#encourages them to “teach themselves” things

[crescent-blades]

Father!Kokushibo | Part II

Pairings⌇Kokushibō and his child [c/n], & Kokushibō × wife!Reader. Warnings⌇Refusing to eat or drink/starvation, overexertion

A/N⌇If any of you have seen the earlier version of this, you might notice that this is a bit of a repost. The reason I'm sharing it again is that tumblr apparently hates me and won't let me save that post after adding a few things. So, I figured it would just be easier to just put this out there again, lol.

𖤐ˎˊ˗Masterlist ⌇Part: 1

▪︎Kokushibō would begin training his child; being the strongest and most experienced samurai in history, you could bet that the teachings would be of the highest quality.

▪︎Along with weilding the katana, Kokushibō would also be adamant that his child received a proper education. For that, he would entrust you to teach the child to read and write properly, how to write poems [he could step in if you aren't good at it], and whatnot.

▪︎If you had a daughter, Kokushibō would rely on you to guide her in proper conduct. On the other hand, if you had a son, he would take it upon himself to teach him. [Considering his traditional beleifs]

▪︎There would be many things Kokushibō would teach your child—introducing anything and everything he could. One of which included—

"Here.. I wanted to share this with you.."

▪︎'Go'. Aside from all the trainings and whatnot, Kokushibō would enjoy spending time playing strategic board games with his young one. He didn't just play; he carefully watched every move his child made, trying to understand their thought process. This way, he could anticipate their strategies, pushing them further to think even more critically.

▪︎Kokushibō would provide feedback on every move his child made. If there was a mistake, he would express his disappointment, at times suggesting alternative strategies and what else could have been done. On the other hand, if the move was clever, he would offer praise.

▪︎Despite this, Kokushibō always found a way to twist the game in his favour, making it nearly impossible to win against him each time.

▪︎Kokushibō would not only be a father but also a teacher, quick to teach your young one.

▪︎Unlike his own father, Kokushibō would be much more understanding. He would be strict in terms of his child's behaviour, how they conducted themselves, and even in the way of the sword. However, he would also allow them the freedom to explore their interests and to do whatever they wished, recognising the limitations he faced during his own upbringing.

▪︎As for the breathing styles, Kokushibō would ideally want his child to learn sun breathing, but since he couldn't master it himself, he would opt to teach them moon breathing instead. If the child wasn't strong enough, he would be disappointed but wouldn't mind too much. In fact, he would encourage them to perfect their breathing techniques no matter what style they used.

▪︎Kokushibō's approach to training was quite rigorous. He pushed his child to their limits with each exercise, ensuring that consistency and discipline were maintained. While he provided the training, the actual learning and understanding were left to his child. He didn't believe in spoon-feeding knowledge. After all, it was important for them to grow to be independent and make their own decisions.

▪︎Many a times, Kokushibō would take your child to fight demons and train with them [perhaps even fight a hashira if they encountered one]. He would stand back in the distance and observe them silently. He would not intervene in any way; whatever decisions the child made were theirs and not his; each mistake was a lesson, something he would remind them of after the fight, incorporating those lessons into their training for improvement.

▪︎Kokushibō would nurture and raise his child in such a way that they would be disciplined and incredibly determined, striving for excellence much like their own father.

▪︎Speaking of determined, there was a time, however, when your child would not eat or drink, training and pushing themselves to the maximum, which caused you a great deal of concern. Kokushibō, however, appeared rather unfazed by this, expressing that it was commendable how seriously his child was taking the art of swordsmanship and that he even felt moved.

▪︎But then those few hours stretched into many, and nearly a whole day had passed without your child taking even a sip of water. This was the moment when Kokushibō would finally step in—

"Enough.."The demon stood beside his child, his six eyes fixed intently on them. The child was bleeding from their hands, their muscles worn out and pushed to the limit. "No.. I must not give up..!" Just as the child prepared to swing the wooden sword again, before they could even react, the sword would suddenly be snatched and tossed aside, landing far from reach. "There.. is no benefit in continuing. Your body.. has already reached it's maximum exertion. Whatever you are practicing now is pointless.. rest now and continue tomorrow." "But I need to perfect my—" "You are doing yourself more harm than good.. the state you are in.. you will not be able to practice tomorrow.. an entire day.. would be wasted. It would disrupt your progress. Is that.. what you want?"

▪︎In conclusion, Kokushibō would definitely be a strict father . This means you might find yourself being the more nurturing parent.

▪︎But that is not to say he cannot be compassionate; deep down, he holds great love for his child. His strictness stems from the fact that he wants to see his child excel and be the utmost best; even surpass him one day.

[asheanon]

✨ 🎹 The Great Pianering ✨ — Entry for @xkuja. 🎼 If music is desired: The song, performed in this style. (0:05 - 2:35)

Entertaining as it proved to be to test the limits of what qualified as music in this peculiar palace, surely, there would be a day where the inevitable would happen. Where something more than jest would make its debut…

Distinctly crisp, the sound of a cembalo key roused from its slumber reverberated throughout the room once more - albeit, softly for its ilk. A hesitant intro; thoughtfully reticent. A song did not spring forth immediately, rather, it carefully emerged… from the ether, as it would.

The “personality” of a musical construct often coincided with that of its musician. Together, it was as if two became one. Often. Not always.

Though notably well versed, she could still feel the metaphorical dissonance between her and this instrument as she attempted to “open up” to it. They were strangers, though acquainted. Faithful, yet foreign. However… there was a novelty in this paradox. An odd and ever curious affection towards the matter moved her forward.

Led to sway, russet bangs served as a curtain to obscure her starlit stare with every dip and turn of the head. The sonata was cast in a new light. Another intonation, granting a divergent perspective of its ariose heart. Beautifully versant as it was untraveled.

In time, the assumed final bars bled from her fingers with a delicacy that was still tangible, despite the departure from pianoforte. 

“Should you wish to play, the seat is yours.” With little warning, she then spoke. What remained of the melody hummed softly beneath her words before fading into nothing.

It would seem it had suddenly dawned on her that she was no longer alone in this room - despite an absence of introduction or any manner of clarification from who had decided to join her. That, or she had only just decided to address them.

After all, it was not unusual for an occasional stray mage to wander in. Though, this visitor felt different… Different, yet familiar.

[4x01]

“in order to create loving males we need to love males” means teach boys that they can be themselves without being less of a man. it means being encouraging and nurturing of their emotions so they don’t become cold and hateful. it means showing boys, early in their lives, that they have value outside of what our society deems proper masculinity. what it doesn’t mean is that it’s our job to handhold men who see women as walking sex toys through the concept of empathy, and maybe if we’re really really nice to them and don’t say things that hurt their feelings they’ll stop killing us for saying no

[lue-arlert]

I’m still haunted by my dad calling me a poser bc I was rereading Vampire Kisses as a teenager and said I wanted to listen to The Cure (which I was not able to recognize their music by name at the time despite having heard it before) bc the MC mentioned it in the story

[sunderwight]

Been thinking about the potential of a Luo Binghe transmigration fic where he has a similar experience to Shen Yuan's -- meaning, he transmigrates into a story that didn't originally have a "Luo Binghe", but rather a different character with a similar name, and Bingmei himself still has his canonical personality and broad strokes modern version of his backstory (i.e. abandoned, adopted, orphaned, struggling with the foster system, etc), whereas the character he transmigrates into has a different background and personality.

So, concept: Luo Binghe transmigrates into Su Binghe, the spoiled prince of the demon realms, son of Tianlang Jun and Su Xiyan and scum villain of the novel he read.

In said novel, Su Binghe was driven by a perpetual lack of satisfaction with things. He had almost everything handed to him on a silver platter, but none of it seemed to actually matter to him. His parents were powerful and loving, but also extremely busy and somewhat distant. His sibling relationships were soured by the fact that they were all basically raised separately by different groups of servants and expected to compete with one another for the supreme throne of the demon realms one day. The servants who raised him also had only limited authority over him, thanks to his rank, so he was encouraged to be self-centered and tyrannical from an early age because behaving that way helped him get whatever he wanted. Yet he felt ultimately purposeless and lonely, lacking any actual friends or companions.

Shen Yuan, the main character, was the third son of a wealthy noble house and was stolen by demons during a raid on his family's properties. He was rescued by Tianlang Jun's people, who officially disapprove of attacks on humans (special cases like Huan Hua Palace being an exception), but not before the rest of his family was killed or else sold off into less friendly territories. Shen Yuan himself was subsequently taken on as a ward of the emperor, as a sort of apology for the whole deal, and inserted into the somewhat younger Su Binghe's household as a companion and tutor to try and curb the prince's loneliness. The empress also took Shen Yuan on as a personal disciple, as the only person able to teach him human-style cultivation.

This worked about as well as anyone expected, which was to say that the spoiled prince treated his weakling human tutor like his own personal chew toy, blowing hot and cold, manipulating and mistreating, jealously resenting Shen Yuan's attention from his mother while also taking every opportunity to insert himself into the additional lessons as well.

Eventually the situation came to a head, with Shen Yuan lashing back after being pushed to the limits, and Su Binghe using the "attack" as an excuse to exile him in the midst of hostile demon territory. Thus began the protagonist's power-up montage segment, where he was forced to fight and survive, leveling up his skills until he came across Xiu Ya.

Xiu Ya was a legendary sword that had been wielded by an equally legendary human cultivator, an actual secret ancestor of Shen Yuan's, long ago. It was sealed away by a past Heavenly Demon emperor, after its wielder managed to use it to successfully kill one of their kind (a difficult feat). By sealing the blade deep within the demonic realms, the past emperors had assured themselves that no human cultivator would successfully venture so deep into their territories nor uncover its hiding place, and so they mostly warded it against other demons (who might want to return it to the humans in order to sabotage the Heavenly Demons). Thus, Shen Yuan successfully liberated the blade, and after winning a harrowing battle against an ancient evil (boss fight!) with it, he ascended to godhood.

But, even the heavens weren't merciful in this story, and Shen Yuan was tasked with using Xiu Ya to end the threat of the Heavenly Demon race once and for all before he could claim his rightful place among them. If he failed, his soul would be forfeit and Xiu Ya would shatter, eternally condemning the mortal plane to the tyranny of demonic rule.

Luo Binghe absolutely loved the character of Shen Yuan, even though his story was kind of trash, and he did not want to transmigrate into Su Binghe, especially not with a mandate hanging over his head that he had to one day cast his favorite protagonist out into the wilds, and then let him kill Binghe in order to fulfill a mandate from the heavens!

Featuring:

-Modern day culinary student Bingmei, absolutely revolutionizing food prep in the demon realms and desperately wishing he could change the genre to one of those slice-of-life cozy escapist novels instead.

-Bingmei being actually a thousand times sneakier and more self-aware than his predecessor, taking Su Binghe's absolutely pathetic attempts at politics and making it work for him instead (between the foster care system and the food service industry, Bingmei takes no prisoners).

-Su Binghe originally had a sprawling harem by the time Shen Yuan reunited with him. Luo Binghe wants nothing to do with it, so he has to just keep on dodging his parents attempts to set him up in political matches.

-Some of Shen Yuan's original household and family actually did survive, so Luo Binghe dedicates himself to rescuing the rest of them to try and farm points with the protagonist. This results in him retrieving Shen Yuan's brother, Shen Jiu (asshole rat bastard feral cat of a guy, Luo Binghe almost wishes he'd failed), Shen Yuan's personal companions the Liu siblings (terrible decision, Shen Yuan's always waxing poetically about how beautiful they are), Shen Yuan's younger sister Yingying (annoying but nice), Shen Jiu's situationship Yue Qi (there is something deeply wrong with that guy), and the son of the family's head servant, Shang Qinghua (weird rodent man, somehow has evil advisor vibes despite also looking sort of like the designated non-threatening one in an idol group).

-Bingmei identifies Mobei Jun as a fellow transmigrator pretty early on, when he absently whistles the notification sound for a smart phone and Mobei reaches for his pocket. Mobei Jun's approach to transmigrating is basically to say and do as little as possible. Bingmei subsequently doesn't find out that he is in fact the author of the original book until some time after the main plot has passed.

-Despite not wanting to, Bingmei is fully prepared to die in order to secure Shen Yuan's eventual destiny as a god. He only hopes he might go out cleanly and with more sympathy than the original goods got. Imagine his horror when Shen Yuan decides he's going to fight the gods instead of wiping out the Heavenly Demons.

[the-tarot-witch22]

Your relationship dynamic with your future spouse - Pick a pile

Pile 1/ Pile 2/ Pile 3

My Paid Readings | My insta

Liked my blog or readings? Tip me!

Hello everyone ! This is my another pick a pile or pac reading so please be kind and leave comment or reblog, and let me know if it resonated with you!

Note : This is a general reading or collective reading. It may or may not resonate with you. Please take what resonates and leave what doesn't. And it's totally okay if our energies aren't aligned!

