#encho sanyutei

[screamscenepodcast]

Kinbei, how could you do this to me?! Your deadicated hosts watch KAIDAN KAGAMI-GA-FUCHI (1959), the difficult-to-obtain horror from director Masaki Mori! The film stars Shôzaburô Date, Jôji Ôhara and Reiko Seto.

Context setting 00:00; Synopsis 8:58; Discussion 17:58; Ranking 26:47

[ayanos-pl]

Wczoraj obejrzałam wystawę japońskiego malarstwa duch z kolekcji pisarza i artysty rakugo, Encho Sanyutei (1839-1900) w świątyni Zenshoan w Yanace w Tokio. Odwiedziłam także jego grób. Na cmentarzu Zenshoan stoi wielki złoty posąg Guanyin wykonany przez rzeźbiarza Seibo Kitamura (1884-1987). 昨日は谷中の全生庵で三遊亭圓朝コレクション 幽霊画展を拝見。美人の幽霊、やつれた幽霊、鬼気迫る幽霊、顔が変形した幽霊などいろいろな幽霊がいました。思いがけず海坊主の絵も見られてうれしかった。境内の三遊亭圓朝翁碑を見学、三遊亭圓朝の墓にお参りしました。 全生庵の墓地には北村西望作の巨大な金ピカ観音さまが立っており、なかなかシュールな光景でした。

[cma-japanese-art]

Ghost and Oil Lamp, Bun'ichi Tani, 1810, Cleveland Museum of Art: Japanese Art

Tani Bun’ichi was the adopted son of Tani Buncho (1763-1840), a master painter and connoisseur. A Bun’ichi painting remarkably similar to this one that depicts a ghost by a lacquer lamp stand, is in the collection the Tokyo temple Zensho-an. That painting once belonged to Sanyutei Encho (1839-1900), a famed raconteur of ghost stories who donated his collection of ghost paintings to the temple. An inscription in gold on the lamp stand in this painting, identical in content to that on the Zensho-an painting, indicates that it was executed in the 12th month of 1810. Bun’ichi explains that he did not like painting ghosts, but tried it out after listening to a person by the name of Ono. Size: Painting only: 109.2 x 48.9 cm (43 x 19 1/4 in.); Including mounting: 187.3 x 65.4 cm (73 3/4 x 25 3/4 in.) Medium: hanging scroll, ink, color, and gold on silk

https://clevelandart.org/art/1992.71

[horyu-ji]

Japanese ghost paintings drawn by Sanyutei Encho and exhibited at Zeshoan temple.

Meiji pictures taken by Seibei Kajima, the ‘Millionaire Photographer’  and exhibited at Fujifilm Square in Roppongi.

[mangaredditdotcom]

H.p. Lovecraft's The Outsider And Other Stories.

Alternative: Anton Pavlovich Chekhov's The House with the Mezzanine,Carib Song's A Barnstormer on Pont-Neuf,H.P. Lovecraft's The Outsider,Ju-ga,Maxim Gorky's Twenty-six Men and the Girl,Sanyutei Encho's Kasane Souetsu Groshi,The Outsider: Extra Works,Outsider,アウトサイダー,ポンヌフ橋の放浪芸人,中二階のある家,二十六人の男とー人の少女,累 宗悦殺し　其ノ一

Description : A collection of stories:<br><br>1. The Outsider by H.P. Lovecraft<br>In this work, a mysterious man who has been living alone in a castle for as long as he can remember decides to break free in search of human contact and light. “The Outsider” is one of Lovecraft's most commonly reprinted works and is also one of the most popular stories ever to be published in Weird Tales.<br><br>2. The House with the Mezzanine by Anton Pavlovich Chekhov<br>“The House With The Mezzanine” is the story of a somewhat diffident young man, a painter, and his somewhat tenuous romance with two sisters during a vacation; the story is laden with the impressionistic images conjured up by its narrator and is one of Chekhov’s finest short stories.<br><br>3. Twenty-six Men and a Girl by Maxim Gorky<br>“Twenty-six Men and a Girl” is a pioneering story of Social Realism (predating Soviet socialist realism), and is a story of lost ideals. Twenty-six men labor in a cellar, making kringles in an effective prison. They are looked down upon by all around them, including the bun bakers. Their only seeming solace is the sixteen-year-old Tanya who visits them every morning for kringles they give her.<br><br>4. Ju-ga Original Series by Tanabe Gou #MangaReddit.com, #ReadFreeMangaOnline Read Free Manga Online at MangaReddit.com: https://mangareddit.com/p/h-p-lovecraft-s-the-outsider-and-other-stories_1584394323.html

Read more.

