#elevator industry trends

[wirewitchviolet]

I miss games conveying a sense of Bigness

As you know if you watch my twitch streams, I play a lot of games, and games from a lot of eras, and there's a whole bunch of industry trends you pick up on from certain time periods. The one I really feel like talking about was a definite thing from oh... 1998 through... 2010 or thereabouts? Basically the aughts, give or take a couple years. Or if you prefer, the first two Playstations' run and a bit of the third. It was a period where games in general were really committed to feeling Big.

It feels a little weird to say that when major releases are priding themselves on stuff like measuring how much disk space they need in terrabytes and maps that sprawl out everywhere, but that's not what I'm talking about here. Games trying to feel Big is more of an attitude thing, and ironically enough I'd say it fell out of fashion almost immediately when Open Worlds became the new big thing. We hit a point where people actually made the maps for their games super big (even if most of that space was just kinda vast stretches of unremarkable rocks) so there's no more need to fake it, right? But faking it was kinda great.

I was thinking about this a lot playing the Resident Evil 2 remake, and comparing it to the original PSX game. See the original Resident Evil was set in a spooky mansion out in the middle of nowhere, but RE2 was the Bigger Better Sequel. So now we have a zombie outbreak happening in a whole major city, not just this single mansion. And how do we accomplish that? Do we actually model hundreds of buildings and have a big meandering adventure through all of them, or even a good swath? No not at all. Let's compare the actual maps side by side...

[There WAS a full map of RE2 here it was causing the post button to bug out. Look it up on your own?]

It's a little bigger. There's maybe a dozen more total rooms? But mostly, it's a smoke and mirrors thing. We've still got one big primary location, an animal-filled hike to a side location and back, and an underground science facility, but it feels like we've increased the scope to an entire city. The first playable moments have us out on the streets of the city, objectively in a few quick hallways, but presented as streets packed with dozens of crashed cars, raging fires everywhere, dead bodies littering the streets, and what again feels like innumerable zombies feasting in scattered packs. Once inside, arms of several zombies outside will reach in clawing at you, or later in the game finally breaching through. The remake completely loses that feeling. It feels like there's maybe a dozen zombies out on the streets.

Not to focus on just the one game though. How about GTA3? Remember how even when you're just on the first island, it feels like you're exploring this vast sprawling city?

Here's a more elevated angle from about the same point. I'm looking at this with noclip.website by the way, it's a really cool little toy.

The actual map is LAUGHABLY small. But it FEELS huge. They were really careful to avoid straight roads, and place a couple big vision blocking buildings, even if they're basically just a cube or two so that when you're actually on the ground, it always feels like there's so much more around you. Have another side by side, and a rough estimate of what's visible on the ground in the bird's eye.

RPGs around this time were also having a lot of fun playing with scale comparisons. FF7 is the obvious go-to. The world map is on par with any other in the series, but Big Cities are presented as such, making it very clear that you're just seeing parts of a single district in Midgar, really just the main street in Junon. Dragon Quest 8 had this very bold idea to keep the same visual scale on the world map as in the streets of the towns, with forests made of actual individual trees.

And I'm not even getting into the biggest elephants in the room. Are you old enough to remember how mind-bogglingly sprawling Hyrule Field felt? Maybe a bad example when sequels have kept that focus on selling their worlds as staggeringly Big. Shenmue? Objectively, looking at this map, there's not much there, but damn if I don't feel like this was a real town I lived in for a while 20 years ago. It's the way the detailing gets finer and finer the closer you get to Ryo's bedroom, where you can open every drawer, turn on every light, turn that orange in your hand, you know? I believe that bus you take to the docks has to stop in several other neighborhoods like this one.

And of course, then there's the one other series, maybe worth mentioning, perhaps.

Years later I'm still just speechless.

Again though, I don't actually WANT games with worlds as big as some of these feel. There just isn't the time and the money and the ability for a creative team not to burn out to fully realize that in a handcrafted caring way. I want some kind of inverted Plato's Cave, where it feels like there's a vast breathing world out there, but I'm really in a small cozy space watching masters of the craft put on a shadow puppet show.

[wordsmithic]

Winter Harvest - Review (non-spoilery)

It's not often that I write book critiques directly to Tumblr but this book called for an exception. This story of Demeter (and Persephone) comes to us from a Greek writer and it's a fresh gem in the industry.

You can truly see the Greek eye in the text with all its nuances and cultural understanding. The book had intriguing and creative concepts about the gods and divinity that didn't feel out of place or disrespectful to Greek culture. The concept of divinity and how it operates in Papadopoulou's imagination was particularly interesting and the strongest element in the book for me.

The imbalance between gods, when it came to power and gender, was informed by Greek history and tradition of seeing gender dynamics. In other words, it wasn't the anglophone "ancient males bad, ancient females awesome and always oppressed and sad" voyeuristic trend, and this (actual!) realism truly felt very refreshing to me as a Greek.

The prose is simple but its impact grows the more the book advances. I came to love the way Papadopoulou used language in her own way to showcase the concept of divinity. The story also shined through the faithfulness to the myths and through presenting the gods as something different than humans, a concept that most Western authors of this genre fail to grasp about ancient religions and gods.

The author respected the myths, not trying to "subvert" (the new word Western publishers are obsessed about) or whitewash the original material for native Anglophone audiences but to build on it and show another perspective. Books like this demonstrate that the original material doesn't have to be "subverted" or "deconstructed" to show its timeless value. The story gets ugly and unpleasant at times but it was the first time that I felt I saw good Greek Myth Realism.

Demeter's thoughts and behavior were fascinating to read about. Inner monologues and speculative paragraphs are not my preferred read but in this case, I felt magnetized by Demeter's pov. The transformation she and the other gods go through is related to their hurdles and pain, resulting in very interesting evolutions.

Demeter's actions were informed by her divinity and power within the ancient Greek context and not by modern human standards, which is a very low bar but, as we established, most books in this category don't achieve this at all. For gods, there is little fuss about Human things and Human things are often minutia. For the first time in many years, I felt like I was in the mind of a God and this was a success by the author which elevated the book more for me.

