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wipbigbang · 10 months ago

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2024 WIP Big Bang Schedule & FAQ!

Schedule

All times are by 11:59pm PST. Convert time zones.

Sign-ups Begin- April 15th Sign-ups Close- May 21st Check In #1- May 22nd Check In #2- June 15th Snippets Due- July 1st Art Claims Begin- July 17th Check In #3- July 22nd Check In #4- August 6th Rough Drafts Due- August 15th Posting Claims Begin- August 23rd Posting Claims Ends- September 1st Final Drafts/Art Due- September 7th Posting Starts- September 8th

FAQ

What is the WIP Big Bang? Good question! This is a Big Bang with one goal in mind: to clean out your fanfic drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them!

Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate? No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Dreamwidth and Tumblr and heavily use our Discord server at the moment), but they are not required to participate. You can always leave comments anonymously or with an opensource ID.

How many fics can we sign up for? We absolutely don’t mind multiple sign-ups. I know one year someone submitted 50 fics to finish, and got at least half of them done. We just ask that when you sign up with more than one fic you give each fic a unique user ID (please do not use the same ID for all your fics...it’s important to have different IDs for the check-ins).

Will I get emails about the bang? We do send out some emails, mostly for snippets and art claims and to ensure communication between authors and artists, but please do NOT rely on getting an email to remind you of due dates. We currently do not keep an updated email list of participants, so we only send individual emails as needed rather than mass emails.

However, email is the fastest way to communicate with the mods. If you have any questions or are having trouble communicating with your artist/author, please do email us! We will do our best to respond quickly.

What do you mean by minimum word count to enter? This is a WIP Big Bang, therefore we ask you to have at least 500 words of your story drafted when you enter.

Can an outline count towards those first 500 words that are needed at sign up? We have admitted work on an outline before so yes, if your outline is fleshed out enough to cover a 7,500 word+ fic, we’ll allow it.

Are multi-chapter fics allowed? Yes, multi-chapter fics are allowed and even more so encouraged if your fic is lengthy.

What about fics that are already posted on ao3 in part? Do those qualify for the bang? It's okay if you have posted a few chapters of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here. All we ask is that you not post any public updates to the fic until September 1st (or August 1st with the mod’s okay). We don’t want you to lose kudos and comments so don’t worry about pulling the fic down, just hold off on updates for now.

Is there a minimum word count? 7,500 words for each finished fic, but the sky's the limit, right?

I see that the fic minimum is 7500 words and that published WIPs are acceptable - but what if the WIP I’m considering is already more than 7500 words? Is the expectation to add an additional 7500 to it? No. You can add as much or as little as you need to finish the story, though we do expect at least 1,000 or so new words if your WIP already meets the word count.

What happens if an author finishes the fic they signed up with but it’s less than 7,500 words? The intent was to go over the minimum but once they got into it the story was shorter than they thought and stretching it out would make it less good. Do they have to drop out at that point? By all means, we want your stories to feel as natural as possible, and if it’s under 7,500 words you may have two options:

1 - Drop the fic for the main BB event, post it now, and wait to post it to our AO3 collection in February when we run our International Fanworks Day celebration of finishing fics that are less than 7,500 words when finished. There’s no art for the fic, but bragging rights are posted to the communities for a week.

2 - If there are enough fics that fit that category, we can do a special day of posting the fics, but you’ll have to forgo art for the fic. I, as a mod, would probably pick November 30th for the posting day, as it’s the last day of posting for the bang and I don’t think anyone will mind more than one fic that day. You can post bragging rights to the community and share the fic with everyone.

Is there anything not allowed? As long as you wrote it and you want to finish it, you're welcome to participate. RPS/RPF is fine. Incest pairings are fine. Things like that I know have been hinted at in questions asked and as long as you tag for them, we’ll allow it. Also, canon settings with mostly OCs is allowed. We just ask that it be tagged properly with any content warnings you would deem fit and be given the appropriate rating for the level of sex/violence there is in the fic. Just bear in mind that while original work is allowed you may not get art for it.

I have a fic I wrote a few years ago, but only the first couple chapters are posted on AO3 because I was never happy with the rest of it and knew it needed major revision. Is that something I could use for WIP Big Bang? The entire fic has been posted, but only on one platform, and it would be rewritten for AO3 and WIPBB. I think revising a fic for posting would work, as long as you have at least 500 words done, will have 7,500 words at a minimum when it’s done, and are planning to add more to the fic. Simply rewriting what you have would be a gray area, but if you’re going to take stuff out and add new scenes, either in the old scenes place or on its own, you should be fine.

What's the etiquette around OC-centric stories? Ones that are set in a well known fandom and use several characters, but still lean a lot on original characters? Are they discouraged, or fine? Based on my own personal experience making art for a story that had a heavy OC presence, it’s not something we discourage at all, but be forewarned when it comes to the art accompanying your fic your artist may not be able to incorporate the OCs into your art. Not everyone makes art of a hand-drawn or digitally drawn nature, so it helps if you have people for face claims ahead of art submissions, and you and your artist communicate regularly. You can also end up with art not featuring the OCs at all, just the canon characters, which is not necessarily a bad thing. Your other options are to bring in an artist you trust with your vision of your OC or to make your own art (we do allow that, we just need to be told during the check-in before art that you’re bringing in your own artist if you go that route, or that you’re doing your own art…there will not be a need to sign up in the artist’s sign up, however), or to opt-out of art entirely. So there’s plenty of options to call on when it comes time for art.

What are 'check-ins’? These are a way for us to see what you've been up to and for you to make sure you're still on track. It will give you a little nudge/reminder if you need it, but they are not compulsory. Basically a form is posted that you fill out with your user ID (unique for each fic) and a checkbox to let us know you’re still participating, plus a section for any notes for the mods.

How are the check in IDs used? They are solely for the mods organizational purposes. Each ID being for a separate story allows us to keep all the information you submit during check-ins and for snippets in one line on our spreadsheet. You don’t have to share your check in IDs with anyone else if you don’t want to.

How much progress should authors be making between each checkpoint? (Percentage-wise from our estimated total wc, I guess?) Ideally, with each check-in, you should be at least 25% closer to finishing. The end word count only really matters in that the fic needs to be at least 7,500 words when done, so it’s more your progress towards finishing that should be measured, not so much the word count.

What are the snippets requirements? In order to allow the artists to make art for the story they claimed, we require you to supply three snippets from your fic, between 500 – 1500 words each. The snippets will be sent to the artist after they have claimed your story. They're to help the artist match your story for artwork the best way he or she possibly can. It’s helpful to choose scenes or parts of scenes that you feel best represent your fic, but don’t feel like they have to be perfect to be submitted. Along with the snippets, we will send your artist the basic fic info and your email, so the two of you can collaborate more if you would both like.

What are the rough drafts requirements? For the rough drafts, stories should be at least 80% complete. You will not have to turn them in to us, just assure us that you are at that point. Anything less is at the discretion of the mods and those authors should speak to one of the mods asap.

What is, and do I need, a beta? A beta is basically a person who goes over your work to make sure that there are no spelling/grammatical errors and they can even be of assistance in helping you with story lines, etc. It is highly recommended that a beta looks over your work before posting. If you are having trouble finding a beta, try this post.

Where can I post my fic/art? Stories and art can be posted to your own personal journal, Tumblr, ff-net, AO3, or wherever you like. For those of you with AO3 accounts, we will set up a collection that will go live on the day of the posting. If you don’t currently have an AO3 account but would like one, you can contact the mods for an invitation code to see if they have any available. You can also add yourself to the AO3 Invites Request queue.

What does posting look like? Do we have to post the whole thing on the day, or can we stretch it out between when posting starts and our date? I’ve had a few longfics get killed by big bangs forcing posting to happen on a given day, and would prefer to avoid that if possible. For most fics, posting to AO3/FF.net/other places will be allowed to start in September and you can stretch it out as many posts as you want as long as the complete fic is up by your posting date (and posting dates go from September 8th to November 15th with two weeks for emergency posting). However, you can send us an ask/e-mail about posting as early as August if you have an extremely long fic/something with a long posting schedule. Mostly what we want is the fic to be completely up on the website of your choice by your posting date, and I know some people don’t want to overwhelm their readers. So we want to work with writers to give them ample time to post the story up to their posting date.

Now, as for posting to the communities, you get to choose which day your link to the story and bragging rights are posted, and as I said, we have a range of dates from September 8th to November 15th with two to three stories posting a day. If for some reason you miss your posting date, you have until November 30th to post to the community, during the two weeks of emergency posting, with a possible extension after that due to the amount of participants needing to post later. So hopefully there should be plenty of time to get a longfic up and posted to the website of your choice and our BB.

Will the three snippets per story we have to send in be the ones we want the artist to make art for? Or can it just be random snippets and then later the artist and I can check together to see which scenes would work best for art? So ideally, you and the artist will be communicating once you’re each sent each other’s contact information, and you’ll give your artist a chance to read all that you’ve written at that point. That’s what happens in most cases. If your fic gets picked by an artist and they don’t work with you, then the snippets you sent will be what the artwork will be based on. It’s a good idea to know that, while most of the time the artists work closely with the authors, there are a few exceptions to that.