How to pick : Take a deep breath and choose a pile which you feel most connected to! You can choose more than one pile, it just means both pile have messages for you!

I worked really hard on this pile please show some love by leaving comments, likes and reblogs!

Pile 1:

(The cards I got for you - 4 of cups, king of wands, 2 of wands and 3 of pentacles)

Okay so the very first thing i felt when i did your reading you would be sharing similar past, like you both might have gone through similar things in your life, some of you might have come from toxic households, parents, ex who were a piece of shit, and your fs had gone through similar things, same heartbreaks or betrayal in their life, and that's how you bond with them, you understand each other, the feelings you have for each other, the dynamic between you both is quite emotional, vulnerable and yet loving, i feel you will see each other, the feelings between you both will flow, i feel they will teach you a lot and so will you, like how not every person is same, how different you both are, but you still blend together, for some of you your future spouse is way more mature than you, they have experienced so many things, they takes relationship very seriously, or intensely, you both will teach other how important is to be happy with what you have to look at the things which will make you both happy you won't both will grow together, i also feel for some of you, your future spouse is your partner crime they support or encourage you in anything you do, the bond you will share with them is quite flowy and smooth. I also channel a scene where he is like let me do it for you type of thing they will also feel they can be just themselves when they are with you, but there also signs they just wanna impress you in whatever thing they do, you will also be on same wavelength physically and emotionally, your dynamic with them is just so sweet, They will definitely treat you the way you deserve to be treated, for some of you , you will both bond with your same interests, like do you know the couples who just travel together, not stopping for anyone, exploring new things new places, you are them, you both will share that interest with each other, there will be also some versatilities in a good way, you might both have difference of opinions but i see you both understanding each other's pov and giving each other things you both deserve and want.

Okay so guys your pile tells me how understanding and sweet your fs is with you, your dynamic is just so easy with them. and you deserve that!

Pile 2:

(The cards I got for you - ace of cups, ace of swords, 2 of pentacles and temperance)

Okay so the very first thing i felt was your dynamic with your future spouse would be very calm and peaceful, very soft and pure, your future spouse will awaken a very new feeling in you give a new meaning to love and life, you both would be very comfortable and relaxed with each other, for some of you i am sensing you could need alone time it could be you or them, but you both will let each other in, that's how meaningful and calming your relationship is, I also feel many people around you could be jealous of you and him, like you relationship, the way you treat each other, the feelings , the person could be very new not someone you already know, their way of thinking will attract you so much to them, their beliefs, their open mindedness, their way of handling anything will melt you, you will understand each other emotions very deeply honestly, almost like telepathically, i channel a scene where you need something and you don't even ask him and he will be there with that very thing, that is honestly so sweet, even i am feeling butterflies, the dynamic would be very soft and safe, like you know you can trust them blindly, he will just be there whenever you need him, present for you, I also feel you will both like indoor dates rather than going out, because you would want to spend time each other than spending it with others, or seeing others, i also heard "you are the only one who matter for me, there is no one, i would be rather be with", okay wow, for some of you guys, you could need reassurance from your other half and he will happily give it to you, i also feel Pisces and Gemini energy here for some of you, or it could be your future spouse, your relationship with each other is so free you won't be tired with each other's presence, okay so that serves as the confirmation with you letting each other in your personal space, i also feel you both would be communicating a lot , communication will definitely have a big role in both of your relationship, i also feel no matter the distance you both would make it through till the end , i also heard "i wanna grow old with you", gosh they are such a softie for you! for some of you could have doubts about your fs intentions but i feel and hear they will be very patient with you, i see a scene where they are busy, but they will reply to your texts, just to let you know they are their for you, you don't have to worry about anything, They will make sure you have their attention, they are quite attentive and thoughtful too, they would also like to do or go to grocery shopping with you, i channel a scene where they are looping an arm around your neck, just like talking or showing you their love, their love language could be physical touch or words of affirmation, the dynamic of your both is very balanced, you will nourish and care for each other a lot.

So pile 2, seems like you guys got the gem, and i can't be more happier <3

Pile 3:

(The cards I got for you - king of pentacles, knight of wands, the star, 10 of swords and queen of wands)

Okay so the very first thing i feel for you guys you guys might have manifested each other in your lives, you guys have wished for them and waited for them so long, but soon the wait is going to be over for you, and they will be coming into your life. I also heard "we are meant to be together", they dynamic between you both is just so happy and loving, you caring for each other's needs, being there for each other in tough times, and supporting each others in lows and high, that's how your both relationship is like, honestly i felt that tingly happy feeling right here for you both, and i love that. For very few of you, you both dynamic is like "tom and jerry", playful and flirty banter, some of you could be manifesting that enemies to lovers trope where they falls first and harder (not for everyone but for few) or it could be like your favourite trope, and i love that!, So for the majority of you the dynamic is like they are your provider financially, emotionally and physically, such an honest vibe i got from them, Like they would definitely let everyone go down for you i keep hearing the song "I'd let the world burn by Chris Grey", so your fs might be telling you how you are their treasure, their precious they won't let anyone hurt you, makes sense why i felt that protector and provider energy from them, their love language could be gift giving and act of services, they will shower you with love and surprises, the dynamic between you both is very healing and intense both mentally and physically, they will be your anchor, like when you feel lost they will hold you tell you how you everything for them, such a sweet couple, i also channel that trope, "bad ass fmc x men who is just obsessed with her" in a good way, you both would be such a power couple together, you both could be each other's divine counter part, your future spouse would be very protective for you, i channel a scene where you just spend his money and he is like, that's my wife, such a book men he is, you both would also share that hot sexual dynamic who just can't keep their hands off each other, he keeps telling me to tell you "when we meet , you will be my ride or die", i will kiss the fu*k outta you, lol they really are something , love that for you, your sexual dynamic is also on same level, you two will be craving each other and intensely, he is also telling me it's very soon, not a lot of wait till you both meet, your dynamic is just very divine and intense, you both will be healing each other's wound, which has been imprinted on you, the dynamic is also very healing, i feel you both would be helping each other grow from past wounds, you guys can also check out pile 1, it could have messages for you, you both will just get each other, for some of you guys, you guys could have been abandoned by their loved ones and it could be your future spouse too, so you will help them and vice versa you guys could be going through lots of transformation right now or have been through them, which has caused and left you very exhausted, but i see your future spouse helping you through everything and you will be helping your future spouse, I also feel you both will see each other, like in a party your future spouse would be the only one who matters, the dynamic between you both is prosperous and full of abundance!

So pile 3 give me a towel, because i am sweating right now with love and intensity, your future spouse wants you to wait and he will be in your life very soon, so happy for you guys~

Thank you for stopping by! Take care and remember you are loved <3

[elysiansparadise]

Synastry Observations IX

🩶Harmonious aspects between Uranus and Moon make them both able to vent with each other more easily. They feel that they do not have to keep their emotions to themselves and can show them freely with each other, not only because they genuinely try to understand each other, but also because they do not feel that the other judges them for being emotional or for feeling vulnerable. In addition, they help each other get out of their comfort zone and can bring a lot of variety to each other's lives, encouraging them to live new experiences that make them feel emotionally fulfilled.

🩶The aspects between Mars-Vesta create an extremely sensual and passionate atmosphere between you two, both seek to surrender and surrender completely to the other, succumb to their mutual fantasies and enjoy the other's body, flooding themselves with the most primal and burning desire. They want to give the other as much pleasure as they receive, a simple touch is enough to make them tremble, a kiss to belong to the other and one night to see an eternity together.

🩶When your chart ruler falls in the other person's 4th, 8th or 12th house, it is very likely that they will see you as an emotionally deep person, someone with a huge heart although reserved for those you truly appreciate. Sometimes you give them the impression that you read them very easily... too much for their liking. They feel like they can't hide anything from you and that you are able to truly see them for who they truly are. They may feel strangely drawn to you from the beginning and that way in which you touch the most sensitive fibers in the most beautiful and pleasant way.

🩶Moon falling in the other's 3rd house makes you both instinctively understand each other, you feel comfortable talking to the other and you find that the other seems to know exactly what you think or feel about something. There is a strong emotional and intellectual connection, they feel that they can open up to each other like no one else and it is even likely that they have quite similar opinions, experiences and ways of seeing things.

🩶When Juno makes a conjunction, trine or sextile to the other's North Node, a spark of being together can be born in both. They both feel that with each other they can commit to having a serious relationship and can see each other as husband/wife material. They awaken in each other a desire to be together and they can feel a strong loyalty to each other. It is very likely that they want to teach each other what it is like to have a reliable relationship, where love and effort is constant.

🩶Ceres aspecting Venus makes both love to take care of the other, likewise, they seek to satisfy the other's needs and give them everything they ask for, it is a mutual pampering and spoiling. They awaken the greatest and most intense adoration for each other and have the genuine desire to care for and protect their hearts. They both worship each other's bodies, they want to feel every pore of the other, slide their hands into that sensual figure that drives them so crazy. They love satisfying each other's romantic fantasies and making sure they feel the pleasure and love they deserve.

🩶If Mercury is conjunct the Descendant, it is very likely that you both think of each other romantically. Both feel intellectually stimulated by the other and see in the other person someone with a brilliant, beautiful and unique mind. This duo makes the other feel heard, understood and their interest in each other is noticeable. They help each other learn from each other, both on an individual level, and to discover what they are truly looking for in a partner.

🩶The aspects between Jupiter-Neptune mean that between you there is that feeling of being predestined to meet, and that feeling of having connected easily with the other, and despite having been fast, they make it feel so good. Both can frequently dream about each other and this causes them to have an idealized, deep and more positive vision of friendship/romance. They may find themselves daydreaming about each other and want to experience many things at their sides.

🩶When your stellium falls in someone's 9th house, there is a good chance they will see you as a person from whom they can learn a lot. You inspire them and they find themselves having many spontaneous realizations when they talk to you, likewise, they see you as an admirable person to whom they can turn for advice. Fun with you is guaranteed, but on many occasions you can give them reality checks [especially if your stellium is in an air or earth sign].

🩶When your Pallas is conjunct or making a trine with someone's Venus, they see you as a superior person, even out of their leagues. There is a touch of distinction in you, they know that you are not someone they can simply charm with words, for them you are someone who mixes grace, elegance and cunning, they cannot fool you and very often you keep them on their toes. There is a deep admiration from them towards you and both of you can often find yourself thinking about the other spontaneously throughout the day.

🩶When Mars falls in the other’s 3rd house there is a playful and teasing atmosphere around the two. They both challenge each other, laugh out loud with each other and quickly arouse interest. The others easily realize the tension between you, how that playful banter has overtones of desire involved, how between the jokes you make it clear that it is only with the other with whom you connect in this way. They can easily motivate or make the other feel energized, they mutually entertain each other.

🩶Vesta conjunct Moon awakens in each other the purest and most genuine emotions they have ever felt. There is a strong desire to preserve the happiness and comfort of others, to make those gestures that they like so much just to make them smile. There is a deep and pure adoration for the other, as well as a strong devotion that can endure no matter how much time passes. Sensitivity, deep conversations and the feeling of being safe flow between you.

🩶The house in which someone's Pars of Fortune falls will be the area that begins to flow for you or the aspect of your life in which your partner can help you feel more fulfilled. When it falls in the 1st, 2nd or 5th house you can feel that your self-confidence increases considerably. If it falls in your 2nd, 8th or 11th house you may feel that your finances flow better since you are with them. If it falls in your 3rd, 5th, or 12th house, you can feel more creative. In earth houses [2nd, 6th, 10th] you can feel that you progress professionally more easily.

🩶The aspects between Sun-Neptune mean that there is a need in both, a desire to know each other on a deeper level. When we see this aspect, it is very likely that in you there is not only a strong connection, but an ease in understanding each other. You both love each other unconditionally regardless of the flaws or differences between you, you both know how to look beyond it and small differences do not make your love for each other diminish. A lot of support, care and fascination for each other. They could have easily fallen in love with each other.

[harmoonix]

Mars and the sports in the birth chart:

💥 We all know Mars is a planet who needs a lot of movement/motion/action/stimulation and of course competition, and in a birth chart Mars can indicate a passion for that, here are some examples 💥

Mars aspecting the North Node can indicate being involved with sports in your life, maybe you wanna make a living out of a sport you like, for ex, swimming or football/soccer etc

Mars aspecting the Midheaven can indicate a career involved with sports, making a sport your job/career

Mars in the 1st/6th/10th and 11th/12th house need a lot of movement in their lives try waking up with a running outside if is comfortable for you, maybe with yoga or meditation

Mars in the 1H / 2H /5H and 10H can have athletic bodies which can be a boost/bonus when they're practicing a sport

Mars in the 4H can indicate a person from your family can be involved with sports/a sport- passionate person! They may get you into sports aswell

Mars in the 9H/12H is really good if they practice something between mediation - yoga and sport in the same time because it can help them a lot

Mars aspecting Chiron can help you to get out of your fears by using a sport/gym/personal motivation

Mars in the 3rd house can be very attracted into being motivational to others or to themselves, and here we bring the podcasts (take care *healthy podcasts* not toxic ones) or that one person who watches yoga from their tv at home

Mars in the 3rd house can aslo develop a passion for bikes or motorcycles so if that helps you and your body do it!!!