The only negative thing is the simple writing and phrasing which, at times, could read as a bit juvenile but in no way it undermined the ideas of this book and the whole concept. Considering this is the author's debut, some things can be overlooked, more so when they affected the book so little in my reading. Some could say it was a bit slow at times but I adored the perspective and the flow so much that I didn't mind at all.

Reading Winter Harvest was overall a great experience, and I cannot recommend it enough. If you are used to reading Greek myth books only by authors in the Anglosphere I strongly recommend you check it out for its cultural perspective which is - unfortunately - fresh for the western popular publishing industry.

4/5 stars ⭐️⭐⭐⭐

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TikTok: @wordsmithic

[tlonista]

I wish the conversation over Problematic Relationships In Fiction weren't so heavily framed around individual stories. Because I don't care about some random fucked-up novel, but I do feel like current romance media trends toward a recommendation-fueled monoculture with some frustratingly rigid gender norms, and a lot of "does fiction affect reality" discourse offers no way of talking about it.

Every time I dip my toe outside AO3 (Wattpad, Kindle Unlimited, Reddit, my BookTok experience is limited but that's the vibe I get there) I'm dismayed by how hard it is to find M/F romance that's not implicitly or explicitly about eroticized male-dominated power imbalance. Not just "he's a serial unaliver" dark romance, but the huge focus on hypermasculine heroes taking care of heroines and possessive alpha-male fated mates and nigh-inescapable trends like "good girl" praise-kink stuff.

Obviously this was always common in romance publishing, but a) the internet was supposed to support niches and b) I find significantly more diversity on AO3, so I think it can. It's just that no other platform or online community seems structured to do it. Instead a combination of recommendation feeds, word-of-mouth virality, and fast-fashion self-publishing surfaces infinite variations on a handful of the most broadly appealing industry blockbusters and buries everything else.

So instead of offering an alternative to old monolithic print publishing, online platforms seem even better at elevating male-domination kinks from "a fairly popular dynamic" to an inescapable default of What Romance Is. Even if you're fully aware it's a sexual fantasy, it gets downright hard to articulate desire in any other way, especially if you don't have a fully-formed picture of what you like. Unless you think sexuality simply isn't a "real" component of people's lives, I think this is a reasonable example of fiction in aggregate affecting reality in a negative way.

(It's also obviously not unique to romance lit. I just can't speak to stuff like video porn firsthand, and I don't see a ton of pushback on people criticizing the gender dynamics of Pornhub.)

But if the only available question is "is X book corrupting impressionable young women," then... no, that's silly. If anything, the aggregate system makes individual books feel bad in ways the authors probably didn't intend. Like, in Popular Kink Land, "your feminism says no but your body says yes" tropes are appealing for some women working through a particular kind of purity culture. In Inescapable Dynamic Land they take on this Gorean overtone where all women secretly want a man to take charge of them. The former is not my thing but fine; the latter feels like some kind of weird accidental gaslighting.

To the extent AO3 escapes this, I think it's for four reasons.

A focus on tags and chronological sorting, which helps surface non-popular stuff and gives readers more control

It's strictly non-commercial so there's less incentive to write for the broadest audience or fill the site with boilerplate sludge

It doesn't segregate categories like "romance for men", so there's less gerrymandering of cross-gender niches like femdom

The fourth reason, which is most interesting to me, is that fanfic ships (specifically not X-reader ships) create easily discoverable literary microgenres drawn from a huge range of media outside the tropey echo chamber of Romancelandia Proper.

In my experience it takes hours of scouring Reddit and Goodreads to find non-normative original romance, but one AO3 search and a few clicks to get from "I played Resident Evil and liked Ada and Leon's vibe" to a substantial microgenre about a badass woman making a cute guy stutter, or "I loved Kaz and Inej in Six of Crows" to a bunch of takes on a not-conventionally-masculine hero and a powerful but vulnerable heroine pining for each other. Since a decent number of fanfic authors also write non-fanfic, there's even a chance you'll find somebody who does original characters with a sensibility you like. I have no idea how you'd bring this system outside shipfic, but I'd love to see someone try.

[visit-new-york]

Chrysler Building. Here are 100 fascinating details about this iconic skyscraper:

The Chrysler Building's construction began in 1928 and was completed in 1930, marking a rapid two-year build time.

Architect William Van Alen designed the Chrysler Building, showcasing his innovative Art Deco style.

The building was commissioned as the headquarters for the Chrysler Corporation, led by Walter P. Chrysler.

Rising to a height of 1,046 feet (319 meters), it held the title of the world's tallest building upon completion.

The building's gleaming spire, reaching 77 stories, is a hallmark of its vertical elegance.

Despite its reign as the world's tallest, the Chrysler Building is no longer the tallest in New York City.

Art Deco, characterized by geometric patterns and ornate embellishments, defines the building's architectural style.

The exterior is adorned with stainless steel cladding, decorative brickwork, and limestone accents.

The iconic terraced crown, inspired by automotive design, houses the distinctive eagle gargoyles.

The eagle gargoyles symbolize ambition and freedom, and they're perched on the 61st floor corners.

The building's lobby features stunning marble walls, intricate patterns, and Art Deco detailing.

The Chrysler Building's construction cost around $20 million during the late 1920s.

Upon its completion, the building faced economic challenges due to the onset of the Great Depression.

The building's name honors Walter P. Chrysler and his contributions to the automotive industry.

The Chrysler Building's race to be the tallest spurred a friendly competition with the Empire State Building.

Visitors can't typically access the upper floors due to security, but the lobby is open to the public.

The building's distinctive appearance has made it a popular backdrop in movies and TV shows.

The Chrysler Building's ornamentation draws inspiration from automobile radiator grilles and hubcaps.

The decorative elements were crafted with precision and attention to detail, elevating its visual appeal.

The building's steel frame, a modern marvel, enabled its towering height and iconic silhouette.

The Chrysler Building's crown has been illuminated in various colors for special occasions.

The Great Depression impacted the building's initial occupancy and financial viability.

The Chrysler Building's Art Deco design was influenced by the optimism of the Roaring Twenties.

