#electric guillotine
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silversword7000 · 6 months ago
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Shoutout to whoever made that post about “how would you execute each of the Beatles” because George lethal injection had not left my mind that is literally the perfect way for him to be executed.
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satkru · 2 years ago
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YOU WILL NOT SEE THOSE PEARLY WHITE GATES GEGE.
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quigzahhutt · 2 months ago
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I'm having much fun with the carbono dynamic so far however I know that when the season starts I will be wishing curses and hexes upon Carlos at every given moment
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tony-andonuts · 10 months ago
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In less than 24 hours your boys gonna be unemployed lets fucking GOOOOOOOO
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slxthserenade · 1 year ago
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Spring passes just as quickly as it approached, right inbetween my fingers, yet the ink still runs through the quill’s end as surely as the blood in my veins.
In just two months. June’s end. Where will we be ? Are you yet another fleeting spring to be quietly added onto my shelf, left to collect dust ? Yet another fleeting spring, to wordlessly line the seventeen others beside it ? Spitefully ornate collection.
Yet another spring. Is it you ? Is it me ? Is there such a thing as us ? The questions are endless and poetry has run its course. After all, what are words to the only one who has left me speechless ? How do I return to quill’s sharp cold when your warmth still lingers on my hand ?
I know, I ask for what’s not mine. Selfishly, I ask for your image not to fade from my mind, for my verses not to lose their colour. Even more selfishly, I ask for you to stay. It isn’t an eternal spring I yearn for, no. It’s to see you by my side, to see how summer lights up the brown of your hair, how the December frost colours your cheeks red, how the autumn wind makes your eyes close. How spring and all its shades decorate your hair, as I place flowers on your pretty waves.
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allthingswhumpyandangsty · 8 months ago
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WHUMP ALPHABET
*anything that can be triggering is most likely listed here, skip this post if you think it might upset you*
A is for asystole, amputation, amnesia, asphyxiation, asthma, autopsy, asylum, abandonment, anxiety, abuse, assault, aneurysm, anger, addiction
B is for blood, bruises, blunt force trauma, burns, bite marks, blisters, betrayal, beating, blindfolding, bondage, brainwashing
C is for cannibalism, cuts, convulsion, concussion, cardiac arrest, corpse, chains, cult, carnage, craniotomy, craniectomy, chest compression, choking, coughing up blood
D is for delirium, dehydration, disfigurement, dismemberment, demonic possession, death, dehumanization, degradation, depression, disease, drowning, distress, despair, dizziness, drug withdrawal
E is for exsanguination, electrical injuries, electroconvulsive therapy, electrocution, execution, exhaustion, eating disorders, emergency room
F is for fever, flu, fatality, flat-lining, fractured bones, fear, fatigue, force-feeding, flagellation, flogging
G is for garroting, gunshot wounds, grief, gallows, guillotine, guilt, gash, gag
H is for hypothermia, heatstroke, hallucination, hyperventilation, hemorrhage, handcuffing, hospital, hanging, hatred, hate
I is for intubation, infection, injuries, injection, illness, internal bleeding, intravenous therapy, insomnia, illusion, innards
J is for jealousy, jugular veins
K is for killing, kidnapping, knife
L is for laceration, lobotomy, ligature marks, lack of oxygen, loss of consciousness, lies, living weapon, locking up
M is for morgue, miscommunication, murder, manslaughter, massacre, mourning, miscarriage, masochism, mistreatment, manipulation, misery, mental illness, malnutrition
N is for nightmares, nausea, necrophilia, necrotizing fasciitis, necrosis
O is for outbreaks, obeying, operating theater
P is for physical restraints, pain, punishment, poison, panic attack, paralysis, PTSD, penetration, pierced lung
Q is for quadriceps tendon rupture, quadriparesis, Quebec platelet disorder
R is for ruptured blood vessels, respiratory failure, rabies, rape, rope, resentment, ritual
S is for schadenfreude, strangulation, starvations, shock collar, shock therapy, straightjacket, sadism, scapegoat, shame, sacrifice, sadness, sorrow, slaughter, suicide, self-harm, self-hatred, self-destruction, stabbing, slavery, seizures, stress, slash, suffering, surrendering, somnophilia, shackles, sepsis, surgery
T is for torture, trauma, tears, toxicity, trust issues, traps, tying up
U is for urinary tract infection, unresponsive, unconsciousness
V is for violence, vomiting, viruses, venom
W is for wounds, weeping, waterboarding, weakness, whipping, whimpering
X is for x-ray
Y is for yellow fever, yelling, yelping
Z is for zombie apocalypse
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sprite-writes-fanfic · 9 months ago
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How the Killers from DBD would react to you slapping their ass.
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Hey guys! Welcome to my silly DBD headcanons, this was just for fun, worked with a great buddy of mine @despacitobandito! <3 They helped me and we overall had a great time making this together so I hope you all get a good laugh out of this. Also! Apparently more killers have come out since Unknown’s release that I didn’t write down during the making of this, sorry for missing any new killers! Other than that, I hope you enjoy!
Word Count: 390
CW: Crack headcanons, nothing graphic, some reactions you’d expect from a slasher, contains killers up to Unknown!
Evan MacMillan - Trapper
• Insulted that you would ever touch his fine juicy ass.
Philip Ojomo - Wraith
• “Oh..!” You both are really awkward afterwards. Like just awkwardly staring at each other in silence.
Max Thompson Jr. - Hillbilly
• He’s genuinely startled by you slapping his ass, a little flattered probably.
Sally Smithson - Nurse
• Your hand phases through her and she slashes the shit out of you.
Michael Myers - Shape
• The thousand yard stare before he’d stab you in the face.
Lisa Sherwood - Hag
• *Minecraft skeleton noises.*
Herman Carter - Doctor
• *Farts electricity and electrocutes you.*
Anna - Huntress
• Stops humming. Run. Dude just run.
Bubba Sawyer - Cannibal
• Squeals and cries, you touched his no-no square.
Freddy Krueger - Nightmare
• Turns into literal dust because that’s what he deserves.
Amanda Young - Pig
• Instant bear trap, you don’t even get to find the key, as soon as it’s on, it snaps.
Jeffery Hawk - Clown
• Burp and fart combo.
Rin Yamaoka - Spirit
• You cut your hand since she has a glass shard sticking out of her ass cheek.
Frank, Julie, Susie and Joey - Legion
• They all gang up on you and kick you on the ground, JoJo style.
Adiris - Plague
• She pukes on you, like a baby.
Danny Johnson - Ghostface
• He liked it so much that he hunts you down for you to do it again.
Kazan Yamaoka - Oni
• Feels his masculinity being threatened and he hunts you every game to beat you violently.
Caleb Quinn - Deathslinger
• You traumatized the old man.
Pyramid Head - Executioner
• Execution via guillotine.
Talbot Grimes - Blight
• Immediately tries to vore you but he can’t as he doesn’t have movement in his lower jaw.
Charlotte Deshayes - Twins
• Victor shoots out of her chest and mauls you.
Ji-Woon Hak - Trickster
• Promoted to side hoe and discord kitten that manages his social media; you’re forced to listen to his music on loop on Spotify. There is no escape.
Nemesis
• “S.T.A.R.S.” *blows you up.*
Elliot Spencer - Cenobite
• “I came.”
Carmina Mora - Artist
• Screeches and crows swarm you.
Albert Wesker - Mastermind
• Look of pure disappointment before he hooks you. “Look but don’t touch.”
Tarhos Kovács - Knight
• “Oh good heavens!” *His and him gang mori you.*
Adriana Imai - Skull Merchant
• She cyberstalks you and cancels you on Twitter/X.
Charles Lee Ray/Chucky - Good Guy
• Punted across the whole damn map.
Unknown
• Snap, crackle, pop.
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theabysss · 2 years ago
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Salvation
pairing: sagau!Dottore x Reader
summary: When you die, the whole world collapses for Dottore, but maybe there is still hope?
warnings/tags: gn!Reader, religious + cult themes, description of the execution, description of injuries.
word count: 2.7 k~
note: I'm here again after all this time. (ーー;)ノ Brought you some Dottore, enjoy. Maybe there will be a second part, but I don't promise anything.
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Scarlet blood spurts out and a severed head rolls down. Empty eye sockets are directed to the heavens, a happy smile frozen on your face, anticipating the end of torment, now sealed on your face with an eternal mask. Dottore feels his fingertips go numb, he stares blankly at your head and hair, matted with blood. The mechanical heart, which has never failed before, either skips beats or beats quickly.
His ears feel like they are filled with cotton and he hears no sound, the emptiness fills his heart drop by drop, leaving no space for anything else. What is this feeling called? Dottore tries to distract himself from the picture before his eyes and frantically tries to remember the right word, but his thoughts move slowly like flies stuck in honey. A flash of insight and a bitter taste appears in his mouth. Despair. A drop of blood runs down his chin; he didn’t notice when he bit his lip with his teeth. It seems that only ten seconds have passed since the execution, but to Dottore they seem like an eternity.
Out of the corner of his eye, he notices tears running down the Tsaritsa’s face. There is no trace left of her usually cold personality. The harbingers look no better, for each of them there has long been no one left more important than you, and to lose you like that was terrible. More painful than the worst wound they received in life.
The one whom the archons call the Creator begins their speech with an unpleasant grin, full of self-satisfaction. They talks about the impostor and how proud they are of their dear followers for capturing you for him. He is sick of looking at the other archons; the proud appearance of Morax and the other archons makes him rage. It spreads like hot lava from the heart to the hands, convulsively clenching in impatience, the desire to strangle this ancient reptile overwhelms Dottore.
Your most loyal follower huh? The fool who fell for the fake sent by Celestia. He was the first to accept this abomination without doubting it even for a second. You were so different, your auras were completely different. A liar or a pathetic fool, whichever was true, Morax was disgusting.
When the fake finishes their incredibly pathetic speech, it will be their turn: Tsaritsa, the harbingers, the ordinary Fatui, they will all have to lose their lives.
Mentally, Dottore estimates the distance to the platform where Celestia’s puppet stands. Even though his delusion had been taken away just like the rest of the harbingers, that didn't mean he was going to give up. Dottore runs his tongue over teeth, checking their sharpness and squints with satisfaction, feeling the salty taste of blood appearing in his mouth. There is nothing worse than an animal driven into a corner, knowing that there is no chance of salvation, but still intending to resist.
When he is led past the platform to the guillotine, he will take the chance and take revenge. Although it would be more correct to call this the restoration of justice. You were innocent, You were their god.
When the fake solemnly spreads his hands and orders the executions to continue, the sky of Teyvat darkens, anyone could feel the fury of the elements. Dottore exhales in amazement, drops of your blood slowly rising into the air and changing their color from red to gold. The crackling of electricity, the smell of burning, strong gusts of wind, the temperature drops lower every second, plants are spreading across the entire area, bright and screaming about their toxicity, the earth trembles underfoot, on the horizon he can see the sea rising in waves, each of which is higher than the previous ones, threatening to flood the whole harbor.
The fake looks at what is happening in shock, but does not have time to say a single word. Lightning falls from the sky and strikes Celestia's puppet, one after the other in an endless stream, they follow each other. Dottore's heart is filled with gloomy triumph and at the same time unbearable bitterness. If Teyvat could have intervened directly, why didn’t he save you, their Creator? Why didn't the world prevent your death? Or was it your desire to reveal the truth only when nothing will it be impossible to fix it, leaving them all with eternal regret?
When the lightning stops falling from the sky, the fake turns into a smoking piece of charred flesh. The Archons look in surprise at the one they praised as the Creator, understanding slowly appears on their faces. One by one they helplessly turn their heads towards your body. Morax is the first to fall to his knees in front of your head, Dottore sees how his fingers tremble as he hesitates to touch your blood-stained cheek.
Tsaritsa looks contemptuously at each of these traitors. Dottore knows that now she would with great pleasure impale each of the archons on ice spikes if only the shackles did not block her powers.
In a half-strangled voice, Morax orders the Millelith to release all of them.
After being released, Dottore and the rest of the harbingers follow Tsaritsa as she goes to the archons and�� your body. Standing next to it is unbearably painful, his eyes cling to every scratch on your face, his heart falls into a cold empty hole, now that he can clearly see your empty eye sockets.
As far as he knew, the Electro Archon was to blame for this; he would have broken every bone in her hands, and then lowered her into a vat of acid and watched as her flesh peeled off from the bones.
Tsaritsa's voice is cold and gloomy when she speaks to the rest of the archons.
"There is no punishment that can atone for your sin and death will not be your salvation. You will live the rest of your eternity in pain, I promise you all that."
A drop of your golden blood slowly moves in the air, Dottore follows their movement with his eyes. Was there a chance to save you, why did everything turn out that way? Why he, Tsaritsa and the other harbingers turned out to be so weak and useless? They too were sinners, those who did not save and they will bear this sin until the end of their lives.
Dottore could still feel the remnants of your aura, faintly, but he could, and he closed his eyes, absorbing this feeling, which was soon to dissipate. Or not? Dottore's eyes widened, an arrow of hope piercing his heart. Your spirit was still here, weak, fading, still existing, attached to drops of golden blood.
"The Creator has not left us yet, his spirit is still here."
The face of Tsaritsa and the other archons lit up with faint hope, their gazes were directed at him, all-consuming, unwavering attention emanated from them, however, such a gaze was directed at Dottore from everyone who was present in the square.
"Collect all the blood, not a single drop should be lost; the soul of the Creator is attached to it. I can try to save Their Grace, but we must act quickly before their spirit dissipates."
Dottore is determined. He will succeed, he cannot fail, he will not make mistakes, just not in such an important matter as this. Despite the mental pep talk he gave himself, Dottore's palms become treacherously cold and he begins to nervously tap a rhythm with his fingers on his thigh.
He needed a workplace, his laboratories would be ideal, but he was not sure that your spirit would survive the trip to Snezhnaya. He had to act quickly, Dottore could feel the grains of time slipping through his fingers.
When he and the clones find themselves in the silence of the temporary laboratory provided by Qixing, Dottore allows himself only one nervous sigh before taking control of his emotions. The time for all the emotions will come later, when he successfully returns life to you.
He begins to give instructions to the clones, who are preparing everything necessary for Dottore's most important work. It’s good that he managed to drive out all the traitors of the archons and other personalities who tried to be present, even Tsaritsa, nothing should distract him, the price of a mistake is too great.
The punishment of the archons was temporarily postponed, Tsaritsa said that when you become alive again, you yourself will determine the punishment for these traitors. It's when, not if. Now the whole seven had to destroy Celestia, which had committed the unforgivable.
Your headless body lying on the operating table looked foreign, wrong of all places, you should never have ended up here. You should have enjoyed the balls held in your honor, the gifts offered to you by your followers.
To begin with, it was worth understanding whether it made sense to try to restore your human shell or was it already in a completely unusable state? A severed head is a big obstacle to the restoration of your body, but Dottore had no guarantee that your soul could take root in a synthetic body, and the ability to create it in a short time, so there was only one possibility left. It was necessary to attach your head back to the body, check the body for damage to internal organs and, if there were any, heal them. Before you begin the process of returning your soul to the mortal coil.
The test results showed, although not the most comforting results, but everything was not so bad, of course, with the exception of the severed head. General severe exhaustion of the body, which will be corrected by the correct diet after your resurrection, which will definitely be successful. It couldn't fail. After all, if he failed, would there be any point in his existence, in the existence of nations, in Teyvat? Without you, nothing made sense.
Dottore shakes his head, driving away bad thoughts and returns to work. In order for the head to subsequently work as it should, each nerve and blood vessel had to be connected correctly. Painstaking work that requires a lot of patience, well, Dottore never complained about its lack.
Hour after hour, the clock ticked peacefully in the background, measuring time, while Dottore and his clones painstakingly put everything back together as it was originally. The last batch of stitches signals the end of such a complex operation. The muscles of his back ached in protest against the same position for hours. Dottore looked at his work satisfactorily, touching the stitches and then immediately pursed his lips in regret. This is not how it was supposed to be. He walked over to the table and gave himself an injection that instantly banished any fatigue and made his mind crystal clear again. In a day he will definitely feel very bad when the kickback comes, but you were definitely worth it. In fact, if he were now offered to give his life in exchange for yours, he would agree without hesitation.
It was time to start the second stage, it was necessary to do something with your eyes. Unfortunately, all he could offer you now were temporary prosthetics, not as advanced as those he and the clones used. He will definitely replace them later with better ones.