Mars in the 11H can be into a sport where involves communication and friendship (team work) such as team sports like football/basketball/volley and more..

Mars in the 6H needs lot of mental stimulation in order to enjoy/start their day maybe try a little bit of body movement after waking up like waking up your muscles and you can feel a lottt better

Mars in the 8H can be actually invest a lot in sports, either be watching sports from home either practicing a sport themselves, sports can also bring them money or wealth

Mars aspecting Uranus are known for being talented already, dancing/body movement/gymnastics/ballet is a good key for them

Mars aspecting Sun can easily have a passion for everything they get into, whatever it is they'll enjoy it

Mars aspecting Neptune on the other hand can be good at teaching others, especially in sports like gymnastics/yoga they're good mentors

Mars aspecting Moon needs an emotional boost before starting their day try to listen to music and practice body movement in the same time it can help

Mars aspecting Saturn can either have sensbile bones or really strong bones it really depends here, a good massage can help them with their body movement a lottt

Mars aspecting Venus can have a healthy routine/ a healthy relationship with their body so there just try to make whatever your body feels the best/most comfortable with

Mars aspecting Mercury can be good at encouraging which may help in not losing hope/getting better and better everyday

Mars RETROGRADE in your natal chart can indicate a sport can help you much better, can improve your life and your mental Health

Mars aspecting the South Node at first can be a bit shy/confused if they are into sports or not but if they're truly passionate about it they can get attached to that

Mars sitting empty in a chart/little or no aspects to Mars can indicate not really a passion to sports but you still wanna do something to improve your life and your body

Mars aspecting the Ascendant natives already have that very athletic energy, they're that type of person who can be good at any sport if they have the ambition for it

Mars in the 7H can be good at improving their love lives with using sport as a tool. Maybe you and your partner share both a passion for sports (which btw is a really cute thing to have), that type of couple who goes running every morning

[uyuforu]

Astro observations VIII

All pictures were found on Pinterest

Other posts you could like:

જ⁀➴ Astro Observations V

જ⁀➴ Astro Observations VI

જ⁀➴ Astro Observations VII

READINGS BOOKING OPEN

email adress: tarotjunoboda@gmail.com

Soft To You presentation and Q&A ᡣ𐭩 rules ᡣ𐭩 private readings reviews

astrology menu ᡣ𐭩 tarot menu ᡣ𐭩 special astrology & tarot readings

₊˚⊹ ᰔ Moon 10H people can have the desire to control everything, and they feel safer this way. They usually love to feel productive. A job where they are the boss or in charge of people will make them feel better.

₊˚⊹ ᰔ Pluto transiting your 4H will makes you want to be away from your current home, you'll move, or want to be more independent from your current situation.

₊˚⊹ ᰔ Gemini Moons can't stand clinginess, they want to feel freedom in every relationship they have, even non romantic. This means wanting to be alone sometimes, and feeling accepted for that.

₊˚⊹ ᰔ Sun 8H people are so intense, yet they can also have some toxic behavior towards other people sometimes.

₊˚⊹ ᰔ Chiron in 1H Synastry. Chiron person will often be jealous of 1H person. Though, 1H person will often feel hurt by this behavior.

₊˚⊹ ᰔ Sun 8H Synastry in friendship. Sun person can really enjoy the presence of the 8H person but can feel like they are every toxic for them sometimes. But 8H person can actually still want the connection.

₊˚⊹ ᰔ People with their Chiron in 11H will often have their friends leaving them in their life. They always suffer in friendships.

₊˚⊹ ᰔ Mars conjunct Chiron Synastry to me feels like the connection will just hurt both people. Chiron feels threaten by Mars person, wanting to be like them, they are constantly triggered by Mars person. Mars person feels Chiron person is triggered by them and may actually not get why. Or they can also feel like Chiron person needs healing.

₊˚⊹ ᰔ One of my friend has a lot of my placements coming in her 8H and she always assume I hate her. She is very triggered that I don't talk to her daily and always assume I have something against her when... I am just living there.

₊˚⊹ ᰔ Pluto 2H Synastry can result in 2H person always spending more money when Pluto person is around them.

₊˚⊹ ᰔ 9H Stellium people could spend their whole life being paid to study. You could also devote yourself to religion at some point of your life.

₊˚⊹ ᰔ Chiron 9H people can be triggered by religion or spirituality when young, then when they get older, make peace with it, and actually embrace those parts.

₊˚⊹ ᰔ Jupiter 4H can result in a person never be homeless. My aunt has this placement and she always found the cutest place to live.

₊˚⊹ ᰔ Venus in 10H is such a good placement in my opinion. Venus person always believe in 10H person's abilities and always encourage them!

₊˚⊹ ᰔ Sun conjunct Jupiter Synastry between family members can be a really good thing. It's a sign both planets feel good and happy, they always see the better side of life together. Sun person feels delighted and always in good mood, and Jupiter person always feels like they can teach something good to Sun, and they can also feel glad to be able to help Sun person.

₊˚⊹ ᰔ Saturn in 5H Synastry can mean that Saturn person feels like they are not good enough for 5H person, or they can feel like they will never be together. The house person can put limitations to the relationship.

₊˚⊹ ᰔ I have noticed that people with Venus 2H LOVES to spend money on their dates. They also love to treat themselves regularly.

₊˚⊹ ᰔ Any Scorpio Rising I know never forget their loved ones. They care so much and notice every details. I love my Scorpio babies🫶

₊˚⊹ ᰔ A lot of people think Capricorn placements are boring and always serious, but those people may not have met a single Capricorn in their life. Capricorns are so funny, and their humor is usually quite sarcastic or dark, but they are truly comics for sure.

₊˚⊹ ᰔ My sister always gave me strong Sagittarius vibe, and she has her sun in her 9H.

₊˚⊹ ᰔ Having Sun 10H is living your life with people around you complaining you don't give them enough attention. People always have their eyes on you, and you could have beef with someone without even being aware. People see you, notice you, and you could become popular without actually knowing it. Having a 10H Stellium or Leo can have the same effect too.

₊˚⊹ ᰔ And I have noticed that Chiron 10H people usually would love to have this attention. This are the kids who always want to be with the cool kids. Though, they always find themselves having fake relationships for the sake of attention.

₊˚⊹ ᰔ Neptune 11H people can often have fake friends around them or just have no real friendships around them. They can actually never truly see that either.

₊˚⊹ ᰔ Leo Moon people are always so popular lol!

₊˚⊹ ᰔ Neptune 1H can give the same vibe to me, I have noticed people are usually very obsessed with them. And a lot of them have a crush on those natives.

₊˚⊹ ᰔ I have noticed that a lot of men I felt really attracted to had similar placements to my Future Spouse (tho I didn't know astrology so well back then so I didn't know). I wonder if one can meet people for some times with the same placements as their FS.

Thank you for reading!

back to index ; ask ; request ; rules

[iriswritesforyou]

His Mona Lisa

Warning - small violence, prejudice against mutants, and maybe some other things? IDK

Word count - 1,889

Description: Reader is a human art teacher at the school. You and Logan had both been giving each other eyes for a while now but things heat up during a field trip.

Charles Xaiver had asked you, a human, to teach at his school for mutants, as an art teacher. You were reluctant at first, not because you were scared of mutants but because you felt as if you had nothing to offer them. Your only gift rested in your ability to paint and draw, to bring the images in your mind to life, and to help the youth do the same. 

It was rocky at first, the kids were hesitant to warm up to you and you were hesitant to discipline them but that all changed one day when you introduced them to what you liked to call ‘splat balloon painting’. You had set up a canvas for each kid with balloons filled with paint next to them outside, encouraging them to throw them at the canvases. The kids loved it so much and getting paint all over you was definitely worth watching them smile and laugh. The true solidarity came when one of the kids' powers acted up and you got freezing cold acrylic paint all over you. The kid expected you to be angry like most humans would but you werent, to their surprise you just laughed it off and assured the kid you were fine. 

After that day your class was one of the favorites among the students, even the kids who had hated art in previous years found themselves enjoying your class. 

And then there was Logan, the combat instructor teacher who plagued your thoughts and little did you know you plagued him as well. It all started when one of your kids came to class all battered up and looking worse for wear claiming it was from Logan’s combat class. You didn't know much about Logan and you didn't know much about his class but you did know that your students shouldnt be showing up to class looking like they just got beat up in an alleyway. 

So you marched down into the lower levels of the school determined to scold Logan like a parent would a child. 

He was quite surprised to see a young human woman dressed in paint covered overall hanging off one of her shoulders, paint brushes stuck in her hair, and mismatched jewelry stomping up to him.

He had heard about you of course, there was a stir when you joined the campus, people whispered about you with some saying you didn’t belong and others thinking your presence would be good for future relations between humans and mutants, he didn't particularly care. This was the first time he had seen you through and you certainly left your mark on him huffing and puffing about how the kids shouldnt be showing up to class battered and bruised. 

If Logan was being honest, despite what most people thought his reaction would be, he wasn't annoyed or angry, in fact he found it a little endearing how you cared for the kids, but he pushed that down and explained to you how it wasn't his intentions but the kids have to learn somehow. 

A couple months had passed since then and you and Logan were cordial to each other, you smiled at each other in passing but nothing more than that but the rest of the teachers and even students could see how both of your eyes always found each other in a room. 

Things started to heat up when you scheduled a field trip for the students to the Metropolitan Museum of Art, and Logan was going with you to help you watch the kids.

Logan knew he should have been paying more attention to the kids but he couldn't help but keep his eyes on you, the way you smiled when you explained the exhibits or how you lit up when they would ask questions. And you couldn't help but notice his watchful gaze, mostly on you and it unnerved you. Why was he staring? Was there something wrong with the way you were dressed? Something on your face? 

“Alright I want everybody to find a partner and split up, the sheet of paper I handed you all lays out the entire place and all of the attractions. Please, remember to meet up back here in an hour.” You told the kids as Logan came up beside you and you smiled at him gently “And you and I will be walking around keeping an eye on them.” he didn't say anything but nodded. 

You both had wandered over to the Museum history panel and read the date 1870, was Logan born just after that? 

“Can I ask you something personal?” He didn't even have to think about it before answering “Yes.”. 

“It says this place was founded in 1870.” your voice dropped into a whisper “weren't you born around then?” He snapped his face towards you while you stayed looking away. He wondered how you knew that you and him hadn't had a conversation in months. 

“How did you know that?” You now turned to face him completely, faces close and heart racing, he could hear it. Your eyes were locked onto each other and he couldn't help but study how the light danced in them and skin became flushed under the cool lighting, he thought he was making you scared and took a step back. He wouldn't admit it but he didn't want to take a step back. He wanted to take a step closer. 

“I’ve been - asking around, about you. I'm sorry, I should have asked you but-.” Unspoken words held in the air. 

It was your guilty pleasure to find out more about Logan, the more you knew the more you had answers and you couldn't ask him, he was, well, him. 

“You could have just asked me.” He said. You thought he would be mad, furious even but instead he looked hurt. “You're right Logan, and I’m sorry. If I’m being honest you intimidate me a little.” 

He raised one of his brows at you, he knew he had that effect on people but he didn't want it on you. “Well, you don't have to be. I don't want you to be.” His gruff voice made you stay locked onto him. 

Time could have passed for a hundred years and you both could have stayed right there forever but time didn't care what you wanted as a blood curdling scream snapped you both back to reality. 

Over in the Egyptian side of the room one of your kids and a human boy were having an all out brawl with your kid winning. Logan got there faster than you and pulled him off while the human boy quickly got up and spat at the ground by your feet, “mutant.” 

That one word was all it took for your kid to start kicking in Logan's arm, trying to claw his way back over to the human boy while he just stood there glaring. You quickly walked over to the human boy and grabbed his forearm,  “where are your parents?” and it was as if they heard you. 

A lady in an expensive looking green suit and a man twice the size of you came over, the woman with tears in her eyes, hyperventilating and the man getting red in the face with anger. 

“Let go of my son!” the man huffed getting up into your face, so close you could see the pimple about to burst on his nose. Letting go of his son you took a step back and he took one again closer to you. “Mutant bitch” It was two words now that snapped Logan into action, as he had been watching the exchange with the kid still fighting in his arms. Quickly, Logan let him go, not caring if he went back over to the human boy and started another fight. No, his only concern was you. 