How do I know when to post? Posting will be tiered; you'll each get your own posting date that you and your artist will decide on together. There will probably be four fics, plus art, posting per day between September 8th and November 30th. The post with date claims will go up on August 23rd and you'll have to choose your date by September 1st.

Posting of chapters on AO3 or your own blog (or wherever you usually post) generally starts September 1st, but you can post earlier (as early as August 1st) if you let us know you have a long story. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post your bragging rights to the communities on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked or you can email us your bragging rights and we can post by proxy for you. Either way works for us. Art will be due on the chosen posting date to the comm.

What am I posting to the Livejournal/Dreamwidth/Tumblr community if I’m posting the fic elsewhere? You’ll be posting what we call bragging rights. It’s a small form you fill out and post to the community with a link to your fic (we’ll enable moderated posting to the Tumblr, Livejournal and Dreamwidth communities for members on August 8th). We will post a template for posting artwork and stories to the comm closer to the posting date.

Is there a minimum/maximum requirement for my art? There is no strict minimum, but we do ask artists to remember that the authors are writing a minimum of 7,500 words and your artwork should reflect that. You can do anything you like, including banners, wallpapers, icons, mixes, vids, gif sets, picspams, etc. Suggested guidelines for art are 500x500px (or equivalent of smaller pieces like banner + spacers, cover + icons, etc.) for traditional art, digital art, and manips; 2 minutes for vids; 10 songs + cover art for mixes; and 6 images for gif sets and picspams. We also ask that when you are in contact with the author, you work with them to see if there is anything specific they would like (i.e. a wallpaper, book cover, etc.). The art is your work, but having ideas doesn't hurt!

What are 'art claims'? The claims are when anonymous summaries of the story go up for artists to choose from. Artists sign-ups and art claims are the same thing; we use one form for both things, and that way the authors don’t have to sign up for an event they may not end up participating in. It is based on a 'first come, first served' basis and artists may choose up to three potential stories (in case their first choice is unavailable). If there are more stories than artists, there will be a second round of claims wherein artists may choose a second story to work with. And on until all stories are claimed for art.

If a fic up for claiming is rated explicit (R, NC-17, etc.), please only claim the story if you are over 18 years of age. Some authors may be uncomfortable working with underage artists on explicit works. We do not verify ages in any way for the bang, so this is solely on the honor system.

What do I do if I have problems or concerns about my author/artist? Sometimes authors and artists do not get along and this may cause problems with working together. If this happens to be the case with you, please email the mods and we will try to do what we can so that everyone has a chance to have fun at WIP Big Bang!

If you have not heard from your author/artist in some time after trying to contact them, you can reach out to us via email and we will try to get in touch with them for you.

Can I get an extension? Community extensions may be given in the event that the majority of the authors/artists need one. They may also be given individually under certain circumstances, but this must be discussed with the mods and will only be a short extension for posting. If you are certain that you won’t be able to finish your story in time, please let us know by July 13th.

Can I swap out a fic if my muse abandons it again? When you sign up, you give us the information on the potential fic(s) you want to write. If, say, one fic isn’t working but one you didn’t sign up for is, you can switch them out while letting the mods know if you need to change a user ID you used. It is absolutely okay to switch fics all the way up until snippets are due. By then, we hope you’ll have however many fics you plan on doing to at least 80% completion since rough drafts are due not much later. Just drop an email to the mods at [email protected] with the new information (title, fandom, etc) and if you want a new sign in ID or plan to use the same one for the fic you’re replacing it with.

Can I drop out? We have high hopes that everybody who signs up can actually finish the round and share in the joy of the reveal with us, but real life can unfortunately get in the way and we completely understand! If you feel like you just cannot finish in time and no amount of assistance from us can help you, just let us know by August 13th (if at all possible).

Is it possible to be banned? We do have a banned users list. We hope to use this to encourage participants who are having issues to communicate with the mods. We want to help you! The way the ban works is that participants, either authors and artists, will be banned for dropping out without notifying a mod. This means that anyone who has not posted or talked to a mod by the time the posting period ends will be banned. Dropping out is not in and of itself a banning offense, so please do not panic if you have to drop out! We understand that there are many reasons you may need to drop, and we want to work with you.

Bans will last one round or until the issue is resolved, whichever comes first. To resolve a ban, authors will have to finish and post the story they signed up with and artists will have to finish and post the art for the story they claimed. Three bans will result in a permanent ban from the bang.

Are we allowed to participate without joining the Discord? Absolutely! The Discord server is optional, as just another way to interact with your fellow writers and get updates on important dates. It’s not mandatory you join, however.

I was just wondering if there’s any way to enter the bang anonymously? Like would it be okay to put our work in an anonymous collection on ao3 or something? Unfortunately, I can’t think of a way for that to work. The collection that we use is moderated but it’s not anonymous, and there are the bragging posts that you post on your posting day, which you would have your username on whichever platform you use.

I was just wondering whether I'm sworn to secrecy on which fics I'll be finishing up, or if I can shout it out to the world? No one is sworn to secrecy once they’ve signed up (aside from posting new parts to fic that’s already up somewhere…we ask that you refrain from doing that until at least July 1st)! We will be running Word Wars, where you can add more to a fic in a certain amount of time, and Whine Bars, where you can complain or ask for help or whatever else you feel like talking about when it comes to struggling with a fic, all after sign-ups end on a weekly basis, plus there’s the Discord server for chatting with your fellow authors and artists.

I have a question/concern that’s not mentioned here. If you need help, you can always contact a mod and we will do our best to make sure that you get your story/art finished. The best and fastest method of contact is through our email, [email protected].

#wip big bang #!admin #!2024 #signal boost

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elysiumania · 2 years ago

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title: when the moon descends

pairing(s): jing yuan, reader

characters: jing yuan, reader, fu xuan, yanqing

word count: 4.4k

synopsis: in the midst of his daily routine, jing yuan finds solace and delight in the presence of a certain individual who never fails to brighten his morning.

As the first rays of the sun creep into his chambers like tendrils of light, Jing Yuan feels as if he's being beckoned by a siren's call to stay in the comfort of his bed. The weight of his responsibilities as the Luofu General bears down upon his chest, compelling him to evade the challenges of the forthcoming day. However, he understands that yielding to such temptation is not an option, for the affairs of the Xianzhou Luofu demands his undivided attention and his subordinates depend on him to steer them through the tumultuous waters. So, with great effort, Jing Yuan shakes off the heavy cloak of lethargy and begins his day.

Jing Yuan acknowledges that there have been instances in which he has entrusted some of his obligations to the Master Diviner, Fu Xuan. But he knows that he can't rely solely on her, for there are still other pressing matters that require his attention. Though discreetly.

It's like a delicate balance, trying to delegate tasks to others while also shouldering his own share of responsibilities. Despite the weight that comes with it, Jing Yuan knows that it's all part of being a leader—the ability to juggle multiple tasks and make the tough decisions that can impact the lives of many.

Although Jing Yuan is tempted to stay in bed all day, the sheer amount of paperwork on his office desk is urging him to begin his day. It is imperative that he completes those towering documents as soon as possible, not only to free up his leisure time, but also because they contain crucial information that requires his attention. The requests and reports from various commissions must be addressed promptly by the General.

Who knows, maybe amongst these papers lies something that will pique his interest and provide a welcome distraction from his monotonous routine.

Jing Yuan starts his day with a heavy heart, knowing that his responsibilities as a General would be demanding, but he continues to walk with a purpose.

As he traverses the bustling streets of Luofu, people pay their respects to him, bowing in reverence to his position. His subordinates, with their eyes locked on their tasks, take a moment to acknowledge their General's presence and extend their greetings. The aura around him demands respect and deference, marking him as a man of great authority and responsibility.

To Jing Yuan, his routine was as steady as the flow of the river, never faltering or swaying. The daily tasks and responsibilities that came with his position were second nature to him, like a well-oiled machine that worked without a hitch. The only thing that could disrupt the serene pattern of his life was a crisis that threatened the peace and stability of Xianzhou Luofu. In such dire circumstances, Jing Yuan would act with urgency, convening a meeting of the commission heads to ensure the safety of the people he swore to protect.

As he enters his office, Jing Yuan's eyes are immediately drawn to the pile of papers resting atop his desk, a sight that never fails to elicit a deep sigh of weariness from the Xianzhou General. It is a task that he cannot avoid, no matter how much he wishes to do so, an inescapable responsibility that weighs heavily on the shoulders of the wise and valiant leader of Luofu.

A defeated scoff escapes his lips as he trudges towards his desk, mentally preparing himself for the monotonous task that has become his daily routine.

Jing Yuan peruses through the stack of papers, carefully analyzing each document before signing off on the ones he approves of, he separates them into two piles–one for those that require immediate attention, and the other for those that need further work.

As Jing Yuan's eyes dart back and forth across the pages, a sudden knock at his door jolts him out of his concentration like a bolt of lightning. And then, he hears the sound of a voice that is as soothing and sweet as honey, a voice that always makes his heart skip a beat with anticipation. In an instant, his eyes light up like stars in the sky, sparkling with excitement at the prospect of seeing the owner of that enchanting voice.

Because it is none other than his most favorite being. (Name).

