#enjoy camin

[rarestdoge]

[1vidapoeticando]

Desejo a você as melhores sensações da vida...O amor mais intenso verdadeiro...As mais lindas e doces palavras...Que se sinta feliz ouvindo suas músicas favoritas, e experimente comidas típicas de outros países e lugares...Que possa caminhar pela manhã, ou andar de bicicleta, ou apenas se sentir bem onde estiver...E se possível, que você viaje, passeie muito, e curta as viagens ao mundo, ou país com quem você ama e quer bem...Te desejo o céu mais lindo e azul, que você possa apreciar o nascer e o pôr do sol...Sentir o aroma das flores, e a brisa tocando em seu rosto...Que você viva os seus melhores dias com paz, saúde e tranquilidade... Que ame seus amigos(as) e familiares e animais... Que olhe com ternura e paixão pra todos que precisam... Que nunca se esqueça que temos a maior de todas as riquezas concedida por Deus, a nossa vida!!!.... Te desejo o melhor sempre!!!!

Te deseo las mejores sensaciones de la vida... El más intenso amor verdadero... Las más bellas y dulces palabras... Que te sientas feliz escuchando tus canciones favoritas, y pruebes comidas típicas de otros países y lugares... Que puedas caminar por la mañana, o andar en bicicleta, o simplemente sentirte bien estés donde estés... Y si es posible, que viajes, camines mucho, y disfrutes de los viajes por el mundo, o país con quien amas y quieres pues... te deseo el mas hermoso y azul cielo, que puedas disfrutar del amanecer y atardecer... Siente el aroma de las flores, y la brisa tocando tu rostro... Que vivas tus mejores dias en paz, salud y tranquilidad... Que ama a sus amigos ya su familia ya los animales... Que mire con ternura y pasión a todos los necesitados... Que nunca olvide que tenemos la mayor de todas las riquezas dada por Dios, nuestra vida!!! .... Te deseo lo mejor siempre!!!!

I wish you the best sensations in life... The most intense true love... The most beautiful and sweet words... May you feel happy listening to your favorite songs, and try typical foods from other countries and places... May you can walk in the morning, or ride a bicycle, or just feel good wherever you are... And if possible, that you travel, walk a lot, and enjoy trips to the world, or country with whom you love and want well... I wish you the most beautiful and blue sky, that you can enjoy the sunrise and sunset... Feel the aroma of flowers, and the breeze touching your face... May you live your best days in peace, health and tranquility... Who loves his friends and family and animals... May he look tenderly and passionately at everyone in need... May he never forget that we have the greatest of all riches given by God, ours life!!!.... I wish you the best always!!!!

Fonte: 1Vidapoeticando 🌺 🍃

[guillemelgat]

Here's another song translation, by Mallorcan band Reïna! Since they're from the Balearic Islands and I don't think I've made a post about that dialect of Catalan I thought this would be an interesting chance to do that as well. But also the song is just really pretty, so I hope you guys enjoy!

Ja m’ha quedat clar que ara vols ser tu es dolent It’s become clear to me that now you want to be the bad guy I que m’escoltes per a no estar tot sol amb es teus pensaments And that you listen to me not to be all alone with your thoughts I que tots es camins que no fèiem encara hi són And that all the roads we never took are still there Tot i que ara semblin més llargs i torts Even though now they seem longer and more twisted

Ja m’ha quedat clar que no tenc clar si t’entenc It’s become clear to me that I’m not clear if I understand you I que te m’acostes per no estar tot sol en es mals moments And that you get close to me not to be all alone in the worst moments I que tot es temps que teníem s’ha fos And that all the time we had has melted Entre es dits que ara semblen més llargs i torts Between fingers that now seem longer and more twisted

[ TORNADA: Ets tan dolç que per dins me mata You’re so sweet that it kills me inside Te tenc tan a prop que sempre m’enrampes I hold you so close that you always give me a shock És tan fort que ja no té importància It’s so much that it doesn’t matter anymore Ets tan dolent que m’arriba a fer gràcia You’re so bad that it’s become funny to me ]

Ja m’ha quedat clar que ara ets tu es dolent It’s become clear to me that now you’re the bad guy I que m’enyores només quan saps que ho has fet malament And that you only miss me when you know you’ve done a bad job I maldament mos enteníem, ara ja no And even though we used to understand each other, we don’t now I d'ençà es dies crec que tornen més llargs i tot And from hereon out I think the days are becoming longer and all