Stepping in between you and the man, blocking him from your sight, they stood toe to toe. Logan was clearly taller and stronger than the man but that did nothing to deter him “And you must be her mutant bastard”. You grabbed the back of Logan's clothes hoping he wouldn't start something “Logan” you gently whispered. Logan may be an angry man but it was never for himself, he wouldn't start anything. 

It wasn't until you stepped around Logan hesitantly, still keeping your grip on him and started to try and mend the situation. “Please, ma’am, sir, we are truly, very sorry. And -”, a sickening slap echoed around the now quiet room, he had hit you and Logan wasn't going to let that slide. 

In the blink of an eye Logan pulled you back and into the arms of your mutant students who had now gathered around the both of you and punched the guy right back. 

Chaos exploded, the woman shrieked as Logan had the man jacked up against the wall as he cried, half of your kids went for the human boy who had bullied your kid and the other half stuck by you as you stood there in shock. 

It took ten security members to pry off Logan and the aftermath was quite horrific. Blood was on the walls and floors, but only the man and his boy had seriously gotten injured with your mutant students only having minor bumps and bruises. 

They would have hauled Logan off to jail if it wasn't for Charles showing up and sweet talking to them, promising not just financial compensation for the museum but for them personally as well, the human family too. 

It wasn't until you got back to the school that you really felt the pain in your upper cheek bone and eye. As you were about to open your door Logan stood there with his fist raised about to knock. 

“I’m so sorry Logan.” He didn't say anything back, his eyes not wavering from a particular spot on your face. He reached towards it and gently touched it making you hiss and jerk back “I should have hit him harder.” 

You shook your head in disbelief  “No, anything more and you would have gone to jail Logan.” 

“You need to go down to the infirmary.” He took your hand in his. “That's actually where I was about to go.” but he still held your hand and led you to the infirmary. 

“I’m sorry.” The gruff man apologized this time.

“Why?” he stopped and fully turned to you, feeling ashamed for running your first field trip. 

“It was a shitty field trip, your first one.” you shrugged but still stayed looking at him “I'm more upset about not being able to tour the museum, I've always wanted to go.” 

He felt guilty now, he knew art was your passion and he didn't even think about that part of the debacle. 

“I'll make it up to you, I'll take you next time.” He couldn't even believe the words that had come out of his mouth but he wanted to take them back, not because he didn't want to but because he assumed you wouldn't want to go with him. But to his surprise a smile grew on your face “Like a date?” 

There was a beat of silence as he gazed down at your beautiful face and gave a small smile down at you “Like a date sweetheart.” 

[obae-me]

I have been asked to expand on the MC with trauma scenarios, and you know what, I need the comfort, so let's do it! (No these are not based on myself, I don't know what you're talking about....)

Also I've seen a ton of people's responses to the last one and just know that I am spiritually patting you all on the head and wrapping a soft blanket around your shoulders.

--

MC with ~Trauma~ PT 2!

Imagine an MC who has been mocked, berated, or criticized for their joys and hobbies. They don't do those things anymore or go to great lengths to hide them.

They never share their writing or their art with anyone. They are surrounded by demons and angels much more talented than them. The thing that they felt they were moderately talented in is below average compared to these beings... Everything they create is hidden in secret digital folders or kept in notebooks under their mattress or tucked in secret spots on their bookshelves.

They never sing or dance or play their instruments. They almost avoid the music room altogether. It's almost too painful for them to think about. If they attend a dance they just stand off to the sides... They don't participate in karaoke. They don't hum to their favorite songs.

They hardly cook, or garden, or read, or edit, or color, or knit, or crochet, or embroider, or anything else that they might enjoy.

Imagine some of the nosier brothers not realizing the pain that hides behind their passions and either playfully spying on them or digging up their secrets. Their hearts are fully destroyed when their human breaks down in tears. Now, every single day, every character encourages them to do what they love and giving them private time and space to do it in a place where they feel safe. They all hope that maybe one day MC will feel comfortable enough to share what they love with them but they will never pry it out of them, and all the while giving them the support they need behind the curtain.

Imagine Satan, Levi, and Mammon grouping together and creating a PowerPoint presentation. With Satan's organizing skills, Levi's technological know-how, and Mammon's morally grey skills of espionage, they gather all the characters together and teach a class on what to do and not to do around MC. Things like having a clear voice in text messages to keep them from having anxiety. Or not slamming doors, not entering their room without knocking, reminding them to drink water, knowing when to give them time to breathe etc. Everyone takes it seriously (some might say too seriously), including Belphie who didn't even sleep for a second during the whole thing.

What about an MC who takes on too much and never says anything about it? At first, Lucifer, Barbatos, and to a lesser degree Diavolo, are pleased that they've found a human with a strong work ethic and a love for responsibility. Little do they know that while part of that might be true, they are doing it because they are non-confrontational, a people pleaser, or try to prove their worth through success (or all of the above). They burn themselves out and forgo their other needs to conserve all their energy for the work that's been given to them, and it's not until it becomes a serious health issue that anyone really notices. They all take a blow when they come to know how much they had been pushing a human beyond their capabilities. So they tell MC to do less, not expecting the human to try and convince them that it wasn't an issue, maybe even apologizing for failing. Now they all have to keep an eye on MC and make sure they don't take things too far, and make sure that MC knows that their worth isn't tied to how much gets done in a day and they don't think of them any less for taking breaks or time for themselves. And maybe they all learn to take care of themselves a little more for it too. Especially one work-a-holic demon known as Pride.

How about an MC that hates the way they look? No matter what that might be. Body size, shape, height, skin-tone, skin-color, scars, blemishes, freckles, etc. What if it was drilled into their head since they were a child that they were not beautiful? What if they can't look into the mirror or take any photos of themselves without feeling sick? How about being around a demon like Asmo? Maybe resenting him, maybe avoiding him, maybe wishing they were like him. It probably would hurt Asmo to see someone hating themselves and their body so intently. Maybe it's because it reminds him of himself. Maybe they both have to sit down and rethink what beauty really means? It's a long process for both of them.

All of them work with the human with their image and not in a shallow way like trying to deny the things they have and who they are. They find ways around pictures, because there are more ways to keep memories rather than selfies and commemorative photos.

Or what if:

Beel: *In MC's room.* Alright, we'll just do some basic stretches.

MC: Okay, just tell me what to do.

Beel: Well, if you want, you can put on some music to make it more relaxing.

MC: Music? *Looks a little nervous.* If you want...

*MC then turns some music on their phone on the lowest setting and sets it on their bed.*

Beel: Um...you can turn it up more than that if you want.

MC: Louder? Really?

Beel: Don't you think it's a little quiet?

MC: Oh...um...okay... *turns it up by one more click.* Is- Is that okay? I can turn it down again.

Beel: *Opens his mouth, confused for a moment before shutting it again. In the quickest second, he's in his demon form.* Who do I need to find?

MC: B-Beel?!

[cthonic-bunny]

1. personal synastry and composite experiences and observations

Do not interact if you are a minor. (18+)

Sun in 8th house synastry: I was the house person they were the sun. I definitely developed insecurities I never had before as a result of this connection. With the sun shining brightly on my insecurities, they were hard to ignore and even harder to not project them entirely on the sun. A lot of “you did this to me!” energy. I didn’t consider myself a jealous person until this relationship and a lot of it came from wanting to be “good enough” in the eyes of the sun person. It’s like knowing you have these darker aspects in common and wanting them to see you can bond this way and see them in a way no one can. You also end up pushing limits together. You liked this? Now WE love this. You’re addicted to that? Now WE are addicted to it. Moderation is hard to achieve with sun in the 8th house synastry. It can also bring up insecurities surrounding sex with that person specifically, if poorly aspected. Explosive reactions and emotional outbursts aren’t foreign here. The house person can feel like a vampire being sunburned, with all its ugliness revealing itself from its body because of its interaction with this person. The 8H person wants a full, in-depth analysis of the sun person’s thoughts, intentions, and motivations. The plutonic energy wants to completely envelop the sun, compulsively in some cases, to know WHY they are the way they are, and why the sun presents themselves in certain ways. This is especially true if the sun person did something to hurt the 8H person, who can feel it more than is rational. The 8H person can really struggle with getting over any emotional harm or feelings of abandonment that come from the sun person. The 8H person can potentially resent the sun person for not being able to read them as intently as they could read the sun person. The sex, if and once insecurities are worked through, can bring you so much closer to one another and to yourself. I also feel like any disturbances or intimacy problems between you two can easily be felt by others or there can be blow ups in front of people you know, because the sun is a planet that illuminates wherever the light lands, whether you like it or not. Avoid public fights, because you will kiss and makeup but the damage in other people’s eyes will be done and opinions will be made. The 8H person might be able to see through any facade the sun person puts up, and this could lead to deep discussions that could be extremely healing for the Sun who might have to work through some things. The 8H person can also teach the sun person how to make more money and maybe even encourage them to start their own business. They can be known as a couple that makes a lot of money together. The sun person can also give sugar daddy/mommy vibes and the 8H the sugar baby, even if it neither one of the people involved are rich-rich. This is a highly binding placement. You two might find it difficult or even impossible to separate from each other even if the relationship has run its natural course. You guys are known as the couple that is “stuck” to one another.

Moon in 5th house synastry: *weird* but, for those who have this placement with a significant other, do you love to smell their body odor? I think in the house of children and fertility, it makes sense to love your partner’s pheromones. Something as weird as the smell of their armpits or stinky feet becomes comforting, idk?? This house is also really fun, and you can get a lot of emotional fulfillment out of acting like children together. 5H is ruled by Leo, so I also found that we had a lot of fun putting on “shows” for one another, and sort of making up our own characters and accents to make the other giggle. People are also really excited for the prospect of us having children together, and you’ll have friends volunteering to babysit or be the godparent of your unborn children LOL. Dressing up nice and going out on dates to somewhere with a great ambiance can be a great way to feel connected. Sharing perfume, or gifting each other perfumes or colognes. Loving the scents they wear. Same taste in candles? Candles as gifts. Lots of watching TV together? Having “shows” that feel wrong to watch without the other. Being called pretty by the other means a lot, and being pretty in each other’s eyes makes you feel good.

Moon in 12th house synastry: 12H synastry tends to have an awful reputation, and I get it when it’s a relationship that isn’t meant for you. However, my moon falls in my best friend’s 12H, and it is one of my favorite placements of ours. We have a telepathic connection where we can just look at the other and know what’s up. You preemptively know what will bother the other person and find it hard to understand how other people wouldn’t have assumed that thing would annoy your person. You understand each other’s motives, and can provide the ultimate shoulder to cry on or ear to listen with. When it’s a new interaction it can feel a bit intense, because how are you in my head!!! I feel like you can read my thoughts! It was like that for the both of us. It’s like, when together, both our consciousnesses transported to another realm where we are mutually perceiving something and our thoughts are being put on a radio for the other to listen to. Very spiritual relationship. You KNOW the vibes, and those feelings will be verified through the other person who already felt the same. She will never be wrong in my eyes and I will defend her to the death. We don’t even have to speak on certain days, but we can feel whatever mood the other one is in and check-up on each other accordingly. Whenever we have a strange dream or nightmare, the first thing we do is text each other and try to analyze what it could mean. I as the 12H person also dreamt of us becoming best friends before we formally met. The dreams i would have of her would always be loaded with spiritual symbolism. We also grew up with the same level of emotional attachment to our personal spiritualities and shared religion, which plays a large role in our understandings of one another. Most people just won’t get it, but she always will. She could read my crazy journal entries if she wanted to. 12H moon synastry is just unconditional love. Between friends at least, it feels like a long-lost twin connection. Also, her and I had gotten matching tattoos before we even knew of each other, both of them being for the same spiritual meaning!

Composite Mars in 3rd house: Lots of talking during sex, and lots of car sex— It might sometimes feel like that’s the easiest thing to talk about, or the conversation always steers to that direction. Sending nudes? Sexting. Maybe the only way you two could engage your sexual desire for one another is through sexting, because distance might not permit the full physical expression. If you don’t have a lot of experience knowing the other’s communication style, it can lead to a bit of random defensiveness or perceiving the other as communicating abrasively. I think it can lead to one trying to get reactions out of the other by saying something out of pocket.

Composite Mercury in 12th house: Pay attention to the dreams you have of this person! They will seriously tell you a lot about your dynamic, but don’t take them at face value! Lots of mystical elements to your dreams about them specifically, so maybe reviewing tarot card meanings and astrology concepts can help you decipher the meanings of your dreams. You might find it easier than expected to confide in each other or rant about your brain’s inner workings together. “I don’t know why I’m saying all that-“ or psychoanalyzing each other for fun. Talking about your less-than-desirable attributes. Being honest about your deceptive tendencies or specific lies you’ve told and why. Oversharing things that will usually make other people uncomfortable in the same context (like talking about your exes or failed situationships on a first date). Difficulties communicating when it’s not in person because it leaves too much room for confusion. Deceit is a real possibility though, with someone voluntarily “leaving out details” about their life outside of the relationship to avoid ruining the flow of energy or the dynamic. Having each other saved on your phones under fake names. Having to hide that you’re talking to this person from other people. One of you withdrawing communication to manipulatively make the other think about you more. Taking turns being each other’s therapist. Thinking about each other often but never expressing that, or the extent to which you think of one another. Thinking about the other at night before going to bed. “I started catching feelings for the girl that I’m currently having sex with, so it’s safe to say we don’t talk anymore, unless of course we’re having sex” in Sasquatch .22 by Bay Faction.