Jing Yuan grants you permission to enter, his gaze fixated on the door as he waits for your arrival with the eagerness of a child anticipating their turn on the playground. When the door creaks open, his eyes are immediately drawn to your radiant face, despite the pile of documents clutched in your arms. The General pays no attention to the paperwork, his entire focus directed solely at the sight of your smile directed towards him. To him, nothing else holds as much importance as you, his beloved partner, who never fails to bring a smile to his face and ease his worries.

"Good morning, General," you address with a courteous bow, paying respect to the esteemed leader of Luofu.

The General gazes at you with his customary smile, despite having previously expressed his desire for you to address him by name in private. Yet, you persist with your habit of addressing him with formality, even in the privacy of his office.

Jing Yuan comprehends your predicament fully. Your clandestine affair is something that must remain a secret from the rest of the Xianzhou, and given that you are under his command, he acknowledges the importance of maintaining a professional demeanor.

At first, Jing Yuan was puzzled as to why you wanted your relationship with him to be kept under wraps, but after learning that you were not yet prepared to reveal your relationship to the natives of Xianzhou Luofu, he acquiesces to your request. Your thoughts and emotions matter to him, and he respects your decision. He'll patiently wait for the day when you feel comfortable enough to share your romance with everyone.

Jing Yuan understands the gravity of the situation, and he doesn't want to put any undue pressure on you. He knows that if your relationship is made public, it will draw the attention of many, and it will become a hot topic of discussion amongst the citizens.

Being the honorable and respectable General of Xianzhou Luofu, he is aware that his actions are under constant scrutiny, and any news of his personal life could easily become tomorrow's headline.

Therefore, he doesn't want to risk ruining the comforting and peaceful company he already had with you. No.

Being with you brings Jing Yuan a sense of serenity that he seldom experiences amidst the chaos of his duties as a general. You are his sanctuary, a tranquil harbor where he can dock his restless heart. Listening to your voice and watching the subtle movements of your lips as you speak is akin to watching a mesmerizing dance. Your eyes, like two shining stars, holding his gaze in a trance, and he finds himself lost in the vastness of their beauty. In your company, he is content to forget the world and the worries that come with it.

Despite his reputation for being a quick dozer, Jing Yuan never wants to miss a moment of being with you and hearing about your day. He knows that being in your company is a rare and precious indulgence, like savoring a delectable treat that is too fleeting and too limited.

Although he's constrained by the secrecy of your relationship, Jing Yuan remains hopeful for a time when he can freely spend his days with you without fear of being exposed. He yearns for the day when he can finally engage in all the activities he's been dreaming of without any reservations. He's optimistic that this day will come, and until then, he will cherish every moment he gets to spend with you in private, relishing the comfort and safety that your company provides.

The prospect of that day fills him with immense anticipation, and he longs for it to arrive.

“Here are the reports of the Sky-Faring commission, General.” You hand over the reports to Jing Yuan, not daring to meet his intense gaze.

His amber eyes seem to penetrate through your very being, leaving you feeling exposed and vulnerable. It's as if he's peering into the depths of your soul, examining every thought and emotion. You can't help but feel uneasy under his watchful stare. After all, it's Jing Yuan, the highly respected General of the Luofu Cloud Knights, and his imposing presence is impossible to ignore. Despite being his secret lover, you still feel conscious of your every move and appearance in his presence.

“(Name), come here,” Jing Yuan utters in a gentle tone, but the authoritative edge in his voice is unmistakable.

At the sound of Jing Yuan's voice, you are inexorably pulled towards him like a moth to a flame. The gentle curve of his lips and the tender warmth in his amber gaze resonate with you, enveloping you in a comforting cocoon of affection. It's almost as though he has woven a spell that ensnares your every movement, compelling you to draw near to him with a sense of captivation and awe. His commanding presence is both palpable and irresistible, and you find yourself drawn to him without any conscious effort.

You glide over to Jing Yuan, and it prompts him to swivel his body to face you. He's perched on his chair, and as he gazes up at you, you catch his amber eyes with your own.

Upon locking gazes with you, Jing Yuan experiences a surge of emotions that swiftly courses through his being, evoking the rapid flutters of a hummingbird's wings in his chest. He finds himself captivated by the sight of you, who exudes an aura of luminosity and grace that enraptured his senses. Even in the absence of the sun's warmth, you shine like a celestial body, illuminating his world and imbuing it with a sense of wonder and admiration. As he continues to gaze upon you, his affection for you only grows stronger, as he is powerless to resist the alluring force of your magnetic pull.

In his subliminal state, he extends his hand to grasp your hands in his sizable ones, sensing the heat emanating from your palms, and he relishes the sensation of it.

In this very moment, as Jing Yuan finally takes hold of your hands, he begins to caress your knuckles with his thumbs in the most gentle and soothing way possible, treating them as if they were a delicate and fragile crystal that he is afraid of damaging. As he continues to rub, his fingers slide effortlessly in between yours, elegantly interlacing and entwining them together. The unexpected tenderness of his touch causes a warm blush to spread across your cheeks, taking you by surprise, yet you remain motionless, as if tamed by his presence. Although he can feel the faint tremble in your hands, he is grateful that you do not pull away, and he continues to hold onto you, cherishing this rare moment of intimacy.

As he tried to contain his amusement, a small, almost imperceptible chuckle escaped from Jing Yuan's lips, betraying his attempt at composure.

Jing Yuan couldn't resist the urge to tease you a bit and asked, "Are you feeling nervous?"

He felt a subtle tremor in your hand, signaling him that you were indeed feeling apprehensive. The sight of your sudden reaction elicited a sense of amusement from within him, causing the corners of his lips to stretch into a small, yet visible grin. However, his amusement was short-lived, for he soon sensed that you had regained your composure and settled into a state of calmness.

"General, I suggest you should release me. It would not be ideal for us to be seen in this manner," you calmly remind, conscious of the potential consequences of being caught in such a compromising position. However, you are unable to deceive the sharp eyes of Jing Yuan, who can sense the underlying emotions beneath your composed exterior.

"Let them see it." You became aware of Jing Yuan's remark, and let out a soft gasp at his boldness.

Even though he had previously expressed his intention to honor your wishes and wait for you, he spoke truthfully at that moment. It was of no consequence to him if anyone were to witness your intimate exchange, as he desired for everyone to acknowledge that you were solely his.

"General—"

"Jing Yuan," he interjects, longing for the sound of his name on your lips.

"But we're—" again with him interrupting you.

"I have but one desire, (Name), and that is to hear you speak my name," Jing Yuan implores with a subtle plea, his grip on your hands tight as he urges you to comply with his request. His eyes seem to gleam under the sun's rays, almost as if they were hypnotic, coaxing you to surrender to him.

Your lips tighten into a firm line, unwilling to yield to Jing Yuan's indolence yet determined nature. It's one of his many qualities that leaves you with no choice but to relent and give in to his wishes.

Therefore, you relinquish, your shoulders dropping in resignation as you release a defeated sigh.

"Jing Yuan," you utter, finally giving in to his request. He couldn't hide his delight upon hearing his name from your lips. Even if it may seem insignificant to others, it means the world to the General, enough to brighten his mood.

"Very well," he replies with a subtle nod. "I earnestly request that you continue to address me by my name when we are in private. It's not desirable for me to feel a sense of separation from you due to our current circumstances. Do you comprehend my sentiments, (Name)?"

A smile graces Jing Yuan's face as his gaze lingers on you, and you take a brief moment to observe him before answering.

"I understand, but we must stay vigilant. There are prying eyes everywhere you go. I do not wish to bring any more difficulties upon you," you admit bashfully, averting your eyes from his.

Jing Yuan squeezes his grip on you and speaks in a soft tone, "Look at me, (Name)." He waits until he has your full attention. "I want you to understand that if it concerns you, it is not a burden to me. You hold great significance in my life, and I assure you that any inconvenience you may cause is of no concern. In fact, I would be delighted if you require my assistance.”

Jing Yuan's voice is gentle, reminiscent of the gentle caress of fluffy clouds on a bright summer day. He doesn't spell it out, but you can tell he's trying to assuage your worries in his own unique way. His words were already indicative of his intent, and although you have conflicting emotions, they dissipated when Jing Yuan delivered his heartfelt speech.

Your countenance brightens up as you acknowledge Jing Yuan's words with a smile that reaches your eyes, revealing the depth of your gratitude towards him. The General doesn't miss the tenderness in your look, and it stirs a fluttering sensation in his chest that he can't ignore. In response, he mirrors your expression of fondness, beaming with an equal measure of warmth and affection.

Jing Yuan yields to the irresistible impulse to draw you closer, settling you onto his lap, which catches you by surprise and causes your heart to race uncontrollably.

He envelops you in his embrace, his arms delicately encircling your waist, and he presses his nose into your hair, savoring the captivating fragrance of your shampoo that has grown to be his familiar fixation. It is a scent that he will always connect with you, a fragrance that will remain etched in his memory.

"Jing Yuan," you stutter, aware of the blush that suffuses your cheeks from both embarrassment and your close proximity. "Your actions could potentially expose us to being caught by someone."

Jing Yuan is acutely aware of your embarrassment, even without visually confirming it. Despite having shared moments of intimacy in private settings, you still appear unaccustomed to his unpredictable yet affectionate gestures. He finds it perplexing that you are still taken aback, given the likelihood of more instances like this in the future.