[theoryofmine]

“Manapság a férfiak csakúgy odavetik bármelyik nőnek: ”Gyere, feküdjünk le!” És még képesek megbántódni, ha erre ilyen választ kapnak: “Hagyjon már békén!” “Ha nem jössz, akkor mondd meg, és keresek valaki mást!” - felelik erre. Mintha csak egy kiadó szobát keresnének.”

[jculture-en]

Spectral sightings at Zenshoan Temple

#rakugo [The Japan Times]It’s in the premises of one of these temples, Zenshoan, that the grave of Sanyutei Encho rests. A legendary Meiji Era (1868-1912) rakugo storyteller famed for his tales of ghosts and apparitions, …

[rakugo-en]

Spectral sightings at Zenshoan Temple

#rakugo [The Japan Times]It’s in the premises of one of these temples, Zenshoan, that the grave of Sanyutei Encho rests. A legendary Meiji Era (1868-1912) rakugo storyteller famed for his tales of ghosts and apparitions, ...

[peonylanternsworld-blog]

Reading Sanyutei Encho's  " The Peony Lantern" .

Recommended

[screamscenepodcast]

Director Nobua Nakagawa returns with KAIDAN KASANE-GA-FUCHI (1957), translated as GHOST STORY OF KASANE SWAMP! Based on a story from rakugoka Encho Sanyutei, this horror delivers exactly what you want, and more!

The film stars Tetsuro Tamba, Katsuko Wakasugi, Takashi Wada, Noriko Kitazawa and Kikuko Hanaoka.

Context setting 00:00; Synopsis 13:18; Discussion 25:56; Ranking 39:53

[cma-japanese-art]

Ghost and Oil Lamp, Bun'ichi Tani, 1810, Cleveland Museum of Art: Japanese Art

Tani Bun’ichi was the adopted son of Tani Buncho (1763-1840), a master painter and connoisseur. A Bun’ichi painting remarkably similar to this one that depicts a ghost by a lacquer lamp stand, is in the collection the Tokyo temple Zensho-an. That painting once belonged to Sanyutei Encho (1839-1900), a famed raconteur of ghost stories who donated his collection of ghost paintings to the temple. An inscription in gold on the lamp stand in this painting, identical in content to that on the Zensho-an painting, indicates that it was executed in the 12th month of 1810. Bun’ichi explains that he did not like painting ghosts, but tried it out after listening to a person by the name of Ono. Size: Painting only: 109.2 x 48.9 cm (43 x 19 1/4 in.); Including mounting: 187.3 x 65.4 cm (73 3/4 x 25 3/4 in.) Medium: hanging scroll, ink, color, and gold on silk

https://clevelandart.org/art/1992.71

[cma-japanese-art]

Ghost and Oil Lamp, Bun'ichi Tani, 1810, Cleveland Museum of Art: Japanese Art

Tani Bun’ichi was the adopted son of Tani Buncho (1763-1840), a master painter and connoisseur. A Bun’ichi painting remarkably similar to this one that depicts a ghost by a lacquer lamp stand, is in the collection the Tokyo temple Zensho-an. That painting once belonged to Sanyutei Encho (1839-1900), a famed raconteur of ghost stories who donated his collection of ghost paintings to the temple. An inscription in gold on the lamp stand in this painting, identical in content to that on the Zensho-an painting, indicates that it was executed in the 12th month of 1810. Bun’ichi explains that he did not like painting ghosts, but tried it out after listening to a person by the name of Ono. Size: Painting only: 109.2 x 48.9 cm (43 x 19 1/4 in.); Including mounting: 187.3 x 65.4 cm (73 3/4 x 25 3/4 in.) Medium: hanging scroll, ink, color, and gold on silk

https://clevelandart.org/art/1992.71

[cma-japanese-art]

Ghost and Oil Lamp, Bun'ichi Tani, 1810, Cleveland Museum of Art: Japanese Art

Tani Bun’ichi was the adopted son of Tani Buncho (1763-1840), a master painter and connoisseur. A Bun’ichi painting remarkably similar to this one that depicts a ghost by a lacquer lamp stand, is in the collection the Tokyo temple Zensho-an. That painting once belonged to Sanyutei Encho (1839-1900), a famed raconteur of ghost stories who donated his collection of ghost paintings to the temple. An inscription in gold on the lamp stand in this painting, identical in content to that on the Zensho-an painting, indicates that it was executed in the 12th month of 1810. Bun’ichi explains that he did not like painting ghosts, but tried it out after listening to a person by the name of Ono. Size: Painting only: 109.2 x 48.9 cm (43 x 19 1/4 in.); Including mounting: 187.3 x 65.4 cm (73 3/4 x 25 3/4 in.) Medium: hanging scroll, ink, color, and gold on silk

https://clevelandart.org/art/1992.71