Composite Venus in 12th house: There really is a secretive component to this interaction that can feel impossible to bypass. Your family, friends, or society might not “approve” of you two together. One or both of you can be cheating on someone with this person. Only being able to meet up or be affectionate at night or in extremely private settings. The privacy of the relationship can help you open up a lot more than you’d expect to, because there’s no one but you two to perceive the other in this context. No judgments on how you two should behave with one another, so “let’s fully enjoy the moment while it lasts.” No one understanding your interaction or it’s purpose, and you probably don’t understand it either. Sending telepathic love notes. Longing. Intimate and romantic sex that haunts you or catches you off guard. Never wanting to be the first one to admit you’ve caught feelings. Ruining your sleep schedule to spend time with one another. Dreaming about romantically linking with them before it ever happens. Withdrawing once feelings start feeling real. The song “Lips of Angel” by Hinder reminds me of Composite Venus in 12H. “Illicit Affairs,” “August,” and “False God” by Taylor Swift. “Why Can’t I?” by Liz Phair. Gato de Noche by Bad Bunny. Sex by The 1975.

Lilith in 8th house synastry: Wanting to try things sexually with this person that wasn’t necessarily exciting with other partners. “You can do whatever you want to me, and I’ll let you.” Possibly experimenting with or preferring BDSM with one another. That Lana lyric that’s like: You fucked me so good that I almost said “I love you.” It might also be controversial if people knew you’ve had sex with one another. Revenge sex? As in, you two having sex might indirectly be spiting someone else, and it kind of feels like you’re dishing out delicious karma on a surprising silver platter— “lol if only they knew” You two might have fun misbehaving together. Doing what you both know you’re not supposed to be doing can make everything feel better, and even more reason to keep doing what you’re doing. Lana Del Rey in Diet Mountain Dew: “you’re no good for me, but baby I want you.” Wanting to be dangerous together. “Leave me bruised so I can’t forget you.” “Seeing you tonight is a bad idea, right?” This placement somewhat reminds me of a union between the death card and the devil card in tarot, with an emphasis on risk-stained sexual liberation. You can become symbolic of temptation in each other’s lives, so it’s hard to deny your impulses. Toxic by Britney Spears.

-D 🖤🕯

[johannestevans]

Addressing Common Arguments Against “Consuming Harmful Content”

Challenging purity culture in online spaces and their fears of “problematic media”.

Read this piece on Medium. / / Leave a tip.

Photo by Ethan Will via Pexels.

Constant and continuous arguments endure on social media about the dreaded and frightening spectre of problematic media — from television shows that supposedly “glorify” unhealthy relationships or “sexualise” and “excuse” abusive relationships; to erotica, adult books, and 18+ fanfiction that supposedly teach teenagers bad life lessons and impact their ethics; to anime and manga that surely must be the cause of child abuse the world over. 

I wrote an in-depth essay about the intellectual flaws in these reactionary assumptions, delving into their roots in lacking media literacy and rising anti-sex attitudes here: 

The above essay discusses at length many of the fears and anxieties that lead to this reactionary thinking, but does not challenge or explore the echo chambers that can arise in online spaces, particularly in aggressive environments such as Twitter/X, and for young or isolated individuals who are particularly vulnerable to peer pressure and fears of ostracisation if they admit to the “wrong” opinions.

Many of these arguments are used by “anti-shippers” within fandom and online spaces, the term commonly shortened as “antis” — if you’re unfamiliar with the term, these are people who define themselves as opposing one or more specific ships, fandoms, tropes, or kinks, often due to what they perceive to be their “problematic” or inherently “harmful” elements when engaged with or portrayed in various forms of media and art. Because of the virulent and highly aggressive nature of these online communities, these people — many of them young or isolated, often marginalised and disenfranchised from in-person, supportive environments — can become radicalised, and can experience great fear and anxiety at the premise of others holding different opinions or perspectives from the ones these online communities have impressed upon them should be held immutably by all.

In this piece I’m going to be addressing common arguments and assumptions seen on social media one by one — it is not really intended to convert the above, often radicalised individuals, but to provide support and guidance in understanding why their perspectives can be flawed, and how to engage with and deconstruct those arguments. 

It is also intended to provide support and structure to begin to engage with and potentially challenge or affirm your own beliefs and ideas about fiction, art, and other forms of media, and the extent of the impact it can have on you or others — this piece is me addressing these arguments with my own perspective, but I would encourage people to disagree with and critique my rebuttals!

The goal here is always more critical thought, analysis, and understanding, and that doesn’t come from automatically following another person’s line of thought or argument just because it’s well-poised or you particularly respect or like them — no matter who that person or people may be. 

--

“Depicting [a theme] in media is the same as glorifying it!”

Let’s first engage with what people might be discussing when they panic about “harmful content” and “problematic” ships or pieces of fiction.

They might worry about people reading or watching works that discuss or depict anything from violence, incest, sexual assault, age gaps, BDSM, kinky sex, child sexual abuse, trauma recovery, rape, rape recovery, drug use, bestiality, to abusive relationships or anything else, will encourage people to think positively about those acts, those traumas, and those experiences. 

You might look at the list of things I just wrote there and go, “Um, there are big differences between some of those things and the others!”

And yet the same consideration still applies. 

Just because a theme or idea is present in a work, or is depicted in it implicitly or explicitly, doesn’t mean it’s being “glorified” and portrayed as overwhelmingly positive — and even if a theme or aspect is being glorified, this does not mean we shall simply unthinkingly absorb that perspective.

Reading a story that contains something doesn’t mean I’ll automatically think that thing is good or bad, regardless of how it’s portrayed in fiction — the media and art we engage with doesn’t wholly change and adjust our own ethics and morals as soon as we’ve interacted with it. 

We might play a videogame and disagree with the way some themes are presented, have criticisms of them, whilst enjoying and appreciating others; we might read a piece of erotica and find some parts about it very hot, but find others disturbing and a little uncomfortable; we might watch a TV show and just think it’s in very poor taste, despite theoretically being up for the premise. 

Engaging with media does not turn off and on switches in our brains that make us completely “pro” or completely “anti” one premise or other. 

People are more complicated than that. 

We have complex and layered feelings about every argument and perspective there is, every experience there is, because human beings are social animals, and we experience very few things through an uncomplicated, binary lens. 

For me personally, I often seek out works that cover the same traumas and harms I’ve experienced — why? Because seeking out those themes helps me process and better understand what has happened to me, and how I’ve felt about it, how I’ve responded. 

“I don’t have a problem with people writing about certain harmful topics to show them as bad, but some people sexualise or fetishise them!”

I’m sure you’re right. 

Some people might write about rape to work out a complex trauma recovery narrative — others might write about rape in a work as kink. An author might well write with both goals in mind in the same work. 

A traumatic event doesn’t become less traumatic because it sexually aroused us or brought us physical pleasure — in fact, those feelings can add to the impact of a trauma and the inner conflict we experience in the aftermath. 

Some people undercut victims of sexual abuse by saying they “enjoyed” it, pointing out that they orgasmed or showed signs of arousal as signs they “secretly” wanted it, and these feelings can contribute heavily to shame and fear as a victim. 

Sexual arousal is a bodily response. It is not consent, and it’s not an excuse for assault or abuse. Moreover, some people might feel arousal or pleasure but not be fit to consent — for example, if someone is underage, or if someone is drugged or insensible with drink. 

These people cannot give knowledgeable consent, but abusers might still say after an assault that they “enjoyed” it. 

This is purity culture at work — anti-sex attitudes use people’s “enjoyment” of something to undercut their autonomy and right to consent, by implying they “deserve” that abuse — abuse is abuse whether it’s sexualised or not. 

But the thing is, the obverse applies. 

Just as someone’s mixed feelings or sensations of pleasure during a sexual assault does not mean they consented to the assault, or because someone’s feelings of happiness and love for their abuser does not mean they deserved the abusive treatment they experienced from them, a person writing sexually or erotically about a topic, or engaging with art and narratives about that topic, does not mean they actually want that thing to happen in real life, to real people, or to themselves. 

Fiction is not real life. 

We watch a horror film, and it doesn’t mean we want serial killers or demons to run amok, killing teenagers or possessing their victims — similarly, just because we engage with porn or erotica that sexualises certain topics doesn’t mean we’re pro- or in favour of those topics for real people. 

Rape fantasies are incredibly common, despite being highly stigmatised, and just because someone fantasises about this sort of control fantasy does not mean they actually want to abuse someone or be abused. 

“It’s harmful to depict abusive or immoral characters as sexy or desirable.”

If you have never experienced abuse, manipulation, or otherwise poor treatment from someone you thought was attractive, charming, or admirable, if you’ve never been groomed by someone with whom you were enamoured, I’m very glad. 

I’m happy for you, honestly. 

But many of us have. 

People want to believe that all abusers are evil, are ugly, are obvious from a distance, are blatant from the out. People want to believe they can “tell” someone is abusive just from a glance, and write them off — and that anyone who would or might spend time with that person is therefore “asking for it”, or “letting themselves” be abused. 

In actual fact, many abusers aren’t. 

Many abusers are beautiful and charming — some of them draw you in, slowly bring you closer and closer until it’s very difficult to untangle yourself from your need and craving for their approval. They ruin lives, ruin psyches, and they cause unspeakable damage to their victims. 

And yes, victims often feel conflicted in the aftermath of their abuse.

Many of us hero worship or greatly respect our abusers, love them very deeply, crave their good opinion, because we are carefully groomed and manipulated, over time, into relying on their praise and their attention. For victims isolated from other sources of care and support, and especially for young children and teenagers, it can be very difficult to recognise what is happening and has happened to us. 

Even after we know and understand exactly what has happened to us, and also internalised that it was wrong, we can still feel conflicted. 

We are not retroactively deserving of our abuse because we crave our abusers’ good opinion, or their love, still. This instinct does not excuse or justify the abuse we’ve experienced. Victims of abuse are still victims of abuse even if we go back to our abusers, even if we “accept” or attempt to justify our abuse to others, if we try to excuse it, if we don’t ask for help. 

Abuse is never the victim’s fault, no matter how imperfect we are as victims. 

“Writing queer characters as abusive is bad representation!”

If we exclusively write queer characters who are perfect and unimpeachable, we’re not letting ourselves write queer characters who are fully human, with all the flaws and complexities humanity comes with. 

Queer people are not less deserving of this complex representation than cishet people are — and in any case, the purpose of art and media is not exclusively to provide good representation, or to show good moral examples for others.

We create to express ourselves, to reflect the world, to critique it, laugh at it, commiserate over it, to feel our feelings, to connect and communicate with others through shared stories. 

If we only let ourselves do things that might be seen as “good rep”, we rob ourselves of the ability to express ourselves as completely as we might wish to. 

“If you write abusive queer characters, you’re just contributing to homophobia and bigotry in art and media!”

Queer people writing queer stories with queer villains is not the same as cishet people including queer people or queer-coded characters just to be villains. The power dynamic is completely different. 

Queer writers’ writing of queer villainy is often inspired by their own experiences, including of bigotry, and the harm they might do reflects harm by society, the ways harms might be felt more keenly by their victims. 

Writing queer villains as villainous because their queerness makes them (or is used as a shorthand for them being) predatory, cruel, or callous, is homophobic and is often shitty, whether people intend that or not. 

But just having queer villains, having queer characters do bad or abusive things, or just have flaws? 

That’s as much a part of queer humanity as having queer heroes and having queer characters do good and helpful things.

Why would you read about rape when you could read consensual non-consent?

[Consensual non-consent being a kink wherein partners agree to roleplay a non-consensual situation.]

Rape in fiction is a form of consensual non-consent. 

The fictional characters, who are not real and do not have real feelings, are not consenting, but the reader choosing to read is. 

In the same way that two people playing a CNC roleplay game in the bedroom might be a safe and fun way of experiencing or re-experiencing the fear and trauma of assault with an escape clause (a safeword), a reader can do the same — they can stop reading. 

If a television show, film, or videogame becomes upsetting, again, one can stop watching, stop playing. It is a person’s own responsibility to set safe boundaries for themselves and protect their own mental health. 

“Why would someone write about trauma and abuse when they could write fluff?”

Why would someone watch a horror movie when they could watch a romcom? Why would someone eat cheese when chocolate is an option?

People do not have to choose one or the other — many people like both horror films and romcoms, cheese and chocolate, and reading about both horrible shit and positive things. 