He contemplates whether he should demonstrate more of these affectionate actions in the hopes that you'll become more accustomed to such intimacy.

"I have already made myself clear, have I not? Let them see," he declares, as he maintains his embrace and presses his face onto your head. His unwavering action conveys his steadfast resolve to keep you close, unmindful of any prying eyes or onlookers that may come.

“You’re being overbearing, Jing Yuan.” You deliver the comment with a hint of amusement, making him laugh knowing full well that he can sense your eyes rolling in exasperation.

You feel his arms tightening around you, his hold on you growing firmer. "Worry not, no one may enter my office without my permission," he reassures you, though he quickly follows up with a caveat. "With the exception of my retainer, Yanqing, I'm afraid."

You let out a sigh and attempt to shift your position to release yourself from Jing Yuan's hold. Unfortunately, his embrace on you only grows stronger, making it impossible for you to escape his grasp.

Your tone is assertive as you convey your concerns to Jing Yuan. "I suggest it would be appropriate if you release me now. Yanqing could walk in and catch us in this position. Furthermore, Lady Yukong has a meeting scheduled shortly, and my attendance is necessary," you state, underscoring the importance of the matter.

Jing Yuan contemplates whether he should accede to your request or not. However, he comprehends that it would not be prudent to cause you any vexation on account of his own indulgence, especially given that you both have obligations to attend to. Despite the limited time you share, he remains convinced that there will be future opportunities where he can have you as he desires.

"Would it be permissible to remain in this embrace for a mere five minutes?" Jing Yuan inquires, his tone low but exhibiting a gentle and almost imploring quality.

When Jing Yuan receives a nod of your head in response, a smile spreads across his face. He holds onto you tightly, savoring every moment he has left to spend with you. He takes comfort in knowing that you will see each other again later.

As the minutes ticked by, Jing Yuan adhered to his promise and reluctantly let go of you, the loss of your warmth and proximity leaving an ache in his chest. You stood up swiftly, smoothing out your attire and trying to regain your composure. Jing Yuan watched you intently, taking in every detail of your movement and memorizing the way you looked in that moment. As you turned to face him, he remained silent, his gaze fixed solely on you.

With a sense of remorse and a weight on your heart, you implore Jing Yuan. "I know our situation is hard, but please bear it for a little longer."

You are aware that he has no reservations about disclosing your relationship, but you are hesitant due to the potential negative ramifications that it may bring. The prospect of being scrutinized and shunned by others because of your association with the General preoccupies your thoughts and causes you to be ill-equipped to handle the aftermath of a public announcement.

Jing Yuan is not oblivious to your troubled expression as he observes you closely. The way you look down at your feet and clench your fists, he already knows what is weighing on your mind. It is the same expression you wear whenever your secretive relationship becomes a topic of discussion. He truly understands your worries and concerns. Therefore, the only recourse Jing Yuan can offer to alleviate your distress is to offer comfort and assurance. He assures you that he does not object to waiting until such time that you are ready to divulge your relationship to the public, and that he will be there for you every step of the way. In his own inimitable way, he consoles you until your concerns are dispelled. Because that is the only thing he can do for you at this moment.

"(Name)." Jing Yuan once again calls your name and it didn't take him a second to gain your heed. "Will you lean in?"

You were confused by Jing Yuan's sudden request, but without hesitation, you leaned in towards him. Sensing his hand on the back of your head, you felt a rush of emotions. As he pulled you closer to him, your eyes widened in anticipation of what was to come. Jing Yuan's lips landed gently on top of your head, eliciting a tingly sensation that traveled down to your fingertips and stirred butterflies in your stomach. The contact of his lips on your head lingered for a moment briefly before he drew away. His lips curved into a smile as he gazed at your blushing cheeks and slightly parted lips as you looked into each other’s eyes.

Jing Yuan was greatly amused by your reaction, which was one of the many reasons why he took pleasure in teasing you. Your reactions were absolutely priceless, and he simply couldn't get enough of them. It only served to fuel his desire to tease you even further whenever he saw you react in such a way.

Indeed, he is satisfied.

"It would be best if you left now," he suggested, his hand tenderly resting on your head as he gave it a reassuring pat. "I understand that you have other pressing matters to attend to, and I wouldn't want to keep you from them," he explained, his eyes reflecting a blend of melancholy and solicitude. "However, please know that should you ever require any assistance, my door will always be open to you," he offered, his tone composed and reassuring.

As you blink, you snap out of your stupor and quickly straighten your posture. The blush on your face remains, a lingering effect of the surprise that Jing Yuan had given you. It was astounding how effortlessly he could catch you off guard, leaving you constantly on edge, unsure of what he might do next.

He is indeed a mysterious man.

"Thank you, Jing Yuan. I appreciate your kind offer," you reply, clearing your throat in an attempt to compose yourself. "I shall keep that in mind. Now, if you'll excuse me, I must take my leave."

You cast a quick glance at Jing Yuan, and your eyes catch him gazing at you with such tenderness that it leaves you feeling warm and fuzzy inside. It was a look that he always gave you, even from afar, and it never failed to make your heart melt.

Jing Yuan observes you quietly as you collect yourself to leave his room. He feels a sense of disappointment knowing that you will soon be gone and that he will be left alone in his spacious office. However, he understands the urgency of your matters with the Sky-Faring commission and would not want to be the cause of your tardiness to a meeting that is soon to be held. It would be unwise of him to delay you, even if he wished otherwise.

As Jing Yuan is lost in thought, he suddenly feels a cool sensation on his forehead, interrupting his musings. He soon realizes that you had surprised him with a kiss on the forehead without any prior warning, making his body stiffen unwillingly.

Jing Yuan was astonished yet pleased by your unexpected display of affection. He had not anticipated such a gesture, but it was one that he valued greatly. His body soon relaxes and the warmth in his heart swelled as he closed his eyes, basking in the moment and enjoying the sensation of your touch.

It was a moment that he wished could last indefinitely.

However, the moment of intimacy between you and Jing Yuan came to an end as you pulled away from him. He couldn't help but feel a sense of disappointment as the warmth and tenderness he felt instantly dissipated. Jing Yuan adjusted his posture, backing away slightly as he looked at you. He was a bit surprised by the intensity of your gaze, which conveyed a deep admiration and affection that was reserved only for him. This was a look that had the power to make him feel weak, but he always put up a tough front and never revealed his vulnerability to you.

If only you are aware how much you affected him this much. Will you still be able to grant him more, or minimize because of embarrassment? He does not know. But he hopes it will be the former.

"I will take my leave now as I may be late," you say in a hurry. Jing Yuan simply waves a dismissive hand, giving you permission to attend to your duties.

"Good luck with your work," he said with a smile, and you nodded in response.

As you turn to leave Jing Yuan's office, you pause and take one last glance at Jing Yuan, who's comfortably sitting in his seat as he watches you.

You lick your lips and convey the words that you wanted to say. "I'll see you later."

With a final smile, you exit the room and make your way towards the Helm Master who was waiting for you.

Once you are no longer in his office, Jing Yuan couldn't help but smile as he reflected on the brief encounter you had just shared. The sensation of your lips on his forehead is still palpable, like a vivid painting on a canvas. The warmth of your touch lingers, leaving an indelible impression on his skin.

The encounter bestowed upon Jing Yuan gives him a profound sense of contentment and exhilaration, stirring within him a delightful mixture of emotions. The satisfaction he derived from that fleeting interaction proved to be truly intoxicating, leaving him with an insatiable yearning for more. His craving persisted, unquenched by the mere taste of that moment.

Jing Yuan redirects his focus to the documents before him, delicately resting his chin on his palm. The faint smirk that creeps his face persists as though it was a lasting imprint on his features.

How can he not be pleased when his morning was a very welcoming indulgence he had? It indeed gave him the satisfaction that he needs.

If you consistently become the first person he encounters and shower him with your affection every time the moon descends, his mornings will no longer be laden with dreariness as they were originally destined to be.

Jing Yuan will perpetually welcome anything and everything as long as it involves you.

#jing yuan x reader #honkai star rail #honkai star rail x reader #hsr x reader #hsr #hsr jing yuan #jing yuan x you #jing yuan fanfic

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multiversediiva · 5 days ago

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| THE PRODUCER, THE AUTHOR, THE DIRECTOR, AND THE ACTOR. - The four most important characters in the production of imagination.

"The dramatization of the theme is left to the originality of the second "Might One", the author. In dramatizing the theme, the author writes only the last scene of the play - but this scene he writes in detail. The scene must dramatise the wish fulfilled. He mentally constructs as life-like a scene as possible of what he would experience had he realised his wish. When the scene is clearly visualized, the author's work is done." - N.G

· · ────── ꒰ঌ·✦·໒꒱ ────── · ·

THE FOUR MIGHTY ONES.

"And every one had four faces." - Ezekiel 10:14 To briefly summarise chapter I in Goddard's book Seedtime and Harvest, the 'Four Mighty Ones' are a part in every individual's mind, each portraying different functions and characters. These four are not seperate beings but rather a different aspect of one's self. The Four Mighty Ones - Yodh, Heh, Waw, Heh - are identified with the four Hebrew letters YHWH, which combines itself with the past, present, and future, symbolising the creative capability - I AM - within an individual as well as demonstrating how one can turn inner qualities into reality. Now that we have established a little bit of context, how can we understand the Tetragrammaton? By applying it to the drama of reality. In the human imagination, one has four jobs.