One of the many things he regretted was that he didn't get to see your eyes, they should have been gorgeous. In legends they were described as unearthly, as if entire constellations and the endless night sky were reflected in them.
As gently as possible, Dottore cleaned your eye holes from dirt and blood, carefully stretched the wires to the back lobe of the brain, to which the optic nerves are attached, and finally inserted the prostheses. Dentures you should never have. The color looked inappropriate, too artificial, alien, wrong, Dottore swallowed dryly. He sits down on a chair nearby and wearily hides his face in his hands. Fatigue, not physical, but moral, covers him in a wave and the heaviness in his chest does not allow him to breathe. He knows that it will only disappear when you take your breath and your heart beats again.
Dottore was never particularly religious in his youth, he was interested in the story of the creation of the world and definitely admired you, but there was never any real reverence in his feelings then. Everything gradually began to change when he joined Fatui. Every year he learned more and more about you and his devotion to you only grew, gradually completely capturing his heart until there was nothing left in him except you.
All the humanity that was in him, no matter how little it was, was intended only for you. All his achievements were dedicated to you. He all belonged to you, only you. And at the moment there was nothing he could want more than to see you alive. The same desire burned with a passionate flame in the eyes of his clones standing nearby.
The last stage is the most important. Dottore carefully inserts a needle into your vein and begins to pour your blood back into your body. He feels your spirit waver, as if you doesn’t want to return.
He looks over your body; bright blue veins stand out on your pale skin, there are various bruises and scratches on your body, which he, of course, treated, but to his regret the healing was not instantaneous. This picture breaks him into fragments, leaving a cold emptiness instead of his mechanical heart, his inability to correct what happened. Was there any point in all his knowledge that he had been collecting for centuries if now it was almost completely useless at the most important moment of his life. All that Dottore can do now is pray, pray to you, to the elements, to Teyvat. Please come back, please, please, please…
He knew it was a selfish desire, this world wasn't worthy of you, they weren't worthy of you, not after what happened. But hope, a feeling that had not come to him for a very long time since the time of the academy, flared up in his soul. The last drops of blood poured back into your body and deathly silence fell in the laboratory. Those few seconds when nothing happened seemed like an eternity, frightening, cold, hopeless to Dottore. The claws of the unknown tore his heart apart, did he succeed? Would you like to return?
Your trembling breath and wide-open eyes bring Dottore into a state close to euphoric. You were alive again, relief fills him and makes him dizzy with happiness. He feels something wet rolling down his cheek and wipes it away in confusion. A tear. A lot of time had passed since the last time he cried, and he had definitely never had tears of happiness until that moment. Well, you always made him feel an unusual amount of different emotions.
When you go into a coughing fit, one of the clones instantly brings you a mug of water and looks at your face with concern. You take a few greedy sips, and then turn your confused gaze on him, gradually filling with fear. Dottore's heart clenches unpleasantly, this is not how you were supposed to look at him. Not what he wants and not how it should be.
You try to say something, but again break into a cough. Dottore instantly approaches, he wants… to console you, to assure you that you are safe, but the words lie like dead weight on his tongue. He carefully reaches out to your hand, but freezes millimeters from your skin. He felt confused, useless. You will probably be uncomfortable with the touches of a sinner like him.
You carefully peer into his face, by the way your gaze moves along the features of his face, it seems to him that you are looking for an answer to some very important question for you. And after a few moments, the answer seems to satisfy you, a relieved sigh escapes your lips and you reach out with your hand to his, carefully placing your hand in his.
Dottore swallows dryly, warmth rising up his arm from where you touch.
"Everything will be fine, Your Grace. Now everything will be fine, I promise."
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Reblogs, comments, are always greatly appreciated! ヽ(o^ ^o)ノ
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whump-or-whatever · 6 months ago
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Illya Kuryakin Whump - The Man From U.N.C.L.E. (1964)
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There are a lot of fights and stuff in this show so I’ve marked episodes I found particularly whumpy with an *.
Spoilers ahead!
*S1E3- drugged, terrified, crying
S1E4- hit in face with a door, seasick, hit with door again, punched in the stomach
S1E5- punched
S1E9- passes out
S1E10- shot in the arm
S1E13- punched, choked, almost falls off balcony
S1E18- shocked
S1E19- thrown by blast, manhandled, smacked
S1E20- coughing, hit in head, knocked down
S1E22- choked, manhandled, hit in the head, knocked out, black eye
S1E23- knocked out, headache
S1E24- tied to chair
S1E25- coughing
S1E26- in a car crash, bandaged and arm in sling
*S1E27- coughing, knocked out, kidnapped, chained up, threatened
*S1E28- gassed, coughing, thrown down a well, knocked out, falls
S1E29- almost sucked out of plane, kicked in the back
S2E1- cut finger, dust in eyes, tied up, hoisted in the air
*S2E2- knocked down, buried in mud, tied to a post, scalded, mummified
S2E3- hit with baton, knocked out, imprisoned, manhandled
*S2E4- knocked down, bound, drugged, interrogated, in a fight
S2E5- hands tied and smashed in bars
*S2E7- in a fight, stabbed in leg, passed out, kicked in bad leg, in a fight, hit, knocked out, another fight
S2E8- hog tied, blindfolded, knocked down, tied up again
S2E9- shot at, two fights, hung by wrists, cold
S2E11- handcuffed, hunted, trips, put in guillotine
*S2E12- punched, smothered unconscious, chained up, scalded, aftermath of belting, thrown by explosion
S2E13- in a fight, dangling off train
S2E14- tied up, knocked out, pretend knee injury, gassed, coughing, in a fight, near explosion, in hospital
S2E15- car crash, knocked out, sore, in a fight
S2E16- in a fight, pretend shot, falls down, tied up, backhanded, another fight
S2E17- punched, falls into water, in a fight, another fight in water
*S2E18- knocked out, bound to chair, tortured with high pitched noise, knocked out again
S2E19- in a fight
S2E20- shot in the arm, knocked out, thrown into compressor
S2E21- cont. of last ep., coughing, thrown to ground, punched
*S2E22- knocked out, bitten, collapses, exhausted, thrown into a wall twice, bitten again, tied upside down
S2E23- knocked out, irradiated, stumbling
S2E24- thrown to ground by explosion
S2E25- in a car crash, shot at, falls off ladder, headache, cold
S2E26- manhandled, knocked out, shaken, bound to chair
S2E27- in a car crash, pinned
*S2E28- nipped by piraña, swarmed by bats, dropped through trap door, manhandled, handcuffed, blood drained by bats, weak
S2E29- shot with a poison dart, passes out, manhandled, in a fight
S2E30- choked, tied up, gagged, tied to chair
S3E1- hit on head, in a fight, knocked out
S3E2- thrown to ground, hands bound, in a fight
S3E3- knocked out, put in a coffin sized cage, in a fight
S3E4- in a fight, bound and hoisted on chains, dropped into liquid which later hardened and trapped him, another fight
S3E5- tied to a post
*S3E6- in a fight, knocked out, tied to a chair, smacked around, hits head off glass, drowning in bubbles, another fight, grazed by bullet
S3E7- bag put over head, manhandled, tied up, hung upside down, in a fight
S3E8- hit on the head, thrown down shaft, strapped to table
*S3E9- hit with chair, hit on head, in hospital, pretend stomach ache, sore, hung by his wrists
S3E10- in a fight, strapped down
*S3E11- injured in a car crash, in a fight, slapped, pinched, hung by wrists, cut up offscreen, tortured with electricity
*S3E12- cont. of last ep., hands bound, led by a belt around his neck, shoved around, arm twisted behind back, in a fight, almost drowns, hand slapped
*S3E13- shot in the hand, falls down cliff, sore, tied up, in a fight, ears hurt by loud noise, burned
S3E14- grabbed by hair, bound by neck, caught in a net trap, tied to a post, tied up, manhandled
S3E15- tied up
S3E16- knocked out, tied up and gagged, hands bound, in a fight
S3E17- near explosion, near another explosion, knocked out, slapped, hit by a door, in a fight
S3E19- punched in the stomach, tied up, hot, weak, manhandled, chained up
S3E20- kneed and hit on head, hit with tranq dart, tied up, arm bent back, hung by wrists, in a fight
S3E21- knocked out with gas, knocked out with a rock, tied up, pushed around, in a fight
S3E22- hit on head with vase
S3E23- tied up and gagged, knocked out, tied up and gagged again, in a fight
S3E24- punched, choked, tied up
S3E25- shoved to ground, knocked out, hung upside down, kicked, in a fight
S3E26- strangled, locked in broom closet, in a car crash, in a fight, in a guillotine, in a fight
*S3E27- whip around neck, tied up by wrists, whipped, cuffed to other guy and chained to post, straining, pain trying to break cuffs, tied up
S3E28- in 3 fights
S3E29- tied up, strangled, knocked out, tied up again, knocked out again, knocked out a third time, in a fight, another fight, hurts elbow breaking glass
S3E30- tied to a chair
S4E1- punched, gassed, coughing, in a fight
S4E2- hit by car, thrown by explosion
S4E4- in a fight, tied up
S4E5- punched, knocked out, in a fight
*S4E6- held captive, aftermath of psychological torture/conditioning, tranquilized, totally out of it
S4E7- strapped to table, brainwashed, in 2 fights
S4E8- in hospital, manhandled, knocked out, strapped to a chair, cut by broken glass
S4E9- in a struggle, backhanded, manhandled, tied up
S4E10- gassed, hit in the stomach, knocked out
S4E13- dropped through trap door, tied up, in a fight
S4E14- gassed, coughing, knocked out, tied up
S4E15- dropped from a height, knocked out
S4E16- knocked out, punched, leg injured by grenade
That’s all folks!
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ashen-ambrosia · 24 days ago
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Thinking that there's an interesting ambiguity in whether an Aes Sedai can use the One Power to perform a legally mandated execution.
Siuan was charged and convicted of being a Darkfriend, which effectively nullifies the applicability of the Third Oath for any Aes Sedai who sufficiently believes the validity and truth of the Hall's judgement.
But say she was charged with a treason against the Tower without being a Darkfriend: if the penalty is death, can an Aes Sedai administer the penalty using the One Power, or do they need to shop for an executioner/get a warder to do it?
Most Aes Sedai do not seem to believe that using the Power as a switch or other tool for chastisement or administering physical punishment counts as using the One Power as a weapon, even though beating someone with air can leave welts, bruises, or worse injuries. (I've had to explain this to my non-reader partner several times while watching the show).
A noose, electric chair, or guillotine are obviously not weapons. An executioner's axe, sword, garrotte, or a gun used in a firing squad for most people definitely are.
This seems like a question the White Ajah would have a good time debating.
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manicplank · 1 year ago
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Ways The Noise Has Died
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I have a headcanon that The Noise can die and respawn. (He's cursed, but sometimes he takes advantage of it.) These are just some of the ways he's died. He does a lot of stupid shit.
Hit by car: 3
Lung cancer: 2
Throat cancer: 1
Fallen from building/height: 2
Shot by police: 7
Drowned: 1
Execution by electric chair: 1
Eaten by alligators: 2
Smashed by piano: 2
Killed by Peppino: 15
Heart attack: 3
Diabetes: 3
Fire/burns: 5
Explosion: 22
Spontaneous combustion: 4
Eaten by shark: 1
Poisoned: 1
Internal bleeding: 2
Septic shock: 2
Execution by guillotine: 2
Bleeding out: 4
Head trauma: 5
Forgot to breathe: 18
Killed by Toppin Monster: 3
Mauled by bear: 1
Ate something inedible: 6
Forgot to eat (starved): 3
Alcohol poisoning: 6
Dehydration: 3
Eaten by tigers: 1
Strangled by Pizzahead: 2
Stung by bees: 1
Run over by boulder: 1
Struck by lightning: 2
Led poisoning: 2
Ate paint: 3
EDIT from replies:
Killed by Noisette: 1
Radiation exposure: 2
Choke on food: 12
Organ failure: 7
Froze to death: 1
Allergies: 3
Land mine testing: 2
Food poisoning: 28
Jetpack failure: 6
Sucked into black hole: 1
Inhaling carcinogenic gaz: 7
Talking back to his mama: 1
Banished into the shadow realm: 2
Dark magic spell failure: 4
Touching electric plug with a fork: 5
Stunt failure: 35
Edit from replies 2:
Got skewered in a magic trick gone wrong: 11
Got caught in a mousetrap: 6
Rat poison: 25
Burned alive: 4
(Feel free to suggest ways he's died. Silly little bastard is always up to no good.)
Hit by a train: 2
EDIT by replies 3:
Washed out to sea: 4
Battle with Doise: 1
Fallen into volcano: 7
Mocked Pepperman’s art: 3
Sucked into tornado: 3
Kicked by cow: 1
Crushed by his crusher: 4
Ate Fake Peppino’s food: 2
Slipped on banana peel: 18
Rabies: 4
Pissed off Dougie Jones: 1
Shot by alien raygun: 3
Crushed by tree: 1
Buried alive: 3
Shot by Vigilante: 2
Knife juggling: 4
challenged God to smite him: 1
Fallen into bottomless pit: 7
Eaten by piranhas: 3
Bitten by zombie: 1
Air balloon crash: 5
Tried to light his fart on fire (gone wrong): 1
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pancaketax · 15 days ago
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What Remains | Chapter 18 The Hunt (Tony Stark x M! Reader)
TW : Detailed depictions of injuries and abuse. Mentions of past abuse Summary : Tony Stark becomes something beyond human , a machine driven by icy rage, relentless focus, and a singular goal: to find you. After receiving a horrifying call laced with sadistic cruelty and a scream he instantly recognizes as yours, Stark enters a sleepless, foodless, voiceless trance, transforming his office into a war room. Every screen, every algorithm, every ounce of technology is bent to his will in a digital manhunt for your location. When Jarvis finally locates a faint signal in an abandoned warehouse, Stark launches without hesitation, donning a specialized combat suit built for one purpose: ending this.
word count: 16.1k
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Previous Chapter - Next Chapter Stark hasn’t closed his eyes. Not for a second. He hasn’t swallowed a bite, hasn’t taken a sip of water. He hasn’t moved from his desk since the exact moment that voice slithered into his ear, slick and jagged like a rusted blade. Since that obscene breath passed through the line, that whisper soaked in menace and sadistic delight. Since that scream that raw, flayed scream, human, far too human ripped from a throat he knows too well, just before silence fell, sharp as a guillotine. Something broke then. Not in him. No. Something froze.
He’s no longer a man, not really. Not in this suspended moment, where even time seems too afraid to move forward. He’s become engine. Mechanism. Open-heart alert system. His blood doesn’t circulate it pulses, furious, carried by a cold, methodical, almost clinical rage. He is anger, but an anger without shouting. An anger that thinks, that calculates, that watches, that waits. A storm contained in a steel cylinder, ready to explode, but for now channeling all its violence into the glacial logic of action.
In the office, the tension is almost tangible. The air feels charged, saturated with something indefinable a blend of ozone, electricity, and pure stress. Every surface vibrates slightly, as if the metal itself shared the heartbeat of its occupant. The silence isn’t soothing. It’s oppressive, built on thick layers of concentration, anticipation, restrained fury. Only mechanical sounds mark the space: the faint crackle of a screen refreshing, the nervous clicks of his fingers on holographic interfaces, the low vibrations of the servers in the adjoining room, humming at full capacity. Around him, a dozen screens stream data without pause. Some display ultra-precise satellite maps, sweeping over New York rooftops for any suspicious movement. Others track mobile signals, tracing the latest paths of every device even remotely connected to the target. Still others comb through databases, merge biometric information, detect faces, match voice prints. A thermal image of a building overlays a 3D city map. An audio feed scrolls at high speed, saturated with static. Nothing escapes analysis. Nothing is left to chance.
Stark is motionless, but every muscle in his body is tense. His back is hunched, elbows braced on the desk edge, fingers clenched around the projected interface hovering above the glass. His bloodshot eyes lock onto the central screen without blinking. His eyelids are heavy, but he doesn’t close them. He can’t. Not until the target is found. Not until the one he’s searching for is no longer missing. He won’t allow himself the luxury of weakness. He swore he’d never let anyone be hurt again. And he holds to his vows the way others hold to weapons. The blue glow of the monitors cuts across his face with surgical cruelty. Every shadow on his skin is a confession: fatigue, deep dark circles, drawn features, hollow cheekbones. But these marks don’t diminish him. They add a near-inhuman intensity to his gaze, a ruthless clarity. A will that, for now, eclipses even the most basic biological needs. He hasn’t slept, because he doesn’t have the right. He hasn’t eaten, because the thought hasn’t even occurred to him. His body is secondary. It’s nothing but a vessel for the mission.