“You mentioned that people might engage with media about dark topics to work through their feelings from their own abuse. How do I know if someone’s actually been abused?”

Why do you think it’s your right to ask that? 

Why are you prioritising your personal comfort and curiosity over that person’s privacy? If your instinct is to try to license who is and isn’t allowed to engage with a piece of art or media, why? 

You are never entitled to the details of someone else’s abuse. Your validation is not important enough to potentially trade for someone’s private traumas and experiences. 

“If you write or create about certain topics as a survivor, you’re just perpetuating abuse and you are as bad as your abuser!”

Creating works of art or fiction about people who are not real experiencing fictional harm that is also not real, is not in any way equivalent to real people doing real harm to others. 

If your support of abuse survivors hinges on how palatable their reaction to their abuse is, and you believe that some abuse survivors “deserve” their abuse for depicting their abuse in art and fiction, you’re not actually supporting survivors. 

If you believe that all abuse survivors do or should act the same way, or respond the same way, to their abuses, you are mistaken. 

If you are effectively angry at someone for not looking enough like a victim, for being “impure”, and therefore the same as their abuser, that is a form of victim blaming. 

Do you hold artists who create media about non-sexual trauma or violence to a different standard than those who write about sexual trauma or violence? 

Why? What is the difference to you?

If someone writing about sexual abuse in media is equivalent to real life abuse, is a fictional murder?

“People shouldn’t write or engage with media about traumatic things, they should just go to therapy!”

Therapy is not a moral machine where bad people with bad thoughts go in and good people with good thoughts go in. 

Good therapy and counselling provides us with the tools to manage our own mental health, our own emotional and psychological needs, heal from our traumas, and so forth. 

Many therapists will actually recommend safe re-exposure to frightening or upsetting topics, and also encourage self-expression on the subject of one’s most impactful experiences, which might include creating art and media to explore and discuss their feelings. 

With that said, therapy is as flawed as any other tools for emotional catharsis and healing — therapy and mental healthcare can be very expensive or inaccessible because of one’s working schedule; some therapists and mental health professionals are abusive or bigoted; some people may not be in the right place for MH care or therapy at this time, et cetera. 

Therapy isn’t a catch-all for anything you disapprove of in someone else, and it’s also not a punishment to force someone to repent for their sins. 

“It’s okay to write a story to cope, but you shouldn’t publish it in case it upsets others!”

So long as the work has appropriate content warnings and/or is published or screened in an appropriate space, it is not inherently harmful. In fact, reading narratives and engaging with those narratives can be valuable for us. 

Engaging with media that bears similarity to our own lives, reflects our own experiences, written by other people who we know understand the complicated emotions of survivors — whilst still condemning the actions of abusers or not — can be extremely validating and offer a lot of assurance. 

This is especially useful in regards to media that shows victims having a codependent relationship with or still loving their abusers, or where their abusers are shown as sympathetic, whilst the narrative still shows the toxicity and pain caused by the relationship. 

Moreover, there can be a sense of reclamation and security in exploring stories about similar harm as we’ve experienced whilst knowing we are now in a place of safety and are free from those past experiences, or that other survivors have escaped and we can too. 

“If children read this work or watch this show or play this game, they might think that the things depicted in it are okay!”

Is the work rated G or PG? 

Is it shown on a children’s TV channel, or appear in a section that is marked for children? Is it put on a children’s website, where the primary audience is children? 

In short, is the work aimed at kids?

If no, then it’s not for kids. 

Particularly if a work is marked for adult audiences only, if it’s labelled erotica, if it’s marked M or E or NC-17, if it says it’s for adults or asks people to check a box agreeing that they’re an adult, then the work in question is most definitely not for children. 

Everything in the world doesn’t have to be child-safe just because children exist.

It is the responsibility of parents and guardians to appropriately supervise their children’s online use, and to teach children and teenagers internet safety, some of which includes setting appropriate boundaries for themselves and not seeking out content that might distress them, or to know what to do if they stumble across content that does distress them — namely, to speak with a trusted adult about their feelings and what they can do to manage them and look after themselves, and be looked after.

It’s not the responsibility of random other adults in the world not to make horror movies or watch porn or play adult videogames or anything else, just because a child could potentially learn of their existence. 

“But someone else engaging with that work might think the things depicted in it are okay!”

You’re right, they might do. 

They might also engage with the work and think things depicted in it are bad. Fiction does not exclusively exist for our moral education. 

“It makes me feel uncomfortable or unsafe that people are writing about [a topic] with a tone or in a manner that seems wrong to me!”

Yes, many of us feel uncomfortable with some topics being depicted in fiction, and might find them viscerally disgusting or triggering, consider them to be in poor taste, badly considered, or similar. 

This is normal and okay. 

It’s perfectly natural to have limits on what one can handle in fiction, or to find your ethical considerations don’t match up with the things other people make. 

But it’s our job, as responsible adults who look after our own mental health and consider our own boundaries, to avoid that content. 

You cannot control what other people think about, feel about certain topics, or how they portray them in fiction. You cannot control other people. 

You can only control your environment, your boundaries, and the works you choose to engage with. 

You can limit your time on social media, mute tags or keywords, block particular users or sites, or simply look away or leave the room / close the tab. 

“What about rampant problematic works on Ao3!?”

Works on Ao3 are not a real issue. 

They are not representation. Fanworks and original works on Ao3 are not the mainstream. They are being read exclusively by members of various internet subcultures who read fanfiction in those specific fandoms, after reading the tags. 

This doesn’t mean we can’t or shouldn’t discuss certain tropes and norms in various fandoms — we might address our own biases around race, sexuality, religion, disability, and other characteristics, and how these biases and bigotries can come across in people’s approaches to fandom, the characters and ships they concentrate on, their headcanons, et cetera. 

The same can be said of people’s original creations. 

Ao3 has a robust tagging system, and allows people to mute and block tags they might be upset or triggered by — and in the event one clicks on an explicit work, a window will come up asking people to consent explicitly to moving through to read the work. 

It is people’s own responsibility to set their own limits as to what they can handle in reading fiction — and not to obsess over what other people might or might not be reading, which we cannot control, and is also none of our business. 

“What about loli and shotacon? Isn’t that the same as child pornography?”

“Child pornography” is generally not in use as a term — many people who have been victimised find that terms like “child porn” and CP grate, because “pornography” is work made with willing, adult participants. 

Videos and images produced of children are instead referred to either as CSAM — child sexual abuse materials — or CSEM — child sexual exploitation materials. CSEM is evil because it involves the unspeakable and agonising victimisation of a real life child or children, being abused and manipulated by adults around them, and worse than that initial victimisation, the recording their abuse is another victimisation in itself.

With every share of a piece of this material, that child or children are victimised another time, made vulnerable to more people, and the creation of this material can create more market desire, meaning that other abusers will encourage further abuse and recording of these children’s victimisation, or for the recording abusers to seek out other children to abuse. 

Victims of this sort of exploitation live in terror of the pictures or videos of their worst moments being shared to those they know, of being found by their loved ones, shared to workplaces, disseminated in any community they try to live in and be happy with — it is difficult enough to recover from one’s own abuse without the spectre of it constantly hanging over one’s head. 

People’s cartoons or art of fictional children is not equivalent to CSEM, because there are no real children depicted in it. 

It’s understandable to find these works disgusting or upsetting, triggering, unsettling — but to say that underage art or fiction is the same as or counts as CSEM is patently untrue. As a victim of CSA, it is galling to be told that choices my abuser made to harm and exploit me are equivalent to an abuser choosing to draw or read a comic about a victim that doesn’t actually exist. 

Some final questions to ask yourself: 

None of the above rebuttals are intended to imply people shouldn’t critique or criticise different media or their depictions. 

As well as the initial essay I linked, I actually wrote a big guide on how to approach close reading of text, and I’m working on another about analysing television and film.

In my opinion, it’s really important to be aware of different tropes and themes that you feel are harmful in fiction and art — racist tropes, sexist ones, homophobic ones, and all the rest.

It’s worth considering how works are harmful, and what you actually want to be done about it. 

I personally have criticisms of various tropes in media — I have particular dislike, for example, for the ways in which teacher/student relationships in TV shows and films are portrayed as “forbidden love”, with issue of their positions of power being depicted as one of bureaucracy or technical rules rather than a real power imbalance — I don’t care for the “sexy schoolgirl” trope, and the “barely legal” porn genre unsettles me.

All of the above three tropes often coincide with people’s thinking of teenage girls, especially those in school uniforms, as sex objects, and portraying school uniforms themselves as sexual or deserving of this sort of sexual attention. 

Not all depictions are the same — some works subvert the sexy schoolgirl trope by having those schoolgirls be secret monsters than punish abusers, and some works exist that critique teacher/student dynamics. 

It’s also important to note audience and outreach — a work that’s put on mainstream television channels or put in movie theatres by huge studios have a very different range of impact than an indie published novella, or one person’s fanfic on Ao3. 

Note where you’re holding individual or small studio creators — especially those who are in some way marginalised and are already facing adversity in their work — to higher account than large studios, or fixating on imagined harm their work could potentially cause. 

Is a work harmful, or is it just uncomfortable? Is it harmful, or is it just personally triggering to you? 

Can the work you’re concerned about do as much harm as you’re envisaging? Is it actually reaching the individuals you are worried might be vulnerable to harm as a result of it? Does the work intend to do that harm or hold those harmful views, and are the authors or creators working to address or apologise for that harm?

Is the work discussing, critiquing, or exploring the emotional impact of the dark themes within it? Does it have warnings or disclaimers before the work begins?

If you’re worried about a work “normalising” or “glorifying” a troubling subject — does the work actually do that? What is your evidence for this, having engaged with the text? Is that thing discussed in the text, argued, explored in-depth, or merely mentioned? Do characters show inner conflict and interpersonal conflict over it? Is it actually portrayed as good or normal? Is your concern the characters’ perspectives within the text, or the authors or creators’ opinions? 

Does the work carry ideas that are bigoted or feel like it includes apologism for some shitty ideas or ideology? Is the work a piece of propaganda, or function as propaganda? Do you feel the work is being advertised or pushed to an inappropriate audience for its subject matter?

If you do consider the work to be either likely to be personally distressing or upsetting to you, or potentially harmful because of its troubling or bigoted or just shitty ideas, how do you want to respond? 

If it’s the former, you should set your own boundaries — you should use your mute and block functions, you should avoid the work, you should seek out things that will comfort you, and perhaps discuss the distressing topics with someone you trust, whether that’s a friend or partner, a loved one, or a counsellor or therapist. 

If it’s the latter, you should absolutely deconstruct the piece in question and analyse the ways in which it’s shitty or harmful, or read essays by those who’ve done that work. You can maybe warn your friends about it, or if it’s a work of political concern — if the harm is being done because the work provides financial support to a hate group or a bigoted public persona, for example, you might perform a boycott, or involve yourself in acts of protest in response to the work or its creators. 

If it’s important enough to you and your beliefs that you feel urged to do those things, perhaps you should — if all you feel urged to do is to harass or shout at people online, though, it might be better for your own mental health to take a step back and do something more positive for yourself. 

Sometimes, a piece of work or media will be shitty, and shitty people will love it, and that will kinda suck — God knows I’ll see work that’s really transphobic or homophobic or antisemitic, and it’ll upset me that people I otherwise love and respect seem to be enjoying it so much. 

I can talk to my friends and my family about it, and I’ll do that — and I can mute and block the topic, and critique it in the right circles, or write essays if I’m really inspired to, responding to the work and what I feel its impact is…

But if my instinct becomes to just snipe at people for enjoying it when they really don’t know what the problem is, or have a go at them when they’re doing so unthinkingly, that’s not really helpful to them or to myself. It’s not addressing the harm I feel is being done, and nor is it really constructive. 

I’m an adult, after all — as I’ve said a few times already, it’s our own responsibility to set our own boundaries and consider what we’re doing to safeguard ourselves, and if in setting those boundaries and personal safeguarding limits, whether they’re in line with our own ethics and morality. 

We cannot control other people and their feelings, or the works they create, but we can take care of ourselves, including breaking ourselves out of obsessive moral spirals or anxieties about other people’s thoughts — and personally, I think that’s actually a very revolutionary thing to do given that we exist in a world that constantly tries to encourage (and monetise) that sort of aimless outrage. 

[chaotic-archaeologist]

https://nypost.com/2024/08/28/world-news/boy-4-accidentally-smashes-bronze-age-jar-that-was-at-least-3500-years-old/

Your thoughts?

Personally, I'm kinda sick of museums being required to cater to kids so much. If you're going to do this open air exhibit, kids who don't know how to keep their hands to themselves just shouldn't be allowed in. The glass is there for this very reason.

Actually, I'm with the museum on this one. Is it unfortunate that the vase was broken? Yes. Was the vase a valuable piece of the past? Also yes. But I think the museum did something very cool by not having the artifacts behind glass and are handling this with good grace and the sense to make this a learning opportunity.