To be the producer, the author, the director, and the actor. ──────────────────────────────────────

🎬

��THE PRODUCER - The producer's part is to suggest the theme of the desire. This, in the form of a wish, as in "I wish I was abundant", "I wish I had XYZ", "I wish I was in __" all that. For the desire to materialise, the producer must specify exactly what the desire is and steer clear of vague ideas. That is the producer's part in the play. As simple as proposing a theme and kicking back in the imagination's production office.

✧THE AUTHOR - Now enters the originality of the author. The author clasps his hands, says "alright", and composes the last scene of the wish fulfilled. The author constructs a life-like sequence which would occur after the wish has been realised. Once the scene is all clearly visualised down to the last detail, the author dusts his hands and leans back on the chair. His script is settled and he is ready to pass it on to the director.

✧THE DIRECTOR - The director takes the papers from the author and nods his head. His task is to ensure that the actor remains consistent and faithful to the author's script, as well as rehearsing the lines over and over until the actor becomes a natural in his part. This means consciously directing the attention to exclusively focus on the action that implies that the wish is already fulfilled.

✧THE ACTOR - The human imagination is the actor. The star of the show and the centrepiece. 'The Fourth is like the Son of God.' This mighty one acts out what it wants. The imagination does not observe or visualise the action from far away, he rather steps into the scene and enacts the desire repeatedly until it takes tones of the outer world. Without the consistent attention to the dramatised scene of the wish fulfilled, it will not obtain the characteristics of reality and the idea will sleep forever.

─────────────────────────────────────

"The 'Four Mighty Ones' are the four quarters of the human soul. The first is Jehovah's King, who suggests the theme; the second is Jehovah's servant, who faithfully works out the theme in a dramatic vision; the third is Jehovah's man, who was attentive and obedient to the vision of fulfilled desire, who brings the wandering imagination back to the script 'seventy times seven'. The 'Form of the Fourth' is Jehovah himself, who enacts the dramatized theme on the stage of the mind." - N.G

· · ────── ꒰ঌ·✦·໒꒱ ────── · ·

#loa tumblr #shifting community #loassumption #manifesting #neville goddard #manifestation #reality shifting #desired reality #shifting motivation #shifting realities #loablr #law of assumption

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communistkenobi · 2 years ago

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conversations about representation have always felt so navel-gazing to me, in part because those conversations tend to remain at the level of individual characters. the focus is on representing individuals as meaningful examples of the groups they belong to - to have “good” representation is to see some component(s) of your social identity reflected back at you by a character without those being the only traits of those characters. To measure representation you first look to see if there are visual or descriptive markers of identity - skin colour, gender, sexual attraction, ability - and then, once that evidence is established, one looks at how characters interact with and contribute to the narrative. does this gay character have a romantic partner? does this black character have interiority not related to their relationship to white characters? is this woman character motivated by something other than a desire to impress men? The goal is to avoid stereotypes, to be an anti-stereotype.

And so you ‘solve’ representation through the adequate presence of these characters. But I think this is an inherently individualistic and anti-liberatory way to approach representation, because it views minorities as individuals who can be cut from the social fabric of real life and transported into different fictional universes while leaving their identities fully intact. The presence of a disabled character does not also require the inclusion of structural ableism in the narrative, their individual presence is enough to represent disability. And so their presence in the narrative seems to emerge from nowhere - you don’t judge representation by looking at how the narrative represents and thinks about historical structures of race, gender, ability, you judge it by the amount of characters who contain those social markers. It means social identity exists primarily within the individual. There is no historical perspective given to characters, no acknowledgement of the fact that identity is dialectic and socially mediated. to paraphrase Gramsci, history impresses upon you an infinity of traces without leaving an inventory, and I think when discussing representation, people judge the quality of representation by those traces - race, gender, ability, sexuality, religion, etc - but ignores the inventory, the origins of those things, the social processes that produce race, produce gender, constantly and everyday. And so you get these characters that feel dislocated, alien to themselves and other people, because they express an identity that appears to have no origin point in the fictional world, no social backing. They are essentialised to what they “are” deep down inside. Characters are not made racial, not made gendered, not made disabled by the universe they exist in, they simply “are” those things.

And if narratives do tackle those histories, they tend to represent them primarily through misery. You know a character is gay because they get called slurs. You see a black character experience racism. You recognise a character is a woman by the fact that she is sexually assaulted. The history of their identities is represented as individual acts of violence or trauma, as if misogyny or racism are narrative objects themselves that occasionally collide with the characters to remind the audience that the authors take history very seriously. If an author is especially serious, they will get individual sensitivity readers to confirm or deny the authenticity of the social identity being expressed on the page; much less often you will hear of authors who rigorously consult, for example, books like Orientalism to ensure the structure of their work is not reproducing Western (and ultimately racist) conclusions about the world they are creating. Representational politics begins (and frequently ends) at the level of the individual. And so you get queer characters who endure homophobia or transphobia, but whose ultimate wish is to enter into a monogamous marriage and reproduce the social unit of the nuclear family, or the black character who finally finds community in a group of all white people that aren’t racist to their face. That’s not tackling history, that’s just allowing these character to be momentarily exempt from it. the historical norms and hegemonies present in the narrative are disconnected from the characters themselves. this is why you can have “good representation” in stories that are fundamentally racist or misogynistic or heteronormative (see: ofmd). If representation is only housed in your characters, if you view representation as a discrete trait that you can add more or less of, you are not thinking about the social identities that you are representing in a systemic way - you are, in effect, producing tokens.

And I think that sense of dislocation is part of what motivates people to cringe away from stories primarily billed as having “a diverse cast” or filled with “queer characters” or whatever, even when they are otherwise desperate for those things (excluding from this discussion the people who dislike the mere appearance of characters who are not strong white men, a perspective that is not worth entertaining). I do not want to watch stories that smash characters and identities together like barbie dolls, that treat race or gender as something to “tackle” in a B plot or a “police brutality episode” like you get in a show like Brooklyn 99. I do not want a character creation screen. Identity should, ideally, be part of the structure of the narrative, not a thing you merely choose to “include.” Which is much more difficult, of course - it requires a robust political imagination, but it’s a problem that is possible to solve.

#effortpost #media #book club #been thinking about this for a while and it’s slowly being crystallised in my brain #also not bashing sensitivity readers inherently. I just think that thinking about representation as something that can be ‘confirmed’ by #individual members of a minority group creates problems #because minorities are not a monolith #and the realm of personal experience kind of inherently limits your ability to think about these things #at the level of systems of structures

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goostiebee · 17 days ago

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As it has been days since I have heard an actual response from a ‘human’ at Twitch, I will make it public on what happened.

On Thursday night, January 16th, around 8:30 PM EST, I was doxxed live on stream.

A new user entered my chat, making their username my street address, and announcing my legal name, full address, and phone number to everyone that was on my stream. My moderator quickly deleted the messages, but before we could block or ban the user, they immediately followed me, as they knew that information would stay on my chat no matter what.

In addition, they attempted to sign into my PayPal account multiple times. I saw all the attempts on my phone, as I require any sign in to send me a code to ensure it is me. They seemed to realize that after a few minutes and stopped. I froze for a few minutes, then I ended my stream, took down the VOD, but I still have the recording on me for evidence. I have changed all my passwords.

Unfortunately, I am unable to hide my private information on PayPal. Even when making a business account, it did not give me the option to.

The moderator that was there that night reported this individual as soon as they realized this was my private information. They got a default response saying the report would be addressed soon. Roughly an hour after stream ended, they received a message saying action had been taken. They did not say how or in what way.

I was shell shocked when this happened, but when I recovered a bit, I reported the account in the morning. I made a ticket through their contact page, as I was unaware of how to report an account. I got a default response saying they would address my situation. An hour later, they responded, saying I was not addressing this the traditional way and told me to report them as I should have. They ignored the fact they doxxed me. I got a default response when I reported the traditional way they asked for immediately, and I have not heard anything since then. I am surprised there was no more detail about the actions they took, as the severity of doxxing doesn't feel like it was taken as seriously as it should. Their phrasing gives way to the smallest punishment being possibly just an account removal, as opposed to something permanent like the IP ban they mentioned being possible in the email, or legal action being taken through Twitch.

I am unable to contact my local authorities regarding this issue. This is due to my location. Where I live, there would be no chance of a case standing in court. The police closest to my area are only volunteers, we have no actual authority. Even if I discussed this with another town nearby, it would be dismissed and I would be told sorry, and that be it. This is due to the police in my area not willing to investigate situations like this. And, as much as I hate to say it, it also does not help that I am a woman. Female cases get dismissed quickly where I live.

The best I can do is contact Twitch regarding this case. They only told me to report them, as submitting a ticket through their contact page was ‘not sent the proper way.’ Ever since I submitted again, all I received was an automatic response on that same day. For all I know, this user could make another account and submit the same information. They didn’t tell me nor my moderator if anything will actually be done to stop this from happening again.