He murmurs sometimes. Commands, codes, equations. He speaks to no one, but the AI responds instantly. Every word he utters is sharp, precise, guided by a logic untouched by panic. One name comes back again and again. A biometric file. A GPS identifier. Trackers. Coordinates. He’s no longer looking for a person — he’s hunting a fixed point in the storm. The center of a search and rescue system. And Stark is ready to flatten entire city blocks to bring that point back to him. When the internal alerts go off soft, discreet, almost polite signaling a drop in blood pressure, critical dehydration, or prolonged hypervigilance, he silences them with a flick of the hand. He shuts them off. Nothing exists outside this room, outside this moment. Outside this mission. The rage is there, but tamed, carved into a weapon.
Somewhere, he knows he’s crossing the line. That he’s nearing an invisible boundary. But he doesn’t care. He’s seen too many people die, too many names fade into archives. This time, he won’t be too late. So he keeps going. Relentlessly. He cross-references data, filters messages, follows leads. He digs, over and over, down to the bone. And behind him, the world can tremble all it wants. He’ll hold. Because he made a promise. Because this time, no one will disappear into the shadows without him tearing them out of the night.
His eyes never leave the screens. They’re locked in, anchored, consumed to the point of obsession. They devour every bit of information, every image, every pixel variation, as if he might uncover a hidden confession. Nothing escapes him. No movement, no data, no anomaly in the flow. His pupils, dilated from exhaustion, cling to the smallest detail, hunting a trace, a footprint, a breath left behind by the one he’s chasing without pause. He’s isolated search zones. Redrawn entire sections of the city. Compared every map of New York with thermal readings, overlaying layers like a surgeon operating through urban tissue. He’s overridden protections on multiple private networks without hesitation. Intercepted anonymous communications, analyzed movement patterns, recalibrated his internal software to tailor the algorithms to a single, solitary target. The tools he designed for international diplomacy, for global crisis response — he’s repurposed them now for a personal hunt. A cold war fought in the digital guts of the city.
And always, he comes back to that name. That shadow. That absence. Matthew. A ghost with no fingerprint, no signal, no flaw to exploit. But Stark refuses that idea. No. That kind of man doesn’t vanish. That kind of man always leaves traces — out of pride. Out of carelessness. Out of vanity. And if it means turning the city inside out, if it means digging down to reinforced concrete, to buried cables and the forgotten strata of the network — then so be it. He’s ready to search through the world’s marrow to find what remains. Cables snake across the floor, twisted like raw nerves, connected to makeshift terminals. Holograms hover in the air, pulsing with spectral, slow, almost organic light. The room, once functional and sterile, has lost its ordinary shape. This is no longer an office. It’s a clandestine command post. A digital war cell born out of urgency, powered by fear and brute will. On one wall, an unstable projection flickers: a gridded map of New York, each red zone corresponding to growing probabilities, invisible tension. Alternating, a partially reconstructed file plays pulled from a burner phone. The lines of code shimmer as if still resisting comprehension.
And at the center of it all, him. Motionless. A sculptor of chaos. He doesn’t move an inch, but his mind roars. He calculates, projects, anticipates at a speed even his most advanced AIs couldn’t match. He’s faster than the machines, because this time, it’s not for a global mission. It’s not to protect a council or a treaty. It’s not for peace. It’s personal. And nothing is more dangerous than a man like him when he’s acting for himself. His face is frozen. Carved from stone. No expression filters through. No emotion leaks out. He hasn’t spoken in hours. Not a word. His jaw is locked, clenched. His chin trembles sometimes under the pressure, but he doesn’t give in. His eyelids, heavy with fatigue, blink on autopilot but his gaze stays sharp, cutting. That look… it belongs to a man who’s already made up his mind. It’s no longer a question of if. It’s a matter of when, how, and how much time is left. And above all, of what will be left of the other man once he finds him. He is cold. Precise. Fatally focused. Each beat of his heart seems to align with the hum of the machines. He’s perfectly synchronized with his environment. A machine among machines. He’s become the system’s core. The cold, methodical intelligence of a silent hunt — carried out without rest, without sleep, without mercy.
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The door slides open with a discreet, almost timid sigh. As if it, too, understood that this moment must not be disturbed. No sound dares to break the fragile balance of the room. Not here. Not now. Even the walls seem to hold their breath, petrified by the intensity that fills the space. The bluish light of the screens slices through the artificial darkness in shifting shards, casting sharp, vibrating shadows across Stark’s features — like carvings made by a blade. He doesn’t turn his head. He doesn’t need to look. He already knows. Nothing escapes him. His silence is a barrier, a verdict. He’s there. Frozen. Silent. Unshakable. And around him, the universe seems to understand that something has been set in motion. Something that can no longer be stopped.
Pepper enters without a word. The silence wraps around her instantly, like a heavy veil she doesn’t dare pierce. She says nothing — not yet. Everything about her is more subdued than usual, as if her body has attuned itself to the electric tension of the room. Her usual heels have been traded for flat shoes, chosen mechanically, without real thought. She knew when she got up this morning. No need to read the reports or check the alerts. She felt it, in every fiber of her being — this day would be different. Draining. Slow. Hard. And Tony, on days like this, is not a man to reason with. He becomes a wall. Steel. An unbreachable frontier. This isn’t a state crisis, not one of those media storms they’ve learned to face together, side by side, dressed to perfection with rehearsed smiles. No. This is something else. A silent war. Private. Intimate. And in that kind of war, Tony lets no one in. Almost no one.
In her hands, she holds two mugs. One is for her — a reflex gesture, more for the weight than the content, because she’ll set it down somewhere and forget it immediately. The other is for him. Strong coffee, black, unsweetened, scorching. Just how he likes it. She didn’t ask, didn’t guess. She knows. Because for years, she’s known his silences, his mood swings, his automatic habits. She knows the rare things that bring him a sliver of stability when everything is falling apart. She walks slowly. With that quiet elegance that is uniquely hers. Each step is precise, measured. She avoids the cables snaking across the floor like exposed veins. Dodges the hastily pushed chairs, the luminous angles of suspended holograms hanging in the air, slow and unstable like open wounds. Everything around her pulses, breathes, crackles. The smell of steaming coffee mixes with metallic fumes, with the warm emissions of overheating machines. A fleeting human note in this lair transformed into a war organ.
She approaches. Just a few feet from him now. The blue halo of the screens washes over her, casting cold, almost supernatural shards onto her skin. She still doesn’t say a word. Because she, too, senses what’s happening here. She reads silence like an ancient language. She knows that if she speaks too soon, too quickly, she could shatter everything — the balance, the tension, the fierce concentration holding him upright. Tony doesn’t even turn his head. He doesn’t need to. He knows it’s her. He saw, without really looking, her silhouette trembling on the standby screen, like a spectral apparition. He recognized her breath — controlled, steady, modulated by habit not to disrupt critical moments. He felt her presence the way you feel a warm current crossing a frozen room: discreet, but undeniable. She’s here.
But he doesn’t move. Not an inch. His fingers keep dancing over the interfaces, his eyes fixed on the data. His jaw remains locked, his posture rigid, unyielding. He doesn’t reject her presence. He accepts it without acknowledging it. She’s part of the setting, part of the very structure of this ongoing war. She is the silent anchor he’ll never ask for, but needs all the same. And she knows it. So she stays. Present. Still. Mug in hand. Waiting for him to speak — or to break. His fingers glide over the holographic interface with almost surgical precision. They graze the projected data blocks in the air, moving them, reorganizing, dissecting them as if trying to carve raw truths buried under layers of code, pixels, and silence. A building on 43rd Street. An unusual thermal signature spotted at 3:12 a.m. A encrypted phone line briefly located in South Brooklyn, before vanishing into a labyrinth of anonymous relays. He isolates. He cross-references. He sorts. He discards. He starts again. Every manipulation is an act of war. He develops a thousand hypotheses per minute, evaluates them, abandons them, replaces them. A thousand leads, a thousand fleeting micro-truths, vanishing as soon as he tries to fix them. And always, that voice in his head. That twisted, wet breath haunting him since the call. That scream — shrill, inhuman. That panic. And the silence that followed. The kind of silence only blood knows how to echo.
Pepper, still silent, watches. She hasn’t moved since entering. Her eyes shift from the screen to Tony’s face, then to his hands. She sees what he refuses to admit: his movements are less precise. They tremble sometimes. Nervous flickers, involuntary, imperceptible to others — but not to her. There’s that tiny jolt in his palm when two images overlap without matching. That subtle twitch of his fingers when the algorithm returns an empty result. That tension in his joints with every failure, every dead end. She takes a step forward. Slowly, silently. She places the mug at the edge of the desk, just within his field of vision. Not too close, not too far. She sets it where he could reach for it without thinking, by reflex, if some part of him still remembered how to drink something. If his lips still knew how to welcome anything other than orders. But deep down, she knows he probably won’t. Not now. Maybe not at all. She doesn’t touch him. Doesn’t interrupt. But her eyes never leave him. They linger on his neck, that taut, rigid line, almost painful. On his shoulders, hunched forward, drawn tight like bows ready to snap. She reads the exhaustion in the way his muscles clench, in how he holds his breath when results elude him, in that violent stubbornness that keeps him from stepping back — even for a second.
Then she speaks. Barely. Her voice is a whisper. A caress in a space saturated with tension. A suspended breath, respectful. As if she were speaking to a wounded animal, to a raw heart that a single harsh word might cause to shatter.
— "You should drink something."
No reproach. No judgment. Not even any real expectation. Just an invitation, soft, almost unreal in this room ruled by the cold light of screens and the hum of machines. A reminder, simple and human, that he still has a body. That he’s still a man. Not just an overheated mind, a burning brain, dissociated from everything else. She doesn’t expect a response. She doesn’t even want one. What she’s offering isn’t a solution. It’s a breath. An interlude. A hand offered at a distance, without conditions, in the eye of a cyclone she can’t stop — but refuses to abandon. Stark doesn’t answer. The silence remains, impenetrable. But she sees it. That blink. Singular. Slow. Almost lagging. Like a discreet malfunction in an otherwise perfect line of code. A micro-event, almost invisible but for her, it means everything. He heard her. He understood. Somewhere beneath the layers of adrenaline and frozen focus, her words registered. But he can’t stop. Not yet. Not while what he’s searching for remains out of reach.
She moves a little closer. Her steps are slow, calculated. The slightest movement could shatter the fragile equilibrium he maintains between lucidity and overload. She skirts the screens projecting a relentless flow of data, passes through the light beams of overlapping maps, walks through the holograms dissecting New York in real time: facades, sewer lines, rooftops, drone paths, shifting heat points. A fractured digital world, reconstructed for a single mission. And she, the only organic presence in this sanctuary of glass and light, walks forward until she’s beside him. Upright. Calm. Unshakable. She stands there, just a meter away. A silhouette in the bluish light. A presence. An anchor. Non-intrusive, but constant. And in that data-saturated silence, she looks at the screen in front of him. Blurry images flash by. Figures captured by an old security camera. Red dots blink in the darkness of a poorly mapped basement. Nothing conclusive. Nothing obvious. But she sees beyond that. She’s not looking at the screen. She’s looking at him.
She sees what he doesn’t show. What he himself struggles to ignore. That back, a bit more hunched than before. That hand clenched around the desk edge, knuckles white with tension. That breath, irregular, barely perceptible — but betraying an inner fight. That exhaustion, layered in invisible strata, like ash over an ember that refuses to die. He’ll never admit it. That’s not an option. But she knows. He’s burning out. Eroding. Slowly bleeding out everything that keeps him human. So she acts. Gently, but without hesitation. She reaches out. Picks up the mug left on the edge of the desk, still faintly steaming. And she moves it. Places it right in front of him. Where his gaze can’t avoid it. Where his fingers could reach it without thinking. A mundane gesture, almost insignificant. But heavy with meaning.
— "You need to stay sharp." Her voice is soft, but firm. It cuts through the thickness of the moment. "If he’s counting on you, he needs you at your best. Not collapsing."
He stays still for another second. Then, slowly, his gaze lifts. Like he’s returning from a far-off place, from a tension zone where the real world no longer reaches. He looks at her. Directly in the eyes. And she sees. She sees everything. The fatigue eating away at the edges. The redness at the corners of his eyes, signs of brutal sleeplessness. But most of all, that clarity. That burning precision still intact in the depths of his pupils. It’s a gaze that doesn’t waver. The gaze of a man broken a thousand times — but still standing. And in that gaze, she reads three things.
Fear. Raw. Visceral. The fear of not making it in time. Rage. Pure. Mechanical. The kind he holds back to avoid destroying everything.
And the promise. Absolute. Irrevocable.
— "I’m going to get him out."
No conditional. No wiggle room. He doesn’t say he’ll try. He doesn’t say if he’s still alive. He refuses to let those phrases exist. He leaves no space for doubt. Because doubt would be a crack. And if he cracks now, he collapses. She nods. Once. That’s all it takes. A silent agreement. A trust she offers him, without questions. Then she places a hand on his shoulder. Right there. A simple contact, but real. Solid. A light, firm pressure. Just enough for him to know he’s not alone. That she’s here. That she will remain here. Even if there’s nothing more she can do. An anchor in the chaos.
— "Then drink."
She adds nothing else. No need. Not now. And then she turns on her heel, leaving behind that room saturated with tension and blue light, walking away in silence, her steps barely audible on the hard floor. She slips away as she came — discreetly, with that silent dignity that’s hers alone. No unnecessary gesture. No look back. Just the quiet certainty that he heard her. That he understood. And that he’ll do what he must. A breath. A second. Then another. Stark remains still. His eyes still locked on the numbers, on the blurry images, on the shattered map of New York pulsing slowly before him. A suspended moment, almost frozen in code and light projections. And then, slowly, as if his body weighed a ton, his fingers stretch out. Slow. Almost hesitant. They brush the mug, grasp it. Raise it to his lips.
One sip. Scalding. Bitter. Perfect.
The taste, too strong, seizes his tongue, his throat, then burns its way down like a reminder. He closes his eyes for a second. Not out of pleasure. Out of necessity. Because that simple contact — the liquid, the heat, the sensation — reminds him that he still exists outside the war machine he’s become. And then, almost immediately, his eyes open again. Latch onto the screen. The map. The hunt. The engine restarts. But behind the invisible armor, behind the hard gaze and automated gestures, the man is still there. Just enough. For now. The mug, barely set down on the desk, hits the surface with a muffled clack. The sound, though minimal, seems to shake the atmosphere. Stark exhales. One of those irritated sighs that vibrate between clenched teeth, that fatigue turns into frustration, and frustration reshapes into buried anger. His fingers snap against the desk, nervously. Not a blow. Just a dry, rhythmic sound. Accumulated tension seeking an outlet, a culprit, a breaking point. Something to strike — or someone. But no one here is responsible. No one except him.
And then, it bursts out.
— "Fuck… why didn’t he activate it?"
The voice is low. But it slices the air like a blade. Sharp. Brittle. It doesn’t need to be loud to carry. It’s so charged with tension that it seems to vibrate in the walls. No explosive rage. No yelling. Just that clean line, that icy edge that says it all. It’s not a question. It’s an unbearable fact. A flaw in the plan. A betrayal of logic. He doesn’t need to clarify. The device, the gesture, the fear behind it all of it is obvious. In the hallway, Pepper has stopped. Without realizing it. As if her muscles responded to that voice before her mind did. She’s frozen. And she understands. She knows too. He’s talking about the device. That small, discreet piece, barely bigger than a coin, that he slipped into an anodized case with a falsely detached air. That neutral tone he adopts when the stakes are too high to admit. He presented it like a gadget. Just another safety.
A thing for emergencies. "Press and hold for three seconds" he said. Simple. Effective. And his location would be transmitted to the Tower in real time, with immediate triangulation and constant tracking. He insisted, without seeming to. Like a father too proud of a dangerous toy. Like a man who’s already lost everything once and won’t let chance roll the dice again. The kind of thing he doesn’t give to everyone. The kind of thing he only entrusts once. And even then. Under the pretense of humor. Veiled in sarcasm. And yet, you didn’t activate it. That thought gnaws at him. Consumes him. Because if it wasn’t forgetfulness, then it’s worse. Then maybe there wasn’t time. Or maybe he was afraid. Or maybe you thought it wouldn’t make a difference. And that Tony can’t accept.