The land on which the building stands was leased from the Cooper Union for the Advancement of Science and Art.

Its completion marked the pinnacle of William Van Alen's architectural career.

The Chrysler Building's interior spaces have housed various offices and businesses over the years.

The building's influence extended to other structures worldwide, particularly during the Art Deco era.

The Chrysler Building's legacy persists as an architectural and cultural icon in New York City.

The lobby's geometric patterns and luxurious detailing echo the building's Art Deco exterior.

The Chrysler Building has inspired artists, writers, and photographers for decades.

Preservation efforts have aimed to maintain the building's historic features and design integrity.

The building's unique design elements have influenced subsequent skyscrapers and architectural trends.

Its enduring popularity ensures it remains a sought-after subject for photographers and creatives.

The Chrysler Building's lobby has been open for guided tours, allowing visitors to appreciate its beauty.

The building's construction provided vital employment during a time of economic uncertainty.

The Chrysler Building's spire was initially intended for mooring airships, although this idea was not realized.

The building's rapid construction showcased the advancements in engineering and construction techniques.

The Chrysler Building's exterior underwent a restoration project in the early 2000s.

The distinctive terraced design of the crown adds depth and elegance to the building's profile.

The building's presence has transformed its Midtown Manhattan neighborhood, attracting commerce and development.

It's visible from various parts of Brooklyn, offering a distant view of Manhattan's skyline.

The Chrysler Building's design embodies the spirit of progress and innovation of the 1920s.

The stainless steel cladding was specifically treated to maintain its shine and resist weathering.

The Chrysler Building's lobby boasts a remarkable ceiling mural depicting transportation and industry.

It remains an enduring symbol of New York's ambition, resilience, and architectural excellence.

The Chrysler Building was designated a National Historic Landmark in 1976.

While its interiors have changed over the years, the exterior remains a testament to its original design.

The building's Art Deco design elements are echoed in its elevators, doors, and decorative elements.

Preservation efforts ensure that the Chrysler Building remains a beloved part of New York's skyline.

The building's construction coincided with a surge in demand for steel, reflecting industrial progress.

The Chrysler Building's lobby was meticulously designed to impress and reflect the company's prominence.

The building's architectural details have made it a subject of fascination for architectural historians.

The Chrysler Building's influence on architecture extends beyond the United States to a global scale.

The building has made appearances in literature, poetry, and as a backdrop for important events.

The competition with the Empire State Building was marked by a race to complete the tallest structure.

The Chrysler Building's design showcases a balance between form and function, elegance and engineering.

Its terraced crown and ornamentation draw inspiration from ancient architectural styles.

The Chrysler Building's design emphasizes verticality, a departure from earlier Beaux-Arts influences.

The building's lobby features elevators with ornate doors and intricate detailing.

The Chrysler Building's lobby ceiling boasts an intricate mural illustrating transportation modes of the era.

It's recognized for its role in shaping the skyline and character of New York City.

The Chrysler Building's design incorporates elements from Greek and Roman architectural styles.

The building has withstood the test of time, remaining relevant in modern architectural discussions.

The Chrysler Building's presence reflects the ambition and dynamism of New York City itself.

It's often regarded as one of the finest examples of Art Deco architecture in the world.

The Chrysler Building's design exemplifies the era's fascination with technology and innovation.

The building's ornate decorations incorporate influences from various cultures and artistic movements.

The Chrysler Building's facade features setbacks that provide visual interest and break up the verticality.

The building's crown is composed of seven terraced arches, each adorned with intricate detailing.

The Chrysler Building's lobby showcases a mix of luxurious materials, including marble and metals.

Its distinct lighting schemes have transformed it into a nighttime spectacle on special occasions.

The building's construction was a testament to collaboration between architects, engineers, and craftsmen.

Its innovative design allowed for natural ventilation and an abundance of natural light in its interiors.

The Chrysler Building's design embraced the machine age while incorporating elements of elegance.

Its iconic spire is topped by a glass radiating crown, enhancing its visual impact.

The Chrysler Building's influence on architecture extended to the design of other skyscrapers worldwide.

The building's ornamentation was crafted with attention to detail, featuring intricate patterns.

Its lobby served as a grand entrance, reflecting the prestige and status of the Chrysler Corporation.

The Chrysler Building's name serves as a tribute to the automotive industry and its innovation.

It's an integral part of New York City's skyline, recognizable from various viewpoints.

The building's crown was originally intended as an indoor observation deck, but this plan changed.

The Chrysler Building's lobby murals reflect the era's enthusiasm for technological progress.

Its construction contributed to New York City's economy during a challenging period.

The building's height race with the Empire State Building added excitement to its completion.

Its innovative design incorporated the latest technologies of the time, including stainless steel.

The Chrysler Building has inspired generations of architects, designers, and creatives.

Its design echoes the optimism and exuberance of the Jazz Age and the Roaring Twenties.

The building's presence symbolizes New York's role as a global center of commerce and culture.

Its iconic silhouette is often used as a shorthand representation of New York City.

The Chrysler Building's lobby serves as a time capsule of Art Deco aesthetics and values.

The building's architectural legacy is celebrated for its contribution to the Art Deco movement.

Its exterior materials were chosen for their durability and aesthetic appeal.

The Chrysler Building's construction required an astounding 391,881 rivets and 3,826,000 bricks.

The building's lobby ceiling mural portrays modern transportation modes of the time.

Its spire was constructed using a technique called "top-down" assembly, a novel approach at the time.

The Chrysler Building's aesthetics reflect a transition from earlier Beaux-Arts architecture.

The building's setbacks and intricate crown contribute to its visually striking design.

Its unique terraced design provides architectural depth and adds to its majestic presence.

The Chrysler Building's construction showcased the collaborative efforts of skilled craftsmen.

Its completion coincided with a period of technological advancement, optimism, and modernization.

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[mabelpodcast]

some (non-Mabel-related) news

I went to a bookstore.