Sometimes we overlook the fact that museums often attempt to arrest or freeze artifacts in time. They are kept in controlled conditions to prevent them from deteriorating and even treated to reverse damage. Many things on display on museums are elevated beyond their original value, alienated from their original purpose, and closed off from interaction.

It's incredible that this jar survived as long as it did—and its age is what makes it special—but at the end of the day, it is still a jar. It has now experienced the thing that happens to pretty much every jar that has been or will be. After all, decay is an extant form of life. (If you want to read a very well written and interesting take on decay and archaeology, check out this article by Caitlin DeSilvey.)

The article I linked above provides some important context and the update that the museum is planning on using this as an opportunity to teach about the conservation process. The jar's story is not over; it is being pieced back together and in this next chapter in its life it will be able to tell two stories: one of its life and the other of its rebirth. The museum's approach embraces that, exactly like the Japanese art of Kintsugi.

I also agree with the museum's decision not to punish the child or his family. Things go wrong in museums all the time despite their highly controlled environments, and this is why they have artifacts insured. Sometimes the thing that happens is a child, and by and large museums do not seek damages.

I would encourage you to rethink your stance on museums and children. Museums are for everyone. Children have a right to experience museums and what they have to offer just like anyone else. There are also many studies that discuss how going to museums benefits children.

In this case, perhaps the exhibit design was slightly flawed, but the four year old boy accidentally knocked the jar over because he was curious about what was inside and wanted to investigate. Curiosity is exactly what museums should be encouraging. In an ideal world that curiosity would have been channeled into some other kind of engagement, but the folks who work in museums have a lot on their plates and cannot plan everything perfectly all the time. Even if they could, they often do not have the resources to do so.

Finally, the AP article mentions that the boy and his family were visiting the museum to get away from Hezbollah rocket fire. Regardless of your opinions on the current conflict, everyone deserves to have a safe place to exist. That museums can serve as those spaces is an honor.

I commend the Hecht Museum and the people working there. They 1) successfully provided a place of learning and refuge, 2) opted not for a punitive approach—which is often the default Western model for justice—but a compassionate one, and 3) are using this twist of fate to create programming that will further engage the public.

@museeeuuuum and @museum-spaces would you care to comment?

-Reid

[alostwanderernotfound]

The Dangers

Many years ago in my studies I worked with many people. We all eventually started to disagree on a variety of things.

Latin was one of the few languages I was taught & to a degree retained at the time. Music was another study encouraged. To some holy families this was a practice to be whole & for others it was considered an opportunity- “a tool” as it was described. I was taught a lot as a child under the guise of just trying to learn of the world, but quickly others intervened. They were trying to teach me sorcery & I didn’t even know it.

The angels were fractionated by “rank” & “power”. Witchcraft & asking for the power of other things outside of us started to become a secret ambition of some. Some of us wanted to prioritize peace & harmony. Others were focused on the attainment of the most power possible for our survival.

Latin as a language is apparently spoken by a lot of different beings. Communication between beings that have different technology/skills/power/etc apparently had occurred at least somewhat enough of other beings to know of angel existence.

One specific group that shall go unnamed spoke Latin & to speak to them you played certain notes in a certain way. Like an intro song & then they knew you were speaking to them.

Some were asking for power & attempting to bargain.

This was one of the huge dividers that eventually led to angel banishment out of the clouds.

I do not think Latin is translated correctly & I think that’s for a very scary reason.

I also think I asked and wrote down pretty specifically if you did Latin mass to not sing.

That is because you never know who is there leading you to deceive you.

I remember walking into one of the first Latin masses given and as soon as I entered- I remember being taken aback because they were singing.

I looked at the sheet music and was horrified in its familiarity.

The sheet music had the chords for speaking to this other type of being that asks you to sacrifice your body to it for its power. And I watched as an entire congregation sung a chant to other things not of our God that was asking for a specific person’s protection for them. These beings heard the chant & I can only assume lent that person some of their power, for your words said that is what you asked for.

The antichrists/people in hell’s power is supposedly derived from these types of practices. They bargain & gossip with other beings to get favor & then ask for their enemies destruction. A lot of power comes from the manipulation of people trying to do good.

God told me a long time ago I had to warn when I saw this & I did. Many times. But they did not care. I was in the minority. These practices were apparently essential to others, but all I saw was the chaos & the suffering & the pain.

And I realized a long time ago me & you, we’re nothing more than an infinite sacrificial token to them. They’d flood the world & crucify me & keep going as long as they get to stay in power.

And that’s why the Bible & Christianity & all these religions & mythical stories were life and death & why we didn’t stop fighting for so long. Why they were the most important things in the world & you were begged to please just listen because we don’t know who or what we were angering.

This is the story of the never ending fall & all the things people have done for all of history that led to what we called the inevitability of eternal suffering for us all.

They seek to continue to erase memories because they don’t care if they destroy this world & they don’t want anyone to even consider stopping them.

I remember now the ones so many years ago that asked for my skin & my flesh & my body. And I cried.

And the other angels, spiritual beings, & their followers gave me to them- to make themselves more powerful.

[camillelespanayesbtch]

Seven Devils All Around Me (18+)

Summary: It isn't your fault you like the feeling of power, the sensation was addictive, and although it never worked out well for those around you, it certainly worked well for you. You weren't to blame that people seldom survived attacking you, it was their fault after all. But you can only run for so long before your misdeeds catch up to you, and where will you be left after? It's dangerous to walk certain paths alone as a young witch.

Content: Eventual smut, graphic depictions of murder and violence, character death, power imbalance, manipulation, addiction, grief, discussion of sexual violence (r receiving) (I will add more as I think of them)

Word Count: 4690

Agatha Harkness x fem!reader

Chapter One

You hum to yourself as you follow the marks you carved into the trees, a hidden path you had created that left those who follow you believing you were the perfect victim, blissfully unaware of the danger that followed you. You could hear the boys talking among themselves, their gleeful snickering as they think about all the things they could do to you now that they had you alone and unaware. Like most evenings, the forest was a cacophony of sound, there wasn’t an inch of space where there was silence, every crevasse had sound, even the ants clicked to one another to inform the other of the crumbs of bread that were left abandoned on the floor of the community hall that hosted giants. The leaves crunch underfoot, small twigs snapping as you step on them, continuing to hum the tune until you come to a clearing in the forest.

There was a space where no leaves were, a perfect circle that had been made over years of the same trick, black as the night sky is dark. “Look boys,” Douglas says with a grin, “She’s made a spot for fucking, just for us.” He moves closer to you, the others surrounding you as well, all of them giving each other encouraging looks. They didn’t believe the stories about boys going missing because every coven had tales like that, even the girls were told tales about their powers being taken when lured to walk the witch’s road, but everyone believed that it was just the danger of the road and not one of their own doing it. “I wonder if her tits are as big as her top makes them look,” Douglas says, advancing on you quickly, his hands twitching by his side as he thinks about tearing your shirt from your body.

“I’ve seen them through her window when she changes,” Clint says, “They’re small, no bigger than a handful, but at least they’re perky.” He cracks his knuckles, his eyes glinting dangerously. This wasn’t his first time taking what he wanted, and it wouldn’t be his last, just like the other boys he was with- if he sees something he wants, he takes it. His mother did raise him to be respectful towards women, especially those in the coven, but she always spoke about you as being the exception. You were the freak of the group, the one people whispered about, warned the kids to stay away from least you corrupt them. So, really, what he and his friends were about to do wasn’t a bad thing, it was deserved. “We should take pictures and add them to the wall.”

“We should take pictures and add them to the wall,” you mimic, turning to face them. “Didn’t anyone tell you not to keep trophies? Or was that too much for your tiny little boy-brains to comprehend?” You run your fingers through your hair, letting out a sigh as you shake a few knots loose. You were hungry, and these boys would be enough to last you a few weeks. Sure, they weren’t as powerful as the elders, too jumped up on the testosterone coursing through their bodies to focus on mastering the craft, instead relying on brute force to get things done. “Didn’t mommy teach you better? Or even your fathers? No, I suppose not. No, daddy left you boys behind, didn’t he? Went off to go fuck some young maiden the next town over,” you make a vulgar gesture, thrusting your hips before laughing when you see the group clench their fists in anger. “Oh no, did I hurt your feelings? What’re you gonna do? Blast me?”

It would only take one. It only ever takes one, but they didn’t know that. Of course they didn’t know that they barely knew how to groom themselves let alone see the signs of a trap, to even see that sometimes there is truth in the tales they have been told since childhood. You mightn’t have believed the ones about the Purple Witch, but you wouldn’t deny that there is something alluring about her. The ability to take someone’s powers? You wondered what it felt like, if it was as addictive as watching people burn, using their own powers to cause their deaths. “Lucas and Clint, hold her down,” Douglas orders, his eyes burning into yours.

The two boys he orders raise their hands, their magic shooting from their hands and wrapping around your wrists. They both were smirking until they see the lopsided grin on your face, a darkness settling into your eyes. You breathe in deep through your nose, tilting your head back up to the sky as your eyes drift shut, feeling the warmth starting to spread through your body and bloom out from your palms, “Oh boys,” you exhale. “Silly, stupid, little boys.” Your head rolls forward and you open your eyes to look at them, a fire burning in your eyes that makes them take a step back. “Didn’t you hear the stories? Didn’t your mother tell you not to go into the woods at night?”

“She’s just- She’s just bluffing,” Douglas stutters, “She’s just trying to scare us.” He puffs his chest out in false bravado before moving closer to you, his hands coming up to tear the front of your blouse open, but he hisses in pain, pulling his hands back. Your body had grown hot to the touch, as though he had just put his hands over the hot embers of a campfire, “What trickery is this?”

“You haven’t figured it out, have you?” You yank your hands free of Clint and Lucas’ magic, grabbing a handful of Douglas’ shirt, and pulling him so his body was against yours, a feral grin spreading across your face. “Smell that?” You lean in, taking a deep breath as the scent of burning fabric starts to fill the air, “Maybe you can feel it. It’s getting hot, isn’t it? I wonder if I’ll see eyes explode this time like popcorn.” You stare at him intensely, your hands glowing like magma as you start to cook him from the inside out, feeling his energy seeping out of him and into you. You let out a content sigh a the sensation, watching as his eyes go wide, his skin turning a deep red before starting to melt from his muscles and bones. He cries out in agony, trying to get away from you, to put the fire out inside of him but it was of no use, and soon he falls to the ground, his body quickly going up in flames. “Now,” you smile and turn to look at the other boys who were looking on in horror, “Who’s next?”

“You’re a monster,” Clint says, clenching his fists, “He didn’t even do anything to you! We were just playing!” He was quick to attack you, seemingly forgetting what he had just witnessed you do to his friend. You eagerly drink his energy up, your body glowing like a reactor before his body turns into barbecue. He claws at his clothes, trying to remove the flaming fabric from his body as he writhes on the ground, his screams drowning out the music of songbirds. You wonder if the woods would muffle the sound so it didn’t carry to the houses that lived along the edge of it, that the neighbors wouldn’t have their windows open to let the warm spring breeze in. Then again, if you didn’t want them to hear, you simply shouldn’t be doing what you are, but you couldn’t help yourself, could you? You enjoy it too much. You enjoy luring men into the woods, using their own powers to burn them alive as some sort of penance for all the women burned before you because their power was seen as a threat.

You take a few breaths to calm yourself, looking at your hands, they were turning black, tendrils creeping up your forearm and tickling your inner-elbow. This happened every time, the only evidence of your crimes. They were easy to hide though, you wore long-sleeves, and had a pair of gloves that your mother gave you to protect you from the judgmental gaze of your coven. Your mother wasn’t consciously aware of what you were doing, thinking you were just going into the woods to practice your craft, but she couldn’t deny it was suspicious that boys kept going missing whenever you did.

The remaining boys fall quickly, you wave your hands, letting out a hot blast of fire that turns their remains to ash. You knew the rain would disperse the ashes, returning them to the earth and helping to keep the forest alive, although your circle never grew back- the grass has remained dead and black for years. You were in your twenties now, and you had been doing this since you were sixteen. You do the buttons back up on your blouse then pull your sleeves down, doing the cuff buttons up so the sleeves wouldn’t go out of place. You flick your hair from your face, a smile settling on your features as you start to head back, humming to yourself once more.

As you walk, you stop occasionally to pick some flowers for your mom, making a bouquet for her. Your father wasn’t around to do this for her, not that he had done such thoughtful things when he was alive, that had always been your thing. You loved making your mom smile because it meant she wasn’t worrying about anything which had become her normal. If she wasn’t worrying about you getting in trouble, she was worrying about the coven being run out of town, and if she wasn’t worrying about that, she was worrying about taxes which only seemed to go up every year. It’s not that you couldn’t afford the taxes, she had been around for centuries, she had more than enough money to cover them, but it was still an unnecessary stress in her life that she simply did not need. If you could get away with it, you would burn the tax collector alive, maybe even roast him over a fire like you would toast a marshmallow.