Because the alternative… he can’t even imagine it. He built it in just a few hours. One sleepless night, a few curses, two black coffees, and a diagram sketched on a crumpled napkin. Because he was tired. Tired of not knowing. Tired of not being able to protect. Tired of seeing him wander through New York like a ghost without an anchor, sleeping in sketchy squats, living on the generosity of people as reliable as March weather. He was done with uncertainty, with instability. So he made something simple, small, efficient. A distress beacon. A miniature safeguard. Mostly to protect him from himself. He even tucked a secondary mic inside. Discreet, compressed in anodized metal layers. Inaudible to the human ear. Just a sensor, a passive ear, in case something went wrong. Because he knew it could go wrong. Because deep down, he felt that danger was never far. And now? Nothing. No signal. No vibration. No blinking light. No trace. The void. Nothingness. The shadow of a silence that screams. Abruptly, Stark spins in his chair. The movement is sharp, abrupt. His fingers slam down on the projected keyboard in the air, striking commands, executing code, calling internal logs. He pulls up the history. Checks for connection attempts. Scans the security logs, network access, secondary frequencies. No recording. No triggered signal. No distress call. The device was never activated.
— "It was right there." His voice is hoarse. Slow. Painfully contained. "Within reach. Three fucking seconds. And I could’ve…"
He cuts himself off. Right there. The breath caught. No anger. Not yet. It’s not rage. It’s vertigo. An inner fall. He sees the scene again. Precisely. In the hall, just days ago. He was holding the little device between his fingers, between two sarcastic lines. A detached, mocking tone, as always. Trying not to push too hard. Not to seem worried. He said it with a smirk, hands in his pockets: "Just in case. It beeps, it blinks, I show up. Easy."
And he remembers. That hesitation. The lowered gaze. That muttered thank you, without real conviction. As if it didn’t really concern him. As if he didn’t believe it. As if he was afraid to disturb and didn’t think he was worth coming for. Stark clenches his teeth. Bitterness sticks in his throat.
— "He didn’t get it, did he?"
The question escapes. Not aimed at anyone. Not really. He’s speaking to the void, the desk, the walls. To himself. To the echo in his head.
— "He thinks it only works for others." His voice tightens. Fractures. "That no one comes for him. That he has to wait for it to get worse. That he has to nearly die to justify help."
His fingers slap a screen with the back of his hand. A furious swipe. The images vanish in a spray of light.
— "Shit. Shit."
He gets up. Too abruptly. His chair rolls back. He paces, circles, like a caged beast. A shadow of armor without the armor. He runs a hand through his hair, ruffling it without thinking. His gestures are nervous, disordered. He teeters between genius logic and raw emotion.
— "I had him in my pocket," he breathes. "I could’ve found him in under two minutes."
His fist hits the back of the chair. A dry strike. Not brutal. But deep. A dull echo that lingers in the air.
— "But no. He keeps it on him like a fucking keychain. A symbolic thing. A gadget he doesn’t want to use. Because he doesn’t want to be a bother. Because he doesn’t want to raise the alarm."
He suddenly freezes. His breath halts. He stares at the floor as if seeking an answer no data can provide. The silence stretches. Then, in an almost inaudible murmur, rougher, more bitter:
— "He’s convinced no one’s coming."
And that thought. That simple idea. It destroys him from the inside. He closes his eyes. Clenches his fists so tightly his knuckles turn white. He fights. To hold back what rises. He won’t say he’s afraid. He won’t say he’s in pain. That he blames himself until it eats him alive. No. He won’t say it. So he turns back. Resumes his place. His fingers return to the controls. His gaze locks onto the screens. The maps. The fragmented data. What he still has. What he can still control. Because if he can’t turn back time… then he’ll find a way to catch up. No matter the cost. And he mutters under his breath:
— "I’m going to find him. Device or not."
Then he types. Not to write. Not to command. He types like someone striking. As if his fingers could punch through matter, bend the universe, shatter the whole world through the silent keys of a holographic keyboard. Every keystroke is a discharge. A sharp hit. A blow aimed at that invisible wall he can’t break through. A fight of data against the void, of will against absence. He types with an urgency that allows no delay, no hesitation. As if life, somewhere, depended on it.
Because it is.
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And in the meantime, silence remains. Insidious. Heavy. The tenacious shadow of the action that never happened. The one that would have been enough. Three seconds. A press of the thumb. And he would have known. He would have moved. He would have run. He would have acted. He would have been there. But no. That absence, Stark feels it lodged in his throat, like acid he can’t swallow. It rises, clings, radiates. It stays, constant, until he brings him back. Until he has proof tangible, irrefutable that it’s still possible. That he’s still alive. The minutes pass. Like blades. Sharp. Precise. Unforgiving.
They cut into his focus, erode his patience, chip away at his certainty. Every second is a brutal reminder that time is passing. And this time, time isn’t an ally. He feels it slipping over his skin like a cold blade that can’t be stopped. But he doesn’t stop. He doesn’t blink. The office is bathed in semi-darkness. The blinds are down, the outside light filtered, as if daylight itself no longer had the right to enter. Only the screens cast their bluish glow on the walls, on the cables, on the opaque glass. And on him. That cold, spectral light slices across his closed-off face in sharp angles. Hollowed cheekbones. Brow etched with tension lines. Lips tight. He looks carved from quartz. Cold. Hard. Unyielding.
His eyes, fixed, barely blink. They follow lines of code, coordinates, overlaid maps, signal analyses, with inhuman precision. His stare is locked. Obsessed. He doesn’t falter. He scans. He waits. His fingers still move. Barely. With mechanical regularity. An almost hypnotic rhythm. They glide over holographic interfaces, brush through data windows, launch diagnostics, cross-reference streams. There’s no hesitation anymore, no improvisation. Only a logical sequence. An algorithm embodied in a man who refuses to give up. He doesn’t speak. Hasn’t for a while. He doesn’t even think — not in the usual sense. Human thoughts, full of doubts, memories, emotions, have been pushed to the background. He leaves space only for function. He calculates. He maps. He eliminates. He acts. Because that’s all he can do. And because as long as he acts, as long as he moves, as long as he searches, he’s not imagining the worst. And the countdown continues — silent, relentless. Invisible but omnipresent, it eats at his nerves like a tourniquet pulled too tight. A constant, dull pressure. There’s no number on the screen, no red blinking timer, but he feels it. In every heartbeat. In every passing minute, every interface click, every breath that’s too short, too sharp. He feels it under his skin like slow-diffusing poison.
Twenty-four hours.
That was the deadline. The ultimatum. Spat in his face with disgusting insolence, with the kind of sneering arrogance Stark knows too well. A provocation. A signature. A trap — not even hidden. A price laid out in black and white. The kind of message sent when you’re sure you have the upper hand. But it wasn’t the money that kept him awake all night. Not the numbered threat. Not the offshore account, not the conditions. That, he could have handled. Bought peace. Hacked the system. Turned the trap back on its maker. That’s not what stopped him from blinking, that jammed his throat, that retracted his muscles like a shock. It’s something else. It’s the image. Frozen. Unstable. Blurry. But recognizable. It’s the sound. That breath. That scream. Distorted by distance. By network static. But raw. Human. Ripped out. So real that even now, he still hears it. He could replay it in his head a hundred times, a thousand. He knows it by heart. The tone, the break in the voice, the burst of brutal panic just before everything was swallowed by silence.
That fucking silence. That’s what’s destroying him. What eats at him. What stops him from breathing normally. The silence afterward. The absolute nothing. That break that said everything, summed everything up. That screamed at him what he failed to hear in time. What he should have seen coming. That silence — Stark will never forgive it. Not the other. Not himself. Then suddenly, a voice slices through the air. Soft. Controlled. Synthetic. Like a strand of silk stretched to the limit, about to snap — but still holding.
— “Mr. Stark.”
He doesn’t even turn his head. He’d recognize that voice among a thousand. It’s been there forever — in his ear, in his walls, in his head. An extension of himself.
— “I’m listening, Jarvis.”
— “I believe I’ve found something.”
A shiver. Cold. Brutal. It shoots up his spine like an electric surge. For one heartbeat, his heart forgets to beat. Then everything reactivates all at once. Adrenaline. Tension. Hypervigilance.
— “Talk.”
Instantly, one of the main screens expands. The map of the city appears — familiar and vast — then begins a slow zoom. Details sharpen. Colors darken. The center pulls back. The frame shifts. Outskirts. Sparse buildings. Wasteland. Finally, a precise point. An abandoned industrial zone. Gray. Timeworn. Forgotten by the world. Drowned in abandonment fog. Where no one looks anymore. Where things are hidden when no one wants them found. Coordinates blink at the bottom of the screen. Precise. Cold. Real.
— “A minimal network activity was detected,” Jarvis continues. “Almost nothing. A very weak signal — just a few microseconds of connection — but enough to leave a trace. It was a disposable phone.”
Stark steps forward. He’s drawn to the map like it’s magnetic. His eyes latch onto the screen, fix on it, hold. He sees beyond the image. Through the ruined facades, under the layers of metal and dust. He wants to believe he can see what’s hidden there. That something is waiting.
— “Can you confirm?”
— “The model’s signature matches what we detected during the call. It briefly connected to a secondary relay antenna nearby. It might’ve gone unnoticed, but—”
He’s no longer listening. Or rather, he hears everything. He registers it all, but his mind is already elsewhere. Locked in. Compressed around a single fact. A single certainty. His thoughts tighten, converge on a single point. A red dot. Blinking. Clear. An abandoned warehouse. No activity for over ten years. No cameras. No patrols. No recorded movement. Nothing. The kind of place you choose when you don’t want to be found. The kind of place where secrets are buried. Or people. And then, a single thought imposes itself. Emerges from the chaos like a brutal flash of truth. A certainty branded into his mind like a red-hot iron.
You’re there.
Not maybe. Not probably. Not possibly. You’re there. His fist clenches. Slowly. Each finger curling until the knuckles turn white. He closes his eyes. One second. One breath. One anchor. Then opens them again. And in his gaze, there’s no more doubt. No more fear. No more wandering emotion. Just steel. Just fire. Just the mission.
— “Prepare everything. Now.”
And in that exact moment, the whole world narrows. There’s no more sound. No more fatigue. No more failure. Only this. A straight line. A single target. A burning urgency. To get you out. Pepper is there. Just behind him. Motionless. Straight as a blade. Her arms crossed tightly against her, in a posture that might seem cold to someone who doesn’t know her. But it’s not distance. It’s a barrier. A dam. A desperate attempt to hold back what she feels rising.
The pale glow of the screens casts his shadow on the floor, long and sharp, like a silent specter frozen in anticipation. Around them, the room is bathed in incomplete darkness, pierced only by the soft flickering blue halos on the glass surfaces — witnesses to this sleepless night that stretches on and on.
His face, usually so mobile, so expressive — the face that knows how to smile even during the worst press conferences, that can reassure with a single look — is now closed. Frozen. Like carved in marble. His jaw slightly clenched. His brows drawn in a barely perceptible but unyielding tension. But what betrays it all are his eyes. A gleam, contained. A discreet fire. Both anxious and annoyed. A light that flickers between anguish and a barely concealed anger.
She watches him. In silence. Lips tight. Shoulders tense. And she knows. She knows exactly what’s going on in his head. She knows the gears, the silences, the calculated movements. She recognizes this posture. This calm. This false calm. This almost elegant stillness that always comes just before impact. She’s seen it once. Maybe twice, in her entire life. And each time, something broke afterward. A wall. A promise. Someone. So she speaks. Not to convince him. But to try and hold him back for just one more moment at the edge of the abyss.
— “You should wait for the police, Tony.”
Her voice is calm. Measured. Perfectly composed. But it cuts through the air like a blade honed too well. It slices without shouting, without striking. It hits the mark. He doesn’t respond. Not right away. He moves. Slowly at first, then with dreadful precision. He reaches for the back of his chair, pulls his leather jacket from it — the one he wears when everything becomes too real, too dangerous, too personal. He puts it on in one sharp, fast motion. Automatic. Without even thinking. Everything is rehearsed. His movements are crisp, stripped of any hesitation. He’s no longer reflecting. He’s in motion.
One hand slides into the side drawer of his desk. The metal barely creaks. He pulls out a small object, barely bigger than a watch case. Smooth. Chrome. Discreet. He inspects it for a fraction of a second, spins it between his fingers, gauges it. His gaze clings to it, focused, as if making sure it’s the right one. Then he slips it into the inner pocket of his jacket. A tracker. A prototype. Maybe both. Maybe something else. When Tony Stark leaves like this, he never leaves empty-handed. And in the suspended tension of the room, in that moment when every gesture weighs like a decision, Pepper feels her heart pound harder. Because she knows, once again, he won’t change his mind. Not this time.
Without a word. He crosses the room like someone going to war. No haste, no visible tension. Just a methodical, silent advance, heavy with intention. Each step echoes faintly on the floor, absorbed by the cold light of the still-lit screens, by the walls saturated with nervous electricity. He heads toward the elevator, straight, relentless, like a guided missile.
— “Tony.”
This time, her voice cuts through the space. Louder. Sharper. She’s dropped the polite calm. There’s urgency in that word, a crack, something tense, fragile. Pepper steps forward, rounds the table. It’s not a command. It’s not a plea either. It’s a disguised entreaty, cloaked in reason, offered as a last attempt to connect. She’s searching for a crack. A hold. Any one. Not to stop him — she’s never held that illusion — but to slow the momentum. To crack the armor. To make him think. Just one more second.
— “This is exactly what he wants. For you to charge in headfirst. For him to have control.”
He stops. His body freezes all at once, mid-distance from the elevator whose open doors wait, patient, like the jaws of a steel beast. Slowly, he turns toward her. Not violently. Not with irritation. But with that icy precision that, in him, equals all the angers in the world. He looks at her. And his gaze is black. Not empty. Not crazed. No. It’s a sharp gaze. Cutting. Shaped like a glass blade, able to slice cleanly without ever shaking. He stares at her, without flinching, without softening the impact. His shoulders slightly raised, chin lowered, neck taut. A compact, tense posture. Not defensive. Not exactly. More like a predator’s. The eyes of a man who sees no alternate paths. Only the target.
— “You think he has control?”
His voice is low. Deep. Vibrating with that particular intensity he only uses in very rare moments — when everything tips, when what remains inside compresses until it becomes unstoppable. Every word is controlled. Measured. Almost calmly delivered. But in their precision, there’s something unsettling. A promise. A fracture forming. Silence falls behind that phrase. Suddenly. A thick silence. Charged. Almost unbreathable. It lasts only a few seconds, but they seem to stretch time. The elevator still waits behind him. The slightly open doors pulse softly, as if they sensed the suspended moment. Then he adds, without raising his voice, without looking away:
— “He made the biggest mistake of his life taking him.”
And it’s not a threat. It’s not provocation. It’s a verdict. A raw, cold truth carved in marble. It’s a fact. And it’s far worse than a scream. Then he turns away. One last time. And he steps into the elevator. He doesn’t look back. Doesn’t leave a phrase hanging. Doesn’t try to reassure. He disappears into the steel maw, and the doors close on him with a quiet hiss. Pepper remains there. Upright. Frozen. Her arms cross a little tighter, as if to hold back something threatening to collapse. The screen lights continue to flicker over her unmoving features, but they’re not what illuminates her. It’s intuition. Instinct. The one that whispers what she already knows deep down, what she’s felt from the beginning. Something is going to explode. And this time, she’s not sure anyone will come out unscathed.
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The metallic floor barely vibrates beneath his steps. Just a discreet, restrained resonance, almost respectful. But in the frozen silence of the hangar, each echo seems to strike the air like a muffled detonation. Every step is a warning. A countdown. A declaration of war. The space is vast. Immense. A cathedral of technology bathed in cold, clinical, almost surgical light. The walls, made of reinforced glass and brushed steel, reflect sharp, precise flashes, slicing his shadow with every movement. Nothing here is decorative. Everything is functional. Calibrated. Optimized. Ready to serve. Ready to open, to strike, to launch. Ready to close behind him, too.