It’s a beautiful bookstore, maybe one of the world’s perfect bookstores. It sells used and new books, and there are comfortable seats and beautifully-curated collections created by the people who work there, people who obviously love books, and there are nooks and crannies and secret rooms and areas for children and art and bathrooms and no one will bother you if you want to wander and read first chapters for three hours, which we did. I bought a signed copy of a Caitlín R Kieran book for four dollars. I loved being there.

I also hated being there. This bookstore is Instagram famous. A solid fifty percent of the customers were influencers. They blocked aisles to stage photos. They pretended to read in the most aesthetic poses, with books whose covers complimented their outfits. There was an entire section of the store dedicated to “Book-Tok faves”. I tried to read some of these books, and found them unilaterally depressing - not because of their subject matter, or even because of their shocking lack of copyediting, but because of the clear and heartbreaking hoops each and every author so obviously had to jump through in order to sell their work. The game, as my wife put it, they all had to play. Social media. Followers and likes. The cultural capitol of diversity points. The apologism for lack thereof.

For the past year I have been writing romance novels. I’m going to be painfully honest about the three reasons I’ve been doing so: first, because I’m good at it (I’m a fast, skilled writer); second, because I like romance novels; and third, because I wanted money. I believe in the sanctity of art but also in the bills I have to pay. I wrote these books in a way that meant I would not be ashamed of them, nor of my attachment to them. They are not deeply, religiously personal, like HETTIE AND THE GHOST, but they are about flawed and damaged people trying as hard as they can to find one another, and that is a story-arc I will always stand behind. Also? They are funny. And I write good sex scenes. They are good books.

For the past three months I have been working towards publishing them. It’s been going well. I have had some meetings. Of the twelve literary agents I queried, three have offered representation. I have enough familiarity with the publishing industry to understand what this means: my work is considered marketable enough that I could, with a lot of work but with definite feasibility, make a career from these novels.

Here’s the problem. It’s come to my attention that I hate this industry. I hate the pandering, the reduction of story down to audiences and trends. I hate the “elevator pitch”, I hate the lack of ethics and environmental consideration in printing mass quantities of books, I hate advertising and marketing myself and making sure that I am palatable - just queer enough, just marginalized enough - to sell rather than put off. I hate participating in a system that I fundamentally despise; I came up with Cantrap Press’s barter system because I hate it. On a long journey home at night, surrounded by suburban sprawl, I realised that I couldn’t make this my career. It would drive me insane. These stories will not change the world but all stories are alive and to pinch and snip them into shapes palatable enough so a Big Publishing Company can successfully pimp them to a world of Book-Tok influencers sounds, to me, like a living nightmare. I won’t do it.

But: I have another problem. I do believe with all my heart that art should be accessible. At the same time, I also believe with all my heart that artists should be fairly compensated for their work. Running a small press is a wonderful and worthwhile endeavor, but it is a labour of love, like putting out a podcast entirely for free. It’s also a labour of money, and the rising costs involved mean that I wouldn’t break close to even if I were to print these books myself.

So what’s the solution? Here’s mine. I’m giving them away. I’ve done this before, and it felt like the purest form of myself. The books will be, always, entirely free to whoever wants them, under the domain of a Creative Commons License. There will be a donation button. You can pay what you like for them, pay what you think they’re worth, pay what you can afford, or pay nothing at all. No pressure. No judgement. My barter policy will apply to these, too, if you want to compensate me but don’t have the funds. I’ve come to terms with the fact that refusing to play the game means I’ll never make a lot of money from these books. I may not make any at all. But these are my beliefs. I have to abide by them. I’ll be able to look myself in the eye; you’ll get fun fiction for free.

In a post-apocalyptic society maybe I’d be riding a donkey around the countryside telling stories, and you’d repay me for my skills by making sure I had enough turnips and deer jerky and tinder and donkey medicine. Instead I’m a person who lives in a house with electricity and gas bills. The farmers I buy my vegetables from at the market deserve to be repaid for those vegetables and the weight of labour, capitol and resources they represent. I don’t resent anyone for their participation in the system. I resent the ever-tightening ropes around us all. The ways we are tracked and compelled and sold to, the advertisements masquerading as entertainment, and worse, as art, how it seems we are being moved increasingly towards a model of consumption as definition, but only under very specific umbrellas - four companies own all stories, now what will you buy to define yourself by their characters and worlds? If I choose not to participate, no company can own my stories. And now, neither can you.

Introducing Anarchic Candy.

And my first book to be released, COMEBACK.

PS: in a twist of fate that, as my wife put it, would be completely unbelievable if it appeared in a story, one of the agents who enthusiastically offered representation also represents the author of one of those Book-Tok-famous books I saw at the used bookstore. This didn’t make up my mind (I’d already made up my mind before that agent even contacted me) but it’s an ironic coincidence I really can’t ignore.

[sociavoidance]

A Thorough Analysis of Ai Yazawa's NANA

"The dreams we are chasing and the reality that is chasing us are always parallel; they never meet."

Nana is a Japanese manga series written and illustrated by Ai Yazawa. The story set in Tokyo, revolves around two 20 year-old women with the same given name - "Nana".

Nana Komatsu Nana Osaki

Nana Osaki, an independent, ambitious, and outspoken woman, meets a naive, dependent, and talkative Nana Komatsu (often referred to as Hachi) when she moves to Tokyo after turning twenty. Although they are completely opposite in terms of character and personality, they share a common goal: to discover themselves and the true meaning of love and happiness. 

Storytelling and Compelling Characters

At its core, "Nana" encompasses dynamics of human relationships, exploring themes such as identity, sacrifice, and aspirations or dreams. What sets it apart from other shoujo manga or anime is the complexity of each character in the story. As a 13-year-old, I was surprised by the depth of humanity portrayed in the characters. Yazawa presented the audience with a set of characters navigating difficult situations with utmost honesty, avoiding any romanticized portrayal which makes it relatable for young adults going through their own transformations.

Art Style

Aside from the story itself, Ai Yazawa skillfully renders emotions through subtle facial expressions and body language allowing readers to connect with the characters on an emotional basis, adding narrative depth. Her precise linework, expressive character designs, and intricate attention to details makes her work standout and enough reason to be a source of inspiration for others (including myself).