[ TORNADA ]

Here are some features of Balearic/Mallorcan Catalan which you can hear in the song:

l'article salat - instead of el/la/els/les it's es/sa/es/ses

different distributions/realization of the neutral vowels - /ə/ can also be pronounced in stressed syllables (generally where you would have /ε/ in Central Catalan) and there's similar vowel reduction to Valencian of /ɔ/ and /o/ to /o/ rather than /u/

Using the pronomial clitics me/te/etc. which in Central Catalan usually only come after the verb before verbs instead of the forms em/et/etc. - also note mos (= ens/nos) which also occurs in lots of other dialects of Catalan

importància and gràcia are pronounced importanci and graci (this is common with a lot of words ending in -cia)

tenc = tinc

maldament = encara que

Bonus: Pronouncing /k/ as palatal /c/ - this is much less common, but the lead singer of Reïna does it which I thought was interesting (in contrast to Maria Jaume who doesn't seem to)

[dustedmagazine]

Under the Radar: Jim Marks' Year-end List for 2023

Samuel Leipold, Jürg Bucher, Lucca Lo Bianco

The stream of great new music is constant and impossible to keep up with. Inevitably, some of it goes largely unnoticed. My year-end list consists of releases that I really enjoyed but didn’t get around to writing about and haven’t seen reviewed elsewhere in English. They are presented in no particular order.

Samuel Leipold, Jürg Bucher, Lucca Lo Bianco — Ostro (Ezz-thetics)

This trio of clarinet, double bass, and guitar delivers atmospheric free jazz. Experimental without being confrontational (included is a choice Jimmy Giuffre cover), Ostro offers a rarely heard sound palette and consistently interesting arrangements.

Luis Ribeiro — A Inven​ç​ã​o da Fic​ç​ã​o (Porta Jazz)

The Porta Jazz label out of Portugal released fewer records than usual this year, perhaps a lagging effect of Covid. One standout is the debut by guitarist and composer Ribeiro, who leads a sextet with tenor and baritone saxophones in the front line. Love the eerie vocalization on the opening track. Space age and swinging.

Adrián Royo Trío — Pangea (Errabal Jazz)

This Spanish release initially caught my eye in the La Habitacion de Jazz blog because of the involvement of double bassist Manel Fortià. Strong original melodies and tight interplay make for a standout piano trio recording in a great year for piano trios.

Javier Burin — Escenarios (Los Años Luz Discos)

Another excellent but low-profile piano trio release this year. The assuredness and inventiveness of Argentinian Burin’s playing are the more remarkable given that he is only in his early twenties; check out especially the unlikely cover of “Tenor Madness.”

Marcus Eads — Pride of Ostego (self-released)

This Minnesotan has been putting out gentle Takoma-style guitar music for more than a decade. Strongly rooted in the rural midwestern landscape, his playing and homespun compositions call to mind back porches, canoe trips, and sitting by the fireside.

Scott Tuma — Nobody’s Music (Haha)

I was thrilled to stumble across this unheralded release recently by the Souled American alumnus and one of the architects of slowcore. Apparently first appearing last year on cassette, Nobody’s Music, coming six years after No Greener Grass, delivers more ambling and spindly acoustic guitar lines that seem to drip out of the instrument with the occasional accompaniment of what sounds like harmonica or accordion. Enchanting as always.

Mohamed Masmoudi — Villes Éternelles (Centre des Musiciens du Monde)

Canadian oud master Masmoudi creates a compelling blend of Arabic music and jazz in a percussion-less quartet also featuring clarinet, piano, and double bass. With top-notch musicianship and catchy tunes, the group shows how good world music fusion can sound.

Jorge Abadias — Camins (Underpool)

The Underpool label documents the lively Barcelona jazz scene. Its 2023 releases include this quartet date led by guitarist Abadias. His original post-bop (in the broad sense) compositions tend toward slower tempos, and fine soloing abounds.

Jakob Dreyer — Songs, Hymns, and Ballads Vol. 2 (self-released)

Another solid post-bop quartet recording featuring original compositions. Three U.S. musicians fill out German double bassist Dreyer’s quartet, and this second volume nicely complements Vol. 1 released last year.