Now comes the question as to why this happened. I have no idea, as I am not able to get any answers. I don’t even know if I will without Twitch’s help. I do not know of anyone specific that would want to do this. Currently, however, there is one suspicion I have. I signed up for the TikTok replacement, RedNote, on Tuesday January 14th, that same week. When I was filling out my bio via my profile, I was forced to show the state I lived in. There was an option to make this private; however, even when switching it to private, it still showed it publicly. In addition, there are one of two ways to sign up for the app: entering your phone number and logging in via your store account (i.e.: Apple or Google Play). I did not want to put any card information on, so I went with my phone. I never posted anything on this account, I made this ahead of time in case the TikTok ban took effect. This, combined with my state being shown, feels like it was enough to hone in on where I am.

I want to stress, this may not be it. I could be completely wrong. I hope I am wrong. I saw how nice the community was in welcoming ‘TikTok refugees’ and what type of conversations everyone was having. However, I don’t want to rule out this could have been the reasoning behind my doxxing. Just because everything seems nice to everyone does not mean there won’t be any bad actors in that crowd.

Until I get some kind of response, I am in the dark. There have not been any other signs of this person emerging again, but if anyone sees a message formatted like above, please let me know.

And now is the most important part. I don’t want anyone else to get doxxed. It does not matter how big or small you are, you can get doxxed on your livestream like I did. I was reminded about blocked terms after the incident. For the love of god, please add your address and your phone number. If your legal name is uncommon, include it. Do all sorts of variations of all this information. Do your I/P address as well, just in case. Make all of these terms private. This means not even your mods can see this, it will only be you.

Always ensure, as well, you have a trusted moderator in your chat. I am lucky that I had one moderator in my chat that night that deleted the messages as soon as possible as well as flooded chat so it would get hidden on my side and cleared chat once I ended stream.

Please get this out there. @ Twitch on this. I want this situation to be solved, and I want to feel safe, even if this really was just a one time thing. But being pushed to the side like this makes me terrified for my life. I cannot tell the authorities and I cannot even afford to move, let alone my family. All I can do is pray to whatever god that nothing happens to me nor my family. Please let this be known.

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dailyanarchistposts · 10 months ago

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A.2.10 What will abolishing hierarchy mean and achieve?

The creation of a new society based upon libertarian organisations will have an incalculable effect on everyday life. The empowerment of millions of people will transform society in ways we can only guess at now.

However, many consider these forms of organisation as impractical and doomed to failure. To those who say that such confederal, non-authoritarian organisations would produce confusion and disunity, anarchists maintain that the statist, centralised and hierarchical form of organisation produces indifference instead of involvement, heartlessness instead of solidarity, uniformity instead of unity, and privileged elites instead of equality. More importantly, such organisations destroy individual initiative and crush independent action and critical thinking. (For more on hierarchy, see section B.1 — “Why are anarchists against authority and hierarchy?”).

That libertarian organisation can work and is based upon (and promotes) liberty was demonstrated in the Spanish Anarchist movement. Fenner Brockway, Secretary of the British Independent Labour Party, when visiting Barcelona during the 1936 revolution, noted that “the great solidarity that existed among the Anarchists was due to each individual relying on his [sic] own strength and not depending upon leadership… . The organisations must, to be successful, be combined with free-thinking people; not a mass, but free individuals” [quoted by Rudolf Rocker, Anarcho-syndicalism, p. 67f]

As sufficiently indicated already, hierarchical, centralised structures restrict freedom. As Proudhon noted: “the centralist system is all very well as regards size, simplicity and construction: it lacks but one thing — the individual no longer belongs to himself in such a system, he cannot feel his worth, his life, and no account is taken of him at all.” [quoted by Martin Buber, Paths in Utopia, p. 33]

The effects of hierarchy can be seen all around us. It does not work. Hierarchy and authority exist everywhere, in the workplace, at home, in the street. As Bob Black puts it, ”[i]f you spend most of your waking life taking orders or kissing ass, if you get habituated to hierarchy, you will become passive-aggressive, sado-masochistic, servile and stupefied, and you will carry that load into every aspect of the balance of your life.” [“The Libertarian as Conservative,” The Abolition of Work and other essays, pp. 147–8]

This means that the end of hierarchy will mean a massive transformation in everyday life. It will involve the creation of individual-centred organisations within which all can exercise, and so develop, their abilities to the fullest. By involving themselves and participating in the decisions that affect them, their workplace, their community and society, they can ensure the full development of their individual capacities.

With the free participation of all in social life, we would quickly see the end of inequality and injustice. Rather than people existing to make ends meet and being used to increase the wealth and power of the few as under capitalism, the end of hierarchy would see (to quote Kropotkin) “the well-being of all” and it is “high time for the worker to assert his [or her] right to the common inheritance, and to enter into possession of it.” [The Conquest of Bread, p. 35 and p. 44] For only taking possession of the means of life (workplaces, housing, the land, etc.) can ensure “liberty and justice, for liberty and justice are not decreed but are the result of economic independence. They spring from the fact that the individual is able to live without depending on a master, and to enjoy … the product of his [or her] toil.” [Ricardo Flores Magon, Land and Liberty, p. 62] Therefore liberty requires the abolition of capitalist private property rights in favour of “use rights.” (see section B.3 for more details). Ironically, the “abolition of property will free the people from homelessness and nonpossession.” [Max Baginski, “Without Government,” Anarchy! An Anthology of Emma Goldman’s Mother Earth, p. 11] Thus anarchism promises “both requisites of happiness — liberty and wealth.” In anarchy, “mankind will live in freedom and in comfort.” [Benjamin Tucker, Why I am an Anarchist, p. 135 and p. 136]

Only self-determination and free agreement on every level of society can develop the responsibility, initiative, intellect and solidarity of individuals and society as a whole. Only anarchist organisation allows the vast talent which exists within humanity to be accessed and used, enriching society by the very process of enriching and developing the individual. Only by involving everyone in the process of thinking, planning, co-ordinating and implementing the decisions that affect them can freedom blossom and individuality be fully developed and protected. Anarchy will release the creativity and talent of the mass of people enslaved by hierarchy.

Anarchy will even be of benefit for those who are said to benefit from capitalism and its authority relations. Anarchists “maintain that both rulers and ruled are spoiled by authority; both exploiters and exploited are spoiled by exploitation.” [Peter Kropotkin, Act for Yourselves, p. 83] This is because ”[i]n any hierarchical relationship the dominator as well as the submissive pays his dues. The price paid for the ‘glory of command’ is indeed heavy. Every tyrant resents his duties. He is relegated to drag the dead weight of the dormant creative potential of the submissive all along the road of his hierarchical excursion.” [For Ourselves, The Right to Be Greedy, Thesis 95]

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missfrieden · 7 months ago

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Tech as a father Chapter 57

Back on track with the next one. I am bakc with your favorite scientists.

Masterlist

Chapter 57: Trying to find it

Lama Su, still very much intrigued by the mystery surrounding Orion, decides to explore unconventional methods to obtain a sample for analysis. In a discreet conversation with Gala Ta, he suggests the possibility of acquiring genetic material from items left behind by the clone squad in their barracks, such as used diapers or any other personal belongings.

This unorthodox approach reflects Lama Su's determination to unveil the secrets behind Orion's origin. Gala Ta, although initially hesitant about the unconventional nature of the plan, acknowledges the urgency and secrecy of the matter at hand. The Kaminoans proceed with caution, understanding that the clone squad is not only skilled but also possesses a bond that could complicate their investigative efforts. Just the thought of how Orion, CT-9902’s offspring could potentially improve the clones, was too good an opportunity to let down. As the Kaminoans strategize on how to execute this unique plan, the tension builds, and the delicate dance between the secretive clone squad and the inquisitive Kaminoans continues, adding an extra layer of complexity to the already intricate situation.

Lama Su, well aware of the failed attempt to obtain a blood sample from Orion, emphasizes the Kaminoans' proprietary claim over the clones. He acknowledges that the situation with Orion, being a unique case and potentially not a full clone, adds a layer of complexity to their usual protocols. And who if not him, can change those protocols and can add to them as he wishes? Gala Ta, considering the delicate balance between maintaining control and avoiding conflict with the skilled and tight-knit clone squad, understands the challenges ahead. The reminder of Orion's partial clone status raises questions about the boundaries of Kaminoan authority, especially when dealing with individuals who have forged strong connections and bonds outside the usual parameters. But the clones belong to them, so Orion in a way at least half too. Clones are not supposed to reproduce, and therefore they are allowed to see how well the genetic make-up does. The Kaminoans, in their pursuit of understanding Orion's origins, find themselves navigating a fine line between asserting their ownership and respecting the individuality that has emerged within the clone squad. The tension between these conflicting interests continues to shape the desire to progress their research in cloning, adding a layer of intrigue and uncertainty to the already intricate web of relationships on Kamino.