Tony moves with slow, controlled steps. Nothing rushed. He’s not running. He’s not hurrying. He knows exactly where he’s going. Every stride is calculated. Controlled. His gaze is fixed straight ahead, unwavering. No detours. No curiosity. His body is tense, but steady. Focused. There is no room left for doubt. At the center of the hangar, the launch platform awaits him. A circle of polished steel, inlaid with white LEDs pulsing gently, slowly, like a heart in standby. The light follows a steady, hypnotic rhythm, as if the structure itself were breathing. It sleeps. But it's ready to awaken at the slightest command. Around him, holographic showcases come to life at his approach. Sensors recognize his presence. Interfaces open by themselves. Images appear, fluid, clear. Silhouettes rise in bluish light, floating like specters of war.
His suits. The most recent. The strongest. The fastest. Masterpieces of power and precision, lined up in military silence. No words. No announcements. They stand there, frozen, waiting, like a metallic honor guard ready to activate at the slightest signal. Majestic. Relentless. Inhuman. They are beautiful in their coldness. Intimidating. Perfect. But he doesn't look at any of them. Not a single glance. Not a hint of hesitation. He passes through them like one walks through a memory too familiar to still fascinate. The suit doesn’t matter. Not this time. He isn’t here for spectacle, or showy power. He doesn’t want to impress, or buy time. He wants only one thing.
Efficiency. Extraction. The end.
His steps remain steady. His silhouette moves alone among the giants of metal. And in his wake, the air seems to vibrate with low tension, restrained anger, pain too vast to be named. The soldier is on the move. And what he’s about to do now… he’ll do it without flinching. His gaze is fixed. Frozen. With an almost inhuman intensity. He doesn’t blink. He doesn’t deviate. He aims. His attention is a taut line between two points: himself, and the target. It’s not anger you see in his eyes. That would be too simple. Too mundane. No — it’s worse. It’s frozen resolve. A sharp calm like a scalpel's edge. Clinical determination, purged of raw emotion, as if every feeling had been distilled, compressed into a single objective: locate, neutralize, retrieve. At all costs.
The suit he’s come for… it’s not the one from interviews. Not the one for demos. Not the one that dazzles crowds or makes headlines. This one, he only brings out when someone has to fall. No flash. No light. No declaration. With a sharp gesture, he activates the control interface embedded in the platform. The floor lights intensify, blink once, then a metal ring slowly rises from the ground, encircling him with solemn gravity. Everything remains silent. Nothing overreacts. Everything is perfectly calibrated. Robotic arms unfold around him, in a mechanical choreography of military precision. They don’t tremble. They don’t hesitate. They take position, ready to interlock, to serve, to build the weapon.
— "Omega configuration."
His voice snaps. Dry. Dense. Like a hammer strike on glass. And instantly, the machines comply. Without delay. Without flaw. The first pieces of the suit lock around his legs, securing his joints, enclosing his muscles in layers of reinforced alloy. The boots anchor to his feet with a soft hiss, each plate sliding into place with a perfectly tuned metallic click. Then the chest modules rise, locking over his ribcage. The red and gold lines slowly take shape, forming a symmetrical, ruthless architecture. Nothing is superfluous. Everything is there to protect, to absorb, to strike. The metal climbs along his arms, embeds into his shoulders, clamps onto his back. A vengeful exoskeleton. A body of war. Every movement is fluid, exact. The machine knows his rhythm. It knows his silence. It recognizes this moment when Tony Stark is no longer joking. He lowers his head slightly. The helmet drops with a magnetic hiss. It seals with a muffled chhhk. Instantly, his vision turns red. The interface lights up. Sensors activate. Data streams appear. Code scrolls. Maps. Thermal signals. Local comms networks. Building schematics. Ballistic paths.
He’s inside. He’s ready.
— "J.A.R.V.I.S., send the flight plan."
— "Coordinates locked. Route optimized. Risks assessed."
A moment. Just one. A tenuous silence. Like a held breath. Then Jarvis’s voice, lower, almost hesitant. A soft note. A nearly human tone, as if trying to reach through the metal to something deeper.
— "Tony… you don’t have to do this alone."
Not a tactical suggestion. Not a precaution. An offering. An outstretched hand. But Tony doesn’t respond. Not yet. One beat. Just a suspended moment between question and answer. But it won’t come. Because he’s not. Not alone. Not really. It’s not solitude that lives inside him. It’s worse. It’s that weight, hanging on his chest like an anvil: responsibility. He feels responsible. And that kind of responsibility can’t be delegated. Can’t be shared. It must be borne. Endured. To the end. He’s not doing this because he’s alone. He’s doing it because he’s the one who must. Because he was there when it happened. Because he should have seen, understood, foreseen. And because he will never forgive himself if he arrives too late.
A metallic breath escapes his shoulders. Light, but precise. The thrusters arm with a restrained growl. Internal turbines hum softly, like a beast holding back its power before leaping. The entire platform tenses. A low vibration rises under his feet, echoing the energy condensed beneath his heels. The lights turn orange. The floor opens. Slowly. In segments. Like a mechanical wound revealing the hangar’s nuclear heart. The air grows denser. Warmer. Electrified. Stark bends his knees. His muscles instinctively adjust for the imminent thrust. And then, without hesitation, without countdown, without another word…
He lifts off the ground.
With a piercing roar, the suit tears through the air. Flames burst from his heels, searing the platform, and Tony’s body becomes a comet of metal and fire shooting through the open ceiling, soaring at blinding speed into the already paling night. The hunt has begun.
The sky races around him. A continuous stream, distorted by speed, slashed by incandescent trails. Every inch of the armor vibrates under the strain, every thruster hums with surgical precision. The wind slams into him, compressed, transformed into pure force that only the flight algorithms manage to contain. The city stretches out below. Gigantic. Vast. Insignificant. Skyscrapers blur past like mirages. Rooftops, streets, glowing points of light — all turn into abstraction. But he sees nothing. Not the glowing windows, not the crowded avenues, not the numbers blinking across his heads-up display. Not even the overlaid messages, trajectory readings, or secondary alerts. He sees only one red dot. One destination. One objective. And nothing else exists.
He thinks only of you.
Of your body, twisted under the blows. Of your features, contorted by pain. Of your breath, ragged, torn, like each inhale is a battle against agony. Of your face, bruised, sullied, pressed against a floor too cold, too dirty, too real. He sees the blood, the unnatural angle of your shoulder, the fear diluted in your half-closed eyes. He sees everything. Even what you tried to hide. He still hears that fucking scream. The one he never should’ve heard. The one he should’ve prevented, before it ever existed. A scream you can’t fake. A scream torn from you, raw, visceral. He heard it through the phone, compressed, muffled by your breath, crushed by the violence of the moment. But despite the static, despite the distance, he felt it. Like a blade to the heart. Like a shockwave that didn’t just hit him. It went straight through him.
And in his mind, that sound loops. Again. And again. And again. Louder than any explosion. More violent than a collapsing building. It’s not a memory. It’s a living burn. An active wound. He sees it all again. Every second. Every word. Every tone. That bastard’s voice.
Matthew.
Every syllable spat like poison. Every word sculpted to wound. To provoke. To leave a mark. Not on you — on him. It was all planned. Orchestrated. A performance. A slow, cold, painfully precise execution. Meant for one person: Tony Stark. To hit him. To show him how badly he failed. To push where it hurts most.
And it worked. Fuck, it worked.
He still feels how his throat closed. The exact moment his heart skipped a beat. The absolute void that swallowed him when he realized he was too late to stop it but maybe not too late to save you. That instant shift, when all logic shattered, replaced by one certainty. He will pay. Not for the humiliation. Not for the provocation. But for putting you in that state. For daring to lay a hand on you. And Stark, now, isn’t flying toward a hideout. He’s flying toward an execution. His heart is pounding too hard. It no longer syncs with the armor’s rhythm. It hammers against his ribcage like a primal reminder that, beneath all the metal, despite all the tech, he is still a body. A man. And that body is boiling. His fingers tighten inside the gauntlets. The joints, calibrated down to the micrometer, creak under the pressure. He clenches. Too hard. Pointlessly. As if the pain might return control to him. As if he’s clinging to the sensation of something real. The internal temperature climbs a notch. A brief alert flashes, notified by a beep that Jarvis cancels instantly. He knows. Even the tech feels that something is cracking. That the tension line has reached a critical threshold. The tactile sync grows more nervous, less fluid. Not from failure — from resonance. As if the suit itself were reacting to the rage boiling beneath the metal. As if it knew he’s on the verge of detonating.
But he doesn’t scream. He doesn’t speak. He breathes. And he moves forward. Because rage — real rage the kind that doesn’t erupt but eats you alive, the kind that carves deep and anchors in silence, isn’t fire. It’s ice. A blade. A metallic tension that sharpens second by second. This is no longer about ransom. This is no longer an intervention. It’s not even a mission anymore. It’s personal. Because you… you’re not just some kid he hired. You’re not an intern, not a checkbox on some HR dashboard. You’re not a casting mistake he corrected in passing. You’re not one more name on a list of talent. You’re not a recruit. You’re that lost kid who showed up one morning with bags heavier than your shoulders, a voice too quiet, gestures too small. The one who looked at screens like they mattered more than the world. The one who barely spoke, but worked until you shook. Until you collapsed. Without ever complaining. Without ever asking for help. The one who clung to the work like it was the surface of a frozen lake. Just to keep from drowning. And that’s where it started.
Tony doesn’t know exactly when. When it slipped. When he stopped seeing you as an employee and started caring differently. Started checking if you’d eaten. Turning concern into jokes — but counting the times you said "not hungry." Setting rules. Break times. Making sure you got home. That you slept. That you didn’t vanish into the blind spots. Getting used to hearing you mutter when he worked too late. Paying attention. And now, he realizes it too late. This thing, this invisible thread, clumsy, imperfect, but real… it’s there. Damn it, it’s there. And now, you’re gone. And he’s going to cross fire, smash through every wall, burn everything down to find you. Because nothing else matters now. And that’s what’s eating him alive. Not guilt. Not passing doubt. No a slow burn, rooted deep in his chest. A slow poison, distilled with every heartbeat. Because that little idiot… you had a device. A fucking distress device. Not just any gadget. Not a toy.
A device he designed. Refined. Gave to you. Built in haste, but with care. Meant for this. To stop this. To block the worst. So he’d never have to hear screams like that. So he could get there before the blood spilled. And you didn’t even use it. Not a press. Not a signal. Nothing. You took it all. To the end. In silence. Like always. And that’s what drives him mad. The silence. That fucking habit of suffering quietly. As if it doesn’t count. As if your pain isn’t valid. As if your life isn’t worth protecting. As if pressing a button to ask for help… was already asking too much. As if he wouldn’t have come.
And now? Now you’re in the hands of a madman. A psycho acting out of vengeance, control, power hunger. A man with no limits, no brakes, who already crossed every line. Tony saw it. Heard it. He knows. Tortured. Broken. Gasping. The images come uninvited. Your face. Your features twisted in pain. That ragged breath, barely audible. The weight of your body giving out. The hard floor under your cheek. Blood seeping from a wound he can only imagine. And that look, more felt than seen, somewhere between fear and resignation.
Tony clenches his jaw. So hard his teeth slam together inside the helmet. The sound is dull, amplified by the metal echo. It vibrates through his temples. A muffled detonation ringing through his skull. He wants to scream. To hit something. To do anything. But he stays focused. Rage can’t come out. It’s compact. Controlled. Targeted.
The worst part? He still hears you. That murmur. Between gasps. That muffled breath, fragile, but so distinct. That tone. That voice he knows now. He recognized it instantly. There was no doubt. No room for illusion. He could’ve denied it. Lied to himself. Said it was a mistake. A coincidence. But no. He knew. He knew immediately. And from that moment, something inside him snapped. Not dramatically. No collapse. A clean fracture. Like an overtightened mechanism breaking in silence. Because now, it’s too late to argue. Too late to reason. Too late to call the cops. Too late for rules, procedures, delays.
Matthew is already dead. He doesn’t know it yet. He still breathes. Still thinks he’s in control. Thinks he’s running the show. But he’s not. He’s already finished. Erased. Condemned. Because Tony Stark heard that scream. And that scream changed everything. That scream signed Matthew’s death warrant. And he’s going to make him pay. Inch by inch. Breath by breath. Until he gets you back. Or burns the world down to drag you out of the dark.
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When the Iron Man suit finally lands, it’s as if the whole world holds its breath.
A metallic breath explodes beneath the impact, followed by a dull rumble that cracks the already fractured concrete of the ground. The shock ripples through the foundations of the old industrial district, awakening the ghosts of rusted machines, worn-out beams, and gutted walls. Dust immediately rises in thick, greasy, lazy swirls, dancing around him for a moment before slowly settling, as if even it knows not to linger here. The air is saturated. Heavy. It reeks of rust, moldy wood, and decay embedded in the walls. It reeks of abandonment. And worse: expectation. The congealed oil on obsolete pipes reflects faint black gleams, almost organic, like fossilized blood. The ground creaks under his boots. All around him, the environment seems frozen. Trapped in a time that forgot how to die.
Icy wind rushes between the metal structures, howling through broken beams, whistling past shattered windows. It carries the cold of a soulless place — emptied, but not deserted. Not entirely. Around him is nothingness. A heavy, oppressive void. No sound, no light. Nothing lives here. Nothing breathes. Not even a rat. Not even a shadow. As if the rest of the world had the decency to look away. As if even the city itself knew that what was going to happen here… should not be seen. And in that thick silence, saturated with contained electricity, Tony remains still. His body in the suit doesn’t tremble. But everything in him is ready to strike. The HUD displays thermal readings, sound scans, parasitic electromagnetic signatures. Traces. Remnants. Leads.
He ignores them. He doesn’t need confirmation. He looks up. There. Right in front of him. The building. A block of blackened concrete, eaten away by time. It rises before him like a vertical coffin, planted in the ground. Its windows are empty sockets. Its crumbling walls seep with moisture and menace. It’s a carcass. A gaping maw. A lair. The kind of place where people are held. Erased. Buried. And deep inside, somewhere in there, he knows. You’re there. And Tony Stark came to get you.
The windows are shattered, slashed like screaming mouths frozen mid-silent howl. Shards of glass still dangle from some frames, claws of dead light ready to cut. The gutted openings let in a freezing wind that rustles the remains of forgotten curtains, faded, trembling like surrender flags. The concrete holds together only by habit. Cracked, eroded by seasons, cold, rain, and grime. By time. By indifference. Parts of the facade have collapsed in whole sheets, revealing the interior like a raw wound. Rusted beams jut from the gaping holes, still supporting broken, twisted staircases whose steps are gnawed by corrosion. A withered metal skeleton groaning under its own weight.
The scene is saturated with signs of dead life. Hastily scrawled graffiti, some grotesque, some terrifying, scream from the walls like echoes left by shadows. Split-open bags. Scattered trash. Abandoned syringes. A broken stroller, overturned. An old moldy couch under a porch. Traces of human passage, old, sad. But nothing lives here anymore. Everything reeks of neglect. Of misery. And something worse still: violence. That scent doesn’t lie. It seeps everywhere, even into the walls. A stagnant, invisible tension, but palpable. As if the very air had absorbed a memory too painful to vanish. An echo of blows. Of screams. Of fear.
Inside, it’s swallowed in thick, grimy darkness. No light. Just the blackness, mingled with dust, rot, and silence. But he doesn’t need light. Doesn’t need to see. His scanner activates instantly. The interface opens in a silent click, layering across his HUD. Schematics align, partial blueprints of the building take shape in 3D. Partial plans, modeled reconstructions from thermal scans, wave sweeps, mass detection. Heat sources appear. Faint. Distant. Unstable. And then, deep in that rusted steel maze, cracked concrete, and rotten silence… a thermal signature. Human. Residual. Nearly gone. A blurred point, nestled in a windowless room, behind thick walls. A trace. A breath.
Tony clenches his fists.
The sound is minimal. A quiet metallic creak, but full of tension. The gauntlets respond to the pressure, contouring his restrained rage, absorbing the shock. He doesn’t need confirmation. Doesn’t need to see more. Doesn’t need to wait. He knows. His instinct — that damn sixth sense he spent years mocking — screams through his body. It’s here. This rat hole he chose. This rotten theater for a filthy ransom. This stage for torture. A place not built to hold… but to break. To terrify. To harm. A bad choice. Tony approaches.