“You can’t help yourself, can you?” A familiar voice asks, disappointment evident in her tone. “I tell them- I tell them every meeting that it isn’t you, that my daughter would never bring harm to her coven, and every time you go out and prove me wrong.”

You look up from the flowers you were examining, your features falling, “Mama… I- They attacked me,” you explain. “I was just coming here to practice, like you always want me to. And they followed me, taunting me, telling me all the horrible things they were going to do to me.” You turn your head slightly, just enough to see the open area out the corner of your eye that was a few hundred feet away by now before looking back at your mom. You try to smile, holding the sad looking bouquet out for her, “I picked you flowers. Your favorites. I know you like having fresh flowers in the house because you like when the bees-“

“Enough,” she cuts you off, “Enough,” she repeats, softer this time. She walks closer to you, a sadness on her face as she gently takes your free hand in hers- your skin was like charcoal, and still hot to the touch like the furnace in winter. Her heart aches painfully in her chest, why was her only child like this? Had she done something wrong? Those questions hurt her; how could she think so poorly of you? She loves you dearly, she would do anything for you, absolutely anything for you, why couldn’t you do this one thing for her? Her touch was soft, cooling your burning skin as she runs her fingers over it, your skin slowly turning back to your normal shade. She turns your hand over so your palm was facing her, running her finger in a circle on your palm, a small smile tugging on her lips, “Round and round the garden,” she whispers, “Went the teddy bear, one step,” she walks her finger up your forearm, healing as she goes, “two step,” another step onto your bicep, “Tickle you under there,” she says and gently tickles your underarm, a soft giggle escaping her. “You used to squeal whenever I did that to you as a toddler.”

You can’t help the quiet giggle you let out, unaware of the tears spilling from your eyes, “Mama,” you whisper back, “I’m not a little kid anymore.” She gives your arm a squeeze at that, looking pained by the reminder. You rest your hand over hers, looking remorseful immediately, “I know- I know I’m still your little girl. You still make my boo boo’s better.” You look down at your hands, they were no longer black as tar, and you could see the blue and purple of your veins on the backs of them instead of a deep red that glowed against the black. You felt a knot form in your stomach, “They’re gonna kill me, aren’t they, mama?” You ask her quietly, a waver in your voice. “For what I’ve done- They’re gonna burn me.”

Your mom blinks back tears but it was futile, the salty liquid running down her cheeks, “When they find out,” she replies softly, “Yes. They will.” She raises her hand to tenderly stroke your cheek, and as always, you lean into her touch. Her thumb brushes against your rosy skin, wiping away any tear that dared to fall. She didn’t know how long you would both have together, whether she could wash your hair and braid flowers into it, or whether now was the only time you two would get. “Why couldn’t you stop?”

“I can’t help it, mama, you know that,” you answer, your eyes closing as you relax into her touch. Her hands never caused the same pain and suffering that yours have, they have always healed and protected. There was never a moment where she didn’t help someone, where she turned them away when they showed up to the door pleading for her to make their sick child better. There was always a spare bed for the child or adult to recover, your mother watching over them during the night to ensure their condition didn’t worsen. You. You had always been the one to hurt, to harm, to inflict suffering and pain. Your mother, try as she might to get you to do things for the betterment of the coven such as burning the fields to return the nutrients to the earth, or helping start the bonfires for when there was a community barbecue, even trying to get you to take out the wolves that threatened the farm animals, but it never satiated you.

It wasn’t until you turned sixteen did it become a problem, but she brushed it off because you had been terribly bullied, she kept brushing it off when the first group of boys went missing. She had moved you both after that, found another coven. Six months of peace before it happened again. Every time, you would come home with blackened skin and a bouquet of flowers. She never had to worry about running out of dried flowers for her potions, the basement was full of them, your peace offerings to her. You always were so sincere in your apologies, and she believed you every time, why wouldn’t she? “They deserved it,” you add, “They were going to hurt me.”

“Not every single boy was out to hurt you, surely, sweetheart. What about Tommy? He was always so kind to you, he tutored you. You were friends.”

Tommy had been your friend two moves ago, you two had bonded over being excluded from most of the college class you were enrolled in, even the lecturer refused to acknowledge you in class. You both were good students, handing your assignments in on time and not once even asking for an extension. You thought you were just friends, you told him you only liked women, and he told you he was okay with it. You had gone over to his house one afternoon to study for an upcoming exam, the two of you were in his room on his bed reading notes when he had asked you if you’d ever kissed anyone before. The question made your skin crawl, “No,” you had answered, “I haven’t.” He got this look in his eyes at that answer, his hand had come up to turn your head to face him before he leaned in to kiss you, his tongue forced its way into your mouth, pocking and prodding your throat. You had frozen; your eyes wide as he assaulted you. It wasn’t until he had pulled back did the anger kick in. You don’t really remember much of what happened, only running out of the house as the fire department showed up to extinguish the flames, two of the firefighters checking over you for injuries. You had told your mother what happened, what he did, and she had brushed it off, saying it was just how it was done- nobody needed to ask for permission to kiss, it was spontaneous. You had cried in your room that night, you didn’t understand why your mom didn’t see why it was wrong of him to do that to you. She knew you liked women, why on earth would you ever want some man to kiss you?

“We- You know what he did to me, mama. He hurt me. He hurt me,” you tell her, more tears falling onto your cheeks, “He knew I didn’t like him like that. Every single one of them deserved it.” That wasn’t true, there had been a couple of groups you took out because you enjoyed the thrill of it, the screams, the feeling of power that filled your system. Even thinking about it now made you giddy, your pupils dilating as though a drug was coursing its way through your system. “You have to believe me, mama, please.”

Her hand falls from your face, “We should head back. You need a shower, and I’d like to braid your hair.” Her voice was cold, the older woman turning her back on you, not even taking the flowers from your hand. She usually hummed with you, the same song she sang to you as a child, but tonight the only sound was the owls hooting in the forest. You wipe your eyes on your sleeve, holding the flowers close to you as you follow along behind her. You hum quietly to yourself, looking up into the trees to see the glowing eyes of birds watching you. There was something comforting about them being so attentive, like they were looking out for the inhabitants that called the woods their home, even as they swoop on the mice that scamper across the leafy floor. It was the balance of things, and even as they eat the mice, they too would return to the earth and continue the cycle anew.

When you get home, your mother sits on a chair and has you sit on the floor between her legs as she starts to braid your hair, her fingers working deftly. She carefully takes the dried flowers and works them into your hair, willing the protection to keep you safe when the leaders come knocking. Only now does she hum, the strands of gold that hold the flowers in place starting to glow. She new deep down this day would come, that moving towns, cities, states would only get you so far because the tales that were told about a witch of destruction would catch up to you, that one coven was going to be smart enough to figure things out and realize it is one of their own. “You’ve always had such beautiful hair,” she murmurs, adding another flower to the braid and tying it into place, “Ever since you left my body, you had a mop of hair on your head. Whenever you woke in the morning, your hair was all over the place, and it would take so much water to tame it.”

“I’ve seen the photos,” you reply with a giggle, your eyes closed as you relax, enjoying the calming sensation of your mom braiding your hair. There had been times she had yelled at you for not brushing your hair, threatening to cut it all off if you didn’t want to take care of it. She had always apologized afterwards though, blaming her anger on something that had been said in a coven meeting as she carefully brushed the knots and tangles from your hair. “How long do we have?”

Your mother doesn’t look up from your hair, the wards she had set around the house were starting to crumble, only meant to slow them down, “Not long, my dear,” she picks the hairtie up and ties the braid off, securing a crystal in with it. “There,” she says, running her hand lightly over her work before you turn to look at her, your eyes holding the light of a thousand flames, “My beautiful girl. If you survive, you know you must never return.” Her hand caresses your cheek, her eyes held the river of life which you always loved looking into because you could feel the cool refreshing water wash over you, keeping you calm.

“I can’t leave you behind, mama. I can’t- I promised you that I would look after you,” you rest your hand over hers, they were the perfect balance. It always made you laugh how whenever her hands were cold, yours were burning hot, and on the rare occasion hers were warm, yours were colder than the glacier high in the mountains. You didn’t want to leave her behind, she would be an outcast unless she participated in your execution which she was unlikely to do because despite everything you have put her through, she still loves you and you knew there was nothing stronger than a mother’s love. “I can’t go without you.”

“You have to, sweetheart. You must find your own path, in a coven that will understand you,” she pulls back from you when the front door flies open, standing up she calls out to them. “She’s in here!”  She looks at you, pain visible in her eyes, “She killed them! I saw it with my own eyes. No daughter of mine shall harm our coven.”

You felt your spirit break, unable to realize she was doing this for a reason, to keep herself safe, to keep you safe from seeing her harmed. “Mama-“ You start, struggling against the witches as they bind you with their magic, “Mama, please,” you beg, “Please don’t let them do this to me. I didn’t mean to. I didn’t mean to do it, mama.” The women haul you to your feet, the magic tightening around your wrists behind your back, cutting off the circulation to your hands.

“I saw the look in your eyes, Yn. You enjoyed it.” She follows the other women out of the house, the path to the stake lined with other members of the coven holding burning torches. “I’ll bind her to the stake,” your mother tells the women, “To make up for what I have done. I have let this coven down too many times before, I won’t let it happen again.” Her magic felt different this time as it wraps itself around you, your hands pulled taut behind the stake, the cold no longer soothing, instead it felt icy, the frost burning your skin. She couldn’t look you in the eyes, she didn’t want you to see how much this was hurting her, and she didn’t want to see how betrayed you looked as she prepared to watch her daughter burn.

“I never thought I’d see the day, Theodora,” the elder-witch comments, “Preparing to burn your own flesh and blood after so long of defending her. Had this evening turned out differently, you would be on that stake along with her, there is no doubt about that.” She gestures for the others to surround you, a group of six women all part of the higher counsel, and every single one of them deeming you guilty. There was no room in their coven for someone like you, someone so dangerous, someone without remorse. Were they unbiased in their judgement? Four of them were not, all having lost a son to you. The other two had daughters, but even they feared that one day your hatred would spread to women. Although whenever their daughters had caught a glimpse of you, their cheeks turned as red as a rose, and a carefree giggle escaped them which they thought was arguably worse. “Get into position, Theodora. It’s time.”

“Mama please,” you beg, “Please. I didn’t mean to. I can’t control it. Please.” You look at her, desperate for her to believe you one last time, “Please, mama. Tell them. Tell them that I didn’t know what I was doing. That I didn’t mean to. That they hurt me too.”

Your mother wanted to stroke your cheek one last time, to wipe your tears away but she couldn’t do that, not anymore. She breathes you in, inhaling the floral scent of the shampoo you used before stepping down from the platform and joining the other women encircling you. “I should have let you burn the first time,” is all she says.

The elder-witch gives a nod, everyone raising their hands in preparation, “Begin!” She commands, their powers shooting out of their hands and hitting you full force, a pained scream tearing itself from your throat. It felt like your insides were being roasted, your skin prickling from the heat. It was agony, you had never felt anything like this before and you wanted it to stop.

“Please!” You scream, your head falling back against the stake, “Stop! I can’t-“ You could feel that familiar sensation starting to build in your stomach, and it wouldn’t be long until it broke free. “Mama- Mama run!” Your face was wet with tears, your head tipping forward, your eyes making contact with your mom’s. She couldn’t run, you both knew this, but you hoped this last time she would break the rules for you. The binding around your wrist starts falter, the women behind you noticing it.

“Elder- Her bindings! She’s going to break free!” One of them exclaims yet she does not stop her attack on you, none of them do because they hoped that if they continued, you would finally burn.

The elder-witch encourages them to push through it, “She is glowing! We are close! Keep going!” Your mother knew what was about to happen, finally she meets your eyes, mouthing an apology to you before the blast happens, all the women letting out agonizing screams as the fall to the ground ablaze. You slump somewhat against the wooden stake, your hair blowing in the draft created from the fires, your skin flush a deep red and your hands glowing brighter than the sun. You didn’t want to hurt them. You didn’t mean to, you begged for them not to do this. You warned them you couldn’t control it. You were going to wallow in that feeling until you remembered your mother. You look around frantically, counting the bodies: seven. Your mother-

“Mama-“ You jump down from the pedestal and rush over to where she had last been, sinking to your knees as you desperately try and put out the flames. She was unrecognizable, her skin blackened and burned. “Mama, I’m sorry,” you sob, cradling her burnt body close to you. She was the only person to look out for you, the only one to have stood by your side, and you had repaid her by killing her. Your tears drip from your chin and onto her corpse, the tears evaporating before they even touch her skin. You look down at her, “I’m sorry.”