#email ticketing system
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simplifysol · 5 months ago
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How Omnichannel Customer Service Improves Brand Loyalty
In today’s fast-paced digital world, customer expectations are higher than ever. They demand seamless, personalized, and consistent experiences across multiple channels. Meeting these expectations is crucial for businesses looking to build and maintain brand loyalty. One of the most effective ways to achieve this is through omnichannel customer service.
What is Omnichannel Customer Service?
Omnichannel customer service is the practice of providing a unified customer experience across all communication channels, including phone, email, chat, social media, and in-store interactions. The key to successful omnichannel service is ensuring that these channels are interconnected, allowing customers to switch between them without any disruption in the service they receive.
The Role of Omnichannel Customer Service in Building Brand Loyalty
1. Consistency Across Channels
One of the main reasons omnichannel customer service improves brand loyalty is the consistency it offers. When customers receive the same high-quality service across all channels, they feel valued and understood, which strengthens their trust in the brand. Whether they are using a social media management tool to reach out or submitting a query through an email ticketing system, the experience should be seamless and coherent.
2. Personalized Customer Experiences
Omnichannel customer service allows businesses to collect and analyze data from various touchpoints, enabling them to provide personalized experiences. When customers feel that a brand understands their needs and preferences, they are more likely to remain loyal. For example, if a customer interacts with your brand on social media and later calls your support team, an omnichannel approach ensures that the support team has access to the previous interaction data, allowing them to offer personalized assistance.
3. Enhanced Customer Convenience
Convenience is a significant factor in customer satisfaction and loyalty. Omnichannel customer service allows customers to choose their preferred communication channel and switch between them as needed. For instance, a customer might start a conversation via a social media management tool and later continue it through an email ticketing system without having to repeat themselves. This flexibility makes it easier for customers to engage with your brand, increasing their overall satisfaction.
4. Improved Response Times
Fast response times are critical in maintaining customer satisfaction and loyalty. Omnichannel customer service enables businesses to respond to inquiries more efficiently by integrating various channels. For example, an email ticketing system can be linked to your social media management tool, ensuring that all customer queries are handled promptly, regardless of the channel they originate from. This level of responsiveness can significantly enhance the customer experience and, in turn, foster brand loyalty.
5. Building Trust Through Transparency
An omnichannel approach also promotes transparency, which is vital for building trust. Customers appreciate when brands are open and honest about their processes, and omnichannel customer service can facilitate this by providing consistent messaging across all platforms. When customers trust a brand, they are more likely to stay loyal and recommend the brand to others.
The Impact of Omnichannel Customer Service on Customer Retention
Customer retention is closely linked to brand loyalty, and omnichannel customer service plays a crucial role in retaining customers. By offering a seamless, consistent, and personalized experience across all channels, businesses can keep customers engaged and satisfied. This, in turn, reduces churn rates and increases the likelihood of repeat business.
Conclusion
Omnichannel customer service is no longer a luxury but a necessity for businesses aiming to build and maintain brand loyalty. By providing consistent, personalized, and convenient experiences across all channels, businesses can significantly enhance customer satisfaction and retention. Integrating tools like an email ticketing system and a social media management tool into your omnichannel strategy can further streamline operations and improve the overall customer experience.
In the competitive business landscape, brands that prioritize omnichannel customer service are better positioned to foster long-term loyalty and achieve sustained success.
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orange-orchard-system · 11 months ago
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The Plural Association is having an event for DID Awareness Day tomorrow. We can't tell if it's just us, but the link on their emails to reserve tickets isn't working, so we went ahead and dug around their site until we finally found the link there to reserve tickets, so we could share it on here.
If you're looking to schedule for the event, click this link!
If you need a scholarship (discount) to attend the event, click this link!
If you want to know more about the event, click this link!
I hope this helps anyone who's interested in attending tomorrow's event!
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daincrediblegg · 6 months ago
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Love it when no one responds to my emails🙃
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renesassing · 2 years ago
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artists who do personal commissions and/or people who place commissions, do y'all like to use forms? i.e., an online form (like google forms or carrd forms) or a pdf form you can fill out and send via email or whatever. does it make it more/less inviting to request a commission?
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spice-ghouls · 2 years ago
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Almost a full 2 weeks now at the New Job and it's very stressful but I like my coworkers so I'm having an ok time :)
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recreationaldivorce · 1 year ago
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unity is making me email their gdpr team just to update my name 😭
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mr-reviews · 10 months ago
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Read our comprehensive review of Email Studio — All-in-One Atomic Email Marketing Software by Massmail Software. Discover its features, pricing, and user testimonials.