Various Artists — You Better Mind: Southeastern Songs to Stop Cop City (self-released)

This project, spearheaded by the Magic Tuber String Band (who also released the outstanding Tarantism in 2023), brings together a broad swath of musicians, including Joseph Allred, Shane Parish, Sally Anne Morgan, Nathan Bowles, the Tubers themselves, and some I was unfamiliar with. The music tends toward the rustic; much of it is excellent, and the cause is as noble as they come.

Jim Marks

[wangleline]

I think I remember you saying something about it way back when the very first playable build of it was made available, but what does "Vividerie" mean? And if you just came up with the word, was there like, a process? Portmanteau-ing or something like that?

Vividerie is a word I initially made up for an old album of mine. I really enjoy making up words, and I have some soft rules and methods of forming them, but none of it is really tangible enough to be described in great detail.

Usually I take one or more pre-existing words, cut out chunks and try to find morphemes from different languages or just letters to replace them.

Vividerie started out as just the word "Vivid", and then I played around with pre-, in-, and suffixes until I got "erie" at the end - I didn't intend the suffix to be this close to "eerie", but I feel like it works for both the track and the game.

Here's some of my favorite words and track names I've made for my music:

camine hue (derived from carmine, the color)

wolder (world, wonder, wold (a kind of grassland))

arc sancts (sanctuary)

whaity brise (brise is a german word for gentle wind; whaity is completely made up and felt light/calm as well)

hadenfeer (tried to name a fictional danish place one time)

incaden wavelets (I have no idea how I arrived at incaden; wavelets are a concept in signal processing)

circimona (probably started as mona, like the name)

isonier (was thinking a lot about isolation in electronics at the time)

[thenoeyebunnynobunsusmaingallery]

[Some Canon x Oc ship of mine]

I want to share about them, I hope you enjoy reading it.

[Cthulhu Mythos Ship] : I like Non-human x Human so much... I may mention the Canon x Canon ship as well.

⚠️ = Unhealthy and toxic ship, please avoid.

- Wilbur (The Dunwich Horror) x Galatia

- Rlim Shaikoth (The coming of the white worm) x June

- Eihort (The Franklyn Paragraphs) x Vanessa ⚠️

- Ithaqua (the thing that walks on the wind) x Vivian ⚠️

- Vulthoom (Vulthoom) x Rosy

- Hastur (Haita The Shepherd) x Sinclair

- Nyogtha x Abigial Prinns (Salem Horror)

- Ghatanothao (Out of The Aeon) x Camin

- Tru'nembra (The music of Erich Zann) x Carrol

- Tulzscha (The Festival) x Oryxx (The lair of the stars spawn)

- Rhan Tegoth x George Rogers (Horror in the museum) ⚠️

- Gla'aki (The inhabitants of the lake) x Rivila

Other than these are Canon x Canon (such as Nyarlathotep x Yhoundeh) and Oc x Oc.

After this is another ships in other Fandom.

[Limbus Company Ship]

- Meursault x Anderson

- Ishmael x Anderson

- Meursault x Eric

- Sinners x Noah (Dantesona)

Whenever I played Gacha game. MC x all character is the best 👌 yes, it's self insert, but still... I enjoy it. I mostly ship...

- Meursault x Noah

- Gregor x Noah

- Rodion x Noah

- Heathcliff x Noah

- Outis x Noah 👌

- Vergilius x Noah

[Creepypasta ship]

Zalgo x Demi

I only have one ship at this moment...

[Twisted Wonderland ship]

Noah (MC) x All

- Malleus x Noah

- Sebek x Noah

- Ace x Noah

- Deuce x Noah

- Jack x Noah

- Jade + Floyd x Noah

- Grim x Noah

Maybe more, but I forgot...

[jazzandother-blog]

When asked once about what made him different than anyone else, Lightnin’ Hopkins replied, “A bluesman is just different from any other man that walks this earth. The blues is something that is hard to get acquainted with. Just like death. The blues dwell with you everyday and everywhere.”

Lightnin’ was tremendously appealing for aspiring blues guitarists to emulate because his signature turnaround was relatively easy to learn, but it was extremely hard to replicate his sound because of his distinctive held notes, pauses, string bending, and shortened and lengthened measures. Sometimes, as bluesman Michael “Hawkeye” Herman points out, Lightnin’ “played it in triplets, sometimes as a quarter note, sometimes as an eighth note…. He knew how to play the same lick/riff forward, backward, from the middle to the front, from the middle to the back, from the back to the front … each effort creating a completely huge guitar vocabulary.” Ultimately, it didn’t matter what kind of guitar he was playing, acoustic or electric. “He just had this feel,” guitarist and luthier Sam Swank maintains, echoing the sentiments of so many Lightnin’ devotees. “There aren’t that many blues guitar players in the world that when you drop the needle on the record, anybody who’s anybody knows who that is. Lightnin’ Hopkins is one of those guitar players.”

