the porn industry, it's clear that Project 2025 is talking about a much broader thing: whatever these right-wing zealots determine to be "pornographic." Note how teachers and librarians are mentioned specifically. Some bookbanners have called children's books pornographic simply for featuring a lgbtq character.

Closer to tumblr's heart, smutty fanfic and fanfic sites would certainly be swept up if Project 2025 ever came to pass.

So kudos to the adult film stars for stepping up and spreading the word.

[ozlices]

another super insulting part of the watcher situation i haven't rly seen ppl addressing much

ryan deadass saying smth like "nobody else on youtube has made tv quality content"

like... i really feel like it's important to highlight that bc not only do they obviously have no respect for their audience, but that statement shows they have no respect for their peers in the industry, either.

not to mention it is a shining example of bleeding arrogance to such a high degree, you will straight up fucking lie bc you're truly convinced you're that special when you're anything but.

there's been NUMEROUS online creators who were recognized by entertainment industry workers BECAUSE they made tv quality content & even full stop blockbuster quality content.

bo burnham started on youtube & is now one of the most wellknown & loved standup comedians of our generation, with numerous netflix specials & even a movie he wrote & directed under his belt.

the try guys, fellow ex-buzzfeed employees, had their own tv specials on food network (based off their youtube shows, btw) & a documentary made about them as well

rosanna pansino has also been on numerous food network shows both as a host & a judge

quinta brunsun, another fellow ex-buzzfeed employee, went on to create her own whole ass sitcom that has been highly praised

matpat cameo'd in the fnaf movie because of his theories & multiple other fnaf creators had small cameos through the employee of the month board easter egg

markiplier made multiple high-quality shows on youtube & is now working on a highly anticipated movie (he was also planned to cameo in the fnaf movie but couldn't due to conflicting schedules with his own movie)

hot ones got their own tv gameshow due to their popularity & they are still one of the most wellknown, beloved & respected internet shows

many short films made on youtube went on to premiere at film festivals & even in theaters

the hit horror film "talk to me" was created by youtubers rackaracka

webseries of actual fucking tv shows have also existed for literal decades

the list goes on.

to seriously think that overproduced bullshit is all you need to make "tv quality content" is not only tone-deaf, but shows they do not even know what they're talking about. many tv shows & huge blockbuster movies are made with absolutely microscopic budgets & small teams, & they still get praised & awarded for the passion, dedication, & creativity that shined brightly under those restrictions.

the blair witch project is probably the most wellknown & highly praised example of this, but it is far from the Only example

it is a whole other slap in the face, again ESPECIALLY when puppet history is one of their most popular shows, to spit in the face of internet history. to see the success of their predecessors, even ppl they fucking worked with at buzzfeed, & deny them of all their success & efforts to get where they ended up.

no, y'all are not the first people to make "tv quality content" on the internet. FAR from it. because your crap isn't even genuine "tv quality".

but you are the first ones to ever disrespect not only your audience, but your own fucking industry & your peers on this level.

& you are the first & i sorely hope the only fuckwads dumb enough to pull a stunt this fucking stupid, out of touch & utterly tone deaf.

[cbrownjc]

I hope this is true. Because it would just be so in line with deciding to be so cartoonishly evil in public right before SAG was set to go on strike as well. A union that really has the power to shut down the whole industry and make them lose astronomical amounts of money per day.

All that Deadline article probably did was make SAG more emboldened to get everything they're asking for and not extend the deadline again.

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[renthony]

Genuinely tired of people blaming the vague idea of "TV writers suck" for sub-par television instead of corporate meddling, blatant censorship, arbitrary time constraints, and other behind-the-scenes fuckery. Also really tired of "obviously it's objectively bad writing" getting used in place of "I, personally, did not like this."

Even if the writing is genuinely bad in something, you can just...watch something else. There are plenty of other shows out there with writing you might connect with more. Acting like the entire industry is full of bad writers who don't care about their work is ignorant as hell.

Writers being used as the go-to for audiences to shit on is getting really fucking old.

[voxina]

[source]

[theyautjaarchivist]

I am begging on my knees for some of the Yautja Fanboys to stop embedding their discussion on female Yautja with their internalized misogyny.

No, Female Yautja aren't less prone to combat. They literally are just in charge of everything else and it's less likely for them to leave to go off planet for such a long time. It's canon that they will sometimes break male Yautja's bone during mating when they get too excited/throw them.

And most importantly, they do not just look like giant sexy human women with more reptilian traits! There is canon variation in their build and appearance outside being bipedal and sometimes the presence of breasts, but they aren't bigger human women with some paint and scales slapped on!

[elizabethminkel]

Since the WGA strikes began, the studios have been trying—and failing—to turn fans against the writers (and now the actors). I reported on a very strange SDCC this year, which was full of labor conversations and solidarity along the full spectrum of the fan/creator divide. As one member of SAG-AFTRA told me during an awareness-raising demonstration across from the convention center, “The people that I have met today have been all thumbs-up, V for victory, hugs. We love it, and we’re very pleasantly surprised.”

[hobnob-moth]

Wait… aren’t directors usually supposed to be the silent voice in stories? -Jesse

Oh, tons of directors are in their own work. Hitchcock, Harold Ramis, Mel Brooks, M Night. Shyamalan, Uhh ███ ████. -Emily

Who? -Jesse

—

Had a silly idea pop into my head when I heard the dlc for Alan Wake 2 would have Jesse in it, and the idea kept tormenting me enough to finish this drawing. I wanted to work in something with The Director vs a director, but wasn’t able to make it concise enough to fit sadly.

[theloveinc]

i mean... i know it's not my business like that but i do have to wonder .... is the [entertainment/anime] industry in japan even remotely worried about the fact that two, internationally popular animangas ended/are ending with really, really abrupt endings? like............ does that not concern anyone? in regard to mangaka health/burnout mostly but Also the fact these endings are lowkey... ass?

[cozylittleartblog]

The animation strike is looking more and more likely, please be ready to support creatives this summer and boycott Hollywood again if you care about animation or the human artists who make it happen.

+ indie animation youtube playlist

[world-of-celebs]

Emma Watson arrives at the 2011 MTV Movie Awards at Universal Studios' Gibson Amphitheatre on June 5, 2011 in Universal City, California.

[realjdobypr]

Editor and SEO Researcher Dr. Jerry Doby Releases Book for Digital Journalists and Newsrooms

Excited to have released my first book...would love to know your thoughts! SEO Essentials: A Journalist's Handbook is as up to date as it gets!

For his first published book ever, editor and published SEO researcher Dr. Jerry Doby just released SEO Essentials for Online Magazines: A Journalist’s Handbook on MagCloud. This book is based on his published research paper SEO-optimized Writing: Removing the Mystery, featured in the Cognitionis Scientific Journal (2023) and sponsored by Logos University International (UNILOGOS).SEO Essentials…