Yazawa seeks inspiration through a variety of sources, including fashion, music and pop culture. She adorns her characters with outfits and hairstyles, reflecting the trends and subcultures of contemporary Japanese society. She draws inspiration from her own life experiences and observations, reflecting her love for music, through depictions of concerts, recording studios and backstage interactions.

Fashion in Nana: Vivienne Westwood

The distinct personalities of Nana Osaki and Nana Komatsu shine through their contrasting clothing styles: one punk and edgy, the other casual and feminine. It is evident that fashion plays an important secondary role in the stylistic choices. Despite dropping out of fashion school, Yazawa draws on her industry knowledge to skillfully convey her characters' emotions through clothing in her work.

Nana Osaki wearing Vivienne Westwood's "Armour Ring"

Nana is heavily influenced by Vivienne Westwood. The logo, also known as The Orb of Vivienne Westwood, is a combination of Saturn's rings and the sovereign orb of the English monarchy, and is one of the brand's most memorable elements. The symbol of Nana Osaki's rebellious nature is evident throughout "Nana," notably in the first episode where she wears the "Armour Ring." This accessory reflects her desire for protection from the challenges of the external world, setting the tone for her character's personality.

Nana Osaki wearing Vivienne Westwood Fall 1994 

Nana Osaki wearing Vivienne Westwood's 'Super Elevated Gillie'

Nana Osaki's wardrobe is predominantly filled with pieces from Vivienne Westwood, showcasing her strong connection to the punk community. She often reuses and styles these pieces in various iconic ways, serving as an inspiration for self-expression through fashion choices.

Ren Honjo: An Imitation of Sid from Sex Pistol

Ren Honjo and Nana Osaki

Sid Vicious and Nancy Spungen

Nana Osaki and Ren Honjo are often compared to the infamous couple Sid Vicious from Sex Pistols and Nancy Spungen. Ren's intense love for Nana mirrors Sid's obsession with Nancy. Additionally, Ren's fashion choices, such as his leather jacket and padlock necklaces, are reminiscent of Sid's style, as Vivienne Westwood designed pieces with Sid in mind. Malcolm McLaren, Westwood's partner and Sex Pistols manager, emphasizes this connection even more.

Ren Honjo Sid Vicious

Despite the intensity of Nana Osaki and Ren Honjo's relationship, Yazawa carefully avoids romanticizing their obsession through portraying their love as an unhealthy codependency.

Nana Komatsu: Personality and Style always changing

Nana Komatsu dressed in outfits reflecting the dream/ career she is chasing

Nana Komatsu, known by the nickname Hachi, is a typical Shoujo female character who lives a conventional life and is always looking for validation from her romantic partners. She often wears pastel-tones housewife-inspired dresses, reflecting her femininity and desire for male approval. She lacks ambitions and often changes jobs and wardrobe to become independent. Hachi's fashion sense evolves, reflecting her changing personality. She initially embraces a 70s bohemian art style in art school, then adopts Vivienne Westwood jewelry to fit in with Osaki and her bandmates. Hachi's style draws from Mori and Gyaru subcultures.

Final Thoughts

Whether exploring themes of love, friendship, or personal growth, Ai Yazawa's art serves as a powerful medium for storytelling, capturing the nuances of human emotions and relationships with honesty and authenticity. Yazawa inspires others to create something new and special from their own experiences. She does this with precision and patience.

[yvetteheiser]

Yvette Heiser From Snapshots to Success: Wedding Photography Tips & Business-Boosting Strategies

Wedding photography is an art that goes beyond capturing moments – it encapsulates emotions, stories, and the essence of a couple's special day. However, mastering the craft of wedding photography and building a successful business around it requires a blend of artistic talent and strategic acumen.

Additionally, insights from Yvette Heiser: Strategies to Promote Your Photography Venture provide valuable guidance on marketing and promoting your photography business, offering a comprehensive approach to enhancing your business acumen and reaching a wider audience.

Capturing Everlasting Wedding Moments: Essential Tips

Preparation is Key: Familiarize yourself with the wedding venue beforehand to identify the best shooting locations and lighting conditions. Additionally, establish clear communication with the couple to understand their preferences and must-have shots.

Embrace Candid Shots: While posed portraits are essential, candid moments often hold the most emotional resonance. Capture the unscripted moments – a shared glance, a teary-eyed smile – to authentically convey the emotions of the day.

Leverage Natural Light: Opt for natural light whenever possible. It adds a soft, romantic quality to the images and minimizes the need for artificial lighting, allowing for more organic and intimate photographs.

Business-Boosting Strategies for Your Photography Venture

Craft a Compelling Portfolio: Curate a diverse portfolio showcasing your best wedding photography work. A visually captivating portfolio serves as a powerful marketing tool, attracting potential clients and setting you apart in a competitive market.

Leverage Social Media: Harness the potential of social media platforms to showcase your work, engage with your audience, and attract potential clients. Utilize platforms like Instagram, Pinterest, and Facebook to share your portfolio, behind-the-scenes insights, and client testimonials.

Build Strong Client Relationships: Prioritize exceptional customer service to foster long-term relationships with your clients. Word-of-mouth referrals are invaluable in the wedding industry, and satisfied clients can become your best advocates.

Nurturing Your Unique Style: Setting Yourself Apart

Develop a Signature Style: Cultivate a distinct aesthetic that sets your wedding photography apart. Whether it's a preference for black and white imagery, a penchant for capturing candid moments, or a focus on storytelling, a unique style can be a powerful differentiator in a crowded market.

Continual Learning and Growth: Stay updated with the latest trends and techniques in wedding photography. Attend workshops, seek mentorship, and engage with the photography community to continually refine your craft and stay ahead of the curve.

In conclusion, the journey from being a proficient wedding photographer to a successful entrepreneur requires a delicate balance of artistic prowess and business acumen. By integrating the timeless tips for capturing everlasting wedding moments with astute business strategies, including insights from Yvette Heiser – Exclusive Wedding Photography Tips to Capture Everlasting Moments you can elevate your wedding photography venture and carve a distinctive niche in the competitive industry.