"Lightnin' Hopkins: His Life and Blues" by Alan Govenar

Listen & enjoy: Mojo Hand - Sam Lightnin' Hopkins (Live Accoustic)

Listen & enjoy: I'm Going To Build Me A Heaven Of My Own

Lightnin Hopkins-New Orleans Jazz Festival is a photograph by Diane Hocker

Cuando le preguntaron qué le hacía diferente de los demás, Lightnin' Hopkins respondió: "Un bluesman es diferente de cualquier otro hombre que camine por esta tierra. El blues es algo difícil de conocer. Como la muerte. El blues te acompaña todos los días y en todas partes.”

Lightnin' resultaba tremendamente atractivo para los aspirantes a guitarristas de blues porque su giro característico era relativamente fácil de aprender, pero resultaba extremadamente difícil reproducir su sonido debido a sus características notas sostenidas, pausas, dobleces de cuerdas y compases cortos y largos. A veces, como señala el bluesman Michael "Hawkeye" Herman, Lightnin' "lo tocaba en tresillos, a veces como una negra, a veces como una corchea….". Sabía tocar el mismo lick/riff hacia delante, hacia atrás, del centro hacia delante, del centro hacia atrás, de atrás hacia delante… cada esfuerzo creaba un vocabulario de guitarra completamente enorme". Al final, daba igual el tipo de guitarra que tocara, acústica o eléctrica. "Simplemente tenía ese toque", afirma el guitarrista y luthier Sam Swank, haciéndose eco de los sentimientos de tantos devotos de Lightnin'. "No hay tantos guitarristas de blues en el mundo que, cuando sueltas la aguja del disco, cualquiera sabe de quién se trata. Lightnin' Hopkins es uno de esos guitarristas".

"Lightnin' Hopkins: su vida y su blues", de Alan Govenar

[eyeslikewatercoolers]

6 Sentence Sunday: Camine Circus AU

Here’s a little of the s14 circus AU, enjoy!

Another voice piped up from the group “Are we almost done waiting for everyone? I just want to get to my bunk already.”

Kerri stepped away and looked around the group, “Yeah, Willow. I think so, we’re just waiting on-” she was cut off by a petite blonde woman entering the train station.

“I’m keeping him.” The young woman announced as she walked up to the group, holding a small orange cat in her arms.

Kerri sighed “Jasmine, you can’t keep pets on the train, we’ve been over this.”

“His name is Theo, and he can catch mice for us! Please?” she begged.

“We have a whole damn lion on board, I think we’ll be fine without a mouser.” Bosco said, crossing her arms.

“He might keep us up at night, and we have an early rehearsal tomorrow.” Kerri pointed out. “I’ll help you take him back to where you found him, then we can all get to our bunks.” Kerri said as she escorted Jasmine outside.

Camden started walking with the group and looked at Willow next to her, “There’s some odd ones in this show, aren’t there?”

Willow snorted as they walked “I don’t think you really know what an American circus entails, then.”

[fearsmagazine]

FOLLOW HER - Review

DISTRIBUTOR: Quiver

SYNOPSIS: “Jess has finally found her hook: secretly filming creepy interactions she encounters via online job listings, and using the kinks of others to fuel her streaming success. For her next episode, she’s been hired by Tom to write the ending of a screenplay in a remote, lavish cabin. Once there, the alluring self-proclaimed screenwriter hands her a script in which the two of them are the main characters. This client isn’t what he seems, and even though the money’s great… the real payment here could cost her life.” - Quiver

REVIEW: FOLLOW HER is a cleaver idea that deals with the take down of an aggressive influencer whose karma catches up with her. Actress Dani Barker is also the film’s writer and a producer. She weaves together some interesting ideas, creates a character you’ll love to hate, and is an overall above average independent genre film.