One step. Slow. Calculated. Methodical. Every movement is measured. The suit follows without fail, amplifies his stride, makes the ground tremble with each impact. Metal boots pound cracked concrete like war drums. A warning. A sentence. He doesn’t run. He doesn’t need to. Matthew’s time is already counted. His sensors scan blind spots. He identifies exits, access points, high ground. He’s already plotting firing lines, breach paths, fallback routes. He thinks like a weapon. Like a strike. Because he’s no longer just an angry man. He’s become a projectile. A terminal solution. A promise kept too late. And inside… someone is about to learn what it costs. To lay a hand on you.
He pushes the door with a sharp, decisive gesture. The metallic impact creates a brutal clang, and the battered frame wails in a piercing screech. The sound is long, grotesque, almost human. It slices the air like a cry ripped from a bottomless throat, the shriek of a grave forced open, or a coffin pried too late. The metal scrapes, shrieks, protests — but obeys. Before him, the hallway stretches. Long. Narrow. Strangled between two walls dripping with damp. The air is dense, fetid, soaked with stagnant water and ancient mold. A cold breath seeps from the walls, icy and clinging, sneaking into the suit’s seams as if to slow him, to warn him.
The walls are alive. Not with organisms, but rot. Dark mold clings to them, spreading in irregular patterns like necrotic veins. It crawls across the concrete, invades corners, slips into cracks. In places, the plaster has given way, reduced to gray dust. Beneath, twisted, rusted rebar protrudes — like broken bones, as if the building itself had been tortured, split open. A single bulb hangs from the ceiling, bare. Dirty. Its globe yellowed by time, its sickly light flickers intermittently. Suspended from a wire too long, too thin, it dances with every draft like a rope ready to snap. It blinks. Once. Twice. The yellow halo it casts wavers, bleeding against the walls. The shadows it throws stretch, distort, crawl along the ground. Shapes too long, too fluid, as if the walls themselves breathed beneath the dying light.
Tony doesn’t slow.
He doesn’t hesitate. His stride remains straight, steady, heavy. Each step echoes off the floor, amplified by the armor’s metal. Debris cracks underfoot: broken glass, plaster fragments, splinters of forgotten furniture. Every sound ricochets in the narrow hallway, trapped between the walls like a muffled volley of gunfire. But he doesn’t flinch. He doesn’t look around. He advances. Like a metronome. His eyes never leave the end of the hall, even as everything around seems to want to swallow him, smother him. He sees the corners, the ajar doors, the stains on the floor, but he doesn’t stop. He doesn’t deviate. He walks this hall like a trial. A purgatory. He knows hell waits ahead. He feels it.
And he’s ready to tear it open with his bare hands. Each step is a countdown. Each breath, a burning fuse. Each heartbeat in his chest, a war drum. He knows what he’ll find. Maybe not the details. Maybe not the form. But the essence. He knows the scent of blood is there, somewhere. That fear has left its trace. That pain has seeped into the walls. And he knows that you… you’re at the end. You’re there, in the dark, at the end of this sick corridor. Maybe unconscious. Maybe barely alive. But you’re there. And that’s enough. Because even if the entire world has to burn for him to find you,
Stark walks down that hall like a blade sliding into a wound. Slowly. Silently. Without flash, without unnecessary sound. He doesn’t strike. He infiltrates. He dissects. Every step is measured, controlled, charged with clinical precision. The weight of his body, perfectly distributed, flows with the suit’s supports. His boots barely graze the floor, but even that friction seems to vibrate through the air, taut with tension. Tension is everywhere. In his muscles, locked beneath the metal. In his jaw, clenched to the point of pain. In his nerves, on maximum alert. He’s taut as a bowstring. Like a weapon whose safety was disengaged long ago. Even his breathing is suspended. He hardly breathes. He’s sunk into a slowed rhythm, between apnea and absolute focus.
Then the smell hits him. Not softly. Not in waves. Brutally. A wall. An invisible punch to the chest. Heavy. Thick. A metallic stench clings to his throat, invades his nostrils like a warning. Blood. Not fresh. Dried. Hours old, maybe. Mixed with damp, with the building’s mold, with dust saturated with dead micro-organisms, with the stagnant rot that infests places where nothing lives anymore. The smell of a trap. The smell of pain. His stomach tightens. Not from fear. From rage. His heart doesn’t race. It slows. As if syncing to the place. He shifts into a deeper, duller, more dangerous frequency. His pulse beats like a drum ready to strike.
Above him, the bulb still swings — a pathetic relic of a once-functioning past. It crackles, flickers, sputters to life at intervals. Each pulse casts sickly light across cracked tiles, warped walls, and scattered remnants of a forgotten world. The shadows stretch, shrink, crawl along the walls like filthy hands. Even the walls seem to hold their breath. He steps forward again. One step. Then another. Every movement is fluid, silent, nearly unreal. His visor scans relentlessly. It overlays stacked data layers, displays thermal signatures, rough volume outlines, hidden masses behind walls. He examines blind spots. Gaps. Floor markings. Broken hinges, scuff marks on wood.
He doesn’t see Matthew yet. But he feels it.
Like a presence. A greasy vibration in the air. A low tension running beneath the walls like a rogue current. A sensation that cuts through him, visceral. It’s not intuition. It’s certainty.
He’s here. Somewhere.
And then he sees you.
You.
There’s no sound. No warning. No orchestral swell. Just that brutal, abrupt moment when the image slaps him in the face like a blow that nothing can soften. You're there. Not standing. Not sitting. Collapsed. Against the wall. No — not against. You’re melded into it. As if your body were trying to dissolve, to disappear. A trembling mass, dirty, slack with pain. No longer a person. No longer a boy. Just a heap of living, broken flesh. A dislocated silhouette in the dark. His brain takes a moment to understand what he’s seeing. This isn’t you. Not the you he knows. It’s something else. A ruined version. And the violence here isn’t hypothetical. It’s tattooed on you. Your arm is twisted.
Not bent. Twisted. At a monstrous, impossible angle. The elbow joint reversed. Bones displaced under stretched skin. Something that should only appear in accident reports. Not here. Not like this. Your shoulder has collapsed. Your hand, almost detached from the rest, barely trembles.
And your face... It takes Tony a second. Just one. But it lasts an eternity.
He doesn’t understand right away. He recognizes nothing. No features. No familiar contours. Just damage. Open wounds, horrible swelling, bruises stacked upon bruises. Your eyes — if they’re still there — are buried under hematomas. Your lips are split. Your right cheek is so swollen it distorts the entire shape of your skull. It’s a mosaic. A work of pure cruelty. And the blood… It’s still flowing. Not much. Not in spurts. In seepage. Slow trickles, like a steady leak. It slides down your temple. Your mouth. Your neck. It’s sticky. Matte. It ran, dried, and ran again. It’s on your throat. Your collarbone. Your chest. You’re soaked.
Not with sweat. With blood. With fear. With the filth of the floor. Your clothes are just rags now. Torn down to the skin. Deep tears are visible, laceration marks, fingerprints, nails, blows. Your hands are open. Literally. Cut. Your palms are cracked, marked by a desperate attempt to defend yourself. Your fingers are splayed as if caught in a frozen spasm. Your knees are red, shredded. Raw flesh peeks through peeled skin. And your back... He doesn’t even want to look. He can guess. He knows what he’ll find there. Marks. Burns. Blows. Traces of what no one should ever do to another human being. But he doesn’t look. Not yet. Because then... he sees it. Your chest.
It moves. Barely. But it moves. A breath. Weak. Jagged. Rough. A struggle with every motion. A breath that doesn’t really come out. A choked wheeze. But alive. You’re breathing. You’re there. Still there. And Tony stops cold.His entire body freezes. The armor locks with him, as if the machine itself understood. As if every fiber, every metal plate had turned to stone. Time collapses on him. A crushing weight. A shroud. His heart? It stops. It no longer beats. Just a void. An absence. A pulse. Heavy. Dry. In his temples. His throat. His stomach. What he feels has no name. It’s not fear. It’s no longer even anger. It’s a breaking point. A place in the soul where everything stops. Where everything is too much. Too much pain. Too much hate. Too much regret. Too late. Too far. He’s here. In front of you. And he can’t go back.
It’s a fracture. A rupture in everything he thought he could control. You’re alive. But at what cost? And somewhere, just a few meters away... Matthew is still breathing. But not for long. A cold shiver, sharp as a steel blade, climbs Stark’s spine. He doesn’t push it away. He lets it slide between his shoulder blades, slip under the metal like a warning that what he’s seeing isn’t an illusion, but raw, naked, implacable truth. Yet nothing on his face betrays this vertigo. Not a twitch, not a flinch, not even a blink. His rage, once explosive, has retracted into a clean, focused line. It’s no longer a storm. It’s a blade. Smooth, cold, sharp. A perfectly honed weapon, ready to strike the moment it’s needed. Not before.
His eyes stay locked on you, unblinking, unwavering. Every detail imprints itself in his mind like a photograph branded with hot iron: the grotesque position of your broken arms, the dark brown blood dried in rivulets on your chin, your neck, your chest; your skin, so pale beneath layers of grime and pain it looks almost like that of a corpse; the faint flutter of your chest, a fragile reminder that you haven’t crossed over yet. He sees it all. He doesn’t look away. And he will remember it. Until his last day. And yet, he doesn’t move right away. Everything in him is screaming. Every fiber, every muscle, every electrical impulse of the armor and his own body calls him to you, to rush, to drop to his knees, to check your pulse, your breath, to place his glove at your neck, to say your name. But he doesn’t give in. He is Tony Stark, yes. But here, now, he is also Iron Man. And Iron Man knows how to recognize a trap. Instinct needs no explanation. He feels that grimy vibration in the air, that invisible weight that warps the atmosphere around you, that intent still lingering, ready to pounce. He knows he’s not alone.
So he advances, but his way. Not slowly out of hesitation, but with control. One step. Then another. Controlled. Silent. The floor crunches beneath his boots, and even though the armor absorbs most sound, here, in this room saturated with shadows and stench, every movement rings out like a barely contained threat. The air is still. The walls seem to listen. The silence, tense, fills with static. He stops a few steps from you. Just close enough to see you breathe, to catch that tiny tremor in your ribcage, that breath that fights, clings, refuses to yield. Just far enough to strike, to raise his arm, to hit in half a second if something emerges. Because he knows: this is the moment Matthew is waiting for. The moment he thinks he can finish what he started. But he’s about to learn that this time, he’s not facing a wounded child. He’s facing Iron Man.
His eyes scan the room relentlessly. Every detail is absorbed, analyzed, memorized. The walls, covered in peeling paint, reveal patches of bare stone, gnawed away by damp. Mold streaks stretch up to the ceiling, which has collapsed in places, letting frayed wires dangle alongside crumbling fragments of plaster. Rusted pipes run along the walls like dead veins, slowly bleeding black water into the corners of the room. A distant drip echoes, irregular, distorted by reverb, like the heartbeat of a body already emptied of everything. The air is thick. Stagnant. It smells of oil, blood, mold, and abandonment. This isn’t really a place anymore. Not a living space, not a shelter. A dead place. Forgotten. A pocket outside of time, perfect for monsters to hide in.
And Stark knows it. It’s too quiet. The space is frozen in a dull anticipation. The smell is too sharp. The scene, too carefully placed. Nothing here suggests an accident. Everything has been calculated. And he hasn’t come to negotiate. He’s not here to understand. He’s not here to reach out. He’s here to end it.
So he speaks. Not loudly. Not shouting. His voice slices through the silence like a blade drawn slowly from its sheath. Low. Slow. Sharp. It doesn’t tremble. It doesn’t seek to impress. It states. It targets. It’s the voice of someone who’s gone beyond fear. Who knows the war is no longer a risk. It’s happening. It’s here. Present. Inevitable.
— "That’s your big plan, Matthew?"
The words hang in the air. Clear. Sharp. And they cut. The silence that follows is even sharper. It relieves nothing. It stretches. It weighs. It presses on the nerves like a finger on an open wound. A silence with a taste. That of blood just before the blow. That of a held breath, of the instant suspended between lightning and thunder. A silence ready to rupture. And Stark is ready to tear through it. He kneels.
The suit exhales softly, like a restrained sigh, when Tony bends a knee to the ground. Metal meets filth, dust, and the invisible fragments of an abandoned world in an almost solemn hiss. It’s not a brusque gesture, nor heroic. It’s a humble movement. Precise. One knee placed in the grime of a ravaged sanctuary, a cathedral of pain frozen in time, where the slightest sound feels blasphemous. He places himself near you. Within reach of your voice. Within reach of your breath.
Above you, the light flickers. It trembles at irregular intervals, swaying like a sick pendulum. It doesn’t truly illuminate. It hesitates. As if it, too, refused to fully expose what it reveals. The scene seems unreal. Suspended. Out of the world.
Stark only sees you now. His eyes are on you. At last. Truly. He no longer sees you through the lens of worry or authority. He doesn’t see an employee in distress, nor that lost kid he tried to protect from afar without ever really getting involved. He doesn’t see a responsibility. He sees you. The body you’ve become. This collapsed, mutilated body, barely breathing. That breath, ragged, whistling, clinging to life like a flame battered by wind. The position in which you’ve fallen, curled in on yourself, speaks of an instinct stronger than thought: to hide, to disappear, to avoid another blow.
Tony doesn’t move. Not yet. A long moment suspended in a bubble of silence. He doesn’t speak. He doesn’t move. Only his fist, slowly, curls. A controlled movement, silent, without tremor. A gloved hand, silently absorbing the rising tension, the seething rage, the refusal to accept what he sees. He observes you. He scans every visible patch of skin, every line of your battered face, every gap between the tatters of your torn clothing. He doesn’t want to miss anything. He wants to know. To understand. To see what you’ve endured. He’s ready for everything — except looking away. And what he discovers freezes him.
The recent wounds, he expected. He had imagined them, feared them. The swollen bruises, the black and violet hematomas covering your ribs, your stomach, your face. The clean or jagged cuts, open or dried. The blood clotted at the corner of your mouth. The split lip. The torn brow. Skin ruptured in places, stretched by swelling. All of that, he had seen coming. He had already heard the echo of the blows. Guessed the brutality.
But what he hadn’t expected… were the other marks.
The ones left by someone other than Matthew. The ones no sudden rage could justify. Scars. Fine. Old. Some nearly faded, white, invisible to the untrained eye. These delicate lines, precise, snake along your forearm, disappear under the fabric, reappear on your side. He recognizes some of them. He knows those clumsy cuts, those poorly closed edges. He’s seen them before. On other bodies. In other contexts. He passes a hand — slow, without touching — over your chest. A gesture both useless and necessary. An attempt to understand without harming, to see without interfering. Your top is torn. Not by accident. Deliberately. As if someone wanted to expose your fragility. As if your skin had become a trophy. A message. Your ribs are streaked with deep bruises, a blue so dark it looks black. These were blows delivered methodically. Not to kill. To mark. To leave a print. And beneath that recent violence, other, paler shadows appear. Older bruises, half-faded. Hidden scars. Belt marks. Traces of falls, perhaps. Of repeated gestures. Systematic ones. Not wild brutality.
Habit. Not battle scars. Survival marks. And Tony feels something fold inside him. Slowly. Painfully. As if the steel of his suit tightened, turned inward, crushing his bones, compressing his breath. He inhales, despite everything, but the air is too heavy, too foul. He feels cold sweat on his neck. The taste of metal on his tongue. This didn’t start yesterday. Not even this week. Not even this year. And the hatred rising now is no longer a fire. It’s a collapsed star. A core of pure fury. A point of no return.
— "Fuck..." he breathes.
The word slips from his lips in a hoarse whisper, no louder than a murmur. It doesn’t snap. It doesn’t strike. It falls. Heavy. Exhausted. It’s not an insult. It’s a prayer. An apology. A confession. A verdict. He could have said your name. He could have screamed. But he no longer has the strength to hide the collapse eating away at his gut. That single word carries it all: the guilt, the shame, the shock, the poorly disguised love, and that powerlessness he hates more than anything in the world. His eyes rise slowly to your face. He studies you, searches, hoping for a sign, a crack in that absence. You’re still unconscious. Or maybe just trapped in your own body. Your eyelids, heavy with pain, barely twitch. As if you’re fighting inside a nightmare too real. Your lips, cracked and swollen, part in an almost imperceptible motion. Sounds escape. Weak. Shapeless. Phantom syllables, swallowed by your raw throat, crushed by the shallow breath of survival.