Embrace the artistry, refine your business strategies, and watch your photography venture flourish as you preserve the timeless moments of countless couples' special days.

[digidia4u]

Home design is an ever-evolving art form that reflects both personal taste and modern trends. Whether you’re seeking to create a serene sanctuary, a stylish modern home, or an industrial-inspired loft, the right design can transform any space into a reflection of your lifestyle. From minimalist approaches to nature-infused interiors and urban industrial aesthetics, these ideas offer fresh inspiration for those looking to elevate their living spaces. By combining functionality with creativity, these design concepts ensure that every corner of your home is both visually stunning and uniquely personal.

[jawedhabibacademydelhi]

✨ Unlock the secrets of flawless beauty with professional makeup courses at Jawed Habib Academy, Laxmi Nagar, Delhi! Whether you're a beginner or looking to advance your skills, our comprehensive makeup programs are designed to elevate your artistry. Learn from industry experts, gain hands-on experience with high-quality products, and stay ahead of the latest trends. The benefits of training at Jawed Habib Academy include personalized attention, in-depth knowledge, practical sessions, and career guidance to help you build a successful makeup career. Start your journey today and transform your passion into a profession at one of the most renowned makeup academies in Delhi! ✨

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[tackfield]

Stylish and Timeless: Leather Shirts for Women

In the realm of fashion, certain pieces stand out not only for their aesthetic appeal but also for their timeless elegance and versatility. Among these, leather shirts for women hold a special place. Combining the classic appeal of leather with the comfort and style of a shirt, these garments effortlessly blend sophistication with modern trends.

The Allure of Leather

Leather has always been synonymous with luxury and durability. Its ability to mold to the body over time, creating a personalized fit, is unmatched. Initially associated with outerwear like jackets and coats, leather has evolved to encompass a wide range of apparel, including shirts. The supple texture and rich hues of leather shirts add a touch of luxury to any wardrobe, making them a staple for fashion-forward individuals.

Versatility in Design

One of the most appealing aspects of leather shirts for women is their versatility in design. They come in various styles, ranging from classic button-downs to more contemporary designs with asymmetrical zippers or embellishments. Whether you prefer a sleek, fitted silhouette or a relaxed, oversized look, there's a leather shirt to suit every taste and occasion.

For casual outings, a leather shirt paired with jeans or leggings exudes effortless chic. It can elevate a simple outfit into a statement of style. On the other hand, a tailored leather shirt worn with trousers or a skirt creates a sophisticated ensemble suitable for professional settings or formal events. The adaptability of leather shirts makes them a go-to choice for both day-to-day wear and special occasions.

Comfort and Durability

Despite its luxurious appearance, leather shirts are surprisingly comfortable to wear. High-quality leather is soft and breathable, allowing for ease of movement without compromising on style. Moreover, leather is inherently durable and capable of lasting for years with proper care. Over time, it develops a unique patina that enhances its character, making each piece a testament to its wearer's journey.

Embracing Sustainable Fashion

In recent years, there has been a growing emphasis on sustainability in fashion. Leather, when sourced responsibly, aligns with these principles. Ethically sourced leather ensures that animals are treated humanely, and environmentally friendly production practices minimize the impact on the ecosystem. Choosing a leather shirt from reputable brands that prioritize sustainability allows consumers to make a conscious fashion statement while supporting ethical practices in the industry.

Pairing Leather Shirts with Accessories

Accessorizing leather shirts can further enhance their appeal. A classic leather shirt paired with delicate jewelry and a structured handbag exudes understated elegance. For a more casual look, layering with scarves or statement belts can add a touch of personality. Footwear choices also play a crucial role; from sleek ankle boots to casual sneakers, the versatility of leather shirts allows for endless styling possibilities.

Conclusion: A Wardrobe Essential

In conclusion, leather shirts for women are more than just a fashion statement; they are a symbol of sophistication and timeless style. Whether worn casually or dressed up for special occasions, their versatility and durability make them a valuable addition to any wardrobe. By choosing leather shirts crafted with quality and care, individuals not only elevate their personal style but also contribute to the promotion of sustainable and ethical fashion practices.

Embrace the allure of leather and discover how a leather shirt can effortlessly transform your wardrobe into a showcase of elegance and individuality. Explore the myriad styles available and find the perfect leather shirt that resonates with your personal sense of fashion. Let each piece tell its own story and become a cherished part of your journey through life and style.

[reelvibes91]

The Art of Falling: 'The Fall Guy' Balances Action and Heart

The Fall Guy is a movie that has everything trending in the right direction before you even view it. Likable actors on full display. Explosions in full force, action that looks amazing. The big question, though, is how does that all come together as a final movie?

Let's jump right into that. There is a lot to unpack here. This movie has a lot of moving parts and a lot of commetary on the film industry. Some parts of it work, and some feel like a grandiose message that may not come across as the film intended.

What immediately works is the chemistry between Blunt and Gosling. Absolutely, without a doubt, they seemed to be having a blast with this film. Without this working on the level it does, this film never stood a chance. It is remarkable the way they played off another to keep the tension of the romance throughout the movie. It elevates the crazy stunts that surround the narrative.

The story of this movie is rather simple. Lead actor missing on set. Man, in love with a woman, he thinks he blew his only shot with and now he wants to make up for the past mistakes. That is a story we have seen countless times but never set against the backdrop of a Hollywood style production. The subplot itself of the missing lead actor (played by Aaron Taylor Johnson) becomes its own thriller within the larger movie. At times, they try and do too much with that, and it leads to some predictable troupes being used to propel the story into the third act.

This movie works as a means to highlight the people who are often overlooked the most on a films production. While this movie does highlight that, the over reliance on predictable fight sequences and action sequences may have hindered that message. Most of the stunts in this movie we have seen before. For a movie that tries to show how much these performers are willing to do, they probably should have pushed that envelope a little more.

The love story is what works the best. Colt wanting to prove his love for Jody was what kept the film grounded and fun. It is really comedic at times, and that works as well to keep you invested in the plot. I just expected a little less predictability in terms of the action sequences and set pieces to elevate it above the genre norm.