The screenplay for FOLLOW HER tackles the arc of the main character Jess. It is made clear early on that she gives little thought to taking advantage of everyone, including her family, to get what she wants. She exploits people’s fetishes, she is usually careful, but something goes wrong with her latest encounter. Instead of taking it down, she leaves it online as it continues to trend and reaches a new level. When she comes across a writing opportunity that deals with themes she is familiar with, and pays good money, she throws caution to the wind and heads to the country to meet the screenwriter. What ensues is a game of cat-&-mouse as Jess comes to realize the setup is too perfect and there is something more going on than she expected or planned for. There are moments when Jess’s ego and greed overcomes her sense of self-preservation and ultimately the climax presents a strange twist that is an overthought “Absence of Malice.” The story does not end there. There is a scene with Jess, her father and the police that feels out of place and almost like an afterthought to the entire narrative. There is a final sequence that adds another level of the strange and bizarre, which also provides the title of the film. I was in for the majority of the tale, however the subsequent scenes felt unnecessary and bewildering.

Dani Barker and Luke Cook, the two main actors, carry the story. Barker portrays a mean girl, a self-absorbed influencer of today, and I enjoyed seeing her in danger. Yes, I was rooting for the bad guy, Tom. Luke’s Tom is a charming and twisted character, and the humor flows naturally. His performance reminds me of a cross between Christian Bale’s Patrick Bateman and Jack Nicholson’s The Joker. The actors have a strong rapport and their on-screen interactions are believable and engaging. The actors have excellent chemistry, but their rapport creates a light-hearted atmosphere that undermines the suspense and makes it difficult for the audience to become fully invested in the story.

The production values are solid, the editing creates a nice pace for the majority of the film. The barn is an excellent location, the others are adequate. Jess has some interesting costume designs and Barker seems very comfortable in them.

FOLLOW HER, an adult-themed film that never achieves a level of seriousness and peril that I believe it should. There are excellent performances and some witty banter, but the story has two additional scenes, the first feels awkward and the second is an additional punchline that feels like it is there to simply set up the title of the film. Still, it is a deadly frolic where you can’t help but cheer for Jess’ demise.

CAST: Luke Cook, Dani Barker, Eliana Jones and Mark Moses CREW: Director / Producer - Sylvia Caminer; Screenplay / Producer - Dani Barker; Producer - Michael Indjeian; Cinematographer - Luke Geissbuhler; Score - Alexander Arntzen; Editor - Alex Gans; Production Designer - Noa Rachel Bricklin; Costume Designer - Caycee Black; Visual Effects Supervisor - Alex Noble OFFICIAL: www.followherfilm.com FACEBOOK: www.facebook.com/FollowHerFilm TWITTER: twitter.com/FollowHerFilm TRAILER: https://youtu.be/19ELKe8IKXo RELEASE DATE: In Select Theaters & VOD June 2nd, 2023

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[jaumesclub]

🎵#Tocamela #188 Riure i cantar, amb Toca-me-la en CATALÀ!!! Benvinguts a un nou programa de "Toca-me-la en català", el show on Jau Fibla parodia, versiona o adapta cançons internacionals al català! 😄🎶 Avui us portem una selecció d'èxits musicals amb un toc únic i divertit. Prepareu-vos per riure i ballar amb les nostres versions en català!   00:00:00 Ja comença! 00:02:52 Soft Cell: Amor podrit (Tainted love) 00:07:12 Tom Jones: No és inusual (It's not unusual) 00:11:53 Tina Charles: Estimo estimar (I love to love) 00:15:26 Viceversa: Ella: La teva pell morena (Ella: tu piel morena) 00:21:55 Sepultura: Arrels, arrels sagnants (Roots, bloody roots) 00:26:26 David Bowie: Herois (Heroes) 00:32:40 The Tyets: Coti x Coti 00:35:20 Depeche Mode: Gaudeix del silenci (Enjoy the silence) 00:40:00 Els catarres: Jennifer 00:44:25 Sopa de cabra: Camins 00:48:05 Paulina Rubio: Ni una sola paraula (Ni una sola palabra) 00:53:40 Sisa: Qualsevol nit pot sortir al sol (amb personatges renovats pel club Xusca Trusca) 01:01:00 La mort de Francisco Ibáñez ens enxampa en ple programa. 01:07:40 Frank Sinatra: Et guardo sota la pell (I've got you under my skin) 01:14:20 Paul Simon: Graceland 01:19:12 Elton John: La teva cançó (Your song) 01:24:40 Becky G: Dutxa (Shower) 01:29:44 Francis Cabrel: L'estimo a morir (Je l'aime à mourir) 01:33:10 Guns 'n' roses: Dolça nina meva (Sweet child o' mine) 01:42:02 Maluma: Hawai (No surt bé) 01:47:53 Miley Cyrus: Flors (Flowers) 01:55:40 Repassem tendències del moment a twitter 02:07:10 Roy Orbison: La badia blava (Blue Bayou)  Veniu i gaudiu d'una estona plena de música, humor i emocions. Subscriviu-vos al canal per no perdre-us cap de les nostres divertides versions! 🎤🎶 https://youtu.be/CFyTHSimXcM