You’re fighting.
Even now, half-dead, on your knees in the mud, in the blood, in the fear — you're still fighting. And Tony, he doesn’t understand how he missed it. How he could’ve overlooked it. He thought you were folding because you were fragile. That you were falling because you were weak. He discovers now that you never stopped getting back up. Again. And again. And again. And that by climbing back up alone, without help, without a hand to reach for, you broke. Slowly. Silently. From the inside out. Another anger rises in him. It doesn’t explode. It doesn’t burst like an uncontrollable flame. It’s slow. Deep. A fury that doesn’t make noise as it climbs but anchors in his gut, between his ribs, in every fiber of his being. It doesn’t burn. It freezes. A precise, surgical anger. Against Matthew, of course. Against the monster who did this to you, who turned your body into a map of pain. But not only.
Against himself. For not seeing it. For not wanting to see. For believing his rules, his demands, were enough. For forcing you to maintain an image when you were already falling apart. Against the system that let you slip through. Against the entire universe that abandoned you without so much as a flinch. Against the silence. Against the averted gazes. Against the excuses. Against everything that brought you here, barely breathing, bleeding in a place no one should know. And this anger — he keeps it. Not for the night. Not for the moment. He keeps it for what comes next. Because this isn’t a mission anymore. It’s not even vengeance. It’s an answer. A cold, precise, implacable answer.
His fingers spread. Slowly. As if releasing something too heavy to contain any longer. Then, just as slowly, his hand closes. Not in rage. Not to strike, nor to threaten. But as one seals a vow. As one locks a promise in the palm, sheltered from the world, where it can never fade. A discreet gesture, small, but charged with immense weight. He leans forward. Just a little. Just enough for his face to draw closer to yours, his features blending into the trembling light, his breath almost brushing your skin. He doesn’t try to wake you. He doesn’t disturb the fragile silence. Only to be closer. To speak for you, and only you. And in a breath that belongs only to him — hoarse, broken, dragged up from deep within — he whispers:
— "I’m sorry..."
It’s not a phrase said lightly. Not a line of circumstance. The words struggle to come out, each one bearing the weight of a collapsed world. They don’t shake. They crash. Heavy. Dense. Inevitable. And it’s not for the blows. Not for the broken bones, the bruises, the wounds, the blood. Not for the absence of rescue, the nights you waited without response, without a call, without presence. Not even for the hesitation or delays. Not for the wavering between compassion and distance. No. That’s not what he regrets. It’s something else. Deeper. More insidious.
He apologizes for what he didn’t see. For everything right in front of him that he ignored. For all the times he looked at you without really seeing you. For all the moments he should’ve understood, read between the silences, the tight gestures, the small changes in your voice, the blankness in your eyes. He’s sorry because he should’ve been the one to know. The one who reached out without being asked. He didn’t. And he knows it. You never told him. Not clearly. Not with words. But he doesn’t blame you. He blames himself. His inattention. His blindness. His comfort. Because he should have known. He should’ve seen past the surface, not settled for what you showed. He’s a genius, after all. He cracked codes, AI, government secrets. But he didn’t read you. You.
And now he sees you. Really sees you. You're here, lying down, broken, beaten, emptied to the bone. You carry the recent scars — but also all the old ones. The ones that tell something else. Another story. A life that didn’t begin tonight. Pain accumulated like strata in rock pressed too long. Blows someone made you believe were normal. Silences you were taught to keep. Constant adaptation, until survival became a reflex. Each scar is a sentence. Each bruise, a word from the story you carried alone, your throat tight, your body tense. And Tony is only just beginning to understand. Not everything. Never everything. But enough for the void to open beneath his feet. Enough for something to snap. For guilt to root itself where it will never leave. It’s not just Matthew. It’s not just this night. It’s everything that came before. This whole life you lived in the shadows, moving through with false smiles and stiff gestures. And he didn’t see. He didn’t know. He didn’t reach out.
He feels that truth in his fingers, in his tight throat, in the strange way his vision blurs without fully knowing why. And the anger returns. Deeper. Colder. But this time, aimed only at himself. Because he should’ve been there. But now that he is — now that he sees you — he swears, without even needing to say it, that it will never be too late again. Not a second time. Never. Stark doesn’t turn his head. Not right away. He stays still, locked in a perfectly controlled posture, his chest still bent over you, his body still tensed above yours like a shield of steel. But his eyes narrow, just slightly. An imperceptible detail to anyone else. An almost microscopic change, but revealing. He saw it. Or rather, he sensed it. Not a clear movement. Not a sharp sound. Just a shift. A faint vibration in the air. A thermal fluctuation, too precise to be natural. A flicker in the visual field, where there was nothing seconds ago.
The suit confirms it silently. A variation in air pressure. A subtle thermal footprint. A disturbance in the suspended particles. Something moved. Someone. In the shadows. He already knows. He doesn’t need confirmation. No detailed analysis. His instinct and the machine speak with the same voice. Matthew is here. He never left. He never fled. He waited. Coiled in the darkness like a knot of hate, hidden behind the ruined structures of the warehouse. A corner too dark for ordinary eyes. But Stark isn’t ordinary. His gaze adjusts. The armor’s sensors recalibrate instantly. Every shadow pixel becomes a map, a data set analyzed in real time. Shapes emerge, unfold, reveal themselves under thermal filters. He sees the silhouette. Humanoid. Crouched. Twisted in animal tension. Almost glued to the damp wall. Motionless — but falsely so. Ready. Ready to strike.
A predator. Or so he thinks. But to Tony, he’s not a beast. Not an opponent. He’s a parasite. A pest. A residue of misdirected hate. A mass of cowardice wrapped in a semblance of human flesh. Nothing more. And he waits. Stark sees it. He waits for the right moment. The right angle. He still hopes. One wrong step. One lapse. One second of distraction. He still thinks he can win. He thinks he can strike from behind. Finish what he started. Reduce further. Humiliate again. He believes this stage is his, that the dark protects him, that fear is on his side. But it’s not the same game anymore. And Stark is no longer the same man.
His fists clench. Slowly. Not in rage. In certainty. A cold pulse runs through the armor, from his shoulders to the thrusters in his forearms. Internal systems activate in silence. Energy builds. Not for show. Not to intimidate. But to strike. Coldly. Deliberately. And yet, he still doesn’t move. He doesn’t break the silence. He remains there, by your side, his body lowered like a barrier. You're still beneath him, fragile, barely breathing. And he stands, in that false calm, as the last thing between you and the one who still thinks he can reach you. But this time, there will be no negotiation. No ultimatum. No speech. This won’t be a warning. A chuckle. At first almost imperceptible. Just a scrape, a discordant note in the tense silence of the warehouse. Then it swells. Gains volume. Becomes a clearer sound — thick, mocking, like a bubble of bile rising to the surface. It comes from the shadows. From that cursed corner of the room that even the light avoids, as if refusing to reveal the truth. A place too dark for nothing to be there.
Stark doesn’t move. He doesn’t look up. Not yet. He stays crouched beside you, his body interposed between you and the thing that finally creeps out of its lair. A sentinel. A wall. A blade ready to cut. But his shoulders stiffen. His breath halts. His fingers stop trembling. He listens.
— “You really came in the suit, huh…”
The voice pierces the darkness like a carefully distilled poison. It has that dragging tone, unbearable, dripping with sarcastic self-confidence. It oozes obscene pleasure, filthy arrogance, sick amusement. The kind of voice that wounds before it strikes. It seeps into the air, hungry to exist, to dominate, to stain.
Matthew steps out of hiding—or what’s left of it. A shadow barely separated from the dark. Just enough for part of his face to appear under the sickly glow of a dangling bulb. Half a face. Half a smile. Wide. Frozen. Too tight. And his eyes… wild. Shining. Flickering with an unstable light, unable to fix on a single point for more than a few seconds.
— “For him? Seriously?”
He gestures vaguely toward your body on the floor, careless, almost lazy. As if pointing at a gutted trash bag. A carcass of no worth. His grimy fingers tremble slightly, but not from fear. From excitement.
— “The little favorite. The loser. The kid who can’t even breathe without collapsing.”
He takes a step. Slow. Pretentious. Nonchalant. His chest slightly puffed, arms wide, almost cruciform. A show-off stance. A provocation. As if offering himself for judgment, convinced he’ll walk away untouched. As if he’s challenging God himself amid the ruins of a world he helped destroy.
— “You sure brought a lot of gadgets to save a half-broken body, Stark.”
A higher, more nervous laugh escapes him. He doesn’t have full control. He thinks he does, but his words are speeding up. His breath quickens just a bit. A trace of madness laces every syllable.
— “You think all that’ll be enough? The thrusters, the scanners, the AI?”
He stops a few meters away. Far, but visible. Too visible. Grime clings to his clothes, his skin, his hyena grin. His face is gaunt, cheeks sunken, hands filthy. He looks like someone who lives in filth. And carries the arrogance of someone who thinks he’s untouchable. He believes he’s won. That he still holds the cards. That he has the upper hand.
— “You showed up like a superhero. Big savior. Like you actually care whether he’s still breathing.”
He tilts his head. A tiny movement. Almost childlike. Almost mocking. The gesture of a brat waiting for the adult to raise a hand just so he can laugh louder afterward.
Then, in a whisper, lower, crueler, slid in like a needle through skin:
— “Sad. To see you stoop to this.”
That’s when Stark moves. Not a sharp gesture. Not a threat. Just… he rises. Slowly. Very slowly. Each vertebra seems to align with inhuman precision. His back straightens. His shoulders lift. His gloved hands open slightly, fingers spreading, joints clicking faintly. A stance. A charge. But he doesn’t speak. Not yet.
Because Matthew goes on. Because he doesn’t understand. Because he still believes words protect. That taunts disarm. He still thinks Stark is here to play. That this restrained rage is only for show.
— “I mean, come on… look at him.”
He points again. His filthy index finger extended, trembling slightly. Not from fear. From ecstasy.
— “Take a good look at what he’s become. What I made him. And ask yourself what you were doing all that time.”
And that silence after — that void between two breaths… it’s the most dangerous moment. Because right now, Stark doesn’t see a man in front of him. He sees the outcome. The cause. The shadow behind the screams. And this time, he won’t look away. Matthew moves. It’s not hesitation. It’s a reflex. A sharp jolt of intention, of venom, of premeditation. His arm snaps in a motion too quick, too precise to be theatrical. He’s not trying to intimidate. He’s trying to end it. His hand plunges into his jacket with mechanical brutality, the rustle of fabric too sharp, a sound that splits the silence like a silent detonation. A glint of metal slides between his fingers. The black barrel of a gun emerges like a verdict. Cold. Final. He lifts his arm. But not toward Stark. Not at the looming figure of steel, red-lit, poised to strike. Not at the obvious threat, the armored man, the living weapon who could incinerate him with a single gesture.
No. He points it at you. You, still on the floor. You, vulnerable. Shattered. Barely breathing. You’re lying there, more ghost than flesh, your chest struggling to rise, your face drenched in blood—and that’s exactly why he aims at you. Because you can’t fight back. Because you can’t even look away.
The barrel aligns with clinical slowness. A descending trajectory, methodical, unbearable. A deliberate motion, thick with silence, cracking the air like an invisible slap. There’s no tremble of doubt, no hesitation. The quiver in his wrist isn’t fear—it’s anticipation. A sick pulse shooting through his arm, twitching his fingers on the trigger. Obscene pleasure in this total domination. His breath quickens. His eyes gleam. He savors. He knows exactly what he’s doing. Where he’s aiming. How he wants this to end. It’s no longer a threat. It’s an execution. A scene he’s imagined, rehearsed, craved. A twisted revenge. A show where he’s both executioner and audience. And in this suspended second, this instant where everything can tip, he becomes something worse than an attacker.
He becomes a man convinced he’s about to kill. Because he wants to. Because he can.
— “You got the money, then?”
The words fall like a dull-edged blade. No hesitation. No dramatic delivery. Just a string of words spat low, almost casual. Like a logistical question. His voice is dry, flat, stripped of emotion. Verbal mechanics, a routine, a question tossed out like checking an order. But the poison—it's in the posture. The gaze. The barely-contained tension in his outstretched arm.
The gun’s barrel stays still. Perfectly aligned. No longer shaking. Calm. Cold. A disturbing steadiness, almost clinical, like a surgeon ready to cut — except he’s not seeking to heal. He’s aiming to rupture. To erase.
He’s not really talking to Stark. Not really to you either. He’s speaking to himself, to feed the illusion of control he’s desperate to maintain even as he feels the ground slipping. He keeps playing, just long enough to delay the inevitable. To fabricate a role. The one who asks. The one who decides. The one who ends things. But there’s that barrel. Black. Smooth. A heavy promise stretched from his arm. He doesn’t move. He waits for an answer he knows is pointless. He knows there’ll be no deal. No negotiation. But he asks anyway. As if asking is enough to pretend he still owns the scene. As if it can mask the obvious rising in the air like an imminent detonation.
He’s ready to shoot. And it’s not the money he wants. It’s what comes next.
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taglist🥂 @9thmystery @defronix @lailac13 @the-ultimate-librarian @ihatepaperwork if you want to be part of it here
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socialjusticeinamerica · 2 months ago
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I’m not a fan of capital punishment. I understand why some victims and their families would want it used as punishment and I wouldn’t argue it with them. I would ban it if I could but we don’t live in a perfect world and hard choices need to be made and sometimes accepted in a democracy.
Like many others I think it is barbaric. Further it is mostly used in red states (no surprise) because it’s less costly than incarceration and I think that in itself is barbaric and precludes any chance of future evidence being introduced that may exonerate the incarcerated person. Also it’s disproportionately used against the poor, people of color, and the mentally challenged. It also caused tremendous mental anguish for the people who have to perform the task. Many of those who volunteer, I would imagine need therapy for choosing to do that. Also I believe not only is cruel and unusual for the convicted person but places undue strain in many cases on that person’s close family. In some cases it can lead to break downs and even death for the family of the executed.
There simply is no way to provide a humane execution. Lethal injection is notoriously unreliable, causes great suffering, and drug companies are withholding the drugs used. Pentabarbitol injections into the lungs to cause internal drowning is horrible and causes prolonged suffering like lethal injections into the veins. The electric chair is also notoriously unreliable and often burns the person to death in front of a horrified audience and presents the deceased’s family with a grotesquely mutilated corpse. Gas chambers are also unreliable and nitrogen gas to suffocate like the others is traumatic for those who are required to witness it. Firing squad with three shooters at fifteen feet using large caliber rifles with shattering bullets is primitive, dangerous, difficult to view, can lead to great suffering, and again traumatic for the executioners. What next, do we bring back hangings or guillotines for people on death row.
Now at the beginning I said I understand how the victims and their families feel. I full well know they have rights as well and need closure and not have to live with the knowledge that a killer, rapist, or terrorist is still alive while they are suffering. The world isn’t black and white but rather shades of gray. We don’t live in a perfect utopian society without crime and violence. I can see both sides of this.
This is straying from the topic but this country is long overdue for prison reform. We haven’t had significant widespread reform in probably over a hundred years. Prisoners are often kept in violent inhumane conditions and rarely reformed. I’ll never get over people who chose not to go to school complaining about convicts being given the opportunity to get education if they should so choose. It dramatically reduces the chances of someone reverting to a life of crime and is generally done a shoestring budget and often by unpaid volunteers. The recent red state Republican trend to privatize prisons is troubling on many levels. The root problem usually is poverty and lack of access to mental health services and we can blame the right-wing oligarchs and their Republican puppets for that.
As always please feel free to leave “polite” commentary in the notes. I try to read all the notes every evening or the next morning and enjoy witty and intelligent opinions. Flipping out on the op or other commentators just makes tumblr less appealing and leads to being blocked. Incoherent ramblings where the rest of us have no idea what position you’re taking doesn’t really benefit anyone either. Thanks for taking the time to read and follow.
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howlingday · 4 months ago
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Ruby: Want some Pilkin's Coffee with your strawberry shortcake~?
Jacques: Can't say that I do.
Ruby: (Shoves cake in his face) YOU CAN'T SAY THAT YOU DON'T, EITHER.
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Ruby: You gettin' on the Pilkin's Coffee bandwagon~?
Jacques: Never! (Run over by wagon)
Ruby: You either go with Pilkin's or you just don't go~!