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phagodyke · 11 months ago
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made the mistake of checking the bus times too early this morning (the app lies and says they're on time until ~15 mins before theyre due when it updates to the Real Due Date) and it was a half hour late AGAIN.. so I just took the other line instead and its fucking wild how much faster and more reliable it is. why have I been using the other one for 3 fucking months.
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ghost-bxrd · 8 days ago
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@doeeyeddyke I’M WHEEZING 😂😂😂😂😂😂😂
Hi that ground hog day Jason prompt has me in a head lock. The absolute angst and trauma the batfam will experience. Especially the first time before the loop resets with Dick, Bruce and Alfred who have already lived through Jason's first death. The bad memories this will stir up. You could go for extra angst, since Jason's death into he first loop probably wasn't intentional and go with the classic bomb in in warehouse for an extra guy punch. Just really drive all the bats to the brink of their remaining sanity.
Then you look at the fun Jason gets to have, with all the different ways he can kill the joker. Like, you could have some really jaring and comedic tone switches with the pov switches.
Just, I am so looking forward to anything you bless us with from this idea.
The first thing I just thought of was the song Headlock by Imogen Heap and I think it’s funny cuz it sorta fits the differing POV of this particular groundhog AU pretty well hehe
Alrighty! So, I most likely won’t be writing a fic for this, but I do have some plot points written down as some food for thought/inspiration ✨
!!! Considering the mechanics of this particular prompt please mind that these include mentions of suicide !!!
A stranger cryptically tells Jason they’re gonna do him a favor and create a time loop for him ((this could happen in some random supermarket while he’s getting spaghetti. So… the usual Gotham weirdness. Nothing to be concerned about quite yet))
Going with the first death being accidental and happening at a warehouse, we could add to it by having it be a malfunction of Jason’s helmet. Like the detonators being triggered by a stray kick or bullet ((or batarang))
For Jason it’s an instant reset of the day. The Batfam have to experience an hour post Jay’s death before everything starts anew.
Bruce usually spends that hour cradling Jason’s body the way he did after Ethiopia
The first time the day resets the Batfam just think they had a spectacularly bad dream and keep everything to themselves. Jason spends all of ten minutes in a daze, and then he starts making a list of all the things he wants to do to Joker
Jason tends to opt for quick ways to kill himself at the end of each day. Usually as soon as Joker is dead, because that’s when he loses interest. And because he doesn’t want to deal with the fallout. Unfortunately the Batfam assume that all they need to do to end the loops is to keep Jason away from Joker and any explosives.
The batfam start reading into every interaction they have/had with Jason and become increasingly frantic trying to convince Jason that life is great and worth living. Jason is confused. And annoyed. Mostly because it’s becoming increasingly difficult to steal away from them.
By the time the loop finally ends for good, Joker has resolved to stay tf away from any and all Robins forever. He’ll go work at friggin seven-eleven and become an upstanding citizen as long as the Red Hood just STAYS AWAY from him. He regrets many of his life decisions.
Bruce has a full blown meltdown when he realizes that Jason is actively killing himself. Dick isn’t far behind.
Alfred tries to end the loop by sedating Jason, but the loop resets anyway
The batfam are feverishly looking for the catalyst that keeps driving Jason over the edge. Meanwhile Jason is having the time of his life and healing some of his trauma.
The longer the loop continues the more Jason takes notice of how frequently the batfam tell him they love him, and his focus starts shifting from Joker to spending time with them. Telling them things he never would if he didn’t think they’d forget it anyway.
Heartfelt talks and, eventually, teary begging from a batfam member for Jason to please not die again because they can’t take any more. And Jason’s horrified realization of what he accidentally put the batfam through.
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fuckyeahgoodomens · 7 months ago
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Good Omens graphic novel update: June 2024
Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.
Admin
Ongoing reminder that the project FAQ can be found here. 
I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.
Events
We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.
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We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.
We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.
You can get your tickets for ACME Comic Con here. We hope to see some of you there.
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While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.
Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.  
Good Omens items...
This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.
To make up for that, here's some new panels from Colleen:
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Also known as, "What could possibly go wrong?" And:
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Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.  
Update from Colleen
Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.
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I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.
This is my original, hand drawn line art.
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And this is the flatting file which was created using the MultiFill computer program.
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It will put your eyes out.
The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.
The same image with the line art on top.
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The layer order looks like this.
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Background copy is the clean, line art layer.
I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.
If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.
The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.
This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.
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This drives me nuts and is an absolute nightmare to fix.
It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.
What looks great on your computer can cause big problems in print.
From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.
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But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.
Here is my final color page.
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Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.
If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.
Here’s an example. The digital flat file.
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The desaturated flat file that doesn’t make me want to poke my eyes out.
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And the final color.
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Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.
Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.
Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.