[moonshotsx]

PROMPTS/FICS MASTER POST

-

DISCLAIMER: all of these fics/prompts do not reflect the real people mentioned in the ships and/or their relationship irl, this is all for fun, and it's not meant to be taken seriously. out of respect for the queens and me, do not share these stories to other platforms or send them to the queens involved. thank you!

-

also, if you enjoy my writing and have some change to spare, consider buying me a ko-fi! 💞

PROMPTS

AUs that consist of headcanons & under 2k words prompts

Current AUs

-

🎤 popstar au

ship(s): anarcia, spice/loosey, roura

summary: anetra's world is turned upside down when she is contacted to choreograph pop sensation marcia's latest single. what happens when she eventually falls in love with the singer?

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👑 princess au

ship(s): sashnarcia

summary: marcia thought her life was over when she was destined to marry a prince she didn’t even know. little did she know an accidental run in two strangers could give her the freedom she desperately wanted.

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🌺 flower shop au

ship(s): sashnetra

summary: sasha is the proud owner of the successful of the flower shop 'mother flower' when one day a new business opens right in front of her shop: the tattoo studio 'lost duckling', owned by a new face in town, anetra.

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♣️ nightclub au

ship(s): sashnetra

summary: anetra wishes his first time talking to his long time crush of drag performer sasha colby didn't involve almost puking on her shoes after someone tampered with his drink at the club, but he's determined to make the most out of this newly found friendship with sasha... or maybe it's something more than just a friendship?

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👛 sb kam au

ship(s): kam/dame/paloma

summary: kam had no idea how much his world would change when he met two women during one of his nights off from work. turned out, going home with them was the best decision of his life.

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🩺 single dad dame au

ship(s): kam/dame

summary: dame has got his hands full between his job as a physician and a 6 months old daughter, sylvie. he didn't think he'd have time to find love, but a certain blond pastry chef is about to change is mind.

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Other AUs

🛏️ neighbors au - jasco, camgeria, pillby, dajorion (playlist)

💐 florist au - jasco, camgeria

🏴‍☠️ pirate au - jasyasco, camgeria, pillby, jorion, kam/dame/paloma

😈 demon au - jasco

☕ coffee shop au - jasco

👠 burlesque au - jasco, pillby

🧛🏻‍♀️ vampire au - jasco, dayasco

🎷 showgirl au - jasco

🏀 love triangle au - jasco, jasya

👩‍❤️‍💋‍👩 fake dating au - dayasco, camine

🩰 dance rivals au - camsco

⛪ succubus au - jasco

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[rosenallies]

No i completely agree! theres just something about the later seasons like post s10, I only ever liked one ship maybe two if i wanted to push it omg what are some of the older ships you like??

sorry i just like talking about older ships😂😂

Ohh ok yes, if there’s one thing about me it’s that I love to be stuck in the past 😭

I think s6 was the first season I started thinking about ships shsbdbd so let’s start there

S6: I rlly enjoyed adore/Bianca/courtney<3 I don’t rlly like Bianca anymore but I still think courtney and adore would be cute

S7: pearlet bc duh<3

S8: I forgot their ship name but Kim and Naomi <3 ugh gorgeous

S9: sashea <3 they’d make the most pretty couple 😭

S10: I kinda liked aquaria/miz cracker for a moment bc someone wrote mommy kink fics with them and I’ll read nearly anything with mommy kink but it didn’t stick bc they don’t have great chemistry and aquaria doesn’t like fics so <3

S11: branjie obvi, mostly for the mommy kink again 😭

S12: jankie is still literally my comfort ship <3 I also liked crygi a bit <3

S13: well…<3

And then with s14 I enjoy quite a few but camine and dayasco are my faves I think <3

[beautiful-basque-country]

Well, this song is making the rounds here in Euskadi and we must admit is quite a beautiful one. Catalan singer Miki Núñez and Basque singer Izaro meet to sing “Escriurem” (We’ll write) in both Català & Euskara, making this an extremely rare ocasion where these two languages mix on a mainstream pop song.