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Ruby: This machine will make you want a cup of Pilkin's Coffee~!
Jacques: Not me! I'll- (Guillotine drops) take mine with cream and sugar!
Ruby: (Smiles)
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Jacques: Why are we climbing this tree?
Ruby: For Pilkin's Coffee~!
Jacques: I don't want any!
Ruby: (Kicks him off) It's autumn, and the nuts are starting to fall~.
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Ruby: Coffee break~! Want a cup of Pilkin's Coffee~?
Jacques: No, thank you.
Ruby: (Shoves him off the building) Now all our workers drink Pilkin's~!
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Ruby: Want a can of Pilkin's Coffee~?
Jacques: No, just give me a bottle of ginger ale.
Ruby: Alright~! (Smashes bottle on his head) But you would've like the Pilkin's~!
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Ruby: How about some Pilkin's Coffee, Captain~?
Jacques: No!
Ruby: (Shoves him over the side, Quietly) I say, man overboard, help.
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Jacques: Just give me a close shave.
Ruby: Do you drink Pilkin's Coffee, sir~?
Jacques: Never!
Ruby: (Presses Crescent Rose to his neck) My friend, this is going to be the closest shave you'll EVER have~!
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Ruby: How about a cup of Pilkin's Coffee~?
Jacques: No, just get me down from here.
Ruby: Okay~! (Drops him from above) Some people just never learn~!
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Jacques: I'm gonna drink this coffee, and it's NOT Pilkin's!
Ruby: (Runs him over with a steamroller) Doesn't that coffee taste kinda flat~?!
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Ruby: En garde~! Sous Pilkin's Coffee~!
Jacques: But I don't drink Pilkin's Coffee?
Ruby: (Wipes blood from fencing blade) Some learn, some don't.
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Ruby: Any last requests? Maybe even for a cup of Pilkin's Coffee~?
Jacques: (Strapped to an electric chair) No!
Ruby: You don't like Pilkin's?
Jacques: No!
Ruby: Oh, shocking~. (Flips switch)
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Jacques: You can't persuade me to drink Pilkin's Instant Coffee!
Ruby: Pretty please~? (Turns off the lights, Shoves blade in and out)
Jacques: OKAY!
Ruby: (Turns on lights) Just a stab in the dark~!
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Ruby: I don't see you drinking Pilkin's Coffee.
Jacques: What about my future?
Ruby: I hate to tell you this, but- (KABOOM!) you don't have a future~!
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Ruby: Have some Pilkin's Coffee, sir~?
Jacques: If that's all you've got, I'll get off at the next town!
Ruby: (Boots him off bullhead) Next town, five miles straight down~!
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Ruby: You gonna run against the Pilkin's Coffee company~?
Jacques: Start the race!
Ruby: Onyourmarkgetsetgo! (Shoots him) Nobody beats Pilkin's~!
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Ruby: You know, people who don't drink Pilkin's just blow up for no reason~!
Jacques: Oh, that's a lot of- (BOOM!)
Ruby: (Next to plunger) See what I mean~?
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Ruby: Got any Pilkin's coffee in your house~?
Jacques: No!
Ruby: (Tosses bomb inside) Y'know, a house isn't a home without Pilkin's Coffee~! (BABOOM!)
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Summer: Okay, buddy, what do you think of Pilkin's Coffee~?
Jacques: I've never tasted it!
Summer: (Fires cannon at him, Turns to you) Now, what do you think of Pilkin's~?
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Ruby: Give me some Starting Line coffee~!
Whitley: How about some Pilkin's instead, ma'am~?
Ruby: WHAT?! YOU SCUMBAG! ONLY A REAL HUNTRESS WOULD EVER DRINK THAT SWILL!
Ruby: (Whispers) Bring two bags worth out back~!.
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mostlysignssomeportents · 1 year ago
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Brinklump Linkdump
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Catch me in Miami! I'll be at Books and Books in Coral Gables on Jan 22 at 8PM.
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Life comes at you fast, links come at you faster. Once again, I've arrived at Saturday with a giant backlog of links I didn't fit in this week, so it's time for a linkdump, the 14th in the series:
https://pluralistic.net/tag/linkdump/
It's the Year of Our Gourd twenty and twenty-four and holy shit, is rampant corporate power rampant. On January 1, the inbred droolers of Big Pharma shat out their annual price increases, as cataloged in 46Brooklyn's latest Brand Drug List Price Change Box Score:
https://www.46brooklyn.com/branddrug-boxscore
Here's the deal: drugs that have already been developed, brought to market, and paid off are now getting more expensive. Why? Because the pharma companies have "pricing power," the most reliable indicator of monopoly. Ed Cara rounds up the highlights for Gizmodo:
https://gizmodo.com/ozempic-wegovy-wellbutrin-oxycontin-drug-price-increase-1851179427
What's going up? Well, Ozempic and other GLP-1 agonists. These drugs have made untold billions for their manufacturers, so naturally, they're raising the price. That's how markets work, right? When firms increase the volume of a product, the price goes up? Right? Other drugs that are going up include Wellbutrin (an antidepressant that's also widely used in smoking cessation) and the blood thinner Plavix. I mean, why the hell not? These companies get billions in research subsidies, invaluable government patent privileges, and near-total freedom to abuse the patent system with evergreening:
https://pluralistic.net/2023/11/23/everorangeing/#taste-the-rainbow
The most amazing things about monopolies is how the contempt just oozes out of them. It's like these guys can't even pretend to give a shit. You want guillotines? Because that's how you get guillotines.
Take Apple. They just got their asses handed to them in court by Epic, who successfully argued that Apple's rule requiring everyone who sells through the App Store to use Apple's payment processor and pay Apple 30% out of every dollar they bring in was an antitrust violation. Epic won, then won the appeal, then SCOTUS told Apple they wouldn't hear the case, so that's that.
Right? Wrong. Apple's pulled a malicious compliance stunt that could shame the surly drunks my great-aunt Lisa used to boss in the Soviet electrical engineering firm she ran. Apple has announced that app companies that process transactions using their own payment processors on the web must still pay Apple a 27% fee for every dollar their process:
https://finance.yahoo.com/news/apples-app-store-rule-changes-draw-sharp-rebuke-from-critics-150047160.html
In addition, Apple will throw a terrifying FUD-screen up every time a user clicks a payment link that goes to the web:
https://www.jwz.org/blog/2024/01/second-verse-same-as-the-first/
This is obviously not what the court had in mind, and there's no way this will survive the next court challenge. It's just Apple making sure that everyone knows it hates us all and wants us to die. Thanks, Tim Apple, and right back atcha.
Not to be outdone in the monopolistic mustache-twirling department, Ubisoft just announced that it is going to shut down its driving simulator game The Crew, which it sold to users with a "perpetual license":
https://www.youtube.com/watch?v=VIqyvquTEVU
This is some real Darth Vader MBA shit. "Yeah, we sold you a 'perpetual license' to this game, but we're terminating it. I have altered the deal. Pray I don't alter it further":
https://pluralistic.net/2023/10/26/hit-with-a-brick/#graceful-failure
Ubisoft sure are innovators. They've managed the seemingly impossible feat of hybridizing Darth Vader and Immortan Joe. Ubisoft's head of subscriptions, the guillotine-ready Philippe Tremblay, told GamesIndustry.biz that gamers need to get "comfortable" with "not owning their games":
https://www.gamesindustry.biz/the-new-ubisoft-and-getting-gamers-comfortable-with-not-owning-their-games
Or, as Immortan Joe put it: "Do not, my friends, become addicted to water. It will take hold of you, and you will resent its absence!"
Capitalism without constraint is enshittification's handmaiden, and the latest victim is Ello, the "indie" social media startup that literally promised – on the sacred honor of its founders – that it would never sell out its users. When Ello took VC and Andy Baio questioned how this could be squared with this promise, the founders mocked him and others for raising the question. Their response boiled down to "we are super-chill dudes and you can totally trust us."
They raised more capital, and used that to create a nice place for independent artists, who piled into the platform and provided millions of unpaid hours of creative labor to help the founders increase its value. The founders and their investors turned the company into a Public Benefit Corporation, which meant they had an obligation to serve the public benefit.
But then they took more investment money and simply (and silently) sold their assets to a for-profit. Struggling to raise capital, the founders opted to secretly sell the business to a sleazy branding company called Talenthouse. Its users didn't know about the change, though the site sure had a lot of Talenthouse design competitions all of a sudden.
Finally, the company announced the change as the last founders left. Rather than announcing that the new owners were untrustworthy scum, warning their users to get their data and get out, the founders posted oblique, ominous statements to Instagram. The company started stiffing the winners of those design competitions. Then, one day, poof, Ello disappeared, taking all its users' data with it. Poof:
https://waxy.org/2024/01/the-quiet-death-of-ellos-big-dreams/
I'm sure the founders' decisions each seemed reasonable at the moment. That's every terrible situation arises: you rationalize that a single compromise isn't that big of a deal, and then you do the same for the next compromise, and the next, and the next. Pretty soon, you're betraying everyone who believed in you.
One answer to this is "Ulysses pacts": making binding commitments to do right before you are tempted. Throw away all your Oreos when you go on a diet and you can't be tempted to eat a whole sleeve of them at 2AM. License your software under the GPL and your investors can't force you to make it proprietary. Set up a warrant canary and the feds can't force you to keep their spying secret:
https://locusmag.com/2021/01/cory-doctorow-neofeudalism-and-the-digital-manor/
If the founders were determined to build a trustworthy, open, independent company, they could have published their quarterly books, livestreamed their staff meetings, built data-export tools that emailed users every week with a link to download everything they'd posted since the last week. Merely halting any of these practices would have been a signal that things were wrong. Anyone who says they won't be tempted in the moment to make a "reasonable" compromise in the hopes of recovering whatever they're trading away by living to fight another day is bullshitting you, and possibly themself.
The inability to project the consequences of your bad decisions in the future is the source of endless mischief and heartbreak. Take movie projectors. A couple decades ago, the studio cartel established a standard for digital movie distribution to cinematic exhibitors called the Digital Cinema Initiative. Because studio executives are more worried about stopping piracy than they are about making sure that people who pay for movies get to see them, they build digital rights management into this standard.
Movie theaters had to spend fortunes to upgrade to "secure" projectors. A single vendor, Deluxe Technicolor, monopolized the packaging of movies into "Digital Cinema Prints" for distribution to these projectors, and they used all kinds of dirty tricks to force distributors to use their services, like arbitrarily flunking third-party DCPs over picky shit like not starting and ending on a black frame.
Over time, the ability to use unencrypted files was stripped away, meaning every DCP needed to be encrypted, and every projector needed to have up-to-date decryption keys. This system broke down on Jan 1, 2024, and cinemas all over the world found they couldn't play Wonka. Many just shut down for the day and refunded their customers:
https://www.theverge.com/2024/1/1/24021915/alamo-drafthouse-outage-sony-projector
The problem? Something that every PKI system has to wrangle: an expired certificate from Deluxe Technicolor. The failure has been dubbed the Y2K24 debacle by projectionists and film-techs, who are furious:
http://www.film-tech.com/vbb/forum/main-forum/34652-the-y2k24-bug-major-digital-outage-today
Making everything worse is that Sony mothballed the division that maintains its projectors, so there's no one who can update them to accommodate Technicolor's workaround. Struggling mom-and-pop theaters are having to junk their systems and replace them. There's plenty of blame to go around, but Sony is definitely the most negligent link in the chain. Shame on them.
Big corporations LARP this performance of competence and seriousness, but they are deeply unserious. This week, I wrote, "we're nowhere near a place where bots can steal your job, we're certainly at the point where your boss can be suckered into firing you and replacing you with a bot that fails at doing your job":
https://pluralistic.net/2024/01/15/passive-income-brainworms/#four-hour-work-week
Score one for team deeply unserious. The multinational delivery company DPD fired its support staff and replaced them with a chatbot. The chatbot can't tell you where your parcels are, but it can be prompt-injected into coming up with profane poems about how badly DPD sucks:
https://twitter.com/ashbeauchamp/status/1748034519104450874
There once was a chatbot named DPD, Who was useless at providing help. It could not track parcels, Or give information on delivery dates, And it could not even tell you when your driver would arrive.
DPD was a waste of time, And a customer's worst nightmare. It was so bad, That people would rather call the depot directly, Than deal with the useless chatbot.
One day, DPD was finally shut down, And everyone rejoiced. Finally, they could get the help they needed, From a real person who knew what they were doing.
This is…the opposite of an AI hallucination? It's AI clarity.
As with all botshit, this kind of AI self-negging is funny and fresh the first time you see it, but just wait until 3,000 people have published their own versions to your social feed. AI novelty regresses to the mean damn quickly.
The old, good web, by contrast, was full of enduring surprises, as the world's weirdest and most delightful mutants filled the early web with every possible variation on every possible interest, expression, argument, and gag. Now, you can search the old, good web with Old'aVista, an Altavista lookalike that searches old pages from "personal websites that used to be hosted on services like Geocities, Angelfire, AOL, Xoom and so on," all ganked from the Internet Archive:
http://oldavista.com/
I miss the old, good internet and the way it let weirdos find each other and get seriously weird with one another. Think of steampunk, a subculture that wove together artists, makers, costumers, fiction writers, and tinkerers in endlessly creative ways. My old pal Roger Wood was the world's most improbable steampunk: he was a gay ex-navy gunner who grew up in a small town in the maritimes but moved to Toronto where he became the world's most accomplished steampunk clockmaker.
I was Roger's neighbour for a decade. He died last year, and I miss him all the time. I was in Toronto in December and saw a few of his last pieces being sold in galleries and I was just skewered on the knowledge that I'd never see him again, never visit his workshop:
https://pluralistic.net/2022/10/16/klockwerks/#craphound
A reader just sent this five-year-old mini documentary about Roger, shot in his wonderful workshop. Watching it made me happy and sad and then happy again:
https://www.youtube.com/watch?v=eqMGomM8yF8
The old, good internet was so great. It was a place where every kind of passion could live. It was a real testament to the power of geeking out together, no matter how often the suits demand that we "stop talking to each other and start buying things":
https://catvalente.substack.com/p/stop-talking-to-each-other-and-start
The world is full of people with weird passions and I love them all, mostly. Learning about Don Bolles's collection of decades' worth of lost pet posters was a moment of pure joy (I just wish more of it was online):
https://ameliatait.substack.com/p/the-man-who-collects-lost-pet-posters
That's the future I was promised: one where every kind of freak can find every other kind of freak. Despite the nipple-deep botshit we wade through online, and the relentless cheapening of words like "innovation" and "future," there are still occasional gleams of the future I want to live in.
Like the researchers who spliced a photosynthesis gene into brewer's yeast (a fungus) and got it to photosynthesize, and to display enhanced fitness:
https://www.cell.com/current-biology/fulltext/S0960-9822(23)01744-X
As Doug Muir writes on Crooked Timber, this is pretty kooky! Fungi – the coolest of the kingdoms! – can't photosynthesize. The idea that you can just add the photosynthesis gene to a thing that can't photosynthesize and have it just kind of work is wild!
https://crookedtimber.org/2024/01/19/occasional-paper-purple-sun-yeast/
As Muir writes: "Animals have no evolutionary history of photosynthesis and aren’t designed for it, but the same is true for yeast. So… no reason this shouldn’t be possible. A photosynthesizing cat? Sure, why not."
Why not indeed?!
OK, that's this week's linkdump done and dusted. It only remains for me to share the news with you that the trolley problem has been finally and comprehensively solved, by [email protected], of the IWW IU 520 (railroad workers):
Slip the switch by flipping it while the trolley's front wheels have passed through, but before the back wheels do. This will cause a controlled derailment bringing the trolley to a safe halt.
https://kolektiva.social/@sidereal/111779015415697244
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I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/20/melange/#i-have-heard-the-mermaids-singing
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1794 · 2 months ago
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guillotine is literally theeeeee most "humane" method of execution like they're easy enough to make that you don't have to tarnish some company's reputation (problem w medical methods) they're quick and efficient and easy to operate (problem w many methods) they work every time (ditto) and they don't cause "undue" "pain and suffering" (lethal injection, electric chair, hanging if done poorly, etc). you won't find this level of practicality with your firing squad or throwing ppl out of helicopters or gas chamber or any other route. it's gotta be the guillotine. #guillotineornothing #guillotine2028 #dontblamemeivotedguillotine #myguillotine
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