Gala Ta, determined to obtain a sample from Orion, enters the empty barracks with a sense of urgency. He meticulously searches the area, looking for any trace that might provide the genetic material he seeks. Placing all back the way it was. This is why Gala Ta went alone, too much would have made a mess. However, Tech, ever vigilant and protective of Orion's privacy, has taken measures to ensure that nothing compromising can be found. Tech's strategic mind and attention to detail prove effective as Gala Ta encounters obstacles and cleverly concealed traces. The tech-savvy clone has likely encrypted or deleted any digital records, and physical items that could potentially be used for sampling are well cleaned. Scans show no traces at all. Gala Ta places the play things carefully back into a storage box, the way he took them out. Before heading to the other bunks.

The cat-and-mouse game between Gala Ta's pursuit and Tech's defensive measures adds an element of suspicion to the situation. As Gala Ta faces setbacks in his search, the stakes continue to rise, highlighting the delicate balance between the Kaminoans' curiosity and the squad's determination to safeguard Orion's unique identity, showing there must be more. Gala Ta swallows as he proposes to Lama Su to just invite every possible human female.

Lama Su, deep in thought, contemplates Gala Ta's suggestion. The tapping of his long fingers on the desk is a clear sign of his consideration. The Kaminoan leader recognizes that Tech's secrecy may indeed be linked to the identity of Orion's mother. Inviting all potential mothers could be a way to unravel the mystery and discover the hidden details. The Kaminoans' curiosity and desire for genetic information drive them to explore unconventional methods. The prospect of unveiling the unique characteristics of Orion's mother becomes a tempting challenge for them. Lama Su, always focused on the success of their cloning endeavours, thinks this as a potential breakthrough.

Lama Su, aware of the delicate situation, contemplates the eerie similarity between Amanda Pacem's features and those of Orion. Suspicion lingers in the air, especially regarding the eye colour and hair that align with the mysterious child. However, the Kaminoan leader understands the gravity of accusing a Jedi without concrete proof. So for now this is only for him and Gala Ta to know and the few selected ones he chose to help them.

In the pursuit of genetic information, Lama Su treads carefully, avoiding baseless accusations against Amanda Pacem. The intricate dance of diplomacy begins as they consider inviting her again alongside other potential mothers. The Kaminoans must navigate the fine line between extracting the desired genetic data and maintaining a semblance of cooperation with the Jedi. But then, how would they know if one would even agree. Especially if a Jedi shows up amidst them. An imposing figure with a full energetic Padawan.

Lama Su steps to the big window, watching over the calming storm that is Kamino. The Padawan, which has a close bond with her master, what was her name? Alma. Master Pacem called her Alma. She was a talkative young Mon Calamari. Seemed also rather attached to the infant…

Chapter 58

Reblogs are very welcome and I am open for feedback, as english is not my first language, so maybe my sentences may be weird sometimes, or I write a word wrong even with google, or I use a wrong word for an item.

Tag: @spectacular-skywalker @neyswxrld @clonethirstingisreal @sleepycreativewriter @moonwreckd @sskim-milkk @heidnspeak

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saintmeghanmarkle · 4 months ago

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I would like to know what you think about a comment Haidt made to Harry. by u/Human-Economics6894

I would like to know what you think about a comment Haidt made to Harry. Part of Jonathan Haidt's conversation with Hank can be read herehttps://fortune.com/well/2024/10/10/prince-harry-the-anxious-generation-conversation-social-media-mental-health-exclusive/But I would like to know what you think about this. Harry said, “It's very easy for social media companies to point the finger at parents and say, 'Well, you know, this is down to you. This is down to your parenting.’”But that’s an argument that Haidt rejects. “If there were some parents who were getting this wrong and most parents were getting it right, then I’d be very receptive to that argument,” he said. “But once kids get a phone and social media, the rest of family life turns into a fight over screen time. And this is happening everywhere. This is happening in Silicon Valley, where the parents know what’s going on.”So why do we give our 10 year olds a smartphone? “The main reason,” Haidt said, “is because everyone else did. We don’t want our daughter to be the only one who’s left out. I’m facing this now with my 14-year-old daughter on Snapchat. So the tech companies put us in a bind, and then they’re trying to blame us for what they did.” It’s why he’s also an advocate of collective action, or parents banding together to agree to delay the purchase of smartphones for their kids.This reminds me of an episode of South Park, Chinpokomon, in which Kyle wants to buy a Chinpokomon, when last week the one that was in fashion was Cyborg Bill, and Gerald refuses to give him money until Kyle says that if he doesn't have that toy He will be intimidated by the other classmates, and Gerald ends up giving in.Haidt and Harry allege "how evil are the companies that encourage children to enter social networks." But it all starts from whoever buys the cell phone from them. And then, who allows that child with a cell phone to bully others for not having one. It is not Elon Musk who puts the cell phone in the hands of a child, nor is it Musk who does not ensure that his son does not enter social networks or make videos. According to Haidt, Generation Z “went through puberty with a supercomputer that blocked almost everything else in life.” And who allows that? Who is the one who put televisions in the children's rooms and then demanded that adult programs broadcast at 10 at night be removed because their young children watched them?A child is bullied at school. The parents of the bullies are called, do you know what response they give? They threaten teachers and principals. Those same parents buy their children high-end cell phones. And the circle of bullying does not end, because those bullies had parents who never put a stop to it.“Young people are trading in their flip phones for smartphones,” Haidt said. And how do they do it if they don't work? Who buys them? Who didn't teach you how to use a cell phone properly?I think mental health involves something that I'm not seeing in this conversation: learning to be an individual, which is something your parents teach you when they tell you "if everyone jumps off a bridge...". That a man like Haidt claims that he does not want his 14-year-old daughter to be left out of a group that is potentially toxic, does not seem in line with someone who works on mental health issues, because he is teaching his daughter to be consistent. with others, even if others are wrong. And even less so that Harry practically evaded the issue of responsible fatherhood, because "others" are to blame, "others."I think neither of them really understands the edges of the problem. What do you think? post link: https://ift.tt/E0o26G8 author: Human-Economics6894 submitted: October 11, 2024 at 04:57PM via SaintMeghanMarkle on Reddit disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.

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unpluggedfinancial · 1 month ago

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Decentralization: Beyond Finance and Into Freedom

The Age of Centralized Limits

For decades, we’ve lived in a world dominated by centralized systems. From financial institutions to healthcare and governance, centralized structures have dictated how we interact, innovate, and even live our lives. But cracks in these systems have become increasingly visible. Financial crises reveal the fragility of our monetary systems. Data breaches and surveillance expose the vulnerabilities of centralized technology. Censorship and institutional corruption highlight the dangers of entrusting too much power to a few.

These failures beg the question: Is there an alternative? Enter decentralization. Often associated with Bitcoin and cryptocurrency, decentralization offers more than financial freedom. It represents a paradigm shift that can empower individuals across multiple facets of life. Could decentralization be the key to unlocking both individual sovereignty and a more equitable future? Let’s explore.

Bitcoin as the Spark

The story of decentralization begins with Bitcoin. In 2009, Bitcoin introduced a revolutionary idea: a financial system that doesn’t rely on central banks or intermediaries. At its core, Bitcoin isn’t just about money; it’s about freedom. It empowers individuals to own their wealth without fear of censorship, seizure, or devaluation by external forces.

Bitcoin’s success has ignited a broader movement. Its decentralized architecture—a network maintained by individuals rather than a single entity—has inspired innovators to apply this model beyond finance. Today, the philosophy of decentralization is being explored in healthcare, energy, governance, and more.

Decentralization Beyond Finance

Decentralization is proving to be a transformative force across industries:

Healthcare

Imagine owning your medical data. Decentralized health systems built on blockchain technology allow patients to control their records, ensuring privacy and security while eliminating reliance on vulnerable centralized databases. These systems also enable transparent research funding, connecting donors directly with projects and reducing administrative overhead.

Energy

The future of energy lies in peer-to-peer networks. Decentralized energy systems, such as microgrids, empower communities to generate, share, and trade renewable energy. Households with solar panels can sell excess power directly to neighbors, bypassing utility companies. This model not only promotes sustainability but also reduces dependency on monopolistic providers.

Governance

What if voting systems were transparent, tamper-proof, and accessible to everyone? Decentralized governance tools leverage blockchain to create trustless voting platforms, ensuring fair elections and greater civic participation. These systems can also decentralize decision-making, enabling communities to self-govern without bureaucratic interference.

By decentralizing these critical systems, we can create a world where power is distributed more equitably, fostering innovation and resilience.

Individual Freedom at the Core

At its heart, decentralization is about empowering individuals. It shifts control from institutions to people, promoting self-sovereignty in every aspect of life.

Financial Independence: With Bitcoin, you can store and transfer wealth without intermediaries. This is especially critical for people in countries with unstable currencies or oppressive regimes.

Privacy and Censorship Resistance: Decentralized platforms offer alternatives to surveillance-heavy social media and communication tools. Users regain control over their data and speech, free from corporate or governmental censorship.

Permissionless Innovation: Decentralization removes gatekeepers, enabling anyone to create, share, and participate without needing approval from centralized authorities.

This shift isn’t just technological; it’s philosophical. Decentralization aligns with the fundamental human desire for autonomy and self-determination.

Challenges and Opportunities

The road to decentralization isn’t without hurdles. Scalability remains a technical challenge for many decentralized networks. Public understanding is another barrier; many people still view decentralization as complex or niche. Institutional resistance is perhaps the most formidable obstacle, as powerful entities are unlikely to relinquish control easily.