Needless to say that any correction about our Català translation / ortography is welcome and appreciated!!

Enjoy ^_^ .

Un nou dia ha començat, em llevo al teu costat, respires lentament. A new day has begun, I wake up by your side, you breathe slowly.  Un nou dia t'ha abraçat, et lleves i no saps que enyorarem aquest moment.  A new day has hugged you, you wake up and don’t know that we’ll miss this moment. Les casualitats són les que ens han portat a viure aquest present  Chances are who brought us to live this present Si m'esperes allà fora et cantaré  If you wait for me outside I’ll sing for you

Refrain: Escriurem que tot no va ser fàcil,  We’ll write that everything wasn't easy, cantarem la nostra vida en un paper, we’ll sing our life on a paper, marxarem amb els dies regalats we’ll parade with our indulged days i amb el somriure dels que ja no hi puguin ser.  and with the smile of those that won’t be anymore. Escriurem que tot no va ser fàcil, We’ll write that everything wasn't easy, cantarem la nostra vida en un paper, we’ll sing our life on a paper, marxarem caminant per les estrelles we’ll parade walking among the stars i amb el somriure dels que ja no hi puguin ser. and with the smile of those that won’t be anymore. Ta orain dena amaitu dela ez zaude hemen nirekin, oso ezberdin zaude. And now that everything has ended & you’re not here with me, you’re so different. Kajoi baten gorde ditut zuk abesten zenizkidan nota txiki horiek.  I’ve kept in a drawer all those little notes you used to sing me. Zure ahots eder horrekin zuretzat kantatuko dut beti.  I will always sing for you with that beautiful voice of yours.

Ta idatzi dena ez zela izan erreza, And write that everything wasn’t easy, gure bizitza kantatu orri baten. sing our life on a paper.   Oraindik baditut egunak zuretzat, I still have days for you, jantzita iraganeko irrifarrez. dressed with the smile of the past. Ta idatzi dena ez zela izan erreza, And write that everything wasn’t easy,   gure bizitza kantatu orri baten. write our life on a paper.   Lo hartuko dugu izarrak kontatzen, We will fell asleep counting stars, atzo joan ziren horiek oroitzen.  remembering those that left yesterday.

T'escriuré que sí que va ser fàcil, I’ll write you that it was indeed easy,  t'estic cantant la nostra història en un paper,  I’m singing you our story on a paper, marxaré recordant tots aquells dies I’ll parade remembering all those days nola zaindu ninduzun ahaztu gabe  without forgetting how you took care of me.  

Refrain x2

[jackhkeynes]

25m Octobr

excerpted from the Borlish translation of Markish author Laurent Burnows' 2015 trevold The First Thing That Went Wrong, debut book in the series An Incovenient Armageddon. This was Burnows' first foray into a more mature style, having previously written Back to Front, a beloved series of children's stories about a school class adventuring through time. Burnows is considered to have masterfully followed his readership as they grew up; this new series enjoyed great success among those who read Back to Front as children.

Challow Jankin asseyeu ne soupirant. L'er toð cas hient a un caðer cavir. Challow Jankin sat down with a sigh. He had, at least, managed to find a seat.

Y period trevagl novel seyon triað luy surcaye missiblessem – un commet eð un fin tostessem y dou sta y camin avant raçonnabr. His new hours were working out better for him – an earlier start with an earlier finish was the sensible way forward.

All'hour sey poðe i tojorn apen un caðer ag Soutar se promettr, si meðes l'oc se situa ny ci boncop. At six he could almost always guarantee a seat on the Dusker, even if it was in the coppers.

Certan un hour surrun vole i se habituar a sveilar tost diabr sou y ciel gris-aur a Tammorth e pre un trot freit e soltumesc vars y termin Kibbrogh. Surely at some point he would get used to waking up morbidly early to the grey-gold Tammorth sky and a chilly, lonely walk to the Kibbrogh stop.

Challow appis ados e tirau des sy croun sell'ardois ; la sta dey minut seyon usabr pre il parvenois Cathedral. Challow leant back and reached into his pocket for his slate; he had ten minutes to waste before they’d pull in at Cathedral.

[anisettarosati]

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