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A colorist must also consider color settings.
Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.
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This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.
When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.
Another really important thing to consider when coloring comics is color range.
I’m coloring this book in RGB range, but for print you use CMYK.
I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.
Here is this shot in RGB color setting.
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And here is the same page calibrated for print in CMYK.
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The biggest shift is in the reds. Print cannot match those reds.
You may not see much difference here, but it’s the sort of thing that drives artists crazy.
A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?
Nope. Not even close.
First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.
Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?
It's like that.
I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.
If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.
YAY!
But from one monitor to the next, that's about where the resemblance ends.
Colors are calibrated to something called RGB, or Red, Green, Blue.
All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.
This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.
Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.
That's a lot.
And that's why some of the colors you see on your TV or phone are so deep and intense.
For the widest possible range of color and intensity, you use RGB.
Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.
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For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.
In printing, the pure blue is actually Cyan and the pure red is actually Magenta.
CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.
The gamut of CMYK is limited to what can be created with ink.
You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.
But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.
Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.
The RGB version:
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And then this shot after it was converted to a CMYK file for print.
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That's a pretty big difference.
Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?
That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.
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The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.
And you may not like what you end up with.
As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.
A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.
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Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.
Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.
Again, here is the unaltered file.
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You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.
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And the Gamut Warning will show you which colors are out of gamut range for print.
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The intensity of that magenta and that purple in the top right are not going to print true.
This is how it will look in final.
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So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.
Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.
Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.
Until next time.
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dimension20official · 2 months ago
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If you haven't been able to get tickets for our upcoming live show, Dimension 20: Gauntlet at the Garden, good news - you can now (actually) submit for the Dimensioneer tickets lottery!
For those not in the know: we’re releasing a limited number of $35 Dimensioneer tickets for our Madison Square Garden show as a thank you for our fans through a special request system.
Here’s how it will work: submit a request using this link by Nov. 17th. Provide your payment info and you’ll only be charged if your request can be fulfilled. If you’re selected, you’ll get an email by the evening of Nov. 22 with more information.
Your seat location will be randomly assigned and revealed on the night of the show, in sections throughout the venue including “Upper Level” and “Floor.”
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myceliacrochet · 3 months ago
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U.S. Senate is voting Wed Nov. 13th on whether to continue sending aid to Israel!!!!
🇵🇸🇵🇸3-Day Art Raffle🇵🇸🇵🇸
🌸🩷🍄Contact Your Reps for Gaza to Enter!!!🍄🩷🌸
Those who are not in the U.S. are welcome to participate too and contact your own representatives.
Here are some examples of my art
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🩷🌸🍄How to Enter🍄🩷🌸
1. Contact Your Representative(s) by Nov. 13th.
Here are some links that will lead you through it:
US (USPCR); call
US (USPCR): email
US (Jewish Voice for Peace): call
UK: letter
Australia: email
Canada: email
2. Let Me Know.
Lmk how many representatives you contacted and how many times each. You can just dm or comment me the tally, or you can send me screenshots as you make the calls/letters/emails. Honor system
3. Win an Art!
Lmk what you want me to make and you will get a digital copy.
🩷🌸🍄FAQs🍄🌸🩷
How Many Tickets Can I Get?
As many times as you contacted your own representative (doesn't have to be a senator, but preferably so) starting on Nov. 10.
So if you called the White House twice, your governor 1 time, once senator twice, another senator twice, and your district rep once, you would get 8 tickets.
Yes, you can contact them more than once in a day, and you will get as many tickets as the number of times you contacted. Flood 'em.
Do I Call, Send a Letter/Postcard, or Email? Do I Use My Own Words or a Script?
That's up to you! Some of the links in Step #1 have tips, scripts, and form letters. Just do it.
Who are Basma and Shorouq from the Pictures?
They're Palestinians and I love them! Check out their stories here and here, they need emergency funds.
@craigthetourguide @blomstermjuk @mythiedew @operationladybug @fifthnormani @disinfobot @beserkerjewel @skipppppy @punkitt-is-here @nocturnal-notes @acehimbo @butchfeygela @bisexualspeed @butchjeremyfragrance @k1teko @ohjinyoung @revoltingcocks @yampulp @nocturnal-notes @rememberthelaughter2016 @parfaithaven @gryficowa @tittyinfinity @6o3o9 @fantasykiri5 @sadbiooi @battleofthegarys @illpunchababy @alliterate-accident @flashingdaydreams @s7ar-sai10r @tallytals @monotremesoup @dlxxv-vetted-donations @ilikefoodandyourmom @i-named-my-cactus-albert @pogasssm @thethrillbasisindeterminable @agremlinthing @huzni @bagofbonesmp3 @hussyknee @divorce-enjoyer @treffyfrinn @effen-draws @thatsonehellofabird @neechees @queerpotat @queerstudiesnatural @maester-cressen
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oblivionsgrace · 7 months ago
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update I still haven’t gotten an email so I just re-signed up using my phone number because I have Anxiety. And I got a text right away. So phew
I responded right away and I still haven’t gotten the email 😭 how long did it take for y’all??