Yet, these challenges present opportunities. Education is key to demystifying decentralization. Innovation will address technical limitations, as we’ve seen with Bitcoin’s Lightning Network and other scaling solutions. And as public demand for transparency and fairness grows, institutions may be compelled to adopt decentralized models.

The Decentralized Path Forward

Decentralization is more than a technological trend; it’s a movement towards a freer, fairer world. By embracing decentralized systems, we can dismantle the inefficiencies and inequities of centralization, empowering individuals and communities to take control of their futures.

The decentralized revolution is just beginning. Whether it’s through Bitcoin, decentralized energy grids, or tamper-proof voting systems, the possibilities are endless. The question isn’t if decentralization will reshape the world, but how quickly it will happen.

The time to act is now. Explore, experiment, and advocate for decentralization in your own life and community. Together, we can build a future that prioritizes individual sovereignty and collective progress—a future where freedom truly thrives.

Take Action Towards Financial Independence

If this article has sparked your interest in the transformative potential of Bitcoin, there's so much more to explore! Dive deeper into the world of financial independence and revolutionize your understanding of money by following my blog and subscribing to my YouTube channel.

🌐 Blog: Unplugged Financial Blog Stay updated with insightful articles, detailed analyses, and practical advice on navigating the evolving financial landscape. Learn about the history of money, the flaws in our current financial systems, and how Bitcoin can offer a path to a more secure and independent financial future.

📺 YouTube Channel: Unplugged Financial Subscribe to our YouTube channel for engaging video content that breaks down complex financial topics into easy-to-understand segments. From in-depth discussions on monetary policies to the latest trends in cryptocurrency, our videos will equip you with the knowledge you need to make informed financial decisions.

👍 Like, subscribe, and hit the notification bell to stay updated with our latest content. Whether you're a seasoned investor, a curious newcomer, or someone concerned about the future of your financial health, our community is here to support you on your journey to financial independence.

Support the Cause

If you enjoyed what you read and believe in the mission of spreading awareness about Bitcoin, I would greatly appreciate your support. Every little bit helps keep the content going and allows me to continue educating others about the future of finance.

Donate Bitcoin: bc1qpn98s4gtlvy686jne0sr8ccvfaxz646kk2tl8lu38zz4dvyyvflqgddylk

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sunset-a-story · 1 year ago

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Sunset Arc 1 & Icarus

SolCorp agents are, as a matter of course, compliant to Sol’s authority. For those raised in the company, rule-breaking is simply not in their nature. For those who enter into the company from outside, SolCorp ensures that this trait becomes part of their nature. And yet, rules are still broken from time to time. It's unavoidable.

Minor infractions are handled by that individual’s department head or a stern censure by Neptune’s Investigation wing, but when an agent commits indefensible crimes against Sol, they become what is called an Icarus.

Their name is redacted from most Sol records and replaced by an Icarus number designation until they are safely Reintegrated, at which time their name is returned. It is Neptune's Retrieval division's job to locate and either bring Icarus back to SolCorp or eliminate them entirely.

Many Icarus can be reformed by going through Neptune’s Reintegration process, which is not easy or pleasant. While undergoing Reintegration, Icarus are held in Icarus Containment and their knacks are controlled by dampener tech.

The most serious offenses are punished by being erased: SolCorp’s capital punishment. When erased, not only do Icarus lose their lives, but all Sol agents know that they are never to speak of that person again.

Sunset, a serial fiction in three arcs (Sunrise, High Noon, Sunset), is posted bi-weekly on our Patreon where you can support us while getting fun extras.

You can also find Sunset on: Wattpad & AO3

#sunset a story #sunset a story release

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wipbigbang · 2 years ago

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WIP Big Bang 2023 Round Schedule & FAQ!

Schedule

All times are by 8:59pm PST. Convert time zones.

Sign-ups Begin- April 1st Sign-ups Close- April 21st Check In #1- April 22nd Check In #2- May 15th Snippets Due- June 1st Art Claims Begin- June 17th Check In #3- June 22nd Check In #4- July 6th Rough Drafts Due- July 15th Posting Claims Begin- July 23rd Posting Claims Ends- August 1st Final Drafts/Art Due- August 7th Posting Starts- August 8th Posting Ends- October 31st (the last two weeks are reserved for emergency posting)

FAQ

Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate? No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Dreamwidth, Tumblr, and sometimes Twitter at the moment), but they are not required to participate. You can always leave comments anonymously or with an opensource ID.

What do you mean by minimum word count to enter? This is a WIP Big Bang, therefore we ask you to have at least 500 words of your story drafted when you enter.

Are multi-chapter fics allowed? Yes, multi-chapter fics are allowed and even more so encouraged if your fic is lengthy.

What about fics that are already posted on ao3 in part? Do those qualify for the bang? It's okay if you have posted a few chapters of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here. All we ask is that you not post any public updates to the fic until August 1st (or July 1st with the mod’s okay). We don’t want you to lose kudos and comments so don’t worry about pulling the fic down, just hold off on updates for now.

Is there a minimum word count? 7,500 words for each finished fic, but the sky's the limit, right?

2 - If there are enough fics that fit that category, we can do a special day of posting the fics, but you’ll have to forgo art for the fic. I, as a mod, would probably pick October 31st for the posting day, as it’s the last day of posting for the bang and I don’t think anyone will mind more than one fic that day. You can post bragging rights to the community and share the fic with everyone.

Is there anything not allowed? As long as you wrote it and you want to finish it, you're welcome to participate. RPS/RPF is fine. Incest pairings are fine. Things like that I know have been hinted at in questions asked and as long as you tag for them, we’ll allow it. Also, canon settings with mostly OCs is allowed. We just ask that it be tagged properly with any content warnings you would deem fit and be given the appropriate rating for the level of sex/violence there is in the fic. As of the 2023 round, original work is also allowed; however, we recommend you bring in your own artist or forgo art for an original work.

What's the etiquette around OC-centric stories? Ones that are set in a well known fandom and use several characters, but still lean a lot on original characters? Are they discouraged, or fine? Based on my own personal experience making art for a story that had a heavy OC presence, it’s not something we discourage at all, but be forewarned when it comes to the art accompanying your fic your artist may not be able to incorporate the OCs into your art. Not everyone makes art of a hand-drawn or digitally drawn nature, so it helps if you have people for face claims ahead of art submissions, and you and your artist communicate regularly. You can also end up with art not featuring the OCs at all, just the canon characters, which is not necessarily a bad thing. Your other options are to bring in an artist you trust with your vision of your OC/make your own art (we do allow that, we just need to be told during the check-in before art that you’re bringing in your own artist if you go that route, or that you’re doing your own art…there will not be a need to sign up in the artist’s sign up, however) or to opt-out of art entirely. So there’s plenty of options to call on when it comes time for art. What are 'check-ins’? These are a way for us to see what you've been up to and for you to make sure you're still on track. It will give you a little nudge/reminder if you need it, but they are not compulsory. Basically a form is posted that you fill out with your user ID (unique for each fic) and a checkbox to let us know you’re still participating, plus a section for any notes for the mods.

What does posting look like? Do we have to post the whole thing on the day, or can we stretch it out between when posting starts and our date? I’ve had a few longfics get killed by big bangs forcing posting to happen on a given day, and would prefer to avoid that if possible. For most fics, posting to AO3/FF.net/other places will be allowed to start in August and you can stretch it out as many posts as you want as long as the complete fic is up by your posting date (and posting dates go from August 8th to October 16th with two weeks for emergency posting). However, you can send us an ask/e-mail about posting as early as July if you have an extremely long fic/something with a long posting schedule. Mostly what we want is the fic to be completely up on the website of your choice by your posting date, and I know some people don’t want to overwhelm their readers. So we want to work with writers to give them ample time to post the story up to their posting date.

Now, as for posting to the communities, you get to choose which day your link to the story and bragging rights are posted, and as I said, we have a range of dates from August 8th to October 16th with two to three stories posting a day. If for some reason you miss your posting date, you have until October 31st to post to the community, during the two weeks of emergency posting. So hopefully there should be plenty of time to get a longfic up and posted to the website of your choice and our BB.

How do I know when to post? Posting will be tiered; you'll each get your own posting date that you and your artist will decide on together. There will probably be three fics, plus art, posting per day between August 8th and October 31st. The post with date claims will go up on July 23rd and you'll have to choose your date by August 1st.

Posting of chapters on AO3 or your own blog (or wherever you usually post) generally starts August 1st, but you can post earlier (as early as July 1st) if you let us know you have a long story. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post your bragging rights to the communities on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked or you can email us your bragging rights and we can post by proxy for you. Either way works for us. Art will be due on the chosen posting date to the comm.

What am I posting to the Dreamwidth/Tumblr community if I’m posting the fic elsewhere? You’ll be posting what we call bragging rights. It’s a small form you fill out and post to the community with a link to your fic (we’ll enable moderated posting to the Tumblr and Dreamwidth communities for members on August 8th). We will post a template for posting artwork and stories to the comm closer to the posting date.

If you have not heard from your author/artist in some time after trying to contact them, you can reach out to us via email and we will try to get in touch with them for you.

#wip big bang #wipbb #wipbb2023 #work in progress #fandom event #signal boost #faq #schedule

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