While not shocking at all, the best part about this movie is the cast. That is fully what was expected going in. This movie made me laugh far more than I expected to and made me believe in the love between the two characters. Overall, the movie does its job at being solidly entertaining and a fun time while soaking it all in. Definitely worth the watch.

[cherrylng]

UK ROCK BEST 100 ALBUMS - The 80's [CROSSBEAT (August 2006)]

80's The turbulent 80s, from New Wave to dance revolution

Continuing the trend from the rise of punk to post-punk at the end of the 1970s, up-and-coming bands burst onto the scene one after another, trying to break out of the established framework, and the 80s opened with new wave currents. Derived from the radical, highly artistic and experimental post-punk/art-punk (P.I.L., Gang of Four, etc.), New Wave "combined elements of other genres (electronic music, world music including Latin American and African music, funk and soul, black music such as jazz, etc.) into rock music, while breaking new ground". This includes electronic-pop (Depeche Mode, New Order, etc.) / New Romantics (Duran Duran, etc.), ska revival (The Specials, Madness, etc.), neo-psyche (Echo & The Bunnymen, etc.), positive punk/goth/dream pop (Bauhaus, The Cure, Cocteau Twins), industrial/noise, funka latina, and early neo-acoustic (Aztec Camera).

Although the New Wave originally started out as a non-mainstream movement, many of the bands with a pop and danceable side were caught up in the zeitgeist and gradually absorbed into the mainstream. By the mid-1980s, the controversial Frankie Goes to Hollywood and the sophisticated sound of the Style Council and Police had achieved international success.

Meanwhile, the 1980s saw the exponential growth of a number of indie labels that emerged from the D.I.Y. spirit of punk. These included 4AD, a decadent aesthetic label, Factory, which became the nucleus of the Manchester scene, Creation, which produced the revolutionaries The Jesus & Mary Chain with their violent noise and sweet melodies, and Rough Trade, which featured The Smiths, a group supported by the "social heretics".

The Smiths did much to elevate indie rock to the foreground and spawned many followers. However, as if to replace their break-up (1987), the central scene was dominated by house and other dance music. So-called 'C86' indie bands (Primal Scream, Wedding Present, Pastels, etc.), who mainly focused on guitar-pop, were steadily active in the underground scene. It was also around this time that US hardcore flowed into the UK, having no small influence on UK indie bands.

Against this backdrop, a new trend was emerging in Manchester that was different from the rest of the country. The city had always had a natural affinity for both dance music and guitar rock, and the Happy Mondays and Stone Roses, who frequented clubs and raves, blended the two effortlessly. In 1989, this led to the explosion of a major musical revolution known as 'Madchester' (indie/dance crossover). -Sumi Imai

Tin Drum Japan (1981) The greatest work of the band led by David Sylvian, who is now an electronica hermit. The sober negotiation sound with full-blown oriental taste has the chic of 'Wabi-sabi'. Eagerly awaits reappraisal. -Mima

Rio Duran Duran (1982) A big hit that successfully dispelled the prejudice that this band was just a band with good looks. The arrangements are still fresh today, with a rich variety of styles ranging from 60s pop to funk. -Kuroda

The Dreaming Kate Bush (1982) A masterpiece in which Kate, who debuted as a girl genius, transformed into a magical woman. The labyrinthine forest-like mystique of her perfectionist, meticulous sound and her uninhibited, magical voice is unique. -Hirokawa

You Can't Hide Your Love Forever Orange Juice (1982) A representative of the neo-acoustic group that emerged to put an end to the dwindling punk movement. Their deep knowledge of black music, insatiable pursuit of guitar sounds and naïve lyrics captivated young people. -Kuroda

High Land, Hard Rain Aztec Camera (1983) A masterpiece that made 'neo-acoustic', or rather 'music city Glasgow', a household name. Beautifully crafted with a meaty soul sensibility lurking in the folkiness, and later evolved from it. -Sawada

Construction Time Again Depeche Mode (1983) A perfect balance of hard elements and beautiful ennui melodies, including an early introduction of industrial beats. A monumental work that established the uniqueness of the Depeche sound. -Mima

Porcupine Echo & The Bunnymen (1983) The third Echo & The Bunnymen album, the quintessential UK New Wave record. Ian McCulloch's cool-headed gaze and sharp soundscape heralded the arrival of a new era that had broken away from punk. -Otani

Power, Corruption & Lies New Order (1983) A seminal work that attempted to 'break away from rock' by approaching New York house, but ended up having the influence to advance rock music itself. It was topsy-turvy at the time. -Mima

Synchronicity The Police (1983) The Police were actually a group of techie carriers who borrowed from punk. Each of their albums is "a perfection that you wouldn't expect from three people", but this last album is also a superb pop album. -Koguchi

Treasure Cocteau Twins (1984) Third album from the 80s 4AD representatives. This album pushed Elizabeth's voice out of the dark sound world and broke new ground filled with light and a sense of floating. Includes the classic song "Lorelei". -Yamashita

The Top The Cure (1984) The Cure's sixth album, which established a unique world with its pop sensibility and gloomy lyricism. Robert Smith's character became prominent from this time onwards. 'The Caterpillar' was a big hit. -Yamashita

Welcome to the Pleasuredome FRANKIE GOES TO HOLLYWOOD (1984) FGTH caused a stir in British society in 1984 only. The treatment of gays, politics, and sexuality is intriguing and Trevor Horn's sound is lively and too ostentatious, but in a way a symbol of the times. -Sawada

Café Bleu Style Council (1984) After the break-up of The Jam at the height of their popularity, Weller chose jazz and soul as his next design. What the bewildered fans heard was destructive anger and beauty in a cool soundscape. -Kuroda

Psychocandy The Jesus & Mary Chain (1985) Sweet, decadent melodies emerged amidst raging feedback noise. A shocking work from 1985 that had a profound influence on subsequent shoegaze and alternative bands. -Kuroda

Steve McQueen Prefab Sprout (1985) One of the finest albums by the mixed gender group led by legendary songwriter Paddy McAloon. Brilliantly produced by Thomas Dolby. -Kuroda

Cupid & Psyche 85 Scritti Politti (1985) The second album by Scritti, who at the time were a trio. Their sweet voices and pleasing sound were well received, and songs such as 'The Word Girl', which incorporated reggae rhythms, were big hits. -Yamashita

The Queen Is Dead The Smiths (1986) The Smiths are the charismatic band of those who turned their backs on the glamorous 80s. A masterpiece in which Morrissey's fanged words, heightened by criticism of the national anthem, and Johnny Marr's lyricism intersected at the boiling point. -Sawada.