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thefemigirl · 4 days ago
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★ Level Up Your Finances - Prt 1
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Hey, lovely! Let’s talk about something super important that often gets overlooked—financial literacy. I know, the term might sound intimidating or even boring, but trust me, it’s your golden ticket to independence, confidence, and making smart life choices.
As young women, understanding money empowers us to live life on our terms, invest in our futures, and say goodbye to financial stress. So, I have five of the easiest and most important ways to up your financial game!
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▸ Set a Weekly List of Topics to Learn
Learning bit by bit makes the process less overwhelming and ensures you’re always growing your knowledge. Topics could include budgeting, saving, or investing.
Pick one topic today (e.g., “How does a savings account work?”) and spend 30 minutes researching it. Write down what you learn—it’s like building your own money cheat sheet!
▸ Watch Finance Videos Daily
Finance videos break down complex topics into bite-sized, relatable lessons. Plus, you can watch them while chilling on the sofa!
Search for beginner-friendly finance YouTube channels (like The Financial Diet) and aim to watch one 10-minute video a day.
▸ Talk to Friends About Money
There seems to be a big taboo on talking about money with other people. But you can start to break that! Start money conversations with trusted friends can teach you new tricks and remove the stigma around finances.
Ask a friend, “How do you manage your budget?” or “What’s your best money tip?” or "What's your girl money math tip?" It’s fun, helpful, and builds a support system.
▸ Read Economics Columns of News
Understanding the big picture helps you make better decisions about your own money, especially when it comes to trends like inflation or savings rates. This ties into Economics a bit, for those interested.
Subscribe to an email newsletter like Morning Brew or pick one day a week to read the money section of a news site.
▸ Listen to Money Podcasts
Podcasts are great for multitasking—you can learn while commuting, walking, or cleaning. Many are packed with actionable tips and inspiring stories.
Download an episode of HerMoney with Jean Chatzky or The Budget Mom Podcast and take notes on one tip you’d like to try.
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Raising your financial literacy isn’t about becoming a math genius or sacrificing fun—it’s about taking small, consistent steps to feel more confident with money. Start with these tips, and remember, every little step counts.
You deserve a better future,
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polyamships · 5 days ago
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[ID: Text in the center says Polyam Shipping Day, 14th of every month, Feb 2025 - Epistolary. Below Polyam Shipping, and to the left of Day, is a red infinity sign that finishes in a heart on top. Surrounding the text are rows of stylized hearts in the colors of both versions of the polyam pride flag (black, red, bright blue, light green, dark green, light blue, navy). Either side of the prompt are emojis, notebook on the left and projector on the right. /end ID]
February 14th 2025 is our 46th Polyam Shipping Day.
The optional theme for it is: 📒Epistolary📽️
A classic take is long distance letter writing, or postcards when apart, or love notes just because. The letters could instead be with others talking about their love(s) rather than with them. Other choices are diary entries, travel/ships logs or other types of logs. Modern takes are email exchanges, DMs, voice memos, chatfic, blogs and social media AUs. This could also be document comments or replies on a ticket system if your characters work together. If in the public eye, newspaper and magazine articles or online speculation about the ship/polycule. For something more unusual you could tell a story with other types of documents, such as receipts or invoices.
This is also a great opportunity for a collab with another writer(s) or artist(s) where each of you writes for a character or illustrates the letters the characters send to each other. Think outside the box!
We’ll be tracking #PolyamShippingDay, and keeping an eye out for any @polyamships mentions too. We will reblog any polyam-positive fanworks featuring polyamorous ships of any configuration/type from any fandom. All ratings are welcome but anything nsfw/triggery should be warned for and behind a read more, as should very long tumblr fic.
You can also submit works directly to the blog or send us asks to let us know to check your blog for a post. If you’re posting on AO3, our collection name is ‘PolyamShippingDay‘ and you can post to the collection here. Only fanworks submitted/@ us on tumblr or in the official AO3 collection, or fanworks posted to our Dreamwidth community, are guaranteed to be included in our roundup. Please also let us know what prompt you created for, if any - people are always welcome to create for past prompts instead.
We have a Discord - invite here - if you want a place to chat about your ships or what you’re creating for them.
We look forward to seeing what people create for it. If you’re enthused about the day, we’d be especially appreciative of any reblogs to help spread the word about the event.
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