#elarion's midnight star

[wheretwofacesmeet]

[sarasade]

Since The Dragon Prince is ending (or at least the second arc is ending) in December I'll celebrate that by listing the funniest things I've witnessed in the fandom during these years:

-The Great Aaravos Thirst of 2019.

-Knowing The Thirst™ had been even greater if Tumblr wouldn't have banned porn just a year earlier.

-Aaravos' character designer being very happy with all the thirst posting.

-The Great Virst of 2019 that was balanced out by the people who thought Viren was a total troll.

-Rayla-Claudia-Callum love triangle speculations before s3.

-"Viren actually killed everyone, including Sarai and his ex-wife", speculations during s1-3.

-Aaravos Is A Good Person and a cinnamon roll -speculations.

-Fandom calling Ethari "The Tinker" before his name was revealed and also correctly predicting him and Runaan being a couple long before it got confirmed.

-Jason Simpson (Viren's VA) being grumpy about people shipping Aaravos and Viren while Todd Erik Dellums (Aaravos's VA) egged the fans on and seemed to find the ship pretty funny.

-After the Midnight Star poem's full English translation got released some fans concluded that Elarion was a human girl Aaravos once was in love with and thus Elavos was born. You can still search the ship name on Tumblr to experience the time campsule of 2019 era of the fandom. Yes, people shipped Aaravos with a literal city and I think that's beautiful.

-The drought period of 2019-2022 hiatus where it was just a couple really weird terminally online fans posting their harmless headcanons, including a small fandom of a. ten people forming around Viren's ex-wife Lissa.

-Unhinged TDP fan theories like "Aaravos is Callum's Dad" and "Callum will learn every primal source" aka wanting TDP to be Avatar 2.0 but with elves.

-The fan response that parodied these theories including "Everyone is a Startouch elf, especially Bait"

-The Great FartGate of 2022 aka all of TDP Twitter collectively complaining about the fart jokes in s4.

-These 2024 Valentine's Day posts most likely done by the lead writer Devon Giehl.

-If you search Aaravos on Google the most frequently asked question is about his gender.

-TDP wiki gleefully listing Aaravos and Viren as Sir Sparklepuff's parents after s5.

-The fandom never letting go of the "Viren imprisoned Harrow in Pip" theory.

-Which Primal Source Are You -Quiz from 2018 foreshadowing events of the show like "where would you hide a dangerous magical object" and one of the answers being "in the bottom of the sea" possibly referring to Aaravos' pearl.

-A tweet fans thought was a mistake actually foreshadowed Aaravos being a giant.

I'll add more later if I feel like it.

edit:

ok one more: behold, one of the most popular TDP posts on Tumblr

[aaravos-brainrot]

Elarion’s Midnight Star

[kradogsrats]

Aaravos, Leola, and the Entire History of Human Magic: Revisited

So I last dumped on this topic right after s5 released, and came up with a rough series of conclusions that were largely correct, as far as interpreting what information we had been given so far. Now that s6 has dumped some new delicious and crunchy twists into the mix, let's take another look.

The Unicorn's Gift

Going into s6, we had 2.5 accounts of the gifting of primal magic to humans: the Book One: Moon novelization, Tales of Xadia, and Ripples. In Book One: Moon, and Tales of Xadia, we learn that humans received primal magic from the/a most selfless and compassionate unicorn(s), against the advice of the elves.

Unicorns were always the most selfless of the Xadian beings. There came a time when, filled with pity, they desperately wanted to help the struggling humans. After all, it was not the humans' choice to have been born without magic. But the First Elves were wary. They warned the unicorns that kindness was not always returned with kindness; it would be a mistake to trust the species. After all, if humans were supposed to use magic, they would have been born with it.

— Book One: Moon

One heart took pity on the plight of humanity. A unicorn, unique among her own rare kind, saw the strength and ingenuity of the human spirit where others saw weakness and beastly ignorance. Her name was Leola. While elves warned that if humans were meant to wield magic they would have been born with it, she gifted the wisest humans with secrets: the language of the dragons and the runes that shaped spells.

— Tales of Xadia

What's interesting is how inaccurate both of these stories have turned out to be. We also don't even actually know whose stories these are. By the time of the series events, it's no longer even remembered that humans had primal magic, aside from primal stones. It's a truth forgotten on the human side, and either similarly forgotten or deliberately suppressed in Xadia. Despite the brightest, most constant star in the sky still retaining the name "Leola's Last Wish," neither Callum nor Rayla know who Leola was.

Ripples obliquely acknowledges the vagueness and changing nature of these stories, opening with:

Like all the oldest tales, time has bent its shape and blurred its color. It is a fable whispered on some tongues and shouted on others. While one may say it ends with a sunrise, another will insist it ends at nightfall.

— Ripples

So rather than directly telling the story of humanity's acquisition of primal magic, Ripples deals with the aftermath. We learn that humanity had been, implicitly or explicitly, forbidden primal magic, and in the wake of them receiving it, a star fell.

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain. Humanity had been given something it was never meant to have. And so there came a calamity.

— Ripples

The story told in Ripples turns out to be the most accurate, based on what we have learned from s6. Humans acquired primal magic, and a star was cast from the sky. (A tiny star, if you want extra emotions.) It makes no mention of how humans learned primal magic, only that they did, and—unlike the other stories, where the elves caution against giving magic to humans but take no other action—the are hunted by monsters for it.

Elarion, fading bloom, afraid to wilt and dim and die, she searched the dark for but a spark and caught the dragons’ hungry eye.

— Midnight Star

Hmmmm.

The Order of the Stars

One of the main things, possibly the main thing, we learned from s6 is that we were given a glimpse of the stars as the god-like authorities that have been hinted at in a lot of Aaravos-related side content. It's not a good look. (It never was.)

It tells us succinctly why primal magic was forbidden to humans: in the timeless gaze of the stars, humans acquiring magic dooms the universe.

(Of course, it is the attempt at averting prophesied doom that actually brings it to pass, but that's just standard stuff. For all their omniscience, the stars apparently still lack genre-awareness.)

This "cosmic order" is likely what the stars have built that Aaravos seeks to destroy:

I hope the stars were watching. I hope they saw it: the moment their perfect reflections turned warped and ruined, churned to chaos by the touch of a single human hand.

— Ripples

And when everything they have built lies shattered, I will savor their fall from the sky.

— Patience

Snitches Get Stitches, Even Dragons

The other major curve ball s6 has thrown into the story as we understood it is the involvement of the archdragons, Sol Regem in particular. According to Aaravos, the testimony of a young Sol Regem is the only evidence against Leola.