Saint Julian Julian Cope (1987) Made in 1987 by the Phantom of Liverpool. Narcissism is still alive and well, but the artist aims to conquer himself with ever more straight-forward playing and singing. The artist's confident, robust expression is dependable. -Hirokawa

If I Should Fall from Grace with God The Pogues (1987) The Pogues' best work, combining the melancholy melodies of Irish trad with fun-filled beats. The indie spirit of the Pogues brought a breath of fresh air to the rigid UK scene. -Otani

The Stone Roses The Stone Roses (1989) A work that set the standard for the UK sound from the 1990s onwards, including the band's eclectic sense of combining guitar rock with acid house and the attitude of the band. A masterpiece under the sun that gave birth to Oasis. -Mima

Translator's Note: Haven't posted a series from this article for the last few days. I've only caught up now.

[whitebunnie]

The Strategic Ballet of SEO Consulting: Crafting Digital Excellence

In the intricate ballet of the digital landscape, SEO consulting emerges as a choreographer, gracefully navigating the complexities to elevate businesses to new heights. This blog unveils the artistry behind SEO Consultant Services, exploring the nuanced dance between technical precision, content finesse, and the harmonious link-building that defines their unique approach to digital optimization.

Setting the Stage: SEO Consulting Beyond Conventional Wisdom

Decoding the Essence of SEO Consulting:

Beyond the common narrative of SEO as a means to visibility, SEO consultants are akin to creative directors shaping a narrative. They delve into the essence of a business, understanding its brand story, goals, and aspirations. SEO consulting is not a formulaic process; it's a choreography tailored to showcase the uniqueness of each business.

Strategic Choreography:

SEO consultants don't believe in off-the-rack solutions. Instead, they engage in a strategic choreography, conducting a thorough analysis of a business's digital footprint. This forms the basis for a customized dance, aligning SEO efforts with the specific needs and objectives of the business.

Unveiling the Choreography of SEO Consulting

1. Technical Ballet:

SEO consultants showcase their prowess in the technical ballet of website optimization. From streamlining site structures to ensuring seamless mobile experiences, their technical finesse lays the foundation for enhanced user experiences and improved search engine rankings.

2. Content Waltz:

In the graceful waltz of SEO, content takes center stage. SEO consultants curate a narrative that transcends mere keywords, focusing on creating a dance of information and engagement. Each piece of content is a step in the ballet, designed to resonate with the audience and lead them to conversion.

3. Link-Building Pas de Deux:

Similar to a pas de deux in ballet, SEO consultants engage in a delicate dance of link-building. They cultivate relationships with authoritative websites, earning high-quality backlinks that lend credibility to a business's online presence. It's a strategic dance that contributes to higher search rankings.

The Artistry of SEO Consulting

1. Adapting to the Digital Rhythm:

The digital landscape is a dynamic rhythm, ever-changing and evolving. SEO consultants are choreographers in tune with the latest beats, adapting their strategies to the nuances of evolving search engine algorithms. This flexibility ensures businesses dance seamlessly with industry trends.

2. Transparent Choreography:

SEO consulting is not a mysterious dance. Unlike performers guarding secrets, SEO consultants believe in transparent communication. They demystify the intricacies of SEO for businesses, fostering collaboration and ensuring clients actively participate in the choreography of optimization.

The Crescendo of Impact

1. Amplifying Visibility with Elegance:

SEO consultants orchestrate a crescendo of visibility with elegance. Through strategic optimization, they ensure businesses stand out in the vast expanse of search results, capturing the attention of their target audience with finesse and maximizing visibility.

2. Sustained Applause of Growth:

Beyond the immediate applause of improved rankings, SEO consultants focus on the sustained ovation of growth. Their strategies not only attract visitors but cultivate long-term relationships, transforming casual clicks into devoted patrons of a business's performance.

In Harmony with Success

As businesses pirouette through the digital ballet, the expertise of SEO Consultant Services emerges as a guiding choreography. Their ability to craft unique strategies, dance through technical intricacies, and adapt to the ever-changing digital rhythm positions SEO consultants as choreographers in the art of online optimization. In a world where online presence is the grand stage, SEO consulting becomes not just a service but a transformative dance orchestrating businesses toward the crescendo of digital success.

[thebespokejournal]

A history of haute couture

Although all royal and aristocratic households had custom-made clothes, and competed for the creation of fashion trends, the term haute couture is associated retrospectively with fashion designer’s Rose Bertin’s gowns for Queen Marie-Antoinette. The garments were illustrated and printed in fashion magazines, invented the previous century, and were then copied by local dressmakers, therefore creating a faster-paced fashion. However, haute couture as we now know it has appeared only around the late 1850s. 

Charles Fredrick Worth (1825-1895) has helped define this luxury industry, as we currently know it. He was the first to present his new collections one season in advance, to hire models to present his garments, to sell them as either exclusives or copies, as well as introduce a sewn label inside each garment. It is also funny to note that his wife was the first paid model in history,  in the 1850s.

His Paris boutique dressed Empress Eugenie of France and Empress Elisabeth of Austria among others, but his real legacy could be his participation in the creation of the Chambre syndicale de la haute couture, a reform from the outdated medieval professional guilds.

The term haute couture comes from “haute” meaning “elevated” or “elegant,” and “couture” translating to “sewing” or “garment making.” In order to qualify to the term, garments must be made to the client’s individual measurements, the atelier must be located in Paris employing at least 15 full-time staff members and at least 20 technical employees, full-time or part-time, and present two yearly collections of at least 50 original designs per season.

Nowadays, the term also refers to similar practices in other fashion capitals of the world.