At the time, Aaravos seems to take this at face value, and argues that anything Leola may have done was out of love for humans and the world, not defiance of the cosmic order. Maybe this is because Sol Regem/Anak Arao is an archdragon of the Sun, the primal source known for the light of truth.

I, however, have to wonder if he was lying. Taking a look at Ripples, again:

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain.

— Ripples

Apparently, the first primal source humans accessed was the Sun. It could just be that Anak Arao was a rules-obsessed hall monitor and... but what if it wasn't Leola who gave humans that secret? We don't even see Leola doing any magic of the kind she's credited with giving humans—no runes, no spells of any specific primal. If someone did teach humans the runes and Draconic words for primal magic, it seems unlikely to have been her.

But as heir to some kind of position of authority, could it have been partially Anak Arao's responsibility to keep his primal source out of human hands? Was it maybe stolen out from under his nose, and he sought to shift the punishment away from himself? (And boy, would it sure be a real uno-reverse to have this story loop all the way back around to a literal theft of fire for humanity.) Or could it have been lost/given to humans by someone he wanted to protect from the same cosmic justice?

Hmmmm.

There have been hints about a larger human/dragon conflict in the past, most notably the Midnight Star poem. In a hiatus-era interview, Aaron Ehasz describes an early version of the setting as being essentially humans/unicorns vs. dragons/elves. The low-key emphasis on humans and dragons in opposition that we get from some of these materials is a) interestingly not mentioned in either of the "unicorns gave primal magic to humans" stories, and b) not actually what we see as the primary conflict in the setting, outside of Sol Regem's personal grudge.

It gets especially weird because, like... there's no reason to think all the other archdragons we're aware of (except Zym) weren't there, too. Sol Regem is cast as a bit older, but not "of an entirely different generation from the other archdragons"-older. So like, you'd think Zubeia would remember, at minimum, that primal magic was forbidden to humans by the cosmic order. Maybe, given the implied departure/loss of interest by the stars, no one cares anymore? Maybe dark magic was considered a much more serious issue, as far as perversions of the natural order are concerned. Or I guess it's possible that there was some special relationship between the stars and the line of the archdragon Sun King, and the other archdragons weren't privy to the machinations going on in the heavens.

Basically, there's been a big new mystery introduced as to the geopolitics of Xadia and the heavens in the distant past, in addition to Aaravos's personal relationships with all the archdragons.

Book and Key

So overall, I don't actually know what to make of this:

But I have a couple wild theories to put forth.

First of all, Aaravos has been referred to as "archmage of all six primal sources," and this is reflected in the pre-s6 promo art series featuring the book and key.

But, interestingly, we also see in s6 that in order to truly commune with the heavens, the Celestial elves have to remove themselves from the influence of the other primal sources, specifically the Sun and Moon.

So, as powerful as they are, I think maybe Startouch elves don't have automatic access to the other primal sources. Maybe not even the magic of the Star primal, as it exists harnessed by rune spells. The book is probably how Aaravos himself built connections to primal magic while in Xadia.

(This would mean that the reason it was at all believable for Leola to give the secrets of primal magic to humans is because Aaravos was exploring those secrets—something it could be that the stars resented?)

Anyway this could also connect up with any number of wild theories about the nature of primal magic or primal elves, though we see a Moonshadow elf among Leola's friends so it seems primal elves are already present at this point. Being me, if Aaravos and Leola's home was actually in what is now Duren, I at least personally want to believe that he was seeding the frontier with magic.

Anyway, as always: some answers, and even more questions. Catch y'all later when the post-release interviews and Q&As inevitably make everything even weirder.

[raayllum]

The Celestial Elves & Aaravos' Plans

Going into s6, there's been two big questions at the forefront of my mind: what can we expect from the Celestial elves, and what exactly is Aaravos' plan?

I've speculated briefly on the former, so I want to clarify further what I mean when I say the latter.

Aaravos' plans, seemingly, have at least two pretty clear steps, if you will:

To be freed from his pearl prison

To get revenge on the Startouch elves for his banishment / some other wound

This was as much spelled out to us in TDP's short story, Patience, before S4's release:

I have not seen the stars in centuries. But when I see them again—when the stars are forced to look upon me, their dark brother—they will know how I have waited. And when everything they have built lies shattered, I will savor their fall from the sky. For I have been patient.

I don't think Aaravos has much of a plan beyond revenge, as the Cycle is thematically and literally unsustainable in comparison to rebuilding and the Narrative of Love. What would be left for him, after all, besides seeing his 'family' (and Xadia) suffer further for what they've done to him? And I'm not here to say that there's a secret third step or anything (though there might be).

What I want to talk about is Aaravos' Plan timeline in regards to getting what he wants.

We know that around 1,000 years ago, humans were exiled from Xadia for dark magic use. It isn't clear if Aaravos was banished before or after this event, but given that Ziard saying "one of the Great Ones" doesn't seem to immediately give away Aaravos' identity, there seem to have been a few still kicking around, although this contradicts the Midnight Star poem, which clearly indicates the Stars leaving ("Elarion, unworthy whelp, / Wept as the stars turned black the sky, / They donned their masks / They turned their backs, / And left Elarion to die") and then humans receiving dark magic ("‘till the last star / Reached from afar / His touch: a blaze, a gift, a spark / [...] Elarion, black-eyed child, / her twisted roots spread deep and far, / The humans’ might").

It is possible, of course, that the Startouch elves could've left but hadn't actually expelled / cut contact with Aaravos directly, but that gets even dicier timeline wise.

Either way, to stay on topic: there's roughly a 700-1000 years, if not more, between Aaravos' banishment from the First Elves and achieving his final aims (which we'll likely see the beginning of in late S6).

Why?

Why does this period of time in between Banishment and Revenge exist? If Aaravos is so powerful...

Even after [Zubeia] and Avizandum allied ourselves with the other Archdragons, we could not risk a direct confrontation. We had to beat Aaravos as his own game. [...] We had to conspire and plot, and deceive this deceiver so that at the exact right moment, he would lower his guard, and we could imprison him forever.

then what could've possibly existed that he couldn't just take outright? Why even make nice with the Archdragons at all, and not stay focused on using his human mages in the west? And what, why, was he using them in the first place pre-imprisonment?

A young human girl uncovered a great secret of history. A dangerous deceiver was revealed: it was one of the Great Ones, the Startouch elf, Aaravos. For a thousand years, Aaravos had been pulling invisible strings like a puppet master. Every great crisis the world faced had seemed the work of some ingenious and powerful leader, but in each case, it was secretly Aaravos, whispering in their ear.

Now, of course Aaravos just could be a sadistic bastard who enjoys messing with people (and I'm sure there's spades of that) as well as ideas of being "elegant and efficient" in that why take things by force when you can convince other people to do stuff (and take the fall) for you. But in my mind, there's one main reason to maintain secrecy around people you're trying to use or convince: you want to maintain their trust, and you want their trust because you want their Knowledge.

Additionally, the more I've thought about it, the more sure I am that Aaravos was ingredient collecting for Something before his imprisonment (300 years ago, and still a thousand years at least into his grand plan). We see two powerful figures disappear close together — Luna Tenebris, who "mysteriously died" and Queen Aditi, who vanished — and we already know Aaravos "swallowed" the latter.

We know from Viren and Claudia that dragons, particularly archdragons, are incredibly powerful. Zym, just as a baby and with the staff as a conduit, would've been enough for Viren to "transcend his moral form" and presumably let Aaravos out of the mirror permanently by... taking over Viren's body, maybe? The details are fuzzy, but the intentions and initial endgame stage (freedom) was probably plain.

Moreover, if Aaravos did need a Powerful Sun Object and a powerful Archdragon (moon? sky?) Object to get things underway, it'd also explain the choice to go to Lux Aurea to get the Sun staff and corrupt it, as that choice inadvertently led to another 'downfall' (if he and Viren hadn't gotten the staff, their army probably would've had enough time to take the Storm Spire before the dragons even arrived; they were only held off so long because the Sunfire elves were there).

Like before, with Aditi, there's also a potentially powerful Sun source in both the sun seed itself and in Sol Regem, particularly if either or both become corrupted. Zym still exists as a possible source of energy to exploit, and there could be something Moon wise with Luna Tenebris' unsuitable heir or even Rayla.

I'm also not going to pretend to have definitive answers. That said, given that everyone else has been on a perpetual chase for knowledge throughout arc S4 and S5 ("I don't even know if she's alive" / "How do you know?" / "Having knowledge isn't the same as knowing it" / "If Akiyu knows helped make it, then she must know where it is" / "To love is simply to know this...") it wouldn't surprise me if the Mystery of Aaravos is about him, yes, but also one he's been trying to 'solve' all this time.

And on the one hand, this has also already been sort of true, given that despite his powers, Aaravos genuinely seems to 1) have no clue of where he was imprisoned or 2) in what (the pearl). The idea that his powers and foresight as a Fallen Startouch elf weren't extended far enough for him to be able to go back to the 'Heavens' whenever he wanted, that the Startouch elves are somewhere currently beyond his reach... That would kind of track and explain the 1,200-1,000 year interim and Why it's taken him so long to figure certain stuff out.

If he doesn't need Objects (which might play into the lack of coercion or construction, perhaps?) or at least not entirely, then Knowledge of something he's missing may be partially the clue needed to go back Home and wreck shit up. Not needing objects per se could also explain why things that may be useful to him — like the Nova Blade, if he wants to kill his own kind; or potentially the cube (but who knows) — weren't confiscated as it were before his permanent Fall to earth.

This is where we get to the Celestial Elves.

The Celestial Elves, in spite of being a late stage addition to TDP's lore in comparison to most other elements, have always felt very purposeful. As laid out in my post above, there's some very particular choices made about them that seem Obviously intentional in a way that say, other design choices regarding the elves aren't necessarily.

For example, original concept of Aaravos featured him bald, in robes, and blindfolded, but were scrapped for being "too obvious" / on the nose, leading to a very different final design. While blindfolds in TDP don't have much of a negative association largely thanks to Lady Justice and Harrow, the idea of not being able to see clearly (hi Viren!) is absolutely a motif the series returns to over and over until it reaches fruition: "I finally see the truth."

As mentioned in my linked post, the fact that all the Celestial elves are Skywing elves feels intentional as well. Sky (freedom) in the series is the opposite to Star ('destiny') if we're just going by primals and not looping in dark magic. The choice to make the Celestial elves Skywing specifically, when they could've been any kind of elf or even a grouping of different kinds of elves living together (which we haven't seen before) is probably because their understanding of the Sky arcanum and the concept of Star magic is going to be radically different than Callum's; I wouldn't be surprised if they've partially turned their back on the idea of "nothing is pre-determined" by instead saying everything is, which is his ongoing worst fear with the possession plot line.

Then there's the fact that they are devoted to Stars, and Startouch elves have had (as far as we know) little to no contact with anyone since they all left a thousand plus years ago... except for Aaravos, who would have an interest in the Nova Blade at the very least (and maybe the Corona of the Heavens belonged to him, too). The way they're called "an ancient sect" of Skywing elves is also not a point in their favour given that outside of Ancient Draconic, everything else that's been labelled that way has been negative ("the relic staff" / "the cube is an ancient relic" / "wounds from an ancient and disturbing practice" / "Infantis sanguine. It's one of the old spells").

Furthermore, the true sight serum Viren poured in his eyes in 2x02 is also what inspired the bulk of today's thinking meta, as the season two novelization states:

He held the last of an unusual liquid that he had inherited from Kpp'Ar. The liquid was a rare serum that the Oracles of Ophidia were said to have used long before the fall of Elarion in order to see through the illusions of the world. They would harvest venom from the fangs of eyeless vipers; and it was said that the venom had to be extracted on a moonless night. All it took was a single stray beam of moonlight to taint the serum and bring out its most dangerous qualities. Instead of clearing one's illusions, a dose of tainted serum would drive a person into a permanent, irrevocable madness.

Oracles are fortune tellers, which is already very Star arcanum-y adjacent. Ophidian is derived from the Grecian root for snake, which is very dark magic-y accordingly. We know that the Oracles were ancient if they predate Elarion, and we don't know whether they were humans, elves, or both. The fact that this lore is 1) here and 2) connected to Kpp'Ar, who it seems Viren likewise 'inherited' the staff from AND who had a perfect twin box that matched the one Aaravos has in his mirror... None of it bodes well, and I think there's reasonable speculation that the Oracles had some connection to a Startouch elf at least, once upon a time, and possibly ties to the Celestial elves as well.

All of this to say is that whatever the Celestial Elves stance on Aaravos is will inform their practical role in the story, yes, but will also inform what he's been Waiting patiently for all this time, I think.

If the Celestial elves are largely against Aaravos, then them hiding themselves and hiding these powerful and dangerous objects makes sense; cloaking themselves from him would take time and effort and if he's not willing to go back to 'Heaven' without being able to kill people, then maybe he's been waiting all this time to locate the Nova Blade (which Callum is now taking him directly to; great!) or one of the quasar diamonds is his missing piece, or whatever.

This would give me more pause as 1) said info was found in like one afternoon of searching in the Great Bookery, which Aaravos presumably would've had access to and 2) the Starscraper is probably the Star Nexus if there is still one, so I'd imagine Startouch elves would know where it is. That said, Callum and Zubeia never made the mirror connection (Callum had no reason to think it was stolen, and Zubeia had no reason to think that if Viren still had it Callum wouldn't have noticed upon inheriting the mage study right away, so wires got crossed) so who knows. Sometimes story's gotta story so reality's gotta bend a bit!

If Aaravos has been looking for information and/or an object outside of the Starscraper's walls (a spell? the cube?) then the Celestial elves pivoting to being a more antagonistic force makes more sense to me. If they have no reason to hide from him, then they have significantly less reason to be narratively Opposed to him. That doesn't necessarily mean they're exclusively evil or anything (though they could be!), but I could see internal fracturing and having our one named Celestial elf, Astrid, be a contrarian force for good as things go to shit (much like how Ethari is our one Silvergrove villager because he breaks the Ghosting spell, or we spend more time with N'than because he's willing to go against drake rider traditions).

We know regardless of anything else Callum and Rayla can't just waltz in and have everything they want immediately handed to them on a silver platter without a hitch, so at best there might be a trial or two to pass (which speaks to some ambiguity about the danger Aaravos poses) and at worst, they might lure the two in with a false offer of help and security / trials only to actually just rip the floor out from under them.

Conclusion sort of

The good news is that by the end of S6 we will probably know most of these answers, excitedly enough! Given that the Merciful One has their stardust quote to Aaravos in 6x01, and that 6x09 is called Stardust, Aaravos referencing that line while he gets some of his vengeance would track accordingly (especially because know he says it at one point, thanks to the first teaser trailer).

Additionally, it's likely that since the end of S6 is the most 11th hour "worst possible things ever are happening" moment, Aaravos getting to have some of his revenge is I think a fair expectation to close out the season, and give us lots of high stakes for S7. Whatever he's been patient over, his waiting will finally be over, and the apocalypse of sorts will start, for the Stars that he's finally strong enough to 1) return to and 2) wreck havoc upon but also for everyone else, too.

But yeah - this was definitely a more rambling meta than most and I hope it got you thinking! It's hard to believe that in under two months we'll have answers to some of these questions we've been asking for so long, and I can't wait to find out what they are!

[stardustamaryllis78]

Elarion, black-eyed child, her twisted roots spread deep and far, The humans’ might sparked by the light of Aaravos, her midnight star.

This won't do, hold on:

Elarion, perplexed puzzle, Leaving the fandom plenty befuddled, The humans sighed, For once again died, The hope to gain knowledge of her shimmering roots.

[darkmagicmirror]

I've been thinking about @spicyviren 's post about Claudia preventing the sun from rising (and they made a more in-depth post today as well, which is also very good!), so last night I got curious and Googled mythology and eclipses because what if the eclipse actually happens and it's not just Viren's dream? And we know TDP likes mythological references. So...

This is so fascinating because of the "I swallowed her" comment Aaravos makes in Janai's dream.

A demon (or dragon, or-- (etc)) is eating the sun?

(*Personally, I don't think Janai's dream is necessarily accurate for telling us what happened -- but Aditi getting "eaten" by someone especially a dragon wouldn't surprise me.)

And speaking of "swallowing"...

And some of the other mythological explanations mentioned in the article I linked are also really interesting:

(The highlighting was done by Google, so it's not necessarily more important.)

And canon material, especially the Ripples short specifically, reflects a few themes here:

Abandonment - the humans are essentially abandoned by the stars (and the sun is a star): "It cannot be, wept others. The stars would not betray us!" - after the "star" falls from the sky and changes the land.

Crisis/existential threat - "With its impact came a long and terrible night: The earth bled! The seas churned! The sun and moon hid for weeks behind the sky’s screaming storm!" (Also bolded for emphasis because the sun hiding? The fact the moon does too is interesting, but the sun specifically is called out later: "And when the long, dark night had finally passed—for the sun must always rise, mustn’t it?" VERY interesting considering the sunrise mentions in S5.)

Eclipse as an act of creation - though much of the story talks about the calamity, there's also how "[the stars] had rejoiced to look down upon their newborn sea."

The Sun and Moon coupling and creating more stars - this is more of a stretch, but the Sun and Moon did get hidden together, and the Sea (of the Castout) serving as a mirror of the stars... like they're duplicating the stars, though only in image.

Mischievous acts - I personally think Aaravos is mischievous, so hmm.

One side note on the second-to-last point: if Viren learns the Star arcanum, which is very rarely understood, could that, too, be analogous to creating another star?

Anyway this all implies that perhaps a similar eclipse occurred before, when Aaravos had fallen and the Sea of the Castout was created? And we know how the Rise Again short story, which is about her pseudo-resurrection of her pet cat, correlated to S4 opening with Claudia having brought her father back to life, sort of in a repeating history sense. Aaravos's Patience story foreshadowed the fact that all he could do in S4 is wait and bide his time. Ripples could foreshadow S5 being that first "touch" that sets off greater change... and, like with the resurrection, perhaps history repeating itself, in a sense, with a potential upcoming eclipse?

And another interesting line: "The sky opened its maw and spat from its black jaws a tiny star."

It's not exactly black, but I know some people say the ridges here look like teeth...

Also, even though Sol is referring to his blindness, these lines about the Sun "never [rising] again" and an "eternal night" fit into similar themes to the eclipse and the Ripples short.

Also, just going back to the abandonment theme of the eclipse really quick--

The Midnight Star poem also talks about the stars abandoning humanity. "Elarion, unworthy whelp, / Wept as the stars turned black the sky, / They donned their masks / They turned their backs / And left Elarion to die."

(I have more to break down about that entire stanza in another post; I just want to point out the bolded parts for now.)

Now, most of these are references to the past... so what about now?

If I were to guess on how the same themes I compared to the Ripples story might apply to "current" series events...

Abandonment - Claudia feeling abandoned by Aaravos (as mentioned in the Lost Child short)? Or, alternately, Aaravos feeling abandoned (by either Claudia, after she had to flee from the battle, and/or Viren, after his rejection)?

Crisis/existential threat - IMO the biggest threat is Karim potentially joining up with Sol Regem right now. Though some would say Aaravos being close to being freed could be the threat/crisis here. But I'm an Aaravos apologist, so I am not part of that group LOL

Eclipse as an act of creation - Claudia regenerates her missing leg, perhaps?

The Sun and Moon coupling and creating more stars - Viren Star arcanum?

Mischievous acts - Aaravos again.

All of this to say-- I don't think the eclipse is just for show/because it looks cool, but if we consider the mythological beliefs surrounding eclipses, it ties in significantly to the story.

Also I leave you with a few last bits from the article that just remind me of TDP things:

"In many cultures, the darkening of the sun meant the gods were very, very angry with humanity, and about to inflict some punishment. Often, that meant that in order to appease them, you had to kill someone."

That reminds me of the stars seeming to punish humanity for daring to use magic... which is also when Aaravos gets cast down?

"The Greeks thought an eclipse meant that the gods were about to rain punishment down on a king, so in the days before an eclipse, they would choose prisoners or peasants to stand in as the king in the hopes that they’d get the eclipse punishment and the real king would be saved. Once the eclipse was over, the substitute king was executed."

This is so far off, but it reminds me of Harrow anyway? Mostly with the soulfang serpent idea of switching Harrow with someone else. Interesting.

"For the Inuits, the sun and moon weren’t a married couple but brother and sister. At the beginning of the world they quarreled, and the sun goddess Malina walked away from her brother, the moon god Anningan. Anningan continued to chase after her, and whenever he caught up to her, there was an eclipse."

Which reminds me of the line in Strangers, the short from Soren's perspective, where "Claudia had appeared and he’d done it again, a little boy chasing after his sister..."

A lot of it is probably coincidence, but it's still really interesting!

[defira85]

The Tower with a Million Steps?

Just. Pure self indulgent this one. They got Erik to voice Aaravos, what was I supposed to do? Elarion is reborn centuries later as a peasant in Katolis, with no memory of any past lives. Blind from the age of 10 due to a birth defect, fate puts her in the path of Viren, who tricks her into helping with an experiment on a mysterious mirror he has, trapping her inside.

The summer night that Ella was born, there was a shower of stars seen only once a century, deep and bright and white as they streaked slowly across the midnight sky. It was an extraordinary sight, so beautiful to behold that the people of Katolis- and indeed, all across the human kingdoms- took to the streets, sitting in their gardens and upon their rooftops to admire the rare spectacle. While her mother rested after the exertion of her labour, her father carried her quietly to the window, marvelling over the softness of the babe in his arms and the wonder of the display in the skies above them. “The stars have come down to see you, my love,” he whispered, stroking her cheek as he held her close to his chest. “Even they know a beautiful soul has come into the world tonight.” The babe yawned awkwardly, just as tired as her mother. When she blinked, her father held his breath, and his heart soared when he saw how beautiful and dark her eyes were, so rich that they seemed almost black. Except... Except there was a pale spot in each of her eyes, slightly larger on the right; it was as if the moon had fallen into her eyes, a foggy white spot against the darker sweep of her irises. Her long lashes framed the spot, like clouds obscuring the moon, and her father’s heart stilled in fear.

[fallenstartouched]

Behold a new independent blog for Aaravos, Elarion’s Midnight Star (from the Dragon Prince). 

See here for guidelines | about & verses | sideblog to @aetherstories | Est. January 2023

[startvuched]

AARAVOS || THE DRAGON PRINCE || WRITTEN BY EVEE CANON POINT: END OF SEASON 6, RELEASED BY CLAUDIA

The Fallen Star , last of the Great Ones , Elarion's Midnight Star , The Deceiver

Immortal elf , 5,000+

Archmage , master manipulator

Father

Vengeful - all in her name

"I never lie." - half truths abound

APP || STATS || RULES

[wheretwofacesmeet]

[photoniccyclone]

SFR Update - Making progress

Hey ho! In my last update, I told you I had been outlining a big scene that would be the last one big one in the chapter. While I have yet to finish that scene, I made A LOT of progress on it. If this scene were normal-sized, it would've been done already; the issue is it's REALLY CHONKY. It's probably the longest scene this fic has had by far, so it's taking a lot to get done.

Also, thanks to the scene being so long, the chapter has passed the 16k word limit, so I'll have to see what to do about that. I will probably cut some stuff out or split it into two shorter chapters, as it likely won't be long enough to split into two full-sized chapters. But I know of some... "fluff" that I may be able to cut out to shorten the length, so I'll probably try that first. In the situation where that doesn't end up working, y'all might end up with two 11k word chapters or something because the current word count of the whole chapter is around 18k. And to that we can expect maybe 1k, 2k, or more words to be added to finish the current scene, and then perhaps about 1k or 2k words to hopefully cover the following two scenes combined.

But yeah, hopefully, the scene will be done sometime in the next week or two, and then I can speedrun the last two scenes and get this thing ready for editing, which will require some more time but hopefully as not as long as the rough draft (as always).

Also, I will have to change some things from previous chapters that I want you all to be aware of when the chapter gets uploaded. I'll mention it in the author's notes when it comes out, too, and I'll say exactly what's been changed, so you don't need to go back and read.

Here are the things that will be changing (if you haven't caught up on SFR yet, which, at the time of posting, means read chapters 1-6; don't read through these yet as they may contain some spoilers. Again, I'll put something similar explaining what's been changed in the author's notes of chapter 7, so don't worry).

For cannon compliance, Sol Regem no longer burned down Elarion. Instead, he tried to, but Ziard successfully stopped him, as in the show. This was initially in there because I thought that after Ziard blinded Sol Regem, he flew back to Elarion and burned it down. This belief held by many, including me at the time, seems to have stemmed from the Midnight Star poem. This, however, at least as far as we know right now, is false. Sol Regem did not manage to burn down Elarion, and the more likely explanation is that all of its citizens were kicked out in the judgment of the half-moon. I debated for a while on whether or not to change this in the fic because it is an au, so technically, I can keep it in there and just claim it's one of the things that have been changed, but a future scene is going to need the canon version of events anyway so this is going to have to be changed. It shouldn't be too hard to do. It's only been brought up in the fic twice so far, and one of them is just a change from "burned down Elarion" to "tried burning down Elarion," pretty much. The other occurs earlier in the fic in chapter 1 and may be harder to change because it's one of the things that Zym roasts Sol Regem on in a way that's not so easily changed. So I'm either going to have to come up with something else for Zym to roast Sol Regem on as a replacement or try to still work with the original one and just change it so it talks about him for attempting to burn it down rather than burning it down. I don't know how easy or hard that will be; that's also in the future when this chapter is pretty much done. I just wanted to let you know this will be changing.

2. In chapter 4, during Team Rayla's battle at the Earthblood settlement. Multiple injuries reference arrows "lodged" into limbs. The problem is, I recently did some research and figured out that if an arrow gets "lodged" into a limb, that limb is going to be out of commission for quite some time; it will likely not just be an "ouchie" that will cause you some pain for a while as it's kinda been shown in the fic. I never wanted the injuries sustained during that fight to be too debilitating as it would make some future scenes not work. I planned to make the injuries bad enough to lower morale, but not enough to put limbs completely out of commission. So, this is gonna have to be changed. I plan on changing places where an arrow gets "Lodged" into a limb to places where an arrow "grazes" the limb. So, it grazes the limb instead of implanting itself into it, decreasing the severity. Hopefully, this will make what they experience after the fight more believable, and it shouldn't be too hard to change.

That's all for now; hopefully, I'll see you all in the not-too-distant future!

[kradogsrats]

Been noodling idly on something about Aaravos's tiddies chest marking for a while, and since @raayllum just did a big update/summary of the "Aaravos's heart is in the Key" theory... I thought it might be time to put my little thinky-thoughts out there.

In short form: Aaravos's Star primal chest marking is not a natural feature of Startouch elves. It's a brand.

In long form: My initial question was "why, if we have the primordial Star symbol associated with the Celestial elves and with Aaravos himself, would he then have the primal Star symbol front-and-center on his literal body?"

None of the other primal elves have birthmarks or tattoos of the primal sources. (That we've seen. Runaan's might be on his butt or something.) "Actually, all elves are physically marked with the symbol of the primal they are connected to" would also be a very weird lore drop to have this late in the series. So why do Startouch elves have them?

Well, the answer is... they don't. This is a feature unique to Aaravos, and it's an important feature.

For give my heinous artbook page photos, they want thirty-five literal dollars for a digital copy:

What do nearly all of these designs have in common? They don't have their dang tiddies out. We only see what would become the chest mark in the far right and teeny bottom second from the right designs on the second page. Note that in these designs, its nature as a hole or source of corruption is much more obvious—in the far right design, it's even spreading cracks or veins across his body in the same way that dark magic affects humans. (Thank god they didn't go with that single horn, though. The fanfics would have been obscene.) Either way, Aaravos's chest being constantly, readily visible wasn't a design factor until some point where it was determined that it needed to be, because of what would be there.

Furthermore, I'm convinced that Aaravos's design and the use of the Star primal symbol on his chest informed the design of the symbol itself:

Look how much basically none of the unused ones resemble the final design. The one they chose is a total outlier from the direction all the other designs take, but it's also the one that works really well as part of Aaravos. It's the only symmetrical design, and it's simple and solid where the others are busy in a way that would interact poorly with Aaravos's already star-studded skin. (I did a broader analysis of the primal source symbol designs a while back, if you want more.

So Aaravos and the Star primal symbol were designed in a symbiotic way, knowing that it would be a prominent feature for him. Let's take a look at it, then.

In every official appearance of the Star primal symbol, from Rayla's drawing of them to Claudia's spellbook, from the cover of Tales of Xadia to the Mystery of Aaravos titling... the Star primal symbol is in the opposite orientation from the one on Aaravos's chest.

Except in two specific instances: the book page with the Midnight Star poem, and the Key as held by the Orphan Queen in the flashback sequence:

Both of which are referencing Aaravos specifically, and in a specific way—as the one who gifted dark magic to Elarion, and as a deceiving manipulator.

But it's pretty clear that Aaravos's chest star is upside-down. Falling, you might even say. It has also always been that way: we see both in the s1e1 intro shot of the elves preparing to cast the humans out of Xadia and in the much more recent s4e3 flashback sequences that it has the same orientation even before he's imprisoned. It's also there (and I'm 90% sure in the same orientation) in the s6e1 photo leaks (spoilers).

This key element of Aaravos's design is a) not a natural feature, b) very specifically oriented, and c) has been with him as far back as we have thus far seen, to what we are generally assuming for the moment was his "fall."

So, in combination with the "something (literal heart or no) was removed from Aaravos when he "fell" and may be connected with the Key" theory: either in conjunction with or as part of that process, Aaravos was branded, on his body for all to see, with the mark of a fallen star. Then he absolutely owns it with his tits-out outfit, presumably out of sheer fabulous spite, and no one around him actually knows what it means—that he's a punished exile, a piece of himself or his power stolen and/or corrupted.

[raayllum]

So the clue is a creepy ass cover of "Ring around the rosie," a childhood nursery rhyme about the Bubonic Plague / Black Death. Here the lyrics pictured:

"Ring around the rosie Pocket of full of posie Ashes, ashes"

stopping before the infamous "we all fall down." When you lighten the photo, there is also a picture of wilted rose.

This clue was also released very purposefully and pointedly at midnight, and the release being at midnight was built up. Therefore:

6x08 has to do with Aaravos' history with Elarion

The poem detailing the history of Elarion and his involvement with dark magic is called "The Midnight Star"

Elarion is routinely referred to as a flower/bloom

The Flowers of Elarion is a story in Tales of Xadia shared between Katolis and Moonshadow elves, specifically. It is the only story in TOX to have a dual narrative treatment.

Flowers of Elarion are left as a gift in exchange for stealing by an unfortunate elven thief stranded on the human side after the Exile.

The flowers, unbeknownst to them, turn to ash in the morning. "They never knew their gift was perceived as a curse, not a trade"

Instead, Lasair intended for them to be "a fair exchange of beloved for beloved" whenever they had to take something important/precious from a family

A wilted rose is also a symbol of dead/dying romance

Either all of this symbolism is going to be woven into Aaravos' backstory (dark magic being a gift and a curse, something that takes more than it ultimately gives) quite easily, leading to Elarion's fall as a city and perhaps Aaravos' own fall, too. If it is tied to the present, I expect it to be tied to our respective Katolis mage and Moonshadow elf, for well, reasons I don't think I have to elaborate on. Either way, it's shaping up to be an incredible episode with some very cool symbolism and deep lore, and I am prepared to be emotionally devastated.

[nerimaha]

“...Elarion, black-eyed child, Her twisted roots spread deep and far, The humans’ might Sparked by the light Of Aaravos, her midnight star...”

When I just started watching the Dragon Prince, I was inspired by so many things. Beautiful animation! Good representation! DESIGNS! And then Aaravos appeared. And ... that's it. I am done. Azura forgive my soul, I fell in love with the elf again.

[kradogsrats]

OKAY I GOTTA JUST... VIBE ON THIS FOR A SEC bc I've been thinking about it nonstop

This makes so much fucking sense I really want it to be true, because it explains so much—"Starfolk, fabled, fallen, found/Once everywhere, now none around," unicorns and the primal stones, Aditi and the Sunfire elf royal bloodline, the primacy of Sunfire elves among the elven subgroups, just... hhhhhHHHHHHHH.

Like the thing that really tinfoils me here is that... so if all the primal sources are derived from the Star primal, like light through a prism or something? Like @its-leethee said, it makes sense for it to be all the same thing underneath. It's (imo) implied across multiple sources that the primal reagent for a dark magic spell doesn't actually have to correspond to the nature of the spell being cast, it's just easier. Aaravos can master all the primal sources because they're kinda all the same thing underneath, and it's the thing he's already familiar with.

But what gets me is that this is the first thing I've encountered that really goes with the theme of the Key of Aaravos being a goddamn die. Especially if it's related to his own heart—if Laurelion's white Star heart was pierced by the Novablade and he became a second elf, then a) it makes sense for Aaravos to remove his own heart to ensure he keeps what's left of his Startouch power, fallen or not, rather than become mortal, but b) if he then put the heart in a thing that represents chance and random selection and shit? I mean, if Star is the root of the other primal sources, and this is how the all the primal elves came to be? if maybe every so often a First elf still rolls "Star" in the "what primal source is your mortal self" lottery, and becomes a depowered, fallen version of what they were before, like maybe an elf with a touch of Star power within them but not themselves a Star any longer? I'M NOT OKAY ABOUT THIS.

Then ALSO just as a side note on "the Sun herself"... there's actually no indication of Laurelion's gender in canon (I had to check). It's only Aaron Ehasz's tweet using "him" and "his." Then we have Elarion, a suspiciously similar name, linguistically, that is personified as female in the Midnight Star poem. Now, that could be a case of "all boats cities are female" or names being aggressively gender-neutral, but...? Even if Aaron's not faking us out, it's clear that by the time of the show everyone has forgotten that Laurelion even existed, much less their gender. Personification of the sun as female could have come later, maybe to balance with Sol Regem being male, or because they're prone to extremely powerful queens.

I got WAY off into a Tolkien digression about Laurelin, the half of the Two Trees of Valinor that births the sun with her last surviving fruit, and whose light was preserved in the Silmarils but I'm gonna do a separate post for that shit.

But look. Look:

This isn't the only explanation and I'll talk about other possibilities elsewhere at some point. One thing I've seen people compare the shape of the rune on Laurelion's amulet to is an acorn. A goddamn seed.

Oh let me meditate on the beast of devouring that feeds on the stars, that star devourer dragon Let me repel this Star dragon and banish it from the light of my Sun

- Ancient Sunfire chant, Tales of Xadia

I'm thinking about the sun and the stars and how Laurelion is, probably, both.

(Reposted because I’m a damn fool!!)

The Big Bang, in real life

The majority of atoms which make up us, our earth, and even our very own sun, were formed in the hearts of the very first stars in the universe.

These stars were made of lighter elements, mostly Hydrogen, Helium, and Lithium. But under the immense pressure at the core of those first stars, heavier atoms like Carbon, Oxygen and Nitrogen were formed. The stars eventually died - exploded - and released those heavier elements into the universe to be crafted into other forms.

As Carl Sagan famously put it, "We are made of star stuff."

And so Aaravos's quote in the teaser for season six - We are, all of us, stardust - is a blatant nod to the Sagan quote as well as, I am assuming, that aspect of the universe in some shape or form. Allegorically, it speaks to the idea of the universality of existence in the basest sense. But also, it acknowledges that the stars, like everything else, operate generationally.

So in this way, if we are to assume the TDP cosmos operates at least somewhat similar to our own, Xadia's sun is a younger (but still old as balls) star, from a different generation than the stars which are far more distant and ancient.

(As a side note, the very first stars in the universe did not last very long. Though certain stars in existence right now have "lifetimes" which are projected to last longer than the universe has currently been in existence.)

So if Xadia's sun is technically a star, even by Xadia's own admission (see Sunfire chant), then by this metric I have to ask...

What makes the Sun arcanum different from the Star arcanum?

While those first, most ancient of stars produced the materials which would become life, only a sun can sustain life and is therefore inextricably linked with the earth and all the life on it. It's this connection which I imagine is responsible for the change in the nature of the magic.

In Callum's Spellbook, Callum makes some word-association lists for the different types of magic. He associates "truth" with both Sun and Star (perhaps a trait of their shared stardom). No other words match up completely, but it feels like they are referencing similar things within different contexts.

The Sun teaches while the Stars are simply intelligent; the Sun is a "guiding light" while the Stars are associated with "destiny." Further, many of the other words Callum associates with the sun are about being in positive community with others (optimism, warmth, charisma, leadership). The nature of the sun is more giving, nurturing, and dare I say loving than that of your average star. Sun is revealing and honesty, Star is mysterious and reality-altering. Further, there is a dynamism in the words for Sun Magic that is absent from Star Magic - sharing knowledge vs simply having knowledge, guiding vs prescribing a set path.

(Another side note: Callum also mentions that Star mages are born, which, Callum's limited understanding aside, is perhaps a hint about what it will take to connect to the Star Arcanum. I have thoughts, but.... I'll just leave that there, winky face)

Obviously, these word associations can only go so far. Some of the most hostile and arrogant (eh eh!!) figures we've met have been Sun-aligned. But it does make me wonder about the beginning of Sun magic and what that introduction may have looked like.

Ever wonder what those sparkly dots are up there?*

Okay, so big question for me. Is Aaravos a star, like, literally a personification of a ball of gas burning billions of miles away, or is he just like, a very special elf? The same goes for all Startouch elves.

Zubeia refers to Aaravos as both a star and as an elf, and it's one of those things which I can't decide is real or simply a more poetic way of speaking of him. Is "Startouch elf" simply another type of star? Official art also sometimes depicts him and others as constellations. Are they the formed consciousness of a collection stars?

But it also makes me think of how often Sunfire elves personify the sun/the sun orb.

JANAI: You are a student of history, yes? Do you know where the Great Orb of the Sunforge came from? KARIM: Legends say it was a gift from the Sun herself. The gift of a millenium. - "The Drakewood," S4E6

In "The Queen's Mercy," we have...

Aditi nodded. “[...]and so, as the Sun’s daughter, I will lead you into her embrace.”

...and earlier, there is this:

Queen Aditi the Merciful, they called her. Queen Aditi the Kind. The Light of the Sun Incarnate. Kim’dael had thought it all an insufferable exaggeration. Sunfire elves gilded everything they could touch, of course they would do the same to their beloved leader.

Karim personifies the corrupted sun orb in "After Darkness":

He could still see it: the top of the Sunforge Tower, upside-down from where he lay, shrouded in inky corruption. It looked ill, its sickness weeping red and crowning the spire in a haze of blood. [...] We will come back, he promised his beloved, tainted city, his lost home. We will not abandon you. The orb pulsed mutely, a cry for help he could not answer.

TDP uses personification a lot, so it is kind of hard to parse out when it's being literal and when it's being lyrical. Perhaps in the examples cited it's simply the ostentatious way of the Sunfire elves like Kim'dael thinks. But if Aaravos, a known person, can be a star, then I can easily reason vice versa.

In the Book 1 novelization, Aaravos refers to himself as "of the First Elves." And if that is true, it follows that there must have been "Second Elves."

So who is Laurelion?

The significance of the laurel in the Western canon goes back to the myth of Daphne and Apollo.

There are various versions of the story, but essentially, Apollo (popularly associated with the sun), falls helplessly in love with Daphne. Though her reasons vary in different iterations, Daphne turns away from Apollo's affections. She runs and Apollo pursues. Just as Apollo is about to catch her, she begs for help - sometimes from her father, a river god, and sometimes from her mother, a nymph or Gaia - and she is saved by being turned into the laurel tree. In Ovid's Metamorphosis, when Apollo reaches Daphne post-transfiguration, he can still feel her heart beating below the bark. From that point on, the laurel wreath was associated with Apollo, achievement, and victory.

Gold, the element, takes the symbol Au from its Latin word, Aurum, which has etymological ties to 'aurora' (dawn). Names likes Aurelio or Aurelius similarly mean "golden" or "guilded."

So, taken together, I of course think immediately of this:

THAT BEING SAID, this looks more like a weeping willow or a wisteria than it does a laurel, which has bushy foliage rather than hanging. The closest I can maybe get is a mountain laurel, which does have blooms that hang kinda sorta like a wisteria, though not nearly in such a dramatic fashion. But anyway!

The golden laurel...⋆｡°✩Laurelion✩°｡⋆

Interestingly, in Ovid's retelling of Apollo and Daphne, Apollo's love is the result of being struck by Cupid's golden arrow, while Daphne's disgust of Apollo's advances are the result of being struck by a lead-tipped arrow. And so, there is an association there with gold and love. And within the context of the myth - Cupid is getting petty revenge on Apollo after Apollo is boastful and arrogant about his own prowess with a bow and arrow - it's also an instance of weaponizing love.

Which brings us to that which is known everforth as...

The Nova Blade

It is actually quite common for stars to have companions and to exist in what is called a binary star system. In this system, two stars are gravitationally locked in orbit and can appear as a single object when observed by the naked eye. Sometimes, the proximity between these two stars results in what is called a nova - a sudden brightness which appears to be a new star. Novas are not associated with stellar "death" (you'd be thinking of supernova, in that case).

Now in our universe, novas are not actually stars. They are events, momentary bursts of brightness under specific circumstances between two stars. But the name "nova" originally came from the term "stella nova" which means new star.

…and though undying, took last breath, immortal Laurelion was no more. - "The Death of the Immortal"

Did Laurelion just...die? You know, it was really unclear...

I do not think the Nova Blade killed Laurelion in the moment described in the poem. Kazi is so doubtful and Callum is so sure - Callum you fool! - surely that would be too easy (quote quote easy)?

I will grant that "Supernova Blade" would sound kind of hokey, and even originally I had thought, "Oh cool, 'nova,' like 'SUPERnova!'" And then I thought to look up just 'nova' and it turns out it was actually its own thing. But even without all that, the 'though-undying' of it all haunts me.

And so I hold to the idea that the Nova Blade makes an immortal mortal. It does bring death's bite, but in a way in which Laurelion becomes something else, reborn with death's promise like all other mortal beings are.

I have two point five ideas.

The Light of the Sun Incarnate

My first hypothesis is, of course, that Laurelion became the tree with the Sunseed with a name that's a nod to Daphne and Apollo. Of course, I'm assuming here that the tree in which the Sunseed is kept is responsible for producing/sustaining the Sunseed, which may not be true.

Now the drawback of this idea is the legend that the Sunseed was a gift from the Sun herself. So here, it would have to be within the context of the Sun sacrificing Laurelion in some way for this purpose. There's obvious Jesus parallels here which, full disclosure, is not really my bag, baby, but there are plenty of elements in TDP that very easily slot in with Christian canon. But also, in the laurel myth Daphne begs a parent to save her, which puts the sacrifice of it all in a different light. It makes me wonder if the event with the Nova Blade is self-inflicted and, mayhaps, an act of love. So in this sense, the Sun "gifted" the world (or just the Sunfire elves, I dunno) her child by simply letting her child go.

My second hypothesis is that Laurelion became the first Sunfire elf, of the second elves. We are, all of us, stardust. It would not come as a shock to me if all elves were ultimately descended from the Startouch elves of old.

AND THEN we've got Aaron Ehasz talking about how the red dragon scale amulet (...and look, this show does color coding, that's SUN) is somehow related to Laurelion?

Sunfire elf, I say! SUNFIRE ELF!

Combining both of these scenarios, I could see Laurelion being the child of the Sun (again IF we are to assume each star is a living entity). Or maybe Startouch elves are born OF stars while not, technically, being the same thing, like an egg hatching the next evolution of its mother.

And so, perhaps Laurelion chose to become mortal, to become the first Sunfire Elf. And all of Laurelion's children, and their children's children, and their children's children's children, they were all of them children of the sun, the light of the sun incarnate, bringing the hope and optimism of something new to the world; destined to return in death to the embrace of their very first mother. And as a symbol of her love, the Sun gifted Laurelion the Sunseed, golden and cradled within a tree.

*oddly relevant